ART

STYLES

TEACHER'S GUIDE
RQMtli.NlESQUlE •

corarc• R£AUSM,

SETl
REN'SqANCE• [Mf:'RES5IQM BAR19QUE • NEOCLASSI£ISM/

ROMANTICISM

M ' POS:rr ... MPRESSIONISM T

ART STYlES: SET]

mND;,ODUCTION

The An S'ryJes pmtC'r series is a prograra

dClIigncd ro irmoduce
. The series

tudents consists

[0

major an ~I~

duougItOUl (he centurie

of 1C'1'liof l:igiu p-OSLCn.3.1111] ~"':lC'ru:r\ gl.lidC':. Eacb :I an impcnam work representing

,or ehe eight
of

pcsren includes an imrodl'lcrlol1 [0 the style, ODf large' repreduencn the' styl!C'. :md foul' smaller also includes reprodurnons WlW !;,'J\pJanJlory captions . .Eacbprnter
nmeline 'Let"ert:ncmg major penods

:t

and ~tyles.

Till: Tnchf!r"s
:!nd ro reinforce

Guide provides rhe oppomtn.lI:y
knowledge
iii

Ie

of

me ;uri.!'C§shown

preplan lessons

and [beU" work. The

Guid~ mdude,

repruducnon of each pester, an nverview of each an

style, :wd acnvrries thatrelare to the 'style.

Studying as

e.1Ch an: "lyle will enhance the srudencs' visns to an muxeums
tt:cognilzl!' both 'the styles and the am5~ [h"" have studied, and

IhfY
an-

dUll' will hf' :tbll!! ~o I.:otnp<ir~ the st}'IL~ ttl other arriM:!i with whom
!IlOl

th~y

~o 'Euniliar. Tne.un"l'iti~ which

are designed eo help 'th" reacher or ~wl1plified.

adapt 1~,\(}1l5[0 diifetenl

"In be e.'lil':uuied

gndr .1l1d,kill levels b~' providing basic Id1;'3~

J

l\n :If"''" ~vauhed.11h gold leJlf. m" O:UOI'IDOIJ.. .:l~'C ~j.".b iI b. Larin rr""" ".II'ld In ri. o •• Cllrist'$ itlJt"ry iido /et'll5l'lJefll p...:illY.. b.. ~\Ufl~of art ~~'T'o. d. mol.~u1tJ were used In lltil'lluc I~I:' ~lTY"'l~I~.hml!fIlifmollh~lu'" ~.:"> rod ~l1pJ'<'11 p.J \\1111 ~ulp!'c:t! iil-'U~ at the from of the cliwch B... md II.ttel'- p~lfIt:ed Oil ttl"lh.illt'd dJ e ~PK"e>ill "hurch ."ifl1Pn'OJill'""."l)Tih Ctlri..1I1inn lludHi\:\ th~1 dC'\cnbt'd mfll.m rnd .:11"and R..uti one .mn num.:pru_~ .lh:hml~ an.oothC'r pJJl~toairtDr and fiK"roiS ''nO!l}'ftIOIB ~I'tht JllIln"til ell Cllrur . rill' J.'pillll'}' i~fin .r.f BlL~rICU md IlJC~~ Oth".lTl.:u. Roal:! Wl"l1.L.d I'I1!IMtii!h .. ~ltll"'llj..giow OOiJl<.!:ed .ib p<>lm"d .I l. lI}l'l:J.Uclu~~(tUfll dUl "..rc bll LII 10 all [01\\.. p.It" mmlber<l)l- Nf}tr~Dame-((j-GrlUIJle NOlJle-DIIID'le-I"..n!...lJ'is af Hit'.mtI1~.il1P!lItLtm1".kr(lr~cr:d wuh pun:: ~l.p1 ".I tlhlllfOitimll pIUJ)!".dl Ihe: Ii:. The lIppr:T lind lower bmdlll> u.C'!i In !i\'Ur.I~.1111 .. (mm m about 12511 wbl:lI 1110Gf'thJ..")"wert:' strucrurallv mute: !.mil< I!..' made . UJid mo nurneu ml ~reh I recrure.~ CI"b. the ~IO\' IJII~ i~<:II.cd piFW"IlI.~.I Y.~ . ' l2'" nmmrrTlk ptcrure 1"1 dC'O'''b . deeoratlon.r..~ .I[t.. £1111.lImrd with rhe Fn:ndt ~l'UII1~1 ..( Ityl.wwdi ill (lllpim~ Ii!l p3JI~ through the church hAd P""C" l'lurodco ef rhem ILl bold holy relic-..~-.~Qlffi nYU' DE~(:_IWI'ES .... IJf ehureh rtul I' 'flm=~jtr ~nplan.X1I:UW dOl"'" "me th~ ".~.lt il ill ernbrmderv 01 colored 'oil 1.o~ ~'r wall pilinttngll '.JITd-\'.IJ~ bv l. Ih~ P"(1m~n<'1quc ~1:)'lo: (lllIedJlJJ!g "like the ROIn..Ill leer loug by about pj mdll. C"n~nm t1":!1Ie~..ula..TII~ ." ml!ih lUllll!'l'. r~o~. fm. I1f dll' m.linn Itmga m:1l1 the ether thl1:'..I~~a".. 'ItlVM. r ~L1k Gm!ll. th..UII<:J.t' arid dli! Sl.hI.." "'.':11111> reqlUwdi l'T1O~SI\'1: dmdt "..'( Illii«:TIlr)' um~J Cli"W<)OJ ..ndcl.I04blc.".d jiXII- in SpnI1_.nU'>U1.uJ tor ~I!~~~.".I. or 10 pm\ Ide mull p!.he. ]hl' !i.d them '.l.0 ... ".· .b. " a JIn~ \I"lde ehurcb fC.(j'ruru!l.. rmpnrrmr ROMANES'QtJE TiJ. md mil" pomeed deme IllII.1"'1"" 'Ill tLff'l:fCm n)l.I. For rlu~. ~~e~ 1..0I'I" fa ""l'lIot1IU rir.L II lr_u l!I ~n Uf\\~rk vr. Churchee bmh In me RumO!lt.J"I.~ prnduo:...HC'f I\ith b:n.".~ llfn.<l lium the <:MI. ~lupc (If ..try na' 8"101.m:lI{ ~tJJ ."gelistB 1111\ ':iJ\~r of a ~]J. umIIlli' [OIlF'"JI wieh [1:""'1:'n.II'ccrunnl'l.in .{)lml1~Ue b'eKn t'~U~d Orbl'r ""lfIT i"UD JIt"lI'Ml~m W1~ pamred "" thr C'1!ilmg 01:1 .:l. .)' II LMh the middle 1lg<"!1. .. ofp~m:m.c>cc c..d 1110' [nlfLll"" 111I~11~"'T prod LI'IIl~ ttl.(i..:"CI:) (.fth~ 'b~n (0 be: Ll5oI:'J i!).llU~ IVim ~ b.arch. ~~nn\ ~I! f aM rities o Hi t rtc. I>n!11~III)i dlll""rnng.r <f"d ih~J'IfI"'"b oftllf BN..1\ 'eel'l h.!{1I1Iol:Wllh~m tb~ C"""IUMOr\ m''USiOU of England.m.mtllkllgrlcd. Sf}..j~ t'lltb\l'lll-~1Il . 1Il">1 tOWnI.s.rcM m 1l1Ul". 5tulpw.!tfiL'>d i~nle .lJlJ"J be:f\<I1l because 01' a renewed illl.rr flm....>.! or cm~ ". 7..ul:. ~'lI1 efrrade .>01 ~ Iff'Ijl Ilf linen 2JIJ '. l1la.ART !ITYUlS: SET [ wluch '''c:..~ ombllbttlri'-'~ ClIris·r ....euK Tapes.lup."'uh 't)'hllC:d lenl!ring ~JII.J. illII n:tin~riem W"3~ ~ began.[.)ll1ld~d ~l'ChH. ~IIlI IJ1J.nrdT:d Lli lui! bv an anenvurous itEI.'I"rr tHl1\'" e wrth §Qh~ . WOl!. ~ 1"~lleC[rn in 'pil~[mo~ .q~ .flgtllJfi..". rel .hpw .c Op Ltd of scrrprure .ag.. Ilfmf'<l \-.re.mIlt \\'..L1iag ofl\ll~dimr"l!I".The plili:t whelX thl1 1l.:' pL.

QliE U~e the UI ~t)'I(' .J( ~hc ~CC non of the . such ~ I J x I II IIH:he~..: pruJltm~ pJptl..'It ~'r"1l·.lrnldlkn pleasures.K.:Wnl.J"' .l~ )"l'Iur k.1d -I. bdp(lJllfrhe ' . Ih:<tIilUt'u-sur-Dordogrll:.~d M~".iln SflldCUltli h) ~CC.~ ::!H.md p..This could aI.01.lJ.-ouM be l lusu~rjl event or po:l1h".should decide whar the size of each ~i.rlilNT'OIll T'I'OJe!. (he ennre d.j dut your school lmlds.'l~ :I PIC'("C of p.Jrenry ~hQllIld be. could cll!"wrnn.II rhar rime. 5 .\· wIJ[S/Ij" un the pester lIi:1d read the.lint them.jj~· 'Orvieto Cathedr...rodcml Q"Hmu~' would make 1k.l. Draw some 4-':ldl"'" ugl) arnrnals.{Udt"Jil 1group oflWO or 01 three woukl choose " part (If the [..:i1-olIlo111H r:tpcr-Ju~I a' [hl'" Jj~lr.he ensue rllls~.1{ her' hd.l'l Ihev wanted [0 depzrr.l(""uT)' h. E.Illlm~~.:II tim arne ill the 1q .."ln" -.1'lli.c~ wieh rile' 1(. mum or m d hoolU~i'''\ UfYOllI ~dvml for all the cr ~Ul1Jr i!:l'I.ght lncheoo.. Eu <". wi ndow till~ in VOUT clA~ro(lm.')$\.nl ~l1diarr hirerture ofreE porrrol~'t:ld monstrous or lan:Jwtic: .. It would me him fl'lll11 hi~ dt:~m: f~r rl.a.11': kJpnlry I.tm! Irlnk .:. nf'cach mo" IN""rER1'<!rr Ex!..l JillIiw Ulp~rry could he . the 11.e ACIlVITIES look . 1'11''01. M.hnllM then be jOlJ1cLI .~fdlnr ~cnt . dll...~ T. vou ~I" vour ~up ~bould I.. -wl.:h't'nioU1 or the filli\l. Then. It .3 rt"l:t IOIlJ..lul.'On:il"o .tkl!l~ . arul me artists 'Tho were J'lillntlng . E. A backpround euler mLL'[ he chosen by !. ROtulolnesque ..J dcndc:.m: . In inch or 1)\0 on rhe lop and the bottom to pnb-tps YJU1l dc:ml. • or 1.(j be done by 3 dnWJng.P' :. rht"'T1 l1fLlnlol.llnung p.l~ believed .adl i"uividui! '>.lllfll.th .]J. It \V. ofyollr d:l~'111.ART STYlES: SET ! OTHER "EXAl'iJIPLES OF ROMANESQUE ARClllTiECruR£ DUl'Irno.apl!'~~ryw. ' J::Til~1r "'1J~pr three IH ( ur small .LII:h .(!'LiChc~ ..I~ It ~lw~Jd be umform thro]jghnu~ ..ln filY. Afic:r me final sketches have been chesen yOy m1ilW dr.:md the bonom .I• and 12'1 [t:!II(Une> .~tr\l rh. or' d:lir th.':t.1lib in sculprure or in PJil1li!1~ amI fn:~co~.g .luly Chun:h of SlliIte-~~ C:ollq~ Chu rc h j)fS<lhll~ ~'i""rl'l:.llldi (he: fuIillJed ClpC'>UV !'lflounLeJ III }"olir J.ll"I't'dU.qwr.p' J depicncn all the ddfl:"rent sportll1.'T v. 3..011 an everu !:luI eeuld bl! depicted m the t.uuld b . .1IC would h e (he s~mc . II .11 sorne wt'h ~~ III learn mor-e about till' ~fi'I~.1pe<>rry...'Ilb IhJt describe the evenr cho!>l"l'1_ ikerrhes mould be made (or [he berders.r.ha[ tf m3J1 leoked ...:J. bot!!!!! on rn~ I'~p . !'irant. perhJr' nn [arger [h~11 \.n \... ll.:oon.'t'mu {'lrl1iPl~ and tho~..1.capncn This hi~lMh: l.\llt OT (1" repre entation .r w I:hl1lJl Oil. )n'1eoo.[Jml of rho: l..

.~n.ll:~Iltljctt m.m . 01 em nnon .'1 '''Im.'.~"d \1fpul.1t'n1An m om: oj' rhe ... L\.../JiJ Vil'gfll' A.ng 111 Ih. were invented l!:l!ml ItO:llillill3..ll r.~.. i!lU:lll1t1l!. .t·BJ.n 1.ll.ih Ih~ l.{tllll.llerlO b}' Ill..w .} Tha how 'Ill" uicerrecr term.<$...-ill. ~..j(:J n_.~n~ ~runl1lg Lnwrin r "[1... ll"d:dpWfl were highly inIluc-m.1. ~hmn .u"h Robert CJ...lC'-.n..m F\lIDh:"rof Gerlnc art...o IllOmN 01 the yen '11m po'nor ll!'JUlrd f'r"flloul dcBm-J' from La Tm BMIeJ" ':1<fnt~db DJlI: "l~~!.:t o:rl~" >uppt.ikon ~...1' L...fllJ d.pir ~O.( dirrth ~." (Goth..:tnl Wen.~" GOlru.h DI'\L'Itll of THE GUftllC ARr 'STYLE W~ HltJ"<C uuportanr III #.]' <.uwl" rhl' rnnn' at'~n-l:' .\.~ Olfbo"k. .~ ..." ..1 Gud" '" b"lldi~ .Ili!l..Tlu_.~ d ('ubon~~i\' [l i1lti=Jl~d IM. Th~ L1>L' of ric 11eel m . m::hi~o~!.:1."jllprkJr.!rilll.lIed u b)' b.L11('L11 11!i11 until15LJ :')0111" or Ih~bi-!I I1x>Tmrl~ IJj 0+. ...i.Knbcd •_ whn f'rc:!'!'HI!lI "b"'II.""~-".i" PillIIWJ r T Iymb<:'~i~ 'FII.'I.. hUT dll.urue5' Llr<" '001")' b •.!ilitlS II! hid! l .Ufo b-!.Th~ l1.il "lItldu~r d~m~"t of (.rrlilng-.lm::c·.'ltl:T 01 The Mruter I' o{ FINtm Ih' fk.~.li' Fo"jfl!ti".!~me._ - .:n~ll.1 ~"'. f".:h !!.Illnn~ m.lg I:n..J fnr mtermr iPlCC""..amti"'d 1)"\·ll! unkn i 1)\\IlI ""hl. ·. .. lin 1!!."como J~~!!crH).lLJ>p~~"'''.~~C l' b'..1.ll"tlm GiaCilD10 Jtll'l..itltM. F t.. - Thi' .L"lo:III ·tIl".lgr.in:" The M. he .J]]ltuiF:.1 mm'l' .L1'U:"rIn new and rno~ n~f!Ji"<!~IV")" p~ililU!'~ ~!ld \~lFI'\l1T'.j.I)"" l. .r wllp..i' ill'l.I" Lhll .:I.!i4'!.t._.1.jo:ton rLCIII .inlird "." R"imL!i CIlWCidrnl In I~m.'. " 15. 111j tl'~I!lf.: lC.- p.)tl[1! t'[l... .l.n l1H:t"t1!U\. I'. [. "" ~IB.Be ul ~."...("·tl!\!tl-\ no: ~lIIphzduJ PJ.11 ~. pmHll1'i II'IqIC1nml:mN wub W<1J1~ AIH GoTHIC STYL.limb\{l'IIlX BmtJlL'1"S The J looking .d pouu".~~~ ~rhl l:.lIltrr_ K'1l"'~ of t.dln.L."loth L. ...r. .U( 11.r'~1 . .LlunCII.' o\.t ..\p<" II' rh . J.. J.ubei1 C{ljl'll. Gr. enlh" art 'fl.Lmin.lh~Jrili colruttUC"L{'d lhulUt": r ill'ln 'II"".lo.nt:foi..ho: ill W~~m P-mopt' fmm .ctu ..)! rl"thicrg r.:: i!lrip. c..td rill m .W!l'f!:'m.lUUI1~ ~I III . h!~H".tltn:..l'.IJ yVilll1l.rd.\ J .Llldmhu~ ~<J lcl..'0 rmmaenre p~no"lrn:!' d~I'~.'Cntl"<'_~nJ..II!!: C~..ilmodd Clln~n~ IJJ!. ".pluf.tni'tul't"'.l!'t:h:!.J.1..<.m :. 0::>1 ~11 'p~nd" . pamred n~cAbl!1'''r!d"t.'i\A!o·t1 Wltl~ I... im..!u. .!' dJ~ n'I.11 knm. WI: ct'ulf:r p~n" I .lFPIIl!-t !lfdl¢ ji~'IU"I!'~_ :lnd rn~clem.. ..l~ l}'T'l~.'r .:1(U'11(l[ I L""'.f IDI~... 1 Hld .i.. Dr.[m!l~ rhe Ilk 01 rml1 lIUl ruc~ o.I"m:...rLl'L.1 an elubullditl~ ~ _.". " 1\"Ul'n. W\ ~ fiJI .T.R..lU.IiU FfeLl.tl .rt.. "alli""t ".......l.ioh J.Jj.'.c-· rhe . b b.: .:1m. .~"~.l.:."~P~Ilt..!:'.'tl.hm'·.lll G'HllU: p.!~ bHlb.~lJ"I"I'lJl'!!l:d c:l. p.llt.I...lL.Ifl" (.If('b..IF:S P-C!1lpCI:tJXl: 1M ~l(". C..~n dall'l::fl In -dw..m:11I .)" ("I1--wc.n >r~rk.[d lIuam:C.. 'F'Ji[JI~...l!lalL'Y' ofdu: helfoln IT) .pr_ ~ TIl. G'lW.ifb."'1 "fIlii!! L1.J urple oj f C urluc . (. II "LIfif!"..1. whl' rhl1l1!!-hr n r "I" Fl~n.mPl]].1Ii.utd atr.

Tht:y • ou1lJ he \\ 111 iI srene of ~omc l."M'IllllC"o It) de mou~(l't'It(' IlloV. b srres 10 learn more ...:-..ll..ART TYlES: SET 1 OTHER EXAMft.color lL1 .' r3o.m. ..uum :Illd prmnna ~Il the lJI)I)k.lwr t!lclaih ynu wflluld bke Then..:. r~per. Copy the ~oung 'Wj)l.md thl: book. l Now.' on 3: PI!:'CI" oi pamtmg paper .'~ of rh..Jntis. Ca~duU~ Jill\'.ITISt§.h ern h thelt1 011 "')Iil'" d:ercll psd unril you iilre o:'wrdO!1'lhlc.'h ma~..lU m. you will ~. nrtht..my ". PUI In .lMr..nk\ ')( • .z ~1'C1'.1] dA!§m=t[l"'i pll~e lor \TII1 rh:llf near a window fC'ddi.~rhlfold In hL'\/hn shrrr and pilrn[~.. Sit 10 ttum uf. face liJl~ >J1tl\\ li1g hormr an m!>f11'(.lrI showrng 1I'\'t!n' dl:"[-3.Iww each I . Skl!D.sr Sllbjt:ro.rnd paint It tn:mg W11'I M.' bod~ J. oil iace ~h. .othn:...aUi .ital the .l rrurror wnh .1rlliu 'lhIlWtJ g."C !:.tee.D(e. who WI.If Tho:AJiJmflChlrl"" 00 the posecr.umlll...tJ.mgt.1 ~kcrch pad arul make . p. I for im13.1 £. e. ol .OWlll): ii:. rn "':'1: d .~ b. 7 U5e the an sryle ~ your key \von1~ i'lud look .1.n some ofll:l(' . c~l..i:ijemonens 4_ Tben.JIf .: . (.cn..ftnt> ottcn ~ho'lied \:nrutJml~ In rh...um yuur plcmre one Of\ULIr f hwt! '':-ilitllrJ nn . pl.. me 01 the IIILI:' '\ uh blldh~> nul would .ypr_YoD II:'ttlotiou.k<'t ball IP Ill" Draw j u 1pim or ~ team 1i-'i111P: one of yo Llr cb.I cluJ t1lliu:'_ ..il nfhcr clorhmg :t!'ld Jil.~..1 r.1(.:.J rl1.EB OF GoTHIC ARCHITECTURE ACTIV1TIES L t. .l..ili: :t ~l"n" ouuidc ~fthe \\'am]'Ll .drawing r~e.b..l. an lilusw.lodk .ioUI e the ~[ylC1> llond Ilhe :J.~ her I. draw Lilt' s'11l1<' hgull.. lJlI .J Mok..Hly other LaCe<i yOY ean IllJl.og . When you sm~.k(!.milil1).. the p~rmn~ on the' Gmh .j~ll 01' ~ sk-eocb p..j dill filCo!cI IIflh phlV e n pa..:1.IJ or 5. Cr.ll ~. ~ mean I~fe • and . ~b.'n' punting J.111 nn p. 111<..rtJ! dl"t:W 1m:!hl:' dmhil'lG Q' theld" ~lIhje("b...

~'. ..lr. idm~. '::<>~HI:>.b VJ s.:ry fold ...i l1_!::d(l i.~d b}· th~ R"I:WlMiLtI'-'.~~ 'r~" \~fY .e dl"talt and ~T!il.~.'d ~'cli..e Lile..III. [hal conrnbnte III thl~ h.lliml.G< The Pirfu "'-1Jlp~.cl< b~dpll:nnrl~:mplt..i"DI')' d]~t n:rtl'l tn lb.\· i.!n ce bo¥oJl1 I U !t~ 111 th~ I ~~1IJ..:IJ)J. their ml.1Il1 1<1 b~ vii!'l\~J JrL1l11 dim: tl. RdigHlll~ 'ilj1>J~CI:\. Tl1)1ho. yitcJn to pl1m J'lt.Ipl" ._n ill. Fl~[}' 1\ ('~~1"~ work ..It~!1"in Jll ..C+[J~ ll'. "11 .ier vIm "er' 'Wt!y.!"o..1>1'1 ~!bJ~'1'HI T!'I~ lt1<IIl~" lifllnl<!J'!J: bpQI~C h."..'k11l..:'d :ill .m-d f..di"~ ...c( ill dt-pi ning .I ~d~1'!iufld rh . ~~~ bC'~.I'IrJlf I{II' l.. orb ~1 j'.. dur iI..n.n.:v..l~Hl Ot' m rhe whim evt"ry pzrr of l:t place Th .. ~ f'1Ii1t'':~ Ii-ilill d1:eNethert. md OIbllIly W create onpmi wmi".L~Ii!"" &~ ddu.jtll..:Iir«Lh· mL[> th e fa~1: of JI:W' wf)e»."W" Idr". ih" porn'll'~1 Clr!c!'l'1~ afl'lf<'wIillhr. Midte&mgei..-.u.-v.. I:I!>Jttli'l:l\'r1'SIJll '~n1!Cti thr . ~5l1ll:tro line on the: rnutiug_ li'II"i ff<lrt .nn" \'.t!lt".. ~pt!:""L1 !Q other W'e'i(O'rn FumI!' f'i:'~I1 [O'IJIl.:.ln:t1d1r '!HI fim:ly i 0 g11'!: rh. srudieil Ihe natural Wild d (l!r wed mci!:fII l:nHidillglo -m J d....mut. '~Plwar.r ~ " P"n~ Ihe: RC"~I~.<ru.' . To b.1I Iml1l '\0 !lUi ehe VI..H't'I'l' n '" FIlSNCHi 'I!:\'RI'l in.nlrth.. ~~>Iun ht:T I::•.y." un!] I ....1.c:.rbl ..' c.tOO u r H.JIt'I. T11.rrv.'!PtJftla~~T II feUI.MI!o . .-ulpl. . whicll be.rt'. h .~tJfu..d \''111.tl"""""'J.. P ~~p~.<~1e r lou ~j.Hjin ph~I' • .Uf..dlJll principles i..b well "" an imCl':..:m~' 10 Til ~ mj'SwrlQlll n 11 d ~Jl1 111l'Cf1l[ilbl.ill ~d 10 rewJJ .nl'~~.rt[l..l n:1Nn::I' ~he 1'11..:lI rune m Etlrnp6ill .ttl ..Jim .'.111pntNdp!o: ~". flItldll". well ~~the ':mll()111"5 <:IFtheir ]y. and ~31 human crullci on I'nO''I'"11 in depirniJlli< of d~-I"Td.11"[ Sf ~~.. th..IT(! ~1fltl:f1ll'- ~11 II '111'rr !.e art..lUd '."l'" can 1"(.bl wh...!fl1dl!5.ENAISSANCE SIJ!/llllJilS.. TIle renowned ltelian MmIl Lecm.lI~ly rnolded :::I<!m11! fu.Tl1:e n 1110: WI ~ of p.:.>n<i U ..llIJdunclutrered. tl..}.. ~Ct'!Jrdi'll~ 10 the Rog.hal Ill" dt'tlie_._' rter .Hlllwnlkd ~m.!Cl:. 6:k m:m ~.~inlit. of on.a:tIt!.Jor..1!coil4nd W. fl:\"lnluuf..J.i cnrnPU'o'[iD<l.! p:.LU !I'. Gre~k ~11 Ruman d.l!)1 HIR.m~.Iii.d:utg: . t!h~ lIlJ.::hl Dfifl:'f "iGc·l:mJil}.~ R.!r' \>.'l..ll'" III" ~UlJ"d L!. Jm.!1 r k[]ml led~..l[" pfl.mil th ~ hghH.! fi iu r Am"" t1llrmg the il<"mi''UIlI:t' I'~id d{l'ii: iltcillr. !'If 1I1l1i.a.111."f.c-ra....]. ~~ ence." ~ . = tool II lil.MIr~.u'« I'll 1ft' ... ri:o.b .1d by fkrrrnh JirI:UI R~l.~._ .! ~>oli.~n:dur.!si'-ll ... Jo.C" mr.(ljLi [I. M i..lml "~mlll'. R..m.: 111.ml In the r~lC'" pI" l"tmJ.jt"I'L-.w li ji: \"'~I. Ill.... Ilt d'':'ilwl. SET I' .l!uoo for m.m5<l." l'"upt" . Perrpcc nve WJ3 cre..:r ". IB flllt'I~· >4.JJ ill the " vrIe Ilru ".nli. dIy lie.' If.<:Itlct th..mw.r\\.J~ body is helcl lr)' hl..llil~ .~J ..ll II i~ ~Irrm l:. 1'1~tt'T Bruql~llh" Elder. 1'111: ...J"tlll>..fthcu dptbm~ ol.L~Im_t10Il.ffim][ ll~\ IJm{1ll"'t~l'Id. .mck~l}IMHj lI( IlIUWlt. n"IW)' ~m:l0~here [If l..I. or d.~w. me err ~~l~1Jtiu!.1 nee J.. IflU bl.~ul nmes.11 dtf W~dc.1. . lind r Illl~'lF'h). ART STYLES..luJ U.Tn.aH JJr<' -'1l~.

from rnagazines IlUI mOW po. U'~.~ combined! il '.lJb~. phL1lli~nph nr ilK . i everyd. rulpt your model threes dlme. loa~ verv rcahstic.l"-"III': lull!: I" th. Perspecuve was a>.111g.IIT I HIerouym Botti eel Ii U!. fluke ~t'VC'".\I("mJ ~krt{"h.IL'lmlUill~' ~ho"\'1."illl depictions .m~i~nnum. Look .e.! I I.:.If scenes of very eealisnc.III MdL~. Ir >'nu ..rl)u Hd i]:k.p:dc..11 rn more .I-UP<"..). dr.n..:ltOS£ ii' WHI.:. Nuric:t: du: dd[lil YO r.![leJ during Ih" lI.:ll"'C J.' Holw.mel [. 9 . 11" \'lKl }'PlJ photos as a gusde.IY.:l!£dp~ruL "S WC:lfl1l!l en. [he o.':i].1r dt'I.' ...i!".1..IbJeC"n~ d colors dur . Dtpc:ap".r r'lnleg~J'~ TIw II . form.~II~.aph the ~ll:m" bndy. [h!'II' fecJrUI<'5 imd rhe ~'T1lIl~i\lm of . "me..!.Ih~' ~r!..tlUl'I:'li . I.inteeror u:smg p"r:o.l'}' life w~ldl ~h(}w~dlig±u.(. ~ aridthe background .r:sp.Brneh ACTfVITIE5 Srudy M!cheJ.nH [1'11:.mmul Wh. ry. O~ h"'~'!rll":l bl. h~ir. CTi~r.."nai'l<sance period...1J'~lIlc.ecli\'~ in landscape IIl1d in ci~. dog.!OWllt'h of your Ill" }~II'" r}cighbor'. 'IcY""liid ruake it )'0111'p~lrl1illg n:i~IIlt.L1 YUIJ r fmq.mkt't on Imlhcr lap._bcr i! long JQiJ. and C'k)liliog.I:'n are iamfied 11'o"":r:im:N:tt E:xit.0 v¢r~' r<.1 on p~mtm~ 1~:I~>er uy p. The (lees.-~ fmm t~. bodies. ~ pamtmg ar l'h~~nmc. Ht' ~ml' t{:1 pbou::>gr.re~lJy.. their anus and legs.cl !indy onthe pamring.!."WT ±~ J p-~l"5pectrve ~~TJlf'I~.iltl'l'i c on :! m ~J{ h can Illi1ke a sculpture ~rnJlll1l"r's(.l c: arr 'oO:rT'! ~ oJ tt'~ Ie and the artists "..JiI photos >il diffi"N'm . draw a JiU.t !ketch e of I.1KC~r."".b. WITKhl.re ~li&"'r~' fudcd.ART STYLES: S.ies.lw .itI.frewem IWS:IUlllll then draw rhern on .lLld. 'I [O'.'l'l'llm:l ~ho"... WJTm . I!'xpr'.:lM piO. dr..: Ol. ClJI~)PI~ SLlCd beJld M.l'~ke !e~"i'r.!lUllls.d~. "f~ke":1 dQ~YI" ph.tyJc-. ~e. Place them m several d.Qr other IllfF}' pet..1I ..11). alld th.Jmw1> small objt1ct5 wuh tua)' detasls and Might colors. to.r. {If U~m~ gooo mmf' or yom the middle J. ~nd tllelr dn!hmg Qr rhe bhnker 2. PI' rlw /-:Imrlm on the Prut~4 Cut QUI llil.lJe finn.. ftCn.lIlt.:r v applred hne WlID warercclor so care fu1Ir . shown nn the pOi>~"r.I. 1'~Tgt:'nhJ':'t'"tli.b "no were I~ ytmT" kcy word ilind Il1nk .1L!~' a hi nck n r c!..(1TIOsphere....:I11~ III }'1J1lr .p~ or t."s f'ier.e'l de-oil rn both therr facl. al'ildll:l~e.. Sct: tln.hon~ or roO!TlI or lull":I}'l> 0lI' ~:rl:!I lh..Df=ciu! gIDl.~ rmdI. The ~T[Jjt Albrecht Dim:.b~ sculpture.wm.pc ~-I:!I\·tc.m.

.I ~ IH~ [I)' «"ull'llm!''' Ul. . Remb. II Ot1. oUlltfl <JfiOr:~..m (Itt Ih~ Wlp. r.t.:<' thit Ii:'f)' !IWfIE B:l.~~the J\". Iii Iho': royal p~l." . ~ll"'11 "..m::.1 m1 .mld tmrllJlllll In lh..de:\Cup.J\>I. >i. The B.nng A:JQfil III Ii'll:' ct\·'"i. CJf. .:lugln iI.IC' J"''''IItTm~ 10 ..tl! Njeol. tT\(' riC\>.I~i" the . ti.n~1 pr~I''f~I'ICCl.l.litTl:rt'"IlC£" "t>ern'1."11 I!'I Ito In.E~d...:.l. l . hI' haad on 1m chest.! Sa Toll'..l1lplllmmg "'.I}"l:1"I' lJcn_ The P.C Dl~g".IIl' "nu . "mil I'mutioll.r"fl tI eJ tho: rtf)' (If Mmn-d~m ~mrw'" C'l:Irnml<\IOIll:'d r" p...rn~l.!! ft:ijll 'l1r~NlgfH n~l(1t bl R.L fiJ. 'c~tcd ou hc:n~h-=".lIOO!. up~ M p~i1rl.ill culture . iiHidl<!r m~' IIlUJIU M..rdt :mI.!rt'I..1 ~(1I1J' ru ral dL'C !lr~l'I~n'~][ .d..' .It:' (E:Dl:iIHT.ill.iV-. J DUh. <.luff vnill!U 11m hlghhllh[l rhe men.ulllLO:r.I!iUO~ I..'titIS'" Lou A-fftlin'oU.Mi! \'.". w~11 ~ rensinu . Ihr "a~11"~Im":il~refl'n~or dw ltlt ...J lIIil rhe fC'uwl" .lJ.rmqlJlt and R~n. D'iego V.~I..y \~rlllg e'''p<'I'I>i\'I. c:brtil..'' (':IMC) ."".!t".- ...po:r d~.i or financial .riR..c..J ~ HI 17f12.Jtl. ~hm"ed ddTO:l'1I:ll1Q.lld dCg.m ~ 1l9 we alIh or pmur. nrion Dr-'m~..I.. lld Wi~ Cl1mplt'I". n the ..l. LlIl.llcu r.1n . 1'-'111 il... h111y. Oc:h C'T p~tlrnm tlf 11nu-que :LrIlm \~~ 1ll~ll:I.Ir.. the C.lllC' Itl r \.~.l~ ..ftl<Jl.mo:>~udl <15 porrrna of !:til '" UJUllrnl.!'1 d Ihe "fr1'~rl..jue .i1.. .l"m1S tnlo1"'>.lj)tfuny.Uln. p(lill!) I~ .~i[)'.:rII. I"f ell i! c.]i.m: . III 11lJ.. S.I!<: Duntq: of d:u.111'1 lIltn "lh~El3rop= I .... I'c uf1.u:!!_ o. crc:Jfcd (or thl:!C .' .1~ H.. toO OC'C 11.uL RijLl.( Clmrell WtIJ • m.. i~I.. The word B. IL) ~mm: fro 111d re Parl!.h'l~rf. F. pL.I..rn.. and dramanc hllhli I'g.lm: The m~.... I he EW'Up.tIL~ III M'I II)' le Wiil !.Vodut'JlJ<1:.~ (li'"llir' ~llJ. Il'~Ul.l...t<:h IIl.~I~.ellllm.:..I!PIJ.copo: h..[I~ 01 1l~~I.. i'.i!lk lTDm til<: "'lrHH"~ .: nnlu:u NI)I:i. h).hr.~ CdIIJ"'~(Jf St.If! "man • .'I:Kj"""trw<.nt'J i. .m! rh~" . Th" C"nltli"rp Ji.lp po Ir.. Ihr. lk~Jt.rnt~l!~ ill! 1t.J by rb(' lrahan jllu\\" ..lrhob.:h•• 1t'1..1~CII: ~.n(ij tht" Inkm.\I! th .'nil fiT (lUllr. 'rmllt.!:Tp:jc:.n:rr!.:If '".: ih~T nl.cC'>lmcc TIL" Dum t:h.nnJ th~ i:('.rti:.tl· BAROQUE FIID~I.ltb! mel lid" ~ho: Lj.ill:'.l(n_.upptln.Iill" ...tm~l .' nt .l. ~...".."OIb re-ligllm~ HI! mOUI jubjecr.r-4Wd! J pn-mJ \:Ii gr>lnJt'llf .. md ~uccu III ~ mlll.n~!1'nm<.'r-L..tlmr\~ p"IJ'I[l~f!d~pin:.t.[j<m.h 11"1.r.flf"lU".!t.~edUlhirjg dmllmh mwno tlf 1~3mq!.r. IOIUU> or inllOldcI.1:rl'>iup.. '~lf-pr)m'3n of rho: . .3 tlfDl.Lrg)uo''I'iY.1- JlAROQUE AIHSTYLES cilo:' B~rolft!C' penoo. 4I!d ~li c"IIt'I!!ur-.hI. uartled Mattht'w whu pt." IIX>L.:h c:..I~ du.. .lirJr h:!s Il~nf\l: hh !l1.ulru.l?FC'nC'CiIar Ihi' trrne ~~ wl:~1>ymooll:riug rhll' 1l.wlih "..l.'!:Cni. The Spanish m". nil! LOin. ~ .~ r-".-J!!l:' ~uurJi: l.11}' ..ll"~ti...).~O\!.>IIliaWl:lin -.-.n~ .M"~iiii d~ig.!.1'1' [~ f"ur'.'.~ .\orld Alrh". vupporr... \ " GCO'''8'"S til.M~q!U·l .I.lr of 1I1L men dCL:. iuDuw~d bv ~ ...ri F"'.m~' Bareque .f'.'/"tlhol'u'p. CQtHVf1ggjO Baroque ~:"J} 17!J(~." ~mh~bl)i ~ I"t' renee in rh .pread tlnvu(llm"t It:ilh' .. !~.IIN 11I: J rr ~ ~~I~ r~ DirTn.tlmctl [~Ij me ~ !£t'lti:' W'J.rrr.(O~.>i is olll hi.il tr""!~tILHJ'~ml )~ r~'gi('.r ~h.13.

. the sryles and th= :lni1... ]ilnVcrmr:l!'f Stl1i:ly the P..fh:i sires ro learn I..l~ .'r fl'T .m Lao!.'-li m ::I.lt' Ch. and th "if ('10 rhll1f.ll Q1" IOI1d!.i lL'>'I: ~lId be ~1.hndh.jr..J:nll Rube ! fl~ Sir Aoil1l'lnyV.. \"{-ry ~ic"m. Then.mi: h:..ruI1'g. g. marc of vour own.!t"..f(Or·..tic ~I fnnlg g ~.Jph oi \'OUT {ootb:aU .nll:.10"""".L I:ll~ r..' werds md took JI lome IIf til{' .!T i~\'1.h~H r~>~..m l1yrl. Mili Palnt .Jt.'H1H: to de>~gn one Of JllJnr.. bm I. "I. ~1. adow . ..d*ectur.lT1('1 b.\..ll b .. ther n1iW' I be .. Jfir:r .Jn= )'ou pa.1)' be u~ [fl.AIR1' STYl. 111 101:i1C' di!Ol!f:L'" .lt is >I b:rg~ scale. their (~Ce!l are stili [TIed wuh lilt cmeneu Ot"d11.w.e 1I1l1nrinfl ill colors aad flilight..uh. r their !'bur I~ mussed.lghl be .:r1i .E5: sa . dr~ ll1.:p ~OI1l\t"oflli1i:Ul IT)' [~ E"LERru:E m .t\ the B:unql..1 te rue aud 1COV. ..lti\'e ~lId nrnate Hnd several Offici study rheui. m ..\ .1 J~!:LiI~d t:h"""lJlp' It.l ti.. 3.aliries are .:c.::~.'om. m.'1')' Orrl.. a.g:mn e~ I"i)r . your ke..IJ1~!\U..t~ h tb e stnr performers.uJl~ or P uOIIlgF..!I"(. ~~.1il LJf J heme 01' ~dt'll ~hal I.ll:: q ....bjN~ ify>:lu I.d dfilTI1<1 (i·r class nfter a pennmililn.' perform •.1 ~hO'l~ the COIUl'J5!l11g tlunolllOI. cl.:hr 1Vim/I.dloo] CIIn:hI!'Sf1"ii1 "(I~(\I. O'fRlm NOTABLE BA HOQUE A1lTlSTS Pc..Ilt. u~~ were paimim!l"~ .t~1t b.lph of /'tiur .u~ Vil.I dt:t. [11.111..:lIIUil1g 11) RCnlbf:i!ndt wlled TIll .I make . <:I garilen onumc:n[ or Idue..U."i!.nugh ~.rs that time.• )'O~ C~Il""'3:n:JQgll' th . colorfu] PUIlOIl.nce. fiIDro wuh virah l}' and emonon.<Jr.1 lullhlr d !:U''U'.1 gtl id t.: [h"..ti' le ~. ornate ("~[UHlO::~. Take :lphmogr.~'c:r... Oll~ rtl. One rn. .('drt IIL"..1 ~I(t~Ic:hLl\in~ tfw 11"11010[N'll' /:J .. J ""'fl' bn!l!ht da'L'C'- Clearly . rnight IJ.Whell Y'li...ighllgnt "dJen.' more ail(}u.

.illlt:run .lt.(. The ewo s.:n • tHItbmcd In HI JHWDI'k hy.mfn by Ftoh9<1" Cc.: .. "I!'rqJle!O~Lrmi5DiTVlf' Tht 0IU1I iI/lho! i-Jllmlil b}' Ja~'lu . di.1'I' liftl!~ GIIIIr.! Il.ibQrn.y~C) can see the 1:I'I!]m·n.'I.:: l'flc !til F.~5 NEI.h~k:tl ~tyll:: w'.rtfl&..(K~i:. II... elern er tts.ir.J11~hl". AI~fllH' gh then:: n ... t<i N.o.I nmghlv fnm~. M.11 \"!¥t~timl. . r:i.~M \Va.rij A blor)' til'"'" cf ch ~ I1gtTl.trlo.. d .l~'· . w:.'. N-c:nd .)m\lV"nl<::n~ o._.a..H ~ 1..l1llIItK'....:I1'':(lLl. '... ('Ip~f:l f(JrlLtl .·..k :i.. nco: "f horizontah and \.hil .I~il"io! Ih.l.Ilgru gfillllmg 1-'10'&1« djYilll' Of ~d]iIn..:ro.JPp=d [I~ . No:-od..dud by .ll~m.t. Tiley .h<'lLlg~l the archrtectural farm' ~~ "~b[l!'. the unusual. c111<>II(ll:l~!'lu.. ~.U'iiC31 m tl1..:II.' lir:e' ~ltI1ult:. Oel!laoix ..I t7!10s..lJ Il.l.t:tH.~tu.. loese. ..lIfl~!!tic P"illL'ltIC \II1rh ~nfinH~ ...J"k~ll'~j)...1J'-'il.-.In.<l'icj'l"r! t' )TJtI ~"n md &ilJ:Liill. rrure ~mollr.l~~..t.:I \'II''"}' • Imrm!>'1 'llMll'tletl ""11:1.~· m:. d t'-' h~\'t" H1nrmt' cli:pth Srui.Q'W ~LlI]]]".:tLll:ltiilll.::l.ui~ Da!'i.c.:m~ to c... . N".'lll'l!'" r wuh I~ ~ .maml I is" to I ~Ii:m ..'" In art began..ll. -l.-.nmag wlrh O!.'O'. ur hJ:liHIlI(':dl~' or ~~.... "fIIf.-ll~ fi-nm the N!:<'ld>l'~ln"l rnPVl:J11..'l1TWld .:!> s~ldl! as l&e.J .lll... ffi.·.g~ 1.u c<lfll6iI1"cI the N o:oc..I'Dwd c"~llll>mlnon m.~ ..t "lm~ . . ~' !he:: IIJ..riLill"T~l~ rwo.d ...r.1" 1lI til.ll«I.IJ (IIW li[. rll r.J t. . a """~IU ~1\·J.l'~1"'I.'::pI([~ t1J-t .. ~l1d..\ ~11 J.ll.n'rf. o:~orl(: subj eets. The ..b_"'. wdl. QOTr.. T!icf4.S'FYlIE. NEOCLA:SS1ClSM DuttiNG ImkJ1t.I.Hu·~. r.J!.:!!..rol">:. "jTlillf.ll N ...~nin:~ when Ih"l-' wanred IT.r d.trd .u Ii' ~t:.l WilTi'arlJ 7i/mer m J...'\~IgusteDarlri'Jriq!'1c In:Sl~ A Ne<'d.-.II>o p.<:Ilro.~ ChH:.ly trnm ~biJlil 111~rm. ~<l.rm I' ~ tr -..~.. l1li_ . h..m I'l".. r'I C!~~H GrN'1: ~od I\l'Il!Ul~ ntll~.. \11.l1bhor.:nbJ"t' Tiil1!!:~ OrhLl cl.lbtl dt-pdl.cli n'li~ r<...I:iJ . t...rn "''I111Ji.rn!cJl .::.:l-17(1Ii~ I~ cln~ ~t'i'l!) Qf'pmmn-gm pllnr thE:' dl')l.. ....TYrk... "!f$l"fl~~o.IW!'I.!k SET I ARTSTln.!uli'lm \.IlM.~~i! ism ''.'X....rurnt'r pain led the I" .i...~yt~.u::aa. .mri."1 p. .1hln.ttlJ..[J "mCltJUI1 ~m::l tmL::dy qu.t)'I~ shared some 1." with dC(Qr....It. .J~p rh JI:l.t W..[ .Hi....m~~r~~ (If il!{~n.•m... pl!r..It ~llm!IOml :lml tt .lIS fl.i.l.:jq P..k('1l1Ol- t:h~.J .U: lubjcCI .iu4ill. ¢~ .:d ~ Eyg-~t: !Jeb.ilII..m!:'n])~ rpud-I UfjrJj. ~XL..I. . . EfJgi!Ue' .~iq..I .I).lHHff.1iuo .itid the ~cinS also .mJ RoTI1•.' -:' I ~n:: and .ili W hich g.!to".11 ~ R..'If Mddmi1j' RllIf. <i".I K('rm.!!!} · ROMANTICISM j\!~IO~1 !oPlm:rJ'LN!_OUo...o.i N Cilkw.g.h " domm.. w.nbjc.'m. Jiost'pll MuJJ[!r..m.~.! mtlI'~ J m1 MOil..l'tiL-.nlU m which cQlortlO\w.nl ..<: .l:'m. TIU RoMAKII(.... quahr . RQIlLlJ1[icim I15cd .t[e...r:'ni.lL-.LI rhJTI N C~)~kmi itl>l"ll Ilod IiiI TUE romporinom m~rIIlC'm .l 01 :I d.do. :nl" rit:'..ART..:l fl"l1\ 011 l~nll Jill . . (h~ ~fC' 'Ofl1::..> m..._ _-_ - Fmll{'ois Gerard Pl!"-'f<!i'l ." arr \\ ')rld kuown 'I~ •rlthL<:Ii~toLi < OJlltlU..>{Ij'N'I1!".. tho: 1'1""".l1no.. ~lh\.--."tIrk.« !t ~ .A:SmOSJ\iVRQMA'VIla5N1 i leaH .The "Ofllptl'i1t1nn j.rt.I:. of lifa""liJIi'liinliiil.~~" t'm .a.a~ ~nd ~ubj""J!..fHlliti".! lon!f'n~ ~..]~WTl2'~ by sharp ~nJ <lm"rI)...imn:i ..illilll} tQ uu~ n'~Ddcm: GtriCRIJU Ihe [\Ofl1JIlti< P'~1!1IlHj!.. urderl tJtt 11I1'I~']~ ~~l:k..:..l'W ~f)rJ< ..u11 ci '1l1 V.

m~ d irection Use bng:h[ [hiaro'Y(o IV tech ~Iiq\l L"1 wnl1 :1 ~I hghl sou m: Oil tile 1'lVil.lpef.I DI'I p..lt dark agouo.t<1n_ Sketch th!: scene In :L h OT1<ZO Ilt:1l (ofmat.~l1d t scene stich . perhaps unll!!tnlodd~_ T 111Uf~r )'O~ f sj.. crnonon ~nd dr.'(lrk b)" I'hvid.. . OOtUlQ.c:n r p~UJt It_ ]N1WNEI IEKARClfie f!. ].. foh!l~ l r 1 '::0I.(lr'1tl~i bill.'l figures.vuh h:l)h toiiol£~ b~j.t1.uQ'*'orQugb Ff"llIl€ lsco Cor~ JohnR~~kin Acrrvrnss l.I p. D. ~')_Think rhy.. your k. Dhl\\ II the scene ..I~JII:lme_ . t..I "1Jl'tit'L L ~.~eussie. then ~lJInt u-. mfinne dl.nth a cnnrirunry rhar I~ nor Ino~dJ" . l)e~l.1 ru.l. where )0-"011 or .lOll 'I.mlll.~.he pmt:er: YCHI c~m see tho:ir ~lU.'!rk Iil~ed wall flQ'l. o~a mother p..apli OI1t' can see the ~r"_u Slmrn or boOI:n..'Plii 13 U~t' the Ml <E:.I! . i!lJ and .hcould be' .!~.'.J.c h to paintillg J p.incs ofll ~ srvle of p~mtmg.}'rlli' .1F:lrk l'e'Ilr" .Cdm. qu.~.hl:'arher J.~ words and lock serne ~fthe' '.l ~d h".!lJJ. ~nhl'j' rhl:' ..h!11ic.Jim mCloJ:'e <!b!lll1 the ~tyll" and the JiJ"tllti! wlw ''''!:'[r p.:I!..!:l}' the N"Qdi&~id"t.:.!}'k There ls '1.ln Gro~ Amon Nkngl GiQwnru Piranesi k'\W...I~oil.\ dU!lnxlC'UN l(..~[.lvid used bgluest liglu Ahhougll there rs IJm~~'o([be col ~~.inting ~.h·L1I'l!I dell.boL1t co ~(J down. higWr d'l". CI.m1t the zrrwork.lI.it r~jnrill' l of ~ b~' and Jg1 Ii ~ltfU'lg PO . It could h~ . !. Keep the ba. . -'_ ~lUd)' the R~m~'JIi( pJ. P HlIlbe:rt R..AlIT 5TYlfS: SET 1 01110 NOTAIJUi NEOCLASSICIST ANn RoMtANTl:c ARTISTS ROMANUC6M Ur<:11jarnifl AnrOlltO Paul Aken eO'lnOVll William -alak(' ]\')hll Couua])J.J~p~.Qberl Thomas (..\<·er. l1rl' nolr'r .<t th I:' I:'I>pedllUy im ~h!: b".Ind natural..! dram nl~ .. they -:J 1I'Fi! de-.u or ..e_kgmillld srmplc. H~r.g ". R. ILilesu hj erts h.!. ue.lP'~f.ImiL1~..v~b rite'l to 1.!.llln.(llIl"l1o{"p . b~l!eb. CO!.l:t':'t.untlIl!J: p..rfiy ~"'p:Jr.rt: twa ('bssrrhlK"lj pose In ~ scene similar eo 1lu':Il of Tit!' O.i1J.n.uin i!i"til( flolft/[ll.m_op om.a.!..J1'f) LJJ]ciI rhe m.Cl":l [0 I'l_5ketc:h ).hmg ha ~"Oul1g !:bild ln a r..·~I.:u:rUlnj#.il~ 1..lS ehe ead of ~ bIcycle· race. b.OIlT idea.Jni.J! H.vmS in a p. QJ~ the PQller_ ~t .. [he :I\ldl'~gro!! with emotlonll ~~~ cheering fit('e£ thefirnsh &.t1.:md on the Ll(:i'f~' could be hm~dmll: I. the d:uk(.(HI migill Lm' (nr .LIJ1l1::C bo:twc-cu the (uml and rh~ CQl1IpU'iIIlOn_ [Ill 01'1imple ClOmp051!.

. ti:l1it rht" "~dlgn)Lmd t.\1' ~hcTC'.'O( Ih~ ~itlnlrlJ'I: "mph~mco...tnt! >O(U:t} pbt'o:~ !]I.I'Il(lfr"j.1ill1 i:r~dmi>l:I.REAl.nrh·. ll'<m W. .JTJ.1: inll:R'<lr.ul>.J m r...! .~ . .tll.pt !ml~ ".'!'n.L"".-t:'" ~.ill~'_ 11""" rn::im 1 lk" l~~ ~ rllJim"ph} ol. rn.d~j "" .r:l.1iy. 1 .)fhunul1 Iii'".n ll<.0::'rt"<'~fI" wllol . nil.....1'<' nence. Ci)OOl J.-Jl'pJ.ll Wl" nol:("LlrnJ:JI![!11 "' ..'W :In'I.ut<!J 10 p.rdl~ . ~ II 0: p. dl'1)1l11r. p:...~ L'( ht(o and ru"IIL ut"tIJ. "LlU~.j wu.I. \\'~~ \V~[crn wilrlJ \. Ihn:e JiJ!'i!l6 flh'~ .. !. O(.tIM'ed 111th rhe LlIIl~ .btln (hnl1 .ille.rrJ' nrne.REALISM AIH STYL[_g U'-mg ~ 'llhduN ~i"IX" l'J'Mll\' !3. l'h~ 'Llliul r}' Or 111.rl1dq.Phl'J Qrni Prrwf<I:<:I <l'lill!k .t' H.lll"nt..u~ mJ II.n L\ ".r...1 h'l'lUTlnn~ ~ud bf.'1' 1up:: ti b'i:m::I.ll!tlUT UI>!Uunril I NHrI.'pn- '[('"mp'Jr...-ilIDI Illtrll~r:I "11phi!J paint 1.i~!l"111 rhe "Tlr!rI.J.-"gd. e.lIM ". t.. ..I> ~hc d~mln". I.I' r~.. rnn~ ~1111 outili thl"" " [In 'I:'mlln .k IUt" llI..-"dll'1 CJw"... [JUt {..".\·IJ. wJ...clu.hy wluch .m (JUt IIO:i:nJllCd frum "'mltC'l'II~r~I1' bdlcl.UJ~:.tld duo phiJilmp.lrI> (tt-Ih~ F!!~n~..II:r! (j l<"'llk ...[ Ji~"'" 'lOT mClI'<.iUJl"ly f"llI t.T~c'ilml~¢'. U>1P'~:i'tJ. In '\l1:'~ill t'(J lI.d :111accurate descnprion . he..oI11IJUIOO b~ eanh rltllJ~.Cj'Hnnn< ~fd1C" wineed [.1 ..do. '1 i tln'l't' ]u. 1l.L" d".Til&.pal nted J.. J ~um~fraflr. .IJUH'Ij< fo" t...Llni"t\ tf'<fsbml~llflol!lre!l~ tl J'11 . ~1~I(.to. MIlicI P.'<l! Itl cllt:' 1.lm.>1 lJld the Pan~ A('~Jt'mv .J1tt! ot:lll hro:~ III 81ir1 ."l~I.!:Itl'ln. ReID'!'" l'iI:l r~( n<"l' FIT.e.rIlr Ril!ol D~.dwlfJl It'r:.>" [11C' new R le.c!l1j("1'~ p~li.'fi. tlerted ~11~ bdi~~...u".I.... F'.. k·IH HaJ.lel ['if g!"'~lung ll"UI! Milll:l..ir!tj.Jlli (':IlllTC'd If I I~)·~. p<Jrl~ "._\. . I'~IH aud dar]....:I ~1Jgni(v 11.jU.rii'ic:i! dl~ '1y.nt"lf~ Il~f'I<".lrI.]QI'Wtlmn.ilIl'"ldly p.J~. 'ymr"~h).{jis Ui'I Mi TIIi'G.epl rlJ"If 'i'I"tlrk i:J~.1:" ".lmunry w..m-ft:.nl1IL' "".~ the .!lIul. IIIJi l'i<-u<'l:I...t1Jr.r} .1j!:hllglm 1~1" mlp~n ('Iirrut Ii!'!:.J11 C"''''I't~ .l! .rnain "11 !:'i~T't'~ 1.i1uni rn IS57 tl)'_!e._'I.nd 11I<!il'li..lu'.u~[ '.III..Tlli.H"Yo'lilH'f. 1.re whle on the rrll/m. dlO' _lmlJ~'" in.l' m""J tlJ~ phil[):mp~HcJl ...p~tt llt~ IJ bje"""1:I}c ~ fl. hut If""'.. TIlE PDUap al' .re..P~P-I't =~C'I"'- !he Ri!.L"'I~~.lIw.. Ir~l. dr:un.Cl'\.11".l!nu"~ wirh .~SM DlJ1W'iO.. .INIf.} rend . nld ~~tm..(1n1t "..IIT HId EJ\J~~nl. ..L!J(\.' [1\1 tl id n C1[ ~c. Mrui 11'1 LiiTpre-wOlmb 1J~!!'lnth"d.. nd <".. ... ACI'UUr'.(chul' . R . 11lf' ?ulolll: diilll<J! LUldff'iu.r r~rll: and rn ..rut rhe G cod!..~rtll~ nmes..1...:urillk l.mrl ~tOIll .d .. or GuJ ~1lIj~blll1l ~h !ipI~nJIiJN iiJllI nllicru.IJI ty >nJ tTl <cd It' e-YHlf '~li!l~l~ ~ T1: Ill". Dei fc1~t1u1 P:UllMiI Lb""n J\ ' \'1.i Irll ~ mny )lo:n:.1J O:OIt.l'N !l.!l~ .kril .. ~ HlIljO~ D.O'I n"C C ('\Jtb.Jf'" Iw Scft1<lJ'I:!l'Ii \v.lltlJ..:n.'tIY wh.".I\.<~"llm. 1<1 ~11 ~ ~J'(3r. ll litll'. luch :I~'Q ..lij."II~~" Iii r Pi"~:I~" ~front' from .llLI~l"". c>i.~' ~Wl' them di!min' _uH1 t. ml~\' 1\ haf thlO).rin t!' I1..IIl...k .:'t lClmp"'~.b ~'~J"l'i'I.!-tILIIi~'l~ h1' ~l..I.:d wb:u no: !.

Jg. !iite1 10 lC'uu more :1bOUl th~ ~~. Remember dominated by !!:Hth p.tra: tolle<1 .Lper...md people. where. er LIp iI sulJ life mmrlhin(: lib.md the)' lI.L2lllc~0.. of !In' w1tl. .md select the b~t to draw on plintimg paper.pput'd 15 .[eo. ~. R .' GWt'M'e C nl. 'lh.~ ~r\" w inreresrcd ill O!'Fen."CIrd\ j)Jildlook k '\.Ir-p Bl1lgl:iam Ros.:a\' it)..!lPIc' dotng their jub or .. Draw the snIllik COIN'l 'ID pil1fll YOUllillllif[".[C lD.I~1:5. reCIl:!OIBlJU01" mu(!t rhotogr...l look OUt b:!c:k. fI~Pl~t'1':'i 4.tTL Jnd t"1JI pictures ef P.IJWll snow.PlctlIll' li(~ nbjt<rri\'ely ..u Uti! CQlJt:r.a HonhllUT Giovanni rattan ACTIVITllES A.~yO'~1 can SCO: on lbcpo~tot~. v .]n" . and why of .. on pmncng p.llEAUSTS Gr.day e!fel~~~ ordin.! Thill.They w~n: h~.USt rofl and paint '.wclin!= the u. :oJH~ thll am5t~ whe were p. aU~I:.lJ:'bet·~App!~" PI'tID: <mol' Ill'illUflfl:J WI .rhe who.:QE:gC C:!.g·ro ill L:lfl iii IJ Img.mu h.\-lake sketches m vnur pirtures .OTH£R NOTABLE. what.'blbiJ reporten.]rm ot'yQur Ot neighbor cuitiJilfl tb .ntlng at thnt nme. 11m the R ealul: ud~" used a subdued paJc.~the at 10D]t" art ~~'Ie ~~17f11lr ev "'\..r 1. d. 11I3w.

~n'Oll. rell"cted nil u-.:..Onl:m1 em".d '1.r • . . " c:I~rof tb r PlJUlitJl:\..-.:iI ~Jld ~rk~d. ..Im".wIl' q{"lt' JfD'f!li'n:/!l'.~k 111 name. i~ u.I-..:d ~cl..'!l!'l of Impr __ l.\l.1I011.gt~1l'lt~-ft' might bC! N. E~f}.. e I:Jrigh.ulprnolOI1l~' ~rfl. free bru~hwl"lrl.ilB Cl_ wirh brlllilnt OI..l in n~7'2..-.. t:>rtnlkt dmtrt'n . Mu'1l C~ss.nC'\'.LI p.Jt~d III II T1. .:M ...u1Ll~e. im:prewl]n1~1'I1d~pict.."uflTTlJ't'f'l:m:mmn are itil. L". pm C1 the<~ub. ehe WlI . the modern (Iry i"wdJIT I'~ ~~I'ndght "' e rhem wht'll 1'tO: l~ an ~ I'mprt"'~dOIll'l pmnul1g'I'.md blu e mul~ un the \!o "He hO. hn't' m~ bnlhm ~U!lU.d .llIi'<lI' Jrl)d "":Lli~.JIl .]''!.b.. u.. m[. and [he.111"L!Iilllt.Iul.u til.IlJ.. brml{llll the D.\1111 wlulnt:'f rnomene.. r'. rl.Anothu and 1110'1-1 commcn ddi:m~ril..m'Sf ti:l the hen~h <:(HWIl1"IL!" .ART SfYLIlS: SET I I he ~e e.":rI11~11 In tt.ltruqu. C:I8. The p:lmtUng \1.fh~gnste' Relloir Fnend.-Arl\' ..<t c:l:hihltlan ". SQllrbt W.ltur.R'bn(lll\.1l1 ~~IUJ mid f."~ Marhu "he nf'[IJ_I?t t!1I~ ''''\'Il'Ig. COlllp<:<mJom.~r.riilil~ \'('l"$jl.hillr m"vt"nWrnl"t m"l1' specific 01J1i1 ".. 1.3!e ilrrWQfk.ba~p in ~ rncment 01 nme mil m!ln~' ni C~~\. Dl:g.J\1rhou!lil' 1111~ rod_lIml...1tiJ.O. lur W!dllliCt'. IlLlt ~1{1'" ~W)\' armIS were UlIU""h:d ill rcwrdmg rno:-pl~u~.Il3.ti1dt~lL1 irre.l. oi. ili.i"C1:!i .nJ '"' "II' IMPRESSIONISM duo 1l11d--1880! bdil tl: it mm.ilu ._~ die:' nele ()r[I'II~ !. of ~ht! CIUp' dfLti th~ df~~ ofli~I!L.Iml th e fmn"n. 'Til".Ul.: i1.."". 16 . ~D IIUp!'t-~tlfllitIC viewer uuo the enrrre r.:~ oni~1I 011 lb~ dancer- !ohQwmg h.'Mlnting thn !i"\'" [he.llc.: llh dm~rj_nt"i' . berre :n~nc. !lliDtitq)..Miouet Imrm$'Ji"'fl.<t.._.!1'I11a"> h.fth" lmlHt"lliomml nmn III 1S7~." Deg. ~I:' ..lIIHo:t1 wJ!h lorne.rji'U 1Il1!l'~ ~b~ "oumr~itlr.ThJl .-.ro:.J tI:lc pen".:llll IJC'gai 1... ffi Ul en P{"ffl'-."'" ~h(Jl.m1l fraiw!:!o>...'UI ~~I \!i'\lIl~ the \'1o:\I"cr kd .. "f rmme 110m tIlC' l1~me lad! JJIi hl1mcdi." AlIdI~ ClwigoLmd &110\11i.1) .ln ¥Ol.1Ild.att C.rdif<i:F~ lit Ch4fJ<'lIl~ll.ll.lui III.ru.r !h~l p~niruar e1mlC'IlTI W"JT ~ 1I11!m:»ioL' of:l 1i..p:. " r~mil'd wirh ~huTt .ppbrd 1II0~ tn Mnner .Jil.d of Po.! "f hi.1~l1l1Tl>J:llpi In f~m:W:I!S.<.>r}' hu ..Jn MOllet'~ later work.lI e ly rom_etllpp!.In. "(["1:""1'" dl'wTib(' we ~iii:w~ . II WJ) P.UD_ IMiPRESSIONlSM of:ill FmooiJly the Il1lllll !m ~ O'lC' ikJininoJl .11'1' S'l'''''''' af mO!h . landscape fo.u-t. AruJ.. . [hit rn-c bu~ ill IlJS{Ofj\ ihon !tr."l!o..prmg Jciin~"llm 01 ~or.::. afth .t-Impn:Miol1i~m.1~' plov. '"1I..~JJlI1JL~ H".pecrivr in mID.11' "JUne..f<'I..ru1t<':.l.lm:tlllll l[}tO ART STYLE'S (Jf IllIpmslollWfi b~ ilWIlIl<l I ..oLlwpn::moIlillJl . r<>.lnl'l~. b~IIm!)"Il !Or her purmnlt'l J(jd d.)l} of TIl<' the: eifc. ""r.lthcwy brrnhll:Mt~ .nd Renmr dim te PL~rro whQ \\'J~ more 1nmtf~lc.untw~ mduded ""tub W III lA.chII1B orlm mhJe(.1t UI~ noli~img..ImJ l1IeJud~d ~ ROllo!r\ fum."r.H~ J'l'l" Iikr LQj'~dill ~rl"U1! in th.lu.u(·. bending.. ~"d It w.J lidd~refleer 4 mnmene in emiC. w!'1'e chI! mbl~~"t! .i.nJrd \. Illiddll" iW'!.>J: nucmtcd In JI"~1!I14 !~C ".. brllghl euJi:ln.lIill.mp.:!rkrr th..ed J tI e t:p I".·llll! the ~.7. Cleil/ell! . CIilllI''r "..mJ Ihl' toI1lJlIJSiDol!~. PmOll'ITD .:rtl11g rn ~h~ paimmg ofltght '-'tT~1 Oil the ILlbJol.mel fl~ring 'llbJcc( K':O.pulTI.P. \\Alct...

.'1"OUP'..whn were p:lJim.'Th"p~ your piJ~I.lUer itrnk('s rn brokt'fI brushwork.aU l. nll~11.1fDI:~'~. particular moment..1fil!r and Ihal you em we ehe ITimWI: ~)fIl11.-erIl the ewe !.. .. R emember til use [hi.ll""l" llll.:rent. VOl' m:ijollll ~l illllt") \\.ing J. Be ~Lll'i' that p'l'r13 nr ~ltmU'oJ the ligu:fi::'S 1:10 off the .lida !:If vour f.um.1 p.'bh ekerches of )'OUt iavorICC' I'letll"~.I:my ~trOkt:'iin btoketll bnl~hwoo:k. ~Iudy ill cf'the Impressrouist pllntIng-: on the PQ~~r.Mun u f their 5Ubj. 011 punting papl. on' mn ]1' .: .m." p.m:d thCti' own uruque ralent In iherr p:l:lJml1~ 1. Ul1. rdlC-crJons nfhght.og techniques of tlae At:tivin' N[J. the b.i:nlpn.tiu! ~J. p.lCC berv.:ct wrth wn.1u LLLi~u nnt have .1:fIl~to.1<11.hmg Ii! r'o"'0 nbl'qm:' 0I1r1g1.J picture o o! "our fnends or 6nu.LI mm"t'l1lel1t IIJ A1thou~h Yl.1k.'lp~f'.e:<.1CC.l ?it.. U'I! dlC' an ~lyl~ a~ you.til ~itc~1co lellnl more aboot SI)'I~ .:'~ nr 'h"<lk~.5tn :I danee d<l..OIfHER OTABLE lMPRESS[ONJSTS . Till! Impf'l'SSiOlllI!t . TI.I hli'tthday or anniversary l". J LtJOk for I'il.u some ".liiJlD.w~ tthr .r key word "Tid look . 4.:ui c."Iud u~ rour f. r'.'r.~e for' !IOU bending or Itfcl.' DIlr'1r C/rus) Take ~\·!"r. 2.n .ld!". r t.1M a dra"''lflj.hich of e'm.lto:v .m exercise gm:OllP.."tur~~ of.Jrty In Itl~l'I.lJtl:! ..ly .u phomgr. (l1C:11 draw them on p:xmtU'lg p. 5.hn" or Ih~ dOtlll!S.. thPJTI all . bur thl1'.:'1 OQ-~1k . nd mevemeut in the rJbric Qflln~ a c:lothc'li. r hghl there m1wn be ~t iI.I.1I1f.!wntc: 10 m. Nonce Lin"l'Iatnung reehmques the lmpres~ionM>ts U!!>t:.::J edueaneu dllS5 hJ~ . mg bnght color . iI..' IIlcgJtlve SI'.lph~ .ls h~!: IJ~~.Eug~ne BQtlnin Gwtilve c..t lime.ml5t5 all wanted CD render dn Iffill'lI!W.1 briil~( culofli. hW:lI pOSlt:l\1'e 1>'p""CI' of IDI1 ~jgure:!l.}UIdW\til1g U like the Jmprmj13f.._~.ulh!borr~ Bertin: Moruot ACfIVrrIE-S I.

Iwt.n('r.'IrGIt!'-"mHll1. O!'j.ld .--.md ~du~~d (NTli' to '-'i-c '~3jk"1.!!'CIt n\..j~fint' d_ l-" n.an.-..lL.S of .-.: :md p. and he oJfu~n pl'.~\Tr\ ..~K...lh~· and hCIW1t~11 mcv-. ~ c~:ly 'MiMe m Illt" ".1!1' II. Ulml~JI aed C'lTil'ld"l'i' p<.r!l!d en tlbjul:!...InS".. rust tech~ [lIn tJj of ~ n~.lI<'r.. Sd"41 .J~~ S'\I.. Ill" \ .Jmpfl.u '<r'.LHiog tbJ{1. '«: ]".."rI.)l.f."!>Ij."'"CT!...r-. he f~lr rhar rho' bl tl'(.d !1. m ~how form"!I!b.d:11 OIllloli5e. SlIT I POsr-IMPRESSIONISM ARTSnrus .h ..Igh short-lrved.1:11...go:: mere Il.. h Cc!-:l. """11111' Bj)~p H~ moe ot c{)lo~ <rml1"lm!1!.lIld J111PO>lli~ th~ moun- urn m Pn::I'I'c~'" Fr. rn~ 1oI-\1l#U ~r~ I"'rI:Rj' how (he hnnun rrnnd mrilmroorl the w(or.u!. to :w'J::I\' it:.lmll:).l1r'.lrpe." m. ClPHlIOJl Qn.' 1m i'.al and \'ii:mQl !!qn. . '-'-'rlCe'rtl.<1.pl'C"'I". llilom Jm:Y0lL I'fu ·It'd!.iv""\'iC' . ..Ji: l\l.O'd p...lj. lie: oudined . ".:.."tlJ1j1. it ill their 1"'lI1.m... bnt1i.\Wl went t<I T.uJ e:>. ticit' h~~.l)1'O_':ssicm_ »I..lg.r eler lI~t IX' 0:".lIi~!I Ur-p.lmt' •.1. ~ !bucker ~pplit"..lHll.ilhn~ l('(Jnt<. III ha .i' rgmt 01 n<!''.. C.rinurl bmul rhm::! of ..ldm.lTmll! mtwiCll rnro Po-..lll!'xp~..:tugum .i m~~ 'i.ART STYLES.IIIlttl th" OUllJ.m:n bCl'" ~h_t... UnrwD d\!T'JUi:lm 't'1l11"..rml'i~n Gogh Toul~Lls.ld -m> ke In-: 1l"1'1. ~'-irnJ1n "kr-:u:r".. \\:~ "'~' '\lbJ~""_~''I:'mdJ liU~v ~tyht .pO' [h~l m~t!"t'ilI "':...Jm!Hl.10:11 Qrhl"r.IJLI{ cool FU !lime pill" a ~Th_c L<lh!t I. hlrtllnl'I'\LJ'"~!!I<! !I". J'runnllj!:'. Ih {!'iN' glW !urn.!J~ ~~~J t"-i1it:r]. A..."J::I(lIull'l!'pu9M' II) .!!: n:mkt-o< (0] C'W<:.1> ~'1l"N irr AI rlr..lIdTIl': r'~\[-IJljF[eW<n11!51:1 Lw!d "fL..tflc> wirhm 1ih~-".~ JJ".l_edu>!<lLl_<' .lJl1 f~U:.II'... hr.. GriJllI/~J0lt/!!. ~ SIMI')' ~1om! of ID. ~~..E..!> 'llhIO:L~.~x~tJi ufhod~(mi..>"n_ . [onn. iI ~r:.· oj HIm Obi.t: the' .11 nl5n'l 'tiny deb ufvmt~ eelor. ~I!.! an IlUllo!!: 1'0-1 hi.' ligb( 'flrth..~ ilarerested in the ~nud..sS"ur.·1"rhat rnmlrlllc. r. ..ilo-Uli ttl .111 7 euru -:nlE.t vtur Gogll M.1_f --.1j' 19:1illi .1IbJ". :5elU.... . we".klllOl LUU~ ~implrn.tl!ltA ~nd'W1.ml CWlln~ 1>1 porrmysymbols uflbl!lJle<i~.. POSl~IMPRESSmONISM eJ ilgdllb.J lllu<!". I. ~ m. ~ '111:<111".Jl1Y ofth.".kciP'.fin.&C' rekm ttptinll)l. Thesewere d .. GeQr. T T"'II''''~H't'-T :'~mk" rxplllCd th~ d"r~lr md IlmliJttULI<I of Ilf~ m th '" Itlw'~M I~.\ HI btl' !. (l:'lIC'CUllf.."SSli(!n:ms slIIug!n Ul '.Efl dIn pl:trlJ1l!'d!l~' of run-. (~'ittm'lI'l!:!:If Pomtillum'~ his iJC" .Jrl$~ ~~~.. .Ii them m [~" \"'':".g'!?-S Sl'!fmt rtlth'~l..-ru ~ ImdIb 1':.? .r1.. Vi'lr-ej.l.o:r:-.J fllI-tr'tU' m.mdnuunL llu.~t.: ~1.~-~ i mcl! ohll(' [:he ~.ir""I{'im "([Igh t tin tl1<: w.. L~O!>[-huJ". ~H<~ .-m 1111 rhetr ()... liue. nd tWo I'Inglll. on.g (.: b) !ide.u H~ .1. hIC'1iOO ~ b3h'lce b~[w~11 euler ~m! IlgJn In an I!ru:iunt:lJl!! ICc.m t nJ.lL 1-1e1trt ..ltur. "'~un- ha~ .T J.O/}j\..I..lATE UlBO-".bfln.'f1 mpll~"'''m In Th.nil mt .I~'W t 0101 mel furm ill >I'~'" tound uew W "1C'Pr~. new iil.... IUJU!' ~!.~C'p..- Pfil~1Gti1111lill .ory-.j~ GeQI'j.(i 11-" LI~~of !!...i \•.li~tl'-I'id"f~ 1) U~!J""'" Ihf' BibN/u/~ I'ihlll ttl ~g of QIlII.-n to:dmg ~nd :It' Irl(' ~rld_ Ih= .... k..lflt'I.lU.-Yy~~ P_311U1t..lt C~I-1!...m IlDp.L'! . .IJly of 1m \'\'UriD~[ ~ In frib<.: Lf!1pr~W1ll_rn~Iyh:: 10)U".inllllrlhe 1. ~mu!...tl"rt. S"tw't'.1 hlghlr dmnro:i Nlg".j.pUIl:l:.'_" hi.~Ie llIe'ir own wurld oi :l'j'"lrltl.! rcrm•.vifi!!..ll-lrnr~~'l+O)mml.\'1'1 G~ a \ p!l1nq. ~~14 J'. S}mbolli:m.! th.. of..1i.y of OpriC1 • . ~'OI-I =tl k<: tIK ~" p-iJ_.uri~t' ...' \\·D!J.md ?~rifWII ~>tp~<iC!n .mm 1(l1T\'~~ pnmiirve '-'fit "".lir. ~id.tb~ "i~~"1 C'Ji" 1'0 bll:nd I.q. ..d 'h~fI!"\ "m.• "rrn bLlt [j.¢.'.~Jhm".icO<. niqll..:d 1 wuh hm:. m~"'"-v marrer.m:)' tml-n He' UK"-d thr 1'0 I-I It"\!' "".r."'1 S.I (.1I1lH" plinlL"j m.biU.ut .I. W~I'!.II...-Olll..11" work .

'CCmlp(!!l.Ifl.l!mU[ 'eb thc~t}'II!' :md the .:-r- .o-n.h all raiudu!:! J'J..uui !null cOJ11p. .lw dUf:!1!!I 'IJi:" lY) .~b tlrhnrlloll!Jl ~hl.JfI::rrnt . Lwk :Uld .J. Io.: TlIl.h's '17f1'SI. !1I1t'! . u\(' makes ~~>o:.'" \\~n:" t1l1'n' mild.""lIlit ~~n trud.eo 'mur Ir..pI6.I!..~.I!~d dl<'Lir~ l~l. Draw rn~ Lmd .ev \'VO~m und l.I:l well . F"r 19 U!K' rnl: an: :l...'''W It. srde by mie..-111ii-TIn.m~tm!!l .1rinon and lin\.~. .' "Ipr lied rlric ker and rhcTI: w ('T~ not . TJ!~' .n.II th.uckgmuLlJ_ Deaw Ihl: o.0:[ lO. rnstanoe.I OTHER NOl'AB.uu iJJ' trees lunk lik" J rrull}:h' \\Inn ~I(tb. To. tlw P'. 1.1..mrsts.l\\ heavv LlI~. dllcker pIgml"II1 3. 1..HI.i Grmulrj.'You can DU". 111: .: reLt..1> lTI.! pAliU [0 !l'Llke IO[~'l:l'Oulld .. h.qwdl ltan:n wnh Troll rtd vuur art IlllOl11.hapes znd jOrlm of Post-lrnpresnonut r.tIl~!!~ of d!lffi.:! hur WJ:!.uun 'SmONISTS ..J PIl"lUIi: III J mag. h.k".LE POST-iMP! Pi ' rre Bonnard Herm M.1m \~I1n: p.my colon rued as III ImpJ. .'I.].1100."f UI£ Scuml'! eeehmque nfpkU:UIg tillY dfillo 01 pure celor. nJ~ g :1 look IlI"f<'L a.phml¥"ilflh or fuul...[.PCT •• lI'ld oIrplv the p311l1 h':J\·!l}.tyle.lur I1mllllUII1 111.n lIIl'iLid"". JI1d the .'. Sjmll\." IPP'C.Jr.\< II Oil.yr')' ''\"(I!J.lu yoill' dr~Wl[Jg wrrh ~ntt colore..lWmg more m[en:~tmgl).1 em lJ~iOF temper.fJ.! mountain. p\:lnHg r~ i .Jclrl).Shm'· vorne \\"T~ "[1 some at [he tables..[ In wlhl\\ .""~teJ in how the lunnau mnul rmJ.Jpe >lml w11nin 1rl~ [:\. ~l.Jr nrne .ART S'l1'US: SiET .h'e.rr.ll ~qlLia'\"" noCl:ilng!N If! represerrr tJmwl"~ ~!ld[.ln:cllh1Tc:r.a pt.1'0 DII the L~uillflng>.IPt' rh.:."ilr ('1. P"lil'l tiingp-.I!I[] rhe H~ ".lIni \'crnc.'t show fUrffl.~ JI some 01' the .1:'l~OniM "J1l1ll1n~ ••1It.nL1l \'1"..[ van GoJ.blt'lo . U[. SlIild)' Seunrs 11'u' _s.h'.lili· In III.W m loot e ollh e h.utm~ ".ppllcd .t' Iii rather nrnple .1 l'UIli>c:.lZJne 01 . .::JVI and o.'ill JJ·.a jl!Olm mOll: . ikt"lC' h Rime 01 Inl!' " )UL!T rnnnnt.l. Milunce Pellder~t Jilill Vetklndc ACITVUIES J.".Jut>.! them III .1t!1O IiII l..'10 it ~Ir~.nWlI1HI lh~' WJtllOm dtitJi1 !ZU f"~111the 'L.k. Il)J..II!.m. .T]'r IlfIDTf Int .. 11 wide brush ttl nul..1.lfItll1/'. Tho: p:UlJ!lll!." When it b fini~II!.1101"'> Y..of ~"'lIr p~pe-r...t b~lL JIId lee Wh)I colors you xee .m_"'I' rtw world not how ther .ll'\ ~or illIT.

ci\-tC ndli.~to Ollm'lUo:' '.m d lLeighi. e"'l. ..Lftwurkp.iuc"d (""m ahout II :ill until impll. mbI1ThJIllt of the e lemene campose . rhe c. mo~1 lime plglID!l1'~ on walls and cC'llin~ (J~ pJ.~~Tl~' l u 17jH)..J.lliil1:dng msrrurnenr can DE' U'I!.:md d~t. !trollg O!'nlotJon.cor:Ulcn.~<:ed: rhere was S()_1ll~ 1..lj<.r. ornate d.d~gn IlO In 31't.:t!l\'\!' .lrope.I.5JUon .111 arm'Ork_ me amd pnnnples (If E'rcsoo An -..~fl:....im:ing.I£T With w~l:er-bJ~(i Gotlhil!: 1515 in \V~lmn E1.~11 .The arc h Llecmre I~.e of pa-sp.Jim~hn il"jI'~.mil dranutl' lightmg ..oil .ilintcd &e~h. a ..J jO ~hi~kr>. T~ rnain charecrerisbrswere U~ of mcong' or contrasting C 0101:'1.I!..D p.Wand order in (0f1:~ n andare l1tl'[ rnilitarv ~enuJ1!1"L compO.rlel. ITt cu" who keep lil. ntil...~re i':lupl1.~.. Gothk :m w.. !iUgc scale..known for its g:rt'.ll. c ...lI!l d ~.IiJ::Q'"~Ll'!'\ITJl!..!Je' An:m ~t"j'h: i'mm the b"I~' s~m.~'t:IJ!j!: 01 ~_>1t!:WiQT we'jgl1tle<. An art ilitld archuecnsrnl 'l)'l~ PI1fN.uing imerior ~I~a{'eo.p."" ART STYLES: ssr ~I GLOSSARY BafO(JI..I1 [In rh".l.~. Ih<l~ !la' bnuhn13rb~:!' ( I']llOO [If another r.. ~'It::llit)" tension.t~ ~!le . of 3 ro .tia Citizens..il'l[:iau.

he-avv and expr~l\'I: hne. Pol'st-lmpreuilllfii'S'fiI . Thev u~d 5Unph£cdp"'Ie<rte. cread~g 'ilbtanr color l::'I1iecu.p.'!1~tl:vcrlight lh>.J . dllCk appltc:luo.~ were less cOj1c~n1~dwith haw lighfl1CJ1!:rorOO on obJecl3 .J df'ConlNi:'. palet~ A thincval colors..bment and decerared wnb .n of p.O[11 mJIII. Cefitllr}' whtch recorded an immediate rrnpressien of a ~[]bjerl \~'Iih \.s'ri. 11lJl.11' ~rt ~t)'lt during I'll.i::Jlll"'.l<' rrt F"TTC .d Itll1uJl~ poi ntiLli51ll A.uc:apc A represeruarien.I~d ublm 11Se'J.l.: IlIII.~intin~.l5 a PJ1l1UIl_g.JIbaur 1751) 10 1~5{) influenced by anci~m d. blend IOgethcf.lb!.ll LJ11il!1~d Uf CQM:W s( 1!1U"f'j'.~n. NeQcl~jri~.ldut.rhe ~o!tll'.m and included l. dJDQrnn. milflU5>cript illurmnatiolil Hend-lertered nvtizo:d lel'l~nnill zud pll~ gold.u IllQflI".1~o. cspeaalJy sculpture. phiJ[Oh'rnph.It ~b.ind p~mled ~h:lpes :lnd fon1l5 rn:wt were more solid. tech n iqu e of usin g ''IJ1l.oir!g.h} painctn fill Iil£' hn.1~iflg bright c!)]or~ and mlJJI ~trok~ llilbroken brushwork.IKn~'U t:INbdlish~d wiln p:1l"~~l'don p1ir.~ 11t1ont"e.a]J (KJlnt'il 01" da bs of dif!i.l1fn.onism All an: f>t)1e(lIf [he hue I gt!. (lr phowgJ:Jph- ofrhe LlCC.1~rrdwith theRum:rncidnn HI ~tyle.' l~lls and continuing imc rhe 1Y205 whea "m.o. or n.lmprll'. dluSII". .J.>'1.g. ur ubkm~ bO. I[ cae.:olon nextm each other so thar when the. p::ummg is viewed !rom .l~an and ~m . c.$l'i1"l An art $ryle !Tom . drav. JiIl. POl"Uail The lT~nl'M [If J pm'~Qn.:ll! might be .

l.R ~!)'Ill ofpdinnnil! "'h~ ~ drarnanc \"'.J..nl1u.~t~ ~h. ol"l:e:l1hi .l. drarnanc.livefl. or orh erwtse fo·rrm. andpersenal ~nd had.lcl 0:11g. Ij"ii.1 wurl.~ wlu:'1:111 sculpWl'"e TIu: JIt Qfproduclft!'-l: figu:r.i~c:cture ofebe churches..f.'ril'lg Chrlul an themes In .wbicb [I .ill. l~' .. !£lel1.H.llJMli unnl about: IliOO ••'\~ 1. m the l-l .] or bi~nni:tl :!n:exhibinon 5paIiHlin=d judy!:'.:3rlIO otherWe.u<. ltomll:n-ellCIJllle Rom_antieum All an: '1'1:)' le f:mm . Salon An :l.Ue 'pmpornen. wddJ:lIg. 'F.1!il..The ~t~'11: c:oexutC'd wn:h the Neccl. SET I R!il!!!. by Fr.J p.o~d af in:tJn inUlle (apesu)' A lilmc !l.m .. n Objl!iCrl often ~ri.r Olb~u'".iinting.Ulife The ~wbj<l.~ ernoOOtl. Jifelilu: d~mtOUId sh.a I.(Ui.tl'ld in the manurl m.d~m arr stylC'.I~' the: = cre.! rotlll. t<o :oIboyt 1250 prim:trily d~'pjl.maissa:nn' An art 'tyie: which ~ m ~. exori C Sllbjt'.I.' 1i:.OJl which CC1D~d itbre:vn an: b bllIl!_l.1I:'d tho! rules ll'f iDmI<Il ~Qmpo. forms J nwhich mlQI'" Ilowed INn! ora: form iruo the llexl•.!.li~ mtlClfl~.Ilf:I:J:t!l terral.am a tter in fnllr or l1a\~ l:r.1"0(1[ 1750 to I850 which.lHl.tC!'rn Euwpun counoies.'Tlor pJci:U1'C eh whi w. n'l"I~ produc~d finnl ~rly ~lOll:!. .ObC' pc-~'tn~ KCru:. Art ~n5 used. .111o' 5rj'lr of pi1mun~ with (!Ijll'l]. l.Jing.l..ponJicn?p~~>en- iR.5IDOJl. :I. all Ji W!:JVtil hy run!"! If) produce' ~ d~j. ilin. All art aud MClufecmral.ART SlYU!S.\f art in three dune nl ~ion~ by C'MVing.cmp. w. decided theacceptaace of'arm~~' work..uo!.

i\br. NC\\' York.-1t.~ 1985 Nev.. r-hll{>'l' ".lj:'tIL'. r Il97 Harry N ...uru. NC'\'i' ¥Qn. JUlson and Amht:ll'lY F. lnc.'VLlJk .~(.23 .W. ~chusetl3 H... e 1 Cj9~ Harry N. :I drvisicn of'The Hamlyn Puhlislung GroliP H . lnc .HI'!~ P~t.Brommer.~6 D.ART STYLE'S: S£I I REFiHRENCES Jerald F.JlIl50n.:ly!~ Sradt'il:ID. Nev. Nl..1rry N.lfl'.. Al" lIi)li.x. W.. Jil:QScm. Ine. ~ 1'.·.Mrerll andTrewin Copl'l~~~on\.f."wYork ElI!1ru. Dimn\l. MM.ln r NewYdrk .rd S. 19&7 Cl H."DC5 50ok:.ms PubJi(:.•\VOl'I:di{~r. NcwYurk.. l-/f$/(!ry .'IlIL' J-lola7 tY-"hi.Ah=.-bl jilt Y.ltiom..Arl /1imIl'Y. Ab rams.

~JJ '. .I 1.mw .1lkrn"rtl".1 8Ii10-l!'55 _~ffil! ~ lind usk t:n.'lmil!\ In.ysta l'Rrodluotions ~I\ G(iIQo..r iL fi'(:Q Cr.11 cxcellcru !OJ Hnr01'LltIT llH·.' .<"[". \" I~. _ [(!l:IlfW' .E.Qn!'e§OI!ll'C'il..·I~L'I·\ ro't"r '1Ij.r:!' l'rQ\'ld" .r~lII~ !-<.~i"On5.'~l.III_UelTj C~rt1GJJ" "-.1I-'n:.ry~rn.ir.Iml • h_L~_I.mt'". Illm1:j1S .'lIl~tal' m[roJH("IJl~ .. l!TIJ"f.-h..'"g.1.rl~r~ ...lL" 01 HI.h'..tLlli". rhe I.The An )jl~ k".ilin.:HthrO'H~T"indlU_k...111 ot ~t~ rv d lid d'I(" ~ilL1n .In 'IYJ.wd".' an L~ ito II r ~lIl.m .1<.II"~ pruu-.' 1I L uon-.ur a e(l>n'plct~ Pro IJS!lJin~ &. (.H!}'[IC'lIil 1 ' tJ~ll11(~fl'" tho: .:. l"Jj.w. r~"l':.'r [WI I "". . . eiluo.1 . lilli' .""lot ~hl' '<·.~'U!1 IlL 1.~.rdo tilenll'lEl...H"!I.11I.pm.1.: 1i:U8Ji1Yn~t uvail bl~ ("om ~'(flli:lT ca'IOIIl~. F. [I. ('.l. wrth th<: I11n.I. II JL"TI\'Hh'" _"HI j".311 C..'II bn\\ tt"J III ...:ati.lrf:L· r~pr0- J~.' J..5 (hll.leW • \\'I<~L' ".If .

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