Hope you enjoy the collection.

This page exists so the page numbers match up with those of the actual
book. No meaningful content was omitted.

- --
q :) SStr:

DISCOGRAPHY
BIOGRAPHY
CLASSICBUDPOWELLPERFORMANCES
APRILIN PARIS
DANCELAND
GETHAPPY
IT COULD HAPPENTO YOU
OBLIVION
PARISIANTHOROUGHFARE
SO SORRYPLEASE
TEMPUSFUGIT
UN POCO LOCO
-:
2/50
12/29/58
2/50
5/1/51
2/51
2/51
2/50
lOR 2/49
5/1/51
4
5
6
8
16
26
38
46
55
64
74
86
4

Note: All titles except "Danceland" were originally issued on 78 RPM singles. These issues
do not appear. LP listings are the first 33 1/3 RPM releases of each title. Titles issued on Clef
and Norgran appear on the CO Boxed Set 314 521 669
April in Paris, Get Happy, So Sorry Please - LP: Norgran MGN 1063
Oanceland - LP: Blue Note BLP 4009; CD: Blue Note 46529
It Could Happen to You, Un Poco Loco - LP: Blue Note BLP 1503; CD: Blue Note 32136
Oblivion, Parisian Thoroughfare - LP: Clef MGC61 0
Tempus Fugit - LP: Norgran MGN1063

Bud Powell was one of the finest pianists in jazz. He influenced nearly every pianist that came after him,
and he influenced many non-pianists as well. His style of playing has been described as "rapid melodic
lines in the right hand punctuated by irregularly spaced, dissonant chords in the left." He was a gifted
composer, and such pieces as 'Tempus Fugue-it," "Webb City," "Strictly Confidential," "Parisian
Thoroughfare," "Oblivion" and "Un Poco Loco" are still studied, performed and treasured by jazz
musicians - students as well as seasoned professionals.
Earl Rudolph Powell was born in New York City on September 27, 1924. He was a child prodigy,
studying classical piano by age five. By age ten he was performing classical repertoire publically and
participating in local jam sessions.
At fifteen, Powell quit school to become a professional musician. He played jobs all over New York and
jammed after hours at one of the birthplaces of bebop, Minton's Playhouse. At this time Powell met
pianist Thelonious Monk, who soon began providing his challenging compositions for Powell to play.
By 1943, Powell was playing in trumpeter Cootie Williams' big band and sextet; the next year he made
his first recordings, also with Williams (who had become Powell's guardian). In early 1945 Powell, after
appearing one night with the sextet, was beaten over the head, mercilessly, by the police as they were
arresting him for being drunk and disorderly. After his release from jail a few days later, he complained
of headaches and, shortly afterwards, entered a psychiatric hospital for the first time. He returned to
similar facilities at least a half dozen times in the next ten or so years.
During the late forties and early fifties, when Powell did perform with his trio, his playing was nothing
short of incredible, as commercial and remote-broadcast recordings prove. It's unfortunate that, by the
mid-fifties, his playing became quite erratic due to his problems with alcohol (it was thought that he took
to drinking in the forties to deal with his terrible headaches), and his public appearances were sporadic.
By 1959 Powell moved to Paris. He remained there for five and a half years, playing for much of the time
at the Blue Note nightclub with bassist Pierre Michelot and drummer Kenny Clarke. Powell played, on
occasion, as he had in his heyday, and his fans treated him with great respect - though recognizing that
he was past his prime.
By the middle of 1963, Powell had attracted a zealous French fan, a young commercial artist named
Francis Paudras. When Paudras discovered that Powell had tuberculosis, he arranged for the pianist's cure
and for his return to New York and to Birdland, the scene of many dazzling Powell performances in the
early fifties.
Powell was well received at first and lived up to his fans' expectations. But his playing soon became erratic
and the crowd's initial enthusiasm waned. Powell had started drinking heavily again. After a few weeks
the engagement was canceled. He played a few concerts after that but then grew indifferent about
performing. His liver gave out, and he died on July 31, 1966.
But what counts is his legacy, thrilling music that continues to influence and instruct countless fans and
musicians worldwide.
Peter Pullman's contributions to the textual portions of this folio were invaluable. Mr. Pullman is
writing Bud Powell's biography for Farrar, Straus and Giroux.
5

This listing is a selection of great Bud Powell recordings issued under his name from the many that
exist. It does not include the numerous "unofficial" recordings that circulate. CD release listings are
current as of the year 2001. Transcriptions of titles marked with an asterisk (*) appear in Bud Powell
Classics(HL0067237l), and transcriptions of titles marked with a plus sign (+) appear in this folio.
1/10/47 BUDPOWELL,CURLYRUSSELL, MAXROACH
Remember April, Indiana, Somebody loves Me, I Should Care,
Bud's Bubble, Off Minor, Nice Work If You Can Get It, Everything Happens to Me
Recorded for the Deluxe label, this session was sold to Roost Records.
This session is now available on Blue Note 30083.
Early 1949 BUDPOWELL,RAyBROWN,MAXROACH
Tempus Fugit, 'Celia, 'Cherokee, I'll Keep Loving You (piano solo), Strictly Confidential, All God's
Chillun Got Rhythm
Recorded for Norman Granz's Clef label, these recordings were later reissued on Verve.
This session is now available on Verve 314 521669.
8/8/49 BUDPOWELL,FATSNAVARRO, SONNYROLLlNS,TOMMYPOTTER,ROYHAYNES
Bouncing with Bud, Wail, "Dance of the Infidels, 52
nd
Street Theme
Recorded for Blue Note; alternate takes have been issued of the first three titles.
This session is now available on Blue Note 30083.
8/9/48 BUDPOWELL, TOMMYPOTTER,ROYHAYNES
You Go to My Head, Ornithology
Recorded for Blue Note; an alternate take of "Ornithology" has been issued.
This session is now available on Blue Note 30083.
2/50 BUDPOWELL,CURLYRUSSELL, MAXROACH
«So Sorry Please, -Cet Happy, Sometimes I'm Happy, Sweet Georgia Brown,
Yesterdays (piano solo), +April in Paris, 'Body and Soul
Recorded for Clef, reissued on Verve.
This session is now available on Verve 314 521669.
6 or 7/50 BUDPOWELL,RAyBROWN,BUDDYRICH
Hallelujah, Tea for Two
6
Recorded for Clef, reissued on Verve. Alternate takes of "Teafor Two" have been issued.
This session is now available on Verve 314 521669.
2/51 SOLO PIANO
-Parisian Thoroughfare, «Oblfvlon, Dusk in Sandi, *Hallucinations (Budo).
The Fruit, A Nightingale Sang in Berkeley Square, Just One of Those Things, The Last TIme I Saw Paris
Recorded for Clef, reissued on Verve.
This session is now available on Verve 314 521669.
5/1/51 BUD POWELL, CURLY RUSSELL, MAxROACH
-Lln Poco Loco, Over the Rainbow (solo piano), *A Night in Tunisia, +It Could Happen to You (solo
piano), Parisian Thoroughfare
Recorded for Blue Note.
Alternate takes of "LInPoco Loco," JlANight in Tunisia,"and "It Could Happen to You"have been issued.
This session is now available on Blue Note 30083.
8/14/53 BUD POWELL, GEORGE DUV1VIER, ART TAYLOR
"Autumn in New York, Reets and I, Sure Thing, Collard Greens and Black-Eyed Peas, Polka Dots and
Moonbeams, I Want to Be Happy, Audrey, The Glass Enclosure, I've Got You Under My Skin
Recorded for Blue Note.
Alternate takes of "Reets and I,"and "Collard Greens and Black-Eyed Peas" have been issued.
This session is now available on Blue Note 30083.
5/25/58 BUD POWELL, PAUL CHAMBERS, ART TAYLOR
The Scene Changes, Down with It, Comtn' Up, Duid Deed, Cleopatra's Dream, Getting There, Crossin'
the Channel, -Danceland, Borderick
Recorded for Blue Note.
This session is now available on Blue Note 30083.
12/17/61 BUD POWELL; PIERREMICHELOT; KENNY CLARKE
Thelonious, Ruby, My Dear; There will Never Be Another You; Off Minor; I Ain't Foolin', No Name
Blues; Squatty; Monk's Mood; Cherokee
This session was recorded in France and was produced by Cannonball Adderley.
Cherokee has never been issued.
Other notable recordings include the ten releases on the Mythic Sound label (one selection, "Tune for Duke" is transcribed
in BudPowell Classics).
7
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All Rights Reserved InternationalCopyright Secured Used by Permission
86
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q :) SS .-tr: DISCOGRAPHY BIOGRAPHY CLASSICBUD POWELLPERFORMANCES 4 5 6 APRILIN PARIS DANCELAND GETHAPPY IT COULD HAPPENTO YOU 2/50 12/29/58 2/50 5/1/51 8 16 26 38 -: OBLIVION PARISIAN THOROUGHFARE SO SORRYPLEASE TEMPUSFUGIT UN POCO LOCO 2/51 2/51 2/50 lOR 2/49 5/1/51 46 55 64 74 86 .

Note: All titles except "Danceland" were originally issued on 78 RPM singles. Un Poco Loco . CD: Blue Note 46529 It Could Happen to You.LP: Blue Note BLP 1503. Parisian Thoroughfare .LP: Norgran MGN 1063 Oanceland . CD: Blue Note 32136 Oblivion.LP: Blue Note BLP 4009. Get Happy. LP listings are the first 33 1/3 RPM releases of each title.LP: Clef MGC61 0 Tempus Fugit . Titles issued on Clef and Norgran appear on the CO Boxed Set 314 521 669 April in Paris.LP: Norgran MGN1063 4 . So Sorry Please . These issues do not appear.

He influenced nearly every pianist that came after him. playing for much of the time at the Blue Note nightclub with bassist Pierre Michelot and drummer Kenny Clarke. He returned to similar facilities at least a half dozen times in the next ten or so years. was beaten over the head. also with Williams (who had become Powell's guardian). Mr. After his release from jail a few days later. who soon began providing his challenging compositions for Powell to play. Peter Pullman's contributions to the textual portions of this folio were invaluable. At fifteen. He played jobs all over New York and jammed after hours at one of the birthplaces of bebop. and such pieces as 'Tempus Fugue-it. Powell played. He played a few concerts after that but then grew indifferent about performing." "Oblivion" and "Un Poco Loco" are still studied. He remained there for five and a half years.Bud Powell was one of the finest pianists in jazz. and his public appearances were sporadic. as commercial and remote-broadcast recordings prove. In early 1945 Powell. But his playing soon became erratic and the crowd's initial enthusiasm waned. At this time Powell met pianist Thelonious Monk. his playing became quite erratic due to his problems with alcohol (it was thought that he took to drinking in the forties to deal with his terrible headaches). and his fans treated him with great respect ." "Parisian Thoroughfare. by the mid-fifties. performed and treasured by jazz musicians . By 1943. During the late forties and early fifties. when Powell did perform with his trio. 5 . a young commercial artist named Francis Paudras. he arranged for the pianist's cure and for his return to New York and to Birdland." "Strictly Confidential. as he had in his heyday. His style of playing has been described as "rapid melodic lines in the right hand punctuated by irregularly spaced. Powell had attracted a zealous French fan. Powell quit school to become a professional musician. His liver gave out. he complained of headaches and. studying classical piano by age five. 1924. Powell had started drinking heavily again. the next year he made his first recordings. on occasion. By the middle of 1963." "Webb City. He was a child prodigy. By age ten he was performing classical repertoire publically and participating in local jam sessions. After a few weeks the engagement was canceled. the scene of many dazzling Powell performances in the early fifties. It's unfortunate that. and he died on July 31. Pullman is writing Bud Powell's biography for Farrar. 1966. shortly afterwards. dissonant chords in the left. mercilessly. entered a psychiatric hospital for the first time. Powell was well received at first and lived up to his fans' expectations. Powell was playing in trumpeter Cootie Williams' big band and sextet. Minton's Playhouse. When Paudras discovered that Powell had tuberculosis. his playing was nothing short of incredible. and he influenced many non-pianists as well. But what counts is his legacy." He was a gifted composer.though recognizing that he was past his prime. thrilling music that continues to influence and instruct countless fans and musicians worldwide. Straus and Giroux. Earl Rudolph Powell was born in New York City on September 27. By 1959 Powell moved to Paris. by the police as they were arresting him for being drunk and disorderly.students as well as seasoned professionals. after appearing one night with the sextet.

Sometimes I'm Happy. 6 or 7/50 BUDPOWELL. AyBROWN. OMMYPOTTER. "Dance of the Infidels. 'Cherokee. 52 nd Street Theme Recorded for Blue Note. It does not include the numerous "unofficial" recordings that circulate. + April in Paris. Indiana. 6 . Strictly Confidential. This session is now available on Blue Note 30083. Wail. This session is now available on Verve 314 521669. Alternate takes of "Teafor Two" have been issued. OMMYPOTTER.MAXROACH Tempus Fugit. an alternate take of "Ornithology" has been issued.ROY HAYNES T Bouncing with Bud. MAXROACH Remember April. All God's Recorded for Norman Granz's Clef label. Ornithology Recorded for Blue Note. alternate takes have been issued of the first three titles. Early 1949 R BUDPOWELL. CD release listings are current as of the year 2001.BUDDYRICH R Hallelujah. Bud's Bubble. Somebody loves Me. reissued on Verve. AyBROWN. This session is now available on Blue Note 30083. 1/10/47 BUDPOWELL. -Cet Happy. URLY C RUSSELL.This listing is a selection of great Bud Powell recordings issued under his name from the many that exist. 'Celia. SONNYROLLlNS. This session is now available on Verve 314 521669. Tea for Two Recorded for Clef. 'Body and Soul Recorded for Clef. I Should Care. these recordings were later reissued on Verve.ROY HAYNES T You Go to My Head. 8/9/48 BUDPOWELL. Sweet Georgia Brown. ATS F NAVARRO. and transcriptions of titles marked with a plus sign (+) appear in this folio. This session is now available on Verve 314 521669. Nice Work If You Can Get It. MAXROACH «So Sorry Please. Everything Happens to Me Recorded for the Deluxe label. 2/50 BUDPOWELL. Yesterdays (piano solo). This session is now available on Blue Note 30083. Off Minor. reissued on Verve. Chillun Got Rhythm I'll Keep Loving You (piano solo).CURLY RUSSELL. Transcriptions of titles marked with an asterisk (*) appear in Bud Powell Classics(HL0067237l). this session was sold to Roost Records. 8/8/49 BUDPOWELL.

Comtn' Up. Sure Thing. 8/14/53 BUD POWELL. CURLY RUSSELL. Polka Dots and Moonbeams. reissued on Verve. The Fruit. This session is now available on Blue Note 30083. Down with It. Duid Deed.2/51 SOLO PIANO -Parisian Thoroughfare." JlANight in Tunisia. ART TAYLOR "Autumn in New York. ART TAYLOR The Scene Changes. *A Night in Tunisia."and "Collard Greens and Black-Eyed Peas" have been issued. Just One of Those Things. Cleopatra's Dream. C 7 . A Nightingale Sang in Berkeley Square. This session is now available on Blue Note 30083. This session is now available on Blue Note 30083. 5/1/51 BUD POWELL. Monk's Mood. The Last TIme I Saw Paris Recorded for Clef. PAUL CHAMBERS. "Tune for Duke" is transcribed in BudPowell lassics). I Want to Be Happy. GEORGE DUV1VIER. Squatty. Cherokee has never been issued. Other notable recordings include the ten releases on the Mythic Sound label (one selection. Audrey. I've Got You Under My Skin Recorded for Blue Note. Parisian Thoroughfare Alternate takes of Recorded for Blue Note. The Glass Enclosure. My Dear. KENNY CLARKE Thelonious. Off Minor. Crossin' the Channel. 12/17/61 BUD POWELL. I Ain't Foolin'. 5/25/58 BUD POWELL. Collard Greens and Black-Eyed Peas. -Danceland. PIERREMICHELOT. *Hallucinations (Budo). Getting There. There will Never Be Another You. Ruby. Reets and I. Alternate takes of "Reets and I. No Name Blues. Cherokee This session was recorded in France and was produced by Cannonball Adderley. Dusk in Sandi. «Oblfvlon." and "It Could Happen to You"have been issued. Over the Rainbow (solo piano). MAx ROACH -Lln Poco Loco. Borderick Recorded for Blue Note. +It Could Happen to You (solo piano). This session is now available on Verve 314 521669. "LInPoco Loco.

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. T' W[ II "= . f ---= vi! : .1 .....b..-____ !-'''' I .. I ?3-. 3 Em7 A9 r--.. --I 9- . "?i :61: Fm7 I I ':...Oblivion ByEarl"Bud" Powell d = 142 D7alt 1\ I I . _ '"'JV .. i Abrnaj? r Gm7 3 """1 - '[ Cm9 '" -fL-I. ." ... T · · .. All Rights Reserved InternationalCopyright Secured Used by Permission 46 . . r F9#1l I :61: F7 I · · I. · · 1 o 111 . ) - .. i v ... r-' I ..r-' 1'. '"" l::'f • . r-' 19-------.it. ------.. 1. . v .i •• © 1953 (Renewed 1981) EMI LONGITUDE MUSIC CO.

1 1 --Jl"'. . '-' r I . i""'-. Fm7 I 9- .. . 1· _ I · · . 1I I .' .D7a1t " I '- I' '''' . . -r : .--- ---. 3 · · 1 i::L .g :::: -6 I · · Gm7 " I I .. : i ' . r Abmaj? r 3 J .::=::: "1 ..g Cm9 F13#1l I II!) !1 ' .. ?i 3 " Em7 I " · · ':6.. I' Cbrnaj? E7 c..'v- · · L #::: 47 . .g ... .. T .-::: "T A9 c:. .-....<5 3 .....I .l. .

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.o/! · · . v· .. --: - 3 J-"---"_ "'--° 0 0 ---"---" .t .-/" J C7 3 j Fmaj7 Gm7 Am7 ..... ./:. 3 .:. '--"I Jz T..1.H. . v :.C 3 19- v G !lp/C 0 Amaj7 .. r o o/! .. "--.' ::::= 11'::" 3 . '.. ..1.1.' .. J '--"r Bb maj? 3 - Fmaj7 Gm7 Am7 Fmaj7 D7 G7 3 3 · · . 3 3 3 112 p/C 3 . 3 k . Bb maj? Cmaj7 ° Fmaj7 Am7 Gm7 Fmaj7 r / 3 : .. All Rights Reserved International Copyright Secured Used by Permission 55 .Parisian Thoroughfare ByEarl"Bud" Powell d = 158 Fmaj7 Gm7 Am7 Bbmaj? Cmaj7 Am7 Gm7 Fmaj7 I R. :... Gm7 Am7 I .J I 3 I. ::ii © 1953 (Renewed 1981) EMI LONGITUDE MUSIC CO.

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. -& Gm7 C7 C7alt F Gm7 Bp 4! .. · · = c: FIC :6l C7/G =.... .. 'iI :4j T .. i - v- . v_ - . ... C7alt " :.. .. C9 • 1> • v- 'iI I F7 - r F/A I I Bp Bdim7 3 ... '- "" Dm7 i C7/G · · - C7alt F . . ... . - - "" ..t = c: 'iI v 7J Fmaj9 4! '-" .. r "'57 . I .Bp Gm7 Am7/C D7/C · · .. · I · r C7/G .

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• F F/A .. . . 3 o..... • • ....I.. ...... r ]'T Dm9 · · - ...J • I · · G .Gm7 c7b9 I I C7 F F7 I Bb7 Bdim7 " I • 3 -') T · · • • IL • F C7 F • E . r Bm7 Amaj7 Bm7 E13 .... .L . .. · · 62 ... .._ . jJ...j.. . . I Db9 C7 I I 3 I I I I I I 3 e C7alt F5 Lb.... Gm71D L. = " Amaj7 " --' 3 · · " Bb7#9 Amaj7 I . .._ ' '_ " I ..

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... -----.. i· Eb maj9(no 3rd) I I .... . Cm7 .... rT.. -<! ----------.SoSorry Please ByEarl"Bud"PDwell J = 188 Eb maj9(no 3rd) 3 A I Eb6(no 3rd) 3 Ebmaj7(no 3rd) J mf I . nl 'I • . . ... . .J1 l I . • • Ebmaj9(no 3rd) E9bs Eb(no 3rd) " . _. -<! ----------.. -<! ----------.. I I ... Fm7 3 Fm7(no3rd) Bb9#S C7 Bb7#S(b9) Bbm7 · · © 1972 (Renewed 2000) EMI LONGITUDE MUSIC CO.. I 3 I I r-. ""' All RightsReserved International opyright C Secured Used by Permission 64 . •• " ... ------* .2. Eb6(no 3rd) I ....... * .. b': Ebmaj9(no 3rd) 3 I I .. I l I • I · . . . :=t I Ebmaj7(no 3rd) 3 e r r · · -6 ______ .. 07#9 3 iI... . " . F9/E E9 ...

--.. #r f .. · · • . . II" F7#9 ••• • i" "11 ...' - . • ... h 65 ...--.j • G7#9 " I '"' •• *.07#9 " I F7#9 ..::. 061- ••• . t ..l ....- ...... -I - :::::J \ 1-----. "I j B9#5 r · V ll =Ii C7 ...J..t •• • • • * • • • 07#9 j ) * • t " I ...-......." . 3 t I :: I • .. . 3 -.. -F f ::""31 PlI ... 3rd) } J Cm7 1 • Pll'-/ 06 " 9 9 6 Fm7 .. .." Fm7 :.... . /" s 3 -. .. • j..1I Ab maj? Adim7 · -L * • 3!!!! . i I .J... • • "b:F - :: ... I . · · .... r-... . · · - '-/- .

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.-& 67 .-. .. D'-.. h- · · r-. ....-.. • 0" v - Cm7 Gm7 • . .. • .. 3 3 '" · · .-' .. v'"_______ . '--'" . .3 ---. T 3 · · '"' .. I Fm7 ... I I I .../' .. v·' ') 0" ..-6 ________ .... '.'"' r Gm7 " I 3- .. .../' r-•.'1 I . . I 'L . . 3 I I · · 1\ I 3 . v" Fm7 E7 ..-. v . v ·v·· . . ... L n... I r Gm7 I I "v 3 3 - .Gm7 I C7 Fm7 I I r... 1/. .. L... - ..v'" Fm7 .... '.-' 3 I I I -. 1'\ .../ )"-' .. L r-. Jv • 1'\ · · 1\ I . ...•.t- 3 3 !!OI - - .

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j' - '--' 69 .. 11 .. i 3 . '--' r. Cm7 ' D V Gm7 A I Fm7 E7 oJ "II . 3 -'--' . :.'" ... 1'1. .--..."II' - 11 ..---.. 3 3 11 · · v .g ( -"'- . '\ 1 . Cm7 : ------=------!: .. I . I... I!:' Il.. . -----' Cm7 ""- "II · · r-..-.. • I 3 . 3 D0r' Fm7 C7 J 3 · . I!: .g .. II J. .Il • .. .. . " .-'"'_ . .11 . 11"'-/ . .. Fm7 3 .'---" .s "fr •. '-- Fm7 fIl... . .. !: - ... 3 . · v G .. " ." .-6 v"... .

... kA • '-'I"J r I'Jv .. . V"-' . . 1 v· -6> .. <::« · · v-6 ________ . 3 ..3 Cm7 8va---------------------------------- - • 3 3 loco . 1'\ . Cm7 1 I . 3 .. .. <::»/"il ..... · · 'I .. .Fm7 . Cm(maj7) F7 " I . . ' . .----=: 3 J . '""J . 3 " - oJ 3 -. _. · · J .' .".•.. . . 3 v" . _ " 4!J • Gdim7 . • 4!J < -tJ r I 3 3 · 70 .. 3 t. 3 • _. r Gm7 Fm7 .... I bJ II. <.. •• I.--". i . ' - . 1\ ... • '--/ Ebm7 A I h.' . .

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