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Suzuki Violin Method - Vol 10

Suzuki Violin Method - Vol 10

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FOR THE STUDENT: Thi rna rial is part of th worldwide uzu i Method of te ching. Com nion recording hould u d with th publicati n . In addition, th re pian cc mpanim nt bo th t go long with thi material. FOR THE TE eHER: In ord r to be an effective ongoing education i r ui d. Your nation 1 Suzuki its m mbe hip. Teacher re n urag d to becom Suzuki sociatio d maintain a te her training current, via institu hort nd long tenn programs. join the International uzuki A ci tion, uzuki t cber, a great deal of ociation provid thi for m mbe of their national h ule in order to main You are also encouraged to

FOR THE PARENT: Credentials e ntial for ny te cher th t you ch We recommend you your teacher for his or her cred ntial , ially li ting those relating to training in th Suzuki Meth d. The Suzuki Method experience hould be po itive one where th x i a won crfuJ, fostering relationship between child, pan::nt and teach T. S ch 0 ing the right t cher i ofth utm t importan . In order to 0 am more in ormation abou the uzu . M thod, plea contact your c untry. uzu i A elation, the Intern ti n l uzuki ssociati nat -10-1 Fuka hi Ma urnoto City 90, J pan. Th uzuki iati n of th Am rica , 1900 1 m #101, Bould r, Colo 80 02 r umrny-Bir hard Inc. cl Warn r TO. Publication lnc., 15 .. 48th Avenue 'ami FJ nd 33014 for current A ociatio • ddr

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Start bowing with the upper rt of the bow, The finserlna gsven above the ore i Joa hmo's JOdi' <:a lion. nd lM fin erin, below i5 thai based n my own Ph lice. Whlchever n rin IS adopt d must be practiced carefully Ifti
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Le m t gCI the e act llIteNll belw~n lhe founh and Ihtrd ftn rs.

Practice the (ollowinl 2~ in the indic.led order.( A)

Fine performance can never be expected unle conn nt is ccnunued every day for at Icut I m nth Do nOI for el thai virtuosos' briUiml performan I are the result of m y yun' pe vering efTorts. Pauern of Practiu.
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I fl (ial attention to the hape of the left hand and n at Ihe position shJrt. (See of the Thlrd

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36

Pol t 01 Practtc
Play this pusase IS expre vely s you can. Compare your performance With those of virtu and study their tempo weU IS their beautiful sound and ibr.to. One of the surest ways to improve iJ to study excellent per(orman s. comparing them with your own performance n fou ~cts: tempo. lone, p Ich and vibralo By comtanll tudyln vmu os' reeordln ,compann them with your own performance JO these four pomts, you ill come to realize after what careful ~tudy they attained their accuracy and beauty. I e peel pupils to understand Step b tep their execution, such IS handlln of the bo • peed of bowing and acu n 0 the ri t dbow.
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Play this two-oetave interval ceurately

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ole. 1) Pupils are ap to pre the bow 100 rtnnly 00 e trin when they play th notes in higher positions on the G sIring. Enough are must be , en so thlt the bo used on the stnn in the same way a if tumngon the open SHin. any pupils usu lIy produce excellent sound in tunlll!. and they should pply the same control of the bow and sound to aU the note they play. ote- 2) left h nd fingm h uld be round d 011 the finaerboard. Imo I l I right angle to the strin . The relation 0 the strin and the fin r should be nth r th n • nd In hi er p ilion t angle must be ~.

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PI Y e h of these notes ligJltly nd try to e pre contra t between the dehcate lepto nd t c to.

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ote: When the first fj position (0 the fa th, pay left h nd. If the e of board is n01 like litis, thaI the correct posit, n b

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A wron pe of the ft h nd 11.'111 prevent the fin er (rom mOVlna freely. raining of the lert hand (or the correct shape should be consdered of pnrne importance.

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ThOSt ho play thl n ure rUler than the correct tempo wtlJ Wo p y the follOWing part 100 (ut Learn ( play .t the correct tempo,

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to

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3

2

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43

2----

3

(fp)/!U

1

--

1--

(Jp) trs«.

1--

1--

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Point

r Practice
• J; Til. Ii

ouee th I / LS lndl led for the first two me uru dh Ie ero for the f lIowin two me ures. Training is e pl!i:lall DeC! 8ry here. Allhou the indiCA lion i stacCilo for both pain of l5uru, / should be played loudly with IonS 0 Ina while P must p Iyed lUI shon bo In lmost like spitalO. In other words, for p there is more eluliClty of the bo wllh on bowand n the case of / the bOWl should be more hke le to. The mdicluon /p me ns that / mould immediale!y be followed y p. thUJ mounnn to a md of

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e, "'} t
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t < n'''' tl..t ') t. .t I
(f)

v

ff-

eeent

c: ,!I I'.J: "),.. ( .: t~. - II [' T.

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')

(I'd: P

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fI'1: t

It ~

Only th followed

first 0 and '" t re pia ed f . IInmed, tel} yP Then the sue edin Ii ure, which descencb "adually. sh uld be played deere endo. Read the score I lfDuP of our m a ures

J L ....

, F' r':1

r IT ".'

~/

-r n' :J ~

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44

Play

owly and learn to alla position.

.
~

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1·.ft.
J----

1
1----

:. .: ~!t

T

c s; U;.J.:fO) J: -) I':

~. '(

t. J: ~, t re.

(fp)kgg .

-;nt'l; • l.. '( 6. IOldUm II an a1tematl Thls part may be p yed

dJcaUon
(OUOWl:

I

I

1After cunt placeJ1lC1lt of fingen is Ittain d. then p IY with II It first and tty to make the te ro smooth. ole: Carefully reid the note It to the shape of the len h nd. and pay attention
iE I:
;t.t.

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le I ero~

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JJtI1)
'fifO)

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t1.. : rr.~:".:"C'ti I1)JI:' ••

{.I:lB]fO)lt.o

ttit-l

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6':'1::.

lot 01
Pay pee I attention
Practice thiS melody on the 0 ,trinl correctly. 10 the pO$ilion of the leO land and 10 the wpe of the fin rs, Don't stln to pllY before you have lesmed to nx th I ft hand fumJy Ifter the position hifl
·..

~ [ (1)fi:n
D~
fO):'~ L'~

o-f' I:i£

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I:

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Trlinins

etpecuJly

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ry
rOT

ne

th

foUOWlnl part-

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45

V

rID

2

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\

V

0~

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n

v_---- __ --a ----

Point 01 Practice G. - -

·"f.M<n f t}j
J

z

;J

a•

The note G pressed by the third flnger IS liktly to be played too hi&h n p reh. Try to get accurate pitches.

3 t1)fif"~i..

0C
I

(f)

A'.ortiS < -:.,,"

-(>

,./).

:>11..0:

1,.,

JI':

4~T

l>

tart pia n,

th the upper end of the bow. '.IJl.
~l
I:

Th s bowln, IS Indicated by Joa him. but here I give my own bowln. for reference because I Ond h nd cation QustS me some diffi ulty.

.:tU.1

T

t.?)I~"",

''('1"11',

t1)I'I=I:1->L. t1)

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t

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46

tr

Point 01 Practice

..

I

cnfl:1i

I

2

2--

1-

2-

t-

2-

..
CA .. _)
t
8-I

c.: I l>.t.; z, Le m to play accurately .

11'

•c :

L'

J

110 t;)

C ntlnue practice unul you atlain the peed at which you can play the trill 10 your tis(a lion

47

l------------------ 1--------------Point

1------

Pr tic

Learn to pL ee the first fin er a~curately without r:usmll the second Onger.

_"" ,~J

t. - 1 .ff\,~ I Prepare the lirst fm&er for this note

6

•.1.; I" ::.."> j!-

I0 • )I

'Q .:III f.I •• ~.

Then learn to pilY th'

figuTe.

l
.. ..: ..... ~ ;.. I7l

t

(f)

?lH">~.:""I_lM~iJ". In thrs p iuon, With the correct shape of (he lert h nd In mind, pi ce the thurn t (he shoulder of th ooy of the violin
~,q~J:,-q)

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il. L

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r,

ffr

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(,'I.:t, ,',

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Pupll$ must ulre en ugh kill r r the bo e points ef re proceedin tc practice so th t the may play well both music lIy and techru Illy,

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J

UZUKI

THOD I

ATIONA

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