BARNES

t

INSTITUI'E
Ksi"tq.iI,\M,rCisp<lc\E!I.!:'OIll

cg5

bar n,e!;lIi;)~~ll;u'~e,~ freed:om,CQ'1!I

Ho,w to, luddeln,lly Eln'io,y Guitalr, Ilealr,n, Ilots aln,d 'filn,d youlrsell'f Ipllayiln'9 10'ln'91 lP'elrfecllly

WriHen

by Dr

Perry Barnes

auflloli' ,of ~h,ewOIi'I!d~amiOU:S bali'lil,es mie~'od 'elil,slhh 3.4 lfIll,illlli:OIil ~esulilis'ali y,ohoo.,colMl' 100000+ ~eadeli's balilsliated fo5 l!alil'Qu,ages
--;1----

Dr" P,eIi'~ B,QlIi'Iil,es

pagOI pag02 pag 06 pag '~4 pag 16 pag17 pag 18 pag28
Le'ClIi'IilSOIil'9sand fUI;l,es to Leoli'lilo
,0

H,ew Stiyl!e

pag 3,0
pOle 3,1

PI!ayim.'9 You Ii''G uillali' Ulbe r'esll Y.ou Ii' NewG Alilofl},eli' fype

Dli'u ml

uifrali' A bilii':es

pag 3.2 pag 3,3 pag 34 pag 35
Wi,ih Audacttiy

,of Goalis lis f,o Wli'tfe SOIil'9S

AdVQnc,ed 'GuIklli'in'91 le,co~d YOUii' SOI;l,gs 'Oli'Audtos Ii,ow to Wli'i,fea Exh"as Poe II1II1 Exh"Q ArC,essoli'i:es

pag 4.2 pag43 pag45 pagA6

'h'e almazingl g~italr pk~lyen, you see om Y(HJt,ube ,and sOlid ~ha~':!i,n i po,ss,ilb~e,weU ~tiirley~emn .50-dlififerellilt slkilh d!lnilillgl .'5 yems and now they llin x th e IiIiTII Olir ~ogeth er, ~t Ieeks ki~ ~an d mOlke:syour wow, i 1IIIu beca~se lit is ... An d you cOin Ille min i~. -

C

'9

i'm wliiiti IiIlglth is il belliieviE! its go,jn 91 'to bee asy ~ober;:;o:m e 9Iui~\Qr;master, beca~15e eyelry glui~\Qlr as~er(wow m Iplayer) has 1 ·extra tri dkfor me h:J' Iemlill. .CI

c~ rren'tl y as

I

C

-

Ihegluy I 5ee todo!y tOlp5 the bottom of hl5gluitOlr 0lhdglet5 01hlce drum 5,ouhdl, 5'0 hOW I'm dio'hgl it. Ihe OlmOlzlhgl 5po'hl$hgluito,rl$t $trum$. the $trlhgl$ with her thumb., theh her $trohgler fihgler twice theh hit$ the gluitOlr on the heck"

With m 0 t¢30 min~te~ prc;lgi~e thi~ i~ p¢I~~ible, iI:~ i~i~tc;lnew m¢vemem, the mUisdes mud heoo.me familiar with the m¢vemem" S¢ here is 'a list ¢,f VOr!¢ui9; Q ulitars kills wh~h Y¢UIGO leo rn ina nyse(wen¢e Iud mo ke Genain t¢ progise n theltL

whill~!~ IPu~IMn91 ~h¢$if1ingl ordpllay n ondi h move ~Itup stiIIIpU$hi fig itCl9ai f1$t~~!e
g'iilirltolF, e fhe samelMhgl d down ~ar viibll'orto

drin 91 ben ds;

luis SilIVS:: gllJi~a~ tellClilefll

wellli

were 80 ri'gi,dI

rOlPidll:1'"ip ahd l

.st,lrin

down

9 !lli>des: plllo'y~heInote then ~lllideyour ~i'nger up or

my previiol!J§.tteacliler was quitesoulful bllJtt~liley~ellll. peoplieto move their wristi n <linexact motion to pllay ml!J§IIC §ttructtUirElS none of~lilat §~u~Will rElI,gv<lnrtfor writi ng 031SOIlgI or learniingi §oliillieone 'EllSEl'SSOIll~ onl ,(wri'be poem's .ililildi :soliligiS 'witlil tilil,is Gill,e :says:. I gllJe§§ YOI!J Iila\te~o l'iia\llEl'olllillty quick Fi Ilg@Jrs luis SilIVS:: hllJlil i'm gonna teaclilg.Ulitar u~§ ne)(t on my Ilii8~ 'G~ dt'@am!~ on1vwri'l1e

am11

th¢gl~Jltalr li15ie it'Cllr gu (:1$(11 drum; watc~, som,evid'MIS, Don Ad~er i~:sgood IiIOll1lililillleli On/taIPpililg: . pilioly(! no1e then 1ap (! seeend $1rijflgl hiht w f;trlllihold~!'!gl ~he TI t IIii'I'O,~e s

great

poem,s

.ililildi :soliligiS 'witlil

tJliI,is Gillil! saysi'

luis SilIV.s:: i'm~liliinlkiingtto Iilflla~@ it <l1lI1II11in one learn 2. or :3 songs il'1llll'1ll,e.(ii1llb@ly blllcal!Js@ SOIi1flIll are easvto do this ~hlll gllJiittar teaclil@ifS mat shGW the students thoug:h "'maik@ sl!Jre you wrist is 45 'il@~t'@flS, pr:a.cti~ f{!f 2: diays halilalilaalillilalil" where"s~lilefl!Jclkiill1g1 passion SOrIfY ~hllln ii SIilOWttJh@IilflI~Owrib@i3i :SQI~~ ~hllln Iilow to siill1g bettJ;lr o.n.lyw. ri'be .p...em.',s. 'ill.1il1ii :solilig,s with 0 yOIlJ"1111 a goodl~@ach@r Ibe luis Sill'(,S:: ~h@n Iilow to I!Jplioadi sOFlig ~hanks Iladly . can YOI!J iililfllagiill1@a ,$@Xteacher tJliuls (lilllil!, ~aysl'

like those guita'r

madlle'rs

1d!ecid!edl to write$,omethingl hOIPPY' $'0 1wrote 01poem with the thelllleof$tOlrfingl f·e·elgloodl·Olndldbingl thing!s whk:h 1IIl0ike')f0u h,olpPY.

to

Then Ic:iloo$,e the 2: hOlppie$tc:hordl$ f·or me (GOlnd! E) 1 plol)' them 11'101 rhythm 1like then ·o:d!d the lyriC·$. Ic:hOlngle lyric's to fit the rhythm ·of thes,ongl then mOlke ·Olc:horus.. 1ieolrfl the 'chord! D7fr·omd!orvidl bowie's s,ongl$po:cle od!dlit)"Olndl love the wOI)' it c:holngledlthe mood ·of the$,ongl. So 1put A (I plol)' thi$. for 01iongl time) ,olnd!D7 tog,etherolndl repe01t it to fit the title ·of' thes,ongl. Then 1f·e·el iike$,olyingl$,omethinglc,ooiolnd!,olmeri,c'oln$,O .'01'2: pOlrl:$·of thes,ongl. this. beclomes. the next lin·e

Hlow I wrote Ash with HI'orm·onloa:
Written withgna Sirl whQ wa~ «HlV!fiQedshe oou"d n't wrilea poem,~o i wrote the words to· rhyme with whgt$ he ;9;.gid i reo Ity don't k.now" > :" i wrot·e" how to ma ke thi~ flow'" > then i oom pletedit, the I~enda ry bUl hicks~g ad" dOrl't yOllilsee"ond i thi~ phr(]!!e 1 love. Then 1dmol~·e D my f.c!vo·lJJlrit·e Ghord, dm from if ')fOIJJ toler.ate this youl GhUd wm he next the fen mClnic~song, gm ffo·mspread ')fOllilr lng~ (the W lfiol$femotioM IGhord in the song )eane! then bad. to D it f·elt Good to hit thedring~ between the .4 dmrd;s,so fo·llow youlr ieeling$ in ;songwriting.
I I

be more de$Cl~slrve IiwliQ'te aish wlith h<llli'monl(al m linutestQlI the ~oom

5

m linutes the meltrdy 5 m linures ~ li'adl:sling 5 m linu'ltes record ling .. . then 2 da~ts llalt'eli'IIadded halli'monliGal and ferma,nda':s volte

lui:sjoia

5

said ('04:'02):

Iu i:sjoia :S'ilI id ('04 :'0,') ~ . my gulltallireaiCheli' ~lIatys on to~ of lit ais we welle ~Ii'ac, , II~salma!!llng . '$0 we ad .... I~s to~ to malke al new em rve",slQn now Iichanged lit linto a oom~llltalted liumbal song w lith my new g Ulitalli'teeh n Iq ues Iu i:sjoia :Sill id ('04 :'04 )~. and r got a, round of a~~IIaIUse on the tli'alin tooay, . II'm:$IO~liQud becaluse they ar;e musltllaln:s wlith ~alld g ligS

'8 mail 10

'a fri,e nd:

I legmi~ fUlnkc:md indkm glli1it,grodgy" t ~gy wow, like this sur:

warlit to he like one o·f the5e pICly'er$who poople

Lin Lin

hrnp:lJwww .. o.utlJlbe.com/wah::htv .... I6kXn7 Bgs y K

I !ec;lffled hi(l Ili.~ing the gl,lilitgf IikeQ drl,li!m,i te(]'Ghlhi~ to my$tlJiderd the hed piay'er$ F;ave5,0 ,gbiiifies ,gnd they u'~egli in ~Isong I have 30 Of.40 if i do, them ,gII in ]I~ong then i ooulid lo¢k like the$e... i mokea video jl,lildf¢,r y¢IliI.... in thesollg FOGgMe Sonif I ulse.4 ,g.dvClnGedlgm'enoo,dmm:!I f

G3.C:

(ho·rds pr¢groltl whiGhshows Y¢I!lI@.XOOIy to ploy every .chord how

hrttp:Uwww.hin.cs.oH.com/?p ag·8""·g3.:

hiltp:Uwww.url.imate:guitar.com/

In

hrttp:Uwww.dfr.tls.com.hr /

http:Uwww.hibguad.comlsmm/progmms/DGl/do·wnload/

To help, you pley thes,onigsjs,ome '9uite rchords: ' .
C7
I I I

'0'
II I I I
I I

e 00

o

0,6
, I I
I II

IE ...

¢
II I I I I
I

I I I
I

II II II I I I
I

I I,
I
I

"

IF

¢
I I I I
I

I) I I I
I

A7
I

II II II I I I
I

I

I I

"

I

I

I

iI Ii
-

G7

,t..~
I II _jL _jL

Us,effuI editioniel chords:
Gm
I I I

IH

111

em

Simile rshc pes:
IF

These are fo,reng lishja merl¢a nsongsa ndsome s,'pa,ni,sh Ui,SIc, In, (,b,HIZ, ilia,nmUis,ic, ••,se,e,ms,toui,s,e diff,er,ent -chords and tuning, youl Gan dill play brazil mU1Slc ith the 'ess'ential -chords) w Remem her youl Ga n play mOld o,f the .4 finger coord:s with only 3 fingers a nd itsoulnds 90'';' the ~,a m'e, this QQ n be u1s,eiull fo,ra II g ullfar players. . Ifasong ,asks fo,r Em7 youl Ga n play Ema nd it soulnds 80'% the same, play the song with the da ndard Em then if itsoulnds good oontinu'e, if it doeni'fsoulnd rig hi then lea rn the new -chord. Ex,amples;
BhBm

,A,

Bb

Bm

Another way ,ofrwriting chords
000432 13·32:1'1 I' Em7 0'10000 AI 00'2223 DlnIIl 000231
B:nIIl

C7

Bib

c

'G7

0:32310 0:32010
3200ml

1 ~1333~1

(7A7-A

c

(;7-G
Djf ,- D

GjA-G

Usu'aIly the ma jora nd min¢r chordssoulnd d iff'er'ent G (ma jor)a ndGmsoulndq ulite d iff,er,ent

for next closs: what would you love to be able to play?

I j
4

FeelinglOlblliiviion
'G C Bm D
G

C uhscoutsa re seree mi ngl
DGC
,o,fJune ..I' mi

C

8m Nleedi ngicecrea

ha llwoys feel wa 11$0..Nlowitis nig ht ti mel' moyb ewe' recruisl ng 8m DGC 8m 'avoiding thea nticrui$:e ..ehl doni't r'eaIly know where wea re, D Am 'C Bm If things get real premise to take me $:omewh:ereel$:e. _ D Am C 8m D 8y th:etime fear takes me over will we still be roll_. _ing GC Bm D (back to vers:e rifH ,and feeling oblivion

DGC

nc

pa rkedco

r flowers

Bm

me ndc II the pleasures

seem fri'end

lyo nd p eoplel n

G

C

Bm DG

C

Bm D

So doni't leave me

hereon my own

Chiilldren Of The Revollutiolil (T~Rex) Yeah Well youca n bum pe ndg rlnd
E E

It lsgood f·or your mind
G

Well y·ouca n twist a nd shout letlto II hangout But you woni't fo 01 the chiIdren ·o·fthe revol utlen No you woni't fo 01 th:ech,iIdrenof th:e rev·olufion, no no· no
E E

E

C

AM

(;C

AM

Well you can tear a plane in the falling rain
G G

I drive a rolls royce 'co's Wsgood f·or my voice But you woni't f·o01 th:ech,iIdreno·f th,e revol ufion Nlo you woni't f·o01 th:ech,iIdren,o·f th:e rerv·ol .fion' no no ne . yea hll u
l

C C

AM AM

G

AMG AMG

But y·ou woni't fo 01 the chiIdren ·ofthe revol ufion No you woni't fo 01 the chiIdren ·o·fthe rev·ol utlen
CAM AM C AM

C

AM

AMGC

No you woni't fo 01 th:ech,iIdren ·o·fth:e rev·olufion

No you woni't fo 01 th:ech,iIdren ·o·fth:e rev·olufion

love INie 'Tender
Efvis: P.t¥JsJe:v

Inrtro- Strum D Va,rs:e '1
D E7
-

A7 A7

Love, me, t,e,n:d,er love, me, s,wee,t .
-

Niarv,a,rle,t rne 'go

D

-

-

I

-

-

--

-

--

Y.ou h crv'e made my liF·ecoln pl'aha,

E7 D

Andi

10'V',e YO'I)I

SIO

Chorus
--

F#7/:C Bm D7 Lov,e me h;md,e,r. I,otv,eme true,
I ---

All my

'G

'Gmo

A7 D

F,o,rmyd,a rllilegi lov,e ,alw,ays do,
E7

B7

d r'e,ams fulfiUed
E7

[)

Andi

[)

YO'I)I

Verse 2

A7 A7

Love me t'endert lov,e me long

la ke me t,o,your h:eart 1:7
And will nev,er part

D

For its th,er,e that I belo:fl:g

o

Ve,rse3

A7 A7

loY'e me tlende,r loY,e me dea

o

E7

f,ell me youa re ml n:e I'll be yours through,all

[)

I'

1:7

Jill th:een.doiF time (Chorus}

D

th,e y,e,ars

SINlIILE
Am'"

.David Gilmour 20£16

-0---0--1 -'1 0-1 -2 0-1 -02-1 -33-1

-email

------1

(ii'i,tro] (Am"'Cmail

Am"'Cmai/)'

2x (Am "'Cmail Am "'Cmai/]' 2x

Am'" .' email Am"'., . -email Wo~'ld this do/ to ~_'ake it 'aII rig ht Am, .CmaJ7 Am'" .Cmail While sleep has taken you /where I'm out ·o·f ight s Om Em ~II make my getaway F ·G Tlmeon my own Dm Em ~earch f'ora better way FG Am*find my way h,ome to your smile

Am'" -email Am"'. , -email Allalonel th,ough youi'r·e rlgh,t here Am"'".Cmail Am "'Cmail NI·owIt s IIme to go/ from your sed sta re Om Em ~ake myget'away DmG lfimeon my own Dm Em ~eaving's·a better way DmG Am"'find my way h,ome to your smile

'0

(Am "'Cmail

Am "'Cmai/},2x

'0

Am'" .,Cmail Am "'Cmail Wis21ing days,~nd days/on this fight_ AmCmal7 Am"'Cmai7 ~Iways d2w n,a nc! upl he If the nig hit Dm Em FG ~opele$$_to reminis~e !through th,e dark hours Dm Em F G We' II only sacrifice w h,at filTI·e i II·anow us w (Am "'Cmail Am "'Cmai/},2x

(Am'" -email Am'" -emal/}'4x (Om FG}'2x (Am"'Cmail (Am "'Cmail Am"'Cmai/)' Am'" Am "'-}I

'tou' ~e si9 hi (AmCmal7

n.'~.... hing . sig

.'_.' Am "'Cmai7)'

ASH

PetlYS'ames

Ash i rea Ily dont k.now 0 hrOW make this fl,o'w Om to' y,ou wiIIteas:e meG m oro pp ea;s:eme 0 will you pleas.e me 0 $omeone needs me Om swim the ;s:eao,fGm sounds like supper 0 slncel met her i feel beUer she rlng timea nd rhyme oooooJits sublime chime the do eks, rocks. my boat . -_.keep my notes I hop e you vote For me as $ometh,ing to be AI dont U $lee 0
;(2

slower 2nd time

#10

Je'$U$ After a Mlakeover
PetlYS'ames

GG
D7 G G

A

EG

Make me pretty the b estl n th:ecity E $o·ft Like my kitty Make me fit Give mea lift me ke me Feel kissed my favourite de neec nd d rl ",k with some twist
1'0 cko .
-

G

2:'sme w ho' II do th:e deed i wa nt to 10ek Li keiesUis ·aft·era ma keover A
D7

emuse me

nd strell,
--

A

D7

"lcl nt religious, l]Uistwa nna 10ok. go 0 d"

(sing the 3 ver$esagain prl neess"]

with more attitude $lay after thechorus

"10ni·ghrt, I'll be the

(play th:e G fas.t for this fina Ie $ection}1

WTillie
:"JO

d.

d J!. IIUe ,CIilOIi""$ Tor
IL

I.
~.

Som.'gbilm
Oasis

this song as ,an exercise

Flew me

1>1;1'

,a p,I'ace nio,tFar ,away

5hie"s ,olittl,e plletln my mind 5i ngi n.g Slangs 'e,Flove, t,o P'OS;$. ti me the

'Giy,e hero II thie lo,y,esh,e,giv,es to me 1'01 k. 'olf bettler days that hiove y'et to come NlleyarFelt this lovleFrom ,anrone Shie"s niotafllyonre, Sh,e"snotanlye,nie

A mOfllcan nev,er dream thies/ekind 'o,f th,ings, Espedally when sheeo me ,and spreed her wi FliSls W"hb,p erl n my ,ear the, thi ngs, I'd Ii ke, 'hen she flewawayifl,t·o the ni'ght

She"s nio,taflly,onie 5be"s no,t mll)"one
Sh,e"s, nrot en I'f one. . ... -. -

The ~h¢rds f·ot this song alre C (lInd F they ate played ina Iregular Sh"UllnIIl, pilloying indmvidualillymlu~1ploying down t¢ Uipwi~~, a $lllow dt11ilm ~¢r the $Ipeolki ng Ipa rt.

but all is not as it leans Hock to·wards meln puddles and streams f·ortheopp ortunHies ·o·f 0 otlegjea ns b the r·ation:alwrith:edand screamed f·orthe mass ·o·f·abrlceted d rea ms f people's and persen'sectucl needs like their soelscnd mouths to feed ChorUiS:Refrao eonsumerlsm personifies the weed but waiSnot bom from a seed merel·created '. .,y .. ' ..
I was berne british and th:er·efor·e not pessess th:efetish do needed to acquire th:eenglish, [Chorus] everyb 0 dy p·ray to th:ewest put the burdensoH your chest w h:eth:eryou make your ow n pathis the test my empathy and sympathy is no.tenough to save y·ou y,ouencourage y.our,elfa ndo round this they build the zo 0

C

I fo·r,ee

C

th:ea merlco n dream
F

F

ChorUiS:Refrao consumerism personifies the weed but was not bom from a seed merel·created '. .,y .. ' .. I've beena pa rto·f it to the system I have broke on th,rough l'm not·quiteon th:eoth:er side

~~'~~'i~~' ~,o~~:r;~~~relia ble ties
then the limitswould be defined by the sky and ·ofcourse buy my mind C> F (play from down to up dragging your finger}1 ha ppi ness is your ow n fi ndltcccerdl ng to your ow nlrUlles enligh,tenmentandentitlemen,tare not the same thing discuss

....... ~~

__ =._,r,;:,o:;:::;,;,_,l

.~ .

....- ""----.....1 __
....... ~~ __ =._,r,;:,o:;:::;,;,_,l

.J M~iddle Hnger down:drullfIfI, then VIP Strulnlilthen~~,ullflfllb down $trum one Gontinolus flowi,ml:g,InIi,Oy,elflflent

.~ .

http://www .. ou<tuba.com y

....- ""----.....1 __

.J Hrt gnd $lifum ~n one mOWlnlilelmlif(twis.:T)'out wrist VIP reoldry fo,r lihe ImI:exl1t~~,ingl', tt:~I~llmIh' ~_Shlifll_n1.'U_~I_ ilml:d:::x_ ~Imlger up :> diown > IU Strulnlilon P 11iiI:@ 19 SQ'1iJ ndilliilg SIIIIIiiI:g!S

........-::::;""-"""""""'--.' .

.~ .
.J

http://www .. oU<tuba.com y
.

~~~~--------~

Thlumb down then VIP. lfIfIiiiddle Hngerdown, thlumb up, golpe> middle Almlgerstmlflfl dOWiml, VIP thelmlldown

http://www .. olJltuba.com y

.......L.-:::=-......,,""'"" .....'
~~~~--------~

.~ .
~O~

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thum b IrQlpiiid Upc;l nd down (wilihilmllthe ~t~iing Iy oreol) alml:ds~llim the $lifings ~glet a spacey kinder eHed .

.~.
-....;;;:::......:3"'\lA:OC!:::.....:.."CIIs:;;;_~,

http://www .. ou<tuba.com y

....---""----.....1

~o11!d3 fingelffi iiin 01 ~llidking posiii~ion, Illidk ~~,elflfl indivualill wilih g $trongl movement . qp~olml:or Gon GOIflflIb~ine wii~~,lnIi:ostslrums

http:Uwww .. ou<tuba.com y

http:Uwww .. ou<tuba.com y

.........:~~......::::=-......:oo:;::;,;._'

.~ .
.J

....--....... .,...--_.....1

filiielk hos5 slirilmJgs with yOUlr thunI b [JlmJ,dploy I
strings wi~~, OlUlf index finge,r y

~e

IMgh

.........:~~......::::=-......:oo:;::;,;._'

.~ .
.J

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....--....... .,...--_.....1

AirO'IiIrid the hose ·of the d rlU'rn (lIfe ploc-e!; you (;-DlmJl I~U fo·r dWlnIIlseclrorl!;

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Right Ring Fin~8r ~ i!llht Mi ddlc fi n gl!iI'
Iligntl ndex Finger

Right Pin~v Filllg er

R~ght
Hand

Parisiienne 'Wa.llkways
G18J'Y Moore
Mal~y 10:ngl I~v,e: IP:idkiilflQledlto:l1IJr Imaybe ~o:r 11 ,,-,ew:!itdt oli a 0 ,0:met1imeJ (I' (I 11Im~l1Il"'e gIU:ij'Olf '0110.•
IO:l1Iijr

Er-12--10----------------------12--10-8----------13--12--10-----------------G----------------------12--10----------

D-------------------------------------E-------------------------------------E--IO--8--1----------------IO--8------8------------10--8--------------------G-------------------IO--9-------------.A·-·-·-·_·_·_- ._._._._ ._-._._._._._._ - -._ ._._._._._ -- - -._._._ -._ -

D--------------------------------------

E-------------------------------------E--8--1-------------------8--1--------8--------10--8------------------------G---------------IO--9--7---------------

D-------------------------------------E-------------------------------------8-----10--9--1------------------------G---------------IO--9--1--------------D-------------------------IO-----------

E--l-----------------------------------

.A- -._._._._._ ._._._- -._ ._._._._._._ ._._- - -._ ._._._._._._ --

- -._._._

E--------------------------------------

To~ind longs
www.lJIlllmate~gultar.com

This is IlliIy nlos:e,tihis is 111)' mo'utihrthi$ is tihis is Illy chest, tihis is Illy slomod'.

IlliIy

throat,

.

$ay ond ~in9 e(:u:i~,vOIwelfroO.m your mOIIiJ~~!rhroolt gnd d~,es,t keep iow s,liilill t whenso,yi'ml.g vowel$. $~elth vowelll$ olnd $often CDlmlISOnOlmlB. My voioe !$ gemting beHet QlmlldIbe'liIelr now.

Myyyy voo·ooiii~cieiHis gleeeemililg beeeeteeeli acialQlnd be8·eeteeeeli noooow .
HrliJm~~,e melodiy froO,mOI!ionQ usingOl'lly yOliilr Illip$.. fhri!i¢Xerdse is ito huilmll yGUltO lJ~e y·our lips whelmll sing~n~l I often use the $.on9 "lm(Jgline~ Iyy Jol~'fI LennOlmll

Holliding Note's:

• Sins ,.e Cl.·ce. .•.. h.'note froOm the gu,it,gr ina deep v-oioe,adand,grd high voOice. •

voOtGegnd ,g

D-o deep breathing, in throOugh YoOulrnQlse oOutthroOugh YoOulrmoOlllith (5, fimei). >holdeaceh not'e ioO,ras long as poOl~$ible. the inshlilmernS(]s

• Singg!! oO,iasoO'ng including all the inshlilmern.s, imiatote exaoos p<Cllssible. >uise YoOulrnew te>Chn,qu'e~ t-o help YoO,ul.

l • Aft'er YoOlIido02 oOr3s iog ins techniq llI'esfinda n oOld CD thgt YGUI hgven'. heo I'd foO,r~I y'ea I' And~ingabng with it, YoOlII,'lIind that YGuir improOvements are mlllceh moOre f notioeg ble this wCly . Then .001' illihne Uiie thi~ CD Gg n help YoOlIIfind YoOulrhoney voOioe, befoO,r'ea ' p·erioOrmg fiGe 001' reoording 0 soOng.

V'ooal Trairn,ilng
Jl,OOI~J1!ie D'lirVg

Links:
QI~

C~Ie!b:!1i1yVQ:i¢e:

P~~o:!1!'!1!gl~

Cogdh .• ,'i,lf]p:!1b;ij~, iiQl!lm,oolkl.$ I~Nli,I!ItJ

How to Stlr;@l1IQ~be~Yo'!.!,rVo:l.oe'& S~ng 8~fit,e:r; L"IIl~il1lQ to

qp~~UIP;

Voooll TilP' & TedbniiqlUllU

www .1outuhe.oo:m/wQ"dhf:v~n84ImeNVCeMI
www.o:lJ.th ....... '1.y"'
VO:1oe LNJO:ru;

e.co ilili.l/w~~hi~v~aAUlHI..tF.~A HI"'., ........... (h..... '.... y .Q y~ ..

Voooll Viib:r.gto (IPQ,I1. :2:)

www .y(J'U"u~b,e.!oo:m/WQt~Mv~PlP72:W1iiiwGO

hoveenepple ,these apples ,then you you have an idea and ideas" ,then each ,o,'f us

lin you

and ~have an apple and we exchange end ~will dill each have one apple. lu,t i'f ~have an idea and we exchange these will have 'two ideas:'
George Bemar.dSno'W

Remem beras you sta rt playi ng these more cdvcnced .songstif you doni't k.now the chords written here then UiS<e .somethi ng siml lc rc nd listen if it .sounds right, Like: I play th:e E7chord (in th:e seeend line)' es an Ea ndlte Iways sounds perfect

"'1 Och,ordsisa

Iii need to playg uita r"

'QUE,IEN :: NIEWS O'F THIE WORLID'
Written by ,John Deacon

SPIREAD YOUIR WIINGS

D Sammy was low E7 J UiSt atchi ng the show w GGm D Over a ndoveragai n Knew it was time He'd made up his ml nd 10 leav'e hls dead life behi nd Bm His b ess sold to hi m Bml A Bm/GeI ( Bml A "" ;(.0443;( ; Bm/G,# ""4;(44;(;( "men youi'd bett'er begin GAD 10 get tho'secra,zy no,fions right ,0Urtof y,our head , Em7e7 Sammy who do, you think. that you are? Y.ou sh,ould've been sweepi ng up the Emera Id Ba r~ Bm Spread your wi ngsa nd flyaway E7 A ( E7"".ox2 '132 or .07677;( FlyawaYI f,araway
~ P, re, a,_, -0," 'gi, a,_, ,wi nigsa nd flyaway : -, ,_, ur, -, it,' d Y, n FlyawaYI f,araway

JI

D

E

Gm

D

D

JI

Gm Pull yourself to gether D 'Co's you know you should do better ;(;(.033.0 D Ihiaf's becouse veu'reo fr,ee man -- - --- --- y. - - - - - -

-'1-3-

---2---3.... 0-·2-· 0 .... 0.... 0 0-

Bm 8m/A 8m/G# He spends hiseveni ngsa lenel n his hiotel room A F#sus4 F# Keepin,g his thioughts to himselfl' h,e'd be leavin,g seen Wishing he was miles and miles away NI,o,thingin this world, no,thing would make him st'ay

GAD xx0333 xx0434 EA
Sinee she was young Had no Iuekcte II NI,oth,ingeameeasy to her NI,owit was time sh,e'd made up his mind ~Ihiseould be my lastchanee'~ Her bess said to h,erl~Nlow listengirlli Youi'realways dreaming Youi've ,got ne rea lo mbition,l· you woni'tget very f'ar 5ammygirt doni't you know who you are? Whyeani't y'ou be happy at the Emerald 8ar?i'l 50 honey ~p.reo -. ._ ...'ur.w.i.. ,..g.s. nd flyaway a._.Y0 d na FlyawaYI faraway ~p.reo -. ._·0 a._.Y...ur.·Iitt.· ......ingsa nd flyaway d ... w I.e FlyawaYI faraway Pull yourself to gether 'Co's you know you should do better Ih,af's. beccuse veu'rec - free man -- - - -- --- y. - --

Romeo and Juliie:t
Mark .Knop.fler

intro: A D A D2x A Lov&struck. Romeo, sings the streef'sa serenade, EA D D that h:e made. Layi ng Everyb 0 dy low, with a 10v&.$Iong E DE Flm Finds A Streetlight, sfep's out in the sh:ade $lays $:omethi ng Iike D E ~Y·ouand M'e Babe, Howaboutit~~
A

A

D

s.he's. s.ing'-, . ,1", m,'- bop, rlend's" back , ,",', .ing-,ilHe,,, .lo. 1,· " -, E DE F.:Im Yo·ushould n'teernee round here, singi ng up people llke that DEE E Anyway, what yougonna doaboutit~il Chorus '1 AE D Flm J ulli·et' the dice was. 10oded from th:e s.fart, AE D Flm Andi bet, y.ouexplodedin my h:eart. A E D Flm An:di forget,i forget, the movie s:on:g. D Flm D When You Gonna RealiS:e It wasiUist that the time was wrong~ A Juliet.
, " '" , ,.,",. " ,

ED

Juliet $lays, "Hey, it's Romeo, you nearly gave mea h:eartattack" EA He's underneath the window

ED

D

ADAD

A

Both dirtyl bo·th meanrl yeslanrd th:edream was.jui$.tth:esamel E DE F#m An:d I dreamed your dream f·or youlan:d n,ow your dream is real D E Hewco n you 10ok at me as if I wos] Ui$.t ·ano,theron:eo,f your deals.?

ADD

Come upon differ·enrts.treetSI th~eyboth were s.treetso·f shame,

D

A

When you can fall ferchalns 'o,fsllver, Y(Jucan fall forchclns ·o'fgold EA ED D You can fall Fer pretty stranrgersanrd th:e promises th:ey hold E DE Flm You promised meeverythi nrgl you promised me thlieka nrdthinl yea h D DEE EEE Nlow yoului$.tsaYI'Oh Romeol yeahl you know I used to h:aveascenre with him' Ch,orUi$.2
A E A E D Flm

D

Julietl' when we made love you used foery I sold I love y'ou Iike the s.t'arsc bovel PII love y'ou fill Idle Ani$.here's. a place f'or us, you kno'w the movie $long t Wh:en Y·ouGonnra Rea lise It wos] Ui$.t the fime was w rong ~ th:at
A

D

Flm

A

E

D

Flm

D

Flm

D

Juliet.

ADAD

A

lccn't do th:e tolks, like th:ey talk on th:e JV EA D D And Icani't dee love ,ongl like th:e way Ws meanrt to be E DE F'm Icani't do'everythin:g but I'll doon,ythin:g Ior you D DE lea ni't deo nrything'cept b el n love with you
l

D

A

And all I do is miss you 'o_ndthe way we used to be + ADD Alii do is keep the beattond bad company E DE F'm And a II I do is kiss YOU throug hith:e b 0 rs ,o,fa rhyme D DEEEEE Juli'et lid do th:esto rs with youla nytime
I

D

E D F'm Julietl when we made love you used foery A E D F'm I sold I love y'ou Iike the sf'arsc bovel PII love y'ou fill I dle AE D F'm Ans there's a place f'or us, you kno'w the movie $long D F'm D Wh:en Y'ou Gonna Rea llse It wos] ust th:at the fime was w rong ~ A
A

Ch,orus2

Juliet.

A DAD (2xJ, A Lovestruek Romeol sings th:estreef'so s:er'enade. EA D D Laying Everybody lew, with a love.son,g th:at h:emade. E DE F#m Findsaconlvenient street lightl sfep!Sout ,of the shade Says $;omething llke, D E '¥OUCI nd me b CIbe, hewe b out it?'
-- -I . -.-

A

D

Pinlk Floyd ~·le\arning To I=lly
Gilmour; E2rln~ Moore~ Carin

Gmai7 '" Bm G A/GGGmai7
--

Em7 0
-

G (hit s.trings.)'AIG G G mai7 Into th:edis.tonee.o rlbb on ·o·f lack b -, Em7 0 Stretch:ed to th:e point ·o·f o turning back n G AIGGGmai7 A flig h,to·ff·ancyona wi nds.wep·tHeld Em7 0 St-andingalone my senses reeled G A/GGGmai7 A fatalattradionis. h.oldin:gme fas..,.hew Em7 0 Can lesco pe this.irreslsfi bleg ras.pi? C Em/B AmG Cani't keep myey8'.s from thecirding sky long ue,-ti d and twis.tediui$tanearth·bound e G A/GGGmai7 G A/GGGmai7 Ice is Iorml ngon the fip..so.f my wings. Em7 0 Unheeded w·arnings., I thoug ht I th,oughito·feverythi ng G A/GGGmai7 NI·o· n:avigato.r tog uide my way home Em7 0 Unladened,emp'tyand tumed to s.t-one C Em/B AmG A souiln tension thaf's.learning to fly Condifi.ongrounded but determined t-otry Em/B Am ·G Cani't keep myey8'.s from thecirding skles longue,-ti·edand twbtedlui$tanearth·bound F Am7 09 0
FC 0 FC FC 0

mis.fit,. I

mis.fit,.1

Pinlk Floyd ~·le\arning To I=lly
Gilmour; E2rln~ Moore~ Carin

G Above the planet on ·awing and a pray·erl Em7 My grubby helo.o vapour trcllln the empty olr, G Acro·ss th:edouds I see my sh:adow fly Em7 Out ·o·fh:ecomer ·o·f y watering eye t m A d rea m unthreatened by th:e momi ng light Em7 Could blow this soul righrtthrough th:e roo·fo·f th:e nightt C Em/B AmG lh:ere~s no seniSafion to compare with thb FC 5 usp ended a nimafionl,a st·at·e·o·f liss b Em/B AmG Cani't keep my mind from thecirding skies FC 0 long ue,-ti d and twisted iust an earth·bound misfit,.I e G A/GGGmai7 Em7 0
G

do u rea lise C Em Am G F do you reall~e th:at you h:ave the mo·stbeautiful f·ace~~ C Em Am 07 do you reall~e we're floafin:gin, space~~ C Em AmG F do y·ou recllze that happiness makes y.oucry~~ C Em Am F FmC Cadd9C Cadd9 do you reellze that everyone you know someday will die F AmG a ndl nsteadof sayi nga II of yourg·o 0 dbyes let th.em know you reali,~e th:at life ·goes fast CG if's h:ard to make the .good things last C Em you rea llze the sun do esni'tgo d·own G Fmai7'G C Fm if'siUistaniIlUisioncauiS:ed by th:eworld spinning 'round
C F

Pinlk Floyd ~·le\arningTo I=lly
Gilmour; E:zrin~ MOiore~Ca,rjn

Bb Eb 'Gm Cm ,Gel do y'ou rea Il~e?~ Fe Em Am F FmC Cadd9 do you rea llze thateyeryon,e you k.now $lomed'ay wl II die F Am G ,and l n~Jead'o,f s:ayin,g ,aII ·ofyour 'g'O ad byes (6 I,etthem k.n,owyou r,eallze th;at liFe'goesF'as.t F6 (xx323x}1 if's h,ard to mak!ethe ·good thin,gslast Am you r,e,a the s.un do e:s.ni'tgo, ·ow fBI llze d F6 (xx323x}1 F (xx32 '1'1)1 F6 (xx323 '1)1 Am if'siuiS,fCmiIlUiSioncaUisedby the world spinning'roun,d F (Em AmG F do you rea llze th,atyou hrayethe mo's,tbeoufiful face:?? C (sweep pick] do you rea li~e?~

'G

Nlote: A.tth,istim. e..•. yo... ... in . urguita._rlea._rnin.:.g._.yo'u sh,ou._.'I~_ J ustche esec bunch ,o,f,ongs you wa nt to lea rn, go to www.ultimat~uitar.com (if you Iike english language ,ongs}'andenter your fav,o,rite ,ongsor bands th:ere, th:en,lea rn these ,ongs.

Youca n lea rna new ,ongi n '1 hour t,03 days dep endl ngon y,oura bility level.

Experience shews th:at havi ng '10 ,ongs to lea m at th:escme time can hslp you develop flexi bility1a nd speed playi ngchor,ds ..

Ifon,e ,on,gis herd, then,go to the n:ext,on,g ... th,e n:extd,ay start th:e herd ,on:gagainan:d WII be mor'eeasy.

Sometimes the strength in your fingers needs to develop and th:eends ,o,fyour fingers need to become more selld,

Yau can play Mes'i] sImms in sangs yau already know andyau 'Ichange Me style of Me so'ng, experience sha,ws Mgl cambmmg FIO'ooalchords with fa£lo/ slroms can #,irn,ro,f! into a greal g,f!I"farplayer. if yau learn a single sang in a single style, Me style wi!! be associafed wiM 1sang Ifyau apply ya ur new slroms to aM songs ... ,)'0'0 'I! be able to play Mal style wiM of! sOi1fJS

Put thu'mb on the beus: dringond fliGkoll strings for fos:dnoting fingernoilsou'nd (oombines with rOigu'edo'i well) :>mute ~Idring in the Ghord ropidly on the left honddrings to,ro dlff'er'ent!lo,u'nd pu IIIIfll,e fop$liii'in'gs$lTii'U 1iIi'I1~ Upond down dru'm then ~Idru'm down" pu,lIthe boss dringi twiGe then to,llG,wwithonGther downdru'm -dru'mming >- down sfmm,2 u'P hasa PUUi,downdru'm

0l1li fin,ge ii'Sflii:d:~

bu I!eii'i:o 12$1Tii'u 1iIi'I1~ The ~I f 6 sfruilflso re: golpe, up, down:> golpe, u'P, ,down s then golpe, u'p:> golpe, u'p:> golpe, u'p

Ln
Leoii'n PI!olili'l:enco

I Bul!eii'i:os

#2

I Jluon

Moli'in

vidoo'i like this, moybe you' ¢on't do 011 the teGhniqu'es but you' Qon leorn the generol ideo ... ]1. leo rn the rhythm 2. leo rn the movements u'p, do'wn" how mo ny U'P'!lO downsetG nd leorn m thingoto time:> leorn ~IteGhniqu'e fo,r '7 doys then retum to' the vidoo ~Imonth loter

I n

http://www.youtuhe.oom/wotGh?v-NkOl=k]1

bGq I

there me VmIQUiia u,itm teGhniqu'es with ispo nish no mes thot you' ¢o n leo rn leo rn the more eosy o,nes ~1!lL.whiGhore mobe rosgu'erdo'!I, golpes things like tremeb moybe find 0 good teoGherond leorn things likes 5oleo to oontinu'e leorningond it keep,s gU'itm interesting

LeceI:olil'O:2~FI!am,e IilCg..--A IIz/apu,as
http://www.y¢uh!llhe.oom/wot-ch?v- RZB~17 BRA5eU

FI!am:elilcoflilem:ol!o (Guililn.pl,et)
http://www.y¢utuhe.oo.m/wot-ch?v-BG.z:hG7b.ru1
1

fh,eGollpealildCol!om'Di:alilas
http://www.y¢utuhe.oom/wot-ch?v-OBYtxVyTiGM

Col!om,b[alila Rhy~m, (G'ollpe)
http://www.y¢utuhe.oom/wot-ch?v-KhWb.t3KQL-Q'

www.solil.gpond.tiVStm.in.gMuilin.galild

Deade Iilin,g

Lin

ew SI:yI8

Mast gQi!ar players realise they Otlnpl:f1Ymany many cha'17c/s:nates ifh fh~ w S06M: shape", they t;',oElQse chal7c/like the f) dwrd" l' aruf move i!fJP the gfJiltlr to make many cho#fs probabJyyaw have seen someone ploy a lil;Jme11W fsnish s,', Ie} song and lha'fJgh! "W'Q~~ and Me g,uitomt was plo" .•..• € the :Cd 10 .... .. - . '.. oriaus pos/lions ond 0 ;t:::r,ltj~ strom with .' . " were ve" o.ff()g.(1n!oba,ut !h~ff skiff Iwho! s ifN lis a !rio '/a.J1J an. "ey won' !eflfJ Zy al"efJsing this !rk:k oskyafJr haly 8(11"1u)', M,t)M'Oti TtJtN;ht)lf' to shawyou haw to do this

ClilozyGulrfar

S,kUllsov,er fop 01 flI,e lII,e,ek (00111 Adl!er)

http://W.WW"y¢liitlli1he.oom/wat.ch?v-ltjHOAXyll:E When Y¢llI'w'Cltchvideol~ like this, de>Cide leafn ¢l'IIe¢f the~km!l hesho,'\h(s(dlO¢lse ¢ne) to then pfg>Cfi~e that t'e>Cilnkpli'e witila$¢'119 Y¢IJiIQrevery go¢d ,gtglready

Andy NkKeecmd D¢n Adlefare gUlit(lrist~ wh¢afeqlJi'ite i'am¢'Iii'!lc:ltldacimlred fr¢.m their amazing p'ercu1!ls !G'ntechniq u'esoo.mbined with fla menooet.c. They khQW like TIlorO te>Chniqu'e!l(lnd,oombine them ail ina~¢ng t¢amOZie the ,alJi'dienoe when Y¢1!l1 watch the~e glll'YS,pay ,gtt'eMiQ,n m!ikUl they l!li!i¢Md pr'aclise it urmily¢,ulplay it t¢ with ¢ne of Y¢U1fi¢llgs (¢r ¢ne ¢f Y¢llI'ff'Qv¢rite~ong!l)"

V.ouca fli p,l,ay h,armenlce 90% byea r ust by list·eni I1:gh) ,0,,"I,gsa nd ed] us.fin,g your p,layi ng h+ th,e,r,e,are ,aboutS technli'q uss t'ogiv,ei nlt'er,Etsti OUl1ds,if you type l1,gs harmon...icach.,ordsiflltog.oogle, l yo,ui~IIFil1da diagram and you can use this fo, p,l,ay ,along w ithr 'gurit'areherd,
l

n

'1. buy a harmoniec (£5 to, :£3.0)1 tumon th,e radio .cdete 3. play yo,ur ha rmonieeo ltd match th,e sloufI,ds 4. pl,ay 'Fa·r20 minutle:$.mat·chrin,g th,e sounds 5. de,cid,e to I·earn serne fle,chniq ues For v,a ri'ety

2.

-

-

-

-

-

.I

--

--

'1. Fast f'apping (f'ap, the, side as you p,l,aY)1 2 .cov,e,ri n,g (cover the Fr'Oclllt nd reme ..e ho ndl fIIi nterv-a !;S.}I ,a t 3. deep br,eathri ng (frai 111 ,e:fFe,ct JI 4, fong uring (I'on,g uel n the midd le n oltle,es you pl'ay the surreendl ng2
notlEtS] S. side to side h)n,g U'e ($.. sl ng I,e,no,te:$

At seme time with your h,armoni·oa you shouldiuiSt p,lay with youremoti0l11 a ndl nltuition. Vo·ui~ n,d yourself maf'chi n9 Slon,gsve,ry well. IIFi

Open mike evenings cllow new mu;s,iooni'so ploy 20r3 $longs on stoge, th:e ligh,t t maybe brigh,tin your eyes $0 you woni't .see th:eoudience.Good p,loceif y,ou wont to test the things youi've leo rnsd, Open ml keeveni ngso re subject tochc nge ,and you sh,ould f'one them bef'or'e you 'go or doonintemet sserch tocheck the d'etoils. Youi'II likely fi nde nep en mic ,event by
10ekl ngo

round puhsi

n your 100010
l

reo ...

Althoug hI they a re more populo rln city 0 rees wher'e various po ets muslcle nsete t'end t,o be.

07,00 pm • 112:,000 m T'u'esdoy, ~18 Auguist2:009

7pm - Midnight

1£.4

POlilodiise by Wayo~ ltensollGlile,en
~I9 KilbUlfn La ne Kensal Gr'een • L-Gndon W~IO .4AE: 020 89690098 QO roline@theporod'se.oo.ulk

BeIlushil!s Bali'
:2 8 Ho m mer!li m ith Broadway Hammersmith. L-Gndon W67 AB

Ev,eli')"Sunday N1:9hl 8pm, ~ M1:dnI:9hl

1m UiS idons,o n opponumity lo,r to lemed Ulnsig ned a nids to perform their material in fro,m 0,10 wmmond re-oeptiveoudienQe. No matter what YGUlrgenre 0,1 mUisic.,whether it be PGP/lolk/indie/rGoCkjblu'es/jo:u/pulnk, We worn to hear the greot'lkb', the brilliomsongs YGUIhaven't hod a -chonQe to ploy anywhere elsel
New night ded iQoted tos Inger/songwriter
Wfi're here every SUlndc;ly,~o if you,'re in need o,lc;I Iriendlyc;lnd responsive outlet lo,r youlr moterio~ what better way to' end the weekend than loin oUlr weekly line-ulpond get a -chonQe to perform, as wellosseeo variety 0,1other to lemedo nish.

Sign up '7.30pm

• play them to gether • fi nde rhythlm you like • record it when you Iikeit (audacity lse fr·ee$ound recorder)' http://audacity.$oufceforge load ..net/dow nl

.:h:~~~rt~~d'i~':~e~~ ~~~li~gU'~~eome s • f'or the lyrics, w rite a poem • play your msle dya nd slng the lyrics ·ontop ·cha nge them unfiIth,eyfit • write thech ordsc nd lyrics $omewhere $0 you can remem ber them • upload your musle too music websif.e like r'ev'erbnafi,ona nd she relt with your friends or me

Wh:at "tolJlcon$.. ideradva Ilicedg uita rlng ·o·ft·enep end$. on w h:atyou learned d thing$.llke th,i$.. Manly pla--ers who doni't play guitar Ior lon:gl leamcompHcated songs a nY"they believedg uita I" was hard.

'1 stand

mEHnori.~edpickin.g

F·ormeti learned some left hand tricks theni learned chords and then right hand tricks, At w h.. tim.elco.•.~llda meze m . Ich ' ..o.stw h.o.$lee... p.lay (a,ndyo.•. i'I.1 do .t.he.s. a._-. ...act'·i me m~}lin.'f .•. .. _ p.layedan song wlthilliochordsand funny words and Impress. s:omeonel $10 Itdepends on the per$onand your per$onality too.
1I.

Finally my guitar teacher started teaching me scales: Here is thee scale:
E, B
G D
II -'0II -,0II II II II
=== ===

-·0-·0-

A.
E,

---.0-

-G-

o

1

2

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-0-0-0-0-

-0-0-

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10

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My teacherl who isama.zing evenl to mel menfi·oned th:at h:eu$ed to ploylnc band but didni't feel th:at h:ewas a great guitarist becauiS:eh:euiS:ed playchiordsand scales to separately wh:atare scales you ask? lh:ey ·are like th:ein,diviudual nioteso·f th:ech,ords ..... ($lee a bove}1 lheyare the parts ·ofthechords If y·oudecide t·olearn musicol theory in detoll (w~,at.ev~~Ilonts y'OlJlr oet] then y,olJl'll. each chord is made fr·om3 diff.erent no,t·es b find w hieh mIX to gether to me ke the chord. I.... a.-ntg.u.'itaro b.•. as simple and enj·oyable as it can be for you so th:eth,ings you can w.•... t e... lIiS:ecales f·orare: s »> If anoth:er guitarist is playing th:ecchiord you can play th.ec scale simuhaneoUisly a nd if'1Isound penect.

EXAMPlESOP2GUlfARJSf.S

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RODRI'G'O AND GABRIELA who oH·ei'lgmOZle .(iudiehGe$with their -I(]ying~fyle whichiieem$ like to.t.o~). magtG to~om'eGtle whodoe~r1't kno'w mud'! gU'itargithQllIgh.. they (Ire diIF"",ery impres!ltv'e(lnd their technlcll;J'esneed Iob~~olf practioe. o

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Play d'IQrd$ .g t1dsGO together +d rlli'mmings·eakln les !neg tid hU11fi ing m

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rhis~ongi~(] n@xC]lnpleo,i III Ix ing -cho'f.d5!CI ndg~Qg Ie togethef, it~ the ~I st3 fr,¢t.9! the C~QgIe ~ otf h7. pl~y~ l.he~e¢p E.dring oU, o'n" on" o.ff then the next Gliord with the next dring, off, on" on" oHg nd the high Ednng I~ the finale part of the~GClle

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Ane.xGelient proOgrom I<H reoording YoOlli1rolli,diols is A.u,c/acity""" YoOllil Gon learn toO Ilise it with prooiseond testing the new oOptions

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Sound Samlpl!es

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Add mysoOngs where i mode a new version 0010 great soOng, like, loO,rmotion., the dmk >toOs h-ow h-ow YoOlli' n toOoo hc;!rmoO,nkm toOc;!nything,c;! nd reoo.m mend they doO thesc;! me Gc;! Add ~Iside 00,1 h-ow toO beotboOx >&soOngs in whiGh i beotboOx with links toOthe vidools i Ililsed toO learn

Add ~Iside 00,1 ,offirm,otio'hS: toke IroO.m barnes meth-od strength gain oOr b.m 3rd edition >moybeodd the roOhen dilts belief ~h~k thing »~h~k the oOtherowesoOme boOoOks i m,o,de loO,rmaterial toOoohven Or things toOd irectry. to ke Add the memoOrysystem IroO,m S,M. ENGLISH >'c;!hrir S,M. ENGlJ'5Hc;! nddrength gc;!inc;! nd oopyc;! ndc;!dc;! ptsoOlrIe pc;!rts

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If youl write a poem, then youl have the worddyrics Iho n ideal waY to prepare youlrsong

fo·rosong

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Chocolale ;$ the .daocing lemon in my bathhlo
(for.ces the reader to imagine on original pktulr·e)

lJalleries hom from calleries, lIallery~.. Ge" meev.erywbel'8
(battery bornsoulnds nice) .ollit·er.otiG·ne.x: ractise makes perfect, :2 o·f the some letter is easier to soy and P

Rhyming; think a II the words which rhyme lotte

ry: e ailife ry:11ailife ry Then write a line from this (this is what i did,shhhhh poet's!l~ret-)
Y OUI O ·0Iso·bend wo·rds to rhyme by ~honge thesoulnd Gn

PlaHery:smalfel'ing:maHing:fin:inside
(toke pmt from the wo·rdond rhyme it)

My notes too hi:end:
(write what :yOUI think about suhiect, something which rhymes with my words, ~hongeo phrose, oomment about what iso id) Co.Ih. p.lete pc.em.with. Iine. h.Ghp.uhaqu·estiGn in the reod·ers mind .. i "0 nd youl 90 into thes ky looking foe"" Or the ·onswer to thequ·estiGn: 'ipeople don't ~hong·ethey only reorronge okl."
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The mo·re poem:!! :yOUI write the better :yOUI write; fo·r :youlr hUlsbond, fo·r :youlrdaughter, fo·r :youlrteo~her get and then :youtll hov·e·o pattern" Hopp:y poeming!

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;sfrateg ie~ foCH ~reating line~: ~I"write~¢mething thc;lt~¢~lndlli nl¢e (mec;lning i~ ¢ptiQnc;ll) in f,ag mixseme~es ,aml m Ix mea nings ,ash walked Uipthe (h¢rma~s¢ h¢'Wwrit'es¢mething ,ash wa Iked Uipthe m¢¢n (makes h¢s'ense,s¢ its perfect f¢ra p¢em) :s¢ write ~Iseme~e like this ~razy) m¢¢n

,a p¢em I wr¢te is ()alled Teacher featulr'e the oo>writer lic;l Wc;lmlli¢ write m¢re w¢rd~ t :s¢ I ugg'est (say hGw UI 'eela6¢ut tea~hers, being a tea~her, rhyme with my w¢rds, oommem ¢n my w¢rds) f (¢r be des~riptrve) 'ex: its like ~I Os ¢,fshining beaoons I¢¢king up t¢s¢moone whG was the du,dem,answers in their minds, O ,awaiting ,agrvatiQn (this is mydes~riptiQn ¢,fa doss ¢,fstudems I¢¢k.ingata f,em,aletea~her) the Sofiles ulni¢,f p¢etrysays write 11;sf thing in y¢ulr head my ryhmingstyle i~ like "hGw many w¢rds Gan i rhyme and bend bend thes¢,ulnd is mUiS I¢aIly uiseda I¢t mining :> timing they a Im¢lst rhyme then all the w¢rlds mUistmake sense (a bit) w¢rlds ¢,f girls f,ell ulnder my thulnder w¢nderingsm¢thering their tests oo,m'e¢n y¢,ulGO n ,d¢ it y¢'~Ic;lrethe grec;lt mc;lmmr bending? ¢r ryhme5 ¢r 6 w¢rds in ~Iseme~e I'll t-y r iav¢id the v¢id but it t¢'}'s with my I¢ve f¢r the ma~ j'm ooy, it kh¢WS my real iG'y asa name, shame it w¢,uMrI'. be m¢re ¢,fa plane landing ¢n planes I¢ng f¢rg¢tten in me ,and treat tr¢da tr'eading f¢¢t ¢n muddy tr,eaklingsugary thGughts trembling in the tru'eds¢,ft trud ,des~riptive disl¢()ated w¢rd:s driven away by dictitatiQn

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A coap¢g¢·esar¢YIl'ld ~Ifr·et ¢.f the gU'ita(' .and cehangesthes¢·Ylnd ¢.f ,the gllliitar M¢fe :spedfCQolly,it make~ the~¢Y'fl(l m¢fe Mgh Its like m¢ving the f¢p ¢i the 9 u,itor d¢wtl :2 ¢f3dfings There ,are many Wgys:to tYlnethe :dring~ ¢.f the gUlngr, if Y¢Ili'Yiseg coap¢YQY'Ggn rety'ne ¢r ~hgnge thes¢'Y'f1clsq Ylickg ndegsy .A coa Ga n ,aI$¢.Ina keg 9 y,itgrs¢.ulnd like 0 Ilibiele ¢f dg f with the rig hi tU'hinga ndoa p;o p¢ If Y;OUI write thi~s like lihow t¢ mokea sy:itgr likeClsitaf" in y¢u<tulbe"oomy¢u:'11 fincls¢me imereding thiii!9$

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ROlli Levi" AJon Shimon Shai Kaspi Perth

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