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(

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1

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scale

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trtcds built on each d egre-e of the scale

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til

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SAM PLE FOUR BAR PHRASES IN 0 DORIAN

-

I C'

t~

2

3

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scole
I,

triads built on each d eqree of th e scale

o

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III

§

A 1t ft

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ft

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EXERCISES __ L.

tfr

r

II
3.

'1

3

5
0

7

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I

0

bo

0

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II

seale

triads built on each degree of fbe scale

1:6
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Q
0 " 0
II

"

0

0 I~ II

§

1I 1" it 1=

II

EXERCISE
II

fBa tiD tr r r IJ

~ E Dorian

~

m t f til
__ ~

1

3

5

7

9

11

13

I0

00

Q0

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;

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~

rtlftffltr

LJ FJ Jllf~
~~

II

scale

triads built on each degree

of the scale

o

"

o"

0

"I

§ u§

H.

tJ

A. 1" it

II

EXERCISE

5

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I

;ipjJiln n 'IU r f ntU IfErritO I rJJl~"

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scale
B
II

triads

built on each de.gree of the

scale

o

J'

Q

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tl fi II I· II

§

B~

EXERCISE

)5

triads built on each degree of the scale

'

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0

0

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a

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0

I:yo::§:

§

§ II

i Ii Ii II

EXERCISE

7~

scale

triads built on ecch degree of the scale

I'

Q

o

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0"

Q

III

§

Q

:

e

t3

1t it

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·8

scale

triads

built on each degree of the scale

nO"

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EXERCISE

~

II

0

at

#!

II

9

r-

BLlDorian

1

35

7

9

11 13

t

n

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scale .
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triads built on each degree

0f

the scale

p ~U--9-

00

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l:go!

H § II

§

9

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EXERCISE

,10

..
1 3
. m

5
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7
...

9

11

13

100
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.. 0

.

eu
.•

0-9.

~h~ijtffi ji-I;fPitt1
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fJ J1 &11_ J
trod 15 buit t
0 neach

II

of the s cole

o

II

o

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0

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U§H

§

§

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EXERCISE

ffi.-WI
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3 .•

11

EVDorian
'Ii
I

1

3

5

1

9

11

...

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...

I

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_ .g..

13

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f1

l

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.......

I

i V'I

___IG.._.,_

r-.._

.-. .
j

scale
, I
I

triads

buil t on each degree
_-

n

of the scnl e --Et--R-

EXERCISE

_~bb9b~Wtrt4ii~lttf[tltfiUJI .~~bb9~~I~I~IH;;j
iJ. errol "1
j
.
~''::'" ~1 ,_ ;'

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ploy the fnilewin g Mod e sccte and

0;;Jcr,
e
.
~.

5

an d a rpeg g;os . Be qin very slowy 10 develop

Ihen speed.

I

~(DO!!_anJ_ ~

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(I~'"

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v .. ::-

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): £ (Dori'!!])
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6
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GMixolydian

The V ohord occurs naturally as dominant seventh the V 7 chord would be ($.7. »>: ---_-

'1 the key of C n

1
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3

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F~Mixolyd~ia~n _- _-__;___-----:

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A I7MixOlydian::---_....;.II
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Here is the cycle of 5ths in the M ixolydlnn

MOde trough

all of the keys.

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Eight bar patterns- in the

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31~ :31

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20

21

CHAPTER

m DORIAN-

COMBINING

THE

AND MIXOLYDIAN MODES
TI-7 to V7 Chord Progression

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FOUR BAR PHRASES

24

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BAR PHRASES
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26

F-7

ell 7

G-7

C7

CHAPTER Ii

THE LY'DIAN

MODE

C Major
• -eu

F Lydian

3

5
ij

7
ii

9
0

11 .c,

13

.o,

~

it

,,

1_

Cma} 7

F ma)7

II

11[-7

V7

Imaj7 o
o

IlYmaj

7

II
I
it _

. F maj 7 (N moj 7-Lyd ion I
.~ 9
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not F maj 7 (I maj 7-Ionion
i'

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II ..

o

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......

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Bf7Lydian ___

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II

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23

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.... __t

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--.

~+-. -

29

E Lydian
1\ JoI.

M

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.-:f!=
~
I_ III

.,_ ~ 1: - •..,_ f :~
:~

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$·#~·tt~_r !FrU J ~ rt
C'rJ-Lydian

1
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30

Exercises

th rough

oll the keys

Iii

Lydion

Mode.

1I-7

V7

Tmaj 7

IV rna} 7

~$

Use F Lydian

for

F maj 7
I,

o
II

,,

o

«

I

o

not F Ionian

for F maj 7
II

o

tp 0

II

0

II

0

II

p ~ t ~f f r [1 f Dt r 1I-7( 5)
V7

G7

C 7 ---'----F

maj7(Lyd) _____

I [r [j

F ef f $ t

II
31

Imaj 7(Lyd)

CHAPTER

V

THE LYDIAN FLAT SEVEN

FLydian

o

3

5 «J

1

9
0

11
...il:.

13

~

II

.t

lJlt

.o,

standard

Cadence

using. sub V7

D-7

G7
V7

Cmaj7

D-7

Dltl

C rna} 7

~lIt
II-7

l II 1 I
Imaj7

I II

~lllll/t
1l~7

bIl7(su b.V 7)I m oj 7

Ilil

+ ob Lydran

Ftat Seven

32

* Jiih r prj
, FLydian ~f17:.....---

~--:--

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til tilt f f&rptJ
P
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fJ ~J

iliu.
~

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D Lydian ~7

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r~~r~. J~~~.t~t~l~f~ff~J~I~t II
III

1tiJ1J f1f} I ~tJF t r ry I iJ J) 1 Wl t

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CbLydian.~D.:...-7 -:---~

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35

~

Note the connection

of the chord stales ..

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·
C mat 7

D-7

D'rJ7

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1'( PF r &r 1,Ji!JJn
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II

tiD)
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---

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Note

the connection

of

the chords

3

C-7

87

E7

- EtJmaj 7

Bb7

ab-7

F~-7

F7

38

A-7

Gmaj

II
39

F7

Emaj

C¥-7

C7

Elma}

F#maj

0#-7

D7

C#maj

Fmaj

Bo tna]

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A!Jmaj

D'tJmaj

Ai?-7

GV

G'rJmaj

D-7

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.
Cma} 7

D117( lyd .117)

40

· pv

41

Emaj7

C7

B

~

0-7

B];, 7

C mal 7

52
G-7

II-7
B'rJmaj7

I I7W7
Ep7

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II
Fmaj7

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][-7
F moj 7

~ tt
42

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r, E~r rJ Err J E r [ !r
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------- --------------43

THE DIMI NISHED CHORD AND

THE SYMMETRIC

DIMINISHED

SCALE

1

~3

b5

b~7

.~

-e-

\Jo

"9
E~07

b'a

II

using enharmonic spelling

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l+a

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includes:

..

D07

includes:

F07

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45

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whole step 1/2

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step whole step 112 step whole

1/2

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112

ect.

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CO 7(£t,o 7 1~
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C#o7 (£°7, G07,f1t,o7)


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b,~7(F:7.G#:7.,80:) ~~ -

p;r-_-.--.-;L::-

46

,-

The C symmetric diminished

scale
I'

~o

II

II

EXERCISES

~~cEflk ffj IEiUur; II[!rttEriBIPjiifr riB I - ~ap[j*fFiUlau. 1,;tJi.lbl1J,UlfjJ qJ~]Iito
C/: ~ A --:.:;;:~ F~
r•

EI7

The

C~ sym metric diminished scale

~. ..... if.
cit

fa.

=

!Ja

II

EXERCISES

&e#~ Jil Q_!#J I ~r 'i;£f'r1rgr"rjj1r MI $iw$ r Un I cfii~t1h ItJttjjjijrritffNltfittu

G' '

B~

47

~crf&rftl#f ,l-fMff~qt'itrf'fiiflU 1~~fiiO
B~
G ..

dI..--------:--..

-E
t...

$ @@p tift Ip@riEmIIjJ @5m li~\tu
The D symmetric diminished
"
/'

scale.

Ij

10
.

,•

9

II

EXERCISES

~c

JPJ .J§bJ ImJ,J@1J l.iJ )~ t rflr It!rtlPffr I
o

D

F

GI~

B

_

$~
---=----:--B

'EIfrifiUr,Mfitgr1ij[ffu
;~

~effEr#titt If4fitn; 1'~ffttfrM
~
.

G#

1Win 1
F

..

4,' c1[Ji[W I t!fil @j 1.t!fPl t1¥!f IJ~J,
48

H
'

CHAPTER

zn
SCALE

THE SHARPIDIMINISHED

G Mixolydian


G# Sharp I Diminished
9
ii .

+ _J>u

o

.,
5 7

...

Q

o

7l.0

II

3

a

o

9

G

I

~A-7 .~1l-7

49

Here ore some exercises

to help you get

tne

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11

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