46506427 Gyokko Ryu Densho Takamatsuden Books

Disel aimer
lease note that we are NOT RESPONSIBLE in any manner whatsoever [or ,,~mynjury that may result from i practicing the. techniques and I or following the instructions given 'Within. Since the pbysic~1J!1activities described herein 'mJay be too strenuous in nature for some readers to engage in safely, it is essential that medical 'advice 18 soughtprior to any ttaiui'tlg.

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Gyokko Ryu Kosshijutsu (Jewel Tiger School Finger Bone Art)

if" .. okuho Tenkai ft 'i Yoko L~~ agare i i .J "ri) l ~ .. $.~ . eJI I~ Zenpo Tenkai t ~ }) fi~~ Kob Tenkai ~~ }J *.-K (n .~" Tate Nagare .cheol Finger Hone Art) Mokuroku Taihenjutsu ... Zenpo kaiten ~'f.r 1lE) {~._:.JiI..n J( '1 1'~. ~ . ..Gyokko Ryu Kosshijutsu (Jewel Tiger . .. oku ho buteo Koho kaiten .

t~ 1 4 ~ s. f Ji) Fudo Ken (Nio Ken) (-1 p) Kiten Ken (Shute) tt~ :~ Shishin Ken Shitan Ken ~f~1Jh ~ tt. 1t Zenpo Sayu Joge Choyaku Ken ?:" 1m ~ &. 1. $p ~ Vc f-i.~ Shikan Ken .Zenpo Ukemi "f.. 1-.:>~ Shiro Ken y (}tQ ~cf.-.~ (~z.t. {i) Shako Ken (Shihan Ken) ~{f{ ~ Shiyaku Ken it '!~ .{i Shuki ken r. Pf J D' Kikaku Ken 1Vc.

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Taiheniursu Zenpo kaiten (Forwards Roll) This is aforwardsroll.creating a T shape. but with just the right hand on the floor. . This I practiced 2 handed. In time and with practice you will be able to roll on any surface. for a orre handed roll. tuck the chin in and to the side of your ehest. Mute Sokuho Kaiten (Migi) . 'right and back to Shizen Karate Sokuho Kaiten (Migi] . with the tips of the finger pointing forwards.Start in Shlzen. only the right hand sweeps over the surface of the ground. When you roll. 1 handed and without hands' Soku ho kaiten (Side Ron) Ryote Sokuho Kaiten (Migi) .This is the same a the last technique.Plac€ the right hand close to the right fbot. These should be performed on both left and right sides. not actually touching the ground. With the two-handed roll.This is the same as the last technique. y-ou roll over your shoulder. you should be looking slightly to the rear. The left hand has the fingertips. pointed to the 'light and is to the left side of the right hand almost in the middle . Then roll to the.

1 handed and with no bands. Go over the 011:6 shoulder so as net. Sokuho Tenkai (Side Directional Rotation) This is a sideways handspring! cartwheel. 1 handed and with no hands.nd~ 1 handed and with 1110 hands. roll backwards.to damage the neck. Zenpo Tenkai (Ferward Rotation) Koho Tenkai (Rear Rotation) This is a backflip Agai~ this should he dnne2 handed. Again. then back to Shizen. this should be done 2 ha.Kobo kaiten (Backwards Ron) FrQIDShizen Tai sink do-wn to the knees. Again. and at the point just belore you touch the floor. this should he done 2 haJrided. .

then back to Shizen..Up (Ten 5'C).just before thebuttocks touch the floor. 1 Zenpo Sayu Joge Chcyaku This is to jump in all directions. 1{) . over the shoulder and then back to Shizen. The impactfrom thefloor is absorbed 'into the forearms. Koho kaiten.. Down (Chi :liB). with your forearms resemblinga Japanese number' 8 /\.<tP: . Backwards (U shiro 1£).YOKO Nagare (Side Flow) From Shizen no Kamae~s:wing the leg to the sideacress the. > C. front of the supporting leg. drop down and roll so the swinging m~g comes over the opposite shoulder. Your face should be above the triangle when you strike the mat with your arms. with one leg extended forwards. roll backwards as in. Then. The rear l~ comes. Right (Migi J{j). Forwards (Mae M). ltc. step forwards with one feot then dTOP' down and.up as a counter weight (Also a counter strike as a kick). The directions that you should train are . Also. Zenpo Ukerni (Front Breakfall) It is wise for the beginner to start from kneeling and work up to doing this technique from standing. form a triangle with your hands. .ft (Hidari ft). Tate Nagare (Standing Flow) From Shizen. Le.

~ "yLLlliVI j.1" BO'r punching ~rt.-"1:"-. Practice Ryote Sbuki Ken too.. .....l _~ c.Lv striking with the thumb on the outside of'the fist Tills is Fudo Ken. and ring finger are used for striking.-1. . _ !\. back of the head. ~-. J.. .... do not jump too high.~J1"1oJ When the knuckles of the little... instead make sure-that you are jumping low and far... th"" 1.a..-. x and m . .. ~ - ~ -c: '~ &-~ I(:"U! 1.. -e: e.. it is caned Nio Keo..I. Shuki ken (Hand Wake Up Fist) Use the tips of'the elbow for striking close to the target.-l '< ii"lA . use this strike to smash your opponent / . .l . sides.it .>.I. This is Hichojutsu Ken (Fists) Kikaku Ken (Demon Horn Fist) O-ing the thick bone on the forehead..11"...L.. -s. Distance is important Be aware that there is also Marutobi PlfRV (Circular leaps) .".11 . '\.When you jump..t\~' 'IIJ:l""L... p.this means jumping to change your pesition to align yourself with your opponent. Fudo Ken (NioKen) (Immovable Fist ~ Guardian Fist) Use ~ knuckles of the u. and the.'Vc: " " 1 /:J . fing ".. O '.u. ..

Kiten Ken comes from the Gyokko Ryu. (This strike js used a lot). Shu to cames from the Koto Ryu (all techniques from these densho ruse this name for the fist).Kiten Ken (Shuto) (Wisdom Fist . . From Ichimonjino Kamae. sinking the. There is a story that master Takarnatsu Sensei once broke a rock in two halves using thistechnique. then youcould dislocate it.·-tffilli~ (one mch law teacher fist). e with Omote Shuto. with the hand open about 60 degrees. snapping the hand open on impact.Hand Sword) Use the sides of the hands. you use 3 or 4 of your fiagertips in a stabbing motion towards the opponent . There is Omote Shute and Ura Shute. similar to the y that you would hold a phone receiver. knees down as you . bring the fist to the opposite side ear. rrth Ura Shute. In Japanese legend a little boy used this to beat at monster.. turn the hand over in front of the face to . It is also known as Issun Hoshi Ken . This is for the fingertip for striking or pressure" using mainly the Shitan Ken (Finger Tip Fist) ith yOUTfingers pointing forwards.strike. Shishin Ken (FingerNeedle Fist) little finger. The energy for the strike Comes from the elbow. This Shute makes use of small but powerful movements. If you try use power for the Shwto from your shoulder.

ft exible . was able to bend his fingers until they ere almost touching the back of his . and also to scratch. Master I akamatsu Sensei trained his nails . Use this to strike the three points of the throat area . You coo also strike with the palm of your hand.Santon) This strike is. supported by Y01. Shito Ken (Sword Finger Fist) This is-most commonly referred to as Hoshi ken what this f st will be known as in these densho).This fist is also known as 'Sanshi Ittotsu Yo Ken "-'~··1itiJ ~' (Three finger one strike dancing fist).• I~ the claws of a.I. Grip the thumb with the little finger with the middle three fingers booked.~ (Ittou . Master Takarnatsu Sensei trained both his fingernails and toenails until his nails were .'Nittou . wild beast. mm~ (This is and-strike. master Takamatsu Sceses's fingers were actually soft and .. Use yourthumb extended.He. To lei no to ~ (J) ~ '" Santo . The name Boshi ken comes from the Koto Ryu and Shito "ken is fremthe Gyok:ko Ryu .Ittoki -S. 'g rocks when he spent about a' year in seclusion in the mo mains. m Shako Ken.lf fist. and the fingertips to strike. However.tojab muscle areas and nerveendings of your opponent" This is also known as Hiso ken fi§tlf·* (Secret spear fist). [Shihan Ken) (Claw Fist) Use the palm. also known as Hosen Ken (Bee Sting Fist).He had to use a pairof gardening eers to cut his 'nails. When three fingers are used to strike together it isknown as Gokukaku Ken l:ffIJ*.hand.

Rappa Ken (Eight Leaves Fist) Use' your open hands. You should train this.Shiyaku Ken (Leaping Finger Fist) Make a fist then extend the second knuckle of the middle finger. turning it into a Nio Ken. only use the-second rowcf knuckles of yom four fingers to strike the target Koppe ken (Bone. from Nio Ken to Happa Ken. Use this for striking Oli' applying pressure to your opponent. as slapping strike (mostly to your opponent's ears to ru pture them). Shikan Ken (Extended Knuckle Fist) Use a fist similar to Fudo Ken. Use this to strike the Uke's's weak points/kyusho. You should aJso practise changing from Koppe ken to Boshi ken. Then. moving from Happa Ken. Principal Fist) Use the middle knuckle of your bent thumb supported against a clenched fist. .

11is also called Tai Atari. This is known as a Goshia ~~L' (perceivin"g mind form) attack. .ken This is to use the ball/heel of the foot. Ker] (Kicks) U .' .. to kick into the. U vc Us. This Gttn also be called Soku Shin To (Toe sword) ifyou strikewith the toe.:.'" u ~ ~. This should be used when you wish to strike yOP'f opponent using your whole' body. Sokki Ken. 11' ~"» Sokuyaku...'.. fJ /). You should train with a view ofchangingdirections with this strike .".Uke.. '1'" ~.J> .Tai Ken (Body Fist) Usethe hips. '1".' Sokugyaku Ken Thi-s is to use the tips of the toes to strike."':. the fist' .. shoulders etc to strike. .. The secretof this fist is to 'become. slam 'or to apply pressure to your opponent. or jab the target..'. Y£. This is to use the knee to strike' close targets..' .'. '~"'.

Sui ·it (Water). £.. Fu rTh (Wi_nd). will enable you to defend yourself. Shin. t_. Sui.. Chi..J .. • ~ ". (Fire). The following is also attributed to the Ten Ryaku Uchu Gassho: Jin. Fu. .. This. Treasures Prayer) Tenryaku Uchu Gassho (Heavens Strategy Universal Prayer) Begin ill Shizen no Kamae. Enter a state of Emptiness.-. working as one through your own strength and mind.. This gives you the feeling of you becoming dose to divinity. Falth) Chi ~(Earth). Rei...Ku Air/Sky) Gassho ff~ (prayer) Jin f f:'~~L~i~ ttB7k:k~if~ *L t .. step back into Ichimonji no kamae.. Ku Gassho (Understanding of Human) Gi ~ (Mora] and ethical conduct) Rei (Courtesy) Chi W (Judgement and Wisdom) mn 1~(Belief. with no desire to fight.~·7m-fr~ijt means peace and harmony (all elements from the left and right united).. The meaning of Tenryaku Ucbu Gassho is becoming one .. The hands are clasped in front of the body (chest) with the finger interlocked on the outside of the hands. 1 Sanp6 Gassho (Three. Ka It.\-vithnature. --. Chi..' . Then move tne hands straight out in from of you until the arms are straight.. Gi.. Ka.. Kuden. The Ten Ryaku Uchu Gassho _3I(lI1.

Then move the hands straight out in fr:ont of you noti.Chiryaku T enpu no Gassho (Earth Strategy Heavens Wind Prayer) The thumb (Ku _@)_. These are then held vertical in front of the chest. the left then interlinks with those of the right hand. Tills is Futen Goshin Gassho Wl~if~. step bask into lchimonji DO kamae. .andthe forefinger (Fu m) of each hand touch.JC. When doing the Futen JJ.l the arms ace straight. you should imagine that a. Typhoonor whirlwind is spinning around you when you perform dle Inso (::1]+ll This will help protect you. (Y ou should be free like the power of the wind). Kuden: The meaning of Futen Goshin Gassho is that you take refuge in nature as one's protector. The rest of the fingers are straight and touching.

the same-way that water can bring down a mountain. and the-ring finger (Sui 7. This Hanno Hon Itsu Gassho LRJt::fJl~%~. of each band touch.k). Have the expression ofa prayer. step hack into Icbimonji no kamae. '- Kuden: The meaning of'Han-o Hangeki Gassho is to take advantage of the opponent by~not' matching the opponents movements. an . naturally responding to movement. and those of the left hand interlink with those of the right hand. Then move the hands straight out in 'front of you until thearms are straight. They are held in front of the chest. The rest of the fingers are straight and touching.Jinryaku Hanno Punitsu no Gassbo (Human Strategy Responsive Seething And Overflowing Prayer) Thethumb (Ku 1E).

The back foot (right) points45 degrees to therear. will build strong legs.eeted from the start. The thumb is pointing up. angled very slightly to the right.Kamae (Posture) wt s Ichimonji no Kamae (Figure One Posture) From Hira no Kamae step back with the right foot. c _ . The feet are approximately 2 1. This is Hidari (left) Ichimenji Kamae. This win hurt initially but the pain is temporary and.side. The tips of the fingers are about the S8Jne level as the eyes. The front foot (left) is. Thefingers are together. This is a common mistake and should be corrected from the start. Fix y:O'UT eyes on your opponent Take all ion out of your body and relax. emernber keep the shoulders relaxed. Keep your shoulders relaxed and do not hunch them. Do not tilt r bead to the . Make sure your backside is not sticking out. This is an important point. Do not open them. Your back needs to be straight. This-is not noticeble to' the opponent. Lower YOUT ceotre of'gravity as much as is: comfortable (this takes time) Your 'knees should hide your feet if you are coking down (important point). Yourleft arm is slightly bent at the elbow and held out to the front" 45 degrees to the right" The bade of the eading hand is held towards the opponents heart as if it was a mirror reflecting it. Make sure the knees ate not buckling inwards to take the strain. Do this on the other side also (Migi (right) lchimonjino ae). ight and relaxed and pointing towards the opponent. into the opponent's eyes and create theintentionof piercing ugh the opponent's heart .h to 3 feet apart with about a 2 inch gap between. Your neck and he. This is a common mistake and should be .ad are . The back fist is lei loosely in Boshi Ken (do not clench the fist) and this 'sits ely on the crook of the leading arm. ifpracticed correctly.

.Y·1Jndelax r into this Kamae.Hicho no Kamae (Flying Bird Posture) From Ichimoaji no K.d.reillg able to move freely. A1liO) it is important.am. This Kamae is: far being able to haveperfect balance before. to have' a feeling of (. Again.rttical t.ae lift the leading leg and place the foot loosely onto the crook of the supporting leg (the crook of the knee createdby bending it). releasing the energy at the instant you are attacked. remove all tension from your bo. Otherthan that. Do not retain your balance by bending the back Try to learn natural balance. and after kickingyeur opponentKnden.o. Stare into the opponent's eyes "villi the feeling of storing up energy in the your body. Ichimonji no Kamae. One important thing to watch out for is your back. the Kamae is iue.

Make sure the knees are not buckling inwards to. This is a common mistake and should be corrected from the start. It feels. Keep your shoulders relaxed and do not bunch them The arms-are crossed at the wrists with the left in front. This is Hidari (left) Jumooji no Kamae. Your neck and head ale stra}ght and relaxed and pointing towards. Your thumbs point up. Lower your centre of gravity as much as is comfortable {this takes time}. YO\lf knees should bide your feet if you are looking. Take all tension out of rour bod)' and relax. Kuden: Fill your whole body with.oKamae (FigureTen Posture) From Him no Kamae step back on a 4S degree angie about 3' feet with the left foot. and stare imo the opponent's eyes itb the feeling of'repelling any. The hands are in extended Shito Ken tt:i j) ~ (BOsh1 en). Do this on the other side. as though you are sitting down on a chair. The back foot is 90 degrees facing out to. the right. will build strong legs. down (important point). The bead looks out just above the hands. The weight should be slightly to the rear leg.Jumonji n. intent. The front foot teft) is forward. Make sure your backside is n01 sticking out.attacks. also (Migi (right) Jumonji no Karnae). if practiced correctly. This is an important point. This will hurt initially butthe pain is temporary and.takethe strain. Your back needs to be straight Your torso is 45 degrees to your opponent (left side forward). the opponent. Hold these fists loosely. . at chest height_The wrists cross about two fist width from your upper chest.

kv . ron V~"-Io ...ai Iodan . The Uke Stands in Dai Jodan no Karnae.E-.-...i. Zanshin. Zanshin....' _ J( .:I...lftiJ . You must time-this well.degrees to the rear with Sokuho Kaiten... immediately recover from the fOU 1nto Ichimonji no Kamae.. lower your centre of gravity and move off 45 . _.. As the Uke commits to the cut..i .:."'" mae. The Uke cuts with Shomen Giri.... Come up from the roU immediately and prepare to lunge at the Uke..- . strike .. this is OK... t.. or uigetsu if you roll in front of the uke. th Shito Ken either to Butsumetsu if you roll behind the Uke. the Uke turns to face you and lifts tile sword into Dati Jodan no Kamae. Even . Either left Or right side are fine with this.o • ThE> ..~ Ichimonji no Kamae (Figure One Posture) tand in Ichimonii no .. Then. The Uke cuts down. Hira no Kamae (Flat Posture) Stand in Hira no Kamae..li.LILIIII.u. Whilst leaping into a kneeling position. " •• l~ _ no iI...Jj. . Begin to past the Uke with Katate Zenpo Kaiten (45 degreed forward). $ ..TaihenjutsuKihon Kata (Body ChangingArt Fundamental Forms] These are for practising the Gyokko Ryu' s basic ways of moving the body. -...liJ'''' .u· am "'" £....& '\.I' Uke Stands in D.

Also prepare to use the back foot to . Using the momentum created by the back foot. tum your body in with be strike to increase the power created. You receive the attack with Jedan Uke to Hoshi (strike with the knuckles underneath the elbow).also. The 2 Ura Shuto can also-be Omote Shuto . As you hit the LIke. Raise the hips and prepare to strike the Uke with Omote Shute.Jumonji no Kamae (Figure TenPosture) Stand in Jumonji no Kamae.Zanshin. repel you and add momentum to your movement. . The Uke stands in Dai Jodan no Kamae. The Uke attacks with FuM Ken te. Then quickly leap away to escape. The Uke cuts down. Strike to Uko with (fright UTa Shute .strike to other side Uko with a left Ura Shuto.then switch step (leaping) . You avoid this by stepping back 45J90 degrees with the right footand by dropping your hips. which are charaoteristic of the Gyokko Ryu - . Migi Ichimonji no Kamae (Right Figure One Posture) The Uke and the Tori are both in Ichimonji no Kamae. this should be practiced left and right. Return to Ichimonji no Kamae and maintain . Mota Gata (Awakening Patterns) These are for learning the circular movements. Zanshin. Step 'back with the left foot to avoid the cut and then leap back in with the: left foot leading. move in to strike the Uke to Uko with Omote Shute. Men (head).

but done on the left. in preperation for the Ura Shuto. As you str-ike the Uke to UKo with Ura Shuto. either place the kicking neg down and prepare to strike rith Ura Shuto (left hand in a fist by your right ear as if you were holding a telephone with the wrong hand). Of. rop the hips. The Uke is in Iohimonji no Kamae. Either you parry the arm or strike to agare (straight down). Bird Posture) . Migi Hicho no Kamae ( Right Flying Bird Posture) Stand in Hicho no Kamae. Migi Jumonji no kamae . but done the left.-• Hidari Ichimonjino Kamae (Left Figure One Posture) 011 This is the same as. Return to Ichimonii no Kamae.the last technique. The leading leg lands slightly to the outside. Uke begins to attack with Fudo Ken to Suigetsu. to Suigetsu ~.\J:this point. Raise your fist in preparation t-o receive the attack.is the same as the last technique. The. Zanshin Hidari Hicho no Kamae (Left Flying. Then. again. leap around with the egg. kick with the raised leg.

well as the circular movement which is characteristic of the 10 Ryu If your opponent is strong.basic joint . Raise the hips and pass your right hands fingers across the Uke's eyes as Metsubushi. number two (sono ni f etc.as. -e Torite Kihon Gata. Again. Then. Step back slightly with the right foot and drop the hips. but done on the left. Receive the strike with your right knuckles to Hoshi Then. They could he called number Ollie (Sono rem -t01). Hidari Jumonji no karnae . there are no official names for the Kata have become known by the first names] isted here. strike to Kimon with right Shito Ken. strike to Kimon with a right Shito Ken. theUke strikes to Men with a right Fndo Ken. Torite Kihon Kata techniques are for the-purpose of practising the. Receive the strike with your left knuckles to Hoshi. Step back slightly with the left fool and drop the hips.Both you and the Uke are in Jumonji no Karnae (right foorforward) The Uke strikes to Men with a left Fudo Ken. Step back with the left leg into Migi Jumonji no kamae. Zanshin Step back with the right leg into the opposite side Jumonji no Kamae (left foot forward). jacket for you to be ableto do the techniques. You do not need the opponent go of the. use your body more ectively by dropping y-our weight. begin from Shizen Tai. is the same as the last technique. Zanshin. Raise the hips and pass your left hands fingers across the Uke's eye's as Metsubushi. .

This is to A. Sono Ni (No . to protect the groin (this is kind of a twisting motion) Pass the fli_ngers of the' left band across the Uke'seyes as Metsllbusbi~ and at the same time.iJgi Ornote Gyaku Tsuki (Right Outside Wrist Reverse Thrust) The Uke grabs your right lapel with his left hand. Keep hold of the Uke's 'Mist after the throw and maintain Zanshin. Cover this gently with your right hand. protect the groin and B: enter into a position to takethe like's hand off your lapel Grab the Uke's hand at the same time. Change oyer to the other foot and raise onto the ball.t leg and drop ..2) Hidari Omote Gya:k.right lapel with his left hand. Step back and around with the right leg and use the elbows as an axis to throw the Uke with a diagonal cutting motion (Kesa Giri).1) Migi Omote Gyaku (Right Outside Wrist Reverse) The Uke grabs your.3) :M. Rise from the hips and use the -push-up with your forearm under the Uke's arm to take the Uke's hand from your lapel. Grip the Uke's left band with both-bands now in preperation ofOmote Gyaku. Come 'Uponto the ball of your right foot and twist your hipsinanti-clockwise towards the Uke and at the same time. twist the Uke's wrist up.u(Left Outside Wrist Reverse) This i-s the same as the last technique. again. drop your hips.. but done on the left Sono San (No. Keep youre1hows tucked in. You step back with the righ. Cover this gently with your right hand_ The Uke steps in with the left leg and punches with the right fist:to Men.Sono Ichi (No.

Reach in deep' it h the right hand to grab th Uke' hand. you change to Omote Gyaku. roll the hand into Ura Gyaku. You drop the nips as you do this. Keep hold of the ke's wrist after the throw and maintain Zanshi n. You press the thumb of your left hand into the Kyusbo between the thumb and the index finger. lake' the Uke's hand off your Lapel wi h your right hand. Cover thi gently with your right hand. Sono .0 (No. You cover the groin with the outside of the left knee' by coming 'LIP onto the ban of the foot Also use the fingers of the left hand as metsubushi to distract the Uke. raise the hips slightly. to' the right leg. A I 0 switch the covering leg. as with the last technique. SODO Yon 0. The Uke resists this throw So. . but done on the left. Roll the Uke's hand into mote Gyaku. Also switch the covering leg to the left leg. Receive the attack with the left hand knuckle' up ard to Hoshi Then.low with the hips. Keep hold of the ke s wrist after the throw and maintain elbows tucked in. Step bac and around with the right leg and use the elbows as an axis to throw the I ke with a cutting motion (Kesa Giri).t the same time. Make sure that our left elbow i covering you from a potential attack. Keep your tep back and around with the right leg and use the elbex s as an axi to throw the ke with a cutting motion (Kesa Giri). and grasp it firm 1)1 with both hands.4) Hidari Ornote Gyaku Rever e Thrust) uki (Left OutsideWri t This is th sam as the last technique. Then pre 5 down with the right hand to release the Uke s grip. Then. Zanshin. . You apply Ura Gyaku.') Migi fa aku (Right Inside Wrist Reverse) The Uke grab our right lapel with hi left hand.

but done on the left.1) Migi Musha Dori (Right Warrior Capture) The Uke grabs your right sleeve.This is to break theknee. but done on the left. This is to. press onto the T_Jke's elbow fromabove with both hand's. The Uke's hand is caught rn the crook of your outside elbow. . Apply pressure to the Uke'selbow and take the Uke down to the floorwith this pressure.Sono Roku (No~6) Hidari UraGyaku (Left Inside WristRever~e) 'Ihis is the same as the last technique. Sono Hachi (No. Maintain {he pressure with the: nand s throughout this. Zanslrin. You step out to the right and stoop low. Sono Shichi (No.8) Hidari MushaDori (Left Warrior Capture) This is the sarne as the last technique. Then. Rollthe palm of your right hand under to. push to the Uke's left knee with your right footto collapse the opponent to his knee. the Uke's elbow and continue to roll to 'lock thearm A$ you raise your hips. break the elbow.

raising your hands over the right shoulder. Also. You pun back with the right leg and cover with the left hand to guard against a potential attack.Sono Kyu (No. . Sono Ju {No. adjust your feet so that you are on the same line as the Uke. but done the left. This is when you would break the like's shoulder" Zanshin. Begin to wrap the Uke' s arm with your right arm from above. in a prayer.9) Migi Meso Don (Right Warrior Destroy Capture) The Uke grabs the end of your right sleeve.lO)Hidari Muso Dori (Left Warrior Destroy Capture) 011 This is the Same as the last technique. with a big wrapping movement. Your right thumb is on top. This will make at solid lock. Your hands lock vertically as. Then. pull your right Leg back and go onto the right knee while lifting your arms.

Ketsu Mya1cu (Tightening Vein) It tt J'~ Sakketsu (Slice..Ji TeiKen (Hoof Fist) .))\-..GyokkoRyu Kosshijutsu (Jewel Tiger School Finger Bone Art) Jo ryaku no. 7_ ~. 2.. Maki 1. -~ki Yubi Kudaki (Finger Break) 10... 6.. J. 3. 5. tt ~ ~ Kokil (Empty Space) Renyo (palanquin) Danshu (Snapping Hand) Dansbi (Snapping Finger) Saka Nagare (Counter-Current) Keo (Seagull) Hane Hi (Leaping Fire) KetiS (Fail And Overthrow) 5'i i )1 it Li5-. 4. . OfI The Lock) 12_ it .c~ i~ -o t~ 8_ft 9 {ill . 11 .

. This gives you the feeling of you becoming close to divinity. Ku Gassho Jin {-_(Understanding of Human) Gi ~ (Moral and ethical conduct) ReitL (Courtesy) Chi:W (Judgement and Wisdom) Shin1~ (Belief. Sanpo Gassho (Three Treasures Pra yer) - Tenryaku Uchu Gassho (Heavens Strategy Universal Prayer) Begin in Shizen no Kamae. This will enable you to defend yourself.. Gi. ' Kuden: The meaning of Tenryaku Uchn Gassho is becoming one with nature. Fu ~ (Wind).. step back into Ichimonji no kamae.!jt (prayer) I e-~1L~f~1:lfu**m~~~ . Sui. The following is also attributed to the Ten Ryaku Uchu Gassho: Jin. Then move the hands straight out in front of you until the anTI'S ate straight.-:::l' .. Rei~ Chi. Chi. Faith Chi ~~ (Earth). .h (Water)~ Ka 't. Enter a stale of Emptiness. working as one through your own strength and mind. with no desire to fight. The hands are clasped in front of the body (chest) with the finger interlocked on the outside of'the bands. Ka.Fu. Ku f (Air/Sky) Gassho A. Sui . Shin. (Fire). The Ten Ryaku Uchu Gassho ::R1~~'ffi'1?t* means peace and harmony (an elements firom the left and right united)..

Kokfi (Empty Space) Kuden Th is technique's meaning is to make somebody kick toan empty space. finish this movement invites: a kick to the groin. sink the hips. Then. As the Uke punches 110 Men. use the knee to the point called Sal. and kick to the Uke's kicking leg with the left. IfYoko Aruki is used with your right leg instead of pulling the leg back as with the previous 2 examples. The important point 111 this technique ]s leaving your lower body in a place that the Uke Can easily kick. fOT stepping with the right feot. This is very powerful. 1. both you and the Uke stand in Ichimonji no Kamae. strike once more to Hoshi with a right Shnto whilst lifting the hips and shifting across (this is done to break the Uke's elbow). Your body position when you. If your leg is pulled back. step off to the right between 45 I 90 degrees. kick to the thigh. allow your whole body to fall into a Boshi Ken strike to Butsumetsu from the Kick. Another important point is the three directions upon the distance. 3. . and strike with the left knuckles to Hoshi. There are three ways of doing this. kick to Kobura. Lastly. 2~If the leg is pulled back but the distance is close. pun the right leg back and around to the left to avoid this. As the like kicks to your groin. Return to Ichirnrmji no Karnae and Zanshin. depending Both clasp both hands in Tenryaku Uchii Gassho and bow to each other. Then.

. brace the Uke's elbow all thewayover with the.en. Keep a hold of the hand. step off between 45. you 40 this. degrees' and As the Uke kicks to your groin. is to make the Uke fsll like a. Y O'U coverthe grab with both bands. Zanshin .Renyo (palanquin) Kuden This technique's meaning. As you apply Ura Gyaku with the right hand. As. Bring the hand back fur Ura Gyaku. Both Clasp hath hands in Tcnryaku Uchu Gasshoand bow to each other. Uke then grabs your lapel with the right hand. You pull the left leg back and around (circular) for Omote Gyakn and throw the Uke. left. The. wheel. pull the leg back and kick to the Uke's Kobura as in Koku. As the Uke strikes to Men. Tum your body clockwise and step across the front of the Uke with the left leg. Tum your body anti-clockwise to face the Uke. Th. Tile Uke resists this. roll the Uke's hand over into Omote Gyaku with both hands and kick the Uke to the ribcage with the toes of the: right foot. The locking method is what's important here" but if the Uke escapes. Pull the arm up and kick with the left heel t() Wakitsnbo . use that to your advantage by kicking and simultaneusly re-capturing the Ukewith Ornote Gyaku and then throwing the Uke down. You then shift forward with the right leg and strike the Uke's Uko with Ura Shuto./90 receive this with the back of the wrist. both you and the Uke stand in Ichirnonji no Kamae.

kick to either: 1. press onto the Uke's elbow and tum it as in Musha Dori. Lastly. The Uke's Wakitsubo with the right heel Zanshin.. As you raise your hips. but lightly.Danshu (Bouncing Hamil) Kuder. This is intended to break the elbow. Keep hold of the Uke' s sleeve. Then. The Uke grabs the end of your right sleeve with his left hand. to strike with a bouncing shnto. . and with one hand instead of two. You step out with the right foot and stoop low to the right Roll the palm of your right hand under to the like's elbow. technique's. after striking with the left. Then. 2. This is intended to break the knee. This. use the rebound to strike with the shuto as though you are cutting the Uke. The Uke punches to Men with the right fist. You receive thrs with the left fist. The Uke's Butsumetsu with the right toes Of.means Both clasp both bands in Tenryaku Uclnr Gassho and bow to each other. The important point is. Then. Hold the left shoulder with your left hand and kick to the outside of the Uke's left knee with your right foot to collapse the Uke' s leg.name. both you and the Uke stand in lchimonji no Kamae. Keep hold of the Uke's sleeve. place both hands on the Uke's elbow and put pressure onto it whilst dropping your weight to drop the Uke. you rock forwards and strike the Uke to Uko with Ornote Shuto with the feeling of cutting with a sword.

The Uke lunges forward with-the left leg and punches to M~l1 with the right fist. Reniove the' hand as in ~Omote Gyaku'. Then. . Zanshin.~J~~oounQfromtWs: movement. Stcvnpto WalcitsubQ with your letl: -h~l to finish. What This ~hniqtre 1S lmpcrtent is that after yOt1_hav~$. both you and the Uke stand in lchimonji no Kamae.Danshi (Bouncing Finger) Kudea meanslo strike with a beunciagfiager (thumb). Receive the punch with-the left :forearm while stepping bade wi-th the right fpot As . Cover with the right hand. the Ukestraight down in front 'of you.1ruck "With the h:f:_ft you strike: fist down from above into Kinton with a turning motion of'tbe wrist. The Uke grap~ YOllrlapel with his l~fthand. strike to Kimon with Boshi Ken with a downward moti·oo_ Simultaneouslygrab the hand in Omote Gyakuand kick to Suigetsu with tberight foot DropthefoDtand sink the body toapplythe Ornate Gyaku tbns dropping. Both clasp both hands in Tenryaku Uchu Gassilo and bow t-o each other.

Saka Nagare (Reverse Flow) Kuden This technique means to. the left and strike down to Nagare. step 45 degrees forward to the left with the left foot and. strike the Uke's hand I Hoshi with the right fist. both you and the Uke stand in Ichimonji no Karnae As the Uke strikes: to Men with a right punch. grab his right hand with your left hand. Keep hold of-the Uke s wrist- Finish Witha left kick to Wakitsubo. Both clasp both hands in Tenryaku Uchu Gassho and bow to each other. Zanshin. . Then. Within this movement. His will knock the Uke to the floor. As the Uke strikes to Suigetsu with the lef].' Hoshi when receiving on the outside? and when receiving the Uke's kick. do so with a sideways swinging of the knee. reverse the flow. As thi s movement 'finishes. capture the Uke's hand with your right hand also (flowing motion ~e:r Omote Shuto). Raise the Uke's hand up and tum to face the Uke opening yourself for attack (Kyojutsu]. step off to. The Uke kicks with the right foot. Strike with Omote Sbuto whilst forcing down the Uke's right hand with your left. The thing here is to strike the back of the Uke shand . Receive this with the Jeft leg" using a clockwise swinging motion of the knee.

g. Uke recovers from this and punches with the rigbt fist to Men. Push up and out "With your left forearm to the right arm to unbalance the Uke. Prepare to kick and strike simultaneously rapping your knuckles to the backs. both you and the Uke stand in Ichimonji no Kamae. Cover this lightly. The Uke grabs both lapels. (Settling Seagull) Kuden The techniques meaning is the movement of a Seagull flapping it's wings. What is impertant here is when striking down to both of the Uke'shand's. Kick to Kintekist the same time. Then.tJ~ Keo. is to beat down in a large movement 1iketheway a Seagull flaps it's wings . The. Finish with a right kick to Butsumetsu.each other. right Kasami with a right UTa! Sheto.. Stoop low to evade. . Strike the Uke' Zanshin. Bothclasp both hands in Tenryaku Uchu Gassboand bow to . of the Uke's hands.

and the way it sends sparks shooting out. use your right hand to control the Uke's arm. then suddenl y standing up and pressing the other way. Uke grabs the collar with the right hand.ghere is when evading the Uke's kick. dropping low and receiving the kick with the left arm. Then. Both clasp both hands in Tenryaku Uchfi Gassh6 and bow to each other. Step back with the left leg and throw with Omote Gyakn with a big motion.Hane Bi (Leaping Fire) Kuden This technique means the way fire pops and cracks. TILen drop this foot straight down. The. The: Uke kicks with the. Use the like's little . Also.finger to control the Uke allthe way through this movement. Tile Uke approaches from the rear. right foot. . you should drop your body as low as you can. The tbID. Also kick suddenly with the right foot to Suigetsu. both you and the Ukestand in Ichimonji no Kamae. Grab this with the right hand. Take the Ukes hands off your collar and press the. and throwing the Uke with a big motion. arm down I forward (stay low). Evade this by turning anti-clockwise 'to face the Uke. pressing the opposite way. Zansbin. Change to Omote Gyaku suddenly.

Evade this by stepping out to the left 45 degrees forward with the left foot Kick to the Uke's Kobura with the right foot The Uke evades this by pulling the leg back at the knee. So you are putting your body weight through the right foot and keeping it there in order to stomp the Uke to the floor. How you do the final kick is important in this technique. This last. The Uke kicks with the right foot to Suigtsu. The Uke then falls into a. with Shako Ken to the face to unbalance the Oke. Evade to the right and stoop 10w while receiving the punch with the left forearm. Then.down a gate. SO~ push the Uke's ann forward. . section is done with the feeling of kicking through the Uke Zanshin. both you and the Uke stand in Ichimonji no Kamae. Both clasp both hands in Tenryaku Uchu Gassho and bow to each other.Keto (Break Down A Gate) Kuden The meaning of this technique is the' manner of breaking. Keep the hand at the face and kick to Suigetsu to topple the Uke. Strike.punch to the Suigetsu.

while bolding the Uke' s arm at the elbow with the left.Yubi Kudaki (Finger Break) Kuden This technique means-to crush the Uke's finger. Both clasp both hands in Tenryaku Uchu Gasshoand bow to-each other. Respend by turning inan anti-clockwise direction and place your right hand on the Uke' s hand. Break the little finger whilst doing this. Zanshin. and when the Uke retreats. finger. Stamp with the right foot to Wakitsubo to finish. (Keep hold of the Uke's hand with your right). bend thearm into a right -angle. The UKe grabs the back of'the collar with the right band. both you and the Uke stand in Ichimonji no Kamae. to drive into his chest with your left. Take the Uke's hand off in a circular motion and crush the little finger with the right hand. lower tour centre of gravity. The Uke pulls back by stepping back with the left leg.finger) Step back on the left knee and drop the Uke. Then. Move with this by stepping in with the left leg and strike with Boshi Ken to Bursumetsu with the left. Move forward s1ighdy with the right foot and. (keep pressure on "the linle. The Ukeapproaches from behind. Stand up immediately and keep hold of the sleeve and the finger. The important point is to grasp the Uke's little finger with your right hand and at the same time. .

raising the Uk"E{S -gh.. Drop to the left snee to throw the Uke with Ippon Seoi-Nage .and. Press the thumb up into Hoshi. Botb clasp both hands in Tenryaku Uchu Gassho and bow toeach amer. and the left arm behind the neck.the Uke stand inIehimonj] no Kamae.Ketsu Myaku (Tightening Vein) Kuden This techniques name means to sever the blood flow.t arm slightly to release the choke (make sure you aliso have hold ill the Uke' s sleeve at the elbow). The Uke grabs from behind with San-Kaku-Jirue with the right-arm across the throat. put J'OlIf chin in and drop your hips. Hold the Uke' s hand lightly with your left hand and place your right rlmmb on Hoshi. The important point is: to inflict pain to the Uke before the Uke's sankaku-jime attack is complete. Keep bold of'the e's hand and sleeve aed stamp into Wakitsubo with the right foot m finish. Then. In response. both you . and then to throw theUke. eep hold of the Uke's left hand and left sleeve. Zansbin .

Finish by stomping to Press the hand down to compress the bones. The Uke grabs with Kannuki lime from behind (this is to restrain by wrapping your arms around the person when their arm'S are by their sides. both you and the Uke stand in lc:himonj'i DO Kamae. Then. Grab the like's right hand with your right hand.Sakketsu [Killing Lock) Kuden This technique means to squeeze to death. The' important point with this technique is to extend the arms and strike back with yourhips with enough power. . Drop the Uke with Ganseki-Otosbi (keep hold of'the Uke's hand). Both clasp 'both hands in Tenryaku Uchu Gasshdand bow to each other. Zanshin. Strike back with the hips and lift the upper arms to the side and lower your posture to break the choke (you must do this before the choke is completed). Wakitsubo with the right foot. Step to the right and! strike to the Uke's face with a left Fudo-Ken. Follow this with placing your left arm behind the Uke's upper ann. Lock your hands together also and squeeze).

~ 'Jei Ken {Hoof Fist) Kudea This technique means the appearance of a bull kicking with if s hooves. cover the hands and place the. Then. Then. Twist both of the Uke's hands away from your body with Ura Gyaku Slam your hips to the left while holding' the Uke's hands high (do this all at once). . . both you and the Uke stand in Ichimcnji no Karnae. The Ukegrabs from behind with Hagai-Jime (under the arms and grab the collar bone). PuB the Uke's hand's up and begin to move forward to throw the Uke (all of this is done with a! big circular motion). Keep hold of the left handand stamp to Wakitsubo with the right foot to finish.1T >~ u~ ~!. it is important to make sure your hips are far enough out to the left. thumb tips om the back of the Uke' s hands and apply pressure.:. Bring the Uke's hand>s forward to take balance. Zanshin. Place your right leg behind the Uke and bring the Uke' s hand's in toward you. squeeze in with your elbows to stop the choke.. Before the choke is complete. Both clasp both hands in Tenryaku Uchu Gassheand bow to each other.

..f.tA iPf r' .~~ KB 'Shien Horaku . ~'4t~ ~. 3.. ~iI·' n. 2.~. ~ Ujsku Seit6 *'11't ~ Dashin Korai Hasen 4_ 5.d\ .Gyokko Ryu Kosshijutsu (Jewel Tiger School Finger Bone Art) Chii ryaku no Maki 1. t~ ~ 6~ 7 = 1.

a:nd the forefinger (Fu )00. ".ategy Heavens Wind Prayer) The thumb (Ku ~).ryaku no Maki Sanpo Gassho .Chu. These are then held vertical in: front of the chest. The rest ofthe fingers are straight and touching. Then move the handsstraight Qut in front of you until the arms are straight. (You should be free like the power of the wind).) of each hand touch. Kuden: The meaning of Futen Goshin Gassho is that you take refuge in nature as one'S protector. ~ ~. This win help protect you. Thisis Futen Goshin Gassho ~$f*~.s:o~n*§. step back into Ichimonji no kamae.. Chiryak» Tenpu no Gassho (Earth Str..t_. the left then interlinks with those of the righthand. . When doing the Futen )!Iil:X~yon should imagine that a Typhoon or whirlwind is spinning around you when you perform the In.

Ujalm (Magpie) Knden This technique means to move quickly. hand. At the same time lift the Uke' s right ann and slide your hand to 'catch the Uke' s hand in Omote Gyaku. Finish by kicking to Butsnmetsn with the right heel Then return to Ichimonji and Zanshin. doing this movementand use 'the left to cover against an attack). to stick with one's back against the opponent Both clasp both hands in Futen Goshm Gassho and bow to each other. Then" with the right toot. grab the sleeve atthe elbow with the same. Keeping hold of the Uke's hand. Evade this by stepping to the left with the left foot and strike to Hoshi with tbe right fist. Kick upwards to receive this with the right foot (instep). The Uke attacks with a Tight punch. then as your foot lands. . step across with Yoko Aruki passing under the Uke'sarrn to the from of the Uke. step towards the Uke with the left foot and strike the Uke's Butsumetsu with a left Shito Ken. (Be aware of potential attack while. and throw by lifting the Uke' s hand up and at the same-time move forw-ard. Then.here is. like it Korean Crow (Magpie). when slipping in under the Uke's arm. so that your legs are open and parallel. bring the Leftleg around in a 3/4 circle. The HIre then attacks with a right kick. Then. What is important. Then both you and the Uke stand in Ichimonji no Kamae. also grab this hand with your left hand.

. The important thing here is when you grab the Uke's shoulder with your right hand. Twist from the hips to the left and use the power generated by this to strike with the right fist to Kaku (knee). Both clasp both hands if} Futen Goshin Gassho and bow to each other. Then both you and the Uke stand in Ichimonji no Kamae The Uke attacks with a fight punch. reach across with the intention of at.Seito (Mackrel Drop) Kuden Thi s technique means to move with the speed and power of a Mackrel. Respond by stepping off to the-right while striking his arm down with the left at the point caned Nagare (forearmjto shock the Uke's ann and then immediately catch the Uke's wrist. The opponent then kicks with the right foot.strike with the fingers of the right hand to the Die's eyes for Metsubushi. The Uke then punches low with the left fist.. Evade this by stepping to the right with the right foot and strike to Hoshi with the left fist. Then get up (still maintain tbe grip on the Uke's wrist) and kick to'. grab the Uke's shoulder with the right hand and kick with the right foot to Suigetsu. Recover from the kick by kneeling straight down onto the light knee and pull the Uke's shoulder to drop the Uke down. Wakitsubo with your left heel. Then •. Then return to Ichimonji and Zanshin . From the. Acking the Uke' s eyes (Metsubushi). last movement.

shift forward with the right foot and strike with a Shute to the thumb to make the Uke drop the short sword. The Uke kicks with either the left or the right. Take the Uke's right band in Ornote Gyaku with both hands in preparation for a throw. The Uke draws a short sword and stands in Seigan no Kamae. What is importenthere is the method of striking the Uke' III thumb with the shuto when you are knocking his short sword down Both clasp both hands in Pnten Goshin Gassho and bow to each other. Finish with a right kick to Wakitsubo. shift to the left with the left foot and lightly control the Uke's wrist with the left hand. then pull back with your left leg and throw the Uke with Ornote Gyaku. Then. .. Then return to Ichimonji no Kamae and Zanshin. Kick up with the right foot in response to this to putthe Uke off-balance. As the Uke thrusts with the short sword to your stomach.Dashin (Shake & Pull) Kuden The name of the technique means to shake and puU down . Then both you and the Uke stand in Ichimonji no Kamae.

Place the hand that holds the short sword at the right hip to control the Ukc'sshortsword to stop him cutting you. Both clasp both hands in Futen Goshin Gassho and bow to each other. The Uke draws a short sword and stands in Jodan no Kamae with the short sword over the head (one hand holds the short sword). Finish with a stamp to the Uke's head with the left foot Then rerum to lchimonjino Kamaeaad Zansbin . Bring the short sword between you. Take one step back with the left and catch the wristwith the right hand. Uke tries-to pull away from this. (Tum the hand in for this). and the Uke and continue as in Ujakn. The 1rnportant point here is when slipping in underneath the Uke' s arm is to stick with your back against the Uke. The.Komi (Tiger FaJ)) Kuden The name of this technique means to tbrow down a tiger. The Uke cuts down from above. Throw the Uke with Karate Nage. Stay with the Uke and move in the same manner as in Ujaku. Then both you and the Uke stand in Ichimonji no Kamae. (Control the Uke's thumb).

The Uke cuts down from above.collarbone). Step 45 degrees back to the left with the left foot whilst using Moguri Gala! (submergieg pattern). Finish by leaping onto the Uke with Migi Kakato Geri to the right of the Uke's chest to finish. Both clasp both hands ill Futen Goshin Gassho and bow to each other. This will knock the short sword out of the Uke's hand and raise the right arm up. strike the Uke with Gyokaku Ken (hold the thumb and the little finger together and use the other 3 fingers like a claw. to the nerve points at the start of the muscle). This strike knocks the Uke down. Return to Ichimonji no Kamae. Then both you and the Uke stand in Icbimonji no Kamae. At the moment this begins. Zanshin. The Uke then prepares for Migi Kubi Gin (neck cut).Hosen (Bee tip) Kuden The name of this technique means to knock the Uke down with a strike to the Uke's throat. As you land from the kick. The strike in this technique was once called Hosen Ken (iflt*'). . kick up with the right foot (toes) to the Uke' s right elbow (kick the area is just above the elbow. Strike with the middle finger aimed at the base of the windpipe and the other 2 on top of the. The Uke draws a short sword and stands in Jodan no Kamae (one nand holds the short sword).

but instead. Evade outside to the. point is that yon don't attempt to catch the Uke's arm. Then return to Ichimenji no Kamae and Zanshin. The Uke draws a short . names (Ko and Hanetsurube) and is.sword and stands inDai Jodan no Ksmae with the short over the head.two different The important kicking leg on your This Kata has two forms. . Sono leW (Number 1) Both clasp hath hands. The Uke kicks with the right. you 'place it onto your shoulder. meaning of this technique is to use leverage. left with the left foot andgrabthe Uke's right wrist lightly with your right hand. Drop down low and scoop up under the Uke' S leg with the right arm while still holding the. Finish by ramming your right hand {ntothe Uke's face and stepping forward With the right foot in order to' throw the Uke. foot.in Futen Goshin Gassh5 and how to each other. (one hand holds the short'sword) The Uko cuts down from above.K6 / Hane Tsurube(Well Bucket) Kuden The. Then both you and the Uke stand in Ichimonji no Kamae. hand with the short sword.

Then both you and the Uke stand in Ichimonji no Kamae. then scoop up with the right arm to catch the Uke's leg on your right shoulder. Then return to Ichimonji no Kamae arid Zansbin. The Uke draws a short sword and stands in Jodan no Kamae with the short sword over the head (cne hand holds the short sword).Sono Ni (Number 2} Both clasp both hands in Futen Goshin Gassho and bow to each other. Evade inside to toe right with the right foot and grab the Ukes right wrist lightly with your left hand. . Finish by ramming your right hand into the Uke's face and stepping forward witb the right foot in order to throw the Uke. The Uke kicks with the right foot Shift to the left with the left foot and sink low. The Uke cuts down from above.

lift the Uke's hand in Ura Gyaku and kick up with the right foot into the Uke's Kobura. AB the Uke thrusts". Begin to turn the body anti-clockwise to prepare for the throw. Respond by turning clockwise on the right foot to evade this. catch the Uke's hand in Omote Gyaku. Then both you and the Uke stand in Ichimonj i no Kamae. is to kick upward using a spinning motion with your body. Stand in Hira no Kamae (Shizen no Kamae). and cievemess of a monkey. . Pulll the left leg back and drop to the left knee to throw the Uke with Ornate Gyaku. The Uke attempts to free himself by kicking with the right foot.Shien (A Lion & A Monkey) Kuden The flame of this technique means strength ofa lion.. What is important here is when kicking the Uke's right kick using keri kaeshi with your right leg. shift to the right to evade and lightly grab the Uke's wri st from above with your left hand . Then stand and finish witha right kick to Wakitsubo. With the left hand. Both clasp both hands in Futen Goshin Gassho and bow to each other. Then return to Icbirnonji no Kamae and Zanshin.similar manner to Renyo from the Joryaku no Maki). The Uke draws the short sword and prepares to thrust into your back: from behind. (THis is done in a.

Smash down to the Uke's hand with your left palm in a manner similar to Take-Ori to make the Uke drop the short sword. Strike with Ura Shute to the Uke's Kasumi (temple). Finish by standing up. This will put the Uke off-balance. twisting motion. I!is important that when avoiding the Uke's thrust. As the Uke thrusts. This is done with a. and stamp on the Uke's head with your right foot. Drop back to the left knee and pull the shoulder to throw the Uke face-down to the floor. . Then return to Iehimonji no Kamae and Zanshin. shift to the left to evade and hug-the Uke's arm under your right ami. Stamp onto the Uke's right foot with your right foot and grab the rightshoulder with the right hand all at the same time.Horaku (Cave-In) Kaden The name ofthis technique means a mountain that crumbles and falls. still controlling the Uke' s hand. Both clasp both hands in Futen Goshin Gassho and bow to each other. pull your left foot slightly back to close in the distance. Then both you and the Uk:e stand in lchimonji no Kamae Stand in Hira no Kamae (Shizen no Kamae). (Keep the Uke's band raised). The Uke draws the short sword and prepares to thrust into your back from behind. Take hold of the Ukes wrist with the left hand and turn by pivoting clockwise on the right foot until you are parallel to the Uke to prepare for a Shuto. and hug the Uke's arm tight into your armpit.

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k). a mountain.owing. step back into Ichimonii no kama-e. They are held in front of the chest This Hanno Han Itsu GasshaDiJt-m&~~. Have the expression of a prayer. Then move the hands straight out in front ofyou until the arms are straight. The rest of thefingers are straight and touching. naturally responding to al] movement. the: same way that water can bring doWll. .Ge ryakn no Maki Sanp5 Gassho Jinryaku Hanno Funitsu no Gassbo (Human Strategy Responsive Seething and Overfl. of each hand touch? and tlrose of the left hand interlink with those of the right hand.Prayer) The thumb (Ku ~}~ and the ring finger (Sui . Ruden: The meaning of Han-o Hangeki Gassho is to take advantage of the opponent by 'not' matching the opponents movements.

pun back with the right leg and take hold of the sword handle with your right hand. step forward with the right foot and strike Uke to Jinchu with a right Boshi Ken. s Zanshin. the Ukeretreats with the left foot. of the blade. As the. hand under your beUy button and your Ieft palm SUPP0l11ng the back. At that instant. . cutting edge up. Y ou US\:? this technique for controlling the like at the instant that he tries to draw his sword.Shun U (Falcon Excellence) This technique means to be swift like a falcon. The tip of the sword poaus to the Uke ~ stomach. Uke steps forward with the right leg and begins to draw the sword. you stand in Ichimonji no Kamae and the Uke steps back with the right leg and prepares to draw his sword. Your finishing position should resemble lchimonjino Kamae with your right. Then. take hold! of the end of the Uke's sword handle with the left hand and at the same time. Both clasp both hands in Hanno Hon USH Gassho and bow to each other. step forward with the left foot slightly to the left and stop the sword draw by blocking the sword handle with your left hand and press. As this happens. Carry on moving back with the right leg and draw the Uke's sword.What is important here is to thrust into the base of the Uke's nose with a right boshi ken and at the same time press against the grip of his sword with the left band.

The scabbard is against the Uke's arm just above the elbow. Drop your weight and press on the arm with the scabbard while anchoring the Uke's right hand a! your hip to drop the Uke fare down to the no or. you stand in Iclhjmonji no Kamae and the Uke steps back withthe left leg and prepares to draw his sword. stoop 110W and push the swordhandle down and at the same time..Shutt Soku (Falcon Feet) This technique means to have footwork like that of a falcon.this movement prevents the Ukefrom "Connecting. Both clasp both hands in Hanno Hon Itsu Gassho . Within this movement catch the scabbard· with your right hand and the Uke' s right 'Wrist with yOU[ [eft band. Then. sword. with the: strike to your hand. . move with the right footforward and slightly to the right . fist to your left hand. You ue thisteehnique for controlling the Ukeat the instant he tries drawing IDS sword. The Uke responds by striking down with the right. Finish by kicking with the rig. Zanshin. As the Uke does this. stop the sword: draw by blocking the sword handle with your left nand. Carry this movement on to pivot yourself clockwiseon your light heel so that you are side-by-side. and slightly further back than "the Uke. step forward with the left foot slightly to the left and. AstheLke steps forward with the right leg and begins to draw the. You must take a step in while youare pushing down the sword handle with the left hand.ht foot to the Uke's side .and how to each other.

e simultaneous anack .vt L ~ Ichi Geki (One Blow) This technique's meaning is to knockdown the Uke in a. with your tight foot. This technique should flow as OJ1'l. Then. Kamaealld the Uke st'eps back with the. strike and then kick.jump. The Uke will slump at this point and will be off balance. important here is to is to push the. What is. . you stand in Iehimoeji no. Then. single strike.• · . strike downwards to the Uke's left Kimon with a right Boshi Ken. Both clasp both hands in Hanno HOD Itsu Gassho and: bow to each other.left leg and draws his sword. hand onto the Uke's right elbow . Zanshin...Uke' s right elbow up high enough so as to create unbalance before the next movement. Theil. kick to the Uke's Suigetsu to drop. The Uke stands in Seigan no Kamae.just as the like is changing Kamae. TheUke then changes into Dai Jodan no Kamae.press into the nerve point (Hosbi) with your left thumb and press the elbow up to unbalance the Uke. At that instant jump in with the left toot forward and place your left. the like. Finish in Ichimonii no Kamae. This should be done all at once to take balance effectively.

Then. What is important here is to knock the Uke over with O-Soto by means of putting the leg down naturally after lifting it for O-Soto ~ making the movement as flowing as possible. Step onto the Uke's right foot with your right foot and control the Uke's right wrist with your left hand. Now. kick the Uke's right leg away with . Both clasp both hands in Hanno Hon Itsu Gassho and bow to each other. Return to Ichimonjino Kamae. strike to kasumi with a right shuto.you are still controlling the right wrist with your left hand. Zanshin . The Uke goes to draw his short sword. At the same time. Kaisoku (Superior Foot) This technique means to have superior footwork. put your right hand between his right ann and his body to grab his shoulder .. Then. you open the Uke's right hand out into Omote Gyaku with your left hand and hold the Uke's shoulder with your right hand. As the Uke cuts down. and at the same time. you: stand in Ichimonji no Kamae and the Uke goes into Dai Jodan no Kamae.. right O-soto.3. This will knock the sword out of the Uke's hand. shift to the left with the left foot to evade and kick upwards to the like's right hand with the right foot. Pin the Dke.. "This movement will release the Uke's hand from the short sword.

touch lower when using your body for sutemi. Evade to the right and cover the top of the Uke's right hand with your left hand. Immediately get back up and return to Ichimonji no Kamae. Shift your weight to the left as you reach to grab the Uke's right elbow with your right hand. Zanshin. . . Then.Knryaku (Scoop Up Water & Sweep Over) This technique means to scoop or snatch away. The Uke cuts down from Dai Jodan. you stand in Ichimonji no Kamae and the Uke goes into Dai Jodan no Kamae. and then throw your body down to the left (your right leg passes the Uke's right leg) for Sutemi (as you are throwing your body down. Both clasp both hands in Hanno Hen ltsu Gassho and bow to each other. pulil the Ukc's ann to your stomach). Apply pressure as though wringing the arm out to Lockthe arm. It is important to keep your right arm a.

ruck the Uke to Suigetsu witit the right foot to knock the Uke down.Iai Fa (Sealing The Sword Draw) The meaning of this technique is to match the Uke's energy and to envelop him. you stand in Ichimonji no Kamae and the like immediately draws the sword for a horizontal cut to your stomach. Next. The important point here is to keep your left fist directly above your head when you approach the Uke so that your head is protected from being hit with the handle of the sword. Both clasp both hands in Hanno Hon Itsn Gassbo and bow to each: other. and simultaneously strike the Uke's left Kirnon with a right Boshi Ken. Return to Ichimonji no Kamae and Zanshin. The Uke then enters into Dai Jodan no Kamae Immediately step back in with the right foot and Cover with YOIl right fist just in front of your forehead I above your head. Evade this by leaping back (stW in Kamae). Then. .

Zanshin. The middle and ring fin.ger bend to touch the' thumb. The leading hand has the hand thumb on top. bring your right leg to a position where you are in front: of the Uke (keep your posture low). keep your hands in the Inzo and point themat the Uke's hands.Chihgan (Wild Goose Sinking) The name ofthis technique means to Lower your posture like a wild goose 'sinking. and as the attack flows past you. Bath clasp both hands in Hanna Hen Itsu Gassho and bew to each other .. forwards. Enter into Han No Honitsu No Karnae (sink the body down low with the hands out forwards. The index and little fingers are-straight but pointing. Then. left leg is 10 front) The body is' similar to Jumonji no kamae with the body facing.. Then. Evade to the left while: keeping low. with your left hand en top and your righthand underneath. then build up yQ. The hands are in the Inzo. not extend your arms fully) and at the same time. What is important here is to make sure you get low enough when turning to the left and sinking down. The Ukeanacks with Chudan Tsuki. Return to Ichimonji flo Kamae.lF strength for the next movement. you stand in Ichimonj] no Kamae and the Uke stands in Seigan 00 Kamae. . (do. pull your left leg back and around cmmter-clockwise and ·pull the like" s hands to Wow the Uke. Then. cup he Uke's hands and raise theUke's bands above your head. Fini sh with a right Klck to the Uke's side.

step to the left with the left footand slice. takethe sword handle with the left hand also and. Then. With your right hand. step back with the lef] foot instead so 1 that the cut misses the Uke. As the Uke cuts down. Then.FUrno (Big Wind) This<technique means big wind. What is important here is the: right and left hands make large and simultaneous opening movements when taking the sword away. gently grasp the handle ofthe sword between your index finger and your middle finger just behind the Tsuba . the Uke S somach. strike with aleft Shuto to the Uke's eyes.For training purposes. evade to the leftas in the last technique. Both clasp both hands in Han-no lion ltsu Gassho and bow to each other. At this point. with a big movement. . YOIl stand in Ichimonii no Kamae and the Uke goes into Dai Jodanno Kamae. This will release the sword from the Uke.

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