Imagine a technique that begins with one simple movement and transforms every muscle in your entire body... a technique so easy you can learn it yourself.. .and so amazingly effective that your whole life may change for the better.

"The Alexander Technique
Nobel Prize-winner Nikolaas Tinbergen hailed the discovery of the. technique. With "growing amazement" he and his family noted "very striking improvements" in high blood pressure, depth of sleep, overall cheerfulness and mental alertness. Tinbergen concluded that the technique may often produce "profound and beneficial effects" to help: relieve rheumatism, various forms of arthritis and respiratory ailments • remedy circulation defects that may lead to high blood pressure • alleviate many digestive disorders • reduce sexual failures, migraines and depression. Now you can learn the secrets of this unique, effortless technique and begin to realize your full physical and mental potential, starting today.

"Like opening a door into another world..."
One of our foremost teachers and practitioners of the Alexander Technique, Sarah Barker, has taught this amazingly effective method of mobilizing total energy in colleges across the country. From her own experience she has found that "the mere performance of this simple movement can, if you extend it through the whole range of your normal activity, put you on the road to a new life of health, physical freedom and, in the deepest sense, personal happiness." Try the technique yourself for a few weeks with her simple, everyday routines and see what wonders it can do for you.

THE ALEXANDER TECHNIQUE The Revolutionary Way To Use Your Body For Total Energy by Sarah Barker BANTAM BOOKS TORONTO • NEW YORK • LONDON • SYDNEY .

Inc. This book may not be reproduced in whole or in part. Its trademark..S. by mimeograph or any other means. New York.For Marj THE ALEXANDER TECHNIQUE: THE REVOLUTIONARY WAY TO USE YOUR BODY FOR TOTAL ENERGY 2nd printing A Bantam Book /August 1978 April 1979 3rd printing February 1981 Photographs courtesy of Susan and Reed ErskinelLightworks All rights reserved. Inc. Patent and Trademark Office and in other countries. consisting of the words "Bantam Books" and the portrayal of a bantam. without permission. Marca Registrada. 666 Fifth Avenue. Inc. PRINTED IN THE UNITED STATES OF AMERICA 12 11 10 9 8 7 6 . Bantam Books. For information address: Bantam Books. Copyright © 1978 by Bantam Books. Inc. ISBN 0-553-14976-8 Published simultaneously in the United States and Canada Bantam Books are published by Bantam Books. New York 10103. is Registered in U.

Contents Acknowledgments PART I LEARNING ABOUT THE ALEXANDER TECHNIQUE: The Important Benefits It Offers You THE ALEXANDER TECHNIQUE The What and the Why Scientific Acclaim Feeling at Your Best Age Is No Barrier If You Are Overweight Your Rampant Emotions Living Without Stress Being Who You Are Beneficial Effects in Many Diseases A Simple Method ix l 2 2 3 3 4 4 5 6 6 8 Chapter 1 Chapter 2 HOW THE TECHNIQUE WAS DISCOVERED The Australian Story Crisis on Stage The Patient Scientist A Unique Mission The Search and the Answer Outwitting Our Destructive Habits Those Puritanical Hang-Ups 10 10 11 12 13 13 15 15 V .

Whole Person Staying in the Moment vi CONTENTS . No Poses How to Look at Pictures The Breath of Life Let It Happen Your Breathing Improves How We Got This Way Three Easy Tests See For Yourself The Road to Take THE BASIC MOVEMENT Not an Exercise How to Start THE BASIC MOVEMENT Exploring Yourself The Basic Movement Your Whole Head Your Whole Body The Upward Direction On Your Way The Instant Train How to Succeed Without Really Trying 17 18 19 20 20 20 21 21 22 23 23 24 25 25 26 26 26 27 27 32 32 32 34 35 37 37 38 39 39 41 41 42 Chapter 4 Chapter 5 BECOME A WHOLE PERSON The Trouble with Physical Exercise The Trance in Which We Live Our Mistaken Ideas About Ourselves The Crown of the Senses Discover a World Within Part Person vs.Chapter3 BRINGING THE ALEXANDER TECHNIQUE INTO YOUR LIFE What Is Good Use? You Are Not a Statue No Positions.

No Leotards A Way to Begin For Your Enjoyment Nine Rules to Follow 43 44 44 45 46 47 49 49 PART II 51 52 52 52 53 54 54 56 56 56 57 58 58 59 61 61 61 62 63 65 66 CONTENTS vii Action 1 LEANING FORWARD A N D BACKWARD Exploring Yourself Applying the Basic Movement Applications to Daily Life Eating Soup How to Get Out of a Slump The Way You Talk MOVING ARMS Exploring Yourself Applying the Basic Movement Applications to Daily Life Brushing Your Teeth Opening a Door With Children Action 2 .Chapter 6 THE TECHNIQUE AS A WAY TO STAY YOUNG Why We Shrink The Upright Creature Must We Fall Apart? How We Conquer It Goes by Itself Never a Feeling of Strain A Future Without Fear THE PRACTICE OF THE TECHNIQUE How to Do It THE SEVEN ACTIONS An Effortless Program No Dumb-Bells.

Action 3 WALKING WITH EASE Exploring Yourself Applying the Basic Movement Applications to Daily Life Jogging and Running Playing Golf MOVING LEGS Exploring Yourself Applying the Basic Movement Applications to Daily Life Walking Up and Down Stairs HEEL A N D TOE Exploring Yourself Applying the Basic Movement Applications to Daily Life KNEE-BENDING Exploring Yourself Applying the Basic Movement Applications to Daily Life STANDING UP A N D SITTING D O W N Exploring Yourself Applying the Basic Movement Applications to Daily Life A SHORT DAILY ROUTINE A Time For Rest Rotating Your Head Moving Your Arms Moving Your Legs Rolling onto Your Side Sitting Up 68 68 68 72 72 73 76 76 76 80 80 82 82 82 84 86 86 86 88 90 90 90 96 97 97 100 100 102 103 103 Action 4 Action 5 Action 6 Action 7 viii CONTENTS .

Panic 104 106 SOME HELPFUL HINTS The Worrier The Straining Housewife The Thinker The Scientist The Manipulator The Under-Achiever The Step-by-Stepper The Freezer The Over-Achiever The Practicer The Posture-Maker The Weight-Watcher 107 107 108 109 109 109 109 110 110 111 111 112 112 CONTENTS ix .Restful Slumber Emotional ControlWorry. Anger.

for his remarkable speech accepting the 1973 Nobel Prize in Medicine. if given a set of sure guidelines. I am grateful to Professor Nikolaas Tinbergen. I am also indebted to several distinguished scholars in the field. I thought long and hard: The idea of learning the Technique from a book seemed revolutionary and possibly heretical. Surely. graciously and expertly collaborated with me in demonstrating for the photographs that illustrate this book. F M. My colleague. of Oxford University. hopefully. even lacking his genius. Peter Trimmer. upon whose work I have drawn freely. I would like to thank the various Alexander teachers with whom I have studied and spent long hours in discussion. Then I remembered that its originator. who were always available for the encouragement and energy needed to carry on. Alexander. could learn how. and all my students. which places the Alexander Technique in a modern scixi . and whose individual help in some cases was indispensable to me. and thanks are also due to a number of close friends. who supported me with their probing questions. had on his own discovered how to control the use of his body.Acknowledgments Before undertaking to write a "how to" book on the Alexander Technique. especially those who patiently suffered and. benefited from the teaching experiments I conducted in the preparation of this book. Special acknowledgment is due my colleagues and associates at Rancho Linda Vista in Arizona. When I began the necessary exploring and investigation. the rest of us. I received the help of innumerable people to whom I am most grateful.

to the late Dr. Frank Pierce Jones. Of course. Wilfred Barlow for his informative accounts of the medical use of the Technique in treating patients. Matthias Alexander. Professor Emeritus of Anatomy and Dean Emeritus of the Medical Faculty of the University of Witwatersrand. South Africa. with Maisel's generous permission. for the insights in his Anatomist's Tribute to F. an indispensable selection of Alexanders writings. who laid down the guidelines for those of us who have followed him. whose study introducing The Resurrection of the Body (Delta Books). I have. The project is entirely my own. the greatest debt of all is to Alexander himself. This book is not intended to reflect the views of any of the considerable number of people who helped me.entific perspective. whose studies of the Alexander Technique have accomplished much for the scientific understanding of this work. to Professor Raymond A. closely paraphrased a few passages from that study. to Edward Maisel. In a couple of spots. Research Associate at the Tufts Institute for Psychological Research. Dart. to Dr. Sarah Barker xii ACKNOWLEDGMENTS . has contributed so greatly to public appreciation of the Alexander Technique.

PART 1 Learning About the Alexander Technique The Important Benefits It Offers You .

F. and known around the world as one of the most extraordinary discoveries of our time. named for its discoverer. During the years before and after Alexander's death in 1955. twenty-five years of investigation—using quantitative measure and control groups—have thrown important light on the manner in which the Alexander Technique produces its seemingly miraculous effects.Chapter 1 The Alexander Technique: The What and the Why Imagine a technique for transforming the operation of your body. reports by physicians attesting to its remarkable effectiveness in helping many of their patients. At the Tufts Institute for Experimental Psychology. like the opening of a door into another world. That technique is the Alexander Technique. Scientific Acclaim It would surprise many people to realize what the Alexander Technique can do for them were its astonishing'results not supported by the most respectable scientific authority. There has also accumulated an impressive volume of clinical data. his students and followers conducted a considerable amount of research to substantiate his findings. 2 . so simple that you can learn it yourself. a technique so amazing in its results that your physical and emotional life will soon change for the better. Matthias Alexander.

more than ever. He thereupon underwent an extraordinary rejuvenation and lived another thirty-five rich. Age Is No Barrier If you think you're too old to begin learning anything so revolutionary. and that today. Just as we have thoughtlessly depleted the natural resources of the planet. took up the Alexander Technique at the age of fifty-eight. John Dewey. We "manage". Indeed. computerized or laser-beamed—that functions with such infinite resilience or so many delicate capacities as the human body. We have learned that there is no mechanical device in the world—electronic. Ours is an era where people have begun to value their bodies as unique and wonderful.Feeling at Your Best Apart from suffering any specific medical symptoms. you can begin to make a beneficial and healthy change. full THE WHAT AND THE WHY 3 . as normal. Many of us know now that through ignorance and insensibility we unnecessarily limit ourselves in how we function." Good health is regarded as merely the absence of sickness. an exuberant and vital sense of wellness: physical freedom and ease combined with mental flexibility and alertness. one of the founding fathers of scientific philosophy and modern education. so too are we daily abusing the most valuable resource of all—our bodies—and depleting our own energies. It's never too late. this factor may prove more critical than our ability to manipulate the environment further. you're wrong. Against this keep-your-nose-above-water-level definition of being alive. the Alexander Technique proposes. We scarcely begin to realize our enormous potential. we "get by. most of us plod through our days and nights in a condition far below optimum. humanity's chance to survive may depend upon how men and women salvage themselves. Even after forty or fifty years of continually misusing yourself.

diets and the dangers of eating too much. one possessing a true waist and chest. The famous writer had spent all his days in a state of acute physical illness until he studied the Alexander Technique and transformed himself.years." Huxley might have given his own story as a case in point. exercise and strenuous exertion. What about the way we wear our weight. prejudices and fixed habits. you can often change his entire attitude to life and cure his neurotic tendencies. We have sufficient data on calories. finding his physical and mental energies too drained by social contact. What many authorities therefore find most impressive about the Alexander Technique is embodied in Aldous Huxley's statement that "If you teach an individual to be aware of his physical organism and then to use it as it was meant to be used. Something crucial is missing from our national quest for a more attractive physique. whatever it may be? Why is it that two people of identical poundage and the same general build often have quite different looking torsos. Your Rampant Emotions All of us are subject to "states" of various kinds. And we have information about calisthenics. George Bernard Shaw learned the Technique at eighty and lived to ninety-four. which determines success in attaining a beautifully proportionate body. If You Are Overweight You can even streamline your physical appearance by means of the Alexander Technique. But little or nothing is ever mentioned about another important factor. and he was beset by a terrible 4 THE ALEXANDER TECHNIQUE . and it is hardly news that human development in general is retarded by fear reflexes unduly excited by emotions. The ninety-two-year-old Dewey attributed this vital longevity to his Alexander practice. He had begun to withdraw from people. the other a nondescript but thickening bulge? A beneficial side effect of the Alexander Technique is a better carriage of the body's weight.

Next time you're angry." Some of these. Living Without Stress We can see how this works easily enough. Can the Technique really help with our mental and emotional problems? Professor Frank Pierce Jones. When angry. Underneath are the unconscious tension states that can build into attitudes which interfere in our relationships with other people. We also discover how much more we like other people when we have a more relaxed feeling about ourselves. yoga and other remedies in vain. These are all surface reactions we can observe. worry. panic. reported in other therapies as well. THE WHAT AND THE WHY 5 . Jones observed in his own experience "an almost immediate increase in mental and emotional control. But quite apart from these desirable side effects. anger. he noted. There is likewise an improvement in our self-image when we feel more competent physically. for a change in mental attitude often accompanies an increase in health. you may find yourself making fidgety movements. may of course be explained as the happy side effects of any betterment in physical condition. He had tried gardening. Or if you're anxious about something.depression and a chronic insomnia that made it almost impossible to work." This is because the Alexander Technique gives a workable approach in attacking emotional problems directly. observed that while the physical effects of the Technique are indeed remarkable. notice whether you clench your hands slightly or perhaps a great deal. and we are no longer simply at the mercy of confusion. you may also hunch your shoulders and fix your chest rigidly. "the psychological effects are of greater importance. We tend to be less depressed when we are not physically burdened. the foremost scientific investigator among Alexander scholars. but it was the Alexander Technique that opened up a new way to live.

devoted half his acceptance speech to the Technique. there is no magic formula that will instantly solve their problems. or to shop from therapy to therapy. This new conscious control of yourself does not prevent you from feeling any emotional states—life would be rather stiff and boring if it did—but you will be able to allow for more appropriate and spontaneous responses to the events of your life if you are not locked into one fearful or angry response for all occasions. because you are no longer reinforcing them with body tension. Professor Nikolaas Tinbergen. upon receiving the Nobel Prize for Medicine. Beneficial Effects in Many Diseases Many people would find it hard to believe the seemingly fantastic medical cures attributed to the Alexander Technique except that these extraordinary reports come from reputable physicians and scientists. you may even find that you no longer experience any disquiet—except perhaps to wonder where your rage or panic went. you may find your feelings much more within your control. In 1973. If they turn to the Technique. they are offered a release from the confines of habit so that they have some choice in their lives and become capable of acting more freely in whatever they do. countering their depressions and anxieties with a whole arsenal of tranquilizers. or prevent the fidgeting. Thus freed. hoping for some kind of emotional relief.When you release those clenched fists. Once you break this cycle of reinforcing feeling with body tension. Instead. by means of the Alexander Technique. Millions of people exist in this half-alive state. He related how his interest in it 6 THE ALEXANDER TECHNIQUE . and moving hopefully from one fad to another. Being Who You Are The Alexander Technique has particular value for people who don't want to fill themselves with drugs. you are able to experience emotions fully in a few moments and begin thinking clearly again.

no rheumatoid arthritis. his wife and one of their daughters had learned the Technique at the same time. THE WHAT AND THE WHY 7 . depth of sleep. and called upon their profession to recognize and evaluate it. The British Medical Journal once published a letter. Barlow called this statistic "almost unbelievable" and concluded that 99 percent of the population need the Technique. for example. signed by nineteen doctors. breathing. overall cheerfulness and mental alertness. even asthma. All these as well as other non-bug diseases. no such evaluation has thus far been carried out. endorsing the Technique for its remarkable effectiveness in the treatment of many of their patients.was excited by a little experiment he had tried with his own family. and reported that in this group there were no coronaries. conducted a survey of men and women who had long used the Alexander Technique. resilience against outside pressure. They noted. no cancers. and also in such a refined skill as playing a stringed instrument. no discs. Tinbergen concluded that while the Technique is assuredly no cure-all to be applied in every case. no neurological disorders and no severe mental disorder. he suggested. Wilfred Barlow." A physician. As their body musculature began to function differently. no ulcers. "there can be no doubt that it often does have profound and beneficial effects. Unfortunately." Tinbergen went on to affirm the possibility that certain other stress-related ailments could benefit from the Technique: rheumatism. Dr. gastrointestinal disorders of many types. which is a point that must be emphasized. sexual failures. might be helped by the Alexander Technique. respiratory ailments. migraines and depressive states that often lead to suicide. they observed "with growing amazement" the marvelous results. both in the mental and somatic sphere. including various forms of arthritis.He. that the Technique brought about "very striking improvements in such diverse things as high blood pressure. and I repeat once more. circulation defects that may lead to high blood pressure and heart conditions. no strokes.

A Simple Method People from all walks of life benefit from the Alexander Technique. Highfashion magazines. like Vogue and Harper's Bazaar. there is no reason to delay the undertaking if a teacher is not available. New York and elsewhere find it accepted as a valuable resource in physiotherapy." In Part I. or complicated by. This book will introduce you to the Alexander process of thinking and moving. It offers a key for orienting yourself in all that you do. Patients in medical institutes in London. . you may readily apply it. "Since the Alexander Technique is nothing more than the application of experimental method to problems of everyday behavior. actors—are making it an important part of their training program. It provides a compass for navigating in whatever physical or mental perplexities you may find yourself. If you have any ailment or illness—even one due to. Part II presents a systematic program of seven easy Actions that shows you how to expand the Basic Movement as the basis for improving the quality of all the activities of 8 THE ALEXANDER TECHNIQUE .Although there has accumulated an impressive volume of personal testimony. have informed their readers of what the Technique will do for bodies that display expensive clothes. Those that have a professional interest in their bodies—musicians. Whether seated in a theater or standing waiting for a bus. the continual wear you place upon yourself through bad muscular habits—only your own physician can advise you if the Alexander Technique is likely to help. It presents a simple method for learning the Technique by yourself. In the words of Professor Frank Jones. A word of caution is therefore in order. the Alexander principle has been encapsulated in one very simple action called the Basic Movement (Chapter 4). no thorough-going scientific investigation has been conducted into any of the medical claims that have been made for the Technique. dancers.

we need to learn more about Alexander himself and how he made his great discovery." said Professor Tinbergen in his Nobel speech.your everyday life. however. "is one of the true epics of medical research and practice. of intelligence and of persistence." THE WHAT AND THE WHY 9 . "This story of perceptiveness. shown by a man without medical training. and the Technique that derives from it. These Actions will facilitate this because they are invariably involved in almost everything you do. To understand the Alexander principle.

Not much is known about his father except that he was poor and hard-working. no less significant for the welfare of the human race. Whatever influence he may have had on his son was far overshadowed by the boy's mother. But there are other turning points. acting independently of one another. are said to have hit upon the powerful mathematical tool of calculus at about the same moment in history. At first glance. the new proposition put forth appears to have sprung full-blown from the brain of its originator. Newton and Leibniz. that have been reached in total isolation from any ongoing tradition of study and research. just waiting for the great person who discovered it.Chapter 2 How the Technique was Discovered Many a major innovation in the history of science appears to have been lying there. This is certainly true of the way the Alexander Technique was discovered. we can see that it does indeed owe almost everything to the peculiar genius of that individual and to the special circumstances of his or her particular life. He was born in 1869 on the island of Tasmania in a small town named Wynyard. In this way. And upon closer inspection. an unusual woman who was close to the child during his formative 10 . The Australian Story Frederick Matthias Alexander came from a remote outpost of the Australian bush country.

but family poverty demanded that the eldest son go out to work. a Scot who had emigrated to Australia in an effort to repair his health. however. he decided to cast his lot with the theater as actor. trying to recoup his small fortune with odd jobs. which was all the formal education the youngster received. and away from the mining company could consider himself legitimately to be a professional actor. tutored but not formally taught.years. recitalist or both. Fortunately. finally. for the theater had been his love since early childhood. He seemed to have an innate distrust of accepted routine and conventional wisdom. when he began at six to practice the kind of recitations so popular in that day. By the time he was nineteen. Alexander was different from other children. Thus. she combined two of her talents. He persuaded Alexander's father to let him tutor the boy in the evenings. saw that his difficult pupil was something more than the usual rebellious student. He worked under a handicap. In this wild and remote part of the world. From the beginning. his schoolmaster. In Melbourne. After the mining came a succession of other uncongenial positions. He would have liked to go on the stage. and sometimes in response to urgent calls. Alexander was already considered an accomplished reciter of Shakespeare. Crisis on Stage He could have become the teacher his tutor wanted him to be. so he took a job with the local tin mining company. Alexander won prizes and passed examinations with ease. refusing to accept anything on blind faith. she had been known to saddle her horse and leap it over the paddock gate so as not to lose time fooling with the latch. Local doctors often called on her. and it was this disability which proved to be the determining factor in his life. Sometimes during recitals his voice failed him completely—disturbing enough for any actor! Doctors could HOW THE TECHNIQUE WAS DISCOVERED 11 . riding and midwifery (which included nursing and other medical services) to help her neighbors. giving his recitals on numerous smalltown stages.

Alexander began to examine closely how he used himself physically when he was on stage—keeping his eyes open and observing. he could see the same pattern at work as involuntary preparation in whatever else he undertook. In time. This was something he did. from the most trivial to the most strenuous. halfway through an important engagement during the 1888 season. part of a whole body pattern that also included lifting his chest and hollowing his back. It was only more noticeable in formal recitation because there it produced a depression of the larynx and an audible sucking in of his breath that could. but also when speaking normally in ordinary conversation. One night. Changing the poise of his head by pulling it backward and down was. but also during any physical activity. The Patient Scientist That was the turning point. In everyday physical acts. he came upon the characteristic that was blocking his own activity. This close scrutiny continued for nearly ten years. in fact. Once aware of it. This pattern of unconscious activity constituted the preliminary to every recitation he gave. 12 THE ALEXANDER TECHNIQUE . Alexander devoted himself to finding out what made him lose his voice. he began with that slight pulling backward and down of his head. He discovered that every movement he made was accompanied by a slight tendency to pull his head backward and down. Meanwhile. Soon he began to go beyond his immediate problem. which is fundamental to the spirit of all scientific inquiry. he lost his voice and left the stage in near despair. becoming fascinated with the whole question of what happens to the body not only in speech. There were to be no more doctors. At first.give him no more than temporary relief. not only during his stage appearances. the condition gradually worsened until he finally had to refuse engagements if he thought he might be incapable of getting through the performance. with attention. quite apart from speaking. Instead. using mirrors while he declaimed as an aid to observation.

all his other activities were likewise initiated in the same self-stultifying manner. after he-had completely corrected the long-standing vocal disability that drove him from the stage. He also produced several books. and during his lifetime he worked both in England and America. A Unique Mission Since these patterns of bad use were triggered by an unconscious reflex of pulling the head backward and down. mental and emotional well-being of people everywhere. Israel. He continued this mission until his death at the age of eighty-six. the obvious solution was to substitute for this negative action (with all the consequences it initiated) the conscious constructive movement of the head and body seen and heard. Italy. Statesmen. no matter what business or occupation. on a different scale. his teachings spread to Denmark. finally abandoning the stage to carve a unique career as a teacher of the Alexander Technique. movie stars. For as he pondered the far-reaching consequences of his startling discovery for the physical. and a valuable compilation of his essential writings may be found in The Resurrection of the Body (Delta Books). industrialists. he withdrew more and more from acting. He observed similar consequences. Switzerland. theater people. Thus. Alexander resumed his theatrical career. in everything else he did. diplomats. Australia. The Search and the Answer We can come closer to understanding the nature of the discovery that underlies all we are going to learn in this book if we now outline it in the terms suggested at the outset of this chapter: a special kind of person makes an important HOW THE TECHNIQUE WAS DISCOVERED 13 . France. New Zealand. writers. Through his students. South Africa and other countries of the world. But not for long. athletes and celebrities of all kinds sought him out.

In fact. Alexander resumes his profession with renewed confidence. where we find the young Alexander confronted with a problem of survival. he devotes the rest of his time to a painstaking and meticulous observation of the only clue he has—himself. Thus armed. Alexander has found the key. Being a far from submissive personality. but he does prescribe a medicine that might just do the trick. at last. and his only stumbling block is the occasional but very annoying tendency of his voice to give out during recitals. No use in seeing more and more doctors. The scene is Australia during the 1880s. It turns out that the doctor cannot find the cause. This leaves him with the ugly choice between (1) leaving the theater altogether or (2) applying himself tirelessly to discovering the cause of the problem. Eventually. he is forced to see a doctor about the problem. At the age of nineteen. His career seems assured—his reputation is growing steadily. a remedy 14 THE ALEXANDER TECHNIQUE . Alexander chooses the latter. he is an actor specializing in the recital of long passages from the works of classic playwrights. His great love for the theater had caused him to gravitate through a series of unchallenging occupations before attaining. That secret is a small but perceptible contraction of the muscles at the back of his neck. Through years of carefully watching his every motion in an elaborate system of mirrors. results are frustratingly slow in coming. While carefully limiting his theatrical obligations. for he realizes that the physicians of his day know even less about his condition than he does.finding through the circumstances of his or her particular life and in isolation from any tradition of scientific thought on the subject. it takes almost ten years of searching through more minute movements before the secret reveals itself. only to have his voice fail completely halfway through an especially important engagement. and it precedes all efforts at vocal articulation. a career on the stage.

which. repeated hundreds of times a day over a span of many years. Taken together. high blood pressure and chronic joint and muscle pains. The person is one psychophysical organism. It can lead to round-the-clock tension in some muscles. was this: mind and body are inextricably bound together. Those Puritanical Hang-Ups A major conclusion that emerged from Alexander's study and observation. we need a new approach—one that can bring subconscious sensations forward into the conscious mind. the action that most often precedes wasteful or harmful responses is a contraction which pulls the head slightly backward and down. we need to prevent the neck from contracting unnecessarily. this destructive series can compress the body's trunk. They form an inseparable whole. and from his later teaching experience. In order to revise things of which we are not aware.will follow. the first of a whole series that will follow if the first occurs unchallenged. He must release that contraction with movement of his head upward. body following it. Unfortunately. interferes with the smooth operation of the muscular and nervous systems and all the vital organs. reducing lung capacity and projecting the stomach unpleasingly forward. Outwitting Our Destructive Habits Basically. thus squeezing the delicate organs that reside there. the customs of language entrap us much HOW THE TECHNIQUE WAS DISCOVERED 15 . With every act. And this is only one destructive habit. which can cause loss of voice. To eliminate the problem at its source. We are not split into body and mind. The effect of this is a compression of the spine. And doing this means using the conscious mind to change our subconscious muscle patterns. we can consciously move our head upward.

the kitchen mess accumulates. It's "that damn leg of mine. into a mental part and a physical part. Disdain for the mere "physical. With disastrous consequences for our daily life. . we tend to look down upon the fleshly part as being inferior." we glibly say. Often. at the same time visualizing a something mental that is embedded in a something fleshly. Whenever we divide ourselves in two like this. the garbage is not carried out. Instead. quoting the ancient Greeks. compared to the mind. 16 THE ALEXANDER TECHNIQUE . the clutter of papers on the desk remains untidy." We have something to blame. we may even persist in believing that the physical business of daily existence is unimportant or at least unworthy of our serious attention. "A sound mind in a sound body." Or "my thoughts keep wandering.of the time into thinking so. . or higher part. After all. if we happen to suffer from puritanical hang-ups. we could be finding out what we are doing that keeps us from solving our problems. in fact downright lowly. we also run the risk of never being rid of our troubles. The leaves go unraked. can manifest itself in any of a thousand different ways that upset or swamp us. the fault lies with one of those two separate halves. personal grooming is neglected or forgotten ." thus mistakenly conceived.

" he wrote.Chapter 3 Bringing the Alexander Technique into Your Life Taking Alexander's discovery into your own life can mean strength. always involves us in patterns of movement and rest. the effects can afford relief in a very wide range of ailments that are caused. by stress and excess muscle tension. sitting down." We can readily see why. Sherrington. reaching to a shelf. unscrewing the caps of jars or uncorking bottles. writing with a pen or pencil. It simply offers a different biological approach from the one you have been using. for everything we do. directly or indirectly. Adopting the Technique does not require you to embrace a new religion or far-out philosophy. However we go through any or all these activities. walking. "To take a step is an affair not of this or that limb solely. once praised Alexander for his discovery. Sir Charles S. Besides. "but of the total neuromuscular activity of the moment. getting in and out of automobiles." The Australian was therefore correct. opening and shutting doors. in insisting upon "treating each act as involving the whole integrated individual. the great Nobel Prize physiologist. standing up. a new way to integrate thought with action. ease and endurance in everything you do—even sleeping. our particular patterns of move17 . he said. closing windows. It does not matter what the activity is: lying in bed. the whole psychophysical man. casual or major.

It sometimes happens that when you experience pain anywhere. Bad use means employing the body in a haphazard way: one part of the body compensates at random. you will be shortening others drastically. Good use means moving the body with maximum balance and coordination of all parts so that only the effort absolutely needed is expended. as from a twisted ankle. you unconsciously tighten the painful area and often other parts of the body as well. you're putting unnecessary pressure on the organs so that they can't function as well. it provides enough room for your organs so that your breath can massage them. for the movement of another in order to maintain balance and stability. everything we do in life manifests itself in the way we "use" ourselves. If you are slumped down. Some parts of the spinal cord will then experience more pressure than others. The object is not to learn all the proper combinations of 18 THE ALEXANDER TECHNIQUE . arthritic joints or an upset stomach. the only possible result is that while you may be lengthening some muscles. Indeed. you simply abuse yourself in another manner.ment and rest constitute the particular use (Alexander's word) that we make of ourselves. the pressure of the body being supported by them is not evenly shared. What Is Good Use? The key concept of "use" is perhaps the easiest way to explain the Alexander Technique. for unless the vertebrae are stacked evenly. and usually inefficiently. You do so presumably to protect the injured area by immobilizing it. but in fact this new excess tension in the joints and muscles will slow down circulation and actually prevent your body from healing itself. however. whenever you move without awareness. Circulation is slowed down. It's the same thing with your spine. So in this attempt to gain desirable results forcibly. and that causes malfunctioning of the parts of the body serviced by them. If you try simply to push yourself erect. Good or bad. When your body is erect. these conditions of excessive muscular tension are likely to exist. Sometimes nerves are pinched.

For when they depart the parade grounds or the music hall. You Are Not a Statue Making good use of yourself by means of the Technique must never be equated with the static thing known as "posture. Conceivably. In the ordinary work of walking and living. they drop the elevated chest and the forward curvature of the spine. is continuous and involves both physical and mental fatigue. or when you stand poised at the head of the stairs." a word that ought to be jettisoned because it in no way corresponds to the conditions of real life.muscular action needed for all that you do and then try to think of them constantly as you move. So in learning the Alexander Technique. Unfortunately. You are not a statue to be propped about in various juxtapositions to meet the changing requirements of whatever you are engaged in. you must at the outset dismiss from your mind all shining examples of good posture. with its accompanying hollow in the back. there are BRINGING THE TECHNIQUE INTO YOUR LIFE 19 . Such a course is both impossible and unnecessary. no matter what kind. And your customary use of yourself will reappear immediately. the word might apply on the rare occasions when you take a stance before coming into a room. Forget the paragons of close-order drill in the Marine Corps or the symmetrical ranks of the chorus line at the Folies Bergère. The aim of the Technique is to allow a condition of ease throughout the body without creating any new distortions in the process. however. Through the Alexander Technique. It is in fact quite absurd to think of attaining some ideal posture and then clinging to it through all your subsequent activity. or the very moment you start descending the stairs. Once you have entered the room. leathernecks and chorines alike let go of these strenously maintained body attitudes. though. since its absence was based on nothing more than that transient "holding-in" known as posture. The effort to hang on to some deliberate position. you are again caught up in movement. you learn instead one Basic Movement that can control the normal flow of all your activity.

there is no "right" pose for any position. Ideally. How to Look at the Pictures When you consult the photos that accompany the directions in this book. More air can then pass in and out of the lungs. do not look upon them as static poses or positions to be imitated. They are intended only as a guide or pointer to the action described. and.people who do indeed seem to be trying to preserve just such a rigid and invariant attitude through all that they do. to prevent the least trace of confusion. This forces you to breathe with your upper chest rather than with your lower ribs and diaphragm. No Poses To forestall any possibility of error. When you are not slumped. the blurry effects of such an attempt at authenticity would nullify the purposes of useful and simple instruction. The Breath of Life A vital function of our body that is impaired by bad use is breathing. it would be different for every person on this planet because each human body is different. Think of them as having been extracted from some ongoing movement. standing and so on) and then go through life using these and only these poses. If you slump even slightly. Second. You will not be asked to memorize the "right" pose for every possible body position (sitting. and even if there were. as a result. each illustration should be provided by stroboscopic photography or some other form of action picture. your lung capacity is thereby diminished. First of all. more room is provided in the chest cavity. it may be well to state flatly what the Alexander Technique is not. No Positions. However. the positions involved in darning a sock would require a whole lifetime of memorization. the mere act of getting out of a chair takes the body through more than a hundred positions. more waste materials are cleansed 20 THE ALEXANDER TECHNIQUE .

from your body. With the increase in the freedom of your breathing machinery, the quality of your voice can improve.

Let It Happen
Good breathing is integral to the Alexander Technique. This does not mean that you will need to practice it in the form of separate and isolated breathing exercises. As you begin to correct your faulty use, excess muscular tension will disappear. With the release of that tension, the action of your ribs and diaphragm in breathing will automatically take care of itself. As you progress, you may find yourself yawning or emitting deep sighs. Let them happen, for they come involuntarily and are an excellent sign that you are getting rid of excess tension. You will find that breathing supports movement at the same time that movement supports breathing. This natural and inevitable orchestration of the two is very different from superimposing some artificially learned breathing pattern upon your movements. Make sure you don't hold your breath. Don't try to do anything. Let it happen.

Your Breathing Improves
Notice, when talking, whether you are breathing in through your nose or your mouth. Give yourself time to breathe. It is helpful on occasion to close your lips and allow the air to come in through your nose when you need breath. This helps to release any tightness in the throat. Many of us develop the habit of gulping or sucking in air. This tenses the throat and is accompanied by a downward pull of the head. But when you don't collapse your chest and pull down, a slight vacuum is created in the lungs, which pulls in the air for you. When you breathe normally in this way, every time stale air leaves your lungs, new air will automatically come back in. Through the Alexander Technique, you can learn to leave your breathing mechanism— your body—alone to function freely and without effort. BRINGING THE TECHNIQUE INTO YOUR LIFE 21

How We Got This Way
To be sure, in this misguided quest, the breathingexercisers and the posture-builders may really be seeking some of the benefits that are achieved by the Alexander Technique. The grace and naturalness that the Technique imparts to you will be highly noticeable. Whenever you use it, your entire body will be more erect—your chest is not collapsed, your torso does not settle in on itself. As you continue to practice, an improvement in muscle tone occurs. If such are the blessings reaped through making good use of oneself, why are they so deplorably lacking in most of us? What has gone wrong? Why so much grief physically and mentally? It is the burden of civilization's advance, Alexander believed, that has brought upon us our present deteriorated condition. Today, instead of adapting our bodies to a slowly changing terrain, we capriciously adapt a fast-changing environment to arbitrary standards of comfort (even taste). Through current upheaval, the one thing that has remained essentially the same is the structure of the human body. Prior to the development of technology, changes in the world around us took place over a span of millions of years, slow enough for us to keep pace through subtle, unconscious alterations in the body itself. But our restless civilization has brought about a revolution in our surroundings so rapid that this process of gradual development has been quite outdistanced. As a result, the world we know now is completely foreign to the one to which human beings long ago adjusted. Our life-style has become a hybrid interaction of a body, originally adapted to primitive survival, with an environment of elevators, mattresses, automobiles and comfy chairs. Our physical and social universe is radically different, and our physical equipment has been impaired in its responses to the new demands thrust upon it by contemporary living. We have to make intelligent use of ourselves,


said Alexander, if we want to meet the new conditions effectively.

Three Easy Tests
To illustrate the degenerative influence that civilized living has exerted upon the human organism, Alexander proposed three simple tests: (You are requested to interrupt your reading for a moment and carry out the following three experiments.) 1. Move your head without your shoulders. 2. Open your mouth without tilting your head back. 3. Turn out your toes without first shifting your heels. While doing each test, be alert and sensitive in registering how you move so you may catch the unnecessary movement involved.

See for Yourself
In quite the same spirit of experiment, you may now begin to notice, in the course of your daily activity, how you go about handling objects. Next time you brush your teeth, for example, stay alert and observe just how heavy the toothbrush is, how much energy is required to lift it and keep it in your hand. How much pressure is needed to brush? In the toothpaste commercials on television, it sometimes appears as though the people are trying to brush the teeth right out of their mouths. (See Fig. 8, p. 66.) You can make similar observations when you sit down to write a letter. With a little try-and-see, you can tell how much strength is actually required to hold onto the pen and get the ink to flow onto the paper. Once you consider how you actually go through any activity, you can begin to affect a change in your performance of it.


which accompanied formal recitation. the expenditure of energy in animal movement is exquisitely attuned to the requirements of what needs to be done. And it is this. successfully defends itself by exerting very slight movements to deflect the thrusts and feints of a champion swordsman. like a cat or a dog. No overdoing. They have no price to pay.The Road to Take Animals in the wild miss out on the satisfactions. definite movements. however. MOVE YOUR WHOLE HEAD UPWARD AND AWAY FROM YOUR WHOLE BODY. a sane solution to our problem. But the answer to the perilous misfunction that has befallen mankind through the anxiety and stress of modern living cannot be to call a halt to civilization. In a famous allegory. at rest. and which is the essence of the Alexander Technique." There is. AND LET YOUR WHOLE BODY LENGTHEN BY FOLLOWING THAT UPWARD DIRECTION. 'Alexander uncovered the whole pattern of bad use. more than anything else. relying on animal instinct. may be enunciated as follows: AS YOU BEGIN ANY MOVEMENT OR ACT. emotional and mental. which we will learn in this book. 24 THE ALEXANDER TECHNIQUE . and you will see a creature completely relaxed yet still capable of making sudden. defeats and frustrates whatever we may intend on every level of our existence—physical. no underdoing. We are not about to rejoin the lower animals or "go primitive. prevents. but they are likewise spared its debilitating side effects. The road to the recuperation of our diminished faculties. What is more. In curing himself of his loss of voice by noting the slight pulling backward and down of his head. It is this same harmful pattern of involuntary preparation which is involved in everything we do. The human antagonist is baffled by the perfect efficiency of the beast's innate responses. cultural advantages and triumphs of civilization. Observe even a domestic animal. the German writer Heinrich von Kleist makes this point by describing how a chained bear. which blocks.

You are not called upon to run miles or to lift heavy weights. in the deepest sense. the calisthenic approach stands in direct opposition to the Alexander Technique. In the Basic Movement. physical freedom and. joint-wrenching gyrations of any kind. It is in no way related to muscle-snapping. if you extend it through the whole range of your normal activity. and everywhere else in this book where a movement or action is given.Chapter 4 The Basic Movement You are now ready to learn the Basic Movement that incorporates the Alexander principle in a form you can practice whenever you wish. that the strenuous and repetitive exertions popularly known as "phys. Nothing tiresome will be required of you. 25 . put you on the road to a new life of health. as we shall see in the following chapter. the word always refers to some movement or action of the utmost simplicity. personal happiness. The word "movement" as used here has nothing to do with the 1-2-3-4! 1-2-3-4! calisthenics you did in gym class. There are no exercises in this book." can be performed more effectively and with much greater benefit once you learn the Basic Movement and apply its principle to them. This distinction is especially important because. It is true. The mere performance of this simple movement can. however. ed. Not an Exercise But first a word about a word.

26 THE ALEXANDER TECHNIQUE . The Basic Movement Exploring Yourself You may carry out this movement either while seated or standing. Turn your head to look around you. a guideline to follow: a new way of thinking and moving. Some Olympic rowers. It provides. Next follow the instructions for the Basic Movement itself. for example. No trance: eyes open.The same applies to those more skilled and motivated forms of calisthenics which we call sports. We shall do it sitting. Whether you play golf or tennis." and the same format is used as a preliminary to every other movement or action in this book. are presently learning the Alexander Technique because it makes a real difference in crew performance. The sooner you apply to any normal activity—such as tying your shoe or lifting a bag of groceries—the Basic Movement of letting your head move up and letting your body follow. How to Start The Basic Movement is preceded by a brief inspection of your total condition while you carry out the action in your customary or habitual manner. This moment of selfobservation is presented under the heading "Exploring Yourself. It is not to be repeated mindlessly in hopes of programming yourself into some automatic routine that has nothing directly to do with daily living. or whatever your game may be. rather. the sooner you will experience a new lightness and ease and a sense of real assurance in whatever you may be doing. swim or bowl. it can undergo amazing improvement after you have bettered the use of your body in pursuing it.

then tip it down to look at the floor. the following clarification of the main words used should give you even more success the next time you do it. tip it back to look up at the ceiling.See the room. (Figs.) Remember to keep your eyes open and looking. 8. What do you notice about the turning of your head? Do you feel any tense or tight muscles in your neck? Does your body twist about when you turn your head? Do you hear any popping. 4. Continue to allow your whole head to move up and away from your body while you perform the turning movement. Turn it from side to side. Your Whole Head You must learn to think of your head as three- THE BASIC MOVEMENT 27 .3. 5. This does not mean that your body twists and turns with your head. add the Basic Movement: move your head up and away from your torso and let your body follow. Next.2. then forward to look down at the floor. crackling sounds in your spine? Is your breathing slowed or stopped? The Basic Movement While turning your head slowly from one side to the other in order to survey the room. 6. 7. (Figs. Tip your head to look up at the ceiling. Notice if this upward direction of your head affects the smoothness and ease of the side-to-side motion. but that it is allowed to delicately lengthen during your head movement.) Now that you've gone through the Basic Movement once. 1. Allow your whole body to follow the upward direction of your head. continuing to let your head ease up. Notice if it brings up and aligns your body. so that your neck lengthens above your shoulders instead of craning forward or jamming back.) The upward direction will keep you from cramping your neck throughout these movements. (Figs.

Easing upward and away as you turn your head. Beginning from a usual slump. 28 THE ALEXANDER TECHNIQUE .1. 2. 3. From side to side.

4. Easing upward. As you tip your head back. THE BASIC MOVEMENT 29 . 6. 5. And tip it forward.

this means your whole head. 9. not just along the back of it as many imagine. you will be less likely to jut it forward. With this in mind. When you are directed to move your head. the neck is sturdy and the head rests easily on that large base as it moves. the diameter of your vertebrae is larger than that of a silver dollar—not the size of a nickel or a quarter. (Fig. top and front (your face). sides.) Often people have a tendency to lead movements with their chin.dimensional. 10. (Fig. 8. Also. 7. 30 THE ALEXANDER TECHNIQUE . It is important that you realize how substantial a support your neck provides for your head. thus pulling your head back and down.) When you remember that your chin is part of your head. including the back. Cramping your neck unnecessarily. you will understand that you do not need to hold your head up. The fact is that the spine in your neck is very near the center of your neck.

Jutting the chin forward needlessly.9. THE BASIC MOVEMENT 31 . 10. The whole head.

Your Whole Body "Body" refers to your whole torso. you will find that your body will automatically want to follow that upward movement. back and front. Your entire torso must be considered and no part forgotten. You will probably experience some sort of change or notice some difference. We're aiming for as much flexibility and ease as possible. Because your torso is connected to your head. People tend to think of only one dimension when allowing their body to move upward: either their front or their back. in following the instructions. (Fig. 11.) Above all. of course. Upward directs a positive action in order to prevent the usual negative action of pulling the head back and down and slumping. causing unnecessary effort. the bottom line of your buttocks. "upward" is where the top of your spine points. It means the moving of your head up and away from your body. The Upward Direction "Upward" does not necessarily mean ceilingward. remember that upward always applies to movement—wherever the top of the spine happens to be pointing—and is not a fixed position. you must not forget it. up toward the ceiling. and the moving of your torso up from the hips. (Fig. including sides. 12. includes your shoulders and ends at your hip joints. On Your Way Repeat the Basic Movement and see what happens. When you are sitting or standing. your body must follow. If you remember this connection. that direction is. 13. as you lean your body to the side. As a result.) However.) Remember to think of your whole body as three-dimensional. It begins at the base of your neck. when you allow your head to move upward. Perhaps you'll be aware that you were pushing 32 THE ALEXANDER TECHNIQUE . their body will curve forward or backward. Simple as this may seem. (Fig.

THE BASIC MOVEMENT 33 . The whole body.11.

Or as Alexander once paradoxically described the movement: "All together one after another. there will be no time lag between the movement of the cars and engine. 34 THE ALEXANDER TECHNIQUE . The Instant Train The movement of the body following the head is fundamental to the Alexander Technique.yourself and using more effort to sit (or stand) than you are now. and the cars the remainder of the body. The engine represents the head. 73. Or maybe you'll feel that it is easier to move your head in the way described. although the engine always begins the movement of the train with its forward impetus is transmitted almost simultaneously to each car. You might compare it to the image of a train. you will have begun the process of keeping your eyes open and observing how you move. Upward. In any case. If it is linked up properly." 12.

though. a very subtle and continuous movement of the head upward "only an infinitesimal amount" (as Alexander wrote from England to a man in America who was learning the Technique on his own). It is a single adjustment.How to Succeed Without Really Trying Most people learning something new are eager to discover the "right" way to do it. obvious. far-reaching consequences. The Basic Movement is accomplished without any big. The Basic Movement is a first-class example of the way a very simple adjustment in the use we make of ourselves can have tremendous. there are no "right" positions. Here. on the order of mil- THE BASIC MOVEMENT 35 . external show. For as we have seen in the preceding chapter. What matters is that you improve the process of how you move. you are not required to take up any new position in order to correct your misuse. The lengthening of your neck when you move your head upward is tiny.

Here. Your ruler may not detect the difference. They strain their necks mightily. It is perhaps part of our American credo to believe that only prodigious feats can produce worthwhile results. some people are reluctant to believe that anything remarkable can result from the Alexander Technique unless they do something that demonstrates huge effort. 36 THE ALEXANDER TECHNIQUE . However.limeters. they try to become human giraffes. But no neck-stretching whatever is required! Just a very slight movement of the head upward from the body will do the trick. but you will feel it in every bone of your body. is one case where the big results come from a tiny change. though.

If we comport ourselves in a manner that is harmful. The Trouble with Physical Exercises After visiting the gym of a leading exercise teacher in Australia one day. This is because they have been designed with a very different objective from that of ordinary calisthenics. They are not likely to change our condition for the better. Much the same is true of the numerous varieties of physical manipulation and massage that are applied to our bodies.Become a Whole Person The Basic Movement you have just learned. they would continue to do so throughout their physical exertions. left-right activity most of us associate with physical education. If they used themselves badly in ordinary life. In fact. Alexander became convinced that such training would never meet the needs of people who came there in quest of physical development. "and he walked a crooked mile. any exercises we do to get in shape will likewise be carried out in a manner that is harmful. and the seven supplementary Actions that will follow in Part II. are clearly of a very different order from the strenuous push-pull." the well-known nursery rhyme tells us. the repeated and accentuated performance of the prescribed movements—thus badly executed—increased the damage they were already doing themselves. 37 . updown." Just so. "There was a crooked man. Some of these bestow considerable good upon us.

we pay scant heed to the constant flow of information that is being communicated by our bodies. for example. How often have you driven from point A to point B without noticing what lies between or even how you got to point B. sore ligaments or illness—gets through. think back to the last time you borrowed an automatic car and reached down for gears that weren't there. the Alexander Technique coordinates conscious thought with action in order that you may deal with yourself. The Trance in Which We Live Unlike conventional exercise and manipulation. We cannot perceive the faulty way we are using ourselves because it has come to "feel right. We unfold the whole repertoire of our daily activity with little attention to how we are doing what we are doing. Only the very gross or screaming message—a headache. some welcome temporary relief from the pains and aches caused by a faulty swing. We continue wearing ourselves out and tearing ourselves apart from day to day because we remain in deep ignorance of our bad tension habits until we reach a crisis of pain or run into some drastic physical or emotional trouble. In this half-conscious state in which we operate. driving a car. so too has our sensory awareness gradually adjusted to them. Another person may be oblivious of a tendency to lift her chin and jut it forward (until she sees herself on television). but his trouble will surely recur if the error in his swing is not corrected. as these bad habits have developed little by little.but their intention is not to teach a better use of ourselves. Perhaps a golfer can find. Thus. Consider. if you are accustomed to a standard shift. through alleviating treatment of this kind. a muscle cramp. they would now feel "wrong. Or again. Most of the time we operate our bodies on a subconscious level. a person may carry one shoulder higher than the other and never notice (were his shoulders to be set level for him. Moreover." We simply don't get true messages from our bodies anymore. 38 THE ALEXANDER TECHNIQUE ." ludicrously askew).

The main component of what we perceive is the sound we think we are projecting. caused by a confusion between the event as intended and the event as it really happens? How. and. all the Actions in this book for learning it. He offers himself as an example: "I am of Hungarian origin. People who listen for the first time to the sound of their voice played back on a tape recorder usually get a shock. yet perceive my own voice as if it were free from it.Our Mistaken Ideas About Ourselves There is still another factor at work in this universal unfamiliarity with ourselves and our functioning. says Koestler. Perhaps no one has given a sharper and more disquieting picture of it than the writer Arthur Koestler. according to Koestler. The same applies also to our gestures and movements. and although my foreign accent retains the specific density of pea-soup. remarks Koestler. meets the problem by calling BECOME A WHOLE PERSON 39 . however defective and self-defeating they may be." So too may our singing be stridently out of tune and yet sound just fine to us until a musical accompaniment pulls us back on the track. I have a good ear for other people's accents. in short. therefore. All this occurs. do we get rid of the bad habits that plague us? The Alexander Technique. I was virtually unaware of this till I first listened to my voice on a recorded broadcast. but this discrepancy is masked from us by the process of hearing what we intend and not what we are in fact uttering. the actual acoustic production plays a subordinate part. "The clumsy gesture is screened off from awareness by the direct impact of the image of the intended graceful movement on perception. There may be a world of difference between what we think we hear and our performance as heard by others. because in the perception of one's own voice." The Crown of the Senses So how do we defeat this tendency toward what might be called a kind of wish-fulfillment in our senses.

one speaker even accused the others. it is deplorably lacking in a very great number of us. a real chance is offered for the enrichment of our entire organism. In order to ensure that we are using our bodies properly. Most everyone knows something at least about this faculty. but in calling upon this faculty. the development of this sense underlies the entire program set forth in this book. we are paying tribute to it. It is the kinesthetic sense that supplies the information we need." It is not really that inscrutable. or the agile ease and poise of a friend in the way he handles himself in all the ordinary activities of life. of trying to "unscrew the inscrutable.upon a faculty we all possess but often overlook because it is not one of the so-called "five senses" we usually talk about. At a UNESCO conference on brain mechanisms and awareness. in their concern with it. We use it to assess the range and force of our movements and also in adapting ourselves to the weight of anything we lift. Clearly evident in people like circus aerialists. we do not have to know the names of our muscles or how to locate them on a chart." though actually its sense organs may be found not only in the muscles. It is sometimes called the "muscle sense. "Kinesthetic" is a cross between the words "kinetic" (motion) and "esthetic" (feeling) and means "feeling motion. It is not one of the original five long ago listed by Aristotle." the distinguishing mark of superb physical condition. It is by means of this sense that we remain aware of the position of every part of our body even when our eyes are closed. or the "kinesthetic sense" as it is called. Whenever we admire the seemingly effortless coordination in the movements of a great athlete. 40 THE ALEXANDER TECHNIQUE . It is from this sense that we are continually receiving knowledge of the gestures we make and of the pressures or tensions anywhere in our body." Since it is essential in the practice of the Alexander Technique. This enricher of the whole person is considered by some connoisseurs and gourmets of good physical condition to be nothing less than "the crown of the senses. but in the tendons and joint membranes as well. jugglers or sculptors.

George V. The other way is to use the BECOME A WHOLE PERSON 41 . get a good. It was. clear idea of ourselves in action. This in turn produces a harmonious interplay of all our faculties and thereby brings about the first visible fruit of our growing kinesthetic development: good muscular coordination.S. in this way." heralded by Alexander. we can increase the reliability of our kinesthetic sense and establish a new standard of good use. sometimes so completely that many intelligent people go through their days "wholly ignorant even of the essential existence of these warpthreads in the fabric of our conscious life. during the past decade due to the popular rise of the human potential movement. however. Through the sensitive practice of the Basic Movement and the seven Actions which build upon it. by no means entirely forgotten in earlier American efforts to promote physical and emotional fitness. Discover a World Within The "crown of the senses. has come very much to the foreground in the U. N. One way is to focus on the single part of the body that actually does the work. He called it "the warp of the sensation-fabric—the personality's dynamic index of its body." The effective practice of the Alexander Technique makes it possible to receive increasingly subtle messages from within. Whole Person There are always two ways a person can learn to carry out any action.We can feel what we are doing and. Virtually every branch of that movement makes some use of body awareness. as Dr. The wise and respected New England medical educator Dr. Part Person vs." One trouble. is that the much stronger sense experiences of light and color may drown out this subtler experience. Dearborn always emphasized the important place that the kinesthetic sense holds in the life of every human being. Dearborn pointed out.

So he swings his arm as best he can. He has no real awareness of the rest of himself. you swing your arm in a manner that allows your whole body to be balanced and your energy to be directed effectively. any number of things can happen that will cause more effort than necessary. and when he hoists his shoulder. This means using the Basic Movement. but must see whatever they look at. 42 THE ALEXANDER TECHNIQUE . the Basic Movement. his body may then compensate inefficiently to keep its balance.natural integrating mechanism of the whole body. physically-mentally unified Technique you gain from these Actions. in time. how it feels and how it affects a person to live by means of the unique. With the first method. It is the kinesthetic sense which. a person wanting to throw a ball will find that he must swing his arm. For example. The second way of performing an action is to involve your whole person in it. You will learn directly the benefits of this regular experience of complete personal harmony. all parts included and coordinated to perform the action. Staying in the Moment In carrying out the Actions that follow. to control whatever you do. This does not mean exerting effort throughout your entire organism in order to swing your arm. You will then discover for yourself what it means in actual practice. enables you to allow this total pattern. be open to any and every message of feeling that comes to you from the various parts of your body. Your eyes must not become glazed. during the whole time you devote to an Action. Do not hold your breath from a sense of strain. Because there are so many possible combinations of tension. he may unwittingly raise his shoulder. keep alert. From moment to moment. Rather.

Indeed. that the force of gravity. what used to be known as "dowager's hump. it plays a major role in whatever we do. we tend to disregard or forget this reassuring evidence of our senses. down. However. Like air. is now surprisingly common at a much earlier time of life. it has become a prevalent sign of our era. it is self-evident that all our movements and activities are subject to gravity's pull. we are done in by it. pulls us down. working against us through all the years of our life. Since our body consists of mass.Chapter 6 The Technique as a Way to Stay Young The youthful manner and attractive bearing attained through the Alexander Technique should dispel once and for all the conviction that men and women must inevitably bow down. sunshine and other more familiar elements. stoop and wither before the onslaught of advancing years. unequal to the combat. down until finally. That gravity does indeed provide a persistent and unvarying element in man's ecology there can be no doubt. We continue instead under the spell of the rather sinister and frightening idea. widely accepted at present. But what about the rest of the theory? THE TECHNIQUE AS A WAY TO STAY YOUNG 43 . elastic lineaments. An eyesore and a handicap. lithe movement and springy step belie their actual age. We have all encountered at one time or another those rare men and women whose upright bearing. That much is certainly true." no longer related to income group or social status and every bit as typical of men as of women.

As bipeds. Throughout the day. which was partly the result of not being pulled down. The skylab astronauts gave us yet another glimpse of this force's baneful effects when they emerged—after months of living outside it—in a remarkably unkinked condition. .Why We Shrink According to a popular view. the quadruped is more fortunately constructed for resistance to gravity than we are. Thompson. all this is the price we pay for standing erect. down . For 44 THE ALEXANDER TECHNIQUE . pitting human strength against gravity's relentless power with no chance of winning. it is the indomitable force which defeats us in the end. In this view. without let-up or cease." and "it leaves its mark in sagging wrinkles. According to the biologist D'Arcy W. During sleep. down. which lays us on our death bed and lowers us to the grave." The Upright Creature Supposedly. Studies have shown that between getting out of bed in the morning and getting back in at night. and thus being permitted to straighten out. people actually lose about half an inch in height. drooping mouth and hanging breasts. But the cumulative results of a lifetime of unequal struggle can be seen in some bent-over and hobbling older people who have lost many inches. Gravity has slowly squashed them to the ground. we seem peculiarly ill-equipped for maintaining an upright position. The unflinching. we find ourselves inextricably locked in a lifelong struggle. we regain that lost stature. They had even gained in height (and lost at the waist). Down. when we lie in a position parallel to the ground and thus alter the effects of the ubiquitous pull. . it works its malign influence upon us. it is felt "in every movement of our limbs. and the problem is one that has been with us ever since the forepaws of our prehistoric ancestors left the ground. in every beat of our hearts. as on earth. unceasing pull upon us of this antagonistic force has been assigned responsibility for a very great number of the woes of aging.

with our heavy head and shoulders weighing down the skeletal structure. the weight of our inner organs is carried high above our center of gravity. Our spine is flexible. perhaps an ingenious device for cushioning shock. Mortal Lessons. Richard Selzer totaled up the outward woes he thinks indicate that our erect stance THE TECHNIQUE AS A WAY TO STAY YOUNG 45 . Failure or defeat in any of these components adversely affects the overall struggle. This situation is said to account for many of the chronic progressive and degenerative conditions which afflict the falteringly upright. the greatest strain is sustained by the musculo-skeletal structure that keeps us thing. In a fierce book. like an inverted pyramid. The immediate battleground for humans versus gravity may be discerned throughout the musculo-skeletal system whose mainstays are the pelvis. in respiration and circulation as well as in the nervous system. Just standing up is a kind of acrobatic triumph involving an exact balance of varying degrees of contraction and relaxation in more than two hundred pairs of muscles. but far from ideal for steadying our weight. repercussions of the conflict are felt in all the other major systems of the body. Must We Fall Apart? While gravity depresses all the elements of the body. we appear to be top-heavy. the spine and the network of muscles and ligaments. Standing or sitting. two-legged human race. Physiologically. curved in several places. deformation and distortion depending upon the disparity between the pull and each person's total power of response to it. how—in this view—can we hope to contend with gravity's pull? We are compelled to oppose its force by sheer muscular power. However. These muscles are reflexively maintained in a state of tonus— partially contracted and ready for work—except when the body is lying completely horizontal. And strain means injury. Dr. Our structural frame is an intricate system of articulated levers—bones and joints— that are held and moved by our muscles and tendons.

feeling. which enables us to deal handily with the earth's pull. Our blood gathers in hemorrhoids and varicose veins. We obviously had to develop a way of neutralizing the effects of gravity in order for our life to have continued on earth. as Professor Tinbergen has pointed out. According to Dr. Selzer. In the very long history of walking erect. It does not fully or accurately represent man's complex relationship to the downward pull he experiences from the earth. In the first two or three years of life as they gain mobility. and before they are physically corrupted. piled one atop the other. He found that body chemistry as well as the regulatory and coordination mechanisms of the body are all affected. the extreme and scary picture we have just looked at. Man is a perfect match for gravity. the human species. must have evolved a suitable equipment and the correct mechanism for biped locomotion. We inherit an easy good use of our bodies. How We Conquer As it happens. Our hip joints grind to a stop. the adventure of assuming an upright posture would probably never have been sustained if man had not become capable of it. Our flesh pushes itself through into hernias. it pivots smoothly without tension. their actions are beautifully free and easy. From an evolutionary viewpoint. And the mechanism is by now genetic. The arches of our feet fall. attitude and behavior may also figure in the generalized failure of our adaptation to the ordinary strain of being on the earth's surface. This reflex of good use can be observed in infants. Or watch a baby turn its head. Mental confusion. Observe a baby come to sitting position by itself. no strain in the back or anywhere else. is both one-sided and incomplete. They move in a superb manner quite naturally. the whole body is in a system of balance. buckle and wear out. 46 THE ALEXANDER TECHNIQUE . slip.cannot successfully resist the pressure imposed upon us by gravity. our vertebrae. mood. which is so popular today.

the body column will be out of kilter (Fig. Rather. We sense a new way of moving. different from our previous experience of tension-filled activity. In effect. and gravity merely compounds the problem. as with a leaning column or an uneven tower of blocks. If the head does not initiate. the human species is constructed in a way to resist the pull of gravity effortlessly in keeping itself erect.) In this condition. things go wrong. We actually feel heavier because of pressure put on the joints by excess muscular tension. And it is because of these tense habits that it so often feels as if gravity must be working against us. The correct messages from one body part to another (coordination) are relayed and interpreted properly. In attempts to control ourselves. THE TECHNIQUE AS A WAY TO STAY YOUNG 47 . with its energy and movement directed up through the top of that column—the whole torso following the head—the body will work efficiently and flexibly. it is we who work against ourselves. The movement of the head leads and influences the movement of the body so that all parts (muscles) are coordinated and work in a harmonious system of contraction and relaxation. When arranged naturally in a sort of flexible column. we shorten our necks and pull our chests down. some form of additional support—in the case of the body. A jutting part here or there creates an imbalance and. Only those muscles which are essential to a particular action are used in that action. When we do not trust our body's ability and interfere with this natural reflex of ease. the reflex system of the body is allowed to work. or shorten and arch our backs. what has been discovered is that when all the body parts are balanced and integrated. detailed studies of this natural mechanism have offered a technical explanation in anatomical and physiological terms.It Goes by Itself Careful. (Fig. the reflex of our movement will be interfered with and muscle will be pitted against muscle. We no longer have to depend upon large jolts or shocks from tensing muscles to tell us if something is happening. 1.). 2. tense muscles—is needed to keep it standing.

The body column out of kilter. 2. Energy and movement directed upward.1. 48 THE ALEXANDER TECHNIQUE .

Most of us consider ourselves balanced when we stand (otherwise how could we?). Our bone structure (skeleton) is so finely organized a system of arches and supports that it takes only a tiny contraction of muscles to maintain us in the "work" of standing. muscles throughout our body are tensing—holding on—in an effort to keep us as we are." "Don't slouch. our superb natural functioning had already vanished because of the way we were handled as infants. through the tasks we were called upon to perform before we THE TECHNIQUE AS A WAY TO STAY YOUNG 49 . A Future Without Fear Proper adjustment to gravity in the way we stand. walk and move. is obviously an old. Our misuse of ourselves in all that we do is the consequence of modern living. Most of us are still trapped by the distant voices of parents and teachers repeating: "Stand up straight." and an elementary definition of the word is: the state of not having to hold onto something in order to maintain a position." But long before we heard these and similar unhelpful exhortations. The magnificent engineering of the human body does not require it. produces this desired alignment of the total structure. the body following. inherited form of behavior. Such excess tension is unnecessary." "Or "Little girls don't sit like that. And this muscular release goes a long way toward explaining why the Technique is effective in eliminating superfluous tension.Never a Feeling of Strain We meet gravity by keeping our "balance. through the models we encountered and imitated in early family life and school. Even when we think we're relaxed. ourselves. The Alexander Technique. The new equilibrium gives relief and freedom to dozens of muscles that were previously engaged full time in "holding on" to maintain a condition that is at best a rough and hapless approximation of true balance. But in fact we usually are holding onto something—namely. then. bringing the head into real physical balance on top of the spine." "Your posture is terrible.

The youngster now starting out. By means of the Alexander Technique. We are no longer the helpless playthings or victims of a hostile force from below. we violate our own natural mechanism for meeting the downward pull exerted on all forms of terrestrial life. means that tension and gravity are operating in concert. The foreshortening of the back neck muscles with which we initiate our every act. We can reverse that trend once and for all the moment we decide to change our bad use of ourselves and reinstate our pristine grace. This is why the popular picture of gravity as inescapable master and despoiler is for so many of us the stark truth. we can call a halt to our customary interference with the body's natural reflexes and thus facilitate our antigravity response. The upward movement of the head followed by the body can free us to initiate whatever we choose to do in whatever manner we choose to do it. has no reason to dread that the years ahead are going to pull him or her down in a decline of slow surrender to gravity. 50 THE ALEXANDER TECHNIQUE . In the way we misuse ourselves.had the physical capacity or readiness. By means of the Alexander Technique. or the adult of middle or advanced age. and which Alexander pinpointed as the root of our difficulties. and through our adaptation to the furniture and paraphernalia with which we lived. But this need not be. and the entire trunk and spine are slowly compressed. The effect is too strong for the body to resist. we can regain our easeful place on the planet and go confidently forward with the concerns that matter in our life.

P A R T II The Practice of the Technique How to Do It .

without exception. to refer to it before undertaking a new movement. AND LET YOUR WHOLE BODY LENGTHEN BY FOLLOWING THAT It is advisable. MOVE YOUR WHOLE HEAD UPWARD AND AWAY FROM YOUR WHOLE BODY. Each Action leads to the next according to a definite plan. but all the Actions. in your kitchen or office. UPWARD DIRECTION. They do not employ anything in the way of athletic equipment or apparatus. No Dumb-Bells. (When the weather permits. (2) the Action itself. which was given in Chapter 4. are extensions and developments of the Basic Movement. and (3) suggestions for how it may be applied to everyday life. Often the Basic Movement within the Action description is italicized. Keep in mind these and other italicized instructions throughout the Action as they are essential to the success of your experimenting. No Leotards The Actions in this program are simple.The Seven Actions An Effortless Program The following chapters present a simple step-by-step program of seven Actions for learning the Alexander Technique. That movement contains the key to the whole T e c h n i q u e . therefore. which will show you how to apply the basic principle to all your movements. doing 52 . You can do them anywhere: at home or at work. Each step consists of three parts: (1) a preliminary exploration of your personal condition before you begin. w h i c h as we h a v e s e e n i s : AS YOU BEGIN ANY MOVEMENT OR ACT.

them outdoors will provide the additional benefit of fresh air.) The Actions require no gym shorts, or leotards or other special outfits. Street clothes, office clothes—any clothes you happen to be wearing—are fine, and no change of apparel will be necessary afterward. Whatever clothes you do wear should, however, allow you sufficient leeway so that you are not restricted in your movements and do not feel hampered in your breathing. If your clothes are not decently comfortable, you may want to loosen your shirt collar or open your belt a notch. Simply do whatever is needed to allow you to be freer in moving about and less confined in your breathing.

A Way to Begin
Read the instructions for each Action slowly until you have an idea of what it is. (If you prefer, have someone read the instructions aloud to you.) Then proceed to carry them out in the manner described. Sometimes the instructions are given in metaphorical language to convey what is wanted. Thus, when you are instructed to "direct your energy upward," don't worry about a scientific meaning: simply follow the instruction! You needn't do a great many Actions at one session; you may prefer to do them gradually. For example, you may do an Action for a day or so, noticing throughout the rest of the week how that particular movement appears when it shows up in your everyday activities. Then go on to the next Action. Initially, follow them in the order given, as each movement leads to the next according to a definite plan. Some people may prefer to do several a week. Be your own judge of your particular rate. Later, you can always return to a given Action and see if you can discover something more in it. However often you repeat them, you will always derive some benefit, provided the element of awareness is there. Never do them mechanically; you are not a machine. Indeed, treating yourself THE SEVEN ACTIONS 53

like a machine is the bane of what is ordinarily meant by "exercise." Paying attention to what is happening every moment of this program reeducates your senses and muscles.

For Your Enjoyment
Although a conscientious attitude is necessary, it is not necessary to drive yourself to the limits of your endurance. Indeed, that is an entirely wrong approach. It is far more beneficial to do an Action sensitively three or four times, without strain or tension, than to do it automatically many times. Remember, you are not in competition with anyone. You are doing the Action only for yourself, for your own good. If you rush through a meal, you do not give yourself the opportunity to taste what you are eating or to digest the food properly. Ill-digested movement, like ill-digested food, is less beneficial to you. You will enjoy the Actions more if they are done in a spirit of experiment and play. You should even allow yourself a little time in which to feel and enjoy the aftereffects of each Action. Do not rush from one directly into the next. Tall, short, thin, fat, lanky or padded, whatever the proportions of your body and whatever your age, there is nothing to prevent you from learning these Actions and doing them with enjoyment. You will adjust them to your own body as you go along.

Nine Rules to Follow
1. Your "head" means the whole three-dimensional globe—not just your face or chin or some other part of it. (See Fig. 9, p. 31.) 2. Your "body" means the whole torso. (See Fig. 11, p. 33.) 3. "Upward" indicates a direction, not a fixed place. (See Figs. 12, 13, pp. 34 and 35.)



4. Refer to the Basic Movement (pp. 26-27) each time you proceed to a new Action. 5. Perform each Action at your own pace, not in the fastest way possible. How is what matters. 6. Stay alive: Keep breathing and seeing the world around you. There is no reason to hold your breath or go glassy-eyed. 7. Do not worry about executing the Actions "correctly." It is not a question of doing them the "right way," but rather of discovering greater flexibility and freedom in your movements. 8. Breathe easily and naturally through your nose. 9. Perform each Action as though for the first time.


Do you really need to use your body as well as your neck to turn your head? Lean forward and then sit back in the chair. sore muscles or stiffness. 1. Let your whole head move up and away from your body and pivot on the top of your spine (top of your neck).) While allowing your head to continue 56 THE ALEXANDER TECHNIQUE . Notice whether or not you are able to move your head more easily and let your head move up. include your body in that upward movement and lean forward. don't change your position. Involve your neck muscles as needed. Repeat three or four times. but look around the room by turning your head. Now that you've begun to think about how you are using your head.Action 1 Leaning Forward and Backward Exploring Yourself Sit in a chair and turn your head from side to side and then up and down to look around the room. Note any sensations of which you are aware. (Fig. but don't force your head around. What parts of you tense in order to move forward and then back? Do you push yourself forward instead of letting your hip joints simply hinge? Do you hold your breath? Applying the Basic Movement Still sitting. Your neck will twist a little to let your head turn farther to the right or left. such as a popping or crackling noise in your spine.

Keep your seat. toward the floor. Try both. reaching to turn the T. let your body follow upward as it leans forward in space.) If you have difficulty moving without pushing.V. simply bend at the hips to lean forward.upward and away from the top of your spine. Lean forward by lengthening upward. on or off from your chair. Applications to Daily Life Some examples of leaning forward and back: tying your shoe while seated. 1. then let your body follow that motion. (Fig. lighting someone's cigarette from a seated position and eating at the table. find out the difference between pushing your head up with your body and following the upward motion of your head. In leaning forward. LEANING FORWARD AND BACKWARD 57 . Unnecessary pushing with your body. tip your head forward. 2. 2.

) You will also appear more graceful and eliminate the balancing act. 3. 6. (Fig. The tendency is to collapse the chest and push the chin toward the bowl in order to avoid spilling the soup. (Fig.) Then experience getting out of that position by first becoming aware of a real connection be- 58 THE ALEXANDER TECHNIQUE . (Fig.) You may have tried the opposite strategy: sitting very straight and trying to balance the spoon all the way to your mouth in an effort to appear graceful.Eating Soup Especially watch what happens when you eat soup. (Fig.) Probably the easiest way to eat soup is to lean forward effortlessly (by following your head up) and then let your torso curl slightly to bring your mouth closer to the bowl. 4. pull down a little more than you normally would. 5." one of my teachers would often say. How to Get Out of a Slump "Sometimes you just want to have a good old slump. The next time you discover yourself in a slump.

LEANING FORWARD AND BACKWARD 59 . 3. (Fig. Easing upward. Stiff.) Note the change that has taken place as you emerge from your slump. While you have been learning to follow the upward direction of your head with your whole body. The Way You Talk How you talk is affected by what you do with your head. you may have noticed a change in your breathing. Try reading aloud from a book and see if you can notice what you do with your head and neck. As you talk. 7. your body following up after it while you lean forward and then back. let the upward energy continue. Pulling down. You've achieved a little more ease just by moving. 5. Do you leave them free or do you pull them down? Now think of moving your head up and away from your body and letting your body follow that direction while you speak. (See pp. You can do this anytime you find yourself slouching. 4. Then begin to let your head move up delicately.) Greater freedom in breathing brings greater freedom in speaking. 20-22.tween your whole head and whole body. straight and awkward.

Easing upward. The slump. You can change this by allowing your body to follow the upward motion of your head. Now open and close your jaw with your hands. To check the flexibility of your jaw. When you have difficulty moving your jaw in this way. very gently place your fingertips on your chin just below your lower lip. with your thumbs on the underside of your jaw. You are therefore using more effort than you need to for speaking. leaving the jaw muscles loose. it usually indicates that you hold tension there when you speak. The ease of your head also helps your lower jaw to release. 7.6. 60 THE ALEXANDER TECHNIQUE .

Do you tense your neck or jut your chin forward? Do you lean forward or backward with your upper torso? What parts of your body besides your arms are involved in this movement? Perhaps there are other things that you'll notice. Then bring them down again. Then try moving them quickly and in several different ways. Leave your hands there and let your arms rest comfortably at your sides. continuing to pay attention to your head and body. legs included. 1.Action 2 Moving Arms Exploring Yourself Do this one while sitting. In other words. Every part of your body is related to every other part in movement. While your neck lengthens and your body follows the upward motion of your head. while you lift your arms will affect the ease and efficiency with which you can move them. Let your head begin easing away from your body. lift both over your head. do the movement easily enough to notice what you do with your body and head. Starting with your arms at your sides. what you do with the remainder of your body. When your arms are 61 . you can try it standing. let your arms lengthen out through your fingertips. later. 2. 3. (Figs. palms resting down. At first. Apply the Basic Movement Place your hands on the tops of your thighs.) Move your hands along your legs toward your knees.

let your arms lengthen and let your head rest lightly on the top of your neck. 5. Beware of pulling down or tightening your chest. although you can allow them to move. (Figs. adding to it the new direction for your shoulders. Applications to Daily Life What usually happens is that people shorten most of the muscles of any limb or any part of the body to move that part 62 THE ALEXANDER TECHNIQUE . lift them over your head. When your hands touch your knees. Then let your arms come back down in front of you. bend your elbows and bring your hands back to your upper thighs. 6. you needn't force your shoulders to move this way. Repeat the movement of raising your arms.straight. During this entire sequence.) Think of each shoulder moving to the side upward and outward from the body to prevent any unnecessary tightening there. 7.) As with your head and body. 4. shoulders or neck to move your arms. (Fig.

3. By watching how you use your arms. That takes a lot of extra work. Brushing Your Teeth A good example of how most people do more work than they need to is brushing teeth. notice how you reach to pick up and use an object. let your arms lengthen. you will be able to avoid a lot of excess tension that would otherwise occur in your shoulders and neck. pulling the upper arm toward the shoulder. 1. That locks the elbow joint. For example. 2. to bend the elbow the way most of us do. Then we unconsciously select the proper muscle to do the bending and use that muscle to work against the rest of the muscles. MOVING ARMS 63 .or to bend a joint. we make a tiny jerk of the arm. Ask yourself if the energy you use is really appropriate to how light a toothbrush is and the amount of pressure you need to apply to your teeth. While your body follows your head up. which are shortening. and most people do it unwittingly. In the course of your daily activities.

6. 64 THE ALEXANDER TECHNIQUE . No need to pull down and tighten.4. 5.

11.) 7. which simply adds an unnecessary restriction to your freedom of movement. Also notice what you do with your other arm and your shoulders. (Fig.) Also note if you are overdoing the action by reaching out toward the door long before you get there. 10.) There is a tendency in standing activities like this one to lock your knees. MOVING ARMS 65 . (Figs. See if you can make it easier. Opening a Door You can make similar observations when you open a door. Your shoulders move upward and outward. Then let your head ease up and your body follow and see if you can allow your arm to float up to the knob by lengthening out through your fingertips. (Fig.Next time you brush. 9. give it some thought. Do a little experimenting to see how much strength is actually required to reach out to the knob and take hold of it. 8.

Pulling down. The body following the head upward. Next time you pick up your son or daughter. think a little and notice what you are doing with yourself. The amount of ease you have in your own body affects almost anyone you touch. With Children The way you use your arms in handling a young child will definitely affect how that child moves. a child can feel it in the way you touch him. Let your head move up and your arms lengthen and hold the child with the 66 THE ALEXANDER TECHNIQUE . 9. especially children.8. If you are tense and nervous.

Overdoing. The amount of ease from you that reaches the child will influence him to calmer and less resistant behavior. When you support a child with your hands in helping him to sit or stand.10. support him at the torso. Also important is exactly what part of the child you hold when you lift him or help him to walk or to sit. Lengthening. he uses his whole body in a system of balances with no tension in his back or anywhere else. Do not inject any effort into the easy movement the child already possesses. if the child brings himself to sitting. 11. On the other hand. When a six-month-old child is brought up by pulling on his arms. MOVING ARMS 67 . least amount of effort needed. which is maintained while the baby sits. an undue amount of tension is produced in his back and shoulders.

From a standing position. This will allow you to move as a unit rather than in disconnected sections—for example. 1. Notice in which direction your energy moves. begin to walk. then shoulders following. the upward movement of your head and torso will move you forward. (Figs. 4.) When walking. It will help if you start 68 . (Figs. with each step forward consisting of an awkward fall on that foot. shift your weight onto your left foot.) Stop and start again several times. then head.Action 3 Walking with Ease Exploring Yourself Find a room that has some open space enough to walk around in comfortably. As you start walking again. note what part of your body begins the motion and which direction you move in first: side to side? backward? forward? Continue walking for a few minutes. 2. 3. step out with your right foot and walk forward. Applying the Basic Movement Begin standing. hips forward. stopping and starting several times until you feel that you have made some discoveries about your usual walk. you do not need to lean or fall forward. bend your right knee. Which part of your body leads as you walk? Stop. As you let your head move upward and away from your body with your torso following.

2. Walking with ease. WALKING WITH EASE 69 .1.

70 THE ALEXANDER TECHNIQUE .3. Moving in disconnected sections.

head dropped. Awkward. with hips forward.4. WALKING WITH EASE 71 .

To test this for yourself.) 72 THE ALEXANDER TECHNIQUE . Avoid thinking of moving your head upward and then walking as two separate actions. Applications to Daily Life My first experience with walking by means of the Alexander Technique was new and strange to me. whether you start at a gallop or more gradually accelerate from a walk to a run. Notice whether your hips shift from side to side or up and down. notice whether your head continues to ease up as you walk.with both feet under you and your weight evenly distributed. putting your hands at the spot on each hip where your leg bends. I was letting my body glide along at a constant distance from the floor while continuing to explore the act of walking. infinitesimal undulation of the hips forward and back when you walk—unless you tense up and interfere with it. there's often a tendency to pull the head back and down. Instead. that I had to stretch my legs to get them down there. 5. (There is naturally a slight. I discovered I was no longer pushing into my hips toward the floor on every step.) In running. Remember that walking and easing upward happen at the same time. You'll be pleased at the gain in lightness and ease. 6. (Fig.) Jogging and Running With any degree of speed. Each time you start. Place your fingers on the front side and thumbs on your upper buttocks. see that you ease your head upward and allow your body to follow up after it. walk around the room. (Fig. therefore. I discovered my old habit had involved sinking into my hips and throwing myself off balance every time I shifted my weight from one leg to the other. I felt that my feet would no longer reach the floor. For once I began walking by the Alexander Technique.

His whole body will become involved in the swing.Playing Golf In golf. which helps increase the speed and control of it. shoulders easing out. The golfer thus compacts his body. Downward pressure. pressing in and down to brace himself in order to swing. Easing upward. (Fig. the upright stance provides flexibility in the shoulders and the torso and makes possible the maximum control over the swing. it is the speed of the club head and not the force with which it is swung that makes the ball travel farthest. 7. the golfer is getting in his own way. Only when he is willing to let his head move up and his body follow.) Otherwise he fears he cannot swing hard enough. 5. 6. will he maintain an upright stance and his arms have the greatest flexibility possible. (Fig. WALKING WITH EASE 73 . With a compacted approach. 8.) This important advantage is often sacrificed in the supposed interest of power. However. He will then have a true one-piece swing.

74 THE ALEXANDER TECHNIQUE .7. Lengthening upward and outward.

Pulling down. WALKING WITH EASE 75 .8.

2.) Imagine a line drawn from one hip to the other and keep that line parallel with the floor.) 76 THE ALEXANDER TECHNIQUE . Take note of how successful you are at balancing on one leg. Now lower your leg down to the floor. As your body continues upward. Lift your right leg till your thigh is parallel to the floor.Action 4 Moving Legs Exploring Yourself Stand next to a firm waist-level surface. let your head ease upward and away from your body and let your body follow that motion.) Avoid sinking into the leg on which you are standing (Fig.) or lifting the hip of the leg being lifted. (Fig. Lift and lower your right leg several times. Rest one hand on it lightly. Applying the Basic Movement Still stabilizing yourself when you need to. (Fig. Does your right lower leg hang as freely from your knee as it can or is it tense? Do you lift or move your right hip unnecessarily? When you lower your leg. (Fig. Move your head and look around the room. do you release it and drop it easily or do you reach at the floor with your foot and tense the muscles in your leg as you lower it? Once again take note of what your head and body have been doing. 1. 4. bend your right knee and lift your right leg until your thigh is about parallel with the floor. you may use it to balance yourself during this exploration. 3.

Lift your leg. MOVING LEGS 77 .1.

Then gently release that leg to the floor. Before you shift any of your weight onto it. it would swing like a pendulum until it lost momentum. Push your lower leg with either hand instead of using your muscles to swing it. Lift your other leg by bending the knee while letting your head and body 78 THE ALEXANDER TECHNIQUE . then move your head and body upward as your weight shifts to that leg.Now let your raised leg swing forward and back freely from your knee down. first make sure the whole sole of your foot is touching the floor. It should be free enough so that if someone were to push it lightly.

4. MOVING LEGS 79 . allow your foot to come to the floor in front and to the side of the foot that supports you. then gently release at the hip joint until your foot touches the floor again. Then shift your weight from the back foot to the front by moving your head away from the top of your spine and letting your body follow that upward motion over your foot. The line of the hips is parallel to the floor. Let your lower leg swing freely. The next time you repeat lifting one of your legs. On each step. 3. The important 2. lift your leg a shorter distance so that finally you will be walking easily. Lifting the hip needlessly.continue upward. Avoid sinking into the hip.

These attitudes generally involve erroneous judgment of how much effort is required to perform a task or how their bodies must work to do it well. 5. Applications to Daily Life Walking Up and Down Stairs Many students of the Alexander Technique find that walking up or down stairs makes them realize how much less effort is needed when directing their energy upward. 80 THE ALEXANDER TECHNIQUE . (Fig. Examine your attitude toward climbing stairs. People have pre-set attitudes toward almost every physical task they perform.thing is to discover how to allow your body to go upward and forward over your legs instead of being carried by them like dead weight.) The problem occurs Downward direction 6. How much effort is necessary to get up to the next step? A typical attitude held is that a person must push downward in order to move up to the next step. The error occurs when a person doesn't experiment with his attitude—doesn't try out easier ways to do the job. So the direction of energy is often downward when a person climbs stairs. Upward direction.

Most people place all their weight onto the forward foot before straightening the leg. To climb stairs the Alexander Technique way. simply allow your knee to bend forward as you follow your head upward. Easing upward. (Fig. 7. 7. allowing your head to move upward and your body to follow. (Fig. nor do you need to jump from foot to foot. In going up an incline. which requires extra work in order to maintain balance and control. apply the same principles. When you are walking up or down stairs.during the shift of weight after the foot has been lifted to the next stair. and the effort involved in straightening the leg with most of the body weight on it is exhausting. you can still look down at the stairs to see where you are stepping. 6.8. 8. usually because it is never approached consciously. Pulling down. MOVING LEGS 81 .) There is no need to keep the muscles of your knee in constant tension to serve as a brake.) Walking down stairs is often done with equal inefficiency. place your foot lightly on the step and gradually straighten your leg as you follow your head upward and forward to move your body above that stair. Avoid freezing your gaze. To move down a staircase.

in little jerks. Applying the Basic Movement Begin as before with your feet at least five inches apart and pointing forward in whatever position is most comfort- 82 . Look for the same indications of freedom or tension. where does the pressure on the ball of your foot fall? Is it under your big toe. Notice whether or not the movement is smooth. This indicates excess tension and that you are tensing the muscles around your ankle. it moves as though it were on a ratchet. Leave the ball and toes of your foot on the floor. up and down. in the center. as is most desirable? Do you have to tense your thigh or calf to lift your heel? Also try slowly lifting your toes off of the ground so that only your heel remains on the floor. rest your feet on the floor about five inches apart and pointing forward. Very slowly. When your heel comes up. such as a car jack. one at a time. lift each heel off the floor and put it down again. See if you are locking your ankle joint at the top of the movement—with heel as high as possible—and at the end of the movement—with foot flat on the floor.Action 5 Heel and Toe Exploring Yourself Sit in a chair. You may notice that as you move your ankle. on the outside or evenly across the front of your foot.

There is no set way to do it. you are becoming aware of how you move your ankle. It will either become easier. but rather to allow it to be its full length and free of tension. (Fig. The body's motions can now be consistent from the top of your head to the tip of your toes. Now as you let your head move upward and away from your body and allow your body to follow. then let the remainder of your foot. Then stand up and walk around to see what changes have occurred. 1.) Then as you let your heel very gently down to the floor. it will be harder to move them Let your toes bend slightly up from the floor. follow upward. and let the movement of your ankles fit in with it.) In order to begin and complete this movement. But something constructive is happening. between your hip socket and your knee and between your ankle and your knee. If you concentrate solely on your ankles to the exclusion of the rest of your body. Repeat with your other foot. include your legs in your awareness. HEEL AND TOE 83 . When you understand how easing your head upward and letting your body follow affects the movement of your ankle and every other part of your body. Remain aware of the relationship between your head and body. (Fig. release your ankle and continue lengthening your bent leg. Now lift your toes off the ground so that only your heel remains on the floor. This does not mean stretching your leg. Keep the ball of your foot on the ground and spread your toes. let your head ease upward and follow it with your body. Avoid contracting the muscles of your thigh by continuing to lengthen your leg as your left heel comes very slowly off the floor as far as it can. See if you can find the most efficient way (the one involving the least tension) to raise and lower your heel. 3. (Fig. Lengthen your leg all the way from heel to hip. let your toes come back to the floor. 2. except your heel. As you continue. you will begin to improve your use of yourself. Think of your whole leg getting longer. be unchanged or become tiring. Now see what happens when you repeat this action.) Sit comfortably.

will give you added freedom of motion.Applications to Daily Life Freedom in your ankles is essential for efficient and easy walking. 84 THE ALEXANDER TECHNIQUE . Foot flat on floor pointing forward. 1. Generally. the upward direction of your head and body. now including your legs and feet. but there is no need to focus on them except when doing this Action.

2. HEEL AND TOE 85 . Lift your heel. 3. Lift your toes.

Include your legs in the easing so that they lengthen and lighten. Let your feet be as close to parallel as is comfortable. As your knees bend. Notice what if anything you do with your head and your body. and allow your body to follow. keeping your body perpendicular to the ground. Are you bending at the hips and ankles? Repeat this until you are clear about how you are bending your knees. Applying the Basic Movement Allow your head to move delicately upward. Your legs should continue to lengthen as your knees bend. you will feel no pressure or strain on your knees. Make sure 86 .Action 6 Knee-Bending Exploring Yourself Stand with your feet a shoulder's width apart (from eight to eighteen inches). Instead. let them go forward. As you release the muscles around your knees. away from your body. 1. Bend both knees until they are directly above your big toe. Then straighten your legs and return to the standing position. (Fig. which creates more pressure than is necessary. When you are successful with this Action. Notice where you feel any pressure on your hips or legs. make sure they bend directly above each foot. continue to follow your head upward with your body and without tightening your legs.) A common tendency is to think of the knees as moving downward.

1. KNEE-BENDING 87 . Release knees forward.

Applications to Daily Life The simultaneous bending of both knees rarely occurs by itself in everyday activity. it is part of the movement 2. 2. Don't let your old habits interfere with your new way of bending. Keep your body sense alert so that you can tell if at any point you are tensing your release your hip joints so that your body does not tilt backward when your hips lock (Fig.). 88 THE ALEXANDER TECHNIQUE .). No need to lean forward. 3. 3. 1. let your head and body ease upward from your legs and let your knees follow.) Place a mirror at your side to monitor this movement. No need to tilt back. (Fig. Rather than pushing your body back up with your legs. but remains perpendicular to the ground. rather. or forward if needless extra effort is used in bending your hips (Fig.

The act of walking is greatly influenced by the amount of flexibility in the leg joints. that movement is present even though their feet may be positioned differently. If you're a dancer. knees bent. KNEE-BENDING 89 .). 5. carpentry. Instead of going forward by bending your back and hunching your shoulders (Fig. stay upright and bend your knees to lower yourself to the level you need. doing dishes and ironing are examples of such activities. Working at a low counter. you will encounter a variation of it in the plié. Pulling down. Easing upward. When people bend to pick up things. Knee-bending is also the most efficient way of approaching any activity in which you are standing and must lean over to work. 4.of sitting and standing. a freedom most people need. and do the work with their legs as they should instead of their backs. The greatest value of this Action is that it frees the hips and knees. (Fig.) 4. 5.

ACTION 7 Standing Up and Sitting Down

Exploring Yourself
In Action 1, you learned how to lean forward without pushing forward. Now get up from a chair, noticing what your body must do in order to stand. When leaning forward in order to stand up, do you use more effort than when you merely lean forward in a chair? No more effort is actually needed. Now sit down from a standing position and notice what happens to the relationship of your head to your body. Do you freeze your head or any part of your body while you sit? Repeat these two Actions, noting everything that is involved in sitting and standing.

Applying the Basic Movement
Standing Up. Sit in a chair of average height. Begin by becoming aware of what you do with your head and your body. Turn your head from side to side and allow it to move up and away from your body. As you become aware of the
upward direction, lean forward by following your head with

your body. Continue following as you lean forward until your buttocks come off the chair. (Fig. 1.) As you lean forward, "upward" becomes diagonal from the chair, not skyward. As soon as your weight is on your feet, you have completed the movement.

1. Following your head upward.


Sit back in the chair and repeat this movement several times, noticing what you do in order to come to your feet. Discover how to do the movement in one flowing motion with the least possible effort. Often people discover that they are giving a little push, a little tightening, just before they leave the chair. There are many people who at first feel that this little push is absolutely necessary but soon discover it isn't when they let their bodies follow their heads. Having made a slight improvement in the flow from sitting to getting your buttocks off the chair, go all the way to standing the next time you do it. "Upward" will continually change in relation to vertical as you fold forward. Notice whether you continue to follow your head or whether you change direction and push yourself up. (Fig. 2.) Beware of trying to swing yourself to your feet. (Fig. 3.) NOTE: When you stand, it is necessary to use your thigh muscles to some extent, so rather than concentrate on your legs, observe what you must do with your head and body to gain the most efficient use of your legs. After you have come to a standing position, your head continues upward and your body continues to follow it. There is no reason to abandon that upward direction and collapse after you have stood up. (Fig. 4.) Sitting Down. In the act of sitting, the advantage of following your head with your body is that you have control of your balance as you sit. An important idea to grasp about sitting down is that you must continue to follow your head upward with your body. If you let all your joints fold as you sit, and direct the energy upward to relieve pressure on the joints instead of tensing to keep from falling, you will not have to work as hard. As you stand in front of a chair, get your head and body going upward. As soon as you feel pressure taken off your legs, release your leg joints and let them fold. Remember to let your hips bend as well so that you lean forward as you approach the chair. (Fig. 5.) If this is confusing, stand up again, noting how far you fold forward as you stand. Sitting down is the same movement in reverse. 92 THE ALEXANDER TECHNIQUE

Beware of swinging up. STANDING UP AND SITTING DOWN 93 . 3. Beware of pushing.2.

94 THE ALEXANDER TECHNIQUE . continue easing upward. Once standing.4.

STANDING UP AND SITTING DOWN 95 .5. Bending the joints to sit.

knees and ankles. though. And you can do it without the extra effort of forcing or tensing your muscles. 2.) Without even thinking about it. Whichever way it is done. But if you can learn to follow your head with your body. How many people have you seen who push their knees down with their hands in trying to stand. push down. one that uses the whole body is the movement from standing to sitting and vice versa. You will still have the flexibility to twist and turn your head. Most of us complete this action many times a day in an uncountable number of ways and positions. reach out with your arms or perform any other variation on the movement of standing. many people divide the movement of standing into steps: lean forward.Applications to Daily Life Of the movements we repeat most often. it is all the same basic movement: bending at the hips. straightening the joints and rebalancing the weight on the feet to stand. shoot up. 96 THE ALEXANDER TECHNIQUE . Most people drop themselves into a chair and push themselves out. then folding into the chair to sit. They go through a sequence that resembles shifting gears in a 1950 pickup. It is one of the best movements you can do to explore coordination of your whole body. when they actually need their legs to go up? (Fig. you can avoid the shifts in direction and stand up in one easy flowing motion.

Lie down with your feet flat on the floor and your knees bent. The point of it all is to teach you to let your head and body ease upward during any movement. (Fig. Begin by finding a place that is comfortable. your feet should be a shoulder's width apart and your knees balanced freely. Putting your feet farther apart is helpful. relatively quiet and can be used regularly. directly above your feet. 1. Lie down. or outward. spread-eagle fashion. 1.A Short Daily Routine A Time for Rest The experiments you've been doing thus far have been designed to teach you conscious control of yourself. your knees will tend to fall toward each other. Ideally. See if you can get your knees to fall inward rather than outward. There is one activity you can use daily to reinforce the process of lengthening in movement.) More realistically. 97 . Plan to use this space whenever you want to do this activity.

(When you are feeling extremely tense. In that case you do not need to write your notes but can use your memory instead. so you can compare your awareness from one week to the next. warmer More than likely you'll notice the same things from day to day. write down the things you noticed during each session. Make yourself comfortable on your back. make a mental note of your body's condition. from "I have too many important things to do. on body maintenance. it will become easier to lie down this way. When you have made a change in your belief system. short though it may be. Keep your eyes open. Afterward. What is important here is that you have begun to spend a period every day. Let your arms rest easily on the floor at your sides. A two-inch-thick pillow under your head is permissible. You may also be able to remember all these sensations.Let your feet rest parallel to each other on the floor and about two feet away from your buttocks. but continue to make note of them each time. then make minor adjustments. For example: Pressure across the back of my hips Tingling in my right knee Pain in my left upper back Sensation along the left side of my neck The floor is cold on my back My breathing moves my stomach The small of my back isn't touching the floor Feeling a little angry at first Cold fingers Felt calmer at the end. Simply lie there for two to five minutes. feet on the floor. If any of these positions creates undue pressure." to 98 THE ALEXANDER TECHNIQUE . or bend them at the elbows and rest your hands comfortably on your stomach. and too many responsibilities.) As you lie there. for me to be spending time on myself. you may need up to twenty minutes. though you'll soon be able to rest without one. As you learn to direct energy upward and to move with greater freedom.

do the following series of movements to allow your body to continue lengthening. Roll your hips up. 2. 3. the shoulder. let your head come to rest in a position where your neck. lift your hips up from the floor. slowly lower your body until your hips are on the floor again. With the back of your head touching the floor at all times. however. All the while you are doing this. let your head move away from your body and let your body lengthen from buttocks to shoulders. Let your shoulders widen and open."time spent on myself is as important as any other time. Again. chin toward your chest and then back tip from your chest. After you've taken this thoughtful rest for a few minutes. will feel slightly longer. Then starting at the middle back. (Fig. 2. move it slightly out from your body. front and back. 1. several times. Lift your right shoulder toward the ceiling." you can give yourself the opportunity to improve your performance of any activity. If that should happen. With your feet firmly on the floor. A SHORT DAILY ROUTINE 99 . your head continues to move delicately away from your body. find that your body does begin to lengthen. but because of friction with the floor you feel stuck at first. front and back. After nodding. You don't need to push your body into changing. The lift continues to the middle of the back. Do the same with your left shoulder. As you release it back to the floor.) 2. seems to have some length. You may. move your head by nodding it.

following your hand and bending your elbow. 5. Rotating Your Head See how easily you can rotate your head from side to side.Now that you do not feel stuck to the floor. Permit your shoulders to continue easing outward from your body. (Fig. Make sure you move your arm without a jolt or locking any part of it. as that begins to lengthen your neck. Very gently lengthen out through your fingertips. Then slowly and gently move both arms in every which 100 THE ALEXANDER TECHNIQUE . Use the release of tension to move your head. Notice whether or not you press your head into the floor or lift it off the floor slightly to move your arm. Find a way to move without jerking or setting (tensing) your body. rolling it from side to side. 3. Bend it and curve it any way you wish. Any movement can be done by letting your head ease upward and your body follow. you're ready to experiment with some movements in the lying-down position. 4. Roll it from side to side a few times.) Straighten your arm. bending your wrist (Fig. beginning the movement by easing your head upward. There is no need to tense any part of your body to start the movement. roll your head from side to side. All of the movements can be effortless.) Then allow your lower arm to float up. Try doing fast movements with the least amount of tensing. Moving Your Arms Lift your arms one at a time. Pay attention to what you do with your head and body as you move your arm. Observe whether any other part of your body tightens or moves as you roll your head. Let your other arm rise the same way. (Fig. Move your head by letting it ease away from your body and.) Finally your upper arm can follow the floating movement and your whole arm will be above your body. Be careful not to increase the pressure of your head against the floor. First let your hand float from the floor. Continue to experiment with moving your head.

A SHORT DAILY ROUTINE 101 . 5. First move your hand. Move your whole arm. 4.3. Then the lower arm moves.

Then place your foot on the floor again. lengthen it toward your elbow. Direct the energy up through your bent knee toward the ceiling. The object is to learn to move your legs with the least amount of tightening in your stomach. Don't interfere with the freedom you've created in your head. body and arms. Whenever you let your arms return to the floor. As your leg moves away from your chest again. See what happens when you move your arms quickly and sharply. your hand. Lift one foot off the floor by bringing your leg toward your chest. There's no need to push it away from your body. finally. Do this a couple of times with each leg. (Fig. noticing where you tighten and observing whether or not you tense your head as you move your leg. Return always to the bent-knee position. first allow your upper arm to come to the floor. Now lift your left foot again and bring your leg toward your chest.) Let your right leg straighten in the same manner. 6. continuing the movements of ease.) Your knee will travel through a slight arc. Then let your lower arm follow and. 7. Bring your leg toward your chest. As you let it down gently. Moving Your Legs Next lift your legs one at a time. let your left foot slide along the floor away from your body until it is straightened and fully on the floor. 102 THE ALEXANDER TECHNIQUE . (Fig.way. allowing your head to move away from your body as your body follows. back and whole 6.

(Fig. 9. 9. let your knees come to the floor. neck and torso. Seated it's easy to stand simply by following your head with your body. The leg is straightened. A SHORT DAILY ROUTINE 103 . Rolling onto Your Side Let your knees fall slowly and easily to one side. causing your body to roll until you are lying on your side. Sitting Up To sit up from the lying position.) Now you should be sitting. Now straighten up. Always let your head and neck be free. it is essential to let your head continue moving instead of locking in place. roll onto your side. let your head begin rolling toward the same side.body. (Fig. doing the same. your head doesn't necessarily have to be the highest part of your body as you stand. Roll to the opposite side in the same manner. To do this. let your head go outward from the top of your spine and permit your body to follow. (Fig.) As your head continues to move. Remember. Let your head move away from your body and let your body move with it. Allow the ease to continue in your head. 8. one at a time. Draw your knees up again. If you want to bend over as you come up. 7. while thinking of your legs lengthening outward through your knees. Use the arm closer to the ceiling to push on the floor in front of your chest.) Then roll onto your back by moving your head first and letting your whole body follow. As you sit up.

When you first lie down. 1. is better than a stiff or bouncy one. 9. Your knees roll to the floor. Having a good soft pillow that forms to your head.). use the position of rest described above (Fig. Restful Slumber Sometimes we do not get the full benefit of a good night's sleep because we continue so many of our habits of tension while we sleep. Then let you legs straighten out and rest on the mattress as you continue to let your head move away and your body to follow it! If you must sleep on your side. Let your head roll to the side. or no pillow at all.8. a few adjustments will 104 THE ALEXANDER TECHNIQUE . The best way to sleep is on your back unless you have specific physical problems that prevent this position.

10.11. and let it bend at the elbow. or at least rest the upper part of it on your upper side. A SHORT DAILY ROUTINE 105 .). avoid doing any movement. 11. This will keep your body from collapsing onto the shoulder that rests on the mattress and will prevent your neck from cramping (Figs. Bunch your pillow under the side of your head so that your neck is straight as it would be in standing. such as a sit-up. collapsing onto your chest (Fig. that can shock your body with exaggerated muscle action. but rests directly above the other shoulder with your chest and back unconstricted. Then lay your top arm on the side of your body. If you slept on your back. 10. make this position more advantageous. 11. This way your upper shoulder does not curl down. . Cramped. When rising from the bed in the morning.). Lengthening.

tenses muscles in the neck. jaw and shoulders. then sit up gently as you ease your head and body up. Anger. This is not the same as trying to suppress anger. Rather. If you must do them in the morning. Any harmful. The value of control can be seen if we recall for a moment the many unfortunate events in which we and those we love have been hurt by actions stemming from fear. eliminate the panic from fear and size up the situation that inspires it and do something about it. Panic You can apply the Alexander Technique in your daily life so that your emotions do not get out of hand. for example.first roll onto your side. Emotions are not the result of a conscious decision. When you detect these signals. Anger. the new direction of your energy. by releasing tension throughout your body. which can tie you into knots or make matters worse. By this procedure you can. do all your calisthenics after your body is more awake and your heart has adjusted its beat to a moving body. simply give some attention to easing your head upward and allowing your body to follow after it. Emotional Control—Worry. 106 THE ALEXANDER TECHNIQUE . inundated by it. they arise subconsciously before the conscious mind can act. wasteful or debilitating emotion will express itself in tensions that you can perceive even before you go haywire. gives you a means of coping with the emotion so that it remains a potential for action but does not interfere with rational decision and any action you may take. for instance. even before you choke up or explode. anger or hostility. among others.

If that is the case. As a teacher of the Alexander Technique. Following are some of the needless difficulties I have most often observed. and so we go about inventing them. The reason may -be that it seems too good to be true: it can't be that simple. Surely there have got to be complications. But perhaps because the Alexander Technique is so easy to do.Some Helpful Hints You now have the simple program that will make an important change in how you function at every level of your daily life. take careful note of the sketch that applies to you. I have encountered many of the handicaps that people create for themselves at the beginning. These people focus on what they won't or 107 . and it need not impede the smooth course of making the Alexander Technique your own. If so. the problem involved and the answer to it. The Worrier One of the most common tendencies seen in beginners is the "I can't" habit. we manufacture unnecessary difficulties in the process of learning it. well and good. But perhaps you may discover one or another obstacle with which you have been needlessly hampering your own progress in acquiring the Technique. These thumbnail portraits have been designed as a series of helpful hints for carrying out the Technique. It may be that you are not troubled in any of the ways described below. The entire purpose of the sketches that follow is to provide a means for understanding and resolving any unnecessary problem you may recognize in yourself. It can be eliminated as soon as you become aware of it.

Thinking about how you should be easing up is like making a plan to do the laundry instead of actually doing it.can't do. Don't worry about what you're not doing. I was in the kitchen one day. I began to notice a definite physical attitude that took over whenever I worked in the kitchen or performed other household chores. "Why not practice what you preach?" So I let my head move up and my body follow. In other words. they give their bodies the instruction to follow their heads. The Straining Housewife One of my own experiences can best explain what is involved here. feeling very easy. There really is no need to be a "straining housewife. "I'm not doing it! I can't. After that experience. guilt crept over me. I continued my experiment until the pot was clean and then I felt actually refreshed. I reasoned. In the process. it's not necessary to be in a state of continual regret when you feel you're in error." The idea of the Alexander Technique is to pay attention to what you are doing. I realized I had been bent over. after spending an entire morning teaching the Technique and talking a lot about integrating relaxation into daily activity. feeling better and better. Are you pulling down? Then go up. pulling my shoulders in. and began to press more lightly on the pot. It was still coming clean." 108 THE ALEXANDER TECHNIQUE . Every activity had a different but usually effortful physical attitude attached to it. I experimented with just how hard I needed to hold onto it. This can't be right if it's making me feel good instead of strained and tired. I let my arm lengthen and hold onto the scrub brush very lightly. "Am I doing it?" They notice that nothing is happening and then they think. As I stood there. Only by thinking during the activity was I able to avoid doing the excess work that made me feel I was doing the job right. they immediately ask themselves. for example. When. While scrubbing away furiously at a burned pot and considering all this. As I stood there. I suddenly thought. Still.

Direct your head to move upward and your body to follow with awareness." I tell her: You have not quite understood what I mean by "thinking. The Manipulator "When I get a tension headache. it takes so much energy to stay aware and remember to move 'Up. There is a maximum point of lengthening the spine. How can words possibly make them go farther when you reach that limit?" What he has forgotten is that upward is a direction. not hands. I can force . Go past words to experiencing the idea. but you can always continue to direct your head upward as you continue to move about. But I can't keep hanging on that way. . But you can do some constructive thinking that carries over into every activity. This prevents the tendency to pull it downward. you can't go around doing that and carry on your everyday activities. Thinking in these terms must be an active process that actually releases you from the downward pulls you ordinarily experience. the other hand on my shoulder. When I take my hands off.The Thinker She says: "I think and think about my head going up but nothing happens. not a place. well. my head comes back down again. and pushing my head up. Let it happen. The Under-Achiever The under-achiever says: "Oh. The Scientist He has deduced: "My head and body can only go so far upward before levitating is the next step. .' I can't go around SOME HELPFUL HINTS 109 . do it with my hands." Obviously. I can stretch my neck by putting one hand under my chin." It is not just the process of repeating the words or idea in your head.

then "up" becomes relative to the movement you're doing. to move your head up. That way change will come out of every activity you do and not as a result of something imposed on you. Surely I have to do something. You still have to learn how to recognize your own movement without tensing or pulling down. The Freezer He declares: "I know where up is. But as soon as I move.thinking about this all the time. tense some muscles. For example. The next step. I think of any action as moving upward with my head and body. your head can still move up away from your body but of course not toward the ceiling. then. If you do this. so all you have to do is continue moving and you'll get to where you want to be. The Step-by-Stepper He says: "I ease up every time before I move. will be to learn to continue directing the energy upward during the movement. and when I'm sitting still and not doing anything. 110 THE ALEXANDER TECHNIQUE . I think about that immediate move and forget about easing up." To the step-by-stepper I reply: See if you can ease up in order to make a move rather than easing up before you move. but I just look as though I'm being stiff and formal. to get forward in a chair. you're already moving. I have things to do. I can remember to think about it." Preventing the back-and-down pull is like breaking any other habit. and it's very hard to do two things at once. You won't have to summon the thought to move your head. At first you have to remind yourself to do something different—in this case. I go up with my head and let my body follow to reach with my arm in any direction. If you bend over. Soon this awareness will become an integral part of everything you do." When you're letting your head ease up and your body follow. it will be there.

Maybe I'm practicing wrong." First. you're easing up as soon as you think of it. hold it. And when do you use yourself most? In all your everyday activities—eating. The fact is. The change you can make yourself is very subtle. taking a shower. These are the things you do over and over again. and I don't ever slouch in a chair. The Practicer She complains: "I go home and practice this Technique every day. lock in and become inflexible. When you get to the point where you refuse to change. let go of it. I can really move forward and back in the chair very well. Be satisfied with a little so that you notice the smaller changes more. you're trying to learn to use yourself better. then when you get to the limit. So I don't turn my head. When you start allowing your head to ease upward and your body to follow while you SOME HELPFUL HINTS 111 . The point of asking you to let your head ease upward and your body to follow is that you can get a little more flexibility and ease. That's fine. You yourself change from movement to movement as do the requirements of any activity in which you may be engaged. but I don't seem to be making any change. you tense up. What you do is make your head move up as far as possible.The Over-Achiever He has the opposite problem from the under-achiever: "When I do what I think is easing up and maintain." Whenever you think you're doing something right. I still feel just as tense after a long day at the office as I always did. I feel very uncomfortable and stiff. you've lost that flexibility. talking to a friend. probably without awareness. I do ten minutes in the morning and ten after dinner. and then I feel as though I shouldn't move or I'll lose it. I try to think about "it all the time. stop practicing and start living! In studying the Alexander principle.

When you learn to use your body as an integrated whole. then you'll get the maximum use out of all your muscles. But every once in a while. then you'll be putting what you've learned to use. It just so happens that when you stop interfering with your body's natural functioning. it just makes for hard. The Alexander principle is a principle of movement. for example. And should my feet come down heel first or toe first?" There is no right place to put your head. whatever you do. Then you're giving yourself a choice you never knew you had before—the choice of acting with or without tension. chin or anything else. Habitual tension doesn't keep you in shape. some muscles don't get used at all. for example. in any movement you do. notice and see if you can feel a little more ease. in taking a step. locked muscle tissue." You're making the wrong assumption if you think that simply putting forth energy will keep you in shape. Then you're on the right track. The Weight-Watcher Her reasonable question is: "You say that if I use the Alexander Technique I'll learn how to put less energy into doing everything. Won't I get flabby and out of shape if I stop exerting as much energy? Then I'll have to exercise twice as much. You don't have to think during all activity. 112 THE ALEXANDER TECHNIQUE . not of posture and position. The Posture-Maker She says: 'I can't seem to remember where to put my head to get back that floating feeling. Go back to letting your head move upward and away from your body as your body follows. Where is it again? Sometimes I decide to pull my chin in and push my shoulders back but they never seem to stay. It's the way you use the energy that can be of help to your body. you stand up straighter. Because of unnecessary tension in certain parts of your body. body. and usually they become a deposit area for flabby fat. shoulders.wash your hands.

Ms.ABOUT THE AUTHOR SARAH BARKER received her master's in fine arts from Southern Methodist University in Dallas. Barker consulted with Professor Raymond Dart. Texas. Frank Pierce Jones who conducted major scientific experiments on the Alexander Technique at Tufts University. world-famous anthropologist who discovered australopithecus and who is self-taught in the Alexander Technique. Louis. She has taught the Alexander Technique at several campuses. Missouri. Barker is now teaching the Alexander Technique at Webster College in St. among them Ohio University and Prescott College. and Edward Maisel. . In preparing this book Ms. editor of Alexander's writings.

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