P. 1
KFM Collection Guide

KFM Collection Guide

|Views: 34|Likes:
Published by jazzpopband

More info:

Published by: jazzpopband on Feb 15, 2012
Copyright:Attribution Non-commercial

Availability:

Read on Scribd mobile: iPhone, iPad and Android.
download as PDF, TXT or read online from Scribd
See more
See less

08/06/2013

pdf

text

original

The KFM Collection

Musician’s Guide

 2002, DLN Sound

KFMCMG rev E

This information is furnished for guidance, and with no guarantee as to its accuracy or completeness; its publication conveys no license under any patent or other right, nor does the publisher assume liability for any consequence of its use. All trademarks are property of their respective owners. Specification and availability of goods mentioned herein are subject to change without notice. This document is not to be reproduced, in whole or in part, without the written consent of the publisher.

The KFM Collection

Musician’s Guide

Foreword
Congratulations and thank you for purchasing the KFM Collection, a truly unique product, which brings the exciting world of FM sounds within reach of your Kurzweil synthesizer. Make sure to read this Musician's Guide; it contains valuable information on the contents of the KFM Collection, and provides details on how to use the individual sounds. We wish you as much fun using the KFM Collection as had we had creating it!

 2002, DLN Sound – all rights reserved

2

The KFM Collection

Musician’s Guide

1 Contents
FOREWORD ...............................................................................................................2 1 2 3 4 5 6 7 8 9 CONTENTS ........................................................................................................3 INTRODUCTION................................................................................................4 MINIMUM K2600 REQUIREMENTS.................................................................5 GETTING STARTED .........................................................................................6 EXPRESS YOURSELF WITH KFM..................................................................8 REAL-TIME KFM CONTROL............................................................................9 LIST OF PROGRAMS .....................................................................................10 CONTACT US ..................................................................................................29 LICENSE AGREEMENT .................................................................................30

 2002, DLN Sound – all rights reserved

3

which have been constructed by analysing and reassembling the original instruments' frequency spectra. Clean electric pianos. The KFM Collection sounds are based on KFM: a unique and incredibly expressive synthesis technique. previously unheard electronic timbres for your productions for today. the list of sounds goes on and on (see chapter 7 on page 10). synthetic noises. lush pads and strings. All sounds have extensive real-time control (refer to chapter 6 on page 9). also for the first time. snappy percussion sounds. punchy basses. Get those classic Yamaha DX7-like sounds under your fingertips to recreate atmospheres of the 80s and 90s.The KFM Collection Musician’s Guide 2 Introduction The K F M Collection is a set of premier classic and contemporary FM synthesis based sounds for your Kurzweil synthesizer . Or explore the new. The KFM Collection addresses a variety of musical styles. the KFM Collection includes several additive synthesis sounds for your Kurzweil synthesizer: surprisingly realistic renditions of several acoustic percussion instrument sounds. which combines FM synthesis with the other capabilities of the Kurzweil synthesizer engine (see also chapter 5 on page 8).  2002. As a special bonus. DLN Sound – all rights reserved 4 .available for the first time in Kurzweil history.

sample option etc. The KFM Collection occupies around 80 KB of program RAM.) are required.  2002. No sample memory is required. DLN Sound – all rights reserved 5 .The KFM Collection Musician’s Guide 3 Minimum K2600 requirements The KFM Collection requires a Kurzweil K2600 (all models) with OS version 3. Point your web browser at www. No expansion options (P-RAM.com to obtain the latest OS version. ROM blocks.kurzweilmusicsystems.01 or higher.

detach the file KFMC.  2002.K26) into your instrument’s floppy disk drive. The sounds are supplied to you in the form of a data file called KFM_COLL. follow these steps to obtain the KFM Collection data file KFM_COLL. Both Mac and PC users may e. insert the floppy disk containing the KFM Collection (i. If you received the KFM Collection via email.K26 is in the root directory of the floppy disk: 1. As an example. The size of the KFM Collection is exactly one hundred programs.The KFM Collection Musician’s Guide 4 Getting started The KFM Collection consists of two things: the sounds and this Musician's Guide. on how to format 720K and 1. chapter ‘Disk mode’.g from 200 to 299). DLN Sound – all rights reserved 6 .K26. for example in the root directory. 2. The K2600 Musician’s Guide.K26 from the delivery email message and put it on a floppy disk: 1. the file KFM_COLL.g.K26. in your email program on your computer. so it will fit exactly into one single program bank (e.4M floppy disks using your Kurzweil instrument.ZIP that you received attached to the email delivery message.K26 onto an MS-DOS formatted floppy disc. copy the file KFM_COLL.aladdinsys. Consult your K2600 Musician’s Guide. use the free Stuffit Expander from Aladdin (www. into your instrument.ZIP to obtain the file KFM_COLL.K26 on floppy disk. You just can just load it like you would load any other file of Kurzweil programs from floppy disk. 3. gives detailed instructions on how to work with floppy disks. PC users can also use Winzip from winzip.com. chapter ‘Disk mode’. There are no special actions involved to load the K F M Collection. stored as file KFM_COLL. unzip the file KFMC.e. There are many programs available to perform the unzip operation.com). the following steps load the KFM Collection into an empty program bank 200…299 if file KFM_COLL.

K26. 5. press ‘OK’. using data entry. 7. 8. as described in the list of programs (chapter 7 on page 10). e. on the page that appears on the display.g. DLN Sound – all rights reserved 7 . please consult your K2600 Musician’s Guide. The KFM Collection is now read from floppy and loaded into program bank 200…299.K26) to another disk. 3.g. dial up any of the KFM Collection programs in the bank where they were loaded and start playing. Be sure to take advantage of the assigned controllers. select the disk mode on your instrument by pressing the ‘DISK’ mode button. press ‘OK’. The controllers can (sometimes dramatically) change the character of the programs. press the ‘Load’ soft button.  2002. e. use your instrument’s data entry (‘+’ and ‘-‘ buttons or alpha dial wheel) to select ‘Floppy’ as current disk. verify that bank 200…299 is selected (highlighted). Using data entry.The KFM Collection Musician’s Guide 2. 4. select (highlight) file KFM_COLL. 6. 9. go to program mode by pressing your instrument’s ‘PROGRAM’ mode button. For instructions on how to copy the KFM Collection (file KFM_COLL. press ‘Fill’. the internal hard disk of your instrument. To start playing with the KFM Collection sounds. by pressing a program number on the numeric keypad followed by pressing the ‘Enter’ button.

the unbelievable KDFX effects have been optimised per individual KFM sound. Also.The KFM Collection Musician’s Guide 5 Express yourself with KFM FM (frequency modulation) synthesis was made famous by the Yamaha DX7. KFM combines FM synthesis with the numerous other capabilities of VAST. Sounds can change dramatically. and virtually impossible to achieve on any other instrument. depending on how they are played. No sample memory is needed. after twenty years of duty. it has been assumed that FM synthesis is simply impossible to realise with Kurzweil's Variable Architecture Synthesis Technology (VAST). Sounds with all the expressiveness associated with FM. multiplying up to a sheer infinite sonic potential. or even new equipment. You do not need to invest in expensive hardware upgrades.  2002. Sounds load blazingly fast in a matter of seconds and they stay in your instrument’s memory even during power off. No wonder that FM synthesis. FM synthesis provides a refreshingly broad timbral palette. K F M brings you expressive sounds for your Kurzweil synthesizer with timbres previously unheard of. is still in the centre of the music community's attention. DLN Sound – all rights reserved 8 . ranging from emulated acoustic instruments to avant-garde. No samples or other trickery are involved. Forget what you have heard – DLN Sound proudly presents K F M . techno or spacey sounds. Also. sounds are genuinely FM synthesized using standard VAST processing. and is arguably the most successful and sought after technique in the history of sound synthesis. FM synthesis thanks its success to the expressiveness it enables. For a long time. opening up the world of FM for your Kurzweil synthesizer.

wheels all change the sound's characteristics. MIDI controller Pitch bend 1 (Mwheel) 6 (Data) 22 23 24 25 26 27 28 29 Channel pressure Physical controller Pitch wheel Mod wheel Slider A Slider B Slider C Slider D Slider E Slider F Slider G Slider H Switch 2 After touch Assignment convention Pitch bend Vibrato –or. Key velocity.  2002. sliders. after touch. Also. The actual controller assignments are provided in the list of programs (chapter 7 on page 10). HF damping etc) Insert effect level Insert effect character (parameters as applicable) Effect on/off -or. controller assignments may differ from the conventions. when of musical benefit for specific sounds. DLN Sound – all rights reserved 9 . Controllers have been meticulously assigned per individual sound for maximum musical usefulness.Treble Reverb level Reverb character (time.timbre Note that.insert effect character Vibrato -or. The assignments follow certain conventions to make it easier to remember them. from subtly to dramatically. the conventions let you intuitively reach for the appropriate physical controller on your instrument for what you want to achieve.Tremolo Timbre change Timbre change Envelope attack rate -or.The KFM Collection Musician’s Guide 6 Real-time KFM control Each and every K F M sound takes advantage of the unmatched controller capabilities of the Kurzweil synthesizers.Bass Envelope release rate -or.

(Aux) Hall time" Chorus feedback Reverb predelay Reverb in/out FM depth (timbre) 'tremolo' FM depth (timbre) FM depth (timbre) Attack rate Release rate (Aux) Hall level Chorus depth Chorus feedback Reverb predelay Reverb in/out Vibrato "Modulator pitch (timbre) of 'tine'. clean electric piano with subtle metallic timbre. DLN Sound – all rights reserved 10 . The IDs are the relative program numbers in the bank where the KFM Collection is loaded (assuming the bank is empty or its contents are overwritten e. So in the 200-300s bank. [6]  2002. doubled via additional layers. layer delay" Modulator pitch (timbre) FM depth (timbre) Attack rate LFO pan depth (Aux) Hall level "(FX3) Reverb time.g. Additive synthesis programs have a trailing ‘+’ symbol in their name. vibrato speed" "FM depth (timbre). (Aux) Hall HF damping" Chorus mix level Chorus depth MIDI controller Physical controller Assignment 05 Clean EPno 06 Modern.The KFM Collection Musician’s Guide 7 List of programs Programs are sorted according to sound categories. ID Name KEYBOARDS Classic EPno ‘The' electric piano which made the DX7 famous. by using the ‘OvFill’ loading command). [3] Change tine overtones with data 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch "LFO detune.Modulator pitch of 'click'" InEQ: Low-mid InEQ: LPF cutoff (Aux) Hall level "(Aux) Hall time. Shown between brackets ‘[ ]’ is the number of VAST layers each program uses. [3] Double EPno 07 ‘Sticky' electric piano. program ’06: Clean EPno’ becomes ‘206: Clean EPno’.

[3] Hollow EPno 12 Fantasy electric piano with funny (sub)harmonics. [3] Dyno EPiano 11 Electric piano which nicely blends synthetic and ROM sampled sounds. (FX2) Chorus LFO rate" (FX2) Chorus feedback level (Aux) Hall wet/dry Vibrato "Layer enable. (FX1) Tremolo speed" Toggle: (FX2) Chorus+(Aux) Hall/ (FX1) Room+Tremolo Vibrato Layer disable "FM depth (timbre). [3] Nice for strummed chord playing 08 FullTines 09 Electric tines piano. decay rate" InEQ: Bass InEQ: Treble "(Aux) Hall level. (Aux) Hall HF damping" (FX2) Chorus wet/dry. (FX1) Room time. (FX1) Room predelay" "(FX2) Chorus feedback. (FX1) Tremolo depth" "(FX2) Chorus speed. (FX1) Tremolo depth" "(FX2) Chorus speed. layer disable" "FM depth (timbre). [3] Metal EPiano 10 Metallic electric piano. Para EQ freq" InEQ: Bass InEQ: Treble "(Aux) Hall level. EnvCtl: decay" Attack rate (tine) Release rate (Aux) Hall level "(Aux) Hall size. (FX1) Room wet/dry" "(Aux) Hall time. (FX1) Room predelay" "(FX2) Chorus feedback. DLN Sound – all rights reserved 11 . Created after a preset of the DX7 II.The KFM Collection ID Name MIDI controller 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress Physical controller mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch Assignment Musician’s Guide Sticky EPno ‘Sticky' electric piano. (FX1) Tremolo speed" Toggle: (FX2) Chorus+(Aux) Hall/ (FX1) Room+Tremolo Vibrato Modulator pitch (timbre) FM depth (timbre) InEQ: Bass InEQ: Treble (Aux) Hall level (Aux) Hall predelay Doubling LFO feedback Doubling LFO depth Doubling in/out -  2002. [3] Vibrato Modulator pitch (timbre) FM depth (timbre) InEQ: Bass InEQ: Treble (Aux) Hall level (Aux) Hall predelay Doubling LFO feedback Doubling LFO depth Doubling in/out Vibrato Modulator pitch (timbre) "FM depth (timbre). (FX1) Room time. (FX1) Room wet/dry" "(Aux) Hall time. decay rate.

FM depth" Modulator pitch (timbre) InEQ: Bass InEQ: Treble (Aux) Hall level "(Aux) Hall size. one of the DX7 presets. layer disable" (timbre) EnvCtl: Decay InEQ: Bass InEQ: Treble (Aux) Hall level (Aux) Hall reverb time (Aux) Hall predelay (Aux) Hall HF damping Vibrato Modulator pitch (timbre) EnvCtl: impact InEQ: Bass InEQ: Treble (Aux) Reverb level (Aux) Reverb time (FX2) Chorus level (FX2) Chorus feedback Carrier pitch Vibrato FM depth (timbre) FM depth (timbre) InEQ: Bass InEQ: Treble (Aux) Hall level (Aux) Hall predelay (Aux) reverb decay time (FX2) Flanger feedback (FX3) Distorted delay level (FX2) Flanger wet/dry Vibrato Layer enable Modulator pitches (timbre) InEQ: Bass InEQ: Treble (FX1) Reverb level (FX1) Reverb time (FX1) Reverb predelay Hall HF damping Hall infinite decay on/off Vibrato rate Vibrato "EnvCtl: decay. DLN Sound – all rights reserved 12 .The KFM Collection ID Name MIDI controller 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress Physical controller mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch Assignment Musician’s Guide CP Piano 13 Often used 'acoustic' piano sound which sounds more like a CP70. [3] Karimba A really 'bad' sound with lots of intended distortion. [4] Toy Piano 14 Toy piano. (Aux) HF damping" (FX2) Flanger feedback (FX2) Flanger LFO speed (FX3) Delay on/off FM depth (timbre). fat DX-era clavinet [3] Harpsichord 16 Harpsichord. [4] Fat Clav 15 Thick. [3] Ride that pitch bend wheel… 17 Vibrato "Layer enable. FM modulator pitch  2002. really. after one of the DX7 presets.

[3] Bad Clav 20 Kick ass clavinet with stereo sweeping filters. Decay rate" Release rate "(Aux) Hall level. Aux) Rotary/dry balance (Aux) Distortion level Vibrato on/off Rotary on/off FM depth (timbre) Modulator pitch (timbre) Attack rate Release rate InEQ: Bass (pre-rotary) InEQ: Treble (pre-rotary) (FX1. touch-responsive [3] Sweet Organ 22 Whistling organ. (Aux) Hall size scale" (Aux) Flanger feedback level "(Aux) Delay level. DLN Sound – all rights reserved 13 . Aux) Rotary/dry balance (Aux) Distortion level Vibrato on/off -  2002. [3] Clavinet 19 A thinny. suited for ballads [2] Vibrato Modulator pitch (timbre) Layer enable "Attack rate. (Aux) Delay feedback level" (Aux) Delay time (Aux) Delay level (off/on) Vibrato speed Vibrato FM depth (timbre) LPF cutoff InEQ: Bass InEQ: Treble (Aux) Hall level (Aux) Hall predelay (Aux) reverb decay time (FX2) Flanger feedback (FX3) Distorted delay level (FX2) Flanger wet/dry Resonant LPF cutoff LFO speed Resonant LPF cutoff LFO depth Resonant LPF cutoff InEQ: Bass LPF cutoff (Aux) Hall level (Aux) Hall predelay (Aux) reverb decay time (FX2) Flanger feedback (FX3) Distorted delay level (FX2) Flanger wet/dry Rotary on/off FM depth (percussion) FM depth (timbre) Attack rate Release rate InEQ: Bass (pre-rotary) InEQ: Treble (pre-rotary) (FX1. [3] Touchy Organ 21 Screaming B3-like organ.The KFM Collection ID Name MIDI controller 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress Physical controller mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch Assignment Musician’s Guide SynKey 18 Very dynamic expressive synthetic keyboard sound. yet present clavinet sound.

[2] Modest Organ 24 Comping organ. predelay" "Chorus LFO rate. Layer 3 FM depth" "(Aux) Reverb level. (FX1) HF damping" "(Aux) Predelay. [3] Full Church Full church organ. Make sound distant with slider E. (FX1) Mix level" "(Aux) Size scale. (FX1) Predelay" Pan pos to mono -  2002. Aux) Rotary/dry balance (Aux) Distortion level Vibrato on/off Rotary on/off Modulator pitch (timbre) FM depth (timbre) Attack rate Release rate InEQ: Bass (pre-rotary) InEQ: Treble (pre-rotary) (FX1. Aux) Rotary/dry balance (Aux) Distortion level Vibrato on/off Vibrato Layer enable FM depth (timbre) InEQ: Bass InEQ: Treble (FX1) Reverb level (FX1) Reverb time (FX1) Reverb predelay Hall HF damping Hall infinite decay on/off Vibrato rate Vibrato Tremolo rate Modulator pitch (timbre) Attack rate Release rate (Aux) Reverb level "(Aux) Reverb time. chorus LFO depth" Chorus wet/dry Vibrato rate Tremolo Vibrato (carriers only) FM depth (timbre) FM depth (timbre) InEQ: Bass "InEQ: Treble. Rotary on/off Modulator pitch (timbre) FM depth (timbre) Attack rate Release rate InEQ: Bass (pre-rotary) InEQ: Treble (pre-rotary) (FX1. [2] Vivid Spinet 25 Metallic spinet or smallsize harpsichord. [2] Accordion 26 Light (almost bandoneon-like) accordion sound. [3] 27 Change character with sliders A and B. DLN Sound – all rights reserved 14 . (FX1) Size scale " "(Aux) HF damping.The KFM Collection ID Name MIDI controller 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress Physical controller mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch Assignment Musician’s Guide Thin Organ 23 Organ with marginal fundamental tone 'footprint'.

(FX1) Size scale " "(Aux) HF damping. DLN Sound – all rights reserved 15 . for solos or intros etc. (FX1) HF damping" "(Aux) Predelay. (FX1) Mix level" "(Aux) Size scale. (FX1) HF damping" "(Aux) Predelay. [4] Grand & EPno 32 Classic combination of bright grand with electric piano. Constructed after a preset of the SY77. PresntChurch Church organ with presence. 29 30 Ice Ring 31 Electric piano with voices. (FX1) HF damping" "(Aux) Predelay. (FX1) Predelay" "Layer 3 disable. [3] Vibrato FM depth (timbre) FM depth (timbre) InEQ: Bass InEQ: Treble "(Aux) Reverb level. Make sound distant with slider E. For all your ballad needs. rich 8va church organ. [3] 28 Change character with sliders A and B. Layer 2 pan pos" Vibrato FM depth (timbre) FM depth (timbre) InEQ: Bass InEQ: Treble "(Aux) Reverb level.The KFM Collection ID Name MIDI controller 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress Physical controller mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch Assignment Musician’s Guide High Church High. (FX1) Predelay" Vibrato speed Vibrato FM depth (timbre) FM depth (timbre) InEQ: Bass InEQ: Treble "(Aux) Reverb level. A bit nasal timbre. ChoralChurch Chorale church organ with flute-ish character. (FX1) Mix level" "(Aux) Size scale. Make sound distant with slider E. Make sound distant with slider E. layer delay" Modulator pitch (timbre) FM depth (timbre) Attack rate LFO pan depth (Aux) Hall level Chorus depth Chorus feedback Reverb predelay Reverb in/out Vibrato Modulator pitch (timbre) FM depth (timbre) InEQ: Bass InEQ: Treble (Aux) Hall level Chorus depth Chorus feedback Reverb predelay Reverb in/out -  2002. [2] Change character with sliders A and B. (FX1) Size scale " "(Aux) HF damping. (FX1) Predelay" Vibrato speed "LFO detune. (FX1) Mix level" "(Aux) Size scale. [2] Change character with sliders A and B. (FX1) Size scale " "(Aux) HF damping.

Nice for ballads. (Aux) delay feedback" (Aux) Flanger level (Aux) Effects on/off Modulator level (timbre) Vibrato Modulator pitch (timbre) Modulator level (timbre) Decay rate Release rate InEQ: Bass InEQ: Treble Flanger level Flanger feedback Chorus on/off - WIND INSTRUMENTS Harmonica 35 The well-known harmonica from the DX7. InEQ: Treble" Attack rate (choir) Release rate (choir) "(Aux) Reverb level. (FX1) Predelay" Vibrato speed Vibrato Vibrato rate Modulator pitch (timbre) Attack rate Release rate (Aux) Reverb level "(Aux) Reverb time. [4] BASS Electr Bass 37 Electric bass. chorus LFO depth" Chorus wet/dry Tremolo Vibrato Layer enable LFO pitch (attack) enable Attack rate Release rate (Aux) Hall level (Aux) Hall time "(Aux) Delay time. [3] 33 Church+Choir 34 Sanctifying combination of church organ and choir. Gorgeous blown attack. (FX1) Mix level" "(Aux) Size scale. [3]  2002. derived from a very popular DX7 preset. [3] Caliope 36 Caliope (ethnic flutey sound) derived from a DX7 preset. (FX1) HF damping" "(Aux) Predelay. DLN Sound – all rights reserved 16 . (FX1) Size scale " "(Aux) HF damping. predelay" "Chorus LFO rate. Tight layering of acoustic piano and synthetic components. HF stimulator gain.The KFM Collection ID Name MIDI controller 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress Physical controller mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch Assignment Musician’s Guide Expressn Pno Expressive piano-like sound. [3] Vibrato Modulator pitch (timbre) FM depth (timbre) InEQ: Bass InEQ: Treble (FX3) Hall level Chorus depth Chorus feedback Reverb predelay Reverb in/out Vibrato (choir) Choir level "FM depth (timbre).

Monophonic. (Aux) Distortion warmth” (FX3) Flanger feedback level (Aux) Distortion cabinet HPF Vibrato FM depth (timbre) Layer 2 pitch (formant freq. DLN Sound – all rights reserved 17 . [3] Freak Bass 39 Cutting electric bass. (Aux) Distortion drive. [4] Drive Bass 41 Electronic bass sound with sound shaping control. 4P Lowpass resonance" Modulator pitch (timbre) Release rate InEQ: Bass InEQ: Treble Flanger level Flanger feedback Chorus mix level Vibrato FM depth (timbre) Modulator LPF cutoff (timbre) Decay rate (timbre) Release rate (Aux) Distortion level “(FX3) Flanger wet/dry. FM depth (timbre)" Attack rate Decay rate Release rate InEQ: Bass InEQ: Treble Flanger level Flanger feedback Chorus on/off Vibrato Vibrato Modulator pitch (timbre) FM depth (timbre) Decay rate Release rate InEQ: Bass InEQ: Treble Flanger level Flanger feedback Chorus on/off Vibrato Decay rate (timbre) "Modulator level (timbre).The KFM Collection ID Name MIDI controller 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress Physical controller mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch Assignment Musician’s Guide FretlessBass 38 Fretless bass with nice buzz.) Attack rate Release rate (Aux) Hall level (FX1) Room predelay (FX1) Room reverb time (FX1) Room infinite decay on/off while keys pressed (FX1) Room infinite decay on/off FM depth (timbre) VOCAL Male Vox 42 Tenor vocal sound. [1] Vibrato "Modulator pitch (timbre). [3] Ace Bass 40 Cutting-through combination of synthetic and sampled slap bass. [3]  2002.

[3] Smooth Horns 47 Horn-like blend of synthetic and sampled brass. [2] Vibrato speed "Noise level. HyperTrumpts 46 Hybrid synthesized trumpets (FM using samples). (FX1) Hall size.b. [3] 45 Get nice pitch/timbre rise at attack with slider C. (FX2) Flanger LFO speed" (FX1) Hall on/off Vibrato Vibrato FM depth (timbre) Modulator LFO depth (timbre of attack) Attack rate Release rate (Aux) Hall level (Aux) Hall predelay (FX1) LaserVerb wet/dry "(FX1) LaserVerb feedback. (FX1) LaserVerb Delay" "Sine layer disable. (FX1) Hall level" "(Aux) Hall size.The KFM Collection ID Name MIDI controller 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress Physical controller mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch Assignment Musician’s Guide Whistle Human whistling with controllable amount of air flow noise. 43 Artifax Vox 44 Surrealistic combination of synthesized and manipulated sampled voices. (FX1) LaserVerb Delay" Vibrato BRASS Bite Brass Synthetic brass. FX1 Wet/Dry" Data -> Layer 2: -1 octave LFO1 pitch depth Vibrato FM depth (timbre) Modulator LFO depth (timbre of attack) Attack rate Release rate "(Aux) Hall level. Noise layer disable" Second whistle level Attack rate Release rate (Aux) Hall level (Aux) Hall predelay (FX1) LaserVerb wet/dry "(FX1) LaserVerb feedback. noise level" Vibrato depth Vibrato FM depth (timbre) Hi freq stimulator drive Attack rate Release rate InEQ: Bass InEQ: Treble (FX1a) Mix Reverb (FX1a. [3]  2002.(FX1) Hall HF damping" (FX2) Flanger level "(FX2) Flanger L/R phase.c) Wet/dry Vibrato Pitch envelope level: changes attack FM depth (timbre) Attack rate Release rate HPF cutoff InEQ: Treble Aux Rvrb level "Aux Rvrb time. [2] Get 2 whistlers via slider B. DLN Sound – all rights reserved 18 .

(FX1) LaserVerb Delay" Vibrato Layer delay Layer pitch (8va) "Layer level.The KFM Collection ID Name MIDI controller 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress STRING INSTRUMENTS Harp^8va Andreas Vollenweiderlike harp. InEQ: Treble" Chorus feedback "Rvrb time. Layer disable" "Attack rate. [3 (+3)] Be sure to try the doubling delay (mod wheel) and 8va (data). (FX1c) Chorus LFO depth" (Aux) Room wet/dry Vibrato LFO pan depth LFO pan speed Attack rate Release rate Sawtooth level "HPF cutoff. [2] Get dry sound via switch 2. (Aux) Room HF damping" (FX1c) Chorus feedback level "(FX1c) Chorus LFO rate. pitch layer 2" Modulator pitches Attack rate Release rate "(FX3) Delay amount. just like mono pressure. PERCUSSION TubularBells The famous tubular bell sound from the DX7 presets. Then add subtle phaser with slider E. DLN Sound – all rights reserved 19 . 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch Physical controller mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch Assignment Musician’s Guide Section 'K' 48 Brass section constructed with hybrid (FM and sampled) synthesis. modulator level" Release rate (Aux) Room level "(Aux) Room predelay. FX3 aux send. [3] Slow Strings Slowly evolving synthetic strings. FX3 wet/dry" Toggle FX3 (Flange/decay/ reverb) / FX2 (Phaser) - 49 BowedStrings 50 Viola-like bowed strings. Wet/Dry" Modulator +1 oct Delayed vibrato LPF cutoff Modulator pitch (timbre) Attack rate Release rate (Aux) Hall level (Aux) Hall time (FX2) Chorus wet/dry (FX2) Chorus feedback level (FX2) Chorus / (FX3) Distortion toggle LPF cutoff Tremolo "Pitch layer 1. [2] Poly pressure controls LPF cutoff. 51 52  2002. [3] Vibrato FM depth (timbre) Modulator LFO depth (timbre of attack) Attack rate Release rate (Aux) Hall level (Aux) Hall predelay (FX1) LaserVerb wet/dry "(FX1) LaserVerb feedback. (FX2) Phaser wet/dry" Flanger depth (Aux) reverb decay time "FX2 aux send. much alike one of the DX7 presets.

54 Bells Subtle cascaded struck bells. (FX3) Chorus LFO rate" (FX3) Reverb predelay "(FX3) Chorus/reverb on/off. (FX2) Chorus wet/dry" "(FX1) Room size scale. EnvCtl" Envelope pitch amount Release rate (Aux) Hall level (Aux) Hall cutoff (FX1a) Filter resonance (FX1a) Filter LFO speed (Aux) Hall infinite decay on/off Pitch of sustaining 'bells' Pitch envelope amount Decay rate (modulator) Modulator pitch (timbre) Modulator pitch (timbre) Modulator pitch (timbre) "Attack rate. [3] Timbre can be extensively manipulated with the controllers 56 Electr Snare Electronic snare drum. (FX2) Chorus feedback" (FX2) Chorus LFO rate Toggle: room/ chorus+hall Relative pitch of 'bells' Layer enable "Layer delay. Release rate" (amplitude) "(Aux) ChorLsrDelay wet/dry.The KFM Collection ID Name MIDI controller 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress Physical controller mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch Assignment Musician’s Guide Steel Drums Steel drums with builtin touch of Jamaica. (Aux) Hall predelay" (FX2) Flanger /(FX1) Reverb balance (FX2) Flanger speed FM depth (timbre) Modulator pitch (timbre) Impact pitch mod Modulator attack rate Release rate "(FX1) Room wet/dry. [1] Timbre shaping through the controllers. (FX1) Aux level" "(Aux) Delay time. 57 Delayed vibrato Modulator pitch (timbre) Modulator depth (timbre) Attack rate Release rate (Aux) Hall level "(Aux) Hall time. (FX3) Reverb HF damping" "(FX3) Chorus feedback. (Aux) Hall level" (FX1) Room predelay. Change pitch character via mod wheel Electr Kick Electronic kick drum. Quite touch sensitive. DLN Sound – all rights reserved 20 . [4] 53 Slider B controls the amount of inharmonic timbre at high attack velocities Mallet Often heard mallet sound. (Aux) Delay feedback" "(FX2) Flanger level. (Aux) Hall on/off" -  2002. [3] Alternate different effects with switch 2. (FX2) Flanger feedback" Pitch transient on attack on/off Pitch FM depth (timbre) Modulator pitch (timbre) Decay rate Release rate (Aux) Hall level "(FX3) Reverb time. [5] 55 Disable the 'lead' sustaining bell tone with data. Decay rate.

[1] 58 Timbre can be manipulated with controls. (FX3) Laserverb contour" "(Aux) Hall on/off. impact" Release rate (Aux) Hall level (FX1) Room time (FX1) Room HF damping (FX1) Room predelay Toggle: (FX1) room/ (FX2) Flanger+(Aux) hall - 62  2002. release rate" Partial pitch (minor 3rd -> major 3rd) FM depth (timbre) InEQ: Bass InEQ: Treble "(Aux) Reverb level. Grungy sound. to major 3rd Glocky Metallic bells with lots of HF partials. Slider B and C moved up together give surrealistic windbell-like effect Carillon Church carillon bells. Realistic recreation. [2] Slider A (data) modifies minor 3rd partial. (Aux) Hall on/off" Shaper amount Modulator decay rate Modulator pitch (timbre) Modulator pitch (timbre) "Decay rate. based on scientific research. [2] Alternate different effects with switch 2 (control 29) 61 LFO amplitude modulation (trill) Modulator pitch (timbre) Modulator pitch (timbre) "HPF cutoff. (FX3) Laserverb level" "(FX3) Laserverb delay. (FX1) Mix level" "(Aux) Size scale. (FX3) Chorus LFO rate" (FX3) Reverb predelay "(FX3) Chorus/reverb on/off. DLN Sound – all rights reserved 21 . (FX1) Size scale " "(Aux) HF damping. [1] 60 Slider A introduces fundamental pitch. [3] Gets even more cutting with mod wheel 59 Triangle Natural triangle sound with ambience. LPF cutoff" (Aux) Hall level "(FX3) Reverb time. MIDI controller 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress Physical controller mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch Assignment Musician’s Guide Mondo Toms Electronic toms. which is characteristic for church bells. Closed hi hat from C#4 downward. (FX3) Laserverb on/off" "Decay rate. (FX1) Predelay" Delayed vibrato Layer delay Modulator pitch (timbre) "Attack rate. (Aux) Hall time" "(FX3) Chorus feedback. (FX1) Aux level" "(Aux) Delay time. (FX1) HF damping" "(Aux) Predelay. Release rate" "(Aux) ChorLsrDelay wet/dry. open hi hat from D4 upward. (Aux) Delay feedback" (FX2) Flanger level (FX2) Flanger feedback Pitch FM depth (timbre) Random pitch Random panning position Release rate (Aux) Hall level (Aux) Hall predelay "(Aux) Hall level.The KFM Collection ID Name Electr HiHat Electronic hi hat.

Decay rate" Release rate (Aux) Hall level (Aux) Hall time "(Aux) Delay time. (FX1) Wet/dry" FM depth Vibrato FM depth (timbre) Layer delay "Attack rate. impressive pad with slow evolving envelope. Layer 3 enable" Modulator pitch (timbre) "Impact. [3] Change timbre looping rate with slider D. FM depth (timbre)" Pitch env (attack) FM depth (timbre) Vibrato rate "Attack rate. (Aux) Hall HF damping" (FX2) Chorus wet/dry (FX2) Chorus feedback -  2002.The KFM Collection ID Name SYNTH 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch MIDI controller Physical controller Assignment Musician’s Guide Press Pad 63 Huge. modulator pitch" "Layer 1+2 attack & release rate" "Layer 3 attack+decay+release rate. FM depth (timbre)" "Layer detune. [4] Cutting Lead 65 Monophonic cutting lead sound with plenty of personality. Layer delay" (Aux) Xcouple (Aux) Feedback level (FX1) Delay tempo (FX1) Delay mid EQ "(Aux) Delay coarse. [4] Square Lead 66 Monophonic lead sound with square wave-like. [2] Tinkle Synth pad with looping HF partials. DLN Sound – all rights reserved 22 . LFO pitch depth" "Layer 2 enable. 67 Delayed vibrato Layer enable "Layer 3 carrier pitch. FM depth (timbre)" Vibrato (fast) FM depth (timbre) Pan (stereo to mono) "Attack rate. [3] Round Lead 64 Monophonic lead sound with ‘round' timbre. level of layers" Envelope control ('tinkle' rate) (Aux) Hall level "(Aux) Hall time. Decay rate" Release rate (Aux) Hall level (Aux) Hall time (Aux) Delay level (Aux) Flanger level (Aux) All effects on/off "Vibrato. yet very touch responsive timbre. (Aux) delay feedback" (Aux) Flanger level (Aux) Delay on/off "Vibrato. Decay rate" Release rate (Aux) Hall level (Aux) Hall time (Aux) Delay time (Aux) Flanger level (Aux) Delay on/off "Vibrato.

Layer enable" Attack rate "Decay rate. Release rate" (Aux) Hall level (Aux) Hall size scale. 72  2002. Decay rate. Tap3. (Aux) Hall predelay (FX1c) Delay level (FX1c) Delay time Carrier pitch (timbre) LFO depth Modulator pitch (timbre) Carrier pitch (timbre) Decay rate Carrier pitch (timbre) LFO speed (FX1) Hall level "(FX1) Hall size. Release rate" (sound evolution rate) (FX3) Delay level (FX3) Delay time (FX2) Filter sweep frequency (FX2) Filter sweep LFO halt "FM depth (timbre). dirty sound. like MPress. Layer level. Tap2. (Aux) Hall HF damping" (FX2) Flanger feedback wet/dry "(FX3) Laserverb feedback. [3] Vectoring Timbrally evolving. [3] Character can be totally twisted and turned via the various controllers. and its speed with slider C Vibrato Modulator pitch (timbre) Modulator pitch (timbre) Attack rate Release rate (Aux) Hall level (Aux) Hall predelay Doubling LFO feedback Doubling LFO depth Doubling in/out Vibrato FM depth (timbre) Modulator pitch (timbre) Modulator pitch (timbre) Modulator pitch (timbre) "Attack rate. [1] 71 Pulsate or arpeggiate this sound. (FX3) Laserverb contour" (FX3) Laserverb level Filter cutoff Swept Metal Filtered metal . Tap4" (FX3) Flanger feedback level (FX3) 4Tap+flanger on/off Filter cutoff LFO depth Filter cutoff LFO speed Attack rate InEQ: Bass InEQ: Treble (Aux) Hall level "(Aux) Hall size. 69 Helios 70 String-like synthetic timbre with bell attack. FM modulator pitch (timbre)" Delayed vibrato Layer pitch "FM depth (timbre). [4] MultiWaves Percussive sound with interesting buzz. (Aux) Hall predelay. predelay" "(FX3) Delay Tap1.how else could this be named? [4] PPress also controls filter cutoff.The KFM Collection ID Name MIDI controller 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress Physical controller mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch Assignment Musician’s Guide Evolution 68 Bright synth swell with subtly evolving timbre. HF damping. DLN Sound – all rights reserved 23 . Control pitch effect with mod wheel.

The KFM Collection ID Name MIDI controller 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress Physical controller mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch Assignment Musician’s Guide Pop Mod 73 Popping sound to serve as embellishment. (Aux) delay feedback" (Aux) Flanger level (Aux) Delay on/off "Vibrato. which is modulated to a 5th by Data. [2] LFO2 amp mod depth FM depth (timbre) Layer 1 modulator pitch Layer 2 modulator pitch Layer 1 delay "Attack rate. [4] 75 Syn Horns 76 Round french horns with expressive touch. [2] 5th Synth 74 Synth sound with nice 5th in its timbre. (FX1) LaserVerb Delay" Vibrato Delayed vibrato Modulator pitch (timbre) Modulator pitch (timbre) Attack rate Release rate (Aux) Hall level (Aux) Hall time (FX2) Chorus wet/dry (FX2) Chorus feedback level LPF cutoff  2002. amp amount" Release rate "LsrVrb amount. Contains almost subliminal major third. "LsrVrb contour" Aux Rvrb Level Layer 2 disable Pitch bend down Vibrato Layer 2 transpose FM depth (timbre) "HPF cutoff. Distortion drive" LFO1 speed Attack rate Release rate Flanger/Reverb balance Reverb defeat Attack pitch envelope FM depth Vibrato Carrier pitch (timbre) FM depth (timbre) "Attack rate. [2] Rude Major Peculiar sound of the digital era. DLN Sound – all rights reserved 24 . [2] Narrow Synth 77 Old analog-synth-like melody sound but with typical FM control over timbre. FM depth (timbre)" Vibrato FM depth (timbre) Modlator LFO depth (timbre of attack) Attack rate Release rate (Aux) Hall level (Aux) Hall predelay (FX1) LaserVerb wet/dry "(FX1) LaserVerb feedback. Decay rate" Release rate (Aux) Hall level (Aux) Hall time "(Aux) Delay time.

[3] Formalias Contemporary sound with digital grunge. [2] Synth Bow 79 Bowed synth sound with sizzling. (Aux) Hall size scale" Chorus depth Chorus feedback Reverb in/out -  2002.b. using frequency modulated (FM) LFOs for vibrato! [1] 80 Watery Winds 81 Twisted synthetic sound. with samples as FM modulator. DLN Sound – all rights reserved 25 .c) Wet/dry Vibrato LF carrier pitch (beating) LF carrier pitch (beating) Impact Release rate (Aux) Hall level "(Aux) Hall predelay. [2] Hefty Funk 82 Funky rhythm sound with presence.The KFM Collection ID Name MIDI controller 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress Physical controller mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch Assignment Musician’s Guide Syn Piano 78 Artificial electric piano. metallic overtones. (Aux) Delay feedback" Modulator pitch (timbre) Modulator overtone BPF frequency (timbre) Vibrato FM depth (timbre) Modulator pitch (timbre) Attack rate Release rate InEQ: Bass InEQ: Treble (FX1a) Mix Reverb (FX1a. [1] Vibrato Pan tremolo L/R FM depth (timbre) Attack rate Release rate (Aux) Hall level (Aux) Hall predelay Doubling LFO feedback Doubling LFO depth Doubling in/out Vibrato Modulator pitch (timbre) Added wave pitch (timbre) Attack rate Release rate (Aux) Hall level (Aux) Hall predelay Doubling LFO feedback Doubling LFO depth Doubling in/out Vibrato Modulator overtone BPF frequency (timbre) Modulator overtone BPF key tracking Modulator overtone BPF envelope depth Modulator overtone BPF width (Q) (Aux) Flanger level (Aux) Flanger feedback (Aux) Delay level "(Aux) Delay time.

[3] 28 29 MPress 01: mwheel 06: data 22 23 24 Marimba + 25 26 Marimba modeled by additive synthesis. (Aux) TrblShelf G" Chorus mix Chorus depth - 84 85 Vibra LAYER + Similar to 'Vibraphone' but with linear partial tuning above C5 (unlike a real vibraphone). DLN Sound – all rights reserved 26 . [4]  2002. (FX2) Flanger LFO speed" Tremolo Tremolo speed "Pitch of partials. (Aux) Hall mix level" "(Aux) Hall predelay. layer delay" InEQ: Bass InEQ: Treble (Aux) Reverb level "(Aux) Rvrb Time. (FX1) Hall level" "(Aux) Hall size. 25 Based on scientific 26 research. [3] 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress Physical controller mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch Assignment Musician’s Guide 83 Loop speed Modulator pitch (timbre) "Layer level . (FX1) Hall size. [3] 27 28 29 MPress ADDITIVE SYNTHESIS SOUNDS 01: mwheel 06: data 22 Vibraphone + 23 Vibraphone modeled by 24 additive synthesis. More suited for layering. [3] 86 Metal Vibes + 87 Vibraphone with bright overtones. (Aux) TrblShelf G" Chorus mix Chorus depth Tremolo Impact (attack) Release rate InEQ: Bass InEQ: Treble "(Aux) Hall level. (FX2) Chorus speed" (Aux) Hall on/off Tremolo Tremolo speed "Pitch of partials.(FX1) Hall HF damping" (FX2) Flanger level "(FX2) Flanger L/R phase. combined FM and additive synthesis. and fine 27 tuned by ear. Layer enable" (swept square) Attack rate Release rate "(Aux) Hall level. (Aux) Hall time" (FX2) Chorus wet/dry "(FX2) Chorus LFO depth. layer delay" InEQ: Bass InEQ: Treble (Aux) Reverb level "(Aux) Rvrb Time. (Aux) TrblShelf G" Chorus mix Chorus depth Tremolo Partial pitch (timbre) Tremolo speed InEQ: Bass InEQ: Treble (Aux) Reverb level "(Aux) Rvrb Time.The KFM Collection ID Name MIDI controller 01: mwheel 06: data 22 23 Fun Loop 6/8 24 25 Looped synth with 6/8 26 feel.

The KFM Collection ID Name MIDI controller 01: mwheel 06: data 22 23 24 25 26 27 28 Physical controller mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch Assignment Musician’s Guide TouchMallet + Fantasy mallet instrument modeled by additive synthesis. (FX1) Hall size. 25 [2] 26 27 Breath controller affects 28 timbre and level. predelay" "Chorus LFO rate. [4] 25 26 Introduces blow attack 27 at suddenly increasing 28 breath amount. Tap4" (FX3) Flanger feedback level (FX3) 4Tap+flanger on/off Tremolo Vibrato rate Modulator pitch (timbre) Attack rate Release rate (Aux) Reverb level "(Aux) Reverb time. (Aux) delay feedback" (Aux) Flanger level (Aux) Effects on/off Vibrato Pitch env (attack) FM depth (timbre) Vibrato rate "Attack rate. Decay rate" Release rate (Aux) Hall level (Aux) Hall time (Aux) Delay time (Aux) Flanger level (Aux) Delay on/off "Vibrato. with airy 27 voices. Monophonic. chorus LFO depth" Chorus wet/dry Vibrato Tremolo Layer enable LFO pitch (attack) enable Attack rate Release rate (Aux) Hall level (Aux) Hall time "(Aux) Delay time. [3] 26 27 Breath controller affects 28 timbre and level. 88 89 90 91 92 29 MPress 01: mwheel 06: data 22 Vocal Vibes 23 24 Artificial vibraphone 25 soundalike (additive 26 synthesis). [4] 28 29 MPress BREATH CONTROLLED SOUNDS 01: mwheel 06: data Harmonica BC 22 23 The well-known 24 harmonica with breath 25 control. Tap2. predelay" "(FX3) Delay Tap1. [3] Pitch of partials varies with attack velocity. 29 MPress 01: mwheel 06: data Sqr Lead BC 22 23 Square wave type lead sound with breath 24 control. Tap3. (FX1) Hall level" "(Aux) Hall size. HF damping. 29 MPress Vibrato Impact (attack) Release rate InEQ: Bass InEQ: Treble "(Aux) Hall level. (FX2) Flanger LFO speed" Vibrato (voices) Partial pitch (timbre) Layer level (voices) InEQ: Bass InEQ: Treble (FX1) Hall level "(FX1) Hall size. 29 MPress 01: mwheel 06: data Caliope BC 22 23 Monophonic caliope sound with breath 24 control. FM depth (timbre)"  2002.(FX1) Hall HF damping" (FX2) Flanger level "(FX2) Flanger L/R phase. DLN Sound – all rights reserved 27 .

The KFM Collection ID Name MIDI controller 01: mwheel 06: data 22 23 24 25 26 27 28 29 MPress Physical controller mwheel slider A slider B slider C slider D slider E slider F slider G slider H SW2 aftertouch Assignment Musician’s Guide Dyna Lead BC Breath controlled monophonic lead sound. 93 Vibrato FM depth (timbre) Layer delay "Attack rate. Decay rate" Release rate (Aux) Hall level (Aux) Hall time (Aux) Delay level (Aux) Flanger level (Aux) All effects on/off "Vibrato. Very dynamic and expressive. FM depth (timbre)"  2002. [4] Breath controller affects timbre and level. DLN Sound – all rights reserved 28 .

We love to hear from you! Contact us at k2600r@hotmail. DLN Sound – all rights reserved 29 . We warmly welcome credits on your productions or performances.  2002. and would be glad to discuss details with you. we appreciate if you tell us what you think of the product's sounds or this manual.The KFM Collection Musician’s Guide 8 Contact us Please tell us if you have any comments. Also.

 2002. DLN Sound – all rights reserved 30 . obligations and restrictions) described in the license agreement. wavetables. Your purchase gives you the right to use the product. for use as sounds. resell etc. to any party. lend. hereafter referred to as the 'product'. reformatted for use in another musical instrument or sound synthesis or reproduction device. hereafter collectively referred to as 'materials'. Licensee agrees not to resell or otherwise distribute the product. or mixed. for music recording and music performance purposes. 2. LICENSE AGREEMENT 1. DLN Sound highly appreciates such credits please contact us for details. multisamples.e. You (the purchaser) do not have to ask any explicit authorisation from DLN Sound for any such use. Your purchase makes you a 'licensee' who may use the product. those stay with DLN Sound.The KFM Collection Musician’s Guide 9 License agreement You may use the product subject to the terms and conditions in the license agreement below. hereafter referred to as 'licensee'. filtered. License Grant. i. The agreement is similar to those used by most other soundware suppliers. The product comprises sounds for use in an electronic musical instrument and complementary documentation. You may not disclose. all sounds and documentation. you should not be hampered in any way by the license agreement. Scope. DLN Sound grants to licensee a non-exclusive. NON-BINDING LICENSE AGREEMENT SUMMARY You may use the product under the terms and conditions (permissions. DLN Sound also invites you to inform us about your use of the product in any publication. multisounds. This right is subject to the following terms and conditions. Still. in particular the sounds it comprises or their derivatives. give away. non-transferable right to use each authorized copy of the product. combined. it does not transfer ownership or copyright of the product. samples. The product is the property of DLN Sound and is licensed to licensee only for use as part of a musical performance. This agreement constitutes the terms and conditions under which DLN Sound supplies the 'KFM Collection'. the product and you shall take measures to prevent anyone else to copy or abuse the product. You are in no way required to include any credit statement in performances or productions in which the product is used. live or recorded. either in their original supplied form. If you are a typical and honest user. resynthesized or otherwise edited or adapted.

Term. and causes of action shall not exceed the amount licensee paid to DLN Sound for the purchase of the product. loads into any electronic device or in any other way uses the data files. be it as result of such loss or otherwise. and any abuse by other parties of the product. The agreement will terminate if.  2002. but not limited to. Upon termination. error. Licensee agrees to immediately inform DLN Sound about the loss of the product. Licensee agrees to take all reasonable measures to protect the product from unauthorized copying or use. Licensee agrees that DLN Sound takes any measures. delay in operation of transmission. DLN Sound's total liability to licensee for all losses. This agreement is effective from the date that licensee first opens. to the sole discretion of DLN Sound. distribute. Restrictions. computer virus. to avoid or circumvent any measures taken by DLN Sound to protect against or discourage the unlicensed use or copying of the product in part or in whole. Except as expressly provided herein. the public disclosure of any identified unauthorised distribution of the product. Protection. nothing in this agreement shall be construed as conferring by implication. made for backup purposes or otherwise. omission. or line failure. licensee agrees to not rent. Except where expressly authorized in this agreement. Copies are provided to licensee only for the purpose of exercising licensee's rights under the license. but expressly not limited to. DLN Sound will not be liable for any damages or injury caused by any failure of performance. Applicability. reproduce. the product. DLN Sound reserves all rights not expressly granted to licensee. DLN Sound – all rights reserved 31 . Liability. including the sounds and documentation it comprises. copy. Licensee agrees to compensate DLN Sound for any direct or indirect material or immaterial damage resulting from all breaches by licensee of any of the terms or conditions in this agreement. special or consequential damages that result from the use of. patent. sublicense. licensee shall immediately return the original product to DLN Sound. The agreement will remain in full force until termination. and destroy any other copies of product. 3. 7. If any part of the terms and conditions in this agreement is unlawful. trademark or other intellectual property right of DLN Sound or any third party. interruption. and at the moment that licensee breaks any of the terms or conditions in this agreement. The product is supplied by DLN Sound to licensee by means of electronic data files. damages. in part or in whole. theft or unauthorised copying. void. or unenforceable. or the inability to use. to prevent successive abuse of lost or otherwise illegally acquired copies of the product. transports onto a carrier or medium other than the one(s) used for supplying the product. 8. that part will be deemed severable and will not affect the validity and enforceability of any remaining provisions. transfer. 4. sampler. lease. including but not limited to. including. display or time share the product in whole or in part. including. The above limitation or exclusion may not apply to licensee to the extent that applicable law may not allow the limitation or exclusion of liability for incidental or consequential damages. 6. defect. views. microchip or any hardware or software synthesis or sample playback device. Ownership. Licensee agrees not to modify the product. estoppel or otherwise any license or right under any copyright. performed by the licensee. Under no condition or circumstance whatsoever shall DLN Sound be liable for any damages or injury. Ownership of the product stays with DLN Sound at all times. The retaining of any copies of the product or any comprised materials shall be considered unauthorised distribution. detaches from the original supplying medium. 5. subject to the terms and conditions in this agreement. sell.The KFM Collection Musician’s Guide programs or patches in a synthesizer.

You're Reading a Free Preview

Download
scribd
/*********** DO NOT ALTER ANYTHING BELOW THIS LINE ! ************/ var s_code=s.t();if(s_code)document.write(s_code)//-->