PRESENTS :

INTERNATIONAL
MAGAZINEMAGAZINE#1
ISSUE #
March 4
2006
presents : January - February 2007

Published by: The year 2006 has gone... If I tell

http://revolutionart.publicistas.org
PUBLICISTAS.ORG you that 2007 will be better? will
you believe me?
Creative Director:
Nelson Medina Perhaps for some of you it has
been a good year and for the
contact us: others, not. because we are spreading this
hola@publicistas.org But the important thing is magazine in all the communities
what we are doing to make a of design. In the underground,
better world and can live every and in the popular/fashionable.
year with emotion, energy and
expectations. The most influencial artists are
here. The influencers and the
Our next edition calls you to think influenced. And thousand of
to you about good vibrations. The impressions and people reading
next issue will be about “MUSIC, THIS at the advertisement industry,
PEACE AND LOVE”. And you’re film producers, designers,
invited to slide in the mood with architects, plastic artists, rabbits,
us and be happy. goblins and worms.
All the samples are
propierty of their
respective owners and ...But now, I like to present DIRT, Now it’s all yours!
can’t be reproduced the dark edition of Revolutionart
whithout permission. that includes an exclusive Enjoy this Revolutionart my
interview to the queen of the comrades! and have a Happy New
Floria Sigismondi works spooky videos: Floria Sigismondi. Year !
appears from Immune A great artist that like to share
Copyright Die Gestalten with us her history, creative
Verlag 2006 Nelson Medina
process, and projects in process. Creative Director
Don’t steal, be Publicistas.org
influenced and create ! As always, many pages of colour nelson@publicistas.org
are ready for your eyes. You have
We are always open the revolution in your hands. The
for people who want most viral magazine of graphic
to contribute to our arts on the web.
magazine in many ways. Why do we have the power?
REVOLUTIONART
CONTRIBUTORS
Issue 4

A1one
Iran
Eirangraffiti@gmail.com
www.kolahstudio.com/a1one
Michal Jedinak
Alvaro Sánchez Slovakia
Guatemala jedinec@gmail.com
stateofshock69@hotmail.com
Moyi
Ben Redmond Kristal Blanco China
USA Italy moyi_28@hotmail.com
bredmond@spymac.com Diego Ivan Calderón kristalblanco@libero.it
Colombia Natalia Lee
Bondine Aosta divanca@hotmail.com Lestat Argentina
Italy Ivan Caputo Malaysia naty_hrog@hotmail.com
Bondine@boNdine.it Fernando Roncero Italy lestat.underplanned@gmail.
www.bondine.it Spain Ivan.kap@alice.it com Nelson Medina
jaco_samsa@hotmail.com www.kapcom.net www.mynameislestat.com Peru
César Bolaños www.impracabeza.org nelson@publicistas.org
Spain Juan Pablo Echeverry Mary Rasmussen
cesar@hombrelogo.com Floria Sigismondi Colombia USA Rhishikesh ghodke
www.hombrelogo.com Italy circularsur@hotmail.com maryinsnowboots@gmail.com India
www.floriasigismondi.com www.maryandthehunted.com ar.rhishi@rediffmail.com
Daniel Caleb Gómez Saldívar Javier Cadena
Mexico Guadalupe Hernández Mexico Minerva Santamaría Zion Ho
caleb.gosa@gmail.com Argentina youallijav@hotmail.com Spain Malaysia
www.fotolog.com/dcaleb_gs gualenchi@hotmail.com www.electri-k.tk minervasantamaria@yahoo.es zionho@cology.net

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 YOUR TARGET
IS OURS

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PLACE YOUR AD HERE

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Frequency: Every two months

Price: Free
Estimated downloads per issue: 9,000
Estimated readers per issue: 34,000
Readers origin

1.Europe 33.4 %
2.South America 28.5%
3.Asia 12.2 %
4.USA and Canada 11.1 %
5.Centroamérica 9.1 %
6.Australia 1.4 %
7.Africa 0.5 %
others 3.7 %

(stats pounded from Issues 1+2+3)

Promoted in AD festivals, magazines, blogs, podcasts and lot of alliances on
Internet.
HERE WE GO . . .
- issue 4 Maper - Argentina
- issue 4 Zion Ho - Malaysia
- issue 4 Cesar Bolaños - Spain
- issue 4 Lestat - Malaysia - issue 4 Lestat - Malaysia
- issue 4 Lestat - Malaysia - issue 4 Natalia Lee - Argentina
- issue 4 Natalia Lee - Argentina - issue 4 Natalia Lee - Argentina
- issue 4 A1one - Irán - issue 4 A1one - Irán
- issue 4 Alvaro Sánchez - Guatemala
- issue 4 Alvaro Sánchez - Guatemala
- issue 4 Alvaro Sánchez - Guatemala
- issue 4 Alvaro Sánchez - Guatemala
- issue 4 Ben Redmond - USA - issue 4 Minerva Santamaría - Spain
- issue 4 Bondine Aosta - Italy
- issue 4 Nelson Medina - Perú
- issue 4 Nelson Medina - Perú
- issue 4 Daniel Caleb - México
- issue 4 Diego Iván Calderón - Colombia - issue 4 Javier Cadena - Mexico
- issue 4 Javier Cadena - Mexico
- issue 4 Javier Cadena - Mexico
- issue 4 Javier Cadena - Mexico
- issue 4 Javier Cadena - Mexico
- issue 4 Fernando Roncero - Spain
- issue 4 Juan Pablo Echeverry - Colombia
- issue 4 Kristal Blanco - Italy
- issue 4 Kristal Blanco - Italy
- issue 4 Kristal Blanco - Italy
- issue 4 Mary Rasmussen - USA
- issue 4 Mary Rasmussen - USA
- issue 4 Mary Rasmussen - USA
- issue 4 Mary Rasmussen - USA
- issue 4 Mary Rasmussen - USA
- issue 4 Mary Rasmussen - USA
- issue 4 Mary Rasmussen - USA
- issue 4 Mary Rasmussen - USA
- issue 4 Mary Rasmussen - USA
- issue 4 Michal Jedinak - Slovakia
- issue 4 Guadalupe Hernández - Argentina
- issue 4 Guadalupe Hernández - Argentina - issue 4 Guadalupe Hernández - Argentina
- issue 4 Guadalupe Hernández - Argentina
 Radical8DesignStudio

“
No. 8 root meaning of the name comes from the concept of the 1980s,
members of the team are born during this period. The root has the law on
behalf of the life of our time. We live for operation over the world and this is
no absolute freedom. The objective constraints of the largest self-fulfillment
is strong. No. 8 root is a out unlimited repeater, as well as the expansion team,
extending the concept of the host. In writing this endless calculation of our
lives.

No. 8 root Design Studio was established in Tianjin in 2005, the team has
absorbed designers since its establishment from Tianjin, Beijing, Shanghai,
Xi’an and other areas to rally around a mixed team including designers, il-
lustrator divisions, artists, video producers. Given the enthusiasm and creativ-
ity of the great visual aesthetic ideas together, in the continuing attempt to
explore mutual exchanges, and promote the integration of the development
work completed in all its forms. Committed to greater creative freedom of the
non-commercial promotion, applied continuously to all forms of cooperation,
publishing and display to promote its evolving entity and industrialization of
the team.

Constantly rising tide of Chinese design flow, No. 8 root as a young team is
willing to do the river into the sea, and we will draw more splendid future
together.

China
Moyi - China
- issue 4 Rhishikesh Ghodke - India
- issue 4 Rhishikesh Ghodke - India
- issue 4 Rhishikesh Ghodke - India
- issue 4 Rhishikesh Ghodke - India - issue 4 Rhishikesh Ghodke - India
- issue 4 Ivan Caputo - Italy
:: DOWNLOAD HERE ::
(50Mb)
November 2006
Interview by : Nelson Medina
nelson@publicistas.org
FLORIA
All Images by Floria Sigismondi from Immune
Copyright Die Gestalten Verlag 2006 SIGISMONDI
How did you start making videos?

I was a photographer when I became interested.

I was drawn to movement and sound and was
sick of shooting fashion and highlighting
lapels and shoes. Music video were much
more a platform to express myself, evoke a
feeling, a mood...say something about the
world I lived in.

“THE EARTH’S VAST SURROUNDINGS

ARE FULL OF MANMADE INFECTIONS...
GOOD AND BAD THESE INFECTIONS
HAVE VIOLATED AND TRANSFORMED
OUR BODIES AND SENSES IN ONE
FORM OR ANOTHER...“.

Where does your visual imagery come from

and why the Floria’s world
is so  different?

My subconscious...I’m also influenced by what

preoccupies me at any given moment
You have directed the who is saying something
best videos of Marilyn with their song and I can
Manson and probably be super creative with it,
you have defined because I know he can pull it
the look in which he off.” Manson was theatrical
became famous and also in the way of operas, which
what “Antichrist I knew a great deal about
Superstar” should of growing up surrounded by
been. Tell us how did them. I remember trying to
you felt working with talk myself out of these
the band? crazy ideas I had...weither
How did you conceive they would work ... what
the image concept for people would think....
them? but I held on tight to the
initial feeling of being
This was a great turning really excited and not
point for me. I had all listening to the doughting
these ideas I was really voice inside me... after
excited about...I thought all art is suppose to be
“great, there’s someone exciting and purging of
sorts. I followed my gut This is how the dictator melt away and I begin
and it lead me all the got his strength. I wanted to receive images.
way through. I had no idea to use medical equipment
where it would take me, to show the restraint and What are the main
but at least I know it power the government has sources of inspiration
would be honest. If people on us. for your work?
didn’t like it, that was
okay, because that is how My life....decay....love
I saw things and what I Were you affected with and passion....anger....
felt strongly about. I the controversy around equality and destruction.
really learned to trust Manson’s image?
my creative intuition.;
to be bold and not water I was. I remember this Who are the people/
things down. I needed to was new...I was creating artists who inspires you
convince Manson to use to satisfy myself and ?
the dancers and to wear a everyone went crazy. I
bald cap but he eventually was a bit shocke,. but At the moment filmmakers
turned around and I think I always am because it inspire me. Fellini,
those things really took seems so surreal that my Passolini, Polanski,
the video to a different work is viewed by so many Tatophski,
level. Those things helped people because my creative Russian animator.
create this different process is so insular.
world I wanted to paint.
How does your creative What’s your favorite
I wanted to talk about process start when you music, food and places
a totalitarian society are set to make a video ? to travel?
where people were being
used. the dictator (the I listen to the song Italian, I love going back
character Manson played) over and over again to Italy. I was born there,
had a skin colored rubber until I don’t hear it but left when I was 2 yrs
coat that I designed anymore and it becomes old. I remember collecting
where all the seems were part of my subconscious. rusted pieces of mental
stitched together like That is when reality and drawn to anything
the skins of the people. starts to bend and that was old and decaying.
Finally my family were A lot...I hope there is
able to afford to go back still lots to learn,
to Italy and I realized creating would be so
where my fascination boring...if not
stemmed from. Italy technically than I hope
has so much History, so to learn more about myself
much of the ancient Rome through my art. When
is in ruins all around I stop learning than
you. I really think it is time to die.
this has become who I
am...the old and the
new clashing together. What will be the
I am interested in next steps on Floria’s
deconstruction in order career?
to discover something
new. I think I’m an I am working on a couple
experimentalist at heart. of scripts which I will
direct into feature
films.
Which one’s do you
consider your best I remember that in 1996
work of art so far? were only two pages
on Internet about
I’m most proud of Floria Sigismondi:
the Sigur Ros video Your official site
“Untitled”. and my older site
talking about your
work. Today we have
What do you consider hundreds of pages
that you still have to talking about your
learn ? art. What do you
think about this and
what are your thoughts
about the future of mankind
being affected with all these
technology?
Thank you for being one of
my first supporters.  I think
that it is wonderful that the
world has become so small
and that we can be influenced
by someone across the world
but there is something to be
said about holding a book,
something more tangible than
through a backlit screen. It
is magical to have your work
travel while you crate more...
it’s like you give them life
and now they become something
else through the interactions
of other people....if you
affect someone, upset, disturb
or touch someone...I think the
piece takes all the reactions
and makes it part of it’s self.
I consider them alive. I rarely
like to look back at work once
I’ve completed a piece.
Where I think my first book
Redemption was a look inside
myself, I think Immune is a
look at the outside and the
world around me and how that has
affected me. It is about life,
war, biogenetic, and manipulated
beings and some old rock and
rollers for good measure.
Is there any other project
that you like to share with
the readers of Revolutionart?
I have just finished directing a
music video for The Raconteurs,
“Broken Boy Soldiers” and a
Christina Aguilera video for
“Hurt”.

Tell us about your last book:

“Immune” . What can fans find
inside?
click here to watch a video from The
Raconteurs by Floria Sigismondi

THANK YOU FLORIA !

- issue 4 By Floria Sigismondi from Immune Copyright Die Gestalten Verlag 2006
- issue 4 By Floria Sigismondi from Immune Copyright Die Gestalten Verlag 2006
- issue 4 By Floria Sigismondi from Immune Copyright Die Gestalten Verlag 2006
 next theme :
The End
Music,
Peace
and
Love
“Love is like oxygen ! Love lift us up where
we belong! All you need is love!” ...and
the music moves the world.
Mix it with a peaceful enviroment and we
have the next issue of REVOLUTIONART!

Send your work until:

February 15th 2007
(c)2007 Publicistas.Org - REVOLUTIONART
http://revolutionart.publicistas.org
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