If you mention pizza to an

ltal ian or samba to a Brazi ILa t1 they wi II know instantly what you mean and
SJ 11U::
j~

tradltion

with Chinese-japanese

mlgin:s,

and a European tradition wh ich (lrigi naterl in Spain.The craft of orlgarni as we know il

is the

i 1,-you say or~gam i to 1he japanese, imme-diately that you are

today in the WeSL began in theearly
in Englarld. deeper

19505

they understand

and ctH"Ilacts with Japan for a

'La ng about Ihe art of papertolding, Iki They might even be so nil,Uered by your rhat you interest in the subject

kn(Jwl,edg~ of the art

500n

inspired others to form a network of enthuslaslic paperfclders anrl creative in Britain,

Ihey would surne
tips 011

give

tile U niter! States
and Europe. • Since

the craft,

They

may probably
even

fold n crane

beca me
j nterested

deep ly
r

bird ior you, wh ich
is LhE' traditional model that Iapanese lapanese iust J~ nol of

in the

raft

origami,

m.inv

discovered rh.it it involves not

people can ralel. However,

oilly folded paper ffijLlres but also
the personaln i ~'5 and 11 n,bit.' i

l10wanays

plzzaand

the sambaare

n ngers

ot

con{in~d to Iheir cOlmlry uf origil1, origilmi is toun d
nil'[

,heir (~riginiltors. - I have traveled through

nn 'Iy

in Jilp'd II

but

hL'lSITM

ny uuu ntries I ry i r1g h ~trace :1 hese people
and, i 11 th is bonk, I wi j I present some ~ !he rnorlels I carne across duri I1g my tr~ps. • Folding brings opport unities [ur

also beei i inrroduced into many COLm tries.

~r

• H' you

Me interested in fi ndi ng out marie
(:If

about the history

r'aperfolding, you will

cnrne across lWll di ffel (m1 lr~duions. I hat
ME~

unfold i ngl

believed

to

have

developed an Asiati c Paulo Mulatlnho

~nrlEren('lenlly

or

each other:

Paulo MlJ"'atinho


30-Fol,d~by'--Fold
Projects


I1ART'lVli.llL ll~U.1KS.INt:

I

~

Mdterictl
Symbols

1
6

Simple

and An'll<lizing Models
0
IU
MU~li'll f;:~12 h

Origami Zoo

Presentin~ Girts Bow:1 5!i C,iH Rf)X r;t~

Envelope No~e and

Cross d Box 1·!lo?i111

Shy VOlI ng Hare J (J n'ph.ml J~

pJperholder

14 20

'Frog

MQuse

J.J
l£J

Duuhl e I Ica rts 1CI Clip It}
TIlt' Shirl 011 Ontl'" Bat k

P'mrirl. 38 'hrislrnas Decoration

Annw

21

Objel'l 23
Nun 14 Pipt- 2b

for a. Desk Top Pir lure frame
Note Book 4R

..p)

Star III Ang ~I (?4
D{l!{ uration 66 M,l.

Cnn'tJlner 50 Fol rler s 2 [),my'~Env{"lnpe

Hill1ry ~;ml.J .5-<1 Geol'llelrii

Figure!

t.ube T!. ( )pcn L uhf> 7{~ Sonobe Cubs if.

-

Material
'What do I need for origami?
The '1I1S\'\' ~r is simpk:
'lIsl 1St

I perl

Yuu

Cdfl

lind paper j

allow ilnywhere

In many cliff rpnl qualities and sizes. 'rou can use or muiricolored. Ihick
~2l!$t€

Clny

Iypp of
01

p~pt'r

yOLJ

like as lung a'S il ran he fulllN!. Onp-wimerl
il
d II

Of

rhin smooth
w;;Jnl 10

rough,

expensive or rhea!!, Iarge or smail Yml can usc girl wrapping-paper, handlrr, rn;,
~II'

df'pend"i on ymJr

am'l the model you

m;jkt...

rlr.n.'iing-p(lp~r, wri1ing-papel',

pJ,u."i wrapping

raper,

paper used lill

I

Q

on. The ol11y d lsarlvnntage

nf I he-se

1}lpes.

of papers i<; lhd you fi rst have In
,i'\

cur them 10 Ihe (. Irr~~('1 starl ing "iz(_' i Ir yow mode! square, sornetim ':;. r I.b
X

." most cases
W<1nt ltl

n.25

In

t~g.7 x 2'

rn). If you

save YOl.l!'''~'II' liTIs c hore, ynu should nuy wigJnli paper which comt's in
(l

'jlluilr(' and i~ ideal

iOI

folding. 'ybur loe')l

statlonerv or

h':lr1dinrlfls shop wlll probably h~ve a.
li'llll; pa k If
vl:'fywh
'FL'

,01~(tli.n, I tilkp,

ori~<1mipap r wllh m

and am I'p.ady ttl
ever rhc ocrnsion

5[211

t

tnld i ng when-

J~rr·,~f.'nb Ils('II.

-

~~

-,
••

--

~,.
1

DO
down
rO~LJr~ s.ide

Co".,~d ,III., up

~

~i~

n, f(llh""'in~ l'dwing i~ -ilHWn til .L 1JI8':!..... Ii~'

Ilr' 'r {~II 'hi' mnrlol II p"U'i Illll' lold II III !Ill' nm~r.II"n .1lo1~WI1

Ih i~,

fr)lrfin~ is easy

' 12

~ ...
::2

-;:
n;

.2
,'2

u

~

"0 c

'1;l

!3

a
I!J

'" §'
E

;

~

2'
In the followi ng instructions all the inlorrnation you wi II

.E
~

c

fi nrl

you need for folding a
ach

model set out in the form of drawings. Lines and arrows tell you what to do. of these internationally has its own meaning accepted and is explained themselves I have text where I or to point out symbols

here.

lin the 'instructions

only added explanatory
considered wrong.

Wha~ m..kes and
.1

<li

it helpful,

mountoin jolt! depends on til v.ewing all~lt~. Turning Ih~ p.1ppr ow! ch<lnges ;1 v,;jIIl'Y

stages where things may Each individual fold should

possibly go
step shows which

vallev In d

be made. The result of this
drawing

fold is shown in the following the nexl step.

ror

furd

into

,I

mountain fold and vlcc versa.

6

TIle lnstrurtions in th is book, wi>~hthe
mountain and valley folds and the different types of "Ianguage'

f-1Xlx
I

1

J

or

aHOWS, constitute

a kind

:l
-

--~--~

:.._

/

/

'-

'-

between you and me: you the folding sequence

would like to fold the model shown and I
would like to explain to you by means of the clrawinw •. Since 'we cannot hold a "true" dialogue, that as few rnisurrderstandings
will arise between ~11P fault is certainly mine. I
LIS

I hope
possible

us. However, if any do,

do realize that L1 set of instructions cannot be perfectly

dear to everyon '.

llyo, who are not that familiar with the rather technical
Beginners especia drawings, folding.
WOlT)lI/ng

can cas'ily get stuck during th each one in a rlifferent place.

over it just does not help. rut
else fo'!" <I

the paper ~l~ide, o something d

while, and at a second attempt you will probably get the hang 01 it limmedi""t,e~y.
Do not worry about maki ng m istakes, they

can lead you to

yuur ~ooll,

7

and
_ I

Simple Amazing Models

~ ..

Envelo'pe

TR

0111 Nt\l

•.
..

.

.~
(~,

,
r

Crossed
Box Pleat

. __j _

10

:\0 new cr('ascs are l11;tdc' i n ~tq) ii, but the,' ('xlsting mountain ,l~ well ,Ill
i>i.:IIfi1~

VI/hell pushing 11K' edges together, make sine that the mountain aile! va110V' fol'd~
("orrt,:!;pond to Iht, ones in thl:' dr.lwirli1.
"Tum til('

have to bc·u(!ased dga~n ,harply. This will make it easier to rush II.w parts rng(·thf>l· in tlK' next
v·"lIe), folds ,tP[K

1l]()(lPl'

over

,1it(;!r ymr h.ivo stressed thp relief.

Push Il1r,: n.lIh logptlwr in IllI' I "Ilter ~iIldn.ltrl'!1 tilt, up~I'1I1di,ng pd1rth to Uw <ide.

.Mustache

Nose and

(T

12

D

HUMI HUZITA

I

(1)L,"_

I

_~~_~~_~_

14

This model by Professor f~tJr1l'i I'jl!ll.'ita can be used for 111i1I,lY purposes. When pi,lper size II' ,6 x W2 S in 129.7 x 21 em) Is used for this model, depencimg on the lhicklwss of the papf'f, il will he suiuhllt, for d I'caddy" with a b,]s(l rnr~i1gllf'in)~ :lppf()xil!n,1l(~lly 'f x 4 ill<(I n,'i x In.'; ern! rh,ll c.an i>~ IISf'd for holding "11!'IlI()-p.JI)(~r, ;lTId ,dso I'or IIJlnpU1PI' dio;ks or for musk t'J~scfll(':;. For the dr-ij:ll1l'ni paperholrJ(>r shown LIl the pil lilllT' (I)d~C (,) x b in P I x 1:; emil, 1 havc used .,1 starling size 01 17 XII:l in '42 1 x 30.2 em).

'-,
s->

-/

X

/'
/'
,.

/'

"
.....

/

X

./

./

......,.....

V

/

......
<,

~
./
,

"

.

/ ......

"-

"

Double Hearts

FRAN

IS Ow
!-.....!...=_-J..-----"

CD

10

l:lelm''lPlti ( ell rl"llds. anri he i .1 PIOIl 'PI 1II I his dleil nf fJrrp;~lmL Ht~w ve~ h IS disc; rtlmu~!.

r-r~nci

Q\V

t'I'lllillly

UI;~"1

mnrJlJlar ~nd

i"':<pre5s Lh. oj tnigtunf,

Th dev lopment ur th~s modeol 1.1S i-{ivt'n hrm so tlUJrl'l flit: sur thot h€' wallt to
iJ

he:

rhmllghOlll I h ' wndrl It 111'" I"U innurn rablrrl designs thl'll enl Id fill a W 10 t xxrk.

I1l hi~ ilrfeUirm

(rll

Ilw ra~l

'16

rold only Uw front Itq'('r (j itI, re pa JWI"

vj.l.!in.

p ,."\ I /0 /"l-I~-~·
I

@

r-'-'*;;:~~~~~!9F3~F~J- ...

·~~I"""_~~___J_~~

FI.1Jl fcmv,m'J, \11l1;h lH'dl"ts at Ihe back

'{rililf'y iu1ld (lilly
!,II~
InllJll~ h1l-'(erin

skp

In.

Cv

Hide the bridge on the inside.

18

CD

I

19

The Sh irt Off One's Back
/ /

TRADITIONAL

CD
/
/

/

/ /
~.

/ /
/

/

/
\

/

\

/~

/

\ \

\
\
\,

\

\

\ \

\
\
\
\

_

It'

.

_

.L

'

-

j

.

21

Arrow

J

22

THOKI VENN

/ /
I /

I

/

/

23

Nun

CD
KUNIHIKO KASAHARA

24

/

/

/

/

25

'~

~ !"
'<,

<.

-..... ....__

...

/ /~

I

'

26

®

1C00llJd out 11:li' lhc pilW .lIHI givE' ~11l'If](Ju1i1pieu' the I:in,lilly

bowl

01

!;tl,lpe you like:,

28

Origami Zoo

Shy Yo,ung
Hare

Q)

THOKI VENN

®

®

30

l~q;II',li ~h>fJ~ l!i T7 with the ()~hor~ldc'.

\ \,
\
\

\L_\
!

f

\

\
\

\

\
\

~f'l'c"ll ·t~~

11'-1~1

with tbe

olhl'1 "HI _

31

EOWIN CORRIE
I; ,
( I

r.

t)

CJ
32

Her~ei)tItw rq.lds

tor

the'
OIJ

the 11<1 k

hId

.md

IhL

I :!1I't

R"-P(!.i'l1 Ilw
IltUlJltWill

h r~,wl1l.11

Ikpeo1l'lil 'h~~iotds
1m Ihi!

(bId ul"l

bad.

the Ilil!:k.

J{

(D

\

'

....... .......
"-

\

.......

"-

\
\

JUAN GIMENO

.

".

34

(

ThF" dl''llli Ic-d cI r,lIN I ngs <1-1 I, ~lm\'1irhe S('~lLl<i:'Il, l' oli 1blds fill huHI of ffw: fnml I('~

th~l h,wc
~L~

I'[)

be

f()l,~k,d rl'urn

i!lwk

35

Mouse

EDUARDO CLEMENTE:

Y'
[-"uld itlfll\

,,?
\

\

lilt:'

back I:ayer III
Glep

f~, th ..~ 1i'Cl11'1

I'll ngiE reman,,,, Imi,ol,1 rl.

36

L ih tile: t:"11·~ jilne! .. bnllg,,_ 'I'f' !i'1I1 i 111"0 the Shdp,1
y()U

like.

-

111 "v\ .. ]'., r I . U"tiler SIC Ie lfl , of tilt' model.
. ~tt'n Hl .. "

'1 the folds Reped ... lith

37

-jo ..
/'
Th« ,iZ1~ of lilt,
IJdlkr fur lilt'

"."

"

- -,

/

it~

'II

.,

IWdd .ind ior (ill! ilndy is icl(:<ntrccll.

KUNIHIKO

KASAHARA

CD

"w:
-

~/"',

,

"

,

.'11

I

~.
''."

I

\

.

Head

I

J

38

40

41

Tud the hody ul" in h Iw~ t1 111 taYf'i~ of III

h i\d, Inf rhe pn,; rlon ."ULJ lik~

For a

Desk Top

Picture Frame

CD
I

LARRY HART

l:i1<lrlmg.511.·:
...,._~~ _ ___..;.__~-__J

I

I,I..J X I:U,1i in

l.m.7 x

:,n

HIli

-,

..~1'- ..
--II
!
i

-..

III stups ':! ,} mi i 0 lolrJ I'hl! hor iZOfclt;l1 ~n,d verti~f tedg'(;~to corresprmrl
\~ilfLl t~l~~ In illCl411;! yr the piclliTc f

I~ fr.:m1l"lI. lill" L:xJrnpl~ .,hov,i!l h(~r~

4" (;:, iLli ,1'0.'; x II',

r~

,l

WI~t' arrl, ~,i ZI!
crni.

Tfl'k~' (l.tH 1'lw 1)1' IUrt" ,11It'l 'rU1.1

h,w,

fn~<I('d 1111"
III

(ii(>'lSe!..

~~el) 10.

1,'ltlew' Ihe

pn:1u!'t'
~,~~-_I w,:.u'il in

rfill

GD.L-

~I

~

!;lJfHt~ 111 Iii,' ,,'pnl k' I

ih~

fi)ids.

oi Illl'

I-(lld th
[111(1

$I!ie:l\ as

shown in step 1 I

rh(m ...

'9 ,

@ ...... ~-==~_....:__~~~I
... piau.' "he r"rl1Jr~ m<ildf" till;; ('dgt1~. hn i~ll(~d I'

The piclllrf; franK' seen lrom rhe i),l(k,

MARTIN WALL

You will get" oJ traclition.rl box when the folds in step i1 an' repealpd on tht,· olh~r side in step ~), If you skip step 9 and continue with step '10, Y(Ju will get tlw note book as the Iinal result. Howeve-r, in this CJSt" the paper has to 'I'll placed with the fold, upward in step 'I,

Si multo nerllJsI)', lower the center and push the two side toward the center at

the marked areas.

®

Container

GIUSEPPE

BAGCI

50

whl'-'Il

Thi~ container lis th,_·final n'''ull the paper is !lO( divided diagonally but ,I~nglhways in step 1 and the rcrnai nder of the steps ar>' carried out with the new starting

base,

7

51

Folder
G) III
II

~(j

in j100 cnn

II
:1

HUMJ HUZITA
t>j

if<l·
!.4
Ii n (1. ') rm)

Rer~ei11 ep ;~ on st other side. These folds will produce spine of OA ill (I , lhicktl(,S~ for the

rhe
two a (ml

Ibis folder by Profe~sor r·11unl i l luzito is an C1ubtZlfltlilllji 1.!)([JI1'1pk f ,HI "Orig.JI1li Design l.iu ". This morlel is ide,)1 tH'C.HN: 01 the Ingil "I ~t(·p'1"l1rOll~~h{)lIl it' loldin~s ~f'qllf'I1C~ 1I nr! lhc Iiseliil object that rcsLl'ilh. The combination rjl 'loldin1j; ~('qLU('ncl', d~igll :lnd ~Ililily value is f'rofc'"or 'I rllzlitil;~ milln objective .

folde-r,

0.4 in II ern)

t>11:.:1[

0.4 in (I em)

CD ~~___L-~--::II>JJ+·

.l<li'":. :-~

...........

~~

0.8 in 12 ern)

52

E
i.I

.~

~~~~r-~~I~~

o

I'
l__.......",,~..L.,---F--___.'"1r

"'I

53

Daisy's
Envelope

NICK ROBINSON

G),-_~ __ ~
J'1

.r, x

;1.15 III

11 . 7 x "~I em,

this

Nick Robinson nomed enVE'krrli:' d,frm hi~

d,lUflht(·r

0L.....~~-~

r

/

-:

54

Presenting

GiftS

Bowl

,

O . .P
III

..•. ll]('llt,)~t_

'"

111,

fit, I

will . on y sIt 'I be shown fOI .

. pracnc.II reasuns "
j-n the following instrw:tions.

56

®
I

Rept:at steps (;-B Oil the other
("OfllC'IS.

Take th« nwrltli:d corner arf~,'l rightly bctw(-,(Jjl your (jl~t\el

make the tho bottom vvith the OtI1l:i"' hand as I1()WIl 111 step I I. The howl will IlIIW t:al.!{, o;hdpe. Rqwilt on. <111
T11£'11

and thumb.

CTcll~<c'o; from

COiTlE'

~,

The model seen f mill

~ ..~7-II '' ••

.'.

the h,~( k.

S7

Gift Box

Paper ""y: you need rt·lz1livcly IICirge square- for
tlv'

,I

g.il[

box. For instance, if

th« «ompk-ted box ,houl'd 1lJ'';~'~Iledi',e o( 2 4 i 11
~b ern), the paper siz •
IW.i:!ds tv

be 9.1!

x

cUI

in

US x 1,S nni.

GIOVANNI MALTAGLIATTI

,1")0 nol

nl.Jkf' ~I,!~crease show» in <;!f'P .1. It only serves 10 (-'~bli"'l ~ h~?r" .... til r\,jvide!b p, pe,l: in li1ree eqlJ'll pm!;,

©.

5a

--1
/

Repeat steps .!liI comers.

t1-1 I (

n

(0 ··~ _--_!,._' -, /~·-:+-I J
t,

,_

'I

\

;f --.~
'/,.
~---

/ I~

1--·-

Push the box
inside

(0

(he

,we!

li(i thl"

rn;uked areas.

"(lIll

!his

iei W"'~'11 Ihp

will

gel

~id('~.Ir(' ilIH't11ilr .. ')' pu£lwd Q,ver elmJ unfit'! th« el(i~tin~ <HJlilfCml ~i(Je ill "tt_,p 1 S,

pushed under

You will ~~'! thi$ hd when ~. !~o 'oppos i IB ~it1ffS.;l re h
the

other twu

sides ill st(·p 115,

60

Christmas
Decorations

Star

PAOLO BASCETTA

([)
rulrl 8 idpntical
t'lcm(~flts.

rtfl Ih (_'Ir"'mpnf-s j'og\~tb~;j ~. ~h.own i1.1 !.H:r~p R Tlw li<l~tf'lcnlf.:·n1 j~ tilt' mosl dirtk ull ()ne to ifll>(,If! olttd

,j"

t"<cquire8 mud) pillienr;e.

63

---)
ALFREDO GIUNTA

CD

CD
rum over:

.... /·~'7', --_
-

~~I·~

®

64

the

v<lll~1' iro Id I'll
Will).!, troll

n~Ol.:&taS for rhe 1')eI k uf I h model. Hwy .1f~ ortlnll;!1 ml! I !i'N\I' In (llfV lilt, v...il\g.
I

65

Decoration

66

Finish hy infl<ltillg the
model. Each side will take

shape
i,[

if you cJrC'fu!,ly push

!>dwPt'n your fingers c(Jrrl'~pondil1g

to the creases
you made

before.

Repeat steps C)-Ii three times.

Turk the corner into the pleat of the above lying triangle.

67

Happy Santa

JOHN SMITH

Head

- - -"T-----..c1r-

(~)

~

o

b8

lohn Smith has developed many models L1silngonly mountain and valley folds. By using only these two types of folds Ple U(',ltpd ,I series of simple models to which

he

gclVP

(he !prrn "Purol.ind Origami".

WelS c.ksigntd by [ohn Smith j,n 1991 for hils personal Christmas

This H<1pPY Sanla

card.

/
\
"

Hat
\

/

/

/

\

I

\

j

/

I

®

70

Geometrk:

Fig res

Cube

CD -

TOMOKO

FUSE

_~

5'"r~".Jt'Celernorus whkh
'I
rrtlrrn ·.im ..g~ (,rclng

I.-~nr this cub ~Y04

"l-"tld

1\"""1) IiIft"

(·.11;11 p{i1

.r.

-~r

7')

..

As witl

Illoq l'eullll-'tri(

models. f>Ullil;~1·11L' 1;1,,\
",Ielm'nl Corner fl ()f one dvment s110uld aiwavs be tlKI~ed Into corner A ohh~> other df'tllcnt. YOLl will see thaI. three corners C Ilneel each (Mille. ·1lick each sharp , id(, (.J( d' (nnw"! i lito dw obtuse side of anorh cr l ol""n(:'1·.
r('quli res

in irs pI,

tJ;'

the most

pZlt1iC'llCl'.

(

Fold three of these earh time.

73

Open 'Cube'

TOMOKO

FUSE

CD

_IJ)!

rold 1;~ id('ntic~d elements.

®

,:ll::fl elomcnt has a point \'1'1 both ends as well as d plt1.11.V\ihf'n pllfting them Illgether, tuck the notnt of Oflt! element into the pleat uj thf> other element. The I.Pflter creases of the lernent, which represent 11l(~ sides of the cube, ould relate at right dllgk's. A third element makes the connection complete.

Ihe open cube inspires peopl« to create many cliifcrent cornbi nations, The idea shown in the example was originated by Axel Reissnecker.

75

Sonobe
Cube

MITSUNOBU

SONOBE

I

(1)

I_

11-](-' ~oFmlll' unc· I;as,sic ($;iln,pl~llf
"Mmh.J~o1r
Orlgj.llI1'11 ,

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folding 1·,.Jmiqll ill wbid) ~I( ral ,'Iemenl .. fnld[!d III
lilt, ~jllTll: WJ~' om !'lUI 11lg' '1 hpJ

s0l11t:lim _ ['Xlrli'lnel~

'n (

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Uy dt!5Tgrlj~ thIs eJ~l;lfl1t, Mit unobu SIIiU be Iclhllf;
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l!),:t,! Ii>rl!lmw~ ro ~1,lrtC.\1i!P. i 11 IlOP'1I WfH...

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Fold 6 idelltical

clements

76

,(81 ~./
luck each point of an elCllwnt j'nto the pk'al of another ekment. Both elements ShCIUld relate at right angles.

77

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-

orga n izati on 5

Ongami
in almost

(U~dI1l7;.<1UOrtS

ran It IDLUnd

European country 0"1$ well as in Japan <Inn th usA. Th se ol'UlIn.izarions oro id . • e; , inform 'linn, advise on source nf suprly, arrange m~di !1g~ anrl Dilen
Vfry

puhliish a

III ilg;ilZi

ne.

The models presented orugi nate from arttst Singapore

in this bonk
in Engbnd,

My admiration and gralituci-e go to
them for allowing

Italy, USA, Spain, Denmark. Japan,
and Hong Kong.

their mod els in thls bonk.
me' to u.s

0-)
-'

Wehbild Verlag, GmbH, Aug~JIWg, PFIFflGES ORIGAMI EngIJ~h-'anguagc ,clilion 0
Tr nseditiun BooKs,
Andromeda f 91)5
.t division

o

OrrgiFl, I Gemlan-langu<JIge",d1fion Augustus Verl~g AlJg!'!!:lLlr~ 1 CJtH

of

Oxford Ud, OX 14

11--1 S TIle Vin.'~yard, Abingdon,

O)(fnrrlshir

i'

PX

All rights reser ed. No part of Ihis puhlic:.~tion mJy be reproduced,
or by iIIny rr:l€ans, e!ectrtmrc, phmocnpying, stored ln a

r tfi val svstem, or lransmjt~d in dioy (mm
mechanical, fE'[.'ording or olherv"lse,

wilholllt the permissicm cOPYlf"fAhl ~older,

of the po'bllsher and

Thi~ ~dition publi:;,f1ed in
Sales Inc,

tile USA in 1995

by Chartwell Books Inc, a Di'v~sr(mof Book

r.o.

Box 7f 00, Edison,

NJ 08818-7100
PrirHecl in 1995 iii Spain

by Fournier A Gr.;i(ica'l,S, ,1\,

How to make 30 amusing and attractive items from paper
This book describes the ancient art of Origami and shows fold by fold how you can learn the intricate and f~scinaHog craft of paperfolding to create objects as diverse as a leaping frog/ the amusing 'Shirt off one's back', a whole zoo of rabbits, mice, elephants and pandas, Christmas decorations, picture frames, paper containers and folders, notebooks and envelopes. These Origami classics and man.y others in this book have novelty and magic that will entertain yOU! for hours.

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