Professional Documents
Culture Documents
111 CLASSY DIRTY 112 Andrew Lee 113 Harmony Pang 114 cyrusNONAME 115 STANDING IN THE SHADOWS 116 yan zhuang
mei 117 Wiliam Belle 118 DAN F 119 Aries Lee 120 Ka Fai 121 Samson Luk 122 KELEBRA 123 micros Yip 124 Kerick Wong
125 Wilson Shieh 126 Jih-E Peng 127 CHEAPMAN 128 Cheung Kin wai 129 skin:inks 130 jen 131 KATY pang 132 INVASIAN
133 Kalun leung 134 Daniel Lim 135 Alain Yip 136 a yip 137 johnny dance 138 John Lam 139 moe inaki 140 Yumlart
141 Cupid lEUNG CHI LAM 142 WZA x Know1edge riders 143 laleEskin, Bie 144 4Get 145 Kay Yuen 146 Enoch Cheung
They say that something like 75% of new magazines don’t make
it past the third issue. So it’s with a big grin and a raised digit to
the doubters, that we present GalleriFOUR. Especially in these dark,
troubled times, when all talk is doom and gloom, it’s reassuring to
have a flick through these pages and see that Hong Kong’s creative
community has plenty to smile about.
But what next? Now is a time when budgets are being cut and
everyone is looking a lot closer at how they’re spending their money
and what they get for it. Bring it on we say – because maybe, just
maybe, it means people will not automatically look overseas and use
the latest over-priced over-rated imported talent. Maybe instead they’ll
look closer to home and see the genuine quality talent that has always
been right here on their doorstep.
Note Following numerous enquiries from our readers, Galleri Magazine would like to
point out that Jay FC is currently married with one son and Timon Wehrli is currently single
and available.
EXHIBITION 111 CLASSY DIRTY
It’s not as if we need any more proof that Hong Kong’s creative
community is at the top of it’s game right now, but here it is anyway.
Enjoy!
Many thanks to all the artists who contributed to the exhibition and
also to Belvedere Vodka and alivenotdead.com for their valuable
support in making it happen.
www.galleri.hk
www.belvederevodka.com
www.alivenotdead.com
Check out the artists’ profiles, images, updates, blogs and more over
at www.alivenotdead.com
Contact mail@andrewlee.hk
Website www.andrewlee.hk
EXHIBITION 112
EXHIBITION 113 Harmony Pang
Contact harmony_pang@hotmail.com
EXHIBITION 114 cyrusNONAME
Name CyrusNONAME
Contact cyrusnoname@gmail.com
Website www.myspace.com/cyrusnoname
Profile
1981 生於黑龍江哈爾濱
2002-2006 就讀中央美術學院
2005 《芯的圖片》群展 美阿畫廊
2006 參加平遙攝影節
2007 嘉德春季拍賣
2007 嘉德秋季拍賣
Contact yanzhuangmei@163.com
Name Dan F
Rendition
The second studio album from HK based producer Dan F features
imagery created by artist Shann Larsson and package implementation
by Corellian Tactical Engineering Ltd.
For the mail order version of the CD, the packaging reinforces the
strong dystopian themes present within the music; militaristic styled
supply box, insurgent’s shemagh and a subdued insignia patch all
echo the album’s underlying concept. Sniper rifle not included!
Contact dan@disuye.com
Websites
rendition.disuye.com
www.alivenotdead.com/disuye
www.alivenotdead.com/shannlarsson
Contact arieslee@sbcglobal.net
EXHIBITION 119
EXHIBITION 120 Ka Fai
2007-08 Exhibitions
Open Art, PARIS
Rueil-Malmaison, at “Atelier Grognard”, PARIS
Espace V in Villepinte, PARIS
Galeria Sa Tafona, SPAIN
Artist Commune, HONG KONG
Biennale Internazionale dell’Arte Contemporanea-FIRENZE, ITALY
Marziart International Gallery, GERMANY
Birla Academy of Art & Culture, INDIA
Contact samsonluk@yahoo.com.hk
Website www.fotop.net/samson66
EXHIBITION 122 KELEBRA
Name Kelebra
Profile Grown whith a nomad spirit, away from any home and
keeping my “freedom of speech” clear. I’ve been traveling all my
life from continent to countries,from culture to men. No mater the
medium or the style, onely creating mater, Art is my best “weapon”
and drawing is my best friend .
Schools
1992-1993 Prepart (Paris, France)
1994-1996 ENSAV Lacambre, Painting section (Brussel, Belgium)
Contact kelebra99@gmail.com
EXHIBITION 122
EXHIBITION 123 micros Yip
Being a photojournalist, I travel through the city all the day. I meet
those friends around here.
They always show the power of life, even living in hell, they would
find out their heaven. Although it is always a hard-day, they never give
up and keep personal characteristic. Their biggest enemy, human,
should have a lesson from them. I show pieces of their life by photos,
hope that you can know more about them. You need not do anything
special, but at least, respect them and don’t try to hurt them.
I hope that you will like my street cats photos, as well as stray cats
on streets.
Contact info@streetcatfoto.hk
Websites
www.streetcatfoto.hk
www.pbase.com/micros
EXHIBITION 123
EXHIBITION 124 Kerick Wong
Age 22
Contact kerickkerickkerick@hotmail.com
EXHIBITION 125 Wilson Shieh
Contact chengshieh@hotmail.com
Contacts
j.e.peng@gmail.com
me@jih-epengphotography.com
Website www.jihepengphotography.com
EXHIBITION 127 CHEAPMAN
Name CHEAPMAN
CHEAPMAN是個善忘的小孩,喜歡找陌生人聊天,講自己的故
事,希望藉此確定自己的存在,恐怕一天善忘的習慣出現時,就
連自己也忘記了自己。
Contact info@cheapman.com.hk
Website www.cheapman.com.hk
Profile
1985: I was born in 1985.
Contact cheungkinwaiphoto@gmail.com
Website www.cheungkinwai.com
EXHIBITION 129 skin:inks
A result of a years’ planning and production, SKIN:INKS is the More exhibition and event images at:
ongoing ChinaStylus / Red Dog Tattoo Art Project... www.alivenotdead.com/skininks
Kicking off in June 08, the first exhibition launched with a ‘quiet’ Contact info@chinastylus.com
private event for over 300 at Racks in Central, with Sam Lee and Miss
Yellow supplying tunes for a crowd of celebs, tattoo artists, enthusiasts, www.chinastylus.com
supporters, TV crews and press. The exhibition featured 27 canvases www.reddogstudio.com.hk
by 20 different tattoo artists from 14 of Hong Kong’s finest tattoo
studios and ran for an entire month, culminating in a massive wrap
party, charity auction and live tattoo convention at CLIQ. This time
over 600 people showed up, serenaded by Bodhi and the mighty
Uptown Rockers with live tattoo demos by Gabe from Ace Dragon,
Julia from Starcrossed, Joey from Temple and Omar of Magic Tattoo.
Silky smooth superstar Michael Wong and the gorgeous Cara G
hosted the event, and pro auctioneer Jehan Chu put the artwork under
the hammer – raising a phenomenal HK$150,000 for youth outreach
charity Kely Support Group.
EXHIBITION 129
EXHIBITION 130 jen
Name Jen
Profile
Stay focus and lets DREAM ^.^
Stay calm and lets LIVE =.=
Contact polarbear_bhb@hotmail.com
Contacts
kadykit@hotmail.com
katy@reddogstudio.com.hk
Website www.katypangphotography.com
Name INVASIAN
Profile backbone for the street culture. The world’s first dedicated
Asian graffiti and culture magazine, INVASIAN, covers wide range of
countries such as Japan, Korea, Taiwan, Thailand, China, Indonesia,
Philipines, Malaysia, Singapore and Hong Kong. INVASIAN
magazine is among the few reporters on the subculture of street culture
within Asia. Besides graffiti, the magazine features an in-depth look
into music, events, interviews and fashion within the Asian region.
The magazine is printed quarterly and the contents are written in
English, Japanese and Chinese for the convenience of the readers.
Available at invasianmagazine.com, book stores and retailers around
the globe.
Contact info@invasianmagazine.com
Website www.invasianmagazine.com
EXHIBITION 132
EXHIBITION 133 Kalun leung
Contact kalun_leung@hotmail.com
Website www.flickr.com/photos/coolkalun
Contact fawnfruits@gmail.com
Website www.fawnfruits.com
Website www.alainyip.com
Blog http://hk.myblog.yahoo.com/alain-yip
EXHIBITION 135
EXHIBITION 136 a yip
Name A Yip
Profile
- studied Graphic design and illustration courses in
KTVTC from 1999-2000
Contact mayipo@gmail.com
Website www.ayip.hk
World
We cannot see.
Profile Johnny Dance was born in Australia, but has lived Melancholy has not colonised my mind
elsewhere. As he is right now. He has worked in a Fun Park and Yet what seems to be is darkness:
a Butchers, and currently works in an industry that can best be The Sun shines still reflected through the Moon
And with this mantle seems to reign almighty
described as an amalgam of the two. His first musical efforts will
Calls
Yet the humble servant wanders freely
be out later this year under the pseudonym of The Killing Words on
Although invisible in the smog to me
Broken Stone Records. My eyes catch no lumens from the heavens,
Only inert luminescence of the Neon.
Contact JohnnyDance@brokenstonerecords.com
Light
We went to see the fire. To taste acerb
All was gone, the street deserted and the water
Had quenched the dragon in the crowd
So we were dragged away.
To drink the drink of the Masochist: The Misere
A synthetic bitterness all together false
Quinine without salvation
Don Juan’s Misericord became our Processional
Home in
Child when you smile, you bring about confessionals, Better both than neither When the lock is turned with our key Carelessness with delivery will bring about annihilation. In turn becomes ‘The Spark
And lift the palette from the road to the sky, One or Nought is irrelevant when we are reliant on the either/or. This fate cast on us shall flee Repetition derives answers That lit The Flame.
And draw the sound of dawn’s faint drone away. Life is true when facts speak less than metaphor. and vision remain Repetition creates disasters Transmuting into infinite luminescence.
The mist shall concede the way I have loved before but never lived within
I dream in my narcolepsy, of seconds away with a return ticket. The fog-of-war leave our minds, Yet I yearn to continue to extend beyond. Where are the eights before the numbers?
Blankets
I Of arrows from the quiver shot amongst it Our enemies will vanquished be The shoulders are waiting for their burden;
When the light raids the room, Targets chosen merely from the bell curve, We shall regain command! These meditations are growing weaker by the day And the rafters anticipate the explosion
Night melds into daylight’s eminence Plucked from the moments quatrain Drifting away from singularity, We all gather for the inquisition,
The canker of the goings-on are made real, Heads with light so that we may live again. I shall sing with you this song, and it will ring; Focused more on mental clarity But the model prisoner has belayed
And imminent before us. And from this song truth will overflow from our lip’s meniscus Than prostration, The Solitaire over the penitentiary’s walls
of the
Affliction spreads and weakness weeps from the eyes; Tearing streams of it like ribbon Power than on humility Fifth freedom, six sigmas of celebration
Labours ladder for the climb to slumber, Jacobin. II In torrents overburdened by captivity, And while I try to increase the amplification, Conformity. Unionism. Down with the opposition
Softness and deftness appease a journey shortened, Trial and error will not suffice, Running, towards diffusion amongst the background radiation. They still seem to miss their mark along the way. (The Governor of the Shadows no longer knows
Capitulation gratifying, and none more pleased than I. Once you have tied the gold belt around your waist, To replace the ether condemned below, with our breath renewed what he’s talking about)
Hours turn in sweeping reversals; And carry sixteen ounces as your burden. So now false hopes deployed in holy places That deadweight is there as the balancing item:
Morning
And the silence of man calls for nature’s upheaval. Banality of excess has created the sourest legacies Fill up the walls with glory, with information; Carry the nine, and what remains of the old times?
Scratch bare the surface of the stone, and build to heaven III Free recall makes life an allegory
The world races forward to cling to the ground Remove the earth from the ground and send it to heaven I see it clearly now Bath the blood in sunlight. Absolute zero is a powerful enemy
While the ground grasps on too: And in exchange Madness an Reason are brothers Seep it into the stone to remind us we are going Zero points the boundless cavern.
The hopes and the dreams The firmament has been caught in turn Womb-sprung in battle And seep into the pockets to remind us of where we have been. When do the eyes close perfectly?
Are chalked and walked into pavements. And banished into hell Castor clinching Pollux in equal supremacy It is useless to care about any more than this When the ghosts inside the room decide
The heaviness of the crowd expels the air Not islands, but mere canals. Where we are going, and where we have been. “Enough is enough.”
The first horns force the first fresh breath to appear But still, there will come a time, Both lead with one hand and guide with the other. Process, aloneness and past places in collage
In a city resurrect, pulsating with blood and sweat When I shall sing a song with you, Breaking the cartilage in both noses in crude synchronicity Meld into something that resembles cohesion
We lie inert: Sediment upon the bed. Fortunes, will swing through great reversal, I would undertake an audit of such beliefs And this seems to be good enough Do not rationalise any of this.
You cannot frame the vision, for you do not see And upheaval. to put them into line, Meld into something that resembles cohesion Absorb the insanity of it all in feeling
But shatter enamel and erode away the fragments. Circumspection will drive the melody, If I didn’t believe that such soldiery would destroy the lifeblood. Three deep breaths, then pranayama:
Complexity brought down by attrition, While in duality, the cynicism and the love for the world The beast in the cage Revert into the infinite regress.
The smoothing of the land into rolling splendour All of this will be spun from foolhardiness and the lacklustre, Longs to tear into the hearts of all before him IV
Attrition it seems is enough to weather The callous and the mechanical Contradiction is how the left foot follows the right around this ring, Background radiation silences all critics.
not from the heart. Or is that the other way around? ‘It is the fool and the brazen who act in desperate harmony
The rock of this Prometheus is bleached bare by the sun My heartstrings have been already tied While the remnants bow down to the victor’
And his blood; He was not rescued, but sunk into the mud and then loosened from my neck Solitude should bring about some kind of answers. Power is useless in postulate form,
The grand art of man is not to progress, but to understand But when again tuned by you, Gifts of fleeting weight and farce. Unless seized by the martyr and dissipated through the fire,
The remnants of understanding fall beyond the bound’ry Then we shall sing: I have loved before but never lived within, Phlogiston and in time congregation, co-linearity
EXHIBITION 138 John Lam
Profile 1947年空難流落地星,經羅茲威爾入境移民香港。
因地星空氣含氧量日低,影響思想系統及語言能力,唯有借繪畫來與人類
溝通。
現為自由插畫師 ~ 畫作帶點童真,時而亮麗,偶爾沈鬱,背後常隱藏對扭
曲現實的悲嗚。意境遊走於現實和虛空之間,恍兮惚兮,其中有物,其中
有信......
Contact johntylam@yahoo.com.hk
Blog http://hk.myblog.yahoo.com/johntylam
Title: 不能存在的女兒
Title: 冷巷 Title: 燈影
Title: 別了
EXHIBITION 138
EXHIBITION 139 moe inaki
Nationality Japanese
Contact moeinaki@hotmail.com
EXHIBITION 140 Yumlart
Profile
doublewood™ 双木化工 - 化概念 為武功
願 有這一天
我的作品被油麻地街坊褔利會納入永久收藏品
願 有這一天
我的作品在我死後五十年仍有人大量複製
未能蘇富比 但願上 EBAY
Contact doublewood@live.hk
Website http://doublewoodoll.blogspot.com/
EXHIBITION 141
EXHIBITION 142 WZA x Know1edge riders
Contact laleeskin@yahoo.com
Name 4Get
Contact timothy_10@hotmail.com
Website www.flickr.com/photos/4getboutit/
Contact siukankay@hotmail.com
EXHIBITION 146 Enoch Cheung
Profile Enoch Cheung graduated from the Bachelor of Arts (Fine Art)
degree, jointly presented by the RMIT University and Hong Kong Art
School. He then received his Master degree in Fine Art at the RMIT
University, Australia. He taught at the Hong Kong Art School, HKICC
Lee Shau Kee School of Creativity, and now continues his study in
Europe.
His work has been shown in Hong Kong, Japan, Korea and Singapore
etc, including solo exhibition “Digital All” (Para/site, 2001) and
“Collective Memoabilia” (Too Art, 2007). Selected Group exhibition
includes “Temporal being” of Microwave International Media Art
Festival (2002), “Mapping Asia – 18th Asian International Art
Exhibition” (2003), “Move On Asia” – Animation & Single Channel
Video Art Festival (2004), Restore – October Contemporary (2007),
Time after Time (2007) and others. “Matter Dismatter - when art meets
new media” was jointly curated by 1a space and Enoch at 2004.
Contact enocheung01@yahoo.com.hk
Website www.enocheung.net
Blogs
shutenochdownx2.wordpress.com
Title: Not Agoraphobia
enochplayground.wordpress.com Medium: Photography
EXHIBITION 146
WHY WHO WHAT?
Galleri Magazine is a ChinaStylus and Red Dog Studio project. Its
purpose is to show that Hong Kong’s creative community is alive and
well and ready to be seen by the rest of the world. The magazine
celebrates arts and creativity of all kinds across the board without fear
or favour. It provides an outlet for ALL artists, particularly those without
the means (or inclination) to immerse themselves in the traditional art
world. The magazine has a numbered, limited edition print run of
3,000 copies for selective distribution.
By Post: Send a clearly labeled CD Rom containing all digital images If your works are selected we will send you an email letting you know
and text to: Galleri Magazine, G/F 8 Gutzlaff St, Central, Hong and inviting you to a spangly launch party!
Kong. Please do not send actual artwork – it may get damaged and
may not get returned – especially if we like it. Contributing your work in does not guarantee that it will be published.
All unpublished work will be taken in consideration for future issues...
If you do not get published immediately, don’t get nasty with us...
Material Requirements
We’re just trying to help here.
Images: Digital format only – 300 dpi high-resolution CMYK TIF files
All work submitted must be contributor’s original work and must not
Size: Full page trim size – max. 232mm (w) x 171mm (h)
contain any third-party logos, trademarks or copyright material.
Text: English or Chinese – in text document to include as much or as
Please do NOT place any credits on artwork. All credits will be
little information as each artist feels necessary – written biography/
placed in text.
profile, titles of artworks, contact details / website, image credits (if
applicable), size and medium (if applicable).
All material submitted will remain indefinitely in the Galleri archives
and will appear both in the magazine and on the Galleri website.
If files are incomplete or inadequate, the contribution will not be
By submitting your work you are giving us permission to reproduce
considered for inclusion. Harsh, but fair...
your work in Galleri Magazine, on the Galleri website and for the
associated promotion of both.
We will NEVER use your work for any other purpose other than that
stated above.