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Rise to Challenge-Composer'sNotes-BasicElements | Form

Rise to Challenge-Composer'sNotes-BasicElements | Form

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Published by Ennio A. Paola
Significant Music®™ Celebrating War of 1812-1815 | Peace of 2012-2015 Music Underscore: "Rise To Challenge - (In Jubilee)". A Companion of Brief Analysis & Basic Musical Elements.
Significant Music®™ Celebrating War of 1812-1815 | Peace of 2012-2015 Music Underscore: "Rise To Challenge - (In Jubilee)". A Companion of Brief Analysis & Basic Musical Elements.

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Published by: Ennio A. Paola on May 29, 2012
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04/09/2013

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R IS E T O C H AL L E NGE

~[ In Jubilee]~
Fife

Rise To Challenge
~ [
1812-15

# 2 & # 4
5

# & # .. œ

cue: Snare Drum Roll

An Original" | War of 1812 Bicentennial Opus Call | Signal: "Entry of Dignitaries" Tempo di Marcia Fife œ @J

In Jubilee
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] ~
2012-15 Ennio A. Paola

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©2011 Ennio A. Paola, ©/®2011

Significant Music®™

œ œ

œ. œ ˙ J

International copyright secured. All rights reserved. SOCAN # 73390078 War of 1812 - 1815 ~ Bicentennial Years 2012 - 2015 • Celebrating 200 Years of Peace • In Tacit Understanding

Significant Music

®™

ENNIO A. PAOLA, COMPOSER / DIRECTOR OF MUSIC

“Rise To Challenge - [In Jubilee]”
While “Rise To Challenge - [In Jubilee]” has been composed to celebrate 200 Years of Peace, it does offer a unique glimpse into the uses and practices of 18th and 19th Century Music, as associated through War of 1812-1815 activities. Originally scored for Period Fife and Drums, this music pays tribute to two coexisting realities; balancing the desire to evoke a sense of normalcy -- with spirited, enlightened enjoyment at a time of peace and away from fields of battle; with the need to adhere to strict, disciplinary drills of military precision --- specifically designed to prepare for, and to execute during actions of war. Today, beyond it’s original scope, “Rise To Challenge - [In Jubilee]” serves as a contemporary invitation for youth to step back, explore the War of 18121815 through yesteryear’s music; then move forward with respect, and in celebration, by re-enacting the ways of old sounds and traditional stylings via 21st Century Media tools.

For additional “Rise To Challenge - [In Jubilee]” Educational projects & information, contact:

Ennio A. Paola
Composer | Director of Music sigmuse@pathcom.com

Rise To Challenge (In Jubilee) - solo Fife

• WAR OF 1812-1815 | BICENTENNIAL | 2012-2015 •
• PERFORMANCE MUSIC OPPORTUNITY FOR YOUTH
(AGES 10 TO 18 YRS.)

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• • Media Sponsors

18th & 19th Century Rules
• Performance Posture • Drumming Rudiments

Announcing !
“RISE TO CHALLENGE
[IN JUBILEE]” (Fife Solo)
Audio Sampler: Track 1 “At times -- a single melodic code is all the music required”
http://radio3.cbc.ca/#/artists/Significant-MusicTM

20th & 21st Century e-Media
• “YouTube” Video Muster • Social Media

• FOR YOUTH MUSIC PERFORMANCE UPDATES • contact: sigmuse@pathcom.com

“Rise to Challenge - [In Jubilee]”
• COMPOSER’S NOTES • BASIC ELEMENTS OF MUSIC •

Timbre Texture Tempo Meter

Fifes & Drums 2 Parts (Each in Unison) - Fifes | Drums (Snare Drums/Bass Drum) March [Entry March] - Call | Signal: “Entry of Dignitaries” 2 4

Dynamics Pitch

f

(forte)

Diatonic; D Major
(*note: Composers have, knowingly, on occasion, associated the Key of D minor with “Death”)

In “Rise To Challenge”, parallel Key of D Major respectfully maintains that association; however, in this instance, Tonic Note “D” merely underscores that role -- while the Major Mode, respectfully elevates the act of taking action on to supersede that fate.)

Form

Ternary - | Intro. [Capo] | A | B | A | Coda | Introduction [Capo] (alla Reveille) m. 1 - m. 4

Part A (Call | Response) m. 5 - m. 13 Part B (Social Motive /w Elements of Entertainment) m. 14 - m. 21 Part A (Call | Response) m. 22 - m. 30

Coda (alla Taptoo) m. 33 - m. 40

Rhythm

(Commonly favoured

Rhythmic Étude Patterns)

Introduction [Capo]

Part A : “Rise To Challenge” Theme

Part B “In Jubilee” Theme

Coda

Note: Coda is a Rhythmic Augmentation of the Intro. (x2)

(Comonly favoured Rhythmic

Étude Patterns | Snare Drum Line)

Introduction & Part A

7 Stroke Roll

Flam Paradiddle

R

L

L

R LR R

R

L RLL

Part B

Single Stroke Seven

R L R L R L R

Coda

Flam Paradiddle
L

R L R

R

R

L R

L L

(Commonly favoured Rhythmic

Étude Patterns | Bass Drum Line

Introduction [Capo]

Part A

Part B

Coda

MELODIC FEATURES
Introduction [Capo]

Alla Reveille

Part A: “RIse To Challenge” Theme: Call | Response

Call

Response (A)

Call

Response (B)

Coda Alla Taptoo

Note: Coda is a Rhythmic Augmentation of Response (B)

Part B: “In Jubilee” Theme: Social Motive /w Elements of Entertainment

Additional Notes: (1) Opening 2 measures of Part B is a Parody of the well-known, traditional, nursery rhyme "London Bridge Is Falling Down" (also known as "My Fair Lady")

(2) The use of Parody was widespread during the Regency Period; including the National Anthem of the United States of America;“The Star Spangled Banner” sung to the British drinking song “To Anacreon in Heaven”.

Additional e-Links
“Rise To Challenge - (In Jubilee)” Web Site

-

Facebook Page

1812-15 in 2012-15: “Rise To Challenge - (In Jubilee)” Sheet Music Options -Fife: http://enniopaola.musicaneo.com/sheetmusic/sm-160955_rise_to_challenge_in_jubilee_-_solo_fi fe.html

-Drums: (Snare Drums | Bass Drum)
http://enniopaola.musicaneo.com/sheetmusic/sm-162145_rise_to_challenge_-_in_jubilee_-_snar e_drums_bass_drum.html

FINAL NOTES : ABOUT ... TITLE “Rise to Challenge - [In Jubilee]”
“Rise To Challenge” - Refers to: Meeting of various “Challenges” faced by all parties engaged in conflict; both, on fields of battle, and away from family, friends & home. “In Jubilee” - Coincidentally falling during 2012, Diamond Jubilee Year of Her Majesty, Queen Elizabeth II; here, referring to the joyous occasion of observing Trinational, Bicentennial Events marking, War of 1812 -1815 /w Peace of 2012 - 2015 Celebrations.

... ABOUT ... March Tempo
Background: European March Music British Marches use a stately pace ca. 88-112 beats per minute. German Marches move at very strict 110 beats per minute Napoleon Bonaparte adapted 120 beats, or steps, per minute as a March Tempo, in order to move his armies faster.

APPROPRIATE March Tempo for “Rise to Challenge - [In Jubilee]”
Clearly marked March [Entry March] - Call | Signal: “Entry of Dignitaries” A stately “British” pace ca. 88-112 beats per minute is most appropriate here; with “contemporary audiences” serving as Witnesses of Peace to the “Memories of Dignitaries of War 1812-1815”.

Ennio A. Paola, Composer | Director of Music

Significant Music®™

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