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her to make the movie of her dreams would be a good script. It seems that as
much as Leef was able to make us all dream of a better and more just society,
she too is unable to imagine film financing without script-based selection.
On this topic, we talk with Katriel Schori, director of the Israel Film Fund, in
celebration of the funds 30th anniversary.
We are proud to offer you this issue and hope our readers, like us, are somehow
also new people. The summer 2011 revolution made us all more than we were
before. We have no reason to go back to June 2011 - today we are much younger.
Enjoy the issue,
Maarvon New Film Magazine

Forward
We publish the current issue of Maarvon New Film Magazine in the midst of
the Tent Revolution. Several of the leaders of this movement studied at the Tel
Aviv University Film School. The way the protest is organized is in many ways
true to cinematic production teamwork, coordination and orchestration as
well as rejection of symbolic and abstract concepts, while insisting on concrete
and present things. The Republic of the Tents was set up just as it seemed that
everyone accepts the rules of winner takes all mentality that which prevails
in Reality shows and poker games (which were very popular in Tel Aviv just
before the revolution began). This logic of winner takes all, can be seen also in
the periodical waves of Oscar wins the last film to have won all the Oscars,
The Kings Speech (Tom Hooper, 2010), received the 2011 awards for best motion
picture, best actor in leading role, best original screenplay and best director.
The Kings Speech, together with Schindlers List (Steven Spielberg, 1993)
and A Beautiful Mind (Ron Howard, 2001), make a trilogy of ideological films
which won all the Oscars. These films, made after the collapse of the Soviet
Bloc, promote Capitals Technocratic Fascism; Schindler is the businessman as
savior, John Nashs paranoid Game Theory is the way to organize society, and
King George VI proves that politics is merely rhetorics. Yet, as the curtain falls
on this regime of Capital from Madrid to Cairo, from Santiago to Athens and
Tel Aviv-Jaffa a film like Abderrahmane Sissakos speculative Bamako (2006),
in which the World Bank and the IMF are trialed in a mud-walled courtyard in
Mali, Africa (see Maarvon 3+4), becomes reality.
In our current issue, we dedicate a dossier to filmmaker Ram Loevy, Avishai
Sivans The Wanderer receives a thorough review, film critic Shmulik Duvdevani
and film director Doron Tsabari sit down to discuss cinema and television
between documentary and reality shows, Yamin Messikas male characters
burst into tears, 1960 adventure film Burning Sands gets revisited, and we
bring documentation and words from the Tent Revolutions Struggle Cinema,
initiated by Maarvons editorial board member Dani Rosenberg.A special dossier
is devoted to Jean-Luc Godard and to his latest Film Socialism, the works of
British documentarist Adam Curtis and Catalan filmmaker Albert Serra receive
a close reading, Cinema-Scope editor Mark Peranson, who together with Serra
was a guest of Maarvon for a special program curated by editorial board member
Tom Shoval, writes about the latest trends in Arthouse cinema, Gay Vanilla
films and the Berlin Porn Festival get a closer look.
When asked by a financial newspaper in Israel about her future plans, Daphni
Leef, a 25 year old video editor, who began the whole Tent Revolution, answered
that she would like to make a film. She added that the only thing that will get

Table of content
06.
14.
20.

I just saw that... Dan Shoval, Mati Shemoelof, Jonathan Gal, Adam Aboulafia,
Joshua Simon and Tom Shoval. Bite-sized crits of recent films
Dani Rosenberg Struggle Cinema a diary
Jafer Panahi Jacusse: the Iranian filmmakers declaration during his trial in
Tehran. Translation and background by Tom Shoval
Maarvon Special: Ram L oevy

24.
32.
36.
44.
50.

56.

I am Ahmed Loevy discusses his cinematic beginnings with Dani Rosenberg


Hold on to your sits Loevys vision for the Israeli cinema in 2019

Ofri Ilany Vanilla Shake: Gay-porn and the anal blind spot of hetero-porn
Asaf Korman The Benjamin Clan: On Avishai Sivans The Wanderer
Dan Shoval The Century of Video: Adam Curtiss masterpiece of abstract
documentary It Felt Like a Kiss
Natalie Baruch Cry baby: Yamin Massikas teary men
Maarvon Special: Jean-Luc Godard

60.
64.
72.
78.

82.
92.
96.
106.
112.
118.

The Leopard: Godard at 80 and Beyond Introduction by Joshua Simon


Gaddafi, Greece, the Oscars and the contrary Interview with Jean Mark
Lalanne. Translated by Jennifer Abessira
Film Socialism film review by Tom Shoval
Ici et ailleures a 1977 lecture by Serge Daney.Translation and background
by Joshua Simon

Shmulik Duvdevani and Doron Tsabari I am Anne Frank: a film critic and a
director discuss the politics of self portrait in documentary and reality TV
Tom Shoval Don Quixote in the shower Or The films of Albert Serra
Nessia Shafran All roads lead to Petra: Burning sands revisited
Ari Libsker Does being a lesbian make you a feminist?, a report from the
Berlin Porn Film Festival
Mark Peranson Another Year: how Arthouse films have changed
Katriel Schori in conversation with Karin Rywkind Segal and Joshua Simon Scripted
30 years to the Israel Film Fund

Maar avon (We s te r n)


New Film Magazine, Israel
Winter 2011 / Issue No. 7

Editor in chief: Joshua Simon


Managing Director: Karin Rywkind Segal
Design: Avi Bohbot
Editorial Coordinator: Jennifer Abessira
Maarvon is a publication of Maayan Magazine
Cover: Jean-Luc Godard is 80 years old
Website and Translations:
www.maayanmagazine.com
maayanmagazine@gmail.com
P.O.B 16277, Tel Aviv-Jaffa 61162, Israel