Where's Mom? TODD Is my head going to swell up? TOM What?! JEANIE OH, MY GOD! THE TOILET PAPER'S ALL WET!!! MOTHER (JOYCE) (screams) TOM! The house falls dead SILENT. We hear footsteps thundering through the house. A TENSE STRAIN OF MUSIC FADES UP. TODD What's that? KIMBERLY Wait! Hold still! TODD What?! KIMBERLY You heads starting to swell up!! Todd screams. We hear the sound of Tom's footsteps running through the kitchen, down the hall, up the stairs, up the hallway. A door open. TOM (breathless) What's the matter? JOYCE (worried) It's Ferris! TOM What's wrong? JOYCE (snaps) What's wrong? For Christ's sake! Look at him! 2 CLOSE-UP. FERRIS An eighteen year-old boy. He's staring lifelessly at CAMERA. His mouth's open. His eyes are bugged-out. His tongue is fat and dry in his mouth. He's laying in bed, on his side. 3 INT. BOY'S BEDROOM Ferris' parents, TOM and JOYCE BUELLER are standing at bedside. They're in their late forties, early fifties. Handsome, upper-middle class parents. They're both dressed 3 2

for work. TOM Ferris? JOYCE He doesn't have a fever. But he says his stomach hurts and he's seeing spots. 4 CLOSE-UP. FERRIS His lifeless eyes blink. 5 INT. BEDROOM. PARENTS Tom bends down and touches Ferris' forehead. TOM What's the matter, Ferris? JOYCE Feel his hands. They're cold and clammy. Tom takes one of Ferris' hands. TOM (discreetly) Should you call the doctor? JOYCE (whispers) He doesn't want me to. TOM Why don't you want Mom to call the doctor? Ferris exhales loudly. He tries to speak but all he can manage is a choked gasp. TOM What? Ferris tries again. FERRIS (raspy) Don't make a fuss. I'm fine. I'll get up. He starts to get up. Joyce gently pushes him back down. FERRIS I have a test today. I have to take it. I want to get into a good college so I can have a fruitful life... JOYCE You're not going to school like this. (to Tom) Maybe I should call the office and 5 4

It's so unfair. Cherish it. TOM That's enough. Jeanie.tell them I won't be in. are you? Tell me you're not falling for this. JEAN Yeah. JEANIE (angry. KIMBERLY Myocardial infarction? JOYCE . TODD and sister.Oh. Jeanie? JEANIE Pucker up and squat. JEANIE (to herself) Oh. Mom. walks into the room. She's cute and stuck-up. If I was bleeding out my eyes. Jeanie. She glares at Ferris. FERRIS Please don't be upset with me. His body stiffens and he chokes. What's this? What's his problem? JOYCE He doesn't feel well. I wanna puke. Dry that one out and you can fertilize the lawn. Ferris. Get to school. A major pill.. His older sister. Be thankful that you're fit and have your health. JEAN Oh. Jeanie. I feel perfectly. FERRIS I'm okay. defeated) You're really letting him stay home? I can't believe this. you guys'd make me go to school.. She slips out of the room. Ferris' brother. JEANIE. FERRIS Is that Jeanie? I can't see that far. JEANIE You're not falling for this. right. Her eyes are mascara and vengence. fine. JOYCE (annoyed) Thank you. God! He's gripped by a seizure. KIMBERLY peek into the room. She's dressed for school.

TOM I'll check it with you.. too. TOM Get downstairs! KIMBERLY If he dies. You're both very special people. KIMBERLY Syphilitic meningitus? That would be a huge family embarrassment. caring parents. if you need me. I got dibs on his stereo. My office'll know where I am.. 6 CU. Daddy'll be right down. KIMBERLY (OC) A WATERMELON! TODD (yells out the room) Shut-up! JOYCE Get downstairs! NOW! Todd backs out of the room. I'll just sleep. She turns sharply and exits. FERRIS It's nice to know I have such loving. FERRIS I'll be okay.Get your stuff. FERRIS 6 . JOYCE (to Ferris) I'm showing houses to the family from California today but I'll be in the area. Maybe I'll have an aspirin around noon. TODD (worried) Dad? Does my head look alright? JOYCE Get downstairs! Now! TODD Just answer me one question! Is it swelling up? Kim said it was going to get as big as.

little smile crawls across his lips. She leans down and kisses his forehead. It's a good. pumpkin. 8 CU. 9 CU. JOYCE (OC) We love you. BEDROOM Ferris yanks open the drapes. 10 INT. TOM (OC) Call if you need us. Parents are generally pretty hip to the fever scams. FERRIS Parents always fall for the clammy hands. The MTV theme music ROARS IN. BEDROOM. FERRIS Ferris lets out a wheeze. (looks out the window) What a beautiful day! He turns from the window. You get a nervous mother and you end up in a doctor's office 10 9 8 7 . non-specific symptom. Tom pats his shoulder. TV SCREEN The TV at the foot of Ferris' bed. 7 INT. FERRIS They bought it. JOYCE She strokes Ferris' hair.He acknowledges Tom with a pathetic flutter of his eyelids. His glassy eyes follow his parents to the door. JOYCE I hope you feel better. They close the door. FERRIS Incredible! One of the worst performances of my career and they never doubted it for a second. sweetie. The lock clicks. Ferris' eyes shift from the door to CAMERA. hundred and two. The pall of the sickroom disappears in the brilliant glow of morning sunlight. TOM Get some rest. It's physical evidence of illness. The MTV logo is playing. A sly. And to make them work you have to go a hundred and one.

He flips on his stereo and fills the room with the MTV broadcast. who gives a shit if they're socialists? They could be fascist anarchists and it still wouldn't change the fact that I don't own a car. FERRIS I do actually have a test. moaning and wailing. Right? He equalizes the sound a little. A NEW SONG begins. FERRIS Fake a stomach cramp and when you're doubled over. That wasn't bullshit. So. Through the pebbled glass of the shower door we see Ferris' outline. BATHROOM Ferris walks into the bathroom. He pops up. really. I don't plan to be European. This If I have must FERRIS is my ninth sick day with semester. just lick your palms. It's moulded into a fin with shampoo. BATHROOM. 12 INT. It's a little stupid and childish but then so if high school. FERRIS That I care about it was. He exits into the hallway. SHOWER STALL. I absolutely make this one count. 11 INT. FERRIS I don't care if you're fifty five or seven. 12 11 . FERRIS It's on European socialism. It's littered with Jean's debris. It's a beautiful day. What's the point? I'm not European. I mean. How can I be expected to handle high school? He bends down OUT OF FRAME as he loses his briefs. He steps into the shower.and that's worse than school. Ferris' hair is standing straight up. So. Inside the shower. I'm probably going to to barf up a lung. everybody needs a day off now and then. He turns on the shower water. go for ten.

Two weeks. LATER Ferris comes out of the bathroom with a towel wrapped around his waist. HALLWAY. (pause) Be careful when you deal with old hippies. BEDROOM Ferris tosses the towel he's dried hair with on the bed. He should believe in himself. in my opinion are not good. They can be real touchy. "I don't believe in Beatles. TWIST AND SHOUT. John Lennon said it on his first solo album." A good point there... "What's the deal. 14 INT. Uncle Jeff? In wartime you want to be a pacifist and in peacetime you want to be a soldier. FERRIS (sings) WELL SHAKE IT UP. He opens his door. "Isms". He passes CAMERA and goes into his room. 13 INT. FERRIS Not that I condone fascism. BABY. He opens a linen closet and tosses the towel in it. 14 13 ... I just believe in me. He's drying his hair with another of a different color. FERRIS I could be the Walrus and I'd still have to bum rides off people. It took you twenty years to find out you don't believe in anything?" (snaps his fingers) Grounded. he was the Walrus. Or and "isms". So I said.He turns the shower head around and uses it like a microphone. Afterall. FERRIS My uncle went to Canada to protest the war. right? On the Fourth of July he was down with my aunt and he got drunk and told my Dad he felt guilty he didn't fight in Viet Nam. Just like that. FERRIS (OC) I'm not very political? Let me put that into perspective. A person should not believe in an "ism".

(pause) My parents never allowed Garth over here. 16 . if I was him. I mean. Better to hold it against the guys who use her and don't care about her. She only puts out so people will hang out with her. I once watched the guy eat a whole bowl of artificial fruit just so he could see what it was like to have his stomach pumped. There was no specific thing he was crying about. FERRIS In eighth grade a friend of mine made a bong out of one of these. He picks it up. She got old. I hope not. I asked him what was wrong and he said. FERRIS My mother was a hippie. FERRIS His name is Garth Volbeck. He opens his underwear drawer. I like him. But she lost it. I could see them not wanting his brother here because he is a registered psycho. It's sad but I don't hold it against her. 15 16 INT. Alot of fights with the parents on that point. I wouldn't want him here. He pulls out a pair of underwear. Not a bad guy. Mainly his older brother. It'll probably be mine. I do what I can for him. I always felt for Garth. It was because of his family. Do unto others. There's an old model of a submarine on the top of the dresser.. He's a serious outsider. He steps back from the closet and puts it on. Nostalgia is her favorite drug. If she listens to the White Album now? She doesn't hear music. . He finds a shirt he likes. It isn't his fault that his brother's screwed-up. I was sleeping at his house once and I was laying on the dark worrying that his brother was going to come in and hack me to death with an ax and I heard Garth crying. too. He gets dressed as he speaks. The smoke tasted like glue. I'd appreciate it. his mother owns a gas station. I'm probably his only friend.. she hears memories. Nothing was wrong. His father's dead and his sister's rumored to be a prostitute. But Garth isn't his brother. CLOSET The door opens and Ferris rifles through his shirts.15 INT. He drops the towel. He's in jail. "Nothing". which is complete bullshit. BEDROOM He walks across the room to his dresser. right? Anyway.

Otherwise you get all nervous worrying about what to do and all you get is grief and the whole point is to take it easy. 17 INT. Gone from school. He doesn't like what he's wearing. he can't sleep. FERRIS One very serious danger is playing sick is that it's possible to believe your own act. I myself have ditched and gotten so bored I did homework. FERRIS Unfortunately. Alot of people ditch and feel great for about an hour. FERRIS 18 17 . He crosses to the pantry. He's eighteen. HOUSE. TV and food. He looks at himself in the mirror on the back of his closet door. His legacy is a gas station. he wasn't really even aware that he was crying. KITCHEN Ferris comes into the kitchen and crosses to the refrigerator. Gone from life. Then they realize there's nothing to do. Figure that shit out. Garth doesn't need his brother to give him a rep anymore. now my parents have a legit argument. FERRIS You have to plan things out before you take the day off. FERRIS That and boredom. they do feel for him but still the guy's banned from our house. STAIRCASE Ferris comes down the stairs. cut loose and enjoy. It was a habit.In fact. It's over for him. He takes a sip out of a bottle of orange juice. The guy's so conditioned to grief that if he doesn't feel it. He's getting one on his own. He's wearing a completely different outfit. How could you possibly dump on guy who has to deal with that kinda shit? My parents acknowledge the trudge of the situation and I'm sure that deep down. 18 INT. He continues his speech as he disrobes. He's lost. He just cried himself to sleep every night.

FERRIS That's just one reason why I need a day off every now and then. Do it right. FERRIS Some guy whose hair is falling out and his stomach's hanging over his belt and everything he eats makes him fart.shelter. FERRIS Avoid the misery. dreary sick room. he looks at someone like me and thinks... We don't see his face. He sets it in his lap. you're going to wish you'd gone to school so you could be out having fun.. 23 22 21 20 19 . what's he got to bitch about?" 20 CU.You blow your day and at about three o'clock.. 21 INT. PHONE He punches out a number. CAMERON FRYE.. 19 INT. floor strewn with used tissues. Plan your day.no. FAMILY ROOM Ferris walks in and flops down in an armchair. A prime house in a prime location. He emerges from the pantry with a handful of Oreos. nightstand a still-life of over the counter remedies. modern house on a couple of deeply wooded acres. only a silhouette with a thermometer sticking out his mouth.. He reaches over and picks up the telephone. when everybody's out of school.. Shades drawn. FAMILY ROOM. FERRIS There's alot of pressure at work in my age group.. 22 EXT. U2's SUNDAY BLOODY SUNDAY is playing. BOY'S BEDROOM It's a dark. ANOTHER HOUSE A sleek. is laying in bed. CAMERON Food. He's mumbling random words. "This kid's young and strong and has a full. A telephone rings OVER. FERRIS He remote controls the TV on. A high school boy.yes. And it's not always recognized. 23 INT. rich future ahead of him.

Ferris. CAMERON (weak) Hello? FERRIS' VOICE Cameron! What's happening? CAMERON Very little. CAMERON I'm dying. come on over and pick me up. Get dressed and come over. Where are you? FERRIS' VOICE Home. Cameron slowly hangs up the phone. Come on over. FERRIS' VOICE Is your mother in the room? Cameron takes the thermometer out of his mouth. I can't go anywhere. FERRIS' VOICE I'm sorry to hear that. CAMERON'S ROOM Cameron's insistant. Now. 24 INT. CAMERON She's not home. 25 INT. I'm sick. FERRIS Ferris is sprawled out in the chair. FERRIS It's all in your head. 25 24 . His hand reaches back and hits the speaker phone button. CAMERON'S VOICE I can't. FERRIS' FAMILY ROOM. Ferris disconnects. FERRIS I'm taking the day off. FERRIS' VOICE How do you feel? CAMERON Shredded.The phone rings. CAMERON I feel like complete shit.

. FERRIS If anybody needs a day off. HALLWAY We hear roll call as CAMERA MOVES ACROSS the tile floor. His roommate'll kill him. CAMERA enters a classroom. (after-thought) And Cameron would worry that he'd owe taxes on it. TEACHER'S VOICE Busch? GIRL'S VOICE 27 26 . It travels past a teacher's Hush Puppies and heads up an aisle of desk past dirty yellow Reebocks. scuffed heels. FERRIS' FAMILY ROOM Ferris hangs up. rotting Air Jordans. TEACHER'S VOICE Anheiser? BOY'S VOICE Here.. But I like him. it's Cameron. TEACHER'S VOICE Albers? BOY'S VOICE Here. Cameron hits the speaker button. The boy cannot relax. SCHOOL. TEACHER'S VOICE Anderson. He's a little easier to take when you know why he's like he is.The phone rings again. in two weeks you'd have a diamond. GIRL'S VOICE Here. FERRIS' VOICE You're not dying. 26 INT. A shoe's POV. He can't be wound this tight and go to college. I've come close myself. Pardon by French but Cameron is so tight that if you stuck a lump of coal up his ass. He has alot of things to sort out before he graduates. pristine loafers. You just can't think of anything good to do. 27 INT.

28 . CU. TEACHER'S VOICE Drucker? BOY'S VOICE What? WOUND-OUT CAR ENGINES COME UP LOUD. He's steering. CU. INT. (pause) My best friend's sister's boyfriend's brother's girlfriend heard from this guy who knows this kid who's going with a girl who saw Ferris pass-out at 31 Flavors last night. TEACHER'S VOICE Bueller? GIRL'S VOICE He's sick. TEACHER'S VOICE (weary) Thank you. FERRIS He's sitting in the arm chair pretending it's Humongous' war wagon. TEACHER'S VOICE Bueller? CAMERA reaches the last desk and rises slowly to reveal that it's empty.Here. 28 CU. The big chase at the end. He's wearing a hockey mash. CU. TV Humongous reaches down and grabs a real nitrous oxide valve. TV THE ROAD WARRIOR is playing on video cassette. He gives it a twist. TV The force of the rapid acceleration of his vehicle throws Humongous back in his seat. FAMILY ROOM. He reaches down and grabs an imaginary nitrous oxide valve. Simone. GIRL'S VOICE (cheery) No problem whatsoever. I guess it's pretty serious. FERRIS He throws himself back against the chair.

A flowering crabtree branch. In times of crisis one must to what one must to. With interest. He comes up with a crumpled dollar bill. FERRIS This is really degrading. FERRIS Arms outstretched. books. CU. It's Jeanie's room. TV IMPACT! MOZART COMES UP. head thrown back. CU. TV The war wagon is heading for a head-on collision with the tanker truck. He comes up with a five. FLOWERING TREE BRANCH Outside a bedroom window. Clothes everywhere. 29 CU. Very damaging to the self-image. hey. you should not alientate them. I'll pay it back. CU. FERRIS He rears back in horror. A pink and powder blue pig pen. Because most likely they have cash and it's usually very easy to get your hands on. CU. Petite pink flowers. braced for collision. how often they rat on you.CU. Ferris is sitting on her bed going through a purse. FERRIS He bounces himself in the chair to simulate the bumpy high speed ride. FERRIS Regardless of how much shit sisters make you eat. He holds up a twenty and snaps it. But. I'm broke. records. CU. TV The was wagon hurtles down the road. make-up. PINK FLOYD'S "MONEY" 29 . FERRIS Financing my activities this way. WE PULL BACK FROM THE WINDOW INTO THE ROOM. how gross they act or how wicked and insensitive they can be.

PARENTS' BEDROOM Ferris is going through his father's pants pockets. A hand peels the bills off the backing. 37 CU. 38 CU. new five. A roll of Tums. A U. A screwdriver tip wedges between the two pieces of Lucite and pops them apart. He comes up with a ball of Kleenex. BIRTHDAY CARD It's a child's card. LIVING ROOM The song plays as Ferris digs through the sofa cushions. SOFA Ferris extracts a sticky quarter from a crevice. Then a modest wad of bills. COIN COLLECTION The familiar blue collector's album. LUCITE ENCASED PROOF SET An obvious gift from a grandparent. A ten. the quarters are being popped out of their slots. It's slowly opened to reveal a crisp. hard. bleached singles that have gone through the wash lay on top of the washer. 33 CU. KITCHEN DRAWER Hands ripping through the kitchen junk drawer. 31 INT. 40 CU. Mint proof set. FLOOR AND BED 40 39 38 37 36 35 34 33 32 31 30 .COMES UP. SNOOPY BANK It's being shaken furiously. VACCUUM CLEANER The dusty. WASHING MACHINE TOP A couple of stiff. A hand scoops them up.S. 36 CU. a five and a single enclosed in a lucite frame. HALL CLOSET The door opens and Ferris thrusts his hands into the pockets of the coats. 32 CU. dirty contents of the bag are emptied on the floor. He closes the door. Another crumpled bill surfaces. 35 CU. 39 INT. CU. His face lights up as he counts out the cash. A squirt gun. Locating a dollar bill. 30 INT. One-by-one. 34 CU. Fingers pick a dime out of a matted wad of filth.

48 47 46 45 44 43 42 41 . a five dollar bill. a charred doll's head. Volbeck's dead set against putting any money into the house. She take the call. Not even those jerks from Vermont. KITCHEN Ferris is on his hands and knees under the kitchen table. The SONG ENDS. 43 CU. 45 CU. I'm so sorry. HIGH SCHOOL A modern. 48 EXT. A cute little building in town. It pries the door open. JOYCE No one's going to consider a house with a black living room. finally. 41 CU. suburban high school. a Zippo lighter and. FERRIS' BED A shower of coins and bills rain down on the sheets. MORNING A suburban realty company. AGENT 1 Mrs. Joyce's phone intercom buzzes. Inside are trading cards. BANK It's on a work bench. JOYCE Joyce Bueller. Her eyes open wide with alarm. An awl is driven in between the door and the jamb. Across from her are two WOMEN. TABLE LEG Ferris lifts the leg and removes a quarter that's been used to balance the table. my God. 42 INT. 47 INT. REAL ESTATE OFFICE. OFFICE Joyce is behind a desk. They're also real estate agents. JOYCE Oh. His arm reaches out for a small metal bank hidden under the bed. I completely forgot to call.Ferris' face appears between the bed and the floor. 46 EXT. KITCHEN Ferris stands up and pockets the quarter. 44 INT. Let's be realistic.

ROONEY I just has his file up. Behind him is a computer terminal. I had a meeting first thing this morning. he's sorely mistaken. CU. HALLWAY It's a passing period. DEAN ED ROONEY is sitting behind his desk. EDWARD R. DEAN'S OUTER OFFICE A SECRETARY is at work at her desk. CU. COMPUTER MONITOR The monitor on Rooney's desk displays Ferris' records. JOYCE'S VOICE I don't understand. He's toying with a pencil. I should have called. CU. clean and straight as an I-beam. DEAN'S VOICE Are you also aware that Ferris does not have what we consider an exemplary attendance record? 51 INT. SCHOOL. He's confident to the point of arrogance. Ferris is home sick. DESK SIGN It reads. ROONEY. 50 INT. It completely slipped my mind. OFFICE. Bueller. suit and tie.MAN'S VOICE Are you aware that your son is not in school today? 49 INT. We hear the dean inside the office. DEAD OF STUDENTS. SCHOOL. The dean's feet are up on the desk. Short. I am. Mrs. DEAN'S OFFICE. 51 50 49 . JOYCE'S VOICE This is all news to me. neatly combed hair. He removes his feet from the desk and turns in his swivel chair. ROONEY If Ferris thinks he coast this last month and still graduate. JOYCE'S VOICE Yes. DEAN'S VOICE I just had his file up. INT. The hall is clogged with students. Moderately priced dress shoes. behind the sign. He's tough.

ROONEY I have it right here in front of me. How's that for being born under a bad sign? 53 INT. he's been absent nine times. He looks closer at the screen. INT. JOYCE I can give you every assurance that Ferris is home and that he is. very ill.ROONEY'S VOICE So far this semester alone. LED METERS The meters on the amplifier are totally in the danger zone. He reads off the screen. I debated whether or not I should even leave him. He's playing. SOLO GUITAR. CU. FERRIS' BEDROOM MUSIC BLASTS. in fact. but in Ferris' case. 54 53 52 . 52 INT. Including today.. CU. he's truly a very sick boy. OFFICE Rooney turns to the monitor. JOYCE'S OFFICE She's still on the phone with Rooney. 54 INT. He has his record up on the screen. I can appreciate that at this time of year children are prone to taking the day off. CU. TV MONITOR We see Ferris in his room with a guitar around his neck. He's missed. SPEAKER The grille cloth is throbbing.. I got a computer. FERRIS I wanted a car. FERRIS' ROOM Ferris is at his Macintosh computer. JOYCE'S VOICE Nine times? Under DAYS MISSED we see a number 9 suddenly change to a number 2.

CU. 57 INT. SCHOOL. VIDEO CAMERA A home video camera is capturing Ferris on tape. They said he's like on the verge of death. 58 INT. I mean I heard he's really sick. man. 55 INT. I don't know. GIRL A whole bunch of people. GIRL This guy in my biology class said that if Ferris dies he's giving his eyes to Stevie Wonder? He's really sweet isn't he? She smiles and exits. GIRL No. FERRIS A sample of my blood was sent to Atlanta to the Center for Disease Control. She kicks her locker shut. GIRL I'm really sorry about your brother. I'm bricking heavily. A GIRLFRIEND comes up to her. SCHOOL. JEANIE Who said he's sick. (to the phone) Did you see Alien? When the guy had the creature in his stomach? It feels like that. HALLWAY 58 57 56 55 . Jeanie cocks her head in bewilderment. (point to the phone) Freshman. Jeanie stares incredulously at the girl. FERRIS' ROOM He's in bed on the phone. HALLWAY Jeanie is at her locker during a passing period. He sighs deeply and fall back on the bed. 56 INT. CAMERON'S ROOM He's sitting on the edge of the bed buttoning his shirt. JEANIE What're you sorry for? I have to live with the trouser snake.

. BOY Anyway. I can't handle summer school. He's getting me out of summer school. He's really wasted. BOY You never rented the video cassette? Second boy shakes his head. (pause) Huh?. THIRD BOY (to the Second Boy) Who's he talking to? SECOND BOY Ferris Bueller. A couple of his BUDDIES are standing at his side waiting anxiously for news.. no. SECOND BOY (to Third Boy) Shit. I hope he doesn't die. The boy snatches a passing GIRL. BOY Did you see Alien? GIRL Yeah. You know him? THIRD BOY (excited) Yeah. BOY Goddamn! Are you kidding? SECOND BOY What? BOY Did you see Alien? SECOND BOY No. I appreciate you letting us know how you're doing. BOY Oh. why? He hands her the phone.A FRESHMAN BOY is on the pay phone. Hold on. sure.Yeah. GIRL Hello? (pause) Who? (pause) . We gotta split.

sluts. richies. To show these kids that the example he sets is a first class ticket to nowhere. How's your bod? (jaw drops) Oh. DEAN'S OFFICE Rooney's comparing his computer monitor to hard copy. You sounded like Dirty Harry just now. ROONEY Really? He unconsciously does an Eastwood squint. ROONEY What's so dangerous about a character like Ferris Bueller is that he gives the good kids bad ideas. pinheads. ROONEY That's exactly why I have to catch him this time. Ferris. 61 INT. 60 EXT. Ed. Sportos. SECRETARY He's very popular. FERRIS' ROOM He's on the telephone. Rooney looks up at her with a proud smile.Hi. motorheads. they all adore him. As he speaks he does a little 61 60 59 . ROONEY I don't trust this kid any further than I can throw him! SECRETARY With your bad knee. you better not throw anybody. my God! You're dying? Is it serious? (pause) Shiit! Are you upset? 59 INT. FERRIS' HOUSE It's a glorious late spring day. wonkers. Ed. geeks. Rooney stares at her for a long beat. The last thing I need at this point in my career is fifteen hundred Ferris Bueller disciples running around these halls. SECRETARY (impressed) Ooo. His SECRETARY is standing over his shoulder. dweebies. A florist's truck drives past the house.

62 INT. 63 INT. making me wait around the house for you. FERRIS H--hell-o? 64 EXT. if you're not over here in fifteen minutes. CAMERON I'm sick. I got another call. You're boring me with this stuff. man. FERRIS' ROOM He's growing weary of Cameron's wimpishness. He clears his throat and answers the second line. He puts Cameron on hold. He sounds like he's on his last breath. FERRIS Be a man. DOWNTOWN A LaSalle Street office tower. The other phone line rings. CAMERON'S BEDROOM Cameron's back in bed. Why can't you leave me alone? FERRIS' VOICE You're not up for some good times? It's a beautiful day. FERRIS Cameron. TOM'S VOICE Ferris? 65 INT. FERRIS Squeeze you buns for a second. OFFICE BUILDING. TOM'S OFFICE 65 64 63 62 . I'm serious. If this was Hawaii. This is bullshit. FERRIS You want to stay home and try to have the shits? Try to barf? Try to feel worse? CAMERON'S VOICE I don't have to try. I feel like shit. you can find a new best friend. we'd be surfing. It's almost summer.MacPainting on his MacIntosh. Take some Pepto Bismol and get dressed. A Modigliani nude.

Bye. pal. COMPUTER MONITOR A closer view of the rude drawing Ferris is making. FERRIS (OC) I'm so worried about falling behind. 66 CU. He's just checking up on me. FERRIS Sorry. He puts his father on hold. FERRIS Cameron? It's my Dad. 66 . But gee. Are you alright? FERRIS Just a little phlegm on the phone. He disconnects and gets his father back. it's sure great of you to call. FERRIS' ROOM He leans back from the monitor and sips a Coke. FERRIS' VOICE Really? Darn! I thought I was improving. Nice office. listen to me. Hold on. CAMERON'S VOICE Oh. Herman Miller desk and chair. FERRIS Dad? Can you hold on a second? TOM'S VOICE Sure. Now. TOM Were you sleeping? FERRIS' VOICE I was trying to do some homework. Dad. It was making me ill looking at it. So. Two windows. that's just great. He switches back to his sick voice. the least you can do is hurry up and get over here. I had a chest spasm and I blew lung fluid all over the place. INT. I'm working on getting some heavy bucks out of him.He's behind his desk. The moment before you called. TOM You sound miserable. Are you busted? FERRIS It's completely cool.

CU. 68 INT. Pedestrians stop to look. 68 67 . Dad. FERRIS' ROOM He turns away from the computer and puts his feet up on the desk. FERRIS You work so hard I'll bet you don't even remember where those bonds are. He lights a cigarette. 67 EXT. Ferris mouths Tom's words as he says them. INT. FERRIS' ROOM He blows a smoke ring. FERRIS Give yourself some credit. COMPUTER SCREEN A message is flashing: "TRANSMITTING DATA". FERRIS You had to work hard for the money to buy those things. CHICAGO LOOP. It's like those savings bonds you used to give me every Christmas. He nods. (looks at CAMERA and smiles) It was that kind of concern. sick teenager. The screen dumps the drawing. TOM'S VOICE Hey. right? TOM'S VOICE Not any harder than anybody else. FERRIS Oh. right? Ferris points a finger in the air as a cue to his father. what was I supposed to do? Ferris reaches out and hits a key on his computer. yeah? You're pulling my leg.I'm sure there're alot of fathers who wouldn't take time out from their busy schedules to call a dumb. TOM'S VOICE Wrong. pal. It was a mammoth gesture. You're just trying to cheer me up. DIAMONDVISION SCREEN Ferris' drawing suddenly appears on the billboard.

(to the phone. You take care. He turns his desk chair around and gets up. pal. CAMERON FERRIS disappointed in Cameron. He cuts the engine. Dad. 69 . I hope my kids don't pull this shit on me. Ferris smiles. They're in a shoebox in my closet. (thinks) Of course. No doubt about it. TOM'S VOICE Okay. sick voice) Dad? All this talking has made me kind of light-headed. they'd be dumb and abnormal and they'd probably never move out of my house and I'd have to support them until I die. Bye now. CAMERON We're gonna get caught. He looks at CAMERA. normal voice) Was that a class move or what? The guy gave it up faster than a drunk Catholic girl. He hangs up. I'll call you after lunch. you lose some. bucks says he's sitting car debating about whether he should go out.TOM'S VOICE Like hell I am. I'm so Twenty in his or not 69 INT. I take it back. He's gotten exactly what he wants. if they didn't. CAMERON He's sitting behind the wheel of his car. FERRIS You don't have to. TOM'S VOICE I want to. FERRIS (to CAMERA. CAR. FERRIS You win some. I think I better lie down. Ferris sighs.

(waves the magazine) Pardon moi. A CRASH OF HORROR MUSIC. He exits the room. FERRIS' ROOM He takes out the magazine. The guy is a shellfish when it comes to making a decision. ominously. He sits for half a beat. He leafs through the pages for the pictorials as he speaks. Another beat. 71 INT. The drawer is opened slowly. FERRIS Cameron'll go on like that for a good thirty minutes. LATER 72 71 70 . DRESSER DRAWER Hands curl around the drawer pulls. CLASSROOM. We HEAR THE TOILET SEAT SLAM DOWN. The reason he doesn't fell good is. HALLWAY Ferris comes out of his room and heads down the hallway. He stops the engine. FERRIS (sings) MAYBE I'M JUST LIKE MY MOTHER. Ferris'll escape. 70 CU. what'll happen is I'll get caught. The hands lift a sweater out. CAMERON Actually. He's the only guy I know who's deeply concerned that when he grows up there'll be a critical shortage of strategic metals.. SHE'S NEVER SATISFIED. INT. FERRIS Cameron's also the only guy I know who knows what strategic metals are. He sighs and restarts the engine. he worries about everything. Another beat. He goes into the bathroom.. A HERALDIC STING as we see a men's magazine beneath the sweater.I'm not doing it. 72 INT. CAMERON He'll keep calling until I come over.

the teacher thinks she's come in because she heard him sneeze. She looks at the kids. For a moment. TEACHER AND NURSE The teacher's face drops as he's delivered an obvious piece of disturbing news. She's staring out the window as a tweedy MALE TEACHER delivers a dry. She crosses to him and whispers in his ear. dusty lecture. SLOANE A smile curls across her lips. watches the nurse curiously. TEACHER Roosevelt's health had seriously deteriorated by the time he met with Churchill and Stalin at Yalta. 74 CU. He nods grimly to the Nurse. NURSE (nods solemnly) Dead grandmother. SLOANE PETERSON. 74 73 . NURSE She's a picture of compassion and understanding.A stunningly beautiful girl. SLOANE She. INT. The classroom door opens and the school NURSE walks in. (sneezes) Pardon me. As she gathers her books she looks to the GIRL next to her. ROONEY He has a suspicious look on his face. is sitting at her desk in a history class. 73 INT. NURSE Sloane Peterson? SLOANE Sits up in her seat. HALLWAY The Nurse is gently holding Sloane's hand. like the others. SLOANE (whispers) Dead grandmother. CLASSROOM. NURSE May I see you outside for a moment? There's been an emergency.

MAN'S VOICE Ed? This is George Peterson. She smiles and backs out. sir? MAN'S VOICE We've had a bit of bad luck this morning as you may have heard. His suspicions are confirmed. Peterson's daytime number? As the secretary starts out of the room. He punches the phone button. ROONEY Ed Rooney. ROONEY Who's this girl's going with? SECRETARY It's so hard to tell. His secretary is standing across from him. SECRETARY It's Mr. ROONEY Could you get me Mr. Rooney is startled. (pause) Yes. Can you hold? Thank you. Peterson said. DEAN'S OFFICE Rooney's at his desk. . SECRETARY Do you still want his number? Rooney answers her with an annoyed look. ROONEY How are you today. Peterson. Rooney's phone rings. I see her alot with Ferris Bueller. SECRETARY That's what Mr. He thinks for a beat then reaches for the phone. SECRETARY Edward Rooney's office. Rooney smiles. I had Florence Sparrow notify Sloane. She stops and answers the desk phone. She puts the call on hold.ROONEY Dead grandmother? INT.

Cart the stiff in and I'll turn over your daughter. I'd be happy to release Sloane. 76 75 . She puts the call on hold and hangs up. you can just come on down and smooch by big old ugly ass. It's school policy. You hear me? The secretary comes in. ROONEY (whispers) It's Ferris Bueller. gosh. Peterson. He covers the phone. Rooney covers the phone. 75 INT. SECRETARY Hold. ROONEY I heard. 76 INT. I'm all broken up. SECRETARY Ed Rooney's office. You produce a corpse and I'll release Sloane. Nervy litttle punk. She stomps her foot. please. He's angry. you don't like my policies. I'm gonna set a trap and let his walk right into it! (to phone) That's right. The secretary stops cold in the doorway. ROONEY What!? SECRETARY Ferris Bueller's on line two. She hurried into Rooney's office. Rooney tries to wave her away. Huh? Oh. SECRETARY'S OFFICE She steps out of Rooney's office and picks up the other line. ROONEY I'll tell you want. She's waving her arms furiously. I want to see this dead grandmother firsthand. And. Was this your mother? Rooney's other line rings. sure. Her jaw drops. She turns to Rooney in horror. It's so obvious it's not Mr. DEAN'S OFFICE Rooney's chewing out the person on the other line.Rooney rolls his eyes.

ROONEY'S FACE A mask of horror. anyway? 79 78 77 . The phone's cradled against his shoulder. What's the matter with you. ROONEY'S FOOT It freezes in mid-tap. ROONEY He's staring blankly ahead. CU. phoney "father" voice. fastening his belt. KITCHEN Cameron's on the phone in the kitchen. ROONEY He winces as he returns to the first call. CU. twitches. CU. ROONEY'S HAND The pencils falls from his fingers.CU. ROONEY He blinks. 77 INT. FERRIS' VOICE Thank you. cocks his head. sir. CU. He speaks in the same voice he used on his father. FERRIS' ROOM He's zipping his pants. FERRIS' HOUSE. Rooney? I'm sorry to disturb you at work but I was wondering if it would be possible for my sister to bring home any assignments from my classes that I may need. He's doing a deep. 78 INT. 79 INT. FERRIS Mr. He nods. DEAN'S OFFICE. PHONE Rooney's finger gingerly presses the button on the waiting call. PHONE The second line light is flashing. He glances at the phone. CAMERON You oughta be sorry for Christ's sake! A family member dies and you insult me. CU. CU.

You're doing great. ROONEY I don't know. ROONEY Absolutely! I most certainly am. DEAN'S OFFICE.80 INT. sir. CAMERON That's better. CAMERON Call me sir. buster. You just make sure my daughter's out in front of the school in ten minutes. goddamn it! ROONEY'S VOICE Sir. trembling. Cameron sighs and goes back to the phone. Peterson. You have to know. Ferris strolls into the kitchen to catch the last of the conversation. I thought you were someone else. CAMERON'S VOICE Pardon my French but you're an asshole! Rooney nods enthusiastically. Cameron covers the phone. I can't begin to tell you how embarrassed I am. Ferris! What is Rooney guesses my voice! FERRIS Impossible. that I would never deliberately insult you. CAMERON This isn't over yet. Mr. KITCHEN Cameron lays into Rooney. ROONEY He apologies profusely to Cameron. Do you read me? ROONEY'S VOICE Load and clear. 80 81 INT. 81 . CAMERON (clears his throat) I don't have all day to bark at you so I'll make this short and sweet. CAMERON (to Ferris) I'm scared shitless. He's perspiring.

83 82 . 82 CU. By herself. FERRIS Talk! Cameron takes a deep breath. He clears his throat and puts on his father's voice. CAMERON'S VOICE On second thought. Ferris smacks Cameron. ROONEY He winces as the phone hits the floor with a loud CLONK! We HEAR THE BOYS SCRAMBLING TO PICK UP THE PHONE. fella. I don't have time to talk to you. He covers the phone. CAMERON I want my daughter out in front of the school in ten minutes. FERRIS' KITCHEN Cameron's rubbing the side of his head. Cover it. We HEAR A SLAP AND THE CALL DISCONNECTS. moron. THEN CAMERON CLEARING HIS THROAT.. Cameron panics. CAMERON You do it! Ferris waves his arms angrily. He holds the phone out to Ferris.. CAMERON What'd I do? FERRIS Out in front my herself? It's too suspicious! He'll think something's up. He's said the wrong thing. 83 INT. CAMERON I changed my mind.Ferris gives Cameron an enthusiastic thumbs up. The phone flies out of his hand. We'll get together soon and have lunch. You be out in front with her! I wanna have a few words with you! Ferris slaps Cameron. FERRIS (mouths) Great! Cameron smiles proudly. I don's want anyone around.

CAMERON Oh. a man who could squeeze my nuts into oblivion and then you deliberately hurt my feelings. You get me out of bed. God. being me over here. make me do a phoney phone call on a dean of students. Look. really? FERRIS Yeah. . FERRIS How can we pick up Sloane if Rooney's going to be there with her?! CAMERON I said for her to be there alone and you freaked! FERRIS My. CAMERON I was home. make me jeopardize my future. Cameron's anger is intensified by his embarrassment. FERRIS I didn't deliberately hurt your feelings. don't ask me to participate in your crap if you don't like the way I do it! Ferris is incredulous at Cameron's stupidity. really. CAMERON You hit me. sick.CAMERON Why'd you hit me?! FERRIS Where's your brain?! CAMERON Why'd you hit me?! FERRIS Where's your brain?! CAMERON Why'd you hit me? FERRIS Where's your brain? CAMERON I asked you first. I lightly slapped you. you're so stupid! (aside) I didn't hit you.

CAMERON You're serious? He turns around. 84 INT. Cameron stops. I didn't mean to jam you. He turns and heads out of the room. CAMERON Hey.Cameron glares at Ferris. GARAGE The door opens slowly. Ferris sighs. dramatically as we hear a heraldic fanfare. Cameron smiles. Light streams in to reveal Cameron and Ferris looking at the car. Cameron is frowning with trepidation and fear. We move up from the stallion to the erotic red hood of a 1958 Ferrari 250 GTS California. Cameron's jaw drops. CU. 84 . I'm sorry. FERRIS You did screw up through. FERRIS Dead serious. Right? CAMERON (suspiciously) Why? FERRIS To fix this situation. I'm going to have to ask you for a small favor. CAMERON AND FERRIS Cameron's face is ashen. Ferris. The end of the world is at hand. He appreciates Ferris apology. right? Not that is was necessarily all you fault. FERRARI STALLION The prancing black stallion. It was uncalled for. Ferris? Have a nice life. FERRIS Cameron? CAMERON Stick it up your ass. Ferris is smiling with excitement and awe. CAMERON Thanks. FERRIS Cameron.

Don't worry about it. it is his passion. my father loves this car more than life itself. CAMERON Ferris. CAMERON He knows the mileage. . Ferris. CAMERON (grim monotone) 1958 Ferrari 250 GTS California. My father spent three years restoring it. FERRIS Whatever miles we put on it. It is joy. Ferris. FERRIS He doesn't trust you? CAMERON No. I don't even have a piece of shit.Ferris is in heaven. this is real simple. Peterson drives that piece of shit. Look. FERRIS A man with priorities so far out of whack doesn't deserve such a fine automobile. FERRIS We can't pick up Sloane in your car. Less than a hundred were made. CAMERON He never drives it. FERRIS It's a piece of shit. I have to envy yours. CAMERON It's not a piece of shit.000. He just rubs it with a diaper. He puts his arm around Cameron. We can't take is out. look. FERRIS It is his fault he didn't lock the garage. Rooney'd never believe Mr. I'm sorry but there's nothing else we can do. It has a market value of $265. Cameron. He has it tatooed on his wrist. we'll take off. it is his love. FERRIS Alright.

85 INT. The roar of the engine is overtaken by the sound of a crowded school hallway. Jeanie watches her suspiciously. Ferris. FERRARI Ferris is driving. 86 EXT. Cameron's in the back. The top is down... the less likely we are to get caught. CAMERON Are you crazy?! Put the top back up! FERRIS This is perfect top-down weather. She stops as Sloane and Rooney walk past. FERRARI GRILLE Cameron's protests are drowned out by the distinctive roar of the twelve cylinders. JEANIE She comes out of a classroom. You'll have to think of something else. CAMERON What about Rooney? FERRIS Cameron. I have to live with the man. CAMERON'S VOICE . I'm putting my foot down. FERRIS 87 86 85 .. CAMERON Forget it..You're not talking me into this one. CU. CAMERON That makes no sense whatsoever... Sloane has her coat on and she's carrying her books. Cameron shakes his head. the more obvious we are.CAMERON (suspicious) How? FERRIS (big. 87 INT. He's wearing a man's hat and sunglasses. SCHOOL The Ferrari is parked out in front. SCHOOL. I'm sorry but. proud smile) We'll drive home backwards. no.

SCHOOL Rooney's suspicious. 89 INT. SCHOOL. 89 88 . Rooney looks. Very. Very hip. Yeah. Um. She hurries to the car. THEIR POV Ferris is looking out across the roof of the Ferrari. DEEP VOICE Oh. (look around at Cameron) Stay down. She was a terrific lady. Thanks. SCHOOL Rooney and Sloane come out the door. Sloane! Dear! Sloane looks across at the Ferrari. See ya. ROONEY Once again let me say how deeply saddened I am by your loss. Very old.The adult mind is a suspicious machine. Cameron squeezes himself lower. Yeah. SLOANE I guess that's my Dad. FERRIS Hurry along now! EXT. Sloane smiles and bids Rooney a hasty farewell. Rooney watches her. She sees the Ferrari pull away. 88 EXT. CAMERON Howcome it's my Dad's car and I'm taking all the risk and I have to ride back here? FERRIS I don't have an explanation. JEANIE She's watching out the door. man. SLOANE Huh? ROONEY Were you close to your grandmother? SLOANE Oh. Something does compute for him. He's careful to keep his nose and mouth below the roofline.

the question is "what aren't we going to do. FERRARI Sloane shrieks with delight. It' s going home. Please. FERRIS (to CAMERA) If you had access to a car like this would you take it back right away? Would you give up feeling like a ton just to ease your best friend's tension? He smiles. Cameron. 91 92 EXT. FERRIS Either would I. ROONEY He can't quite put his finger on what's bothering him. You comfortable? CAMERON Hi. it was bold but it was totally necessary. FERRIS It was risky. She leans across the console and gives Ferris a kiss. SLOANE Hi. SLOANE This is so great! I can't believe it! Right in front of Rooney! She laughs and turns to Cameron. SLOANE What a fabulous car! CAMERON Enjoy it quick. SLOANE What're we gonna do? FERRIS The question isn't "what are we gonna do". SCHOOL. 92 . 90 91 INT." CAMERON Don't tell me we're not going to take the car home.90 EXT. FERRARI It accelerates away like a shot. No. STREET.

93 94 INT. modern bank building. The Ferrari pulls into the parking lot. FERRIS Me? (polite laugh) I'm out of school. Mrs. Ferris leads the way to an open teller window. (something occurs to her) Say. She's been at the bank since they opened. Cameron and Sloane walk in. SUBURBAN BANK A fresh. FERRIS (to Cameron) And this is my brother-in-law. Froeling. I'm as chipper as can be. ZZ Top. INT. TELLER A WOMAN about seventy with a silver blue beehive.Madonna. 94 . ZZ. TELLER I passed a kidney stone Tuesday. should you be in school? FERRIS He lays his savings bonds on the counter. FERRIS Hello. Mrs. It's about four inches higher the highest beehive you're ever seen. BANK. TELLER Ferris Bueller? FERRIS He's at the window. She withdraws it from the hair and smiles at it's reappearance. this is Mrs. Sloane suppresses a laugh.93 EXT. I'm married. On either shoulder are Cameron and Sloane. Ferris is cocky and confident. The clock outside read 9:53. Cameron blanches.. This is my wife. DOORS Ferris. How are you? TELLER She pats the rock-solid mass of blue hair. As she moves the beehive hits a small sign over her head. Froeling. so I'm a little pooped but other than that. In fact. Ferris smiles. In doing so she locates a missing ball point pen. Cameron's having stomach trouble. She smiles when she sees Ferris. Sloane's still intoxicated with her freedom.. Froeling. BANK.

Cameron isn't amused. TELLER (to Cameron) Is Top a Slavic name? CAMERON Yeah. FERRIS I'd like to cash these in, please. We're having a baby and we need the cash for a crib, clothes, diapers, food pellets, leash, water dish... INT. BANK. TELLER WINDOW Mrs. Froeling takes the bonds with a hearty smile. The latter part of the conversation sails over her like a line drive. TELLER A baby! (to Sloane) You must be so excited. Cameron groans and turns away from the sham. SLOANE I'm thrilled, ma'am. I'm especially looking forward to wearing those jeans with the stretch panel in front. Mrs. Froeling thumbs through the bonds. TELLER Are you hoping for a boy or a girl? SLOANE Actually, we're hoping for a car. CU. CAMERON He's spooked by the games playing. He scans the bank nervously. He blinks, focuses, blinks again. HIS POV Joyce is with a MIDDLE-AGED COUPLE and their bored, sour-puss teenage son, BOYD. He's sitting in a chair with his legs slung over the sides waving a Bic lighter back and forth across his rump. The parents are Joyce's clients from Vermont. A LOAN OFFICER is discussing the local financing situation with them. His is an open office adjacent to the teller windows. Joyce's back is to the tellers. CU. CAMERON

It's like he's just witnesses an ax murder. CAMERON Shit... INT. BANK. JOYCE Her back is to the teller windows. She's conducting her meeting. Behind her we see Cameron grab Ferris and point her out to him. He waves. Cameron slaps his arm. INT. BANK. TELLER WINDOW Mrs. Froeling shows Ferris the savings bonds. TELLER These bonds aren't mature. If you hold onto them another two years you'll get an additional four dollars... FERRIS I'm aware of that. TELLER You're throwing away four dollars. FERRIS No, ma'am, I'm giving it to the government. They need it. Do you know what an aircraft carrier's going for these days? INT. BANK. JOYCE She concludes her meeting. She shakes hands with the loan officer and stands. The Vermont Couple stands. Boyd scrapes the bottom of his shoe on the desk, leaving a glob of mud behind and he stands. Joyce turns into the bank. Ferris, Cameron and Sloane are gone. She escorts her customers out. INT. BANK. DOOR Joyce and the Vermont Couple approach the doors. Boyd lays a luggie in the drinking fountain. Mrs. Froeling passes with the savings bonds. She stops when she sees Joyce. JOYCE Mrs. Froeling, how are you? MRS. FROELING I passed a kidney stone Tuesday. (shifts gears, to Joyce) Say, you must be very proud. Joyce doesn't know what she's talking about. MRS. FROELING (whispers) I met Madonna. She pats Joyce on the arm.

MRS. FROELING She told me everything. Keep me posted, I'll want to send a gift. She toodles on her way. Joyce and the Vermont Couple are completely baffled. 95 EXT. BANK Joyce and the Vermont Couple walk along the side of the bank, heading for the parking lot. Boyd's tagging along behind. He picks up a stone and hurls it into the parking lot. JOYCE My son's home sick today. If you wouldn't mind, on our way back to the office, I'd like to just run in and check up on him. We HEAR A METALLIC PING! as Boyd's missle hits a car. MOTHER Of course. They pass a show window. As they pass, we hold on the window. It's promoting saving for college educations. A mannequin father is congratulating his mannequin son in a mortar and gown as a stiff Sloane, Ferris and Cameron look on proudly. 96 INT. DEAN'S OFFICE His secretary is dialing a number for him. SECRETARY This is the Peterson's home. She hands the phone to Rooney. SECRETARY Watch your mouth this time. Rooney glares at her. ROONEY Ferris Bueller's behind this. There's no doubt in my mind. That's what I was saying this morning. Why he has to be stopped. He's got Sloane Peterson involved in this thing now. See? The secretary nods. SECRETARY And her grandmother, too. 97 CU. PHONE ANSWER MACHINE It clicks on. We hear a grieved woman's voice. It sounds an 97 96 95

puzzled. DEAN'S OFFICE Rooney quickly takes down a number. Rooney stares at her like she's crazy. If you need to reach us we'll be at the following number.. CAMERON'S VOICE You have reached the Coughlin Bros. The secretary's looking at a newspaper on Rooney's desk... ROONEY And I'm going to stop it! SECRETARY My brother-in-law'll appreciate it. ROONEY Something's going on. CAMERON'S HOUSE His answering machine clicks on. ROONEY What? SECRETARY My brother-in-law rides the train to work. The Ferrari streaks past.awful lot like Sloane. She's not listening to him. SECRETARY There's a railroad strike. the Hancock Building and the Standard Oil Building.. We've had a death in the family. ROONEY Who gives a good goddamn? 101 EXT. We hear Cameron's voice. 100 INT. 99 EXT. goddamn it. DEAN'S OFFICE Rooney hangs up the phone. Mortuary. 98 INT. EDENS EXPRESSWAY The major thoroughfare into the city of Chicago from the suburbs. SLOANE We can't come to the phone right now. We are unable to come to the phone right now but if you'll leave your name and number. Rooney looks at her. In the distance we see the Sears Tower. 101 100 99 98 .

Sloane and Cameron get out. Cameron's having fits. GARAGE Ferris. She's flabbergasted at the proportions her brother's scan has reached. SCHOOL.102 INT.. She's stopped by a KID with a Coke can. babe! Some day you might need a favor from Ferris Bueller! Then where'll you be?! He reaches for the can.. FERRIS 103 . CAMERON We can't leave the car here! FERRIS Why not? CAMERON Because we can't! I want it back home where it belongs! SLOANE What could happen to it? CAMERON It could get stolen. The kid yells after her. KID Hey. KID Yo.. KID Heartless wench. JEANIE Go piss up a flagpole! KID Huh? 102 She knocks the can out of his hands and storms down the hall.. HALLWAY Jeanie's walking down the hall. EXT. scratched. CHICAGO LOOP. you name it. Jeanie stares at him. PARKING GARAGE The Ferrari pulls into a large parking garage. 103 EXT. KID They run about fifty g's so it you could help out. wrecked. We're collecting money to buy Ferris Bueller a new kidney.

SLOANE This is so right! Ferris nudges Cameron on. FERRIS Great. I want to you take extra special care of this vehicle. CAMERON Yeah. very carefully. 240. Shoulder-length hair stuffed into a hairnet Gold teeth. A long beat and the Ferrari creeps down the exit ramp of the garage. Earring. Ferris slips him a give. They exit the garage and head after Sloane. FERRIS See what a finski can do to a person's attitude? He's going to treat it like a beautiful woman. Whip it with a stick and piss on the hood. Do you have to be so graphic? She heads down the street. SLOANE Oh. FERRIS I appreciate it. No squealing tires. 6'6". He smiles. An IQ that equals his hourly wage. Another attendant jumps in the passenger side. The Attendant very gingerly gets into the car. no revving engine. PARKING LOT The Attendant swaggers over to the car. CAMERON What guy? CU. EXT.I'll give the guy a five to watch it. Ferris turns to Cameron. sure. FERRIS You speak English? ATTENDANT Since I was three. ATTENDANT Like it's a beautiful woman. PARKING ATTENDANT He smiles with relish at the car. . It's gone in the entrance and out the exit. okay? He pats the Attendant on the arm. Goatee. please. Cameron. The Ferrari pulls into the lot very slowly.

STAIRWAY Joyce quietly walks up the stairs. She listens at the door. 109 108 107 106 105 . 104 EXT.He's skinny. He lets out a spirited laugh and the Ferrari peels out of the lot. The wire from the bedroom door is strung over the top of the closet door. FERRIS' ROOM It's dark. It heads down the street away from Sloane. HALLWAY Joyce comes up the stairs and crosses to Ferris' room. A trophy is attached to the end of the wire and it's resting on a yard stick. There's a figure in the bed. CU. HOUSE. She's smiles with relief and affection. It's taut. 106 INT. Downstairs. She gets out and heads up the house. FERRIS' HOUSE 104 Joyce's care pulls in the driveway. CLOSET The closet door is open. 105 INT. HALLWAY Joyce listens at the door another beat. 108 INT. 109 INT. WE HEAR THE SNORING. The snoring it simulated. INT. CU. A wire runs from under the bed covers to the closet door to the door to the room itself. the trophy lifts up off the yardstick and the lump in the bed goes back down to it's original position. CU. As the bedroom door closes. ROOM. ROOM. 107 INT. with a huge knit hat willed with dreads. HOUSE. We hear soft snoring. Ferris and Cameron. DOORKNOB Joyce slowly turns the doorknob and pushes the door open a crack. DOOR KNOB The wire is tied to the doorknob. tall. HER POV The door opens and the figure-like lump in the bed moves. JOYCE She smiles and closes the door. FERRIS' SYNTHESIZER Little LED's are lighting up to the rhythm of the snoring. we hear a door open and close.

. Like this. putting all his weight on his forehead. far below. Indiana. OBSERVATION DECK The three are leaning against the glass. Sloane leans forward. SLOANE 111 . FERRIS Now.110 EXT.. Sloane and Cameron follow suit. SLOANE What if the glass gives? FERRIS Death. lean against the glass. Are we gonna stay long? FERRIS Take a step back. SLOANE Oh. Cameron and Sloane are standing against the window. A dizzying view. LATER 110 HELICOPTER SHOT moves in on the world's tallest building. we are provided with a view of four states.. He leans forward. shit! HER POV The street far. CAMERON I don't feel good. FERRIS (VO) This is the world's tallest building.. SEARS TOWER. reluctantly. 111 INT. Ferris steps back. SEARS TOWER OBSERVATION DECK Ferris. Michigan. CAMERON (VO) Do you think the car's alright? FERRIS (VO) Illinois. Wisconsin and my personal favorite. As it passes we see three figures pressed against the windows. Ferris. FERRIS And look down. INT. From our vantage point here on the 103 floor. Cameron follows.

STREET LEVEL A middle-aged man. STREET Ferris and Sloane burst out the doors garnering the annoyed stares of the business people busily going in and out of the building. They're singing. FERRIS AND SLOANE I WISH THEY ALL COULD BE CALIFORNIA GIRLS! 115 EXT. CAMERON He's looking down. 117 INT. 117 116 115 114 113 112 . is standing on the street corner. HIS POV The Ferrari screams down the avenue and disappears down the underground ramp. He's wearing a puzzled look on his face. clean. Ferris and Sloane head down the street. Cameron and Sloane are sitting in the gallery watching the proceedings. CAMERON I think I see my Dad.Cool. FERRIS AND SLOANE I BEEN ALL 'ROUND THIS GREAT BIG WORLD AND I'VE SEEN ALL KINDS OF GIRLS YEAH. Cameron politely waits his turn to exit. Cameron follows. CU. He's lean. CHICAGO MERCANTILE EXCHANGE. HORACE FRYE. BUT I COULDN'T WAIT TO GET BACK IN THE STATES BACK TO THE CUTEST GIRLS IN THE WORLD I WISH THEY ALL COULD BE CALIFORNIA I WISH THEY ALL COULD BE CALIFORNIA 114 EXT. 113 INT. Cameron follows glumly. 112 EXT. tough and humorless. SEARS TOWER LOBBY Ferris and Sloane bound down the escalator. CAMERON'S FATHER I think I see my car. CHICAGO MERCANTILE EXCHANGE Giant old monolith. 116 INT. Cameron's father. GALLERY Ferris. TRADING ROOM Traders are frantically buying and selling commodities. They dance past the giant Calder mobile.

FERRIS Would you want to get married? I mean if I wasn't an asshole. You? SLOANE Yes. FERRIS Would I have introduced you as my wife if I didn't love you? SLOANE Wait a minute. FERRIS (serious) Today? Sloane stares at him. FERRIS True. That was a lie. FERRIS Yes. FERRIS Would I risk damaging a deep and wonderfully enriching relationship with my parents if I didn't love you? SLOANE Yes. FERRIS I'm game.SLOANE Do you love me? FERRIS Do you love me? SLOANE I asked you first. Ferris puts his arm around Sloane. SLOANE No way! . FERRIS Would I trash a day of education to be with you if I didn't love you? SLOANE Yes. SLOANE Sure. Is he serious.

Ferris and Sloane look at him curiously. CAMERON They're married and they hate each other. babe. CAMERON I'll give you two. if you will. My mother and father. (to Ferris) You've seen them. Ferris looks around at him. Am I right? . Cameron suddenly adds his two cents. give me a good reason why not. CAMERON You need a blood test. you can't get married today. FERRIS So? CAMERON So. SLOANE I'm not getting married. FERRIS Why not? SLOANE What do you mean.FERRIS I'll do it. FERRIS Besides being too young and your father hating my guts and not having any place to live and feeling awkward about being the only cheerleader with a husband. you could produce a pinhead. CAMERON I'm with you. FERRIS Huh? CAMERON If your blood's not compatible. why not? Think about it. FERRIS Tomorrow? CAMERON If you get a blood test today. The state requires a blood test.

CAMERON Yeah. CAMERON It makes me puke. He shrugs.my father canned me and my brother and my Mom for a twenty five year old dipso with fake tits. CAMERON Just because it happens doesn't make it right. We all thought so. It's not something I can get comfortable with. When I have a kid. That parental love might not be a given. Are you comfortable with it? SLOANE No. She keeps a pretty good secret. It's like the car. He hates his wife. FERRIS (to CAMERA) This is all news to me. SLOANE (to Cameron) It was pure selfishness. SLOANE My parents are divorced. Seeing people treat each other like that. He loves the car. Sure. SLOANE Do you think they're staying together because of you? Cameron hasn't seen it that way. I've tried. He dropped us like a rock. SLOANE Consider this. but so what? They're old. SLOANE Do they like you? It hasn't occured to Cameron that his parents might not like him.. So what? It's not like it doesn't happen ten thousand times a day. That's natural. I don't care how much I want . Everything was cool at our house.. I thought so.FERRIS You're father's a toad and your Mom's always wired out. Then BLAM! It's over. Are yours divorced? CAMERON They may as well be.

. It's out of your hands. forget it. you know what? It ain't up to you. I'm gonna try to prevent it. you call the shots. It's a common trait with my age group. I should just sit back and watch it crumble? SLOANE You're merely an inhabitant in their universe. (points to Sloane) Sorry. FERRIS (to CAMERA) She's not lying. FERRIS Frightening choice of words. I'm gonna think about it. crusty old shits wish they had some. They wish they had her. it's like a charming quick that infests youth. too. SLOANE Well. SLOANE They call the shots.something. I in other words. if it's gonna screw-up the kid. CAMERON So. thank you. She's taken. FERRIS This is optomism. you're saying I should run away? FERRIS No. SLOANE Yeah. CAMERON I'd rather not have my family break apart. CAMERON So. But it's a cool thing and I think. She's saying it's time for lunch. CAMERON You could change. SLOANE What? FERRIS Let's go feed Cameron. But I'm gonna try not to. When you split from them. deep down. Adults think it's cute.

INT. He yells at the top of his voice. He cups his hands to his mouth. It's noon. Party of three for 12:00.. RESTAURANT The maitre'd returns. CHICAGO MERCANTILE EXCHANGE.. Ferris is looking at the maitre 'd's reservations book. He ignores her. TRADING FLOOR 118 It explodes with activity in response to Ferris' shout. FERRIS BUY! And he exits. The maitre'd looks at Ferris curiously. 120 119 . RESTAURANT A French restaurant on the Gold Coast. Ferris hangs back a moment.. 119 EXT. FERRIS Is there a problem? MAITRE'D You're Abe Frohman? FERRIS I'm Abe Frohman. 118 INT. Sloane tugs Ferris' sleeve. RESTAURANT Ferris. son. 120 INT. Cool and casual. I'm very busy right now. I'm Abe Frohman. If you have trouble finding the door. ANNOUNCER Commodity prices rose sharply today in unusually heavy trading. MAITRE'D (to Ferris) May I help you? FERRIS Yes. MAITRE'D (chuckles) I'm sorry. We HEAR A RADIO ANNOUNCER. HIS POV His fingers runs down to a party of three for 12:00.. Sloane and Cameron are standing in the restaurant.They stand up and head out.

FERRIS Are you suggesting that I'm not who I say I am? MAITRE'D Shall I call the police? CAMERON Let's go. FERRIS I'm not going anywhere. FERRIS Not a chance in the world. Find it. A beat and the restaurant's second line lights up and the phone rings. let's split. Cameron chokes. The maitre'd smiles smuggly. We're gonna get busted.. please? SLOANE Cameron's right.. Sloane grits her teeth. RESTAURANT. RESTAURANT The maitre'd motions for the phone so that he can answer the call.. Ferris waves him off angrily. He hands the phone to Sloane. FERRIS You touch me and I yell "rat!" There's another phone around here.Abe. CU... INT. PHONE Ferris punches out a number. FERRIS Ask for Abe Frohman. The maitre'd backs off. Better yet. MAITRE'D I appreciate your understanding. (to the Maitre'd) Call the police. INT. CAMERON Ferris. .. (grabs the phone) . The maitre'd is hovering over Ferris. Sloane and Cameron are seated in the restaurant.I'll call myself. Go ahead. LATER Ferris.

Ferris disappears behind his menu. (wicked pause) Well. babe. 122 INT. he does whatever he wants. The straps rip off in her hand. SLOANE Oh. Sloane is impressed. FRIEND Why? What's the point? JEANIE Why? Because I'm sick of the little dope. Cameron is flushed with nerves. FERRIS Cameron. today I'm the hammer. 121 EXT. Shame on you. Just leave us to our repast and all will be forgotten. SCHOOL We HEAR HALLWAY SOUNDS AND JEANIE. you were wonderful. dear friend? Cameron looks to Ferris. She's talking to a FRIEND. 122 121 . JEANIE (VO) Ferris Bueller's days are numbered. JEANIE (mean.FERRIS Don't grovel. The maitre'd backs away. She yanks angrily on the velcro strap on her sneakers. FERRIS Thank you. whenever he wants and he never gets nailed. GIRL'S LOCKER ROOM Jeanie's sitting on a bench in a field hockey uniform. He manipulates my parents. MAITRE'D Enjoy your luncheon. but I had a wonderful teacher. FERRIS And you thought we wouldn't have any fun. Charles. Ferris smiles. vicious) I'm gonna bust his buns. FERRIS Darling.

Who else? FRIEND I don't know. JEANIE Rachel? Jeanie's friend shrugs. JEANIE Forget that everybody thinks I'm an . Ferris is not cute. JEANIE Sweetie. I get pissed off and this is what happens! Jeanie tosses the straps on the floor. He's not a wonderful person. decent person should be and you know what? FRIEND Everybody thinks you're an asshole. I'm friendly and fair to all kinds of people. it's an established fact that you have no taste. I work hard. I try to be everything a good. JEANIE Excuse me? FRIEND I don't think you're an asshole. I'm polite. JEANIE Who does? Her friend smiles sheepishly. He's not charming. Jeanie freezes with her next sentence pinned to her tongue. does everything but verbally confirm. JEANIE Rachel's a dirt bag. JEANIE See? My brother strokes you. Except morons. She displays the velcro straps to her friend. He's not nice. wags her head. you sympathize with him. JEANIE Let me tell you something.FRIEND I think he's cute. I study hard. I'm considerate. Just forget it. He's an ignorant mule and the sooner everybody in this school comes to that realization the better off we'll all be.

. JEANIE Oh. JEANIE Alright. JEANIE Me? I have a problem? FRIEND Somebody who threatens to sock people's tits has a problem. FRIEND Take a walk. GODDAMN IT! . Jeanie.asshole? Would you like everybody to think you're an asshole? FRIEND Not everybody thinks you're an asshole. How about if I sock your face? Jeanie's friend gets up. Her friend exits. Mr. JEANIE I this a conspiracy to shit all over me or something? Is my brother behind this? Tell me if he is or I'll sock your tits. hey. I have my period! MY BODY'S RIDDING ITSELF OF OLD EGGS. A fat fifty year old clod with B. JEANIE Would everybody be happier if maybe I were to die in a flaming car accident or something? FRIEND Maybe if you didn't cat like and asshole.O. Jeanie shakes her head in disbelief. Rooney likes you. JEANIE (yells after her) If it means anything to you.. Jeanie. likes me. That's exciting. JEANIE Am I acting like an asshole? FRIEND I didn't mean it that way. FRIEND You really do have a problem.

He checks his hair in the mirror. His parents fight all the time.She snarls and slumps against the lockers. I highly recommend picking one up. A toilet flushes. He exists the men's room. He's monkey meat. Even when I'm there. and I must be honest here. He's over. The thing with taking his old man's car? It's good for him. It's scary. Her body is a transport vehicle for her anger. Cameron tightens up. Is there anything worse than being at somebody's house when their parents are fighting? It's the absolute height of social discomfort. Basically. It used to worry me. That's why he's sick all the time. I don't know where she gets this shit. He crosses to 123 . FERRIS Cameron's home life is really shit. Another beat and Tom walks out of the stall. It teaches him to deal with his fear. He looks down at the urinal. you couldn't pry his buns apart with a crowbar. He zips this trousers and steps away from the urinal. He gets so wadded-up. I love driving it. He wasn't lying. (continues) I used to think that my family was the only one that had weirdness in it. the family's pretty cool. FERRIS I wonder if everybody shoots at cigarette butts in urinals? Probably not many women. MEN'S ROOM. Then I met Cameron and I saw how his family functioned. JEANIE He's gone. 123 INT. It really upsets him. FERRIS When they go after each other. What he said about his parents hating each other? I refuse to sleep over at his house. CHEZ PAUL Ferris is standing at the urinal. We hold a beat. Plus. FERRIS She's a person who views life as an ordeal that must be endured.

CAMERON What is this shit? FERRIS You got me. He takes a bite. A WAITER passes. 124 . He puts his napkin in his lap and smells his plate. CAMERON Really? FERRIS Superb. Ferris slides over to the table and drops into his seat. They chew tentatively. CAMERON What is it? SLOANE I don't know. Ferris stops him. RESTAURANT Cameron and Sloane have been served their lunches. They're staring at the plates. CAMERON I knew it was a mistake letting Ferris order for us. FERRIS Splendid. FERRIS What are you doing? Cameron looks at Ferris. Cameron and Sloane try theirs.the sink. I don't speak French. He savors the taste. It's not bad. Clouseau! The waiter stops and looks at Ferris indignantly. FERRIS I think it's a land-based beefoid creature. FERRIS Yo. 124 INT. FERRIS Good? Sloane and Cameron shrug. But it looks like it's already been eaten and digested.

huh. colorless fluid containing digestive enzymes? The home of the world famous isles of Langerhans? CU. FERRIS Uh. talking.. Could you tell me what we ordered here? The waiter glances at the plates. knowing that he's spoiling the kids' meal.That secretes a thick. FERRIS He pats his mouth with his napkin. holds it a beat and gives a cue. CU. FERRIS Check. CU. please! 125 EXT. FERRIS He watches Sloane and Cameron then glances at the waiter. He looks to Cameron and Sloane. FERRIS He continues his questioning. WAITER He turns away as Sloane and Cameron spit out their food. FERRIS As in the gland that has important functions in digestion and metabolism? CU. FERRIS . SLOANE AND CAMERON They stop chewing.FERRIS I have a growth on my brain that causes memory lapses. CU. CU. They're holding their sweetbreads in their mouths. CU. SLOANE AND CAMERON They look at each other. WAITER Sweetbreads.. WAITER He nods broadly. And what might that be? WAITER Pancreas. RESTAURANT Tom and his two GUESTS are standing at the curb. A 125 . He raises a finger.

MUSEUM OR SCIENCE AND INDUSTRY The grand old Chicago museum. now in the B. Among the second graders are Ferris. MUSEUM. CAB DOOR HANDLE A man's hand reaches for the handle as the cab pulls away. Ferris. MUSEUM.G. round incubator. 127 INT. CU. They approach the cab. INT. Cameron. The bold survive. Only the meek get nabbed. The Ferris hops the cab. CAMERON They turns on cue at Tom. FLOOR A class of kids walking along holding hands.. Sloane and Cameron turn slowly. holding hands looking like giant grade schoolers. CAB Ferris slams the door.000 restaurants in the downtown area and I pick the one my father goes to. Let's go. Sloane and Cameron. RESTAURANT Tom and his guests watch in bewilderment at their cab takes off. He turns to the cab. Ferris stops cold. CAMERON We're gonna get nabbed. FERRIS No way. EXT. 126 EXT. turns toward the restaurant. EXT. Cameron dashes in. In the B. Sloane and Cameron come out of the restaurant. MUSEUM. DISPLAY CASE Baby chicks are hatching in a huge. The door's open. OVERHEAD SHOT The main gallery is crowded with school kids. 127 126 . STREET. FERRIS 40.G. INT.cab is waiting. for sure. Behind the backs of the men. CAB Tom and his party are still jawing at curbside. Ferris scoots Sloane into the cab. INT. SLOANE. MUSIC COMES UP. Tom's back it to Ferris. Sloane and Cameron slowly approach the cab. FERRIS. Ferris. Sloane.

CU. Ferris is lost in thought. INT. He checks to see if he's being watched then he presses a button and pulls a lever. Ferris and Sloane are making out. LONG. CAMERON Sloane wants to cry. GERMAN U-BOAT Ferris is examining the controls of the captured U-Boat. HIGH SHOT From the Merchandise Mart. SLOANE (remorsefully) I wonder if he has a name? FERRIS (blank) Ninth Month. it's a beautiful day. MUSEUM. clutching his heart. looking down the fetid. Ferris and Cameron ride in the coal train in the coal mine replica. A tiny human being in a jar. feigning a massive heart attack. The MUSIC ENDS. INT. MUSEUM. CU. SLOANE. PROPELLER For the first time in forty years. Ferris staggers out of it. MUSEUM. we're traveling down one of American's most scenic polluted waterways and you have to bring up nuclear war? SLOANE (VO) 128 . green swath of water. HUMAN FETUS IN A BOTTLE The famous stages of life display which features bottled fetuses. INDUSTRIAL DISPLAY Sloane operates a metal press to produce a tin ashtray. the screw turns. we've won our freedom. CHICAGO RIVER. CU. Cameron's stomach is in his throat. 128 EXT. CAMERON (VO) Are you guys worried about nuclear war? FERRIS (VO) Cameron. INT. COAL MINE Sloane. A boat is rolling up the man-made canyon.Ferris and Cameron are intently watching the process. The ninth month. HEART REPLICA A giant. FERRIS. walk-thru replica of a human heart. INT.

It's with us every day. Their feet are up on the railing. FERRIS (VO) We don't know when the bombs going off... FERRIS They used to have Viet Nam. That's over and people have to have their big issue. It's not like somebody came up with the nuclear holocaust yesterday at noon. you know. FERRIS He's full of shit. CAMERON (VO) Regardless. We do know. EXT. Discussing the end of the world. have some major problem that puts all their little bullshit into some kind of persepective? CAMERON (VO) Maybe. Everybody's dead. All the old hippies are full of shit. SLOANE My step-father's always going off about how when he was young he was committed to all these causes. I'm not worried about it at all. that college starts in the fall. SLOANE (VO) To answer your question. SLOANE (VO) Don't you think it's an issue because people need something to worry about? They have to like. very relaxed.It is kind of raggy subject. CAMERON (VO) (dramatic. Very casual. They used to have the oil crisis stuff and Iran. The possiblity of global destruction. . BOAT DOCK The three are sitting on the aft deck of the tour boat. SLOANE (VO) Yeah. deadly serious) Do you know what a nuclear winter is? Long beat.No. Cam. it's real cold and the skiing's for shit. The boat makes the turn in the river and CLEARS FRAME. however.

CAMERON I feel better now. CAMERON What's spooky is they still control everything. The three look to the left. It's chilling to see people crazed with the minutia of their past. They took over when they were young and they never gave it up. CAMERON The Sears Tower. FERRIS What's he care about now? SLOANE Baldness. FERRIS..SLOANE He says I don't care about things like he did. An obtuse thought flashes through Sloane's brain. SLOANE Agreed.. SLOANE. fatty meats and money. FERRIS I rest my case. this is all very interesting but I'm starving. FERRIS Lean over and grab a fish. A loud speaker on the boat identifies a point of interest. CAMERON It's human nature to like what you had better than what you have. LOUDSPEAKER. CAMERON You know. Cameron looks over the side of the boat. . FERRIS An hour ago you wanted to yack. FERRIS One of the most frightening experiences of my young life has been observing my parents and our neighbors playing the Baby Boom Edition of Trivial Pursuits. LOUDSPEAKER TO YOUR LEFT IT THE WORLD'S TALLEST BUILDING.

Rooney's dress shoe steps out onto the pavement. She slips into the Dean's outer office.. When's he back? SECRETARY I don't know.. DEAN'S OUTER OFFICE Rooney's secretary is behind her desk. Jeanie.. Can I help you? JEANIE (condescending) I seriously doubt it. STREET. HALLWAY OUTSIDE THE DEAN'S OFFICE Jeanie is having a small moral debate with herself. SECRETARY Hello. He left the grounds on personal business. CU. Screw him. 130 INT. CURB 132 131 130 129 A car tire rolls into FRAME and stops. 131 INT. In his mind he is Dirty Harry. Jeanie walks in.. JEANIE It's reprehensible to squeal on your own flesh and blood.. Rooney peels off his shades and looks around like he's Dirty Harry. Slide across to the sidewalk. 132 EXT. Move up to reveal Rooney standing at the door of his bile-green LeBaron. SCHOOL Meanwhile.. he's out. The secretary looks up and greets her with a weary smile.SLOANE What comes after a nuclear winter? FERRIS Nuclear spring. CU. JEANIE Is Dean Rooney in? SECRETARY I'm sorry.and it'll continue to piss me off and I'll get so wadded-up that it'll cause cervex cancer and he'll ruin my life. His cavalier attitude will get him into trouble later in life. FIRE HYDRANT . Who's bothering you now? Jeanie scowls at her.but it's for his own good. 129 EXT.

she draws it out of the cup. ROONEY He suspects it's Ferris. pointing it directly in Rooney's face. He stares at the girl. GIRL She stares at him. HOT DOG STAND It's jammed with construction workers. ROONEY He squints CU.Rooney's dres shoe on the hydrant. She puts the straw to her lips and sucks. CU. secretaries. Rooney pushes his way in and scopes the crowd. It's loud and confusing. CU. GIRL Holding the straw in the mouth. THE BACK OF THE VIDEO PLAYER'S HEAD MOVE IN on the player. The player turns around. The player looks up. She raises it. EXT. He can't think of anything to say. He ties his lace and pulls up his sock. STREET Rooney straightens his tie and jacket and slips into a rowdy hot dog joint. 133 INT. HIS POV A young person is playing a video game in a far corner. suburban businessmen. ROONEY (OC) Your ass is mine. CU. ROONEY The blood evacuates his face. CU. It's a GIRL. ROONEY He's still staring. ROONEY (OC) I've been waiting a long time for this. CU. He smiles and cuts into the crowd. CU. She picks up her Coke. GIRL 133 . CU. It look sort of like Ferris.

INT. It's Ferris. Rooney glances at the screen. 134 EXT. SLOANE Can we leave now? FERRIS You want to leave? We just got here. what's left to do? Cameron offers his nachos to Sloane. FERRIS I think I broke my thumb. The TV camera follows the ball into the stands. NAPKIN HOLDER A hand yanks a napkin hold. WRIGLEY FIELD. HOT DOG STAND. you broke your thumb. There's a long foul ball.She blows a strawful of Coke in Rooney's face. CU. On either side of him are Cameron and Sloane. ROONEY What's the score? HOT DOG MAN Zero to zero. SLOANE No wonder you're always sick. SERVICE COUNTER Rooney wipes his face. A kid makes a stab at the ball. Ferris leans back. The TV camera zooms in on the boy triumphantly holding the foul ball aloft. He shakes his stinging paw. She looks at them with disgust. 134 . Cameron's scarfing nachos. Rooney nods and exits. STANDS Ferris sits down with the baseball. ROONEY Who's winning? HOT DOG MAN Cubs. The TV camera returns to the game. He does a little celebration dance. Behind him is the kitchen and a grease-covered TV set broadcasting a Cubs baseball game. SLOANE You got a call. Rooney wads up the napkin and tosses it in a trashbin. Rooney wipes his suit off. puts his hands behind his head and turns his face to the bright sun.

EXT. Cameron breaks a smile. SLOANE Do you believe in reincarnation? CAMERON Huh? . STATE STREET. EXT.. buddy. She puts the car in gear and drives out of the shot. 136 INT.. (pause) Ferris? You're overshadowed me long enough. STATE STREET 137 136 135 A parade is underway. A blue Fiat pulls into the shot. school kids. She sneaks a glance at the school. I'm gonna get you. PLAYING FIELD A boy's gym class is doing laps. drum and bugle corps... 137 EXT. Marching bands. JEANIE I can't believe my brother's making me put myself in a position where I could get expelled.FERRIS Do you realize that if I played by the rules. Cameron mumbles a few words. He's leading the girls in singing. "DANKE SHOEN". It's GERMAN-AMERICAN APPRECIATION DAY. he has to admire Ferris for his lack of inhabitions. FIAT Jeanie's at the wheel.want. soldiers. STATE STREET. FLOAT Riding atop on a float is Ferris. HIGH SCHOOL. They wave to him. CAMERON Stop. SLOANE AND CAMERON They're watching Ferris go by. As worried as he is about the day and getting caught. Figure skating club in outfits and skates performing their routines on pavement. Selfish little moron. He and half a dozen homely German-American Beauty Queens. CAMERON It's hard not to.. right now I'd be in gym? 135 EXT.water. Floats and politicians.. He's waving to the crowd. SLOANE I love him.

. the guy who went around the world. CAMERON I was a tractor tire. shaking hands with people in the crowd. CAMERON Hannibal. he was Magellan. reaching down from the float. Cameron nods. Sort of. dude! EXT. STATE STREET. Sloane looks at him with amazement. Sloane laughs at herself. FLOAT Ferris is on his knees. You know. SLOANE I could see him ignoring popular belief and taking off on some impossible mission. SLOANE I think if he was anybody. SLOANE From the A-Team? CAMERON No. They step out of the crowd and head down the street in the direction the parade's heading. I know. CAMERON What were you in a previous life? SLOANE I'm not sure but I think I know who Ferris was. EXT. STATE STREET Sloane and Cameron continue their conversation. SLOANE DO you ever wonder what you were? CAMERON I don't have to wonder. The guy who rode the elephants into Switzerland. FERRIS Guten tag.SLOANE Do you believe that you lived before? CAMERON Yeah.

SLOANE AND CAMERON They continue their conversation. but to do what? . NOW! GIRLS SHAKE IT UP. School. BABY FERRIS TWIST AND SHOUT! GIRLS TWIST AND SHOUT! FERRIS COME ON. As long as I've known him. Ferris can do anything. SHAKE IT UP. EXT. SLOANE College. FERRIS WELL. parents. the future. CAMERON Yeah. CAMERON I don't know what I'm gonna do. STATE STREET.CAMERON Yeah. everything works for him. The girls on the float are singing. CAMERON That's a pretty grim thought. SLOANE True. I can't handle anything. No options is worse. COME ON. STREET. SLOANE The future's worse for a boy. BABY. SLOANE A girl can always bail out and have a baby and get some guy to support her. There's nothing he can't handle. COME ON. but it's an option. isn't it? Cameron doesn't understand what she means. FLOAT Ferris is playing "TWIST AND SHOUT" on the accordian. BABY ON! COME ON AND WORK IT ON OUT! GIRLS WORK IT ON OUT! EXT.

We HEAR "TWIST AND SHOUT" GROWING LOUDER AND LOUDER. PUNKS A band of PUNKS are dancing on the roof of a news kiosk. MOUNTED POLICE OFFICER He's singing. It's infecting the entire parade. POLICE OFFICER YOU KNOW YOU LOOK SO GOOD! EXT. STREET. They walk on for a few beats. WOMAN YOU KNOW YOU LOOK SO FINE! TODDLERS LOOK SO FINE! EXT. STREET. MARCHING BAND They're playing TWIST AND SHOUT.SLOANE What are you interested in? CAMERON Nothing. TEENAGER COME ON AND TWIST A LITTLE CLOSER! EXT. PUNKS LOOK SO GOOD! EXT. STATE STREET. NEWSPAPER SELLER TWIST A LITTLE CLOSER! EXT. BLACK TEENAGER He's wearing a shower cap and a maroon overcoat. OLD NEWSPAPER SELLER He singing along. CHOIR GROUP . The sons is taking over all the other tunes in the band. STREET. SLOANE Me either. STREET. STREET MOTHER AND HER CHILDREN A WOMAN and her two TODDLERS sing along. EXT. CAMERON What do you think Ferris is gonna do? EXT. STREET.

138 EXT. VIEWING STAND The CLERGYMEN stand.. FLOAT Ferris leads the Beauty Queens in the rousing finale. STREET CLEANERS With their brooms ready. FERRIS AH! EXT. STREET. WIDE AND HIGH The entire parade is at frenzy pitch. STREET.They're marching down the parade. STREET.. Cameron's father's car flies OVER CAMERA. STREET. VETERANS Marching in formation and in WWII uniforms. EXT. The Starship Ferrari. POLITICIANS AND WIVES AH! EXT. VIEWING STAND The POLITICIANS and their WIVES stand up. CALUMET CITY The Port of Chicago. 138 . STREET. CLERGYMEN AH! EXT. Like the opening shot in Star Wars. PARADE AHHHHH! The SOUND OF THE VOICES blends with the SOUND OF A RED-LINED HIGH PERFORMANCE ENGINE. DECK The entire parade is singing and playing "TWIST AND SHOUT". CHOIR AND LET ME KNOW THAT YOU'RE MINE! EXT. VETERANS AH! EXT. SLO-MO. gritty waterfront. STREET. STREET CLEANERS KNOW THAT YOU'RE MINE! EXT. Suddenly. Grim. They're singing in their angleic voices. STREET.

EXT. I'm very ill and I'm afraid that in my weakened condition. Broad. FERRIS' HOUSE Rooney gets out of his car.CU. 139 CU. HOUSE. PARKING ATTENDANT His eyes are wide with exhilaration. following the car as it flies over them. COMPUTER It acknowledges the doorbell. SLO-MO. FERRIS' VOICE I'm sorry I can't come to the door right now. CU. FERRARI UNDER-CARRIAGE It travels past to reveal a beautiful blue sky. STREETS. FERRIS' ROOM. Big smile. I could take a nasty spill down the 142 141 140 139 . 140 INT. SLO-MO. HOUSE. We see him peek in a window at the top of the door. HOUSE. FERRIS Who is it? Rooney presses the intercom. SLO-MO. tongue out. We HEAR FERRIS' VOICE. SLO-MO. FOYER Rooney's at the front door. We MOVE UP to reveal Rooney behind the wheel of his car. CU. CASSETTE PLAYER It clicks on. CAR GRILLE It fills the frame and stops. looks up and down the street. I'd like to have a word with you. The car's shadow passes over them. EXT. 142 EXT. Maniac at the wheel. RASTAMAN His eyes are closed. The doorbell rings. then crosses to Ferris' house. KIDS They're looking up in the air. FRONT PORCH The house intercom activates. CU. Ferris. excited smiles. He looks at the house. 141 INT. ROONEY This is Ed Rooney. Mouth open.

LIVING ROOM Rooney steps through the hedges and peeks in the windows. I appreciate your concern for my well-being. KITCHEN Rooney tries to peak in the kitchen window. We HEAR FERRIS' VOICE inside. 143 INT. HOUSE. He can't quite figure out what's going on. 144 143 . Thank you for stopping by. Ferris. There's a pause. The pre-recorded litany starts over. 144 INT. HOUSE. FERRIS' VOICE Have a nice day. FERRIS' VOICE You can reach my parents at their places of business. It will be remembered long after this illness has past. Rooney presses the intercom again. Rooney leans back from the door. Come down here. I'm very ill and I'm afraid that in my weakened condition. FERRIS' VOICE Who is it? Rooney doesn't realize that he's listening to a recording..stairs and subject myself to further school absenses. Rooney rings the doorbell again. But's it's highly suspicious. ROONEY I'm not leaving until you come down and talk to me. Rooney presses the intercom. There's no response. His voice clicks off. ROONEY I'm not leaving. ROONEY Don't get smart with me Ferris! FERRIS' VOICE I'm sorry I can't come to the door right now.. ROONEY B. Rooney presses the intercom again.S. FERRIS' VOICE You may reach my parents at their places of business.

ROONEY He's peaking through the door. 145 EXT. FERRIS You don't think it's amazing that we got in? SLOANE Who wants to get in? FERRIS Cameron looks like a toddler. He lifts the doggie door and peeks in the house. CAMERON. EXT.FERRIS' VOICE I appreciate your conern for my well-being. Rooney is crouched down. nearly deserted strip joint.. for Christ's sake. into the dining room. His face freezes. CU. HOUSE. Cameron's mouth is open in amazement. CAMERON How does she do that? One goes one way. FERRIS Have a nice day. FERRIS AND SLOANE They're sitting in a booth in the garish. DOGGIE DOOR A Rottweiler bursts through the doggie door in a fury of gnashing teeth and foam. HIS POV Along the kitchen floor. 146 CU. HOUSE. FERRIS She's probably schizophrenic. I'm talking about 146 145 . The type that allows a dog to come and go as it pleases. It will be remembered long after. We hear a LARGE DOG GROWL. LARGE BREASTS Tassled pasties twirl like airplane propellers. Sloane is embarrassed and revolted. CU. this is nauseating me. BACKDOOR A black rubber doggie door. I'm losing respect for you by the bucket.. Really. He hears the dog. Through the kitchen. SLOANE Ferris. one goes the other.

Why she does it and you don't. We think about love and matters of the heart. Maybe she lost somebody. And SAT scores and acne aside. A parent. SLOANE I'm not interested in watching someone jiggle their mammary glands. The club lights go down. But that's not true. FERRIS You know. SLOANE I'm not a tramp. I think alot of people my age are. And we feel it. A lover. He climbs up on the little runway. And why. the stage is bare and I'm standing there with emptiness all around and if you won't .. A child. Fate had me playing in love. A boyfriend. A sappy. You acted strange. I feel it. (to CAMERA) This kind of thing makes me a little depressed. Cameron and Sloane disappear into darkness. you lies when you said you loved me and I had no cause to doubt you. FERRIS Honey. It's a terrible thing.a major achievement in false identification. But I'd rather go on hearing your lies than to go on living without you. FERRIS Point well taken. someone said the world's a stage and each must play a part. curls his lip and affects an Elvis impression. Then came act two. You read your lines so cleverly and never missed a cue. I loved you at first glance. Act one was when we met. I'm a romantic.. You may think because I'm the age I am that I'm a sex maniac. Ferris stands up from the booth. That sex is all I think about. But consider why she does it. do-wop track FADES UP. He flips his collar up. He strolls slowly through the empty club as the stripper bumps and grinds in a pool of blue light. with you as my sweetheart. The stripper disappears in darkness as Ferris takes over the spotlight. I've never known. we worry about lonliness. FERRIS Maybe her life fell apart. Now. You seemed to change.

Her mouth's open. He reaches for the glovebox to if it's his.. 150 INT.. HER POV Spray-painted on the town water tower in gigantic black letters -. JEANIE I'm gonna microwave his nuts..come back to me. She's shaking her head slowly. no. Ferris lip synchs with the big. dramatic florish that was the King's trademark ballad sign-off. ATTENDANT You looking for something in my car? CU. He HIS POV The Attendant and the Rastaman are glowering at him. . They're holding bags of fried chicken. 147 EXT..SAVE FERRIS BUELLER. FERRIS' TOWN. She's staring incredulously into the distance. MICHIGAN AVENUE Afternoon traffic. DOWNTOWN STREET. JEANIE Jeanie's standing at her car. Like the King would. TAXI CAB 150 149 148 147 at the car. It leans into the open car and see if the contents will confirm looks up slowly. then they can bring the curtain down. The orignal recording. He's studying it. He freezes. 149 EXT. Elvis fades up. ELVIS IS YOUR HEART FILLED WITH PAIN? SHALL I COME BACK AGAIN? TELL ME DEAR. CAMERON'S FATHER No. CAMERON'S CAR Cameron's father is looking looks terribly familiar. CAMERON'S FATHER He shakes his head. CU. JEANIE She's furious. ARE YOU LONESOME TONIGHT? Ferris drops his head. 148 EXT.

.Ferris. FERRIS So. CAMERON It's getting late. FERRIS You think I don't care? CAMERON I know you don't care. Cameron on the other. Ferris is on one window. how long have you been in America? DRIVER One year. FERRIS Cameron. FERRIS Better than Russia? DRIVER Much better here than in Russia.. Ferris. I have to get the car home. Yuri. what'd you see today? Cameron looks at him. FERRIS Clearly you've never been to an American high school. Sloane and Cameron in the backseat of a checker. FERRIS What's your overall impression? DRIVER It's very good here. SLOANE Jump back. a submarine. Cameron. FERRIS That hurts. Cameron's been a good sport. Ferris. I know you don't care. FERRIS So. a giant heart. He leans forward and reads the driver's name off the city license. He puts his arm around Sloane. Sloane's in the middle. seventy five dollars . Ferris is talking to the DRIVER. Ferris sits back. but it means my ass. FERRIS You saw four states.

CAB. In that cab is Tom. He turns. FLOOR. She makes a . their cab is squeezed tight alongside another cab.. Cameron and Ferris are on the floor. He turns and looks right into CAMERA. FERRIS' POV Tom glances back at his paper. He's about a foot from Ferris. He pauses. She's wearing sunglasses. She turns and glances out the window. He looks away. Fakes a yawn. INT. He freezes. FERRIS (to Sloane) What's he doing? SLOANE (revolted) He's looking at me and he's licking the glass and making obscene gestures with his hands. He's frozen. SLOANE Roast! She licks her finger and touches Ferris knee. major league baseball and. Turns back to CAMERA.worth of cooked pancreas. looking bored. Ferris realizes he's looking at something out the window. two of the most incredible breasts ever to come out of modern plastics. TOM'S POV Sloane is sitting where Ferris was. He's baffled.. TOM'S POV Ferris' frozen face. On their asses. feet up on the seat. FERRIS What?! Sloane bursts out laughing. HER POV Tom stares at her. HIS POV In the gridlock traffic. Looks up. Thinks. with their backs to the back of the front seat. (quizical look) Are you gonna chuck your nachos? Cameron's staring past Ferris.

The delivery man hops up on the steps. He keeps bumping into people..tits. HOUSE. 154 EXT.please. ROONEY That's a $28. CU. He turns and slowly raises his newspaper over his face. 151 EXT.. Ferris and Sloane make the turn at Wacker Driver and disappear into the Stone Container Building. He's hustling through the crowd. CITY STREET Ferris is leading the way down Michigan Avenue. He's missing a shoe. A DELIVERY MAN gets out iwth a huge floral arrangement. you worthless mutt! HIS POV The Rottweiler leaps at CAMERA... BACKYARD.00 dress shoe. He's looking in at the dog. INT. HOUSE. FRONT A florist truck pulls up in front of the house.. 152 EXT. TOM'S CAB Tom's looking into Ferris' cab. EXT.. He heads up to the house. mumbling again. 154 153 152 151 . She's jogging to keep up. His suit pants are torn from the crotch to the knee. He has Sloane by the hand. DOG The Rottweiler's chewing on a shoe. His suit coat pocket is torn off. FERRIS' HOUSE. Cameron follows. She collapes on the seat in hysterics. Tearing it apart. Rooney looks up at him. Cameron's a few steps behind. TOM He can't quite figure out what's going on. He greets Rooney cheerily. His hair's messed and there're grass-stains on his knees and elbows. PORCH Rooney's sitting on the porch patting a bloody knee with his handkerchief. 153 EXT. We see on the back of the paper a small story with the headline: COMMUNITY RALLIES AROUND SICK YOUTH. ROONEY He's standing outside the fence. CAMERON Money. HIS POV Sloane's bouncing up and down.sizzling sound. BACKYARD.

DELIVERY MAN Little bugger's dying. A beat and we hear Ferris' recording. DELIVERY MAN Focus on Flowers. DELIVERY MAN . FERRIS' VOICE I'm sorry but I can't come to the door right now.. I have a delivery. He's very popular. I appreciate your concern for my wellbeing. ROONEY It's a recording. (continues) I don't know the details. Rooney is flabbergasted. It will be remembered long after this illness has passed.that in my weakened condition. (pause) You can reach my parents at their places of business. DELIVERY MAN (to the intercom) Thank you. FERRIS' VOICE Who is it? The Deliver Man presses the intercom. asshole..DELIVERY MAN Howdy! He presses the doorbell. ROONEY What? FERRIS' VOICE . DELIVERY MAN Nobody's home here? ROONEY No. Thank you for stopping by. FERRIS' VOICE Have a nice day. DELIVERY MAN As I heard it from our mailman he was supposedly born with only half a kidney.. DELIVERY MAN What's your problem? ROONEY He's one of my students... But my boss had to send to Milwaukee to get more orchids. I could take a nasty spill and subject myself to further school absenses.. I'm very ill and I'm afraid.

FERRIS' HOUSE Jeanie's car pull in the driveway. 156 INT... Rooney looks incredulously at the arrangement. D. ROONEY (defeated) Oh. DELIVERY MAN Gotta run. 157 EXT. D. He hands the arrangement to Rooney.J. He bounds off the porch and trots to the truck. is sitting behind his microphone. DELIVERY MAN (happy sigh) It really touches me that so many people are rallying behind this guy.You gonna be around for awhile? ROONEY I imagine so.. FACULTY AND STAFF 155 INT.J. We hear her car radio. RADIO STATION STUDIO The number one afternoon FM rock'n roll D.. His name is Ferris Mueller. DELIVERY MAN You wanna keep an eye on these? Rooney looks at the flowers. FERRIS He put his headphones on. STUDIO. FERRIS 157 156 155 . He opens the attached card. I guess there's hope for the human race afterall. I don't know who that was or what they were playing but I apologize for it nonetheless. (pause) I have a guest with me today. CU.J. Christ. CARD It's signed: ALL OUR BEST FOR A SPEEDY RECOVERY THE ENGLISH DEPT. Then he looks at the Delivery Man.

Unlike television which provides the images. D. radio. I'm in a very pleasant groove right now. it challenges the imagination. JEANIE She goes into shock. But I've never had the chance to sit behind a microphone and try it out for real. 159 INT... you and your listeners are probably not going to believe this but. It's going to by very thick and very steamy. I practise it in the bathroom all the time. (pause) You know this. Steve.Bueller. speaks into the mike. Her eyes blink. I have what I consider to be an excellent broadcast voice. He has an incredible story. D.. Jeanie draws back and punches out her radio. affects a "radio" voice) Well.J. FERRIS It's cool. 158 INT.J. I used to play records and do introductions to them.I'm the first Chicago area youth 159 158 . Sorry about that. (clears his voice. her head cocks.. FERRIS' VOICE . Ferris turns to CAMERA. CU. This is a 50. SCHOOL A group of kids are sitting around a blaster.. Anyway. FERRIS I'm going to tell a massive lie here.000 watt outlet.. Ferris Bueller. CAR. I'm going out to several million people so let me just say. CAR ANTENNA The impact of her blow to the radio shoots the antenna in the air. INT. STUDIO Ferris leans forward and adjusts the microphone. it's always been a dream of mine to be on the radio. I think radio's a facinating medium.

FERRIS I was going to say I knew Springsteen's home phone number and I was going to give out the number of the New Jersey State Police but I thought I might get busted. I'm so used to getting in a car and lighting up. HALLWAY A even larger group of kids is listening to the blaster. The car got fixed in auto shop for nothing and I think Rooney pocketed the cash. remember? He turns back to the DJ. I was so pissed off at her reaction to the whole thing that I considered running an ad in a sleaze magazine for a school teacher that does phone sex and I was gonna use Mrs. D. Anyway. car and spaced completely.to be selected to participate in a space shuttle mission. BACKYARD. EXT. But I can't prove it? I'm in high school.J. ROONEY . which was not in any way. pulled out of the lot. FERRIS It's kind of a long story but I've been doing alot of programming for NASA. The flower arrangement is scattered all over the yard and the ceramic vase the flowers were in has obviously struck the dog. Heller's home number but is cost too much. 161 INT. BACKYARD 162 161 160 The Rottweiler is laying unconscious on the lawn. But I had to work at Burger King to get the cash to pay for the driver's ed. After I got flunked in driver's ed for sideswiping a mail box. It was weird. I took it again and passed. FERRIS HOUSE. that I got in the driver's ed. shape or from my fault. SCHOOL. 162 EXT. How did you get picked for this. like I was told. because I'm not allowed to smoke at home. car. The broken pieces are all around the dog's head. FERRIS' HOUSE. They're cheering him on. Heller looked at me like I'd just pulled a bunny out of my nose or something and I realized what the hell I was doing and I went to put it out and hit the mail box. 160 INT. I was putting out a cigarette. STUDIO Ferris turns from the mike to CAMERA. lit up a 'boro and Mrs.

HIS POV A glimpse of a fleeting figure. The front door's open. He's back and she's going to nail him. pooch. FERRIS' ROOM Jeanie kicks the door open. 167 INT. Do you know where she is? Do you know when she'll be back? Do you know anything? She slams the phone down. He drops down and peek in the windows. CU. He looks around the foyer and heads into the kitchen. FERRIS' ROOM Jeanie's on the phone. UPSTAIRS HALLWAY Jeanie tiptoes down the stairs..He's smiling with great satisfaction. HOUSE. JEANIE Is Mrs.. 164 EXT. She dials a number. HOUSE. The yardstick flings the covers and the pillows beneath them in the air. She stomps in and turns off the snoring synthesizer. 166 INT. He hears something in the house. He peeks in. FRONT Rooney sneaks around the side of the house. His head snaps around. 167 166 165 164 163 . Bueller there? Where is she? This is her daughter. HOUSE. 163 INT. JEANIE I knew it! She grabs the phone and sits down. FOYER Rooney sneaks into the house. HOUSE. He slinks up on the porch. 165 INT. She's startled by a noise downstairs. A smile spreads across her face. ROONEY Sleep tight. ROONEY His eyes dance in anticipation of revenge. JEANIE The worm has luck like clams have body odor.

EXT. CAR Boyd is sitting in the backseat of Joyce's car listening to the radio. HOUSE. KITCHEN 172 Jeanie and Rooney come face-to-face. INT. FERRIS' VOICE My input on the Star Wars defense plan was pretty substantial so I guess this is their way of rewarding me.168 INT. KITCHEN Rooney comes out of the den.J. She doesn't recognize Rooney as himself but as an intruder. Jeanie squeals in horror. She drops into a karate stance and kicks Rooney in the face. back into the kitchen. VOICE Can you stay around and take a few phone calls? FERRIS' VOICE I'd really like to but I have a kidney operation in about an hour. She flees back up the stairs. 173 . 170 171 INT. He hits the deck. CAR Boyd looks out the window as his parents and Joyce appear. D. JOYCE If you're willing to commit a little time and a little money to this place. 169 170 INT. CAR Joyce and her clients leave a show house and head toward the car. He crosses back toward the foyer. KITCHEN Rooney sneaks through the kitchen into the den. FOYER Jeanie sneaks into the kitchen. FOYER Jeanie comes down the stairs into the foyer. I'm pretty flattered. 173 INT. HOUSE. 171 172 INT. 168 169 INT. CAR Joyce and her clients take one last look at the house. you can really have something to be proud of. EXT. HOUSE.

JOYCE Not that I know of. D. BOYD Is he going up in the space shuttle in September? Joyce looks around at Boyd. Boyd. She gives him a curious look. VOICE I wish you the best of luck. Ferris Bueller. She opens the car door. Joyce gets in. JOYCE His name is Ferris. FERRIS' VOICE Thanks. INT. The clients get in the other side. BOYD I knew he was bullshitting. I think you'd like him. JOYCE Did I tell you I have a son your age? BOYD Twice. VOICE A very interesting guy. MOTHER Watch your mouth.Don't let the black living room throw you off. CAR The door opens. A song starts.J. BOYD How do you watch your mouth? JOYCE Do you know my son? .J. how are you bearing up? The kid stares at her. D. Steve. JOYCE (to the kid) Well. Boyd sits up in the seat at the mention of Ferris' name.

He thinks it's cute to bait adults. If you have any brains whatsoever. I'd like you to know that I have just called the police. BOYD I don't think it's cute. If whoever's in the house is still in the house. PARKING LOT The three are waiting for the Ferrari. Joyce give him a puzzled smile and starts the car. in our kitchen. There's another pause. There's an intruder. JEANIE'S VOICE Excuse me. certainly weird.FATHER Don't pay any attention to him. possibly armed. 176 EXT. JEANIE This is not a phoeny phone call. JEANIE'S VOICE I'd also like to add that I have my father's gun. I think it's fun. And a scorching case of herpes. I'd rather not have it violated or killed. KITCHEN Rooney's plugging his bloody nose with paper towel. you'll get your ass out of my house real quick. It's parked in front of a fire hydrant and the windshield is decorated with parking citations. In the distance SIRENS WAIL. The intercom goes on. We HEAR TIRES 177 176 175 174 . FERRIS' ROOM Jeanie's on the phone. JEANIE It's real nice that you hope my brother's feeling better but I'm in danger. (pause) My name is Bueller. Rooney stiffens with fear. 177 EXT. She's in a panic. 174 INT. I'm very alone and I'm very protective of my body. male caucasian. okay? I'm very cute. Jeanie's face drops. STREET Rooney's car is hooked to a tow truck. I need help! 175 INT.

Then the Ferrari pulls down the ramp and jams to a frightening stop. Ferris is driving and Cameron is crammed in the back.SQUEALING. FERRIS We have enough cash left for a quick flight to Peoria and back. FERRIS Just out of curiosity. He glances down at the speedometer. FERRIS Stunning! He hands him a buck and opens the door and pulls the passenger seat forward for Cameron. Keep that in mind. DOWNTOWN STREET The Ferrari cruises through traffic. CAMERON Very funny. AN ENGINE REVING-OUT. Cameron gives him a look and squeezes in. then to the road. FERRARI Sloane's in the passenger seat. CAMERON Nothing. We return the car. FERRIS Cameron? How many miles did you say this thing had when we left? CAMERON 178 . My parents aren't coming home until late. what was your top speed coming down the ramp? BLACK GUY (matter-of-fact) About 60. Ferris hands him the parking stub. And back to the speedometer. INT. Ferris looks in the mirror and changes lanes. SLOANE We could go to my house. FERRIS This is probably the last time you'll have to ride back here. 178 EXT. A BLACK GUY jumps out. SLOANE What's next.

Her gesture is one of genuine support.7. FERRIS (to CAMERA) Here's where Cameron goes berserk. CAMERON His eyes are frozen in a mindless. CU. SLOANE Cameron! Cut it out! What's wrong?! Ferris! CU. EXT. CU. vacant stare. He starts to breathe heavily. EXT. Why? How many miles are on it now? He glances down at the speedometer. FERRIS He shoots Sloane a look. SLOANE You okay? CU. Cameron. FERRIS He looks at Sloane. TRAFFIC The Ferrari pulls up at a stop light. CAMERON He's still holding the stare. CU. SLOANE She whips around in the seat and grabs his arms. We'll fix it. EXPRESSWAY The Ferrari is buzzing through traffic. We HEAR A THUNDERING.One hundred and twenty six and halfway between three and four tenths. He's concerned. He's trembling. FERRIS Hey. MUFFLED SCREAM. SPEEDOMETER The odometer reads 432. . INT. CU. It's okay. FERRARI Sloane turns in her seat and looks at Cameron.

Nothing's a problem for you. VOICE Anybody home? FERRIS' VOICE I'm sorry that I can't come to the door right now. FERRARI Sloane fires an angry look at Ferris. 179 INT.. really. FERRIS Eyes front. God! Thank you. It's completely fixable. HOUSE. FRONT DOOR The door swings open. are you okay? It's no problem. SLOANE What can I do. She whips it open. She turns back to Cameron. JEANIE Thank. thank you. thank you! She jumps the last few stairs and slides to the front door. FOYER The doorbell rings.FERRIS Cameron.. He knows what he's doing.. FERRIS VOICE Who is it? We hear a MALE VOICE over the intercom. Her jaw goes slack. INT. Your old man won't know a thing. She blinks her eyes. just shut-up... Cameron? CU. HER POV 180 179 .you. 180 EXT.. The Ferris' tape is activated. FERRIS' HOUSE. JEANIE I'm saved! Thank you. But it's a problem for him! So. The tape continues as Jeanie hurtles down the stairs. SLOANE Shut-up! It is a problem! For him it's a problem.

He climbs aboard the bus.. BUS The bus is jammed with WONKS and WEINERETTES. The bus stops.. The door slams shut. 182 INT. The passengers are silent as they watch Rooney shuffle down the aisle and take an empty seat next to a skinny. A sexy singing NURSE and a BALLOON MAN steps up on the porch. KID Hey. CU. The bus doors open. The DRIVER calls out to him. Mr. Rooney takes a deep breath. A top forty montage. CU. GIRL She holds her smile. She pushes her Coke bottle glasses up on her nose. DRIVER You want a lift? Rooney takes a few more steps. GIRL I'll bet you never smelled a real school bus before. 182 181 . GIRL She looks at Rooney and smiles.The Delivery Man and a young ASSISTANT are standing at the door with floral arrangements. 181 EXT. NURSE (sings) WE HOPE YOU'RE FEELING BETTER WE HOPE YOU'RE FELLING FIT WE. myopic GIRL. A school bus is crawling alongside him as kids hang out the windows. Rooney! What're you doing? Rooney doesn't respond. Spread all around them are more flowers. CU. ROONEY He looks vacantly at her. From inside we hear SHOUTING and seventeen different SONGS PLAYING ON BLASTERS. He stops. NEIGHBORHOOD STREET Rooney's walking down the street. ANOTHER KID Did you get in a fight? Rooney keep walking.

GIRL They've been in pocket. the SHOUTING RESUMES. ROONEY He looks across to the kid. CU. GIRL She holds up a candy package. FERRIS This may very well be for real. 183 EXT. BOY A rotund FRESHMAN BOY sitting across from Rooney is staring at him. I think Cameron might have blown a micro-chip or two. CU. CU. She's stroking his hair. ROONEY He stares at her. ROONEY He stares at her. Ferris WALKS INTO THE FOREGROUND. PARK 184 183 Cameron's laying on a picnic table. BUS It grinds through the gears as it heads down the quiet street. CU. GIRL Gummi Bear? CU. FRESHMAN BOY It's kind of like being in the belly of the beast isn't it? CU. He addresses CAMERA. Sloane's sitting beside him on the table. BOY He leans forward. 184 EXT. The BLASTERS go back on. All I wanted to do .CU. GIRL She puts one in her mouth. They're real soft and warm. CU. ROONEY He turns him eyes to the front. He's always been a little keyed-up. The bus jerks forward and pulls away.

FERRIS I'm being tested here. What do they call what they have? If that's love. I would. be-all of human existance. FERRIS Sloane's a bigger problem. We're gonna graduate in a couple of months. It just doesn't work. FERRIS (VO) Cameron's never been in love. And we'll see each other at night and on the weekends but then he'll go to one school and I'll go to another. CU. He's gonna marry the first girl he lays. He'll work and I'll work. How do I deal with that? I was serious when I said I'd marry her. the process of growing up will separate us. I'll take infatuation. This isn't just teenage infatuation. FERRIS My best friend has flipped-out. personally. FERRIS He looks to the picnic table. As much as we like each other. That's what my parents call it. At least no one's ever been in love with him. She looks away. My. . CU. SLOANE Ferris? CU. She still has another year of high school. And basically that'll be it.was give him a good day. She won't respect him because you can't respect someone who kisses your ass. I wouldn't fault anybody for doing that. He begins to walk. We follow him. SLOANE She's studying Cameron's face. Then we have the summer. Conventional wisdom would suggest a visit to the nearest trauma center. He starts back to the picnic table. CAMERON His eyes are closed. Sloane's stroking his hair. Then back to CAMERA. And she's gonna treat him like shit because he's gonna kiss her ass for giving him what he's built-up in his mind as the end-all.

I think this calls for something new, something bold, something wet and wild. 185 CU. JACUZZI JET UNDERWATER SHOT. A hyrdojet spews a gush of air bubbles. CU. BLASTER A finger pushes the PLAY button on the cassette. MUSIC COMES UP. CU. BEER CAN LID The finger pops a beer. CU. OREO PACKAGE A painted fingernail pierces the cellophane wrapper. INT. JACUZZI Ferris and Sloane are in Sloane's parents' Jacuzzi. Their clothes are tosssed around the deck. Cameron's been placed in a patio chair at the edge of the Jacuzzi. He's still catatonic. He's mummbling softly. Ferris is drinking a beer. Sloane's eating Oreos. FERRIS You feeling any better, Cameron? SLOANE The water's really nice. I wish you'd come in. CU. CAMERON Staring into space. CAMERON Surgery...fire...move... CU. SLOANE AND FERRIS They look at each other. She offers him a cookie. He offers her his beer. FERRIS Cameron? Do you think this because of the car or is it a combination of everything shitty in your life? CU. CAMERON He doesn't respond. CAMERON Music...kiss...attack... CU. SLOANE AND FERRIS 185

Sloane sips the beer. FERRIS You just can't deal with anymore shit? The car took you into the red zone? Time for a reality check? SLOANE Cameron? I could flip real easy, too. There's nothing wrong with it. At one time or another, everybody goes to the zoo. FERRIS Maybe he was actually sick. Maybe he wasn't bullshitting himself. CU. CAMERON No response. CAMERON Gesundheit...God...mercy... EXT. BACKYARD Ferris and Sloane watch their catatonic friend. CU. CAMERON He smiles. CU. SLOANE She leans forward and stares at Cameron. CU. FERRIS He cocks his head, wondering what Cameron's up to. CU. CAMERON He keels over forward. EXT. BACKYARD Cameron falls out of the chair and splashes down, face-first, into the water. Sloane screams. Ferris leaps for him. UNDERWATER Ferris struggles with Cameron's lifeless bulk. CU. SLOANE She's screaming. Ferris thrashes around in the water. UNDERWATER

Ferris grabs Cameron's collar and rips him out of the water. EXT. BACKYARD Ferris sits Cameron on the edge of the Jacuzzi. FERRIS CAMERON! CU. CAMERON His eyes are closed. He's lifeless. CU. FERRIS His face is a mask of terror. He shakes Cameron. CU. SLOANE She's screaming. CU. CAMERON A smile spreads across his face. CU. FERRIS He sees the smile. He stops shaking Cameron. EXT. JACUZZI Ferris and Cameron are looking at each other. Sloane's still screaming. She realizes that Cameron's okay. She stops screaming. SLOANE What? FERRIS (Cameron) You asshole! Cameron's smiling. SLOANE What? Ferris starts to laugh. Cameron explodes with laughter. Sloane's bewildered. SLOANE What's so funny? 186 INT. POLICE STATION. WAITING ROOM 186

Jeanie's sitting on a wooden bench with a WASTED TEENAGE BOY in a Triumph t-shirt, long hair, torn jeans, creepers, studs and chains. He's studying her. BOY Drugs?

How's that? BOY That's cool. Jeanie looks back at him. JEANIE Why are you here? BOY Drugs. thank you. The boy nods. BOY I meant.JEANIE No. I'm serious. I'm straight. I've got the troubles. Did you shoot him or something? JEANIE No. JEANIE Blow yourself. JEANIE Alright. Jeanie turns away. BOY You want to talk about your problem? JEANIE With you? Are you serious? BOY Yeah. The boy crosses his legs. JEANIE I don't know why I'm here. JEANIE You really want to know what's wrong? The boy shrugs. I hate my brother. BOY Then why don't you go home? JEANIE Why don't you put your thumb up your butt? The boy stares at her. If you've got the time. not yet. are you here for drugs? Jeanie stares at him. He understands the emotion. In a nutshell. .

BOY There's somebody you should talk to. you're pissed at him because he ditches and doesn't get caught? JEANIE Basically. you lose a testicle.JEANIE I went home to confirm that the shithead was ditching school and a guy broke into the house and I called the cops and they picked me up for making a phoney phone call. JEANIE I'd get caught. Jeanie stares angrily at him. Jeanie stares at him threateningly. JEANIE If you say Ferris Bueller. BOY So. BOY What do you care if your brother ditches school? Jeanie stares at the boy. JEANIE Why should he get to ditch school when everybody else has to go? BOY You could ditch. The boy nods knowingly. BOY You know him? . It's just an opinion. JEANIE Excuse me? BOY Excuse you. You oughta spend a little more time dealing with yourself and a little less time worrying about what your brother does. BOY Then your problem is you. Partly because he's so bold and partly because he's so right.

I I was thinking And I realized and difference goes to shit. JEANIE'S HAND It curls into a fist. INT. The Ferrari is jacked up. FERRARI TIRE It's spinning rapidly. what would it be? FERRIS Sloane is naked before your eyes and you're thinking about words? SLOANE God bless you. The whole time things over. what would it be? FERRIS I can't believe you'd think up something like with a naked girl in a jacuzzi right in front of you. . ACCELERATOR A brick's resting on the accelerator. Sloane. it doesn't make if the present 187 FERRIS I have a agree with you there. about the future. The engine's racing. FERRIS Bathroom. SLOANE Really. meditating. The wheels are turning. Ferris. CAMERON Thank you. CY. CAMERON If you guys only had one word. answer his question.CU. holding it down. 187 CU. CAMERON I was just thinking was like. Cameron. SLOANE Come on. CAMERON I've been thinking all day that if you could only have the use of one word. Cameron and Sloane are sitting in the garage. CAMERON'S GARAGE Ferris.

. FERRIS Cash. Cameron peeks in the window. GARAGE Cameron pulls his head out of the car. Ferris and Sloane think about it. Cameron gets up and walks to the Ferrari. Cameron smiles at his wisdom. CAMERON It's the only word you could ever use. FERRIS Hellos' generic. FERRIS Hello. . CU. ODOMETER Nothing's happening. CAMERON The word is help. CAMERON The miles aren't coming off. running it in reverse. INT. CAMERON Ferris? It's not working. SLOANE Love. It's a good choice. She thinks. SLOANE You wanna be generic? CAMERON It's help. FERRIS And what is you loathe somebody? Are you going to say "love" every time you see them? SLOANE It's better than "hello".SLOANE I'd say.. Ferris looks up.

FERRIS He turns to CAMERA. It's cool. GARAGE Cameron has kicked the Ferrari off the jack. He walks back around behind the Ferrari. I'm taking a stand against my father. CU. FERRIS This is a big U-2 fan. She applauds him. SLOANE She smiles proudly at Cameron. CU.FERRIS I thought that might be a problem. TIRES It's spinning wildly. CU. against my family. It squeals out of the garage in a cloud of blue tire smoke. Let's crack open the odometer and roll it back by hand. INT. Cameron shakes his head.000 . CU. he's finally going to have to deal with me. I'm taking a stand. He has made up his mind and it appears that it won't be changed by anyone but himself. A $50. MERCEDES BUMPER Cameron's foot rests on the bumper. TIRE The spinning tires slam down on the cement. CAMERON He's serious and determined. I will take a stand and I will defend it. against myself. A beat and it gives a mighty shove. my present and my future. CU. I'm gonna do it. I will not sit idly by as events that affect me unfold to change the course of my life. CU. CAMERON Seventeen years and I've never taken a stand. Good or bad. Now. When my father comes home tonight. CAMERON I got a better idea. against my past.

CAMERON It's okay. SLOANE Why? CAMERON I took a stand. Then a look of bewilderment comes over his face. Ferris and Sloane are bewildered. TREE The Ferrari's brief journey ends as it smacks a tree trunk. CU. THEIR POV The Ferrari travels down the driveway. HOUSE The Ferrari shoots down the driveway. SLOANE AND FERRIS They're in shock. Cameron thinks for a moment. over the curb into the wooded property opposite the house. GARAGE Cameron watches the car go. Cameron. FERRIS What was that about? SLOANE This has to be a dream. He's proud and bold. . He shoots a look to Ferris. You wrecked a car. A puzzled look. They look at Cameron. across the street. He's strangely placcid about the impending disaster. FERRIS You trashed the car.unmanned investment heading backwards down a driveway. CU. FERRIS No. INT. INT. Cameron looks across the street. FERRIS Cameron? One quick question. Then he regains his confidence. Why'd you do that? Cameron holds his proud posture for a beat. GARAGE Ferris and Sloane exchange baffled looks. EXT.

CAMERON I'm gonna handle it. thanks. I appreciate your calling me. If I need it again. CAMERON It's cool. I'm loose. OFFICER Oh. This is a shock to me. POLICE STATION. Outside the office. 188 INT. I don't know why she'd call you with this story about a rapist. Cameron looks at him. Joyce looks at the officer curiously. He raises am impish eyebrow. First. If you're interested. JOYCE She's never been in trouble before. FERRIS I have an idea. I hope you son's feeling better. JOYCE I hope so. I'll use it. OFFICE Joyce is talking with the juvenile officer. we see Jeanie and the boy making out. Second. He smiles. I want to deal with it by myself. on the bench. OFFICER For whatever reasons she did it. JOYCE Thank you. CAMERON No. 188 . FERRIS I think this could work.Ferris looks across the street at the car. I don't know why she wasn't at school. by the way. I think she'd had a good scare. I can assure you that her father and I will have a long talk with her. The gathers her purse and jacket and stands. SLOANE What about your one word? CAMERON You already did it. He shakes his head.

I guess. 190 EXT. I think we can probably get it on pretty good. He had to so it. He'll be okay. Jeanie reaches down for her purse. Get your stuff. She's still a little bewildered that everybody knows Ferris was ill.OFFICER Tell him. BOY For sure. JEANIE (to the boy) If you keep this to yourself. JEANIE Hi. His old man had it coming. WAITING ROOM Jeanie quickly breaks the embrace with the boy as Joyce steps out of the juvenile officer's room. POLICE STATION. FERRIS Yeah. The boy adjusts his pants to better hide his passion. I'd be worried if he'd 190 189 . SLOANE I had a great time today. young lady. What's yours? BOY Garth Volbeck. 189 INT. JOYCE Don't "hi" me. Jeanie wipes her lips and sits up straight. all the guys at the station here are pulling for him. SLOANE'S BACKYARD Sloane and Ferris are standing at the back fence. SLOANE You think Cameron's gonna be alright? FERRIS Sure. Jeanie stands up. It was pretty cool. BOY What's your name? JEANIE Jean.

A significant amount of cash. 191 EXT. CU.in the amount of $1. Sloane nods. SLOANE I LOVE YOU! She backs away from the fence..765. 193 CU. BEDSPREAD Neatly bundles stacks of bills and rolled coins. BACKYARD Ferris sprints across a backyard. She turns and runs into the house. ". It gives us great pleasure to assist 193 . SLOANE He's gonna marry me. I'm just real loose.33. A huge smile spreads across her face. ANOTHER BACKYARD 192 191 Ferris vaults a fence. He kisses her. He leaps. He jumps a plaster elf. springs off. MUSIC FADES UP. PIECE OF PAPER We see a portion of the typewritten letter as she signs it. SLOANE You didn't have an idea. CU. Sloane smiles knowingly. Ferris jumps the fence and takes off across the backyards. He runs directly for a swimming pool. does a flip and lands on the grass on the other side of the pool. hits the diving board. SLOANE She's writing. FERRIS No. 192 EXT. He's approaching it from the side. SLOANE You're so smart. Sloane watches him go. I know it.. did you? FERRIS Not a glimmer. FERRIS I'll call you tonight.taken my idea.

Ferris moves to the side. CU. EXT. Joyce pulls in from the other direction. HIS POV Rooney's looking down at him. HOUSE. CAR. 196 EXT. He parks and gets out. 197 196 195 194 . FERRIS' STREET He's running down the middle of the street. FERRIS' HOUSE Tom pulls in the driveway. 197 EXT. PORCH Ferris stands up. A car honks. HOUSE Ferris runs through the kitchen. Sloane Peterson Executive Director The Ferris Bueller Foundation" 194 EXT. He smiles. PORCH The outline of a key in the dirt under the mat. 195 INT. It's locked. He does a take. The toe of a chewed-up dress shoe steps INTO FRAME. Tom's at the wheel. past a WOMAN. MIRROR We see Ferris cut across a front lawn and into a house. INT.you in performance of your worthy and much needed survives to those so desperately in need. He reaches down and lifts the doormat. The car pulls around him. He glances in the mirror. HIS POV. CU. FERRIS He stares up in horror. TOM He realizes it couldn't be Ferris. fixing dinner and out her backdoor. The key's gone. CU. He's holding the house key. An OMNIOUS CHORD IS STRUCK. BACK PORCH Ferris tries the door. Sincerely. The Woman looks up curiously.

FERRIS A moment of curiosity. ROONEY How does another year of high school sit with you? Suddenly. you're alright! We've been worried sick! CU. There's no way out. He smiles. JEANIE Thank God. Mr. JEANIE . This time I finally got you. the backdoor opens. (to Ferris) You better get up in bed tight now. Rooney. Ferris limps into the house. ROONEY I got you. Ferris is caught. Then it dawns on him what's happening. JEANIE (to Rooney) Thank you for bringing him home. Ferris. She rushes Ferris and hugs him. Rooney gloats severely. EXT. CU.ROONEY Looking for this? FERRIS Yes. PORCH Jeanie breaks the embrace. ROONEY He's dumbfounded. She feigns joy and relief. ROONEY His eyes dart from Ferris to Jeanie to Ferris. CU. JEANIE Can you imagine someone as sick as Ferris trying to walk home from the hospital? (shakes her head) Kids! CU. Jeanie looks out. His victory is evaporating.

KIMBERLY (to Todd) Is he serious? TODD I think so. EXT. shit! Ferris takes out a bottle of orange juice out of the refrigerator and drinks straight from the bottle. lost. PORCH Jeanie steps into the house. He crosses to the refrigerator and opens it. HOUSE The door closes on Rooney's defeated. His head pops up off the grass. We hear AN O. Not only has he lost Ferris again. bewildered face. They look up at Ferris as he comes in from outside. A huge smile passes over her face. but Kimberly's is. GROWL. CU. 200 199 198 . CU. FERRIS No. 200 INT. 198 INT. He looks at his little brother. KIMBERLY Oh. he has Jeanie to deal with next year. TODD Ferris? Does my head look like it's getting bigger? Ferris leans against the counter as he tries to catch his breath. YARD. DOG The click of the door wakes him up. Jeanie comes in. ROONEY He senses new danger. dejected. ROONEY A look of terror as he realizes that is was Jeanie who kicked him and that Jeanie knows it was he who she kicked. Kimberly feels her head. Rooney squeezes his eyes shut.C. KITCHEN Kimberly and Todd are sitting at the kitchen table watching TV and eating cereal.She raises her hands and strikes a karate pose. 199 EXT. CU.

plants and gifts. 202 INT. FOYER The foyer is jammed with floral arrangements. JOYCE (OC) Ferris! Ferris continues up the stairs. JEANIE You don't have to. He affects a sickly voice. FERRIS Upstairs. guys. 201 EXT. I've been ripping off your wallet for years. 204 203 202 201 . FERRIS By the way. Ferris gives her a proud smile. FERRIS It's completely cool. HOUSE Joyce and Tom head up to the kitchen.FERRIS Thanks. I borrowed some cash from you. JEANIE No problem. JEANIE I'm sorry I've been riding your buns for so long. Ferris and Jeanie step gingerly through the flowers and head upstairs. JOYCE (to Todd and Kimberly) Hi. KITCHEN Ferris and Jeanie exit the kitchen as Joyce and Tom enter. SECOND FLOOR LANDING Ferris and Jeanie stop. KIMBERLY Is my head swelling up? 203 INT. FERRIS I want to. I'll pay you back. Jeanie. Mom! 204 INT. HOUSE. JEANIE You don't have to.

Please. No sooner are the covers over him than the bedroom door opens and Joyce and Tom walk in. Tongue out. don't make me stay home again. TOM I know I'm right. thank you. Ferris walks into the room. But stay away from his brother. 205 INT. eyes bulging. FERRIS (deathly gasp) 150% better. There's no point pushing yourself and making it worse. FERRIS The same deathly face he had in the morning. JOYCE How did you get so sweet? 205 .JEANIE Do you know a guy named Garth Volbeck? FERRIS Vaguely. He climbs into bed. really. FERRIS Maybe you're right. TOM (OC) Ferris? How do you feel? He pulls in his tongue to speak. They walk over to the bed. Joyce sits down. I want to go to school. Joyce leans over and kisses him forehead. You're sick. FERRIS I'm much better. brushes the crumbs off his hands and peels off his shirt. Dad.. JOYCE Honey? CU. JEANIE Is he cool? FERRIS He's cool. I'm graduating in June and I. BEDROOM Tom and Joyce hover over him with deep concern. TOM Ferris..

Ferris looks at CAMERA. breathing joy and delight.FERRIS Years of practice. MUSIC UP BIG END TITLES THE END . FERRIS The hideous face. He smiles. CU. FERRIS You gotta get one. Tom pats Ferris on the rump. He rolls over on his back and puts his hands behind his head. A beat and we HEAR THE BEDROOM DOOR CLOSE. A great big crazy ball of pure living. life is a carousel. He and Joyce exit. FERRIS (happy sigh) Yeah.

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