Exam Information & Regulations

International edition

2012

SYLLABUS UPDATES: 2012
New requirements for graded exams
• Natural minor scale At Grades 1 and 2 only, candidates for any instrument may

present the natural minor form for their set minor scale(s) in place of the harmonic or melodic form (as applicable). For further details, see www.abrsm.org/naturalminor
• Violin • Viola • Cello • Double Bass

new set pieces; revised scale and sight-reading requirements

  

revised scale and sight-reading requirements only

These new requirements are valid from 1 January 2012. The set pieces, scale and sight-reading requirements for all other subjects remain unchanged.

Overlap information
In the first year of any new Practical syllabus, ABRSM offers an overlap period in which candidates may perform set pieces from the preceding syllabus. Details for 2012: Set pieces (Violin only) •  Candidates may play pieces from the preceding syllabus as follows: UK & Republic of Ireland – until the end of Period A (spring exams) 2012 All other countries – until 31 December 2012 •  All the pieces must be from the same syllabus – candidates may not perform a   mixture of pieces from old and new syllabuses. Scale and sight-reading requirements (Violin, Viola, Cello and Double Bass) •  There is no overlap period for scale and sight-reading requirements: the   revised requirements take effect for all candidates worldwide from 1 Jan. 2012.

Other information
The requirements for all other syllabuses – Prep Tests, Diplomas, Performance Assessment, Ensembles and Choral Singing – remain unchanged. For enquiries about jazz exams, please contact: E international@abrsm.ac.uk.

Syllabus updates: 2013–2016 – see inside back cover

EXAM INFORMATION & REGULATIONS 2012

CONTENTS
Syllabus updates Exam Information Using this booklet Dates of Practical Exams: 2012 Information at a glance: 2012 ABRSM syllabus chart: 2012 About ABRSM Guide to exams and entries Representatives and Contacts Exam Regulations Index 3 4 7 8 10 14 20 27 37 inside covers

© Copyright 2012 by The Associated Board of the Royal Schools of Music

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EXAM INFORMATION USING THIS BOOKLET This booklet is designed to assist teachers. Please note that this booklet applies to all ABRSM exams except diplomas. 27–36). The Information section begins with key details for 2012 such as Practical exam dates. 3–26) and Regulations (pp. For further information about ABRSM’s activities. the responsibilities of the Applicant and any exam-related policies. 19 for details of who to contact.abrsm. Also included within this part of the booklet is an introduction to ABRSM and a list of exam centres and Representatives and Contacts. which provide full details of the procedures relating to exams and entries. parents and organizations in planning for and entering ABRSM exams and assessments in centres outside the UK and Ireland. It is organized into two distinct sections: Exam Information (pp. for which separate syllabuses containing distinct information and regulations are available.org. including ABRSM’s undertakings. 3 . which gives a step-by-step summary of what happens at each stage – from entry options to the exam itself and beyond. The symbol ➔ indicates a crossreference to the Regulations. candidates. If you have any queries after reading this booklet. At the heart of the Information section is a Guide to exams and entries. visit www. please see p.

DATES OF PRACTICAL EXAMS: 2012 Local Representatives may set an earlier deadline in order to meet ABRSM’s last dates of entry country period of exams entry period/last date of entry Andorra Anguilla Antigua Australia ” Austria The Bahamas Bahrain ” Bangladesh Barbados Belgium ” ” Belize Bermuda ” British Virgin Islands Brunei Darussalam Bulgaria Canada ” Cayman Islands China. 24 Aug.–14 Sep.–4 Feb. 2011–7 Jan. 24 Jan. 25 January 25 September 2 December 2011 2 December 2011 4 . 17 February 28 September 2 December 2011 1 February 14 September 17 February 13 Dec.–3 Feb. People’s Republic of ” ” ” Cyprus ” Czech Republic Denmark ” Dominica Egypt Faroe Islands Finland France: Paris ” Paris & Nice ” Bordeaux ” Paris & Bordeaux Germany ” Ghana Gibraltar ” Greece ” Grenada Guyana June March–May March–May June–July October–December May–June March–April May–June November–December April February–March March May–June November–December March–April April–May November–December March–May September May–June April–June October–December March–May August November April–June November–December May–June April–May November–December March–May May–June November April–May March May June November–December April–May November–December May–June May–June November–December April–May November–December March–May March–May 13 Jan.–10 Feb. 2 December 2011 2 December 2011 9 March 27 July 17 February 2 December 2011 16 January 10 September 15 January 2 December 2011 6 January 14 March 24 September 2 December 2011 14 January 8 September 2 December 2011 19 April 3 February 6 January 10 August 2 December 2011 30 May 31 August 1–20 January 1–20 July 14 Jan.–11 Feb. 14 March–1 April 12–30 September 13 January 7 September 9 March 20 Jan.

Sabah & Sarawak only ” All states Malta ” Mauritius Mexico Namibia Netherlands ” ” ” ” Nevis New Zealand: Grade & Diploma exams ” ” Grade exams only ” ” Grade & Diploma exams Nigeria Norway ” Oman ” Philippines Poland Portugal April–May August–November August October–November May–June April–May September–November March–April August–November May–June November–December March–May May–June November–December April–June November–December May–July April–June November–December April–June November–December May–June November–December July–August November–December September–October May–June April June–August March–April October–December September–October March–May October March May–June November–December March–May May–June August–September October–December May–June April–May November–December April–June November–December November–December May–June May–June 7 January 27 March 27 March 7 July 3 February 17 February 15 June 18 November 2011 13 April 20 Jan.–12 March 14–30 September 9 March 10 July 26 April 2 March 24 Nov.–14 Dec.Dates of Practical Exams: 2012 country period of exams entry period/last date of entry Hong Kong SAR: Grade & Diploma exams ” ” Grade exams only ” ” Diploma exams only ” ” Diploma exams only Hungary Iceland India Indonesia ” Italy ” Jamaica Japan ” Jordan ” Kenya Korea ” Kuwait ” Luxembourg ” Macau SAR ” ” Madagascar Malawi Malaysia: FT Kuala Lumpur. Johor. 2011 4–25 January 1–14 January 11 July–1 August 25 April 2 December 2011 18 April 1–20 January 1–15 February 8–24 September 2 December 2011 16 March 18 May 10 August 9 March 17 February 28 September 10 February 14 September 31 August 3 February 6–27 January 5 . Penang. Perak. 5–26 September 2 December 2011 17 February 31 August 16 January 6 September 27 January 17 February 31 August 16 January 13 September 26 Feb. Selangor.–10 Feb. Pahang.

5–26 September 23 March 10 February 8 March 31 July 9 December 2011 30 Sept. Dubai & Sharjah ” ” ” ” ” ” United States of America ” ” ” Vietnam Zambia April–June November–December March–May March–May March–May April–May June July May–June February–March April–May July–September May–June August–September September–October May–June November–December March–April September–October April–May November–December May–June November–December July–September May–June June–July October–December March–May January April–May May–June April–June November–December April–June October–December June May–June 16 January 10 September 2 December 2011 2 December 2011 2 December 2011 3 February 7–28 March 6 April 11 March 19 Sept. Canary Islands) Sri Lanka ” Sweden ” Switzerland ” ” Taiwan Tanzania Thailand ” Trinidad & Tobago Turkey ” Uganda United Arab Emirates: Abu Dhabi. 2011 3–21 January 7 March 4–19 January 11–20 September 26 Dec. 6 January 11 May 17 February 28 September 17 Jan.–3 Feb. Canary Islands) ” (excl. 17 Sep.–7 Feb. KwaZulu-Natal & Free State ” Gauteng & surrounding regions Spain (incl.–7 Oct.–21 Oct. 2011 3–6 January 13 February–2 March 9 February–2 March 30 March–20 April 13 April–4 May 13 Jan.–5 Oct. 2011–15 Jan.Dates of Practical Exams: 2012 country period of exams entry period/last date of entry Qatar ” St Kitts St Lucia St Vincent Saudi Arabia Serbia Seychelles Sierra Leone Singapore: Grade exams ” Diploma exams ” Grade & Diploma exams South Africa: major centres only ” Eastern & Western Cape. 6 . 26 July–15 August 24 February 10 February DATES OF THEORY EXAMS 2012: please see Dates and Fees leaflet for each country.

16j ) Duplicate certificate (➔ Reg. EXAM TIMINGS Practical Piano Harpsichord Prep Test Grade 1 Grades 2 & 3 Grades 4 & 5 Grade 6 Grade 7 Grade 8 10 mins 12 mins 12 mins 15 mins 20 mins 25 mins 30 mins Singing 10 mins 13 mins 15 mins 15 mins 20 mins 25 mins 30 mins 15 mins Harp Organ – 17 mins 19 mins 22 mins 25 mins 30 mins 35 mins 20 mins All other subjects 12 mins 12 mins 14 mins 17 mins 20 mins 25 mins 30 mins 15 mins – 90 mins 90 mins 120 mins 180 mins 180 mins 180 mins – Theory Performance Assessment 15 mins Ensembles Instrumental/Vocal Primary/Initial Intermediate Advanced 17 mins 23 mins 30 mins Choral Singing 20 mins 22 mins 25 mins An extra 3 mins will be added to the exam time when an interpreter is used (➔ Reg. timings for diploma exams are given in the relevant diploma syllabus.00 per candidate Appeal investigation* (➔ Reg.INFORMATION AT A GLANCE: 2012 2012 EXAM FEES Please see separate Dates and Fees leaflet for each country.00) Exam taken before 1993 £16.00 per candidate * For multiple candidates. 11c).00 included under confirmation of marks fee (see above) Theory Half of the entry fee £60. the above charges should be paid direct to ABRSM’s office in London by sterling draft negotiable in the UK or by credit card (Visa or MasterCard). 17b) Independent review (➔ Reg. the investigation fee charged will not exceed five times the local Grade 5 Practical/Theory fee.50 (diplomas £15. NB. CHARGES (UK £) Confirmation of marks (➔ Reg. 17c) Practical Half of the entry fee £60. 16j ) Exam taken in 1993 or later free of charge £8. NB. 7 .

Guitar. Harp. Cornet. Advance notice of new or revised syllabuses is given on the inside covers of this booklet. Alto. Tenor. Organ.ABRSM SYLLABUS CHART: 2012 This chart details the full range of current ABRSM exam subjects. New syllabuses in 2012 are indicated by the symbols § and * in the chart below. Baritone) Theory of Music Practical Musicianship Brass Syllabus: 2010–2012 Horn Trumpet. Syllabus publication (& validity) Piano Syllabus: 2011 & 2012 Piano Theory of Music Practical Musicianship 1–8 1–8 1–8 Grades (or Levels) Syllabus publication (& validity) Woodwind Syllabus: 2010–2013 Descant (Soprano) Recorder Treble (Alto) Recorder Flute Oboe Clarinet Bassoon Bowed Strings Syllabus: 2012–2015 * § Violin § Viola § Cello § Double Bass Theory of Music Practical Musicianship 1–8 1–8 1–8 1–8 1–8 1–8 Saxophone (Soprano. Flugelhorn Eb Horn Harpsichord. showing grades (or levels) and the syllabus publications in which the respective subjects appear. Percussion & Ensembles Syllabus: 2011–2014 Harpsichord Organ Guitar Harp Percussion Ensembles (Instrumental/ Vocal) Theory of Music Practical Musicianship 4–8 1–8 1–8 1–8 1–8 Primary Intermediate Advanced 1–8 1–8 Trombone Bass Trombone Baritone Euphonium Tuba Theory of Music Practical Musicianship Singing Syllabus: 2011 & 2012 Singing Theory of Music Practical Musicianship * new set pieces (Violin only) Grades (or Levels) 1–5 1–8 1–8 1–8 1–8 1–8 1–8 1–8 1–8 1–8 1–8 1–8 1–8 6–8 1–8 1–8 1–8 1–8 1–8 1–8 1–8 1–8 § revised scale and sight-reading requirements from 2012 8 .

Prerequisites (Practical Grades 6–8): ➔ p.ABRSM Syllabus Chart: 2012 Syllabus publication (& validity) Choral Singing Syllabus † Grades (or Levels) Initial Intermediate Advanced Syllabus publication (& validity) Prep Test leaflet available for Piano. Trombone. 9 . Guitar. Oboe. Viola. Horn. Singing Levels – Diploma Syllabuses: from 2005 DipABRSM LRSM separate syllabuses for Music FRSM Direction ‡. ‡ Available online only. Euphonium. and Instrumental/Vocal Teaching Performance Assessment leaflet available for any solo Practical subject – † Available in selected Centres only: please contact the local Representative to check availability. Flute. Saxophone. Cornet. 16. Cello. Baritone. 2b. Trumpet. Bassoon. Violin. Descant Recorder. E b Horn. Syllabus overlap: ➔ Reg. Flugelhorn. Music Performance. Clarinet. Double Bass.

ABRSM exams are also part of the UK’s Qualifications and Credit Framework and. we provide a wide range of materials to support our exams and to help everyone get the most out of music-making. The scope of our publications covers extensive instrumental catalogues.  Classical  and  Romantic  s composers’ keyboard music 10 . 34). and then work through the eight grades. arpeggios and broken chords •      theory and musicianship textbooks •        cholarly. but we do not impose a set pattern. attract points towards UK university and college entrance (see p. singing. We also produce albums of specially-commissioned pieces by contemporary composers. They offer a framework for life-long learning in music. practical musicianship and music theory. Graded exams are available for more than 30 instruments. Our exams are recognized formally in a number of countries. We motivate musical achievement and encourage the development of well-rounded musicians through our authoritative exams. EXAMS ABRSM exams give the developing musician a set of worthwhile and motivational goals to work for. length of study. the professional development of teachers.  practical  editions  of  the  major  Baroque. Canada and South Africa. at Grades 6–8.ABOUT ABRSM ABRSM supports music teaching and learning throughout the world. Many students will start with the Prep Test. LRSM and FRSM) in three subject areas: performing. For students who progress beyond Grade 8 we offer professional diplomas (DipABRSM. ensembles. directing and teaching. In Australia. PUBLICATIONS AND RESOURCES As part of our commitment to excellence in music education. without restrictions on age. Publications to support our exams include: •      albums that complement our instrumental and vocal syllabuses •      CDs and audio downloads of exam repertoire •      practice aural tests and sight-reading/quick studies •      scales. or the requirement that candidates are taught in schools or other places of learning. scholarly editions of the great composers and jazz publications for a variety of instruments. and a wide range of published resources. a simple and positive assessment at the pre-Grade 1 level. They provide the opportunity of performing high-quality music and developing all-round musicianship through a range of supporting activities. ABRSM exams can be used for credit towards the relevant qualifications taken by students completing compulsory secondary education.

org/appcentre TEACHING COURSES All musicians need good teachers to nurture and develop their talents – and good teachers endeavour to enhance their professional skills. These two courses are currently available in the UK only.abrsm. The course is available in Hong Kong. The course requires students to complete a portfolio of work including written assignments. Singapore and the UK. teachers from any country are welcome to attend them if they are able to travel to the UK. lesson observations.abrsm. By the end of the course. teaching and learning applications to help you achieve more with your music. workshops and seminars around the world that provide for the needs of teachers at all stages in their careers and reflect the latest developments in music education. reflective teachers. www. discovering and creating music www.org/shop. Introduction to Instrumental and Vocal Teaching is a one-day course that offers insight into teaching as a career. teachers will have gained new skills and developed an ability to reflect on their own teaching and assess its effectiveness. As well as our core courses. Teaching Music Effectively is a course that provides development to teachers who may be new to the profession. guides and companions All of our publications can be found online at www. action-research projects. CT ABRSM Plus enables teachers to develop new skills. Among our core courses is the CT ABRSM Plus.  Clarinet and Flute exam syllabuses S   oundjunction  –  Our  free  award-winning  interactive  site  for  listening  to. a personal profile and a diary of teaching. Being an Effective Teacher is a new and exciting online course designed to explore good practice and to develop confident. we also offer a range of short courses. or simply looking to refresh their approach.  then  keep  and  share  the  recording A   udio  downloads  –  download  recordings  of  pieces  from  our  Piano.org/teachers 11 . This course is available worldwide.  Violin. We support their continuing professional development through our innovative courses and online learning. provides ideas on how to get started and the key skills required to succeed. ABRSM Apps We offer a collection of music making.abrsm. The following are available via our App Centre: •   •   •   •   S   peedshifter – a free practice tool that allows you to vary the speed of audio from  CD or MP3 without altering the pitch A   BRSM  Puresolo  –  play  your  ABRSM  exam  music.  exploring. as well as introduce new teaching techniques to lessons. which combines two of our highly respected letter-bearing qualifications: the Certificate of Teaching (CT ABRSM) and the Principles of Teaching diploma (DipABRSM level). review their own teaching and make judgements about how effective it is.About ABRSM •      biographies.

ABRSM awards International Scholarships for study at the four Royal Schools of Music listed below. please contact international@abrsm.uk Royal Conservatoire of Scotland. Marylebone Road. E info@rncm. London NW1 5HT. www. 100 Renfrew Street. F +44 (0)141 332 8901.uk or visit www. UK T +44 (0)161 907 5200.ram.abrsm. As part of this commitment to supporting music education.ac.ac. There are normally eight International Scholarships awarded each year – one undergraduate and one postgraduate scholarship at each of the four Royal Schools. www. Glasgow G2 3DB. UK T +44 (0)141 332 4101.rsamd. Royal Academy of Music. The Scholarships are awarded on the basis of merit for candidates who audition at the Royal Schools of Music. Students who would like to be considered for an International Scholarship should contact the School to which they wish to apply or visit the relevant website for further information. F +44 (0)161 273 7611. E registry@ram.uk. Each Scholarship includes full tuition fees. www.uk. E info@rcm. org/students.ac.ac.uk 12 . E registry@rsamd. and payment of the cost of the fare home on satisfactory completion of the course.rncm. 124 Oxford Road.ac.000 sterling per year towards living costs. F +44 (0)20 7873 7374. London SW7 2BS. We do all we can to give music a voice in public life because we believe it has the power to change people’s lives.About ABRSM GIVING ABRSM has spent more than 120 years inspiring and supporting generations of musicians.ac. www. scholarships and sponsorships. Manchester M13 9RD. a grant of £5. Prince Consort Road. For further information.uk Royal College of Music. UK T +44 (0)20 7589 3643.rcm. We provide charitable donations.ac. F +44 (0)20 7589 7740. as well as acting as an advocate for music education.uk Royal Northern College of Music.uk. UK T +44 (0)20 7873 7373.uk.ac.ac.

F +44 (0)20 7637 0234. MPhil. DMus. FLCM. E abrsm@abrsm. ACA (Secretary) Executive Directorate Chief Executive Guy Perricone MA. Solicitor Executive Director: Syllabus & Publishing Leslie East M Mus.About ABRSM ORGANIZATION Patron HER MAJESTY THE QUEEN President HIS ROYAL HIGHNESS THE PRINCE OF WALES The Governing Body Lord Sutherland of Houndwood KT. FCA Alan Smith BA. PhD. FRSE (Chairman) Professor Jonathan Freeman-Attwood BMus. FRSAMD. FCA Guy Perricone MA. BMus (Hons) Professional Development Director Richard Crozier MA UK Operations Director Penelope Milsom BA IT Director Eugene O’Donnell BSc Syllabus Director Nigel Scaife DPhil Oxon.org 13 . FRCM. DipM MCIM Chief Examiner John Holmes MA Cantab. MMusRCM Marketing Director Ben Selby BMus (Hons). CA Professor Jonty Stockdale BA (Hons).ac. Solicitor (Chief Executive) Sue Cambridge BA.uk www. DPhil (York). LRAM The Associated Board of the Royal Schools of Music 24 Portland Place. Hon RAM (Principal of RAM) Professor Colin Lawson MA Oxon. MA Cantab. FGSM. FRAM. FBA. FRNCM (Director of RCM) Philip Ramsbottom MusB. UK T +44 (0)20 7636 5400. FRSE (Principal of RCS) Nicholas Ward MA. London W1B 1LU.abrsm. FLCM (Principal of RNCM) Tony Travis Hon FRAM Professor John Wallace CBE. FRCM. ACA International Operations Director Tim Arnold MBA. textphone +44 (0)20 7637 2582. Hon RCM Executive Director: Finance & Administration Sue Cambridge BA. MA.

All of ABRSM’s activities are conducted in the context of good practice regarding child protection. They can also be downloaded from www. 22 14 . There are separate syllabuses for diploma exams and Choral Singing. 20. 2b). we offer an overlap period of one year where the set pieces from the preceding syllabus may still be performed (➔ Reg. which contains practical advice and other information (such as the assessment criteria for each part of the exam). When planning an exam entry. Libretto. 19. The syllabus chart on pp. These three sources of information constitute ABRSM’s overall exam specification and are available free of charge from Representatives and Contacts (see pp. and individual leaflets for the Prep Test and Performance Assessment. and website. 8–9 presents the full range of subjects we currently offer. Advance notice of any syllabus change is given in the syllabus updates published on the inside cover of this booklet and each syllabus. ABRSM operates an ongoing scheme of syllabus review. as well as through our magazine. Guitar. Percussion & Ensembles As well as detailing the current set pieces and technical requirements. sight-reading and/or aural tests appearing at different intervals. equal opportunities. Harp.abrsm. Theory exams take place as detailed in the Dates and Fees leaflet for each country. ➔ Regs 18. Whenever new set pieces are introduced for the Practical graded exams. All new syllabuses are valid from 1 January of their year of introduction. as well as studying this booklet it is important to consult the relevant syllabus as well as the guide for candidates. and data protection. The subjects for the Practical graded exams are distributed into the following syllabus booklets (also available online): •      Piano  •      Bowed Strings •      Woodwind   •      Brass  •      Singing  •      Harpsichord. with new set pieces. These Music Exams. these syllabuses also list the requirements for the Theory of Music exams and Practical Musicianship exams as well as the requirements for the aural tests included in the Practical exams. 21. accessibility for those with specific needs.GUIDE TO EXAMS AND ENTRIES ABRSM EXAMS AND SYLLABUSES ABRSM operates an authoritative and internationally recognized system of music exams and assessments. teachers and parents. 20–26) and direct from our office in London. 4–6. Organ.org/exams. scale requirements.abrsm. Practical exams take place during the exam Periods shown on pp. All of these are also available at www.org/exams.

The Applicant is ABRSM’s principal point of contact in all matters relating to exam entry. for all exams except Choral Singing. payment is made by credit card. Ensembles and diplomas. teacher). together with the full fees. ➔ Reg. guardian. which should be quoted in all future communications with ABRSM. ➔ Reg.abrsm. For online entries. London W1B 1LU. 4–6 for Practical exams and in the Dates and Fees leaflet for each country for Theory exams.abrsm. or bank transfer. the top copy only of the entry forms should be sent. 4c Paying for exams For 2012 fees. 5 15 . see the separate Dates and Fees leaflet for each country. United Kingdom. Payment is made at the time of entry. Applicants in Hong Kong should contact the local Representative for online entry options. ➔ Reg. ➔ Reg. ➔ Reg. or member of school staff  On the first occasion that an entry is made. ABRSM. together with the full fees. direct to the International Department. 24 Portland Place. the Applicant is issued with a personal Applicant Number. 4a Postal entries: Entry forms in duplicate.Guide to exams and entries EXAM ENTRY The Applicant The person who submits an exam entry (by completing the entry form and making payment) is the Applicant. should be sent to the local Representative. as detailed on pp.org/exams. 4b Online entry (www. 3 The Applicant (aged 18 or over) may be: •  a teacher  •  an adult candidate  •  a parent or guardian  •  a school or institute head. Where there is no Representative. It is the Applicant’s responsibility to be conversant with the regulations contained in this booklet and to pass on relevant information to the candidate (and/or parent. 3c Making an exam entry (by post and online) In most countries entries must be made by post (using the current entry form published by ABRSM) and must be submitted by the appropriate closing date. where available. Postal entries must be paid for by a single cheque or credit card.org/exams) is currently available in Malaysia and Singapore. Entry forms are available from the local Representative or downloadable from www. ➔ Reg.

the Representative notifies the Applicant of candidates’ appointments for Practical exams (date.the premises are agreed by the local Representative as being acceptable for ABRSM Practical exams This option is designed for those entering a sufficiently large number of candidates or for cases where a subject cannot be taken at an ABRSM Centre. exams are ordinarily held at:   •  ABRSM Public Centres – exams are held at premises arranged by our   Representatives This is the option chosen by the majority of candidates. Although we will try to accommodate requests. When Practical exam appointments may be scheduled by ABRSM on any date(s) within the whole of the examining period. ABRSM offers flexibility about where and when exams are taken. no guarantee can be given to avoid particular dates. 7 and 8 Candidates for Practical Grades 6. venue) as soon as possible after the timetables have been arranged. Facilities and arrangements at Centres are provided and overseen by ABRSM. subject to the availability of our examiners. Theory exams are held only on the dates specified on the Dates and Fees leaflet for each country. London College of Music. ➔ Reg. time. with options to suit the circumstances of those entering candidates. University of South Africa ➔ Reg. Grades 6. Where Depending on the country and local conditions. 8 16 . whether the entry is for a single exam or for a large group of candidates.there is at least three hours of Practical examining .there is no ABRSM Public Centre (Practical or Theory) conveniently nearby . Australian Grade 5 (or above) in Theory Music Exam Board. 7 and 8 must already have passed one of the following qualifications: ABRSM: Grade 5 (or above) in Theory of Music. Practical Musicianship or a solo Jazz subject Trinity Guildhall. 1d } WHERE AND WHEN EXAMS ARE TAKEN Where possible. ➔ Regs 6 & 7   EXAM APPOINTMENTS Allocation and notification of appointments Following the submission of an exam entry. •  Visits – an examiner will visit premises provided by the Applicant where: .Guide to exams and entries Prerequisites for Practical exams.

➔ Reg. regardless of sensory impairments. ➔ Reg. ➔ Reg. but should ensure that the steward is given a list of the revised order before the first exam begins. A steward is normally present to welcome candidates and oversee the smooth running of the exams.g. Where no such room is available. Accessibility of exams for candidates with specific needs We endeavour to make our exams accessible to all candidates. ➔ Reg.g. 7) are averages only. including extra time and alternative tests. an additional room is made available where candidates may spend a few moments warming up. as is the opportunity to warm up for a few moments at the start of the exam.). Special arrangements. are put in place as appropriate. if they are ready and happy to do so. ➔ Regs 6d & 7e Candidates are asked to arrive 10 minutes before their appointment time. Where possible. or who cannot attend. 9 THE EXAM Key points highlighting what happens in the exam are summarized here. 18 Practical exams Exam environment and timings A suitable environment is provided for candidates. may be eligible for a partial refund or re-entry voucher (e. Applicants should ensure that candidates are aware of ABRSM’s exam performance requirements (e. 12b As the published exam timings (see p. etc. ➔ Reg. 11a In the exam room Examiners are trained to help candidates settle at the start of an exam and to assist younger candidates with adjusting the stool or music stand to the correct height. on medical or compassionate grounds). guidance about warming up and preparing silently is offered. 6f Applicants entering more than one candidate may amend the order in which the candidates are examined. Candidates are free to choose the order in which they undertake the different sections of the exam.Guide to exams and entries Withdrawals and non-attendance A candidate who is withdrawn from an exam. but this cannot be guaranteed. whether to omit or observe a repeat. 14 17 . candidates may be in the exam room for more or less time than specified and there may be small variations to the timetable. ➔ Reg. candidates may be given the option of beginning before the specified time. learning difficulties or particular physical needs. More detailed guidance is contained in These Music Exams (Part 3: On the day). If the exams are running early.

Certificates are issued to all successful candidates as a record of their achievement. ➔ Reg. AFTER THE EXAM Results Results are issued by post to the Applicant as soon as possible after various checks and quality-assurance processes have been completed. 10 Marking scheme Theory exams are marked out of a total of 100. ➔ Reg. For the Prep Test and Performance Assessment. constructive comments are written by the examiner onto the certificate that each candidate receives at the end of the assessment. is given in These Music Exams. Gradings rather than marks are awarded for Ensemble/Choral Singing exams and Practical Musicianship. 13 Marking scheme Practical graded exams are marked out of a total of 150. 120 for a Merit and 130 for a Distinction. Theory exams Exam environment A suitable environment is provided for candidates. ➔ Regs 16e & f 18 .Guide to exams and entries Candidates should not be surprised if there are two examiners present: our qualityassurance and training processes mean that a second examiner may. instead. The venue provides manuscript paper for rough workings. ➔ Reg. is given in These Music Exams. Candidates may hand in their papers at any time after 40 minutes from the start of the exam. but candidates should bring their own pens and pencils. with 100 marks required for a Pass. including a quiet exam room with tables that allow the reasonable spacing of candidates. 16d Mark forms and certificates All candidates taking graded exams receive a mark form recording the marks awarded for each individual component as well as the total marks obtained. 80 for a Merit and 90 for a Distinction. including the assessment criteria used by examiners. including how markers assess the papers. Practical exam mark forms also record the examiner’s comments on each section. with the exception of an interpreter or (where permitted) a page-turner. with 66 marks required for a Pass. 11f Candidates should bring their own accompanist: no one else will normally be allowed into the exam room. ➔ Reg. The exams are supervised by an invigilator who is present throughout. be in attendance. marks are not awarded. Further information. on occasion. Further information. Candidates are asked to arrive 10 minutes before the start of the exam.

appeals and special circumstances ABRSM operates a procedure for complaints and appeals to ensure that any concerns are investigated and addressed fairly and openly. It is important that ABRSM is notified of any such matters promptly and in accordance with the given procedures. ➔ Regs 15 & 17 Customer service and feedback We strive for integrity. Representatives’ and Contacts’ details are listed by country/region on pp. as well as a special consideration policy for candidates whose exam performance may have been affected by circumstances beyond their control. and effective administrative support. GETTING IN TOUCH Representatives and Contacts Representatives and Contacts organize ABRSM International Centres. invigilators to be in charge of the Theory exams in their  a centres •    cting as. ABRSM staff ABRSM’s International Department is open on weekdays from 8. please contact ABRSM’s staff (see below).Guide to exams and entries Complaints. local holidays etc.ac. A customer service statement is published on the website (www. information and guidance about exams and entries. a positive exam experience.00am until 6. parents and candidates. and advising the  o International Department of local conditions likely to affect exam dates (for example. or appointing. openness and excellence in three core areas: quality and consistency of assessment. or appointing. T +44 (0)20 7467 8240 E international@abrsm. Information & Regulations booklets and entry forms for teachers p •    rganizing venues for Practical and Theory exams each period.org/customerservice) and we encourage feedback about all aspects of our exams and services. Their role includes: •  representing ABRSM in their territory •  promoting the work of ABRSM  •    roviding syllabuses. and there is a dedicated team of highly trained and professional staff for each region who will be pleased to provide help.) •    cting as. Where no Representative or Contact is listed.uk 19 . 20–26. accessibility. stewards to assist the examiner during Practical exam  a sessions •  answering enquiries from teachers. efficiency.00pm (UK time).abrsm.

Mohamadpur. T/F +1-242 327 7125. PO Box 33. All Saints. AD700 Escaldes-Engordany. Sandyport Drive #16. Road 7515. Richmond BC. Sofia 1324. Block 741. AI 2640. 1390 Grez Doiceau. 399 Lonsdale Street. V7A 1X3.com.com BRUNEI DARUSSALAM The Director. M +973 3923 1702. freephone 1300 132 811. Villa 859. T +61 (0)3 9935 7925. E abrsmwa@ iinet. 92/2/A. DV BX. JK Liulin-7. E abrsm@massonmusic. M +61 (0)418 962 572.com. E richmondmusic@telus. Mt Gravatt. E tdavis@logic. 48 Henley Street. F +1-248 495 1771. E solita@techno-link. E abrsm@iinet. Lorenz Mandl Gasse 46/4. Principal. Nedlands. WA 6909. Principat D’Andorra. WA 6909.com BARBADOS Milton Inniss. E harmonia@ harmoniamusica. 1160 Wien. Aranda. 1513 Logan Road. PO Box DV 694. Belize City. 13 Wolgal Place. Ministry of Education. Escola de Música Harmonia.net. E jetjem@candw.REPRESENTATIVES AND CONTACTS ANDORRA Roser Palomero Vendrell. Wage Earners Building. exams take place at more than one centre. T/F +1 (1)604 272 5227. PO Box 33. Melbourne 3000. T +1 441 232 0956. PO Box 621.net. E safu_piano@yahoo. T +1-268 463 9268.com Victoria Gregory Smith. E abrsm@studygroup. E abrsmsa@ hotmail. 4th Floor. PO Box 514. Perth. Apt 14. PO Box 346. F +61 (0)2 9518 9344. Perth. T +1-246 426 3735 / 230 0141. M +1-268 772 9628. T +359 (0)2 827 5000 / (0)888 933 693. T +501 203 1226 / 622 0478.com South Australia Anastasia Nga Fong Chan. NSW 2007. Masson Music. The Bermuda School of Music. Department of Examinations. Al Janabiyah 575.au Queensland John Masson. Matthews Road. 3 Road.bm BOTSWANA see South Africa BRITISH VIRGIN ISLANDS Dr Charles H Wheatley obe. E ladyt@bahamas.daud@moe. 44 Rue du Centry. Taylor’s College. PO Box 216. Asad Avenue. T +32 (0)10 84 43 70 BELIZE Alice Williams.com BERMUDA Antoinette Davis.com ANTIGUA Jean Michael.com BELGIUM Vera Bishop.T. T +1-264 497 6602.edu. F +61 (0)3 9670 3567. T/F +61 (0)8 8234 7616. Devonshire. Mile End. E kamlah. E dccrichardson3@yahoo. QLD 4122. F +501 223 5508 c/o Sandra McKay. E joanne.bs BAHRAIN Capt Rod Taylor.com THE BAHAMAS Elizabeth Thornton. Richmond Music School Society. St Michael. c/ Prat Gran 9-2n. F +61 (0)8 9386 2658.net ANGUILLA Daphne Jacobs Richardson. F +673 (0)2381332. T +61 (0)8 9386 2654. 20 . T +61 (0)7 3349 2006 / (0)407 123 728.au AUSTRIA Joanne Klein.bn BULGARIA Steve Todorov. The Valley. Nassau. F +376 864 075. Chelsea Road.com New South Wales Ian Coss.bh BANGLADESH Shantha P Gunasekera. Elizabeth Pulsford.C. T +61 (0)2 9518 9355. Director. T +880 (0)171 639 5646/ (0)181 921 4198. Broadway. Dhaka 1207. F +61 (0)8 9386 2658. T +61 (0)8 9386 2654. E alwil501@yahoo. T +61 (0)2 6161 1353.com Western Australia Judy Thönell. E miltoninniss@caribsurf. 11371 No.klein@chello. Music Director. Tudor Cottage. c/o Shafaitul Islam.at NB In most countries. T +376 826 501. T +43 (0)680 125 8530. PO Box All Saints 12.com CANADA Vancouver Patricia Rolston. E rodtlr@batelco. Ascot House. T +1-248 494 3921.au A. E cwheatley@surfbvi. Sandyport. F +61 (0)7 3349 2114. SA 5031. PO Box N1263. T +673 (0)2381133 / (0)2384076. Nedlands. E abrsmact@gmail. net. M +61 (0)423 282 589. Tortola. ACT 2614. Bandar Seri Begawan BB3510. E abrsmnsw@clearmusic. Road Town.ag AUSTRALIA National Co-ordinator Judy Thönell.

2 Le Bosc. M +86 (0)13602 881 234. T +233 021 663085. T +350 200 71048 / 200 79139. E jwalker2361@aol.enquiries@cy. F +1-345 946 3837. T +1-473 440 3545 GUAM refer to London GUYANA Daphne Rogers.com / xieran220@126. Xuan Wu Men West Street Jia No. 78290 Croissy-sur-Seine. PO Box 2374. Jin yu Mansion. M +20 123470664. Rybna 29. F +30 (0)210 8152 118. KY1-1103. 61 Cross Street.nielsen@privat. E lrdaniel@cwdom. E steve. 38 Quai de l’Ecluse. F +33 (0)1 39 76 12 69. The West African Examinations Council. T +30 (0)210 8150 155. F +350 200 41331. Ltd. T +298 316462 / 216462. T +86 (0)20 3758 8871. F +1-767 449 9867. E afrodan@4u. F +357 22 585 129. Cornwall Street. T +1-767 266 5537. Lane 10.fo FRANCE Bordeaux and South West France Dr Atarah Ben-Tovim mbe hon.dm DOMINICAN REPUBLIC refer to London EGYPT Dr Mohamed A El Tobgy. FO 100 Tórshavn. T+49 (0)341 1498744.com 21 . F +233 021 223002 Practical E B Takyi-Micah. 11361 Al Horreya. Beijing 100031. Hoyvíksvegur 72. T +33 (0)4 93 88 05 41. 130 Thomas Russell Avenue. Room 401. E abrsmdeutschland@editionhinrichsen. Georgetown.dk DOMINICA Catherine Daniel.org CZECH REPUBLIC David Talacko.com Paris Steven Calvert. F +20 2 2668649. Edition Hinrichsen GmbH.thompson@gov. Werk-en-Rust. T +20 2 2667544. T +86 (0)21 6437 7504. Room 4. E kaj. T +33 (0)1 34 80 45 94 / (0)6 15 65 36 73. 129. F +233 021 678928. M +30 (0)6944 554676. Director. Principal. T +592 226 9615. Osu. d. Talstrasse 10. F +86 (0)20 3758 1706. 4. Gevninge. Administration Manager/Examinations Officer. Head of Testing & Examinations. Cairo Music Center. Gibraltar College of Further Education. E agonzalez@gibc. T +233 021 685920. mus aram lram arcm. E exams.gh CYPRUS Country Exams Manager. Room 1901. 06000 Nice. T +1-345 244 1821 / 945 1199. 14 El Zohoor Street. No. com GIBRALTAR Aurelio Gonzalez. Line Wall Road. T +86 (0)10 6641 5044. 04103 Leipzig.edu.Representatives and Contacts CAYMAN ISLANDS Delores Thompson. Ltd. St George’s. Cairo. Fu Xing Xi Road.com. T +45 4675 7805. E c/o Marilyn Dewar marid20@yahoo.calvert@britishschool. E delores. 33890 Gensac. F +33 (0)5 57 47 40 03. F +420 224 817 919. E abrsm@talacko. Musikkskúlaskipan Føroya. Department of Education Services. T +33 (0)5 57 47 44 28. E atarahflute@ wanadoo. Ministry of Education. Accra. M +45 25894129. Tanteen Terrace. F +298 316991. 1–3 Aristotelous Street. South Bastion. Guangdong Xinghai Performing Arts Development Co. E cairomusiccenter@yahoo. 3f.com All other Provinces refer to London FALKLAND ISLANDS refer to London FAROE ISLANDS Martin Mouritsen. Maenadon 5. Er Sha Island. Beijing Tian Tian Culture and Art Co. Guangzhou 510105. 1011 Nicosia. PO Box OS 1910.britishcouncil. Lindenborgvej 142f.ky CHILE refer to London CHINA.com GRENADA Jerome J McBarnette mbe. E eadilini@yahoo. Athens. The British Council.fr Nice and South East France Joanne Walker ba hons (music). E martin@mmr. Airport Road. Accra. F +86 (0)21 6437 6607. Principal Assistant-Registrar (PVEAD).cz DENMARK Kaj Nyvang. 4000 Roskilde.gi GREECE Eftichia Adilini Bobis. PO Box 917.nyvang. E moonbaiguan@gmail. F +49 (0)341 1498745. No. Xi Cheng District. Hedico Complex. T +420 224 813 039. Heliopolis. 1 Haishan Street. 110 00 Praha 1. F +86 (0)10 6641 2423 / (0)10 5165 5590 8811. T +357 22 585 100.fr GERMANY Thomas Stein. E he3558@sina.com Guangdong Province Lin Pai Shi. E zhaopw@21cn. Roseau.com GHANA Theory C K Osafo. 45 rue Vernier.com Shanghai Zhao Peiwen. Shanghai 200031. British School of Paris. Shanghai Cultural Exchange Agency. PO Box 910. 14576 Dionysos. PEOPLE’S REPUBLIC OF Beijing Marc He.

Kingston 10.id KOREA Seungsil Chang. Margão. ABRSM Korea Centre – Shinhan Music. International and Professional Exams Division. 20134 Milano.edu. YASMI. 12 Dr Md Ishaque Road (formerly 2a Marquis Street). Mumbai 400 007.it Sicily Doris Amodio Chircop lrsm.com Kolkata (Calcutta) Anthony Braganza. PO Box 73598. Mundakkal West. Surabaya 60241.co. Bangalore 560 095.abrsm@gmail.com Mumbai (Bombay) Homai Desai. Seoul 135-821.ac. F +91 (0)832 271 1883.ac. E chircopamo@inwind.ke Practical Atigala Luvai. M +91 (0)984 633 2530. Extension Division and Community Outreach. F +852 3628 8792. T +36 (0)30 201 9192. 17 Tseuk Luk Street. PO Box 41343. Director of Music. frsa. E ie2@hkeaa. T/F +39 06 502 2624. New Delhi 110 060. E stephendcruz@hotmail. 2–7 Kandasuda-cho. E abrsm@roland. Via Pisani Dossi 16. Kowloon. King Hussein Foundation. Hong Kong Exams and Assessment Authority.co. T +254 (0)20 2713874 / (0)20 2713894 / (0)20 2716866. E mchector19@yahoo. T +91 (0)33 6545 4526. T +81 (0)3 6684 3514. F +82 (0)2 518 5143. Kenya Conservatoire of Music. M +91 (0)983 174 2789. E mbiggs@libero. T + 354 (0)552 7366. Sir James Henderson School of Milan SRL.com New Delhi Ritesh Khokhar. The Reykjavík Academy of Singing & Vocal Arts. E info@conservatoire. E esztin@gmail. Roland Foundation. National Music Conservatory.is INDIA Regional Co-ordinators: Bangalore Ashwin Prabhakaran. Chiyoda-ku. #817.com JAPAN Yasuyuki Ohmura. Nagyajtai Utca 8.co. E abrsm.it ICELAND Garðar E Cortes. M +39 347 790 5469. Girija. 756 R-Block. Koramangala. F +62 (0)31 563 3119 / (0)31 562 2206. Regal School of Music and Arts.hk HUNGARY Eszter Nemeth. Via Del Babuino 153.net. F +962 (0)6 473 7147. T +82 (0)2 518 5133. E songskolinn@ songskolinn. T + 39 02 210 941. Grant Road.ke INDONESIA Denis Umar. Kenya Cultural Centre. E homai. Largo de Igreja. E foreignexams@knec. Casella Postale no 94. Snorrabraut 54. F + 39 02 2109 4224. T +1-876 920 0305 / 410 0257.kr NB In most countries.jp JORDAN Dana Sakkijha. Mitihani House. E charles_goa@ sancharnet. exams take place at more than one centre. 00187 Roma. T +62 (0)31 563 3118 / (0)31 563 3309. City Square. Tokyo 101-0041. 8th Block. Goa 403 601.jo KENYA Theory The Council Secretary. Director. E yasmi@indo. Amman 11110. Myrtle Chambers. T +91 (0)474 274 2770 / (0)474 276 6898. The Kenya National Examinations Council. Denis Pritt Road. F +81 (0)3 3255 0864. 125 Reykjavík. Jalan Sambas 24. Ground Floor. 91022 Castelvetrano (TP).com ITALY Milan Martin Biggs. Door 1. T +91 (0)8123394498.it Rome Andrew Cochlin. 1026 Budapest.andrew@tiscali. 00100 Nairobi.in Kerala Sebastian Stephen D’Cruz. arcm.com JAMAICA Marie Clarke ba (hons). 00200 Nairobi. T +91 (0)832 273 6669 / (0)832 270 5462. T +91 (0)11 4503 5891 / (0)11 4503 5892. T +852 3628 8721 / 3628 8787. Braganza & Co. Kolkata 700 016. Kollam 691 001. E info@abrsm. F +1-876 929 6144. T +962 (0)6 476 7221/(0)6 476 7222. 20th Main. Theme Piano World. St Andrew High School for Girls. lgsm. Director of Preparatory Level. M +91 (0)9422 059791. New Rajinder Nagar. San Po Kong. E assistantdir-nmc@orange. c/o Chiesa Anglicana All Saints.desai@gmail. Director..Representatives and Contacts HONG KONG SAR ABRSM Team. PO Box 926687. T +254 (0)20 3536720 / (0)720 96 22 88 / (0)737 22 79 03. 22 . Kangnamgu. E ritesh.ke /exams@knec. 2nd Floor. and Calogero Amodio. PO Box 5008. F +254 (0)20 222 6032. E ashwin@themepiano. T +91 (0)22 2309 5188.org Goa Adv Carlos Alvares Ferreira. F +354 (0)552 1431. 10 Cecelio Avenue. Harry Thuku Road. Nonhyun 2 Dong 106-4. T + 39 0924 44833. 301 Alankar. E abrsmbraganza@gmail.

pl PORTUGAL Fátima Vieira. Macao Youth Symphony Orchestra Association. E lirica_yamase@yahoo. 2 Al Arabi St.conrad@ncwebs.intnet. E mateusz. Reduit. 2587 XK.slojewski@ konserwatorium. Ortigas Centre. Edif.nz NIGERIA Marion Akpata. The British Council. Macau PRC.britishcouncil. The St Lucia School of Music. Examinations Administration Officer. E abrsm@macauyso. T +63 (0)2 914 1011 / 1012 / 1013 / 1014. Malaysia Examinations Syndicate.org. L-5829 Alzingen.com MACAU SAR Jimson.mfatima@gmail. T +31 (0)70 355 4979 / (0)61 254 3449. Exams Services Officer. F +1-785 452 5989.com THE NETHERLANDS Karin Hollreiser. T/F +47 66 76 27 09. Auckland 0746. Haendel. Den Haag. 309.com NORWAY Lirica Yamase. T +230 4546487 / 4545450. T +1-785 452 2473 / 518 0622. Mauritius Examinations Syndicate.hollreiser@xs4all.org LUXEMBOURG Jacqueline Fleming bsc. Birkenhead. T +264 (0)61 1374126 / (0)812729922. F +965 225 200 69. Gamle Ringeriksvei 53.mw MALAYSIA The Director of Examinations. CPO Seeb. ul. MUSON School of Music. E vieira. Marcin 80/82. T +1-869 465 7103 / 662 4999. T +64 (0)9 480 1200 / within New Zealand 0800 MUSEXAM (0800 687392).my Enquiries regarding the exams should be sent to the Directors of Education (Assessment & Examination Sector) in the various State Education Departments of Malaysia THE MALDIVES refer to London MALTA Maria Conrad. E abrsmqatar@hotmail. E info@kw. 1357 Bekkestua. ABRSM Department. Pasig City 1605.net MAURITIUS The Director. F +230 4547675. GPO. 2 andar AB. E loalka@ yahoo. British Council. 131. E abrsm@stallwood. E musoncentre@yahoo. 61-809 Poznań. António Ferreira Gomes No. PO Box 81073. M +968 99440441.pascua@britishcouncil. 999078. Safat 13004. Port Zante Bldg # 5. Suite 202. 19–25 Dr Zammit Street.nl NEVIS see St Kitts NEW ZEALAND Heather Gummer.org.mu MEXICO refer to London NAMIBIA Johanita De Waal.com ST LUCIA Richard Payne.com QATAR Margaret Mackenzie.uk ST KITTS Dr Louisa Lawrence. PO Box 34433.ph POLAND Mateusz Słojewski. PO Box 345.Representatives and Contacts KUWAIT Examination Services Manager. Sultanate of Oman. T +60 (0)3 8884 3315 / 3316. T +265 01 773244. Industrial Wá Long. T/F +853 (0) 2825 2899. Onikan. PO Box 2652. 8/9 Marina.co. Konserwatorium Muzyczne w Poznaniu. pok. Government Complex Parcel E. F +60 (0)3 8884 3331. Director. E jrfleming@mac. PO Box 7300. T +234 (0)1 470 0598 / 0287. British Council. T +974 4435 0507. F +351 22 975 0830. Basseterre. Emerald Avenue. Mansouriya. F + 64 (0)9 480 1201.org. External & Professional Examinations Unit. T +965 225 200 67/ 225 200 68. E weblpm@moe. E lcmusicschool@candw. E johanita@dewaals. Doha. M +48 503584853. F +974 4441 0941.chm) arcm lram frsa. Windhoek. E ellard. T +351 96 579 4166 / 93 997 2160. Block E11. E mespes@mesdom. (0)1 264 6663 / 6671.gov.com OMAN Phillip Stallwood gmusrncm (hons) arco (dip. 10/F Taipan Place. PO Box 1768. Hoi Kin Wa. Doornikse Straat 25. M +974 5580 3846. PO Box 30222. Lagos.lc 23 . T +48 (0)61 6465207. F +1-869 466 2294. T/F +356 2144 2719. E office@abrsm. 180. T +352 369456. F +265 01 772945. E maria. T/F +968 24552212. New Zealand National Co-ordinator. Director. E lauren. Św. Castries.org. PO Box 544.majuni@britishcouncil. F +234 (0)1 264 6665. Rua D. F +63 (0)2 914 1020. 4445–398 Ermesinde. No. Federal Government Administrative Centre. 62604 FT Putrajaya. Balzan BZN 1432. E Karin. Avenida do Almirante Lacerda.mo MADAGASCAR refer to London MALAWI Ellard Majuni. 24 Rue J. Code 111. c/o Oslo International School. Zamek Cesarski (CK Zamek).org THE PHILIPPINES Lauren Ann Pascua. Lilongwe 3. Level 8.

4 Battery Road.co. Ltd. Alicante.Valencia Alison Jackson.co. F +27 (0)11 673 7389. E dorianleljak@gmail. PO Box 1895. T +27 (0)82 465 9031.smith@iszl. E ismaelperera@hotmail. F +94 (0)112 609144. E abrsm. Walterswil. T +94 (0)114 210344 / (0)114 215000. E floydparris@yahoo. M +34 667 408 941. T/F +34 950 069 803.com SRI LANKA Mano Chanmugam. T + 46 (0)707 71 6683 / (0)31 847 176. Singapore Symphonia Co.com SAUDI ARABIA refer to London SERBIA Dr Dorian Leljak.com SPAIN Albacete. F +886 (0)2 2375 1814. T +65 6339 2624. White Chapel Studio. Islas Baleares. M +1-784 593 3740.com SWAZILAND see South Africa SWEDEN Valentina Lorenz-Cammans. 6340 Baar. E jacksonalison2@gmail.com THAILAND Chorlada Bunnag.org NB In most countries. E eichler@mweb. Castilla-León (except Salamanca and Segovia).com Madrid.tz Practical Aloys Ng’asi. PO Box 19911. T +34 680 926 553. Castellón.hinet. Bank of China Building. T +886 (0)2 2375 1768. Isidor Bajic Music School. F +381 (0)21 524 580.com SIERRA LEONE Dr Kitty Fadlu-Deen. National Conservatoire of Performing Arts. exams take place at more than one centre. M +255 (0)713 30 99 45. PO Box 2624. Apartado de Correos 2012. Calle Los Llanos 13. Castilla La Mancha (except Albacete). el sur de Castilla-León (Ávila. M +34 609 103 420. T +27 (0)21 423 3010. E manochanmugam@gmail.go. La Casita. 33080 Oviedo. Lesotho and Eastern Cape Ilse Van Der Walt. Extremadura Kevin Robb. 08080 Barcelona. Dar es Salaam.net TANZANIA Theory Associate Executive Secretary.sg SOUTH AFRICA. Cataluña Juan Vázquez. Botswana and Swaziland Meg Twyford. 424 50 Angered. 28260 Galapagar. Taipei. F +66 (0)2 662 0352. 33 Ntabamhlope Road. Urbanización Santa Lys 2 B20. PO Box 2052. T +232 (0)22 227743. Salamanca. Dar es Salaam. Tamboerskloof 8001. Free State. Logroño.org.Representatives and Contacts ST VINCENT Floyd Parris. Freetown. Apartado de Correos 22213. M +94 (0)714 712329 / (0)714 808217. F +41 (0)41 768 1189. Mölnesjögatan 102. T +381 (0)63 8382 988. T +66 (0)2 259 9900. International School of Zug and Luzern. E contact@robinsonschools. Singapore 049908.com SWITZERLAND David Smith. #19–01. Navarra. F +65 6334 3507. E abrsm@juan-vazquez. T +248 (0)321333. E valentinaharp@gmail. Segovia). 27 Liverpool Street. T +255 (0)22 286 1633.za KwaZulu-Natal.za Gauteng and surrounding regions. PO Box 1563. San Antonio. co. E abtaiwan@ms23. 317 Gonamaditta Road. 5F 36 Po-Ai Road. E megtwyford@ananzi. Robinson School of Music. T +34 922 374 323. Bangkok 10110.com SEYCHELLES David Chetty. F +255 (0)22 2775966. E ncparts07@gmail. Andalucía. E esnecta@necta.com Aragón. Northern Cape.ch TAIWAN Shao I-Shih.es Islas Canarias Ismael Perera. Apartado de Correos 90. La Rioja María Martínez. Kingstown. Murcia. T/F +27 (0)36 352 1341. 59 / 9 Sukhumvit Soi 31. PO Box 1383. Galicia. Almeria. F +27 (0)21 426 0849. País Vasco. Houghton 2041. National Examinations Council of Tanzania. Mont Fleuri. Piliyandala 10300. 04638 Mojacar. T/F +34 985 230 692. E hay@sso. E aloyngasi@gmail. SWAZILAND AND BOTSWANA Regional Co-ordinators: Western Cape Region Jill Eichler. 38400 Puerto de la Cruz. Cantabria. T +1-784 457 2906/456 2266. Tenerife.kzn@futurenet. Union Music Centre. Mahé. T +41 (0)41 768 2919. E robbkevin@hotmail. F +248 (0)321591. T +255 (0)22 2700493-6. 24 .co. E kittyfdeen@ yahoo. Ballanta Academy of Music. E david. 4 St Barnabas Street.za Asturias. Njegoseva 9. E mjmarfer@hotmail.uk SINGAPORE General Manager. Estcourt 3310. 21000 Novi Sad. ABRSM Representative Office. T +34 607 392 257.

The Bursar. E abrsm. com New York Jeff Chen & Sally Chen. E mliumusic@mindspring. E bjhnson@ austin. 62 Second Avenue. T +1 808-596-9268.net San Francisco Area Stephen Ng.ae Hawaii Winnie Chan. 5116 Bissonnet #372. Winnie Chan Piano Studio. T +971 (0)3 7626651.net Texas Austin and Dallas Gelene Johnson.net. 171–74 46th Avenue. T +256 (0)41 233 215. Dubai. Briarcliff Music School. T +971 (0)4 3999 111. 200 Lincoln Street #303. F +1 360-666-8620.net Georgia Margaret Liu. T +1 510-351-1885. Abu Dhabi. Zayed 1st Street. T +1 512-461-4873. T +90 (0)232 445 3878. 22301 Felicia Drive. Kampala Music School. Epik Müzik Okulu. Burns. 8709 123rd Lane NE. NY 11358. West Windsor. Song of Songs Group Inc. E rmdunsford@sbcglobal. Alameda. Flushing. 35210 Izmir.com Ohio Dr Benita Tse. PO Box 71884. Atlanta. M +971 (0)50 870 5199. T +1 609-806-3919.com Virginia see District of Columbia Washington Olive Yau.com For information about exams in other areas of the USA. 8377 Meadowlark Drive. T +971 (0)6 522 7958. VA 22151. PO Box 1600.net Dubai Capt Richard Higgins obe rn. Battle Ground. E composersn@aol. E abrsmtn@bellsouth. T +971 (0)2 6211949 / (0)2 6211299. WI 53701. NJ 085502306. E jmurray@tstt. Pasaport. PO Box 1377. Ip Piano School. Cumhuriyet Bulvari 111/4. 11518 NE 185th Street. PO Box 486. E abrsmwashington@gmail.com Illinois see Wisconsin Massachusetts Winnie S C Ip. F +90 (0)232 445 3879. T/F +1 949-932-0323 Monterey Area Rose Marie Dunsford. Sharjah English School. com New Jersey and Pennsylvania Dr Chiu-Ling Lin. E ruthamack@yahoo. F +1 718-353-7825. E winnie@winniechanpianostudio. 37 Westwinds Drive. Kampala. Springfield. Dubai College. T +1 718-321-3878.com Wisconsin and Illinois Helga Swatzak.. Mt Lambert. E klamusicus@yahoo. House of Arts. CA 94502-6768. TN 37029. E dubcoll@emirates. West Chester. T +1 678-523-6703. Pacific Grove. PO Box 21763. please refer to London UNITED STATES OF AMERICA California Los Angeles Area Belinda Hwang. Sharjah. PO Box 837. F +971 (0)2 6214824. Kirkland. International Music Institute.com Pennsylvania see New Jersey Tennessee and Kentucky Carol McClure & Wes Ramsay.com 25 .rr.com UGANDA Simon Yiga. TX 78669. Irvine. PO Box 51143. Bellaire. E hswatzak@yahoo. 1441 Kapiolani Boulevard. PO Box 1063.com District of Columbia and Virginia Nancy Maclachlan. E info@epikmusikokulu. 212 Alder Street.ae Sharjah Suzanne McKay. OH 45069. E songofsongs@gmail. T +1 360-687-4264.net Al Ain Gabriele Leichtle-Malzahn. CA 92619-1143. E BJBLeung@aol. E winnie@ippianoschool. TX 77401. F +971 (0)4 3999 175. T +1 615-585-4697. WA 98033. E info@house-of-arts. F +1 425-753-7796. GA 31141. E zoohouse@eim. E admin@imi-jmc. PO Box 941850. T/F +1 831-375-7290. 875-A Island Drive #222.dc@ verizon. Honolulu. F +1 608-850-6006. E sglausiuss@aol.com Houston Ruth Mack. Boston. Spicewood. T +1 513-779-8830. Suite 807. T +1-868 638 8416. T +1 608-277-7525.com UNITED ARAB EMIRATES Abu Dhabi Ju Hua Zhu Li.net. F +1 615-446-4363.com Oregon Susan Mattson. Madison. MA 02111. PO Box 69966. T +1 713-266-5724. CA 93950.Representatives and Contacts TRINIDAD AND TOBAGO Jessel Murray. T +1 703-678-5439. T +1 425-828-4367. F +1 510-351-1879. WA 98604. Al Ain. T +1 617-542-9129.tt TURKEY Maria Rita Epik. E rep4abrsm@gmail.

ZIMSEC (Zimbabwe School Examinations Council). District 2. Phu Thuong Ward. PO Box 30528. United Nations International School. T +84 (08)8744 2335. T +260 (0)97 7 780 8833 / (0)1 290 626. Ho Chi Minh City. Harare.com ZAMBIA Theory The Director. E ianalexander@bisvietnam. Lusaka. T +84 (04) 3758 1551. Roma. Examinations Council of Zambia. British International School. Ministry of Education. Hanoi. F +260 (0)253690 Practical Moses Kalomo. 246 Nguyen Van Huong Street. PO Box CY 1464. Lusaka 15101. F +260 (0)1 290 048. E edruitt@unishanoi.org Ho Chi Minh City Ian Alexander. Thao Dien Ward. E mkalomo@gmail. T +260 (0)252544.Representatives and Contacts VIETNAM Hanoi Elizabeth Druitt. Tay Ho District. PO Box 50432. 242a Kakola Road. F +264 (0)4 302288 / (0)4 339080 / (0)4 333889 26 . Lusaka International Community School. Lac Long Quan Road.com ZIMBABWE Secretary for Education. T +264 (0)4 304552 / (0)4 304553 / (0)4 304118.

b 3 a APPLICANT’S ROLE AND RESPONSIBILITIES The Applicant is the person (aged 18 or over) who submits the exam entry and acts on behalf of the candidate (or candidates) by being ABRSM’s principal point of contact. For the graded exams. but they may not combine pieces from the preceding and new syllabuses (except in the case of items that appear in both). payment. 4c).org/exams). In the first year of any new Practical syllabus. and to receive the exam mark form/certificate and to pass them on to the candidate. All written communications by ABRSM relating to the acceptance of an entry. No such overlap period necessarily applies to any new scale requirements. which normally take effect from 1 January of their year of introduction. Each Applicant is assigned a personal Applicant Number on the first occasion that an entry is submitted. there are eight grades. ensuring that those connected with the exam are aware of relevant matters. which can be used in conjunction with the Applicant Number and a registered e-mail address to gain access to online exam services. A candidate aged 18 or over who submits an entry is the Applicant for that entry. candidates may choose to perform pieces as set in the lists of the preceding syllabus. ensuring the accuracy of the information supplied. and on ABRSM’s website (www. to submit the exam entry. 16. b c d 27 . to make payment for the exam. Prerequisites for Practical Grades 6. ABRSM reserves the right to share information regarding an exam with another party in response to a valid enquiry. sight-reading and/or aural tests. 8–9. 7 and 8: candidates must already have passed one of the qualifications listed on p. The Applicant’s responsibilities are: to read and undertake to abide by these Exam Regulations. to notify the candidate of the exam date. The introduction of new scale requirements. in ABRSM’s magazine. This must have been passed before the closing date for the Practical exam and a copy of the certificate or mark form must be supplied at the time of entry. and any specific needs. grades and exam subjects. In countries where online entry is available (➔ Reg. numbered progressively in order of difficulty from 1 to 8. Candidates may be entered in any grade irrespective of age and without previously having taken any other grade in the same subject.abrsm. The password should not be disclosed to anyone else and may be changed by the Applicant at any time. 1 a b c d ABRSM SUBJECTS. While the Applicant remains ABRSM’s principal point of contact in all matters. Responsibility for an entry cannot be transferred to another party without the Applicant’s written consent. ABRSM cannot become involved in any dispute or communication breakdown between an Applicant and the candidate on whose behalf the entry has been submitted (or the parent/guardian). including name spellings. for which separate syllabuses containing distinct regulations are available. Libretto. Applicants may request a confidential password. 2 a INTRODUCTION AND OVERLAP OF SYLLABUSES Syllabuses for the various subjects are updated periodically. sight-reading and/or aural tests does not necessarily coincide with the introduction of new pieces (the latter being the most frequent element of syllabus review). All new syllabuses are valid from 1 January of their year of introduction. Advance notice of any syllabus change is given in the syllabus updates (inside covers of the Exam Information & Regulations and syllabus booklets). time and venue. The Applicant Number should be quoted in all communications with ABRSM.EXAM REGULATIONS These Regulations apply to all ABRSM exams except diplomas. the appointment allocated and the result are sent to the Applicant. EXAMS AND PREREQUISITES ABRSM exam subjects are listed in the syllabus chart on pp.

and on the understanding that in all matters the decision of ABRSM must be accepted as final. The Applicant gains access to the online entry form using the Applicant Number and confidential password (➔ Reg. is offered at all Centres. non-attendance and fee refunds (➔ Reg. An invigilator is present for the duration of the exam. where there is no Representative. 4c). Where any such query has not been resolved by the date of the exam. In such cases. A steward is present at all Centres.abrsm. e f 28 . ABRSM reserves the right to withhold the release of exam results/certificates for all candidates entered by the Applicant. with tables that allow the reasonable spacing of candidates. Entries can be accepted by ABRSM only in accordance with the conditions and regulations contained in this booklet. it is notified to the Applicant with the exam appointment(s).Exam Regulations 4 a EXAM ENTRY Entries must be submitted by the Applicant by the published last date of entry/last day of entry period (see pp. ABRSM reserves the right to refuse. published by ABRSM. Candidates may be entered for only one Theory exam in any given Period. is notified to the Applicant by the local Representative as soon as possible after the entry has been processed. 6 a b c d PLACE OF EXAMS: ABRSM PUBLIC CENTRES ABRSM provides exam Centres for Practical and/or Theory exams as arranged by its Representatives. the entry fee cannot be refunded other than in accordance with ABRSM’s regulations for withdrawals. For Practical exams. b c d e f 5 a b c d PAYMENT Exam fees must be paid in full at the time of entry (see separate Dates and Fees leaflet for each country). an appointment is offered at an alternative venue. Any query regarding a payment made. Once an entry and payment have been submitted. In such cases. an additional fee may be incurred to cover administrative costs and bank charges. ventilated and heated or airconditioned as appropriate. For Practical exams. A suitable exam environment. direct from ABRSM’s office in London. Where the entry is made on behalf of more than one candidate. out of hearing of the waiting room. Space in the waiting room may be limited and candidates should therefore bring no more than one escort nor arrive more than ten minutes before the exam (unless otherwise instructed). where possible. Postal entry must be made using the current paper entry form. using either a paper entry form (by post) or the online entry form where available (➔ Reg. Centres provide: a waiting room (or area). Online entry (currently available in Malaysia and Singapore only. for all exams other than Choral Singing. where possible an additional room (or area) is made available where candidates may briefly warm up. and an exam room. ABRSM reserves the right not to open a Centre if the number of entries is insufficient. The precise exam venue cannot be confirmed until after the examining timetables have been arranged. Candidates for Theory exams should be entered only in the Period in which the specified day and time are suitable for them (see separate Dates and Fees leaflet for each country for exam dates and entry periods/last dates of entry).org/exams. and downloadable from www. invalidate or cancel any entry and to return any entry received after the closing date has passed. or an outstanding amount. which is quiet as well as properly lit. For Theory exams. a single payment must be made by the Applicant: ABRSM cannot process a separate payment for each candidate. the entry fee(s) will be returned. Entry forms are also available from Representatives (see pp. 9).abrsm. 3c). 20–26) or. 4–6 or the Dates and Fees leaflet for each country). Ensembles and diplomas) is made via ABRSM’s website (www. which contains a satisfactory piano (this may be upright or grand) and which is. an exam room is provided.org/exams). In cases where payment is made with a dishonoured cheque and ABRSM is obliged to pursue payment. but ABRSM cannot guarantee to provide such a facility.

including a sustaining pedal. b c d e f g h i 8 a b DATE OF EXAMS: ALLOCATION AND NOTIFICATION OF APPOINTMENTS Practical exams The Periods of Practical exams are given on pp. There should be someone to act as steward outside the exam room for the duration of the exams in accordance with ABRSM’s instructions. date allocations are decided on the basis of scheduling examiners’ time most efficiently while providing convenient appointments to as many candidates as possible. ABRSM takes into account.00. ventilated and heated or air-conditioned as appropriate. Practical exams may be held at: i) schools where there is at least 3 hours of examining (see table of exam lengths on p. and with tables that allow the reasonable spacing of candidates. and a lunch break of around 1 hour 15 minutes should be allowed. Theory exams In some countries Theory exams may be held. Organ. Applicants hosting a Visit are responsible for ensuring suitable facilities and arrangements at their own cost: an exam room. Practical exams Depending on the country and local conditions. The Applicant must therefore ensure that candidates are ready for an exam from the first day of the Period in question.30 or end later than 18. The maximum total examining time for a day should not normally exceed 6 hours 30 minutes. A 15-minute break should be scheduled each morning and afternoon. However. 7). e. Appointments may be given for any date(s) within the whole of the examining Period. Harpsichord. as a Visit. Choral Singing. at a school of general education or music centre approved by ABRSM and distant from the nearest Centre. A piano must be provided in the exam room. with a writing-table and chair for the examiner. 7f ).g. The Applicant hosting the Visit is responsible for the provision of suitable facilities and arrangements (➔ Reg. An electronic piano may be used. any date preferences indicated by the Applicant at the time of entry. out of hearing of the waiting room. and an action. ii) studios or residences of teachers where there is no ABRSM Public Centre conveniently near. Exams should not normally begin before 08. provided there is a sufficient number of candidates to justify a visit from the examiner. compass and facilities that match those of an ordinary piano. 4–6. subject to the availability of ABRSM’s examiners. An Applicant wishing to participate in another Applicant’s Visit must seek permission from that Applicant before submitting an entry. which is quiet as well as properly lit. It must be properly regulated and in tune (a = 440). or to avoid any particular dates. ventilated and heated or air-conditioned as appropriate. In allocating the exam dates. wherever possible. a responsible person appointed by the head teacher to act as invigilator within the exam room for the duration of the exam in accordance with ABRSM’s instructions. Percussion. and a satisfactory piano (➔ Reg. where possible. iii) special venues for subjects which cannot be accommodated at an ABRSM Public Centre.Exam Regulations 7 a PLACE OF EXAMS: VISITS Practical and/or Theory exams may be held at premises provided by the Applicant in accordance with the regulations and requirements stipulated immediately below. an examiner attendance fee is charged. Completion of the entry form requires the head teacher to accept responsibility for the safe custody of the papers and proper conduct of the exam. Exact dates of Practical exams at individual centres can only be arranged once all the entries have been received and processed. Two or more Applicants may combine their entries in order to meet the minimum time requirement but the exams must be held at a single venue. provided it has a clearly recognizable piano tone. and consequently ABRSM cannot guarantee to fulfil any preferences indicated by the Applicant. Where a Visit is solely for a Choral Singing exam. ABRSM cannot accept entries that are conditional on particular dates being allocated or avoided. and is. 29 . Schools and teachers at whose addresses Practical exams are held must provide a suitable exam room which is quiet as well as properly lit. 7e) and for the receipt of instructions and timetables from ABRSM. a touch-sensitive keyboard with full-size weighted keys.

A candidate who is withdrawn from an exam may be re-entered in the next exam Period. a new entry and full payment (or re-entry voucher. The invigilator opens the sealed packet of exam papers in the exam room in the presence of the candidates. A candidate re-entered on a voucher and again absent is not entitled to any further concession. ABRSM’s office in London) immediately of any error or correction. NON-ATTENDANCE. RE-ENTRY VOUCHERS AND FEE REFUNDS Notice of withdrawal of any candidate who cannot be present for an exam must be sent in writing with an explanation of the reason. time and venue is sent as early as possible to the Applicant who has signed the entry form. A candidate in quarantine for any infection must be withdrawn. In such cases. confirming names and grades of candidates entered. A name label is enclosed for each candidate. as entry details/payment cannot be transferred from one Period to the next. which should be supported by documentary evidence such as a medical certificate). a re-entry voucher may be issued entitling the candidate to enter again. 18). The notification also confirms the names. immediately the inability to attend is known. and any request for special arrangements (➔ Reg.  musical  t calculators. alternative appointments/fee refunds may be offered at ABRSM’s discretion. b c d e 10 THEORY EXAMS: TIMINGS AND CONDUCT a b c d e f   30 . 18). A candidate entered on a re-entry voucher is required to pay only the difference between the full fee for the selected grade at the time of re-entry and the value of the voucher. and any request for special arrangements/tests (➔ Reg. where there is no Representative. An invigilator is present for the duration of the exam. 10f ). As an alternative. The Applicant is required to check these details and notify the local Representative (or. This should be sent to the office where the original entry was sent. 4f ). and that any candidate infringing this rule or helping another will be disqualified. Theory exams Theory exams are held only on the set dates as published in the separate Dates and Fees leaflet for each country. normally no later than two weeks before the exam date. d e f 9 a WITHDRAWALS. at ABRSM’s discretion. ABRSM requires all candidates to be present for examination as scheduled and it cannot undertake to alter an Applicant’s allocated exam date(s) once the notices have been issued. and the withdrawal is made necessary by some unavoidable and unpredictable event (such as illness or injury. grades and subjects of candidates entered. if the last date of entry has not passed. Candidates are advised to attend at least 10 minutes before the start of the exam and to bring the name label previously sent to the Applicant (➔ Reg. 18) may qualify for an additional time allowance. Provided this is done. which must be brought by the candidate to the exam room (➔ Reg.Exam Regulations c Notification of the exam date. if applicable) must be submitted. Notification is sent to the Applicant. 8f ). Timings for the Theory exams are: Grades 1–3: 1½ hours Grades 4–5: 2 hours Grades 6–8: 3 hours Candidates with sensory impairments. and informs them that: •    hey  must  complete  their  question  paper  without  help  and  without  reference  to  notes. If exams are cancelled owing to quarantine. Re-entry vouchers cannot be subsequently exchanged for cash. for an exam to be taken within one year of the original exam period. The Applicant is required to check these details and notify the local Representative (or. and at a specified time (➔ Reg. ABRSM’s office in London) immediately of any error or correction. where there is no Representative. half of the entry fee may be refunded. for the same subject and at the same or a higher grade. No candidate arriving more than 35 minutes after the start of the exam will be admitted. or books of any kind. and no later than the day of the exam. learning difficulties or particular physical needs (➔ Reg.

h i j k 11 PRACTICAL EXAMS: TIMINGS AND CONDUCT a b c d e f g 12 CANDIDATE LIST AND ATTENDANCE ORDER a b 13 ACCOMPANISTS. having done so.Exam Regulations         g •  they must stick their name label (➔ Reg. As each paper is handed in. Candidates are advised to attend 10 minutes before the start of the exam. 18) may qualify for an additional time allowance. be recorded. Candidates should bring their own pens or pencils. the entry fees are returned. 19a). •  they must write their answers clearly and legibly. any tuning time. for reasons of examiner training or quality assurance. ABRSM provides plain ruled manuscript paper on which candidates may do any rough working. otherwise marks may be lost. and mobile phones must be switched off. any representation of the piano keyboard or any recording device) into the exam room. 7. under no circumstances will the examiner do so (except in the Prep Test).  At Public Centres. Prep Test and Performance Assessment are specified on p. Once candidates have left the exam room. who may remain in the exam room only while engaged in accompanying. Any candidate infringing this rule may be disqualified. In such cases. this may be provided by the Visit host. At ABRSM’s discretion. they are no longer under the invigilator’s supervision or ABRSM’s temporary care (➔ Reg. Candidates may not bring any unauthorized material or equipment (such as recording devices) into the exam room. •  they are not allowed to take copies of the papers nor their rough notes from the room. The candidate’s teacher may act as accompanist. as well as time for the examiner to complete the mark form between exams. the timing of any scheduled lunch break must not be affected. including each candidate’s appointment time. and mobile phones must be switched off. the revised candidate list (indicating precisely the new appointment time for each candidate) must be presented to the steward by the first candidate before the start of the exam. ABRSM does not accept responsibility for the loss of any papers in the post after their despatch to ABRSM by the invigilator. Any candidate infringing this rule may be disqualified. Generally. Candidates must provide their own accompanist. candidates are timetabled in the same order as they were listed on the entry form. Timings for the Practical graded and Ensemble exams. Should the Applicant wish to alter the order in which candidates are examined. They may not bring any unauthorized material or equipment (such as their own manuscript or other paper. learning difficulties or particular physical needs (➔ Reg. For monitoring and moderation purposes. a second examiner may be present. Examiners may. from time to time. must leave the room and may not return. the following instructions must be observed: the overall time allocated to the entry must not be changed. one examiner only is present in the exam room. take more or less time than the specified timings. INTERPRETERS AND PAGE-TURNERS a 31 . the invigilator ensures that the candidate’s full name appears legibly at the top. exams may. Wherever possible. Such recordings become the property of ABRSM but remain strictly anonymous. Candidates may hand in their papers at any time after 40 minutes from the start of the exam but. •  the time allowed is printed at the top of each question paper. The steward is provided with a candidate list showing the timetable for each day. Candidates with sensory impairments. at their discretion. The invigilator despatches the papers to ABRSM in accordance with the instructions issued by ABRSM. These timings indicate the approximate duration of each exam and allow for the candidate’s entry and exit. An additional three minutes are allowed in exams where an interpreter is used (➔ Reg. having first sealed them in secure envelopes before leaving the exam room. 8f ) at the top of their paper. 13b). at Visits.

other than items from oratorios. cantatas or other large-scale sacred works). 14k regarding the legality of photocopying music. However. If an accompanied exam begins with any section other than the pieces. Where appropriate. unless stipulated in the syllabus. phrasing. c d e 14 EXAM MUSIC AND PERFORMANCE REQUIREMENTS a b c d e f g h i j 32 . Harp or Percussion) may apply to bring a page-turner where this is absolutely essential and other means of managing difficult page-turns are not possible. candidates taking a Grade 7 or 8 exam (particularly in Double Bass. etc. performing a piece not listed in the syllabus. the candidate is normally not permitted to enter the exam room escorted by another person. as well as to the requirements indicated in the current lists of syllabus pieces. in certain cases. if permission is requested in writing from ABRSM at the time of entry. Teachers and candidates are advised to pay close attention to the instrument-specific (and instrumental family-specific) regulations contained in each syllabus booklet. candidates performing from memory must ensure that a copy of the music is available for the examiner’s use. Candidates are normally required to make any page-turns in their music themselves. at their discretion. prior permission is not required. disqualified. except where a specific arrangement or transcription is indicated. ABRSM offers a limited overlap period. Where no such indications are present in the music. prior permission is not required. Candidates may use their discretion regarding indications or markings (particularly editorial) in the music – e. The individual sections of the exam may be attempted in any order. Performing from memory is optional (except for singers. or not being prepared to perform the full extent of a piece as indicated in the syllabus) may be penalized. The examiner is at liberty to review a copy of the music before or after the performance of any piece.e. stop the performance of any piece when they have heard enough to form a judgement. or. 2b). a ‘piece’ may comprise more than one movement from a work or more than one item from an album. therefore. Examiners may. under certain conditions. accompanied pieces should be performed consecutively). Guitar.or out-of-print or downloadable) of the pieces listed in the syllabus. be performed (➔ Reg. but other repeats of more than a few bars should not be played in the exam. ABRSM’s letter granting permission should be brought to the exam room. With the exception of an accompanist and/or interpreter. Candidates failing to observe specific syllabus requirements or regulations (i. the steward should be advised in advance so that the accompanist can be summoned at the appropriate time. (➔ Reg. candidates should use their discretion to achieve a musical performance. Organ candidates at any grade may bring a pageturner (who may also assist with changes of registration). permission must be requested in writing from ABRSM at the time of entry. during which pieces from the preceding syllabus may. Candidates may use any edition (in. fingering. at the candidate’s choice (although. In such cases. who must perform all items from memory. Where the piece/movement comprises more than one tempo indication (or section title).) If necessary. A candidate who is not comfortable using English is permitted to bring an independent person (who is neither the candidate’s music teacher nor a relative) into the exam room as interpreter. ideally. the whole piece/movement is still required to be played in the exam (unless otherwise indicated). However. a candidate’s accompanist is permitted to bring a page-turner (for a Grade 8 exam only) to assist with difficult page-turns in the piano part. Therefore. – which need not be strictly observed. the Applicant may appoint someone who is neither the candidate’s music teacher nor a relative to be present. The editions quoted in the syllabus are given for guidance only and are not obligatory.g. the initial tempo indication (or section title) of a piece/movement is listed in the syllabus. Candidates should observe da capo and dal segno indications. Under no circumstances will the examiner act as page-turner. bowing. giving details of the piece containing the difficult page-turn and the edition to be used.Exam Regulations b Exams are normally conducted in English. A ‘piece’ comprises all the music set under one number-heading in the syllabus lists (unless an option is specifically indicated). metronome marks. the interpretation of ornaments.

instrument failure/malfunction immediately before.e. but a candidate may still be successful and be awarded a certificate. followed by application for a re-entry voucher (➔ Reg. In all other cases.g. Such decisions are made only by ABRSM. provided that the conditions in Reg. provided that the marks awarded for the sections attempted total 100 or more in a Practical exam and 66 marks or more in a Theory exam. the exam. the accompanist or a parent/guardian) but must be followed by formal confirmation by the Applicant as soon as possible. the recommended course of action is withdrawal. (NB these arrangements do not apply to candidates suffering illness or injury in advance of an exam. available at www. 9b). in accordance with the conditions outlined immediately above. circumstances beyond the candidate’s control (e. i. at ABRSM’s discretion. Should the Applicant be unavailable in the seven days after the exam. or illness occurring during.uk) allows copies to be made in certain limited circumstances (such as a difficulty with a particular page-turn) but only if the copyright holder is listed in Appendix C of the Code. the exam. 15 SPECIAL CONSIDERATION a b c d e f g 33 . Further details are contained in ABRSM’s Special Consideration Policy. if an identifiable event or circumstance has affected the performance in any section or sections. Should an application for special consideration prove successful. application should be made to the copyright holder before any copy is made. It is the Applicant’s responsibility to ensure that candidates act within the law with respect to the making and use of photocopies (or other copies). 15g). such as power failure. Application for special consideration may delay the release of the exam result while investigation is carried out. org. or who does not complete an exam owing to. iii) invalidation of the exam result and a re-entry voucher to allow free entry in a later Period (➔ Reg. an initial application may be made in writing by another concerned party (e. For a candidate who has fallen ill or suffered injury in advance of the exam. although this may mean attending at an alternative centre).g. a personal trauma shortly before. within the same exam Period where possible. Examiners are not permitted to determine whether special consideration should be given. for whom the recommended course of action is withdrawal (➔ Reg. to a candidate whose performance in an exam is felt to have been affected by.mpaonline. Candidates can be assessed only on the performance given during an exam and consequently an application for special consideration will not normally result in an adjustment to marks. a medical certificate or a statement from an involved party. Where a section of an exam is not attempted. 15b are met. Where appropriate. such as bereavement or family crisis.Exam Regulations k The making or use of photocopies (or other kinds of copies) of copyright works is not permitted.) Application for special consideration should be made only by the Applicant and must be sent in writing to the International Operations Director as soon as possible. ABRSM reserves the right to withhold the exam result of any candidate where it has evidence of the use of an illegal copy (or copies) in connection with that exam. 9b): it is not advisable for a candidate who is unwell to attend an exam. Special consideration may be given. marks for that section cannot be awarded. or during. ii) invalidation of the exam result and the opportunity for the candidate to retake the exam at the earliest opportunity and at no extra cost (for Practical exams. the following possible outcomes will be considered by ABRSM in consultation with the Applicant: i) minor adjustment to the marks awarded. nor for a candidate suffering illness or injury to attempt an exam under disadvantageous circumstances that cannot be taken into account by the examiner. However. a minor injury immediately before. or at the time of. the UK Music Publishers’ Association’s Code of Fair Practice (available at www. fire alarm or noise from nearby building work). and postmarked no later than seven days after the exam. the application should be supported by documentary evidence. org. the exam. a serious disturbance or disruption at the time of the exam.abrsm.

ii) Exams taken before 1993: the candidate’s name. Unless the Applicant requests otherwise. Payment (where applicable) should be made direct to ABRSM’s office in London by sterling draft negotiable in the UK or by credit card (Visa or MasterCard). in some instances. ABRSM does not accept responsibility for the loss or non-receipt of any results after their despatch by post. the mark form gives a breakdown of the marks awarded for each section and the total number of marks as well as the examiner’s comments.e. (When a candidate achieves a total of less than 70 marks. which means that. On payment of a fee (see p. Results are issued as soon as possible after the exam date. Applicants also receive a list of candidates showing the results obtained by each. the date and place of the exam and the Applicant’s name (and Applicant Number) must be supplied. whose responsibility it is to pass them on to candidates. No marks are awarded for the Prep Test or Performance Assessment. which specifies the subject and grade in which they have been examined. There is a search fee (see p. parent/guardian): i) Exams taken in 1993 or later: the candidate’s name. 7). A certificate with constructive comments is written by the examiner and presented to the candidate at the end of the assessment. 75 30 34 . While indicating a high standard at the level. A duplicate certificate is included. results are subject to various standard checks and quality-assurance processes. the Universities and Colleges Admissions Service (UCAS. 18 as well as in the individual syllabus booklets and These Music Exams. 45 15 Pass 40 10 Merit 55 15 Dist. a Distinction in Grade 8 does not necessarily imply suitability for admission to any of the Royal Schools of Music or any higher education institution. a duplicate certificate is provided. www. their release takes longer. 16g. The total marks gained are confirmed in writing by ABRSM for no charge. Theory papers are not returned after marking. 60 20 Pass 55 20 Merit 70 25 Dist.uk) includes Grades 6–8 in the tariff for UK university and college entrance. Results of Practical exams will be sent by registered post if a request is made by remittance of the postal registration fee with the exam fees. an Applicant. the mark form gives a breakdown of the marks awarded for each question and the total number of marks. the date and place of the exam and the Applicant’s name (and Applicant Number) must be supplied. if requested. For Practical exams.Exam Regulations 16 RESULTS AND CERTIFICATES a b c d ABRSM’s marking schemes are outlined on p.) For Theory exams. Prior to their issue. All successful candidates receive a certificate. nor do they entitle them to append any letters to their names. Examiners report direct to ABRSM and are not permitted to give any information regarding exam results to any other person.ac. showing neither a breakdown of marks nor the total. a mark form recording only the examiner’s comments will normally be issued. i. if requested. but every effort is made to keep any delay to a minimum. Following UK government accreditation of ABRSM graded music exams. candidate. the results (mark forms/certificates) are posted to the Applicant named on the entry form. At the discretion of individual institutions. Certificates do not certify that the holders are qualified to teach. the result of a past exam may be confirmed in writing to a concerned party (e. ABRSM authorizes its Representatives to issue results to Applicants.ucas. Results are issued only in accordance with the procedures described in Reg. A mark form is issued for each candidate. ABRSM is not able to give any exam results by telephone or e-mail. On application. or for a professional career in music. students may benefit from the following points recommendations: e f g h i j k Grade 6 Practical Theory Grade 7 Grade 8 Pass 25 5 Merit 40 10 Dist. 7).g.

using the international appeals/ feedback form. an amended result will be issued. no charge will be made and an entry voucher will be issued at ABRSM’s discretion. ABRSM. undertaken by the Quality Assurance Manager and/or the Chief Examiner. and stating  a the date of the recording. it is essential that such issues are raised immediately.   •    n  unedited  recording  of  the  candidate  performing  the  exam  pieces  and  a  selection  of  the  a technical requirements (on CD. Such appeals must be postmarked within eight weeks of the exam. candidates intending to retake should be entered in the normal way. The form is downloadable from ABRSM’s website or can be obtained from the local Representative. all feedback is taken seriously and will be drawn into ABRSM’s rigorous internal monitoring procedures. The payment form (section 4 of the international appeals/feedback form) must be completed to enable the investigation to proceed. In order for ABRSM to investigate complaints fully and promptly prior to the release of results. If the appeal is unsubstantiated. where there is no Representative. Completed Theory papers are not returned. may include a detailed statistical review of the candidate’s and Applicant’s result histories. If the appeal is substantiated. direct to ABRSM’s office in London). 7) will be charged to the credit card concerned. Applicants not wishing to follow the formal appeals procedure for Practical exams but who have general concerns about results are encouraged to send feedback. ABRSM may involve an independent person in the appeal. by telephone or e-mail. London W1B 1LU. The form is downloadable from ABRSM’s website or can be obtained from the local Representative. 24 Portland Place. ii) Theory exams: Appeals concerning the validity of results should be made on the international appeals/feedback form (with a translation into English where necessary).   •     letter verifying that the candidate is the performer and the recording is unedited. 7) will be charged to the credit card concerned. meeting the published entry deadline. b       35 . Details of the complaint must be confirmed in writing (by e-mail or post) within seven days of the exam. If the appeal is substantiated. Appeals The appeals procedure exists to investigate the unusual situation in which a candidate receives a significantly lower result than anticipated: i) Practical exams: Appeals concerning the validity of results should be made on the international appeals/feedback form (with a translation into English where necessary). 24 Portland Place. While ABRSM cannot guarantee a detailed response to correspondence of this nature. to the Quality Assurance Manager. Appeals can only be made by the Applicant and must be addressed to the Chief Examiner. Appeals can only be made by the Applicant and must be addressed to the Quality Assurance Manager. minidisk or cassette tape). If the appeal is unsubstantiated. the investigation fee (see p.Exam Regulations 17 COMPLAINTS AND APPEALS a Complaints Complaints concerning either the examiner’s conduct of an exam or environmental issues to do with the exam venue or facilities should be made to ABRSM’s Representative (or. ABRSM. The international appeals/feedback form must be accompanied by the following:   •  a copy of the mark form(s) concerned. The payment form (section 4 of the international appeals/feedback form) must be completed to enable a full and thorough investigation by a moderator to proceed. ABRSM aims to respond with the outcome within four weeks of acknowledging receipt of the appeal. London W1B 1LU. Such appeals should be postmarked within twelve weeks of the exam. An independent person may be involved at this stage. the investigation fee (see p. If an appeal remains unresolved by the deadline for entry to the next exam Period. The full and thorough investigation. Any appeal substantiated after the entry deadline will result in a full refund of the exam fee paid in lieu of a voucher being issued.

the Applicant may seek an independent review as to the correctness of the application of ABRSM’s appeals procedure in the particular case. Independent Review In the exceptional circumstance that an Applicant does not accept the Chief Examiner’s decision regarding an appeal. ABRSM is committed to minimizing its environmental impact throughout its operations. ABRSM endeavours to make its exams accessible to all candidates. the review fee will be refunded. age.org. All staff and volunteers working on behalf of ABRSM are required to accept this responsibility and are committed to practices that protect children from harm. The processing of personal data by ABRSM is regulated by the Data Protection Act 1988. An independent person. parent/guardian.org/exams. is available at www.abrsm. while the examiner is informed of candidates’ needs. ABRSM is committed to reviewing its Child Safeguarding and Protection Policy and Code of Practice at regular intervals. Where ABRSM’s guidelines are not applicable. each case is considered on an individual basis. deaf and hearing-impaired candidates and candidates with other specific needs.Exam Regulations Candidates intending to retake should be entered in the normal way. If ABRSM is unable to respond within this timeframe. unconnected with ABRSM. pulp is sourced from sustainable forestry. If the appeal is substantiated. Where practicable. and each candidate’s performance is judged according to the standard normally expected. representative or steward. A request for this should be made within 14 days of the despatch of the Chief Examiner’s decision and must be addressed in writing to the Chief Executive. the Applicant will be kept informed. although it should be understood that. ethnic origin or disability in its dealings with any candidate. ABRSM uses recycled paper for all printed publications and packaging materials. Any appeal substantiated after the entry deadline will result in a full refund of the exam fee (if the candidate no longer wishes to retake). Guidelines and any further information are available from the local Representative or from www. meeting the published entry deadline. accompanied by a fee (see p. ABRSM seeks to integrate environmental considerations into its daily activities. ABRSM is committed to providing equality of opportunity and treatment for all. and will not unlawfully or unfairly discriminate directly or indirectly on the basis of gender. where this is not possible. under which ABRSM is registered (registration number Z6618494). or a candidate has particular physical access needs. will be involved in the independent review process. examiner. The Policy includes a Code of Practice for all who work on behalf of the organization. ABRSM’s Child Safeguarding and Protection Policy. produced in consultation with NSPCC. ABRSM aims to respond with the outcome within four weeks of acknowledging receipt of the appeal. In line with its Environmental Management Policy. The findings of the independent review will be fully taken into account by the Chief Executive. ABRSM acknowledges that it has a responsibility for the safety and welfare of children taking its exams or otherwise under its temporary care. c 18 ACCESS (FOR CANDIDATES WITH SPECIFIC NEEDS) a 19 THE SAFEGUARDING OF CHILDREN a b 20 EQUAL OPPORTUNITIES a 21 DATA PROTECTION a 22 ENVIRONMENTAL MANAGEMENT a 36 . teacher. no special concession or allowance in marking is made.abrsm. encouraging reuse and recycling while minimizing waste. ABRSM publishes separate guidelines covering provisions for blind and partially-sighted candidates. who will make the final decision. 7) made by credit card (Visa or MasterCard) or by sterling draft negotiable in the UK.

27 Alternative tests. 17. 28 Acceptance of. 6. 17. 18 Contact details for ABRSM staff. 18 Editions of music. 15. 16. 28. 7. 34 Charges. 18 Practical. see Representatives Copying. see Exam dates Dates. 32 Ensemble exams. 36 Escort. 15 Exam entry. 15. 7. see Last dates of entry Complaints procedure. 28. 18. 34 Duplicates. 36 Distinction. 36 Bowing marks. 31. 27–36 Exam specification. 29 Timetables. 31 ABRSM International Scholarships. 36 Equal opportunities. 29. 15. 31 Extra time for candidates with specific needs. see ABRSM Centres Certificates. 31. 3–26 Exam music. 30. 19. 19. 14. 7 Child protection. 28 Postal entry. 17. 28 Entry. 9. 28. 14 Aural tests. 19. 4–6. 7. 30 Allocation of. 15. 28 Environmental Management Policy. see Exam appointments Assessment criteria. 29. 12 ABRSM staff contact details. 7 Duplicate certificate. 31 Centres. 15. 36 Choral Singing exams. 27 Appointments. 4–6 Last dates of entry. 29. 28. 32 Candidate list. 7 Independent review. 27 Applicant Number. see Repeats Data protection. 15. 14. 15. 9. Marks for. 32 Exam appointments. 15. 18. 27. 17. 15. 30 Accessibility of exams. 36 Age. 14. 29 Date preferences. 9 Diploma exams. 27 Age of Applicants. 3. 15. 19. 14. 16 Theory. inside front cover. 17 Appeals procedure. 27. 32 Occasional presence of two examiners. 11 Da capo. 14. 29 Diplomas. 15. 28. 33. 28. 15. 18. 32. 36 DipABRSM. 28 Hosting a Visit. 30 Exam dates. 4–6 CT ABRSM Plus. 35. 10. 31 Variations to timetable. 30 Deaf candidates. see Photocopying Countries. 7 Confirmation of marks. 18. see Exam dates Dates and Fees leaflets. 28 Combining entries for a Visit. 27 Eligibility. 28. 7. 28 Last dates of entry. 17 Examiners. 32 Exam Periods. 16 Responsibilities. 34. 29 Circumstances beyond the candidate’s control. 9. 9 Disabled access. 28 Practical. 14. 28 Online entry options. 29 Attendance fee. 14. 17. 19 Contacts. 29. 16. 15 Age of candidates. 7. 15. 16.INDEX ABRSM Centres. 28 Separate syllabuses. 35 Conduct of exams. 36 Date preferences. 15. 8. 33 Closing dates. 18. 30 Exam regulations. 35 Applicant. 14. 28 Entry form. 27 Blind candidates. 31. 16. 16. 29 Facilities and arrangements. 36 Accompanists. 31 37 . 4–6. 17. 14 Subject-lines. 16. 15. 29 Entry fees. 30. 7 Appeal. inside front cover. 4–6. 16 Exam information. dal segno. 28. 18. 30. 32 Accreditation. 19 Absence. 15. 34 Adult candidates. 6. 15. 4–6. 17. 18 Theory. 18. 27. 14 Exam timings. 10.

14. 14. 17 Sight-reading. 34 Safeguarding of children. Marks for. 35 Quarantine. 28 Performance Assessment. 36 Injury. 33 Independent review. 19. 17. 16. 27 Local Centres. 12 Interpreters. 9. 18. 14. 15. 31 Charges. 17. see ABRSM Centres Local holidays. 7 Conduct. inside covers. 27 Partially-sighted candidates. 32 FRSM. 17. 7. 16. 4–6. 14. 8. 4–6. 17. 14. 9. 15. 7. 14. Marks for. 28. 18. 30. 15. 32 Physical needs/disabilities. 16. 18 Memory. 7. 4. 20–26 Results. 14. 27 Professional development. 33 Specific needs. 28. 28. 7. 28 Refund. 34. 32 Invigilators. 18. 17. 10. 9. 7. see ABRSM Centres Qualifications and Credit Framework (QCF). 32 Ornaments. 19 Local Representatives. 18. 14. 32 Page-turners. 34 Performance requirements. 28. 14. 31 Dates. 27. 8–9. 31. 29. 32 Subjects. 9 Grades of exams. 28. 7. 17. 33 International Department. 31 Venues. 30 Refund of fees. 8–9. 28 Learning difficulties. 29. 28. 34 Loss or non-receipt of. 14. 31. 10. 15. 19. Legality of. 27 Scholarships. 7. 14. 15. 33 Phrasing marks. 32 Periods of exams. 18. 15 Payment. 8. 30 Re-entry voucher. 17. 34 Fingering. 4–6 Stewarding of. 27 Syllabuses. 12. 27–36 Repeats. 19. see International Scholarships Sensory impairments. 16. 9 Mark forms. 17 Regulations. 30 Repeat of marks. 32 Overlaps of syllabuses. 18. 27 Guide to exams and entries. 34 Past exam result. 17. 34 Royal Schools of Music. 30 38 Photocopying. 19 International Scholarships. 31 Online entry options. 16. 14–19 Hearing-impaired. 18 Prep Test. 14. 28 Order of exams. 35 Marking scheme. 27 SoundJunction. 7. 17. 29 Place of exams. 30. 27 Advance notice of syllabus change. 18. see Representatives LRSM. 18 Metronome marks. 32 Moderation. 19. 14. 7. 32 Representatives. inside covers. 31 Music and Performance Requirements. 18. 14. 11 Special circumstances. 9. 36 Scale requirements. 16. 30. 19. 15. 36 Standard Visit. 17 Libretto (ABRSM magazine). 32 Parents. 29 Practical Musicianship. 8.Index Fees. Performing from. 17. 10 Quality assurance. 18 Additional time allowance. 17 Notification of exam appointments. Playing of. 4–6. 8–9 Timings. inside front cover. candidates. 34 Prerequisites for Grades 6–8 Practical. 34 Issue of. 29 Practical exams. 36 Pass. 18 Payment. Interpretation of. 36 Illness. 32 Non-attendance. 30 Eligibility. 4–6. 28. 15. 17. 30. 19. 27 . 17 Piano in exam room. 19 Special Consideration Policy. 32 Merit. 31 Last dates of entry. 32 Subjects of exams. 11 Public Centres. Recording of exams for. 14. 18. 31. see Visits Steward.

27 Syllabus overlaps. 32 Syllabus publications. 27. 33. 18. 19. see Exam timings Training. 16. 28 Withdrawals. 34 Timetables. 17. 18. 30. 7 Conduct. 30 Grade 5 as prerequisite. 14 Syllabus validity. 28. 30. 29 Facilities and arrangements. 27. 31 Timings. 8–9. 17. Examiner. 28. 31 Additional time allowance. 16. 30 www. 14. 28. 36 39 . 17.Index Syllabus chart. 14. 29 Warming up. 28. 14. 16. 31 Timings. 7.abrsm. 19. 14. 27 Syllabus updates. 17. 15. 7. 8. 29 Timetables. 16. 14. 14. 18. 8. 28. 30. 17. 31 Dates. 8–9. 20 Syllabus review. 17. 14. 28. 6. 11. 30 Venues. 18. 36 Waiting room. 29 Visits. 30. 29. 29 Visually-impaired candidates. 29 These Music Exams. 28. 10. 34 Venues. inside covers. 29 Combining entries for. 30 Charges. 31 Universities and Colleges Admissions Service (UCAS).org. 16 Invigilation of. 29. 27 Theory of Music exams. 33 Partial refund owing to.

The Invicta Press.Printed in England by Headley Brothers Ltd. Kent 40 . Ashford.

org/exams .SYLLABUS UPDATES: 2013–2016 New requirements for graded exams in 2013 (issued July 2012) • Piano • Horn • Eb Horn • Tuba • Baritone/Euphonium       new set pieces New requirements for graded exams in 2014 (issued July 2013) • Recorder (Descant & Treble) • Flute • Oboe • Clarinet • Bassoon • Saxophone (Alto/Baritone & Soprano/Tenor)    new set pieces    . New requirements for graded exams in 2016 (issued July 2015) • Violin • Viola • Cello    new set pieces The above details are subject to change.abrsm.org/exams See the ABRSM syllabus chart in this booklet for details of all syllabuses. New requirements for graded exams in 2015 (issued July 2014) • Piano new set pieces Any other syllabus revisions will be announced in 2012. To view and download information you can also visit: www. For latest updates.abrsm. see www.

org Registered as a Charity No.abrsm.ABRSM 24 Portland Place London W1B 1LU United Kingdom T +44 (0)20 7636 5400 F +44 (0)20 7637 0234 Textphone +44 (0)20 7637 2582 E abrsm@abrsm. 292182 I S B N 978-1-84849-365-0 9 781848 493650 .uk www.ac.

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