69

(Section III)

 6  
      
             
      





















  
        

mf
RH lightly, jazzy







   





XXXV. Fast



6





4
         
  
    










 











6


3



 



3

3

 

    

loc.





5





  






  






7
























   


        
  








6
5
6

5


  








      
         



10






    
  


 
 












 











    
    










   


   
 3 
 
 

13

  
  




 
 






   
   






























 
5

5

 




5


 

5




70
 

 

   


          
3




     
       
 
6

 










 

  


 


    

  


 ( )




 
3



 





(slow)









   

 
ppp




 
 



 
 







  





 

5

 

  

 

 

 

ppp

ppp

         


5

 
 


  
   

 

  

   

3

ppp

p

 


      





slower

20

  

 
 

 


       

  
5





 
 
 


slow, deliberate,
before beat

  




 



8

15

   

  







XXXVI. Very slow, very quiet, very rubato

   

  

6


 

  
  



  






 




16


 
 









l.v.

l.v.




71

XXXVII. Ballad
Rubato, slowly, but not as slow or quiet as XXXVI

 


freely,
legato

  

 
  


6






 3
 3

                                  

     

 

5

 (pp)
5
ppp
3



    
      







 
 

  3   




(pp)



6





 

  
l.v.

 
 
 
 
 

6

  
   
 


3

3

17

like a harp



 



  
 


   

           
           









 







 
















 








 

  




 










 
 

   3   
     
  





   


11

 
  

   






p

       

 3

     
 




 4:3
       
 
  

 
 
   

 


   



    
  



6

 



 
5








 
l.v.

  


still harp-like










 


l.v.



      ( )

 
 
 

 
 completely free

72
21














  

Quickly

    




 


 
  

no arpeggio

  

l.v.
p
free, within the measure



      



  

p-mp





 

 
pp

XXXVIII. Steady
Arpeggios out of time, but roughly falling within
the measure and under specified beats

q ≈ 72-80s

  









bring out RH melody

(p-mp)

 
3

 
mp-mf

 

 
    



    


 






    

  




p
















as in previous measures





5

  




     



   


 

  


 








    


 
 
3

 

 
3
3
3
















 






 
  







  
  






7





(opt. up an octave)

 





 
    





 

 

 

    

 



      


  



9

legato, always

73




  
 



 





















  


 

 

  





 

11

 















3
  


        











 








   
    





 



 


13

 



 

    
 
 





        




 


15







 





    
     
  



 

 



   
  
         
















    

 
 







 
 



 

3

 
  
  


 






            

   

 

17

19

 

 

     

   




       




3

  
  




  
            

  


 



     

  







     


 

74
21

      

     

 RH held notes

   


   

 



      



 

   

slowing...

very rapidly, more or less in the space of a measure

       


22


)

out of time
(



(



)





more or less one measure, freely

(

 
  
  






 




 

)

 

(p-pp)

)  



      

  







23

(

)

(

     
(ff)

  

)

(



(ff)

+

ff 

Slow and free





3
    






           freely   
     
5
(LH)

f




3
       
    
pp 



 

sub mf




pp

loc.

 



 

(

)

 

 
 
   
   

  
 







( )

pp

A tempo

 
   

 
3



 


   
6
 








  fff
 
slowing
ff
f
ppp
pppp 
      

5
 


     


+
   
5
(pp) 5

(+: see var. XXII)

 

Slowing and quieting to almost nothing

XXXIX.

5



)

  
(

   

 

5:4 
     
 


 3:2
5

 
               
   
              

  
 
p

mf

 

     
   
 



cresc. and faster and faster

f

 
 

 
   
8a

cresc. and accel.
   

10

 


 

 







 

Slow

 



    3 

  

5:4

13

 
    
 


 


  

sub p 3





   
pp



  
pp



  

 
   cresc.

   

 




 




     9
  

      
 
3


   
  
ff



pp



5


 

 




       

3

 

   

(p)

5


3


   
 
 

pp

 
  

(loc.)

5

5


 




16

5
                
  
     






















a tempo (fast)

f


   


 


3

3



slowing, delay top
note a little













    

18

3




  



  
  


3






 
  



3

3



      5      

   
     






 

loc.

  

   

slowing
3

  

mf

3

 3




      3


 

3

p

 
 
 

Slowing till XL.

5

5

5

 Slow
  


   

9

5

     5

  

(p)

  

5

5

pp




  
6

      






5

3

 

7

 


 


fast!

pp




(pp)


 

A tempo

     

75

3



  3
  
  



   

 pp
 





76

XL. Slow and pretty
songlike

  

    

RH melody, LH accompaniment

 

5

11




     



3

3

        

 




   

  
  

    
  
  

     
 


 
 

   

  

 






   



rit.

    













         
  


rit.



     


legato

   

 
    


   


  



 

         






    


  slowing


 

  




         

 



 

 




quiet and calming

rubato
(Coda to XLI)


3






17

3 

















rubato








 

    3
   31/2
  

4
p
pp
pp mp
3




(gently)


ritenuto
  






 
  



31/2




4
pp




 


  
mp-mf
  

mp 




(mp-mf)

3



77

XLI.
q = 96-104

  




3

     



dynamics with liberty, but in general, loud.5
3

f






  

 (staccato)
 
 

2

   











 
   

   



















      






5

6

5


 








      

      
   



 
 
3


    





    

5

5

 



  










   
 

    

6

3

5

 

 

      



5


             

5

3

7

 



3 


    
 

      
 





  


5






  
 

6



  



3
 





   
 





   



     

  

  
 

 
   




   
 

5
 
3

     
  

5
3
   3
  
     

   

5

3

 







 

 








     

    
   

78


  3  

      
 
  


5
7
 
     

5












 
     
    









  
6


7
 
 

       

9

11



















      
  

       
    
  

5

 
legato

4:3



  

   

5






mp









  

6

(LH only)




  







6



 

 
 
9:8

 

 

   



  





 


    



        
    


        




 






    

 

5:4
ff
p
(no pause)
7:6e


           
3  
5

5
5 






 












 
    

  

6

13

ff

f

5

5

 
 

15

5

 
 

5


          


opt. up an octave

A little slower q = 84-96


 

17

(p)

      

      
p

5


    





   
p

          




not too staccato

  


3

5

  

     




 

           

  
    



accel.

(non-expressive)

3

accel.

5



 








       
            


 

       

19

5

 

 






5





 

79



5

5

  



XLII.
q = 108-116 Pretty strict tempo

 
    
 







              


 
  

 



 
 






 



    








 







3


 















                
             

3

5

mp throughout (non legato)





 



3





3

  
  


 

                                           
 





 
  

3

5








                           
sub. mp


 



    


7


     
   

sub. mp

 


      

   


   

    

     

  

       
   
 
 

    

 
             





sub. mp

             

 


 
9

         

 
    



    
 

 
 

    


 

             



80





 

    

11







 


















  
     
 
 


mf

getting more staccato

                 

 


   



                   
 

 

13
 
      
                  
  
 

15



                        






                    








                       
         


 

f
simile

more legato, but still strict tempo

   

  

mf

(with dynamic liberty)

  

3

16

 



3

     
5



3

 



 
 

sub. mp


simile

  
3



3




 

 



   





   

 
 






3
5
3
            

  
       
6
 

  

5
3

  
     
    5
 
5
5
 

3

3

6

  
           
         
 

 

 



   

6

3

17

5

 

3

5




 

 

 

     
   


 

 

    
  

3
6
3
3 
3






















      








       


3

    




3 
3      3 



     



















3

3
3

6
3

19

3

3

81

 










6




                
      
      
 

7

    

22
3


 3 
 









 
3
3
3

  3      3                 
 

 3
 3
6

7

       
       
3
 
  
 
     
 
3

3

XLIII.
Fast


 


3



 

 


     







 


21


                                 
3

(cresc.)

p from m. 1 to 13, cresc. from p
to f

  


   

    
         





    
 

     
mf

(cresc.)

 

(p)

6

 

3

 





















   

 


3

  

(cresc.)

3



 
 









 

3
3








    

  
 
 



3
3
3
3
f
(cresc.)



          
 
3






3













   

3
3

3

   


11

f


  

14



 


   



















3

  




 








  
     
  

 


 








  
   





82

3
 3


                  

    
3

17

3

3

3

3

        

3

   

    

21



a bit slower

   

3

3

 
      
  
3

 
3


 




3




 

3

3

3

3







  

speeding up a bit to XLIV




 

 

 
 
 


 






 
 


 

   




 


 




        
   
3

dynamics and tempo ad lib.


  




3

3

sub. mp-mf

3

26

    

  

3

     

3
3
3
3
  






3
3











  
  
  
  
3

3


    

 

3


   

   

 

 
 

XLIV. Waltz (III)
(previous)
q

(Intro)

  

= h (new)

  
p

   





 





  

 


 

 
 

(Waltz)

          
  3               

      

    


6a

 


6

6





 





 

  




 

   

  

3

 

 

 



 






4





 




      
   
  

 
 
 

 



  




      

   
 3

  

3

10

16

    




 









  




  

a little faster




 

   

 








  

 








 



  

mf

      
    
3







 



  
   

  











  









 


    
(f)

4



f

 
     



1

  
  


 

   
 
 


 
  













   

  

  
   





3 
3
3


3










     
     
        



 

3
6



harsh

q = 120 or faster

5a

 

slight slowing
   






3









   
 
 




3
  
  
 










 
 




 
 

  

3

XLV.

 





A tempo

slowing. . .

3

2

     

 
 
  3


 
     




         

3

     



 

   

83

4a




  

      
 


  
 
 



 
5


 




     

 
 

3








3


















  
 

   

3
3


 


 





 

 

84

 

10   


 


3





 

    
 

 

3




 

 
   

  
12a
loc.      


 


 

3
3
speeding up

3

  




3

3

loc.

 



   






   

 

3
3
speeding up
(bit by bit)



   

  



loc.


 





 
3
3

 

  
 
 

  

 
3




   

pp
p

 
  
18










 
 




   Slower, softer
    13





  


3

3

    
 




 

 
  
 





    

 
3
3

 loc.

   

           



3
16

 













  

ff
mp




  

 
   

3

3
 
  

  

 





 

17

  










         

3

Quiet, slow, but not too rubato




         
  







         
ff








    

    


      

   







3

          
            

16a

3

3

3

12b

15
15a











  
         



 



  



 
  
 
      



  
            

speeding up

 

 
   

slowing to cadence








 


mf
 

p

 




 
3

3


85

XLVI. Legato, slow, soft, rubato
3

                     



  
3
3
p throughout
5
3



  
 

   


  




(LH much softer than RH)

      

 
 

3

   

























 
             

   

  


 





    

5




3

6

       

  

3



5



                                       



6
6
3
3





   








  

3

3

10

(

         


           
  
 


6

13


  



3
 

7


  

3





  
 
 


17

7

  



  
 

     

  
 

5


 

7

6

    


)


 
  


     
   


 
    

3

 
 


    

 
             

















3
3
5

 


  


 
 

 

 


  
  


86

   

20




XLVII. Three Keys Waltz

K


iiq
=
q.

 



  


   
   
   





    


   
3

3

 

 




  





    


    


 

7

   
 

11


  

mf

middle line quietest







mp-mf









  





 

rit.
(slightly)

 





 
 



 
 

  


   


 


   




 



 


  

   

 






  
  


  
 

   







  
(quieter)
    

   
         

  

 
cresc.





      
     
 






      


     
    











 

rit.



 



 

a tempo














   
 



 
 











   


  


 



        












      


   

( )
(no pause)

   
 













 

mf


 
 
 

   
   



2


 

The page turner or a second pianist may be
used in this variation for any of the 3 lines.






 

  





  

 

   

 

87
15

  




    

   

(ppp)

 













rit.

19

 




  


very quiet



 







 
 




  
 





  
 


 



  
 
pp



 

p












 

ppp

pp





  
 

Slow, rubato, quiet

Even slower and quieter


 



23








 
quiet



 

  
    



 






7:6
        








 



  (pp)
 











 

pp

p-mp









pp



(ppp)



 











Fast


 

  

ff

 

 5




  


  

ff

7




 





 
 

  
 




 







ff





 




(C#-D)

7

 










  






 
      
         
5





XLVIII. After Subono (II)



 








 

rit.
(a little late)

 






(C#-D)

5



  




88

  5  

2






   











(B-A-G)


  

fff

sub ppp

  


  

 

ppp



 



p

pp



R.H.

 






 

ff


6


 

6



 
 

 

as fast as possible





5


ff

6
      

   

lightly

 





 




 5
 5  
L.H.

  

5

5


    

L.H.



  








 

    

  
 
++ 

7:4

mf

mf

accel.
5

7:4

   

 

 
         





  
 
 
 

(f)

   



ppp

7

7:4
3





 

7:4

7:4

 

mf

7

pp

mp

RH cresc.

6

7

  
  

3

        

sub ppp

     
        

3


 

     

3

3

 

       

  
  

6
      




 


loc.

   
  

3
      

f



5

  
(loc.)




5

  
  


  5  

 
7:4



 
 





     
 







 
  
 
    
 





 

(fff)
   
  
     






  



 
 
(ff) staccato, blues

5

3

3

5

5

9

5

5:4

89
5:4

















 8



    
  3      
   

  
  

       






 
p
3
3
3
  





 

   
 

  
 







     


 


mf


f
3
(sub mp)
     


7


  

speeding up

Slow and quiet






3

 

  


pp

p

(still speeding up)



8a


 

ff

 

 

3

  



ff


     









3

  













 
 











very
slight
pause

9:8
5
5
  


5
















   















    



Fast, steady

5

9

f

  
 

 

 

5

 

 

 


 
       
5

 

3


3


 

a little softer

5

5

  

 
5

5

5

fff

10

 


 

3





 

  

5

 
 

5


5

 






 5   
         
 
5

 



   



5



90


 

    

5
 
         










 
 

   
     

      




5
faster and louder



6
 



  
  

 
  









  
   
         
 

 




5
5
6
5
5

LH gets more staccato
5

5

5

5

11

12a
softer and slower
  






                      
         
( )
( )

  

freely....

mf

 

12c


 

 

 

  
pp

  

5

 

 

3

3

     




pp

pp

∅ almost

( (pp )
(


pp

3

  
6
pp

    



3

pp

   

3




3 

   

(this measure optional)




(still slow)

  

    3         3       3





   
        
( )




      
   

 

3 



   
    
 



 


3

12d slowing a bit

13

15 Slow

p
(rubato)

mp




  
15a



12

12b

Slow

  

 

pp

12e

ppp

    

      
 
 
3

3



)


  
5


  

    14             
5
 
   
 
     
7:4

6

5

(loc.)

 
p
 


  

Fast

5
 5 
 5 







  
       









 

         

3
f

3
3
3 
  
3
  
  
        

  

    

16

5

5




   
 17
5

 

        

5


     

3



  

 

18

  







 


3




  
  








3

(f)

3

     3
 
 


 
 
3

 






     
   




     


 

 

  

 

7


91



    
5








9

decresc. little by little

  

5

3


 

19


   

3

  5      


 
      
 
5



16a












3


  



3

6

 
3

 3  
      










    
  






           


5
5

7

3



   
 
3

(mf)

5

3

3
3
3
3





20
       
               







     
   



 


 
 

 
3
3
3
3
mp
decresc.
 


 

























3


3

3

3

3

3

7

 



 

 






 





     
    







XLIX.

7




7

3

3

3

6




    






   
  








         





6

5

6

5

5

92
3

 

 

   

6

6

6
6
  
    
  
       

  

   



6
6

6
  


            
    

            




 

( )

 5
 5


5
6
6
6
     
6











5

                                



  
 














7












7

7
5

7:4
5









 
7:4
       

      

 
 
     


  
 
4
5

7:



7:4

6

6

 
 

7

6

 
7
             
  
    





  
    








          



  


6

6

6
5



5







   



  




5


6

5
 
6

7

                                   

 





  
(B)

(A)

9

 

 

5

5

 


5

 

6

  

   



 
Steady





12










   
 




    



 


 



 







    

still mf
7

7

6

6

11


 






 



 
 

 
 


 



 

12a




  


 


mp



93

 6
6







      



    


mf



  

 






6

13

7

7

  

   


15

3

  

5

6

3

5

7

16a




mp

3

mp

mf


 




(mf)

















 

   mp

     
3

16

6

16b



9:8

    

 

7

7:4

3
 

      
    






5

 




       
    




 





 



 




         






 
 



7

5

5




mf

 
 




(mf)











(mp)






     













  


 









     



















 

      


  

 
 

sub p

slowing

Not together!

   

  
    
   









   







 

 
 











   





 

   
 
sub p






18 Free

Bass notes, in both hands, with accents, a little louder each time.

19

slowing to Chorale


   
mp
   

    





 

  
 

 
  









 
 



 
 










    


       
        
  





94

L. Chorale (VII)
Slow


 
 

   
     
mf



        
   

  

 


          


        
 
  

3

3

6


 


 

3

 
 



 

  
  


 
  



   

12

 
 
 


( )
 

  

   


17

()

3




3

inside
voices
softer














 
       
3
 3   3
3





 








rit.




 ()  3    






 
 
pp

Freely
 
 


 

  












()
       

3
3
3
3
()

(low bass line
optionally up an octave)


 


      

  
   


sub mp


                  
 

 


()


 

 














 
 
  

 
3

 

   
 
  

    


 

Freer, quieter, a bit slower

3
3

 
 




   






 

3

 3        
 
    








pp





 

3

 
ppp

95











  





LI.

2

Gently, freely

p

(opt. measure)

8



  
   



  





 

 

 


    



 













pp









  





Free

Ø


   
 





 


  



 



  








 


ppp

decresc.


 



Slow and quiet, smooth and steady




3

 





      
 
 

p





   

pp 3

19

     





13



 

  












 
 
 




 

p


















Sign up to vote on this title
UsefulNot useful

Master Your Semester with Scribd & The New York Times

Special offer for students: Only $4.99/month.

Master Your Semester with a Special Offer from Scribd & The New York Times

Cancel anytime.