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(Beside the Seaside 3)
By Matthew Delooze
Waiting for an alibi Waiting just to catch your eye Waiting for an alibi Just to say I told you… I told you
(From the song Waiting for an Alibi by Thin Lizzy)
I’m sure those of you that know me will remember my “ Beside the Seaside” writings of the past. I wrote “Festival of Lights” and “Beside the Seaside” several years ago now. I hope my genuine few friends out there do remember them because I spent quite a while a few years ago, writing the said information to prepare you for this time and what
is coming. So I hope you really can accept the information I provide for you today more easily than you would have done without my previous stuff, cold so to speak. I say with sincerity that the seeds I planted back then should help you understand this additional information far quicker and easier than not having had received the previous seeds and therefore help you in the future to see what is really going on. I really believe you need to see this information now for it to have any chance of helping you in the future. I have spent eight years, on and off, studying this coastline and watching our corrupt authorities eventually carry out what the Serpent Cult wanted carried out all along. I had been keeping one eye on events for several years, but it was only in the last 12 months that events were totally put in place. Anyway, after a few years of waiting for events to evolve on this matter, my journey eventually took me back to the Fylde coast just a short while ago (Early November 2011). I had not long returned from Brazil and I had received triggers and felt strong spiritual urges to visit quite a number of places in various different places. All the places I visited turned out to be very symbolic and very educational. Luckily for me one of the places was Blackpool, which is not a long way from where I live. I have, as most of you will know, previously commented on events taking place in Blackpool, both on my own website until 2008 and on the oneball website right up to coming off line late in 2010. Anyone remembering the Delooze News Special reports may actually remember the last news update I did about Blackpool in 2008, but maybe not.
To initially start off the information I wish to supply today in 2012 I’d like to quote just some of my words from that last Delooze news report from nearly four years ago. Maybe more people will take note this time. I can only boringly repeat that I believe you now need to take in what you may not have taken in back in 2008. I believe this information will help you in the next couple of years, but please feel free to bugger off now though if you want to. I won’t mind. This is just part of what I wrote in 2008.
In Awe of Aurora the Goddess of Dawn
A Delooze News Special Report
“I have visited Blackpool on and off throughout my life. I don’t know if my own self perceived awakening has made me see Blackpool as it really is or it is its own ‘downfall’ that now shows me its true face. Whatever the true reason I can say Blackpool has become the ultimate shithole. Like many towns in the North of England its fate is in the hands of an invisible force (using its official puppets) and that force is intent on creating misery and destroying the lives of the people connected
to it. In my opinion the said force will, on one hand, create a highly selfish cesspit of misery for everyone and everything that does not suit its agenda, but on the other hand it will provide full investment, and of course the puppets in suits, for anything that suits its agenda. For those that understand certain sayings I will say the invisible force I talk about will provide the fur coat but won't provide any kickers. (Me mam used to use that saying a lot but usually about an individual). Unless we start to expose this invisible force then it will gladly create many more towns and cities that simply fall into the ‘fur coat and no knickers’ category. In other words ALL town centres will have expensive monuments and designer shops proudly displaying esoteric symbolism, but the rest the rest of the town will resemble a ghetto like shantytown. Some of you see this already in your town (2008) and you can sense what's coming. This is happening all over the world, Beijing is a very good example. We see thousands of people thrown out of their homes and made homeless just so the Chinese authorities could build posh symbolic stadiums for the Olympics in their place. All the Chinese authorities were bothered about was to put on a show to hypnotise the masses. They symbolically provided fur coats for the world but had no knickers for the people. The same scenario, albeit on a smaller scale, applies to Blackpool in the UK. The joke authorities in Blackpool do exactly the same there. They are currently spending millions on promenade improvements whilst the rest of the town is basically a shithole that is now accommodating many drug addicts, alcoholics and people who have simply given up on life. The invisible force I am talking about has also 'created' this collective spiritual ‘misery’ in Blackpool too. It’s all part of the scam but it is hidden in the economy of a deprived area and the promotion of a retreat for desperate people.
Even the paying visitors, the so called normal people, coming to Blackpool are in the vast majority, drunken stag parties and hen parties that are attracted to Blackpool for what it now offers, which can be summed up as cheap drinks, cheap sex and a place to release pent up frustrations and escape from their so called ‘normal lives’ (slaves to a system they create themselves). There is nothing wrong with folk enjoying themselves mind, and I am all for folk enjoying themselves. Blackpool has made its bed and it now has to lay in it. 70% of Blackpool’s visiting customers (In 2008) are entirely made up of weekend drinkers that are looking for quick shags. Even a large percentage of local residents are immigrants from other towns in the UK or from the Eastern Block and its literally become an elephant’s graveyard for sad people on the social security (welfare) and living in cheap B&B accommodation that can no longer make a living accommodating holiday makers. The town has also created a large base for the Gay fraternity. But again there is nothing wrong with folk enjoying themselves. The local puppet authorities have purposely steered this once prosperous seaside town of family fun into a literal modern day Sodom. Sadly very few do anything about it. We all know what was said to happen to Sodom and Gomorrah in that it received fire and brimstone. I say, for Blackpool, never mind the brimstone. I would simply burn it down. (Not literally of course!) Apathy is rife in Blackpool just like it is in most deprived working class towns I see around me. My heart rages over the manipulation being carried out against the poor and the manipulation of the spiritual energy I have been shown. The majority of so-called local business owners bow on their knees to a corrupt and incompetent council and will continue to do so until there are no businesses left in the area that do not display a corporate logo or line the pockets of fellow corrupt drones in the system. The town is in total slide apart from the
promenade area and the promotion of 'branded' multi-national department stores and shops. Anyway the reason for this news report is to tell you about plans for the Promenade and Northern Lights in ‘Blackpool the pathetic fur coat and no knickers town’. Those that have read my article ‘The Festival of Light’ will know that I believe the illuminations event that takes place there every autumn is really a replica of an ancient Egyptian respect ritual known as the Festival of Opet. You will note in the Festival of Light article that I tell you to keep an eye on Blackpool because I believed more occult monuments and occult symbolism would be added to the town linked to the seafront and the illuminations. I have also tried to keep you up to date with the ‘Casino’ farce that has been going on in Blackpool too. There is obviously a lot going on through Blackpool's local authorities and I am convinced that
the Serpent Cult puppets on Blackpool Council and of course the corrupt puppets on Lancashire County Council, will eventually make sure that the ‘correct symbolism’ is displayed to suit their masters.
…. OK folks, again, we are now approaching nearly four years since my last Delooze News report on the progress in Blackpool. (Not forgetting the 2004 and 2005 articles of course) Can anyone anywhere, obviously those that know of Blackpool, please tell me now (2012) that my comments were out of order or actually wrong? I’d be very pleased to hear from you if you do. The only things that has prospered in Blackpool in recent years is the updating of a shopping centre, which is now awash with corporate occult logos, and the creation of an improved promenade that
literally contains massive occult monuments and covert symbolism. It has been clear to me ever since I walked on Morecambe prom in August 2004 that the Serpent Cult were using the Fylde coast for occult rituals. I knew back then that symbolic apparatus would eventually be placed on this coast for large covert rituals to take places here in 2012 and beyond. So I’d like to show you what is now almost ‘complete’ on Blackpool front and my opinions as to why. The Serpent has now finally placed what it wanted on the Promenade and of course it has achieved it whilst a large part of the town rots in deprivation and misery. But do you really want to see it? Do you really? Will you actually believe what I am saying this time? Will you simply laugh it off as delusion and bullshit? I’ll gladly attempt to show it to you whether you believe it or not. There is no charge to you at all either. I’m not in business. I’m happy to make you laugh if I can but I assure you I am telling you the truth as I have done all along, and those that know I do should note all the details in this work for a later date. If you do want to come and see it then please do so with an open mind, you are more than welcome. Anyway, let’s get going. There has been a lot of misinformation pouring out of the authorities in Blackpool. There have been some complete puppets messing around with funds and projects for more than a couple of years. This has purposely happened to break down natural progress within the system and of course to destroy any true democratic selection processes
taking place. If the Serpent Cult does not want certain projects to take place then they usually won’t take place. The Serpent Cult holds the purse strings to most avenues of funding for most, if not all, things involved in public artwork. It is therefore desperately easy for the Serpent to force council officials to accept funding and schemes when they become the ‘take it or leave it’ last resort. And of course, don’t forget that most council officials are corrupt anyway and they simply follow the naturally corrupt system they wallow in. I do not want to bore you with full details of the funding issues in Blackpool, but they are easily checked with very little research needed, so please believe me when I say that various schemes and projects have been used and abused and millions of pounds have been played around with. Massive schemes like the Re Blackpool (People’s Playground etc) and the Talbot Gateway have been rebranded and re-spun, some changes of corrupt personnel have taken place too. The stupefied public does nothing about it, basically because they do not look. Apathy is so rife and the downtrodden cannot see they are purposely downtrodden or even see that their apathy has been manufactured simply to protect those that make them downtrodden. Anyway. I wrote in the Delooze News Report in 2008 about the various ‘options’ on offer for Blackpool promenade, even showing illustrations of the main contenders. There were indeed several options available for ‘selection’ by the public to indicate to the authorities what the public wanted them to build. These options mostly promoted projects involving the Sun/ Aurora or even a large ‘Dome’ (Illuminati symbolism) and one of these
projects was to be used in conjunction with the tower area and mostly during the ‘illuminations’ festivals. The planned artwork was going to be used as a means to attract people to the Promenade area. The local paper actually asked the public to vote on what the people ‘actually wanted’ the town to use as a pied piper to attract people to the area. It was clear that a massive ‘festival area’ was going to be created, indeed the words ‘Festival Headland’ were created and the Serpent Cult, in my opinion, were always intent on creating a festival area directly under Blackpool Tower anyway. I also gathered that they were actually using official ‘Sea Defense’ projects and finances to do so. I will come to those sea defenses later in the article. It was also always obvious to me that the Festival area would have to be near the ‘Ferris wheel’ (Creation Symbolism) located on the pier. The initial project was known as the Peoples Playground. The picture below shows the official results of the vote that took place in the local paper regarding what the public really wanted to see built on the prom.
You can see that the ‘Snow Dome with Donkeys’ and Aurora Borealis were the most popular by far 36%. (Note ‘Magic’ Carpet 7%)
Sadly all these things were ‘abandoned’ because of ‘funding’ issues. But of course funding issues do not put the Serpent Cult off and maybe they just didn’t like the vote result and they decided to change official funders? The Serpent controls all local councils communities and most means of project finance anyway. So finding funds through Peter or Paul is not a problem. ‘The Serpent Cult always gets what it really wants’ even if it leaves a town under pressure and forces the council to take the ‘last resort option out of desperation’. In this case Blackpool was literally forced to take the last resort option of funding because all other funding somehow fell through and Blackpool appeared to be left with a take it or leave it offer to finish the Headland Project.
I have been saying for years that Blackpool promenade was being prepared to create the means for further occultist apparatus to be installed in connection to the apparatus that was being installed over several years (See Festival of Light) for rituals that I already explained way back in 2005. It is clear to me that far more intense rituals will now start in 2012. The Serpent Cult has used this last resort offer to complete its mission on the promenade. It created and used ‘The Sea Change’ project and CABE, which were very coincidently making last resort funds available to Blackpool just as access to other funding, like the lottery fund, collapsed. It was clear to me that The Sea Change Project not only helped the Serpent Cult create the symbolism it required to be displayed in other locations for 2012, but the town of Blackpool had no choice but to accept it as it was indeed their only remaining option to go along with it. It was literally a take this scheme or a take bugger all situation for Blackpool. I think the principles of the Hegelian Dialect, Thesis-Antithesis-Synthesis, (better known as David Icke’s Problem-Reaction-Solution in conspiracy land) were used and the problem was that Blackpool needed pied piper apparatus on its promenade, the reaction was where does the funding come from after previous funding was removed, and the solution was the last resort funding from ‘Sea Change’ which dictated what apparatus was actually built (you may have to search the term Sea Change Blackpool on the internet as the official website seems to have been removed). In fact the Serpent Cult creates all the funding solutions to remedy the funding problems because it controls all funding. Desperate project organisers and committees on local authorities will always take last resort funding if that is the only option to take.
Look at this scenario… Project ‘Funders’ speak to project ‘organisers’… “Well puppets, you can either take this four million quid and create a bloody comedy carpet on the prom in front of the tower, or you can have absolutely bugger all and explain to the locals why you were all on a £50,000 part time salary and produced absolutely bugger all for it” Do you understand that scenario better? Can you see how funding and decisions are really taken? Sounds about right in real life eh? I tell you the truth when I say, the Serpent Cult controls all public funding for ALL important artwork and monuments in one way or another. It will literally build what it wants and it will stop anything else being built that it does not want to be built. If the Serpent Cult wants a certain occult monument building then the Serpent Cult will have one and then it will pretend we really ‘voted’ for it all along. The public votes for a snow dome with donkeys, from the selection provided, and ends up with a concrete carpet with old jokes written on it. Maybe they were just worried about the donkeys shitting in the dome and decided against it eh? Anyway, at the end of the day the Sea Change/Cabe project gave funds for Blackpool to create what is known as the ‘Comedy Carpet’. And the authorities have now plonked this carpet on the promenade right in front of the Blackpool tower I obviously have to start by providing the official reasons for this, last resort, comedy carpet being built. I shall be brief. The ‘official’ reason given for the creation of the comedy carpet was said to be its ‘attraction’ qualities. The artwork is said based on the old theatre Bill Boards. The public are meant to come rushing to Blackpool to see it and read it.
But that is not all. Oh no, the carpet is to double up as an outdoor dance floor on a vastly expanded promenade too. The punters are meant to join in the festival type events that will take place around the new Tower Festival Headland, which is to be in full operation from early 2012. Not only that an official register office for civic ceremonies has been built right next to the comedy carpet. I kid you not. I’d like to initially show you a few pictures of the comedy carpet and a picture of the festival headland’s ‘Festival House’ (Register Office) and provide a link to official websites so you can do your own research. I do not want to drone on about the official reasons for this carpet. The authorities claim it is simply a work of art, a seaside attraction and that Festival House is simply to do weddings and registering births etc.
The comedy carpet is a ‘Work of Art’ by Gordon Young & Why Not Associates (gordonyoung.net)
The Promenade was expanded to accommodate thousands of people to dance and sing at concerts.
Then a comedy carpet was placed in front of the tower, it is a basically a compilation of jokes and quotes from famous comedians
It is literally on the edge of the sea at one end….
…. and on the doorstep of Blackpool Tower on the other.
I took this snap of the Festival House (Register Office) that is also part of the Headland project. It is located at the side the comedy carpet and directly across from the tower.
I now get the general idea surrounding ‘official’ reason for the creation of the Tower Festival Headlands. I hope you do too if only through the pictures I have provided. I can understand that they want to ‘brighten’ up the seafront, make it little prettier on the eye, even plonk a few arty or ornamental monuments around just for entertaining folks taking a stroll and having an ice cream etc. I fully appreciate this. That said I don’t believe it will increase visitor numbers that much. I also cannot see it turning into another Glastonbury in the long-term either. It does not look right for that. If it does turn into a Glastonbury it will only be in the very short term. Indeed I thought the comedy carpet was a one off gimmick, it certainly looks like a one off gimmick. I soon lost interest in it. On a five-sense level I read a few of its slabs, but I soon got bored with it. Indeed a similar artwork in Morecambe (A Flock of Words – See my Festival of Light article) has not really attracted massive amounts of extra visitors to Morecambe. But who
am I to know what will attract people and their wallets to Blackpool? Maybe a tacky looking comedy carpet and glass fronted cheesy looking register office is very apt for Blackpool and maybe millions will flock to see it and then spend money at the same time? And I suppose the cheesy looking register office will at least be supplying a service for seaside ‘kiss me quick - shag me slowly’ wedding won’t it? Maybe it really will be the Las Vegas of the UK? And don’t forget we are talking over £4 million here. So I’d say… “ Why £4 million quid just for 340 slabs of concrete and a very tacky shed clad in gold coloured plastic?” Someone really is having a laugh. Sadly I believe the joke is on us. At the end of the day I suppose the 5 sense reality reasons for supplying such apparatus are simply down to taste and opinion. Some will love it and some will hate it. But what if there are other reasons for creating such apparatus? What if there are other reasons for providing place to party and a place for civic ceremonies? Is that down to taste and opinion too? Let’s get down to brass tacks here and ask our self if there is even the slightest possibility that there are other covert and/or esoteric reasons for creating such apparatus under Blackpool Tower? After all that’s the reason I’m writing this information for you and that is the reason I have spent years waiting for it to happen to be able to tell you. It now has. I remember walking on to Blackpool Prom a few weeks ago and I ‘saw’ what was going on both physically and spiritually. I looked around and it instantly felt to me that far more than a tacky carpet and a crappy little wedding
shack were being created. I knew in my heart that I hadn’t arrived in Blackpool for nothing. I knew I was to be educated further and I knew I would be enlightened further. But I also knew my time and research at the seaside is almost up. I assure you that whatever guides me showed me many things that day. I was literally put in trance again, just as I was way back in August 2004 in Morecambe when I first realised I was going to be telling this tale. The same force from 2004 was still guiding my eyes. It was eight years later but this force was more intense inside me and it was showing me truth and I felt proud to witness it. It was like everything was in slow motion, my soul had disconnected from body and I appeared to be guiding my limbs and organs from outside of my body. I stood on the carpet and looked all around me. I thought to myself “what’s really going on here” and my physical senses were literally hyperactive, my heart was bloody racing. I got a sense of reaching a stage of fulfillment in my journey. I scanned the whole area like a panopticon. I had a surge of powerful energy flow through me as though the surroundings were showing me something. They had come to life and I felt warm and comfortable. First of all I noticed that a new name had been added to promotional posters for Blackpool Tower on the outside its front entrance and it has now officially obtained an ‘Eye”. It’s now promoted as being the home of the ‘Blackpool Tower Eye’. I suddenly felt an increasingly aggressive type of energy flow through me and my eyes narrowed and just for a moment, so much so, that I felt like Clint Eastwood in a spaghetti western movie. I was literally looking around
and I felt like I was putting mean face on, just like he does when he faces his enemies. I have no idea why I felt like this and I wasn’t wearing a bloody poncho or had a small cigar stuck in the corner of my mouth either. But if someone had played any relevant musical number by Ennio Morricone I’d have strutted around like the good, the bad and the ugly all at the same time. Well let’s face it folks if I am really am a psychotic schizophrenic then I might as bloody well as act like it too. I don’t mind looking ugly and bad because I know my heart is good really. Why else would I be writing this work if I weren’t? Anyway, Clint Eastwood stare or not, it’s officially called Blackpool Tower Eye because of the glass walkway at the Top of the Tower (Once known as the walk of faith) I thought ‘Blackpool Tower Eye?’ Are they taking the piss? No they were not! Blackpool Tower was now officially an ‘Eye’ too. I found out that Merlin Entertainments, the owners of the London Eye, had taken over the tower. They immediately ‘modernised it’ and priced it completely out of the reach of the average working class family as soon as they could. Nice one Merlin, have you anymore magic up your sleeves then? I looked up at the Eye.
The Blackpool Tower (All Seeing)‘Eye’
Official logo of the Tower Eye. (Just in case you didn’t believe me)
I also noticed immediately that Ferris wheel symbolism (creation symbolism) was all around the base of the tower too. Therefore those that know the symbolism, that I have been preaching for many years, will realise that the tower eye now represents the sun and the tower itself represents the Benben stone and the Sea represents the Primordial waters.
Ferris Wheel (Order Out of Chaos) symbolism adorns the Tower (Please note the people ‘reading’ the comedy carpet below the tower)
Anyway to recap a little, because things will start to get a tad stranger, the Blackpool Tower (Eye) now also has the £4 million comedy carpet directly outside its front door reaching to the beach. It will literally double up as a dance floor in the area named Tower Festival Headland. Festivals are to start taking place this year (2012). There is also the Festival House building (Register Office) that is going to be used for official ceremonies too, with Vegas style weddings taking place daily. Bookings are now being taken if you fancy getting hitched in or on the Tower Headlands folks! You can literally take legal vows whilst looking up at the Blackpool Tower Eye. I started to realise that things took on a much different meaning when I actually looked, but again I already knew this sort of thing was coming years ago, ever since I strolled beside the sea on the Morecambe Prom in 2004 in trance. I also realise that I need to explain some things in more detail
now. I realise that pointing out my Ferris wheels and ‘Eyes’ was done years ago. Those few of you that took that information in have now accepted it but most didn’t. So please, my few fellow Ferris wheel fanatics, let us take a look at this ‘comedy carpet’ again because it provides more pieces of the jigsaw you will need in the future to see what is really going on and what I believe is to take place. I tell you the truth as I always have done. But this time lets look at the comedy carpet with different eyes and hopefully we will see a better picture, a spiritual one, as to its real purposes. So if you are past the first part of the article without running away to play egos, then the remaining information must be for you. Lucky you eh? Let’s first look at the shape of this comedy carpet, let’s look at its geometry, not from the ground level viewpoint seen by the muppets that will be dancing to music of Serpent agents on it in 2012 and beyond, lets look at it from above from the Eye, not from below. Let’s face it, that’s how the Serpent Cult sees it after all isn’t it?
The Comedy Carpet as seen from the Eye.
I’ll mention its shape and the reasons behind it later on in this article, but for now what do you think everyone will do when they visit the comedy carpet? Will they simply walk all over it whilst looking around it for something to laugh at? Well that is the general idea on a five-sense level isn’t it? I’ve already told you that the official reason for the carpet being created is to attract customers and for people to laugh at the jokes actually written on it. Mind you at 4 million quid these people that laugh will have to buy a lot of Blackpool rock to justify the cost. But come don’t be a party pooper. I’m not a party pooper because hey look at me (below) laughing at my most favourite piece of carpet on a five-sense level! Not many folk are dafter than me are they? Well are they?
Matthew Delooze walking around the comedy carpet… looking for something to laugh at.
Mind you I soon got a sore neck looking at all the jokes so I started people watching instead and I soon noticed that all the punters were looking down at the jokes on the floor too. Some people were giggling and laughing at the jokes, some were just smiling and some were remembering things from the past and laughing about that with each other. Some didn’t find it funny at all. But I suppose the words ‘its grand when yer daft’ are very ambiguous aren’t they? What do you think? If you think I’m daft then how daft are you for reading my work? Hey maybe being daft is the only way for you and me to progress? If that’s the case then don’t worry I’ll be daft so you don’t have to be, and I’ll do it till I drop dead in this shithole if I have too. So when my daftness seems not so daft at all maybe you can actually join in? Anyway as I people watched I suddenly went in to a small daft trance and I focused only on the people and their behaviour, all the jokes disappeared in to a blur and I just saw the people either stood dead still or slowly walking around with their heads bowed. Can I ask your eyes to imagine that situation? I told myself to forget about the five sense actions on the carpet for a moment. I questioned myself as to what spiritual actions were taking place?
People reading the Comedy Carpet in front of the Tower (Again, please notice the Ferris wheel symbolism at the base of the tower).
The people are attracted to the base of the Tower Eye and on to the Comedy Carpet.
I realise that at the time I visited the comedy carpet, building work was still in progress, but can YOU start to see what the punters are actually being led to do based on what I have written and the pictures? Can you see, even at the early foundation stages, that the punters are literally ‘bowing’ and expressing ‘excitement’ under the Blackpool Tower (Obelisk)? Well of course they are they are laughing at the jokes and they have to bow to read the jokes. But can you see on a spiritual level that the punters are ‘bowing’ and showing positive emotion (laughing at the jokes) to the
actual Blackpool Tower Obelisk and Eye, and of course they do this whilst standing on the ‘cross’ shaped dance floor as it is seen from above? EEE in it grand when yer daft eh? Bowing in front of a monument is an act of spirituality and worship. This is an intense spiritual action not a five sense one.
On a spiritual level the visitors are led to bow in front of the Tower Eye and the creation symbolism. (Yes folks I’m afraid it’s the truth and the silly sheeple doing the bowing are spiritually on a par with a little stick of Blackpool Rock)
Obviously to read the jokes on the carpet you have to BOW, and believe me the visitors do bow nonstop, albeit
unknowingly. They just have no perception that they are doing so, they believe they are there to read jokes when all along the bloody joke is on them, funnily enough this joke will help enslave them though! So come on lets all laugh at that… Ha ha ha eh? A comedy carpet indeed. Hey friends, enemies and inbetweenies…I sincerely hope at least one of you can see this occurring. The rest of you can believe I’m off my rocker. But please think about what these people are actually doing right under your nose, because I assure you that if you can see and your heart tells you I’m telling the truth then you will be even more wiser when you are older. When you start to see events unfold in the future you will remember this information. I hope you do because I can assure you that the pathetic stupefied innocent human beings I saw grazing like sheep on the comedy carpet, didn’t have a bloody clue what they were really doing ‘on a spiritual level’ (In my opinion anyway). The stupefied cannot see above the basic fivesense level of the situation. I was literally witnessing a scene straight out of a mental asylum with the doped people walking around in circles, laughing or talking to themselves whilst unknowingly bowing whilst directly stood in front of the Tower, which is a massive esoteric occult symbolic monument. They really have absolutely no perception. It is like you going to the obelisk in Rome and bowing to it. It was literally just like a mental asylum. The only things missing were the straight jackets. I’m not knocking people enjoying themselves and laughing at jokes. I’m merely pointing out that the people, in my opinion, are being cruelly deceived on a spiritual level and the carpet was simply created as a pied piper to get spiritual energy through battery humans bowing in front of the tower.
Obviously you will see exactly what I mean when the concerts start. Hey, I must admit, if I’m honest, that I should tip my hat to the Serpent Cult on this one. I say this because the Serpent will laugh and laugh and laugh again over this one. Yes a ‘Comedy Carpet’ indeed. It is a comedy show to them. I was so impressed with the ambiguity and the humour that I nearly abandoned my journey and joined the Serpent Cult myself, but then I realised we have enough Serpents posing in the truth movement already, some of them with their very own different style of comedy carpet for some of the so called awakened folks to dance on too. And if you think about it if you were a vampire cult that required 50,000 people or so to congregate under a metal obelisk, then what better way to attract them than to lay a carpet of jokes down to do so. How tickled they are for doing so. If you think about the scam taking place you might just understand why they do it. Anyway can you see what I am pointing out? (I am assuming you have read my previous Seaside material) Can you see people being attracted to this Festival Headland to ‘party’ under the symbolic Obelisk and the Eye? Yes? No? Can you see that the giant Comedy Carpet is a scam to make the attendees Bow and ‘show gratitude’ (smile, laugh and giggle) whilst stood under the said occult monuments? Hey don’t forget that the Ferris wheel AND a massive stone obelisk is also located at each side of the Tower Festival Headland too. This creation symbolism will never be out of the line of anyone’s vision (mind) when the festivities and concerts start. When the thousands of people dance and celebrate on the comedy carpet they are literally
imprisoned by the hidden symbolism that I have been pointing out for years. There will be thousands of people facing the tower when the concerts start and standing directly on their right will be this….
Take a bow to the left suckers. The Ferris wheel is located to the right of the comedy carpet (as you face the tower, and will be used in festivals.)
And to the left of the comedy carpet, apart from the Festival House (Official Ceremonies Building to be used in conjunction with the tower) there is the large stone obelisk too. The festival area is literally surrounded by various monuments that all bear the exact same occult meanings. Is it a coincidence? Is it? Take a look. I took this picture in February 2012.
Take a bow to the right suckers. The massive stone obelisk is located to the left, (as you face the tower, and it will be used in festivals)
The visitors really are oblivious to the real meaning of the three ‘seaside’ monuments that now surround the comedy carpet/future dance floor. That real meaning being if you accept my theory of hidden symbolism within Ferris wheel, is linked to Creation/Sun Worship/Order out of Chaos (Primordial waters) symbolism, just as I pointed out years ago I cannot stress the importance of knowing that all major festivals that will be held here in 2012 are absolutely vital to the Serpent Cult’s agenda, both locally, nationally and globally. But if people want to dance to the Time Warp or do the Hokey Cokey on this carpet then that’s their choice, but I thought they should know that they are actually dancing to the tune of the Serpent and I assure you the Serpent does not have human interests at heart. So I miss this dance out if I may and I’ll just whistle Dixie for now thank you.
The comedy carpet scam is only a small part of it. There will be other various sorts of illuminated symbolism put on the tower and this will vary as to the ritual taking place and the time of year. Indeed it has already started in preparation for events in 2012. I’m sure the original plans to have the Northern Lights (Aurora Borealis) Lightshow will happen when that particular ‘ritual’ is needed and I can assure you that the sheeple will flock to worship some pied piper celebrity either performing on scaffolding connected to the tower or on a purpose built stage within the new Festival Headland area. Again the Tower (Eye) itself will actually be the focus point of worship as far as the attendees go. Please remember that all the apparatus on the coast has slowly been put in place over many years. In fact I heard only recently (And I was researching the Tower during the last days of the 2011 Illuminations) that they have placed a large ‘illuminated heart’ symbol on the Tower. (See Picture below) I‘m sure even the most skeptical person can understand this simple type of subliminal message has on the subconscious of the people. Its only low-level subliminal stuff on a low level of understanding but it works. It is literally a trigger to feel emotion, indeed that’s why it is used a lot in your life. So come on folks you have to LOVE the tower (and therefore love what it displays of course). Here you go have a look at the official reasons behind the so-called Blackpool Love Tower. Here is a quote from the council… “The idea behind the heart is part connected to the “I heart BPL branding” used by visit Blackpool but it’s also to identify that we’ve built Festival House, a venue on the Promenade for weddings and civil partnerships. “The heart will shine all year round and will be programmed to mark special events.
‘Come on Muppets… Come Dancing under me…on the comedy carpet…. Robbie Williams is on soon’
What do you want me to do… draw you a picture? A six year old could have showed you this? I know because one showed it to me. The scam is to trigger your subconscious to feel emotional towards the actual monument. Can you see this? It’s the same marketing as all the other ‘I Heart’ logo you see on stuff, only on a much bigger scale and, in this case, as an immediate and direct ritual too. I realise that such a symbol situation seems silly but it is not. Symbols can be used for many reasons. The biggest reason is the effect it has on our subconscious. In the case of the heart symbol, on a very low level, the heart triggers your subconscious to immediately ‘love’ the tower. (Yes it is that simple). It’s on a par with you wearing ‘I heart Puppies’ badge and you are declaring your love for puppies. No difference whatsoever.
There is no spiritual difference in standing, cheering and screaming under a symbol of what you have been informed represents a heart and love or standing under a symbol you are told represents the unity of a country like the swastika symbol was used in WW2. The effect is exactly the same. The only difference being is how our subconscious actually filters the symbol we are reacting to and how we behave in a physical way when our subconscious is triggered by it. Most people fail to realise that they are continuously reacting to symbols, both subconsciously and consciously, throughout everyday of their lives. I tell my friends the truth when I say this… “If the collective subconscious human mind does create the physical reality of the human race, which I believe it does, and symbols trigger and affect the collective subconscious, then it is surely the truth and nothing but truth, that whomever controls the act of locating and the displaying of symbols on this planet not only controls our lives, it controls our entire spiritual destiny”. Matthew Delooze 20/01/12 You don’t need to be an intellectual pillar of society to work that out. You do need your spiritual intuition on duty though, and you need to throw your sad ego away too. I have sad, greedy and selfish egos contact me with promises and bullshit quite often, but they all soon run back to their bubble when they are forced to think or react. So please friend, take the quote in and think about it, you can obviously laugh if you want, but take it in for a later day. The quote above is worth a thousand books or DVD’s to you. It has cost you absolutely nothing along with the rest of this work.
You just need to be the real you and open your bloody eyes. The true situation in this world, regarding controlling the display of esoteric symbols and the building of monuments, is on a par with someone controlling the world’s supply of laxatives AND the global supply of water at the same time. Anyone harnessing such power can literally watch you shit yourself stupid when they feel like it, should they be so inclined. I tell you the truth when I say the Serpent Cult love such control and the plan is to have you shitting yourself for eternity. If we allow the Serpent to control the display of esoteric symbolism without question and the said symbolism affects our minds then what is our fate? That is why I am writing the things I do. It is up to you if you want to listen or just bugger off. I’m not selling you anything at all. I’m not after your energy either. I am trying to help you keep your energy, not take it from you. You are going to need it in my opinion. It is the free will energy that the human race gives away, albeit unknowingly, and lack of understanding at what is really going on that causes so much unbalance and helplessness. Most people are totally unaware of the real consequences of giving their free will and their minds away at events that have already taken place, and will take place in the future, in places like Blackpool. The consequences are far beyond our understanding at this time. I realise only too well that the masses need education on this subject and I’m afraid widespread ignorance and apathy do not render such events as meaningless, if we give our power away we are left to the mercy of those that we give it too. This fact applies to all levels of existence in this world and in the universe.
A good example of giving our power away is to remember how we willingly give our power to our partner or parents (just as we all do the latter as a child). When we do this we then have to exist as they want us to exist, but we willingly do this for positive reasons and we believe it will benefit us. But let me put you right now, my friend, the Serpent Cult deceive us into giving away the same power to them too, but I assure you when the Serpent receives this power it will not treat you like any loving mother or father would. It will not treat you like a loving husband or a loving wife would either. Once the Serpent has your full consent to rule for eternity it will feed off the intolerable misery that will be placed on the entire human race. We can easily shut our eyes to events and wallow in the matrix. I suppose, as me mam used to say, what the eye cannot see the heart does not grieve over, but ignorance and denial are not ever righteous saviours. They are simply tools of eternal enslavement. I tell you the truth when I say that what the matrix people hide and wallow in now will not be around to hide and wallow in the future. There will be no prosperous countries and their opposites, which are countries of butchery and famine. There will just be countries of butchery and famine. The pampered human agents of today will have served their purpose to their Serpent masters and they will be starved and butchered just as they watched others starve and die. You may think my last paragraph is dramatic to say the least, but I don’t. Rituals are being carried out in this world so that the Serpent can do these things, so I can only say its time to ‘see’ some of the rituals take place and you won’t
get a better example than what is happening on the comedy carpet. Eee int it grand when yer daft? Anyway, let’s get back on track… Where were we? The Comedy Carpet… Err the Tower Eye… Is the comedy carpet and the Tower Eye just a five-sense event? Is the Festival Headland just simply just a place to congregate and celebrate festivals? Is it created simply for five sense purposes? Have I actually shown you the basic ingredients and the basic apparatus for a spiritual energy extraction scam to take place? I think its time we got down to some gritty stuff eh? The Fylde coast has played a very large part in my own awakening and I have no doubts that my own journey could not have progressed without having received the understanding I have gained through events taking place in this area. I am convinced and have been for a long time that the Serpent cult can covertly use public amenities for various ‘out of hours‘ rituals, so to speak. I believe public buildings and monuments are sometimes purposely built and display esoteric symbolism for out of hours use too. Indeed most of these rituals actually need ‘public endorsement’ and the presence of free willed spiritual energy to make the ritual complete and above board. That is why the act of attracting the dumbed down public to such events is very important too. I already indicated in my festival of light article that individuals could be driven down the golden mile during the illuminations to take part in procession or right to rule rituals.
It is important to realise in 2012 that the public can be used to give its full consent, through participating (unknowingly) in initiation ceremonies carried out by the Serpent Cult at such covert, but still in your face, rituals. This is indeed the case with the ‘Blackpool Tower Eye’ and ‘Festival House’ situation. It would be so easy to place a secret society initiate, one that requires a ritualistic endorsement from a free willed cheering public, into the Blackpool ‘Eye’ itself. Well wouldn’t it? Yes, especially so during darkness and during a noisy Festival. Well wouldn’t it? Look at this picture of the Blackpool Eye from the inside to see what I mean. Couldn’t an initiate actually stand in the ‘eye’ whilst thousands of cheering punters are below partying on the carpet?
Inside the Eye! (Note the cross shaped comedy carpet below)
“ Spiritual endorsement by a cheering public?” Can you imagine being stood in this eye whilst thousands and thousands of people are partying below? It would be on a par with the Queen standing on the balcony at Buckingham Palace eh? Wouldn’t you feel empowered if 30,000 people
were cheering you under a glass eye? What if universal law dictates 30,000 people have to cheer someone to give them powers? Hey don’t forget the promenade has purposely been extended to get a lot more people (energy) under the Tower on the carpet. Can you believe this apparatus could be used for rituals that will spiritually endorse individuals stood in the eye? Hey friend it time to start believing me when I say our free will worship creates our leaders. It makes no difference if that leader is unseen by the muppets that dance around playing egos on a comedy carpet either. I have already written several times about symbolic pop songs and symbolic artists being used for covert hymns and to worship ambiguous gods. Can you imagine certain artists performing symbolic songs down on the prom too? If you can image that then can you imagine that if an initiate is placed in the eye then anyone down below screaming and praising could be said to be praising the person in the Eye itself? They would surely receive the entire energy being created wouldn’t they? Well wouldn’t they? The scam is so easy to see of you understand how energy works and how universal law is applied. Am I still talking out of my arse by suggesting that this apparatus is used out of hours for ritual, now you looked down from above? Please try to understand that the Serpent Cult is fully aware of universal laws and understands how to carry out proper binding procedures to elect our leaders. These leaders will automatically be given gifts of superior senses and abilities simply by you giving it them through the ritual. You and I are dumbed down from birth so we do not
question it. We simply do as we are told to do, or if free will is required, we simply do what we are attracted to. Anyway let’s look at the apparatus from ground level again. Let’s look at the Festival House. Don’t forget this is an official legal daytime ceremony centre now. (The first ceremony took place on the 12th January 2012) I have no doubts that Festival House will also be used for out of hours events in its own right too. (I have said that crematoriums are used out of hours too.) It is also ideally placed on the prom to be used for Golden Mile procession rituals during the official illuminations period, which I pointed out in 2005, when I explained that the Golden Mile at Blackpool was used to replicate another ancient ritual (Festival of Opet). I also believe this Festival House could also be used as an official witness booth to allow a high ranking agent in the Serpent Cult to endorse certain events, including initiation ceremonies, taking place in the tower eye too (It is directly facing the tower). That is how I saw it in November 2011 before it was complete anyway. Here are some pictures after it was complete to show you the building and its viewpoint. I am even more convinced now the Festival House is complete.
Rear of ‘Festival House’ facing tower
The side of Festival House viewed from the comedy carpet. The window on the right is directly facing the tower.
The Festival House viewing window from outside (pointing towards the tower)
View of the Tower from ‘inside’ the ceremonial room at Festival House.
Well what can I say? What do you want me to say? I did tell you that these strange events were going to happen on this
coastline. Do you believe me yet? Eee int it grand to be daft. What sort of (out of hours) ceremonies can go on in front of a covert obelisk and a recently created Eye? I can imagine trouser leg lifting Serpent Cult lackeys, and the like, prancing around in that room after dark. Hey sneak a few eight year old little boys or girls in from the local council run children’s homes, or kidnap one, and Bob’s not only your uncle, he’s literally your sex buddy too. Hey don’t tell me I’m being silly saying that. I spent half of my childhood in council care and social services. I’ve seen what goes on first hand. Lancashire is rife with sex abusers working inside the authorities. That said Lancashire is only as corrupt as any other authority in this country. Anyway what to you think of this ceremonial room and its view? Is this room only appearing as an Altar in a temple of blatant idol worship to my eyes? Have I got some sort of monument-phrenia or statue disorder or something? Again I’m 100% sure that this building can be used for various out of hours rituals and of course the tower and its eye is /will be used in conjunction with it. Maybe I’m mad for stating it? Mind you isn’t this Festival House just a place of ritual on a normal five-sense level anyway? Isn’t this room simply a place where people make ‘vows’ in front of a bloody obelisk in five-sense reality too? So if I’m mad for suggesting it then doesn’t the same principle apply to those that actually use it for ritual every day? Are they mad for actually carrying out ritual there everyday then? Why not ask those that register their children in this place if they actually know what they are doing?
You can have an official ‘ritual’, a christening or a name changing ceremony whilst facing the Tower. And its all well and good if that’s what you fancy doing. It’s anyone’s right to use the Festival House for a ceremony and the people of the town elected the council that built it for them. These everyday rituals are not hidden from you because you simply openly accept the ritual of birth registration or weddings in your sense lives, through your free will. You haven’t a clue what they really mean but when does ignorance ever stop you? But remember whatever you do in places like Festival House you always come out with someone officially being ‘changed’ in some way, be it names, status or both. Yes? The ritual is always successful for whoever follows the rites. Therefore can you see that this ceremony room and the viewpoint can be used out of hours for other rituals to be successful for the out of hours attendees too? Indeed can you believe that the out of hours stuff is the actual true real reason for its very existence in the first place and its use as a register office in the daytime is simply a front? Oh my brothers how much longer do I have to do this? Can you see that any out of hours service, if indeed any take place, is also operating through the ‘free will’ of the people therefore all ceremonies taking place inside it are LEGAL? Please remember that before you think I’m crazy for suggesting that people are placed in the eye and the Festival house ceremonial room out of hours. Hey again the Serpent Cult is totally aware of universal laws and the power of free will energy. The awareness of the human race, in comparison, couldn’t find the free will energy to take the skin off a rice pudding. The typical human being is
only aware of selfish pastimes, gossiping and how to masturbate. Well you can believe that eh? I haven’t the time to go through the geometry and colours of this civic building but please please please understand that this building, and other like it, could be covertly used for rituals involving the sun/obelisks and all seeing eyes during out of hours, just as much as it is used for seaside kiss me quick weddings, during the day. Please don’t forget that in the future. Please! Also, wouldn’t it also be easy to have a few official (Serpent Cult) witnesses in Festival House rubber-stamping any occult rituals or initiations taking place inside the Tower Eye across the road too? Don’t forget this Festival House is also located where the music ‘Festivals’ are to take place and therefore can be used as an initiation temple in its own right too.
Come on bloody hell wake the hell up!
Look at the picture again (above) and tell me my information is silly. It is clear and I have pointed it out for years that the Serpent Cult ‘requires our consent’ for these things to take place and it is our own money that builds such things. Therefore we officially endorse them on a spiritual level simply by funding them. So before you decide
the exact scale of my delusions please note that Festival House was actually built for official state rituals to take place. It is already an official place of ritual. I only suggest secret societies use them out of hours. OK? Again I have direct first hand experience of this as a child and I have no doubt many other public service buildings, especially Crematoriums, Town Halls, Libraries and Museums are used too. So I know I tell you the truth when I say that the situation and apparatus that has been created on Blackpool Promenade, and the Fylde Coast in general, will be exploited and used by the deceptive Serpent Cult for the initiations of powerful individuals and many other rituals that the different apparatus allows. I believe a large amount of spiritual energy, via human emotional consent, is required from the public in 2012 and beyond in Blackpool. The building and placing of monuments is /has been a long term plan and the effect of such things will be coming to a conclusion over the next few years, not only on the Fylde Coast but in many places around the globe too. And more and more members of public will be led to take part in them in some way. It does not matter how people are led to take part in events, whether it be through fun or anger! But the sheeple will be somehow be enticed to events either through partying or demonstrating. (Let’s face it if a top celeb is hired for a free concert we know from Live 8 that the pied piper scam works every time) 2012 will hold many covert, but still in your face, ceremonies around the world and the most important will
be hidden in what we are told are normal ceremonies. I also believe 2013/2014 will be the same. The human race in general will not see what is really going on or that some rituals are linked in many ways to others and the apparatus being used is connected to other rituals and monuments. Indeed still using Blackpool as an example, the Serpent is not just planning to have ‘festivals’ take place just directly under the Tower Eye itself, in central Blackpool. It will also relay and beam the events taking place at the Tower to other places along the newly enhanced promenade, via large screens. I’m also sure that in the future that all events taking place in the area of ‘Lancaster’ will be beamed to the coastline too, or various similar events will take place simultaneously in different towns incorporating large stretches of the Fylde coast, including Cleveleys and Morecambe. (Remember I have watched events for several years)
Large screens will beam events taking place at the Tower Eye and carpet all along the coastline at the recently extended headlands along the coast)
People will be encouraged to party and scream along the entire coastline and they will be inspired to do so by watching symbolic artists and by watching other staged events, beamed to large screens, that will also be riddled with occult symbolism and ambiguity. It is sad for me to reveal to you that it is for this reason that events in Blackpool and Morecambe have turned out this way. It was planned years ago to create a fur coat and no knickers coastline that is awash with condensed stupefied drones that will act as the spiritual representatives of mankind during rituals. Many years have gone into creating ‘spots’ along this western coast to achieve this possibility and it is, in my opinion, linked to the monuments and symbolism that have steadily been placed on the coastline. The fact is the old style seaside resorts that are located in certain ley-line type areas were systematically destroyed to purposely create a literal ‘coastline of monuments and esoteric symbolism’ that will be used for large occult rituals. This change in scenery has taken place whilst the average visitor and resident has been drunk or drugged partying in the shit heap Blackpool has literally been led to become. The areas were selected because of their geological location and the symbolic naming of certain areas near the sea such as Cleve-leys, which was once know as ‘Torenten and Ritherholm’. I’m not here to play games with names and meaning but if you are then look into these places. Again ‘Lancaster’ will be involved in organising things as far as certain symbolism and events go. The Queen is the ‘Duke’ of Lancaster and she rakes in a fortune through the Duchy of Lancaster (Property and other Business). I have no doubts that the Duchy of Lancaster will be highly
involved in ceremonies and rituals throughout 2012 in the Fylde area. This will obviously including the upcoming 2012 ‘Jubilee’. I have no doubts that the Tower Eye / Comedy Carpet will be used in conjunction with royalty too. Anyway let’s move back on to the carpet and look a little further, but only if you want too. First of all let us remember the view from above. I told you I’d get back to it (eventually)
The comedy carpet
The comedy carpet
I should point out that the ‘comedy carpet’, or should I say dance floor, is also far far more than it appears on a five sense level. It is also far more than it appears on a 3D level never mind what it appears to be on a 4D level.
Mind you I’m delusional and it’s just a flat piece of silly concrete slabs with silly jokes written on top of them isn’t it? What else is the carpet then if it isn’t just silly concrete slabs with jokes written on them? What is it? I have already explained that in my opinion it is a pied piper to lead the gullible to gratefully bow their head (Give respect energy/worship) to the Tower Eye (Therefore worship its creators). That info itself is far beyond the fivesense reality explanation of its creation that is provided by its five sense creators. Is that too silly to believe? Is it too silly to believe that the comedy carpet was simply created to get people to bow and laugh (willing accept) at the Tower Eye? But of course even if that level of information is too silly to believe we can just stick to five-sense reality if you like and go no further. The five sense reality of Blackpool is that it is a Hen and Stag party town, a place where most visitors are not even in a fit state to read jokes, that is if they can read at all. So hey, maybe, the comedy carpet is just something for the ‘dogs’ to have a shit on eh? I once had a Jack Russell terrier that was partial to shitting on the carpet every now and again. It would never go on the cold tiled kitchen floor of course it always picked a spot on a warm shag pile or something. I’m sure my Nippur would have loved to drop a turd or two on the comedy carpet, he was that kind of dog. Mind you this carpet is outside the register office so it won’t be funny if some bride-to-be slips on a dog turd just before she get’s in to the Festival House ceremonial room to get wed in, will it?
I’m sure the council will employ some dog shit shifter to make sure the comedy carpet is always in pristine condition. Hey maybe that’s my real destiny? To become the official comedy carpet dog shit shifter, hey I’ve had worse jobs. Mind you I’m sure if I was a dog (Or even still as a human) I’d like a good shite on it, especially if I could find a good joke to read before getting down into the crapping position. Hey after the deed was done I could point my arse in the direction of a raging sea and the spray from the high tide could wash me down by acting like a canine type bidet or even a natural spa. (I don’t know what is natural about the Irish Sea though) What do you mean I’m crazy? Hey and by mentioning dogs shitting on this comedy carpet I don’t mean the packs of Drunken Essex Girls on Hen Parties either, but I have no doubt some of them will at least ‘wee wee’ on the comedy carpet, especially so after a few cheap cocktails or their usual bucket full of lager. I believe they will do it just as good as any hound would do it too. Believe me, and the residents of Blackpool know only too well, that the Essex girls certainly will be ‘mooning in the dance light’ on the comedy carpet whilst out on their hen parties, so have no doubts about that. I’m also sure the Scottish hens, Geordie hens, Cockney hens and even more so the Scoucer hens, will give the Essex Girls a run for their money too! They should hold a ‘Strictly Come Pissing’ contest on the comedy carpet just to blend in with the rest of the town on a weekend, hey maybe they could beam those mooning images all down the coastline on big screens too? I’m sure they would get a big audience if they did.
But I don’t really want to point out the honest 5 sense realities to you, as honest as they are. But I can laugh at the real five sense realities and make jokes anytime, especially about dog’s bidets and Essex Girls mooning when the sun goes down. But I’m here to point out other realities to those that really want to see it. I do this because I believe You need to know of these things now and in the future, simply because I believe it will help you. I certainly do not do it for the good of my health. So what else can I say about the comedy carpet to help you, indeed what can I tell you about ‘you’ that may help you? Well I suppose with it being ‘flat on the ground' you may not accept that it could actually be a powerful ‘temple’? Again the view from above tells us far more than the view from the ground. In geometric terms it becomes clear that the ‘cross shaped’ (Cruciform) carpet, when combined with the Tower itself, literally creates cruciform geometric foundations that are on a par with ancient esoteric architecture, not that this will be noticed on the ground level nor will the experts out there ever tell you about it, after all its just a seaside attraction isn’t it? But I tell you that if the comedy carpet and tower are combined then the tower becomes the altar area of a very crafty place of worship. I don’t expect anyone to take my word for it either. But I’m here to tell you the truth so I’ll point out that the same ‘Cruciform’ geometry that is now being used right under people’s noses, on Blackpool promenade, has been used for places of sun worship since
time began. Therefore why would it not have the same geometric and spiritual meaning on Blackpool prom too? Why would a cruciform shape be ignored just because it’s on a seaside prom? Indeed the ‘altar’ in most Cruciform shaped temples is almost always placed in the east (Sun Rise), and a font is usually placed the west (Sun Set). In the case of the Comedy Carpet /Tower Eye the Tower takes on the role of Altar or focus of worship in the East and the sea takes on the role of the font in the west. The nave is where the people or sheeple congregate. Let me show you basic geometry to show you what I mean.
Typical floor plan cruciform temple from above (Altar in the East)
Please excuse my shitty drawing but I now show you the floor plan of the Comedy Carpet and the Tower.
‘ Layout of Herod’s second temple’
Hey doesn’t it look like the comedy carpet and the tower from above? Do you think Blackpool Tower’s owners and
Gordon Young might have copyright issues here? Well I certainly believe so because I know the apparatus on Blackpool front is indeed a place of occult worship. Is your inner intuition telling you something yet? The past is calling and the time has come to listen to it or close your eyes for good. Let me show you a picture of the carpet and the ‘tower’ (The Altar) and see if it inspires you to believe me or it simply looks like normal activity of a seaside holiday resort to you. It is better than any floor plan in a way.
The comedy carpet is the Nave and the Tower is the Altar. A normal seaside holiday event is it?
Please believe that most ancient temples, or even theatres, were entirely based on their geometric floor shape etc. They were also usually ‘hypaethral’ (roofless) at least partially. It
should be noted that the ‘inner’ buildings of the ancient temples were exclusively occupied and used by (hidden) high priests and rulers for secret rituals etc. The comedy carpet does appear to be partly using ‘Nave and Transept’ geometry and, as I indicated earlier, it is the Tower itself that creates the role of the altar or figure of spiritual focus. The base of Blackpool Tower also takes on the same role as the inner buildings did in the ancient temples. Indeed it is literally a labyrinth containing different inner rooms and other facilities. I know I’ve been in it and looked where most punters never go. Blackpool Tower is not just a metal obelisk because it also plays the role of (Private) temple chambers very well indeed. Indeed it’s on a par with the Statue of Liberty on that score because how many people actually see a temple building below the Statue of Liberty. The Serpent is crafty and a human drone never looks beyond the showbiz figure. The same principle applies to the Blackpool Tower and people don’t ever see the building the tower or the statue is resting on.
Do you notice the temples under the Pied Pipers?
Do you notice the temples under the Pied Pipers? Do you really?
The tower or statue plays the role of pied piper monument and no one really notices what is really in place. Although it is only the recently created Tower Eye and the Festival House that creates an ‘official public area’ where any icon, artifact or person can be openly/covertly displayed for ritualistic purposes, it should be understood that the rest of the tower contains many inner buildings and chamber like rooms too. Therefore I wish to make it clear that the base of Blackpool tower is also equipped for rituals to take place after hours or during festivals. Only relevant members of the Serpent Cult or certain symbolic artifacts will be placed in the Tower Eye or Festival House display window during a ritual and this will only happen should the ritual require direct participation with the crowd (consent or worship energy). Any other rituals can be done covertly out of sight, but still in hearing shot, of the crowd. I realise that may sound daft, but if you go in to the modern day Blackpool Tower today you will see inner chambers like the Dungeons carrying out their seaside show roles, but
believe me they can easily double up as places for out of hours rituals too. For example the Dungeons can easily become a symbolic underworld if such props are required for a real ritual. The ‘props’ and apparatus are already in place to carry out many rituals and I tell you the truth these rituals WILL take place and whilst thousands of people are partying outside on the comedy carpet and their energy and wails of consent means they will be unknowingly endorsing the rituals. This situation is nothing new, in ancient times the same things happened in ancient temples too. The high priests were inside inner chambers whilst the silly dumbed down peasants were praying and chanting on geometric slabs of stones with writing on them. The actual rituals were totally hidden from those that were not actually inside the hidden chambers of the temple. The people outside did not realise they were being used as consenting witnesses to the rituals. Indeed they were chanting their free willed consent through ambiguous prayers. Do you get it? Am I making sense? Are you waking up to this scam? Can you see that the comedy carpet and tower have a deeper purpose than first appears? Can you see a deeper level of the combination of the tower and the carpet? They literally become a temple area with the carpet being the nave and the tower being inner chamber and an altar. Again there are several inner chambers inside the tower base, obviously I have already pointed out the Tower Eye is used for initiation rituals and I should inform you that Blackpool Tower Ballroom was/is used, not only for the creation, selection and display of celebrity pied pipers, but as a theatre of energy extraction anyway. Mind you I’m only
mentioning a few of the inner rooms/ chambers in the tower that the public can actually see during business hours. There are many that the public never gets to see. Again the place is literally a labyrinth. This sort of scam goes on in many places and the Serpent cult will have secret Sun Temples hidden inside hotels and other public buildings. I have mentioned this for years. My friends, it is the ‘long term’ plan of the Serpent Cult to permanently enslave mankind, they have planned things for millennia. They purposely placed things like Blackpool Tower in to position years ago so they only needed to add extensions onto them, like a comedy carpet and tower, to make them an official temple at a later date. The Serpent Cult doesn’t make plans just for one lifetime like you do, believe me they make plans that span thousands of years. Lets just go back to the comedy carpet again. Let’s just think about what we are being sold as the official story here. We are told that 320 slabs are simply comedy in art form and a tribute to Blackpool and comedy. Let’s just remember that most places being used for worship, both ancient and modern, are also made up of ‘slabs of certain stones and rocks’ too. Indeed these slab of stone and rock were usually covered in cryptic/esoteric words of some sort too. Go and look at a few ancient temples if you don’t believe me. Egypt is a good place to start if you are stuck for ideas. They too used comedy and stories, written on slabs of stone, to entertain the punters along with esoteric symbols and hymns to gods, Kings and Queens of course. Writing on stone slabs was part of parcel of temple building and temple worship. Obviously the comedy carpet is also a form of writing on slabs too. Well isn’t it?
Come on, if you want to wake up then at least make a bloody effort. It is your soul that is at stake. It is obvious to me that many words carved in stone and on the floors and walls of ancient temples are still not even understood today. Oh we get the odd expert on TV or on a DVD, but they don’t really ‘know’ anything apart from tell us that the temples are made of special stones, full of numbers, ambiguous stories and occult symbolism. Therefore I can say too that if you look at the comedy carpet properly you will see many examples of ambiguous wording, strange symbols and numbers too. And hey just because the comedy carpet is done in pretty red and blue colours and the words are jokes, please don’t let your ego fob off what I’m saying because ALL the temples in ancient Egypt were done in the exact same way as the comedy carpet, but of course they used the figures and words of the time. The five-sense explanation from the carpets creators is that its simply concrete slabs decorated with quotes from comedians and celebrities. I’m no numerologist and I assure you that I have not got the man-hours to go through 320 slabs of writings, symbols and numbers. I will give one example later though. That said it appears that certain rocks/stone and other materials were selected for certain megaliths/ ancient temples far in the past, just as they are in more modern times (Last 2,000 years or so). Please do not think that the act of selecting certain rocks by the ancient rulers, for use in building certain temples, was simply down to ‘snobbery’ and extravagance because they were not (“Oh darling I
want my temple built in pink marble with fluffy robes and slippers to match”) Certain Rocks/Stones contain different crystal elements. Please do not think that the comedy carpet is constructed entirely of cheap bags of cement from the local builders yard. This ‘carpet’ was built using red and black granite from India and stainless steel from China. Blue Cobalt was also used. I quote the artist that designed it, Gordon Young. “The Comedy Carpet is made from granites and concrete, but concrete not as we know it. The concrete is in itself a story of a new hi-tech material, which we could never have done without some serious chemistry and chemists - we spent many months researching and testing to get it right. Even the granites and sands have a story - there are dozens of black and red granites available - after a lot of research, ours came from India”. (Source: blog.visitblackpool.com) I’m no Alchemist and I’m not a Numerologist either and this is an article not a book, but I know that the stone slabs of this Nave/ Temple/ Dance Floor contain the materials needed for occult ritual and the conducting and transformation of energy. I can see that simply through the colours, lettering and symbols used. It was made clear to me years ago that certain rock/stone materials are used because of their make-ups. (E.G. High amounts of Quartz in red granite or iron in bluestones etc) But please let me explain something, I’m not here to bullshit you or even myself by pretending to know about what materials are in this stone and what crystals are in that stone or what organisms are in this rock or what shit is in that rock. I’m not here to play lecturing scientists and tell you about atoms and protons and other such things. And I assure you if I were I’d have strung myself up years ago and
said tatty bye. I’m sure there are many folks around that can tell you what element they think is present in what rock or what crystal is present in certain stones too. Please do your own research I cannot help you on that sort of thing at this time, but I will do one day. What I am telling you today, after putting myself on the comedy carpet, is that the work consists of a hell of a lot more than just a bag of a cement and few scribbles with a felt tip pen and some colouring pencils. The elements that have been used are for ‘ritualistic purposes’ not entertainment. I’m also sure that most of you will be aware that most ancient times temples are adorned with symbols and their walls usually quoted words of ‘wisdom’ from famous people of the time and actions and beliefs of there era and area at the time. The comedy carpet is just the same, but instead of respectable prophets and gurus that are top of the bill in an ancient temple, it has respected comedians and gods of the stage. Ancient temples are adorned with words of wisdom but the comedy carpet is adorned with quoted words of wisdom too. It is a place of respect.
320 slabs of words symbols and numbers
My friends know today, and I tell you the truth, that it is not any god that it is important to a temple, be that Jesus’ Dad or not. My friends know today, and I tell you the truth, that it is not any prophet that is important to a temple either, be they Abraham, Moses or Mohammed. What is most important to a temple is that it has a form of attraction; it is only the attraction value of a pied piper that matters. It is only your emotional attachment to the said pied piper that creates that attraction value. It is the energy that you give through emotional attachment that matters. The Prophets and Magicians of ancient times were classed as wise men but it is also true that famous comedians and magicians’ were/are classed as ‘wise men’ too. Both examples were/are worshipped and or admired and, my friends, as we now know, when the Serpent laden’s a person with symbolism, the said person becomes an agent, a middleman, to attract human emotion to places carrying deceptive occult symbolism. Human emotion creates spiritual energy and the energy is not only directed to the famous artist/middle man it is also always directed towards the creators of the symbolism the famous artist/ middleman is laden with. Just like the Pope gathers a flock (energy) to worship ‘god’ whilst carrying symbolism of that ‘god’ then so does the comedy artists gather a flock (energy) in the same manner. (See books and previous articles). The artist/middle man’ role is to attract you to the places where the Serpent requires your energy to be released. This sort of scam has been building up massively on the Fylde coast for a few years now. Now in 2012 the apparatus needed for massive rituals to take place is almost complete and I’m pretty sure they will commence in 2012 and be
hidden right under your noses, within various festivals and events. Very few people ‘in authority’ will know of the bigger picture simply because they are in their positions because of self-interest and simply making a living. To be blunt most are as bent as their colleagues and usually looking after number one. Anyone looking with opened eyes at the Fylde coast, and other relevant seaside towns in the UK, such as Margate, will see that the only proper investment taking place is the placement of monuments and artwork on the sea front areas and possibly the promotion of ‘occult branded’ shopping centers’, which is really an insult when the towns are half full of drunks, drug addicts and drop outs. The rest of the town is left to rot due to economic dirty politics and of course the local people are seriously neglected too. Slums and deprivation are purposely created. Very few ‘artists’ will see the bigger picture too. As I have said in the past most artists are just hyped and hired to create what the authorities want them to create. At the end of the day they are only on a very low (dogs-body) level but of course they can happily play the role of brilliant artist for an income and, of course, claiming something is a new piece of artwork will mask the ancient occult symbolism being hidden within it.
In reality, the vast majority of modern art is simply rehashed sculptures and symbolism from the ancient past. The ‘bullshit academics’ allegedly controlling what art is displayed in public simply go along with arty farty cliques for an easy living. They literally know as much about art as I do about the stock market. Indeed sometimes the artists/hangers on are usually roped in to situations and practises they know nothing about. They simply become part of a ‘darling’ collection of spoilt puppets that are guaranteed massive commissions, as long as they produce the public art that suits the Serpent of course. As you know I have kept an eye on the Fylde coast for a few years and some of you realise that I keep an eye on some individual artists too. What I find so strange on the Fylde coast, but only on a five-sense level, is the continuous use of the services of Gordon Young and Andy Altman/ Why Not Associates. On a five-sense level I’d just be thinking they are well in and kissing arse with the County/Local Council, and of course brown nosing the financial controllers of such projects. But it is not down to me to decide why such artists get the work and which artists get nothing. I have explained earlier that any last resort offer of funding is usually taken. I suppose the creation of art is like any other business at the end of the day, and selfserving cliques and their back scratching always wins the day, be this inside trouser leg lifting lodges or simply down the pub. Will it raise your eyebrows or your ears to be told that Gordon Young and his pals are not only credited with creating the comedy carpet in Blackpool but are also credited with creating the ‘Stone Jetty’ in Morecambe? (You know… the stuff I showed you years ago?)
The Stone Jetty (Ancient symbolism posing as newly created modern art) Can you remember from my previous writings?
Again I tell you that modern artists like Gordon Young and his pals have recycled ancient occult symbolism and displayed ancient texts all along the Fylde coast. Please take it in this time. They seem to have a monopoly on the artwork being displayed in this area. I pointed out the Flock of Words/Genesis/Flood symbolism years ago and Mr. Young, with Mr. Alderman from Why Not Associates
doing the scriptures, created that too. You remember it don’t you? It was that silly ‘Flood’ stuff I pointed out in 2005, you know the artwork that has the Book of Genesis scriptures carved in and around an obelisk with a dove on the top of it? You know just typical seaside candyfloss stuff that no one bothers about. I also pointed out, a year earlier, about the Eric Morecambe statue and the symbolism and text placed around it. Hey you know what? Mr. Young and Chums also created that as well. Yes the Eric Morecambe ‘Bring Me Sunshine’ respect area at Morecambe was created by the same faces. (And bugger me they kopped the Blackpool jobs as well!). You know the Eric Morecambe Statue area it’s the one I wrote about in Beside the Seaside (2004) with the illuminated occult symbolism on the floor I tried to tell you it was a con trick and used for sun rituals back then. Let me show it you again before we go further. See if your eyes and ears work better now and if they do I will be glad.
The Eric Morecambe Statue (The sea and sunset horizon are behind him) (Please note the lights (top) illuminate the steps leading up to the statue
The area directly in front of the Eric Morecambe statue. The steps in the bottom right hand corner are the ones illuminated in the previous photo
Can you spot anything in the behaviour of the visitors to the Eric Morecambe respect area that is similar to the behaviour of visitors to the Comedy Carpet area in Blackpool? The bloke in the black shirt gives us a teeny weeny bit of a clue…. Yes he’s ‘bowing’ to read the words on the steps in front of the Eric Morecambe (Pied Piper) statue. The words are the lyrics to the Morecambe and Wise theme tune ‘Bring Me Sunshine’. I have pointed out before many times that ambiguous lyrics in very popular songs are used to get the masses to think or chant certain words with
genuine free will and emotion. We happily sing along either out loud or just in our own head. ‘Bring Me Sunshine’ is literally a request. It is nothing else but a respectful ode to the Sun. Who else can bring you sunshine if not the sun? I tell the truth when I say the bloke in the photo above is literally at an altar of respect (Facing the Sunset) and reciting an ode to the sun. Indeed all other visitors to that area literally do the exact same thing. Hey believe me I have spent hours watching this single scam. The official visitor figures are now many millions because the statue has been there several years and I’ll bet you over 90% have bowed to this statue with the words Bring Me Sunshine on their tongues or their minds. That’s millions. (Serpent rituals go on for years) The visitors literally ‘think’ the words ‘Bring Me Sunshine’ whilst they are bowing simply because its written in front of the statue (Surrounded by other occult symbolism too). It is the exact same situations as you see in churches during individual prayers. The artwork/apparatus/lay out actually creates this situation and the sheep are literally led to an altar, that they cannot even see, they bow to the sun they don’t even notice is there and they ‘think’ or sing bring me sunshine because they are triggered by the words etched into the steps. Hey presto scam complete. Can you see this? If you can then come on wake the hell up. Look again at the bloke in the picture again above. Can you see what I am saying? Please believe me I have watched these things take place many times. I am not talking out of my arse nor am I delusional about symbolism and worship. I tell you the truth when I say the public is being deceived on a massive scale, of that I have no doubts at all. There is
no difference in anyone going to the Altar of a Temple and bowing to the symbolism on the altar, and someone approaching the Eric Morecambe statue whilst facing the western horizon and bowing to the words ‘Bring Me Sunshine’. It is an act of free will consent, and spiritual surrender, in a ritual they know nothing about.
‘Bring Me Sunshine Bring Me Love’ is an emotional ode to the
Sun OK? Are you with me? I also need to point out to you that another £40-60,000 statue that was placed on the far southern end of the Fylde Coast in Lytham St Annes (Morecambe being the far north end). I’ll try to be brief. It is a bronze statue dedicated to Les Dawson. The same hands that created the Morecambe statue also created this one and in more ways than one. Not that this artist would know what his skills were being used for. It was unveiled live on BBC TV (The One Show) on the evening of 23rd October 2008, by Les’s wife and daughter. It was placed in what was then known as the ‘sunken’ gardens, which is literally on the beach, and again the sunset horizon over the sea is directly behind the statue.
It looks out of place and Les was actually born in Manchester anyway, although he did live in Lytham area later in life. There were some objections to it at the time but the money was raised and the statue erected (What else?). Anyway here it is and here’s Matty stood next to it.
Les & Matt on St Anne’s Prom. Hi De Hi everyone!
It was clear to me straight away that the monument was also placed there as a symbolic pied piper and marker point.
But when I looked around I saw a formation of standing stones, a formation water-worn white crystalline limestone. It was possible some had been moved because of modernisation but the majority of the original formation was still in place. The local council, say that James Pulman & Sons placed the stones there, Pulman was hired many times by Royalty to create symbolic landscape gardens for them. James Pulman was also famed for creating ‘Pulhamite', an anthropic rock, which I suppose is something similar to what Mr. Young has done with the materials used in the comedy carpet at Blackpool, they both created a type of stone, but I suppose the ingredients are secret. The stones around this statue though were definitely natural crystalline limestone. I have no doubts that folks visiting this statue will indeed be subjected to the same scam that has been going on at the Eric Morecambe statue. See what I mean by looking at this picture.
Standing stones and the sea surrounds the statue
The punters bow to Les Dawson too?
Can you see that the punters bow to Les too? Well bow to the sun set in the horizon. A very small basic plaque with small lettering has been placed on the floor to help create the bowing scam. Please remember this is supposed to be a monument to Les Dawson ‘the comedian’, not a funeral. Les Dawson died nearly 20 years ago yet I visited this statue in February 2012 and it was still being treated as a sad funeral parlour, with flowers placed at his feet. It is possible that the flowers are to hide bad workmanship and the wires around his feet that are holding Les in place, but whatever the reason the atmosphere in this location was in a very stark contrast to that around the Eric Morecambe statue, which is literally almost party like. The artwork and surroundings have been selected to create the emotional state of place and to create a reaction in the visitors. Anyway, with a name like Lesley Dawson it’s not hard for me to link this statue to occult symbolism if only
through the messianic bloodline as the son of David. I can also see some geometry involved, but we have gone through that stuff years ago now and I’m trying to be brief on this matter. Basically I just want to make a link with the Eric Morecambe ‘Bring Me Sunshine’ and the Les Dawson statue in a swift away, not including the fact that both statues were made by the same artist. I knew the Serpent needed to link this statue and area ‘to the Sun’. I knew it had to be so for the extract of energy situation. I looked all over for the announcement that I knew was there, but I saw bugger all. I was about to give up but then Susie my wife shouted, “Hey look over here on the wall”. So I did. Better not disobey the mighty one eh lads? So… Below is a picture of the plaque that is screwed to the wall of the ‘sunken’ gardens. It was placed on the wall in the now newly named ‘Peace and Sensory’ gardens. The gardens are still dedicated to Les obviously but the name was changed from sunken to Peace and Sensory. The wife of Les Dawson was present too, all good and proper you might think, but look at the bottom line of the plaque below.
“And The Sun Shone Upon The Ocassion”
I suppose most of you, if not all of you, will see nothing in that sentence,” And The Sun Shone Upon The Occasion”. Maybe in was a nice day for once in St Annes. It was summertime too but don’t forget the Les Dawson statue was placed in the sunken gardens in October 2008 and how had ‘Sunken Gardens’ suddenly changed names into ‘Peace and Sensory Gardens’. Or is that going to be explained in the future? Hey I already know why but I will point out that it was a councillor named ‘Dawn’ Prestwich that decided to change the names of the garden, so maybe she decided the sun shone upon the occasion that morning eh? I tell you the truth today, way ahead of time itself, that this statement and situation is connected to the ‘Bring Me Sunshine’ ritual situation that takes place at the other end of the Fylde coast in Morecambe and it means ‘Sunshine was brought’. This situation is NOT a coincidence and occult rituals are taking place. I recognised straight away that different locations on the Fylde coastline are being used in the same collective ritual and the bronze statues being used on this occasion are only a very small part of it. You need to open your mind a little to see what is going on, but we can get there in time. The statues are only an ‘attraction’ on a five-sense level but that five-sense attraction will attract /has attracted millions of people over time to literally show their true respect and bow at the sun at both ends of this coast line and in my book there must be a reason for it. This turns the entire event ritualistic in the extreme. It is not just a seaside attraction it becomes an act of worship.
Basically the Serpent Cult initially requires enough people to bow at the ‘Bring Me Sunshine’ statue in Morecambe. I have showed you this. This first ritual from 1999 onwards is literally a surrender of power/request ritual. The people literally praise the sun and request the sun looks after them. They literally surrender. OK? The same or a very similar situation takes place at the other end of the coastline “And The Sun Shone Upon The Occasion” with the Les Dawson 2008 statue in the recently named peace and sensory garden. This statue also creates a sun altar/sun temple like place. In this case the punters approach the Les Dawson statue and ‘bow again’ but it is not a request or a surrender ritual. It is an acceptance ritual. The two areas literally become temple areas and it is a request and delivery situation if you like. Think about it. In Morecambe the masses ‘praise the sun’ and in St Annes they ‘accept the sun’ has actually taken the worship, taken the energy. That is what “And The Sun Shone Upon The Occasion” means in symbolic terms. Do you understand this? Sadly the public does not know what it has requested or even had delivered, only the forces that know of symbolism and rituals do. And those folks are well hidden behind the scenes and they are safe from exposure because of the gullibility of a stupefied human race. The symbolic statues of Eric Morecambe and Les Dawson are only pied pipers in the ritual but that said any symbolism they carried throughout their lives (careers) and especially their ‘DEATH’ would also become part of the ritual too, as you will see later. But I cannot stress enough now that both statues are being used together in both attracting people to unknowingly make a plea to the sun at
one end of the Fylde coast and a thank you to the sun at the other. Also the human energy created will literally pass through one temple (statue) to the other statue (temple) and create an energy type line. Just like two poles conducting electricity.
BOW: “Bring Me Sunshine” BOW “And the sun shone upon the occasion”
Do you understand? Come on then pick up your bloody beds and walk before you piss the bed. The party atmosphere at the statue in Morecambe is when the masses pay respect to the sun and the serene atmosphere at the peace and sensory garden is when the masses humbly ask if its humbly accepted, hence the name change because the sun came from the sunken garden and created order (peace) Do you understand? The visitors to each location are triggered to feel different emotions on purpose.
‘Bring Me Sunshine’ (feeling good at the same time) is your surrender of energy through free will. ‘The sun shone on the occasion’ (feeling far more serene) is spiritual acceptance that sunshine was brought, raised, by Dawn. On a spiritual level it means the people have given power to the symbolic sun (therefore given it to the sun’s official ‘worshippers and creators’ (The Serpent Cult.) and then accepted that the sun now has that power. Therefore the Serpent Cult now has the right to do as they wish with our full consent in that location? Is the penny dropping? Or do you want me to take you to Eric and then take you to Les to show you up close? Maybe you should have me sectioned eh? Think about the two statues and what people actually do in front of them and how the artwork and personas affect the situation. Believe me your very future depends on you seeing how this Sun Worship scam works. I tell you the truth and I advise you don’t ignore me this time. But hey, before we move on, please don’t think I’m saying it is wrong to love the Sun because I don’t. I’m saying the sun and its symbolism has been hijacked and being used as a pied piper too. (I have given you an explanation in my previous writing as to why the human race is tricked by covert sun worship the sun itself is innocent) Please don’t think I’m saying anything negative about Eric Morecambe either, I’m not. I have no idea if Eric Morecambe was secret society or just a mug that was laden with symbolism. Eric’s attractive skills and personality was used whatever he was. The artwork is being used to attract our love and respect for Eric, and that love and respect is simply being used against us and to create deceptive rituals in my opinion. Again the sun is also used as a pied piper for the same
reason too, that is using something we love as an emotional pied piper and honey trap. Anyway, moving on, is it just a coincidence that Morecambe and Blackpool use the same ‘artist’ and the same form of word art to decorate their promenades? (E.G Gordon Young/Altman and Flock of words in Morecambe or Comedy Carpet in Blackpool.) You’d think they would try to be different from each other wouldn’t you? Blackpool being Blackpool and Morecambe being Morecambe, but this is not the case we can NOW see the exact same style of WORD artwork is being displayed on both promenades. Maybe the corrupt Lancashire Council, and other nests of vipers that fund such artwork, believes we need to have extra reading lessons when we visit the Fylde coast? But hey, after being educated by Lancashire Council myself and indeed physically abused and emotionally tortured whilst in their care, in various approved schools and assessment centre’s as a boy, I think they are right. Yes we do need to read more. If we do we may spot a bigger picture before its too late. Indeed I’m also very surprised to read that the artist, Gordon Young, who claims to be the descendent of the ‘Reivers’, can actually read or write too, or is that why Mr. Altman does all the writing for him? Obviously it does not really matter because Mr. Young and those that commission him have managed to place ancient scriptures all over the Northwest of England and literally had them set in stone. The stupefied public is oblivious to that connection in most cases. But don’t worry the X Factor is back on TV soon. I find it more than a coincidence that out of all the artists that were being considered for supplying artwork for the
Tower Headland that Gordon Young ended up being selected as the last resort option through the ‘Sea Change Project’. Something tells me inside that this comedy carpet by Gordon Young was always going to be the choice. Who else? What else? I believe this because the comedy carpet artwork is purposely created to ‘link’ the Festival Headland with Morecambe especially and the entire Fylde coast in general. As I said Gordon’s work, which can only be described as occultist and ritualistic, now adorns most of the Fylde coast. If you don’t think the work in Morecambe is occultist and ritualistic then can you tell me how you come to that conclusion? Go on his website and look for yourself (gordonyoung.com) I’ll point out that Gordon Young has also previously been involved with occult artwork that literally links places and times together too. Indeed it is clear to me that he links up with Mr. Altman to create a path or line of ancient scriptures /occult monuments running down the west coast and even further afield. I should also point out that Gordon Young is also credited with the creation of the ‘Cursing Stone in Carlisle’. (Google it!) This Curse ‘written in stone’ is placed in an underground throughway between a museum and Carlisle Castle. First of all let’s have a look at this Cursing Stone artwork.
The Cursing Stone
I quote Gordon’s own website…. As part of Carlisle's millennium project, a new underground extension was built to connect Tullie House Museum with Carlisle Castle. The brief was to create a cultural link between the two sites. The theme of the Boarder Reiver families became the focus of the work (Gordon Young was born in Carlisle and from an ancient Reiver family), as the Archbishop of Glasgow's infamous curse of 1525 was re-presented. Aimed at the Reiver families known for terrorising the region, the curse was read out by priests in every parish in an attempt to curb the illegal activities. Inscribed into a large 14-ton granite boulder his 'Mother of all Curses' sits at the end of an 80-metre path, which bears the names of all the Reiver families. Even before its installation, the stone caused controversy, being cited as a possible 'shrine for devil worship' and even
being blamed for the outbreak of foot and mouth disease. Source gordonyoung.net/carlise_cursingstone Well it is clear the Cursing Stone will at least show you that Gordon Young is indeed experienced with occult artwork and he ‘officially’ creates artwork that links sites together. Hey that’s not just me saying that, its official and from his own website and please feel free to research the Cursing Stone in Carlisle. It is clear Mr. Young is very interested in occultism, so why was he actually selected to build on seaside promenades? Come on ask yourself. Why was a man who clearly creates occultist art hired to design strange and cryptic artwork and install it all along the Fylde coast? A cursing stone is not exactly bucket and spade mentality is it? A cursing stone is not meaningless twaddle in my opinion but if you think it is meaningless then why not go a seat your kid actually on the cursing stone and recite the words written on it to them? Go on and then you may see what I mean. Also the scriptures about the flood in Genesis are not exactly paddleboat and sandcastle material either are they? I certainly believe Gordon Young is indeed a direct descendent of the ‘Terrorising Reiver Families’ as quoted on his own website, and I truly believe he carries the ‘right symbolism’ for the work he gets hired to do and for use within the Serpent Cult. The artists own symbolism is regularly used in ritual too and this symbolism can go back several lifetimes and old karma can be used for ritualistic purposes. But hey you don’t have to believe me but I assure you I’m here to help you not hinder you.
I have no doubts that something is not quite right and I also believe the work that has been created through the name of Mr. Young, including the Arch Bishop Cursing Stones, Genesis Flood Obelisks, Occult Symbolism on the Stone Jetty and even Granite Comedy Carpets are now linked together too in a ritualistic way. Indeed, as I said earlier I believe the collective apparatus, the collective occult symbolism, is almost completed, therefore it is ready for serious rituals to take place. But if you are already ascended and aware and have the latest DVD’s to guide you then fair enough, ignore what I say. But I still say that people need to realise, sharpish, that certain monuments are ‘purposely’ linked with others. Energy points and symbolic locations are chosen and certain rocks/stones need to be placed in special places. This applies all around the globe not just on the Fylde coast. Indeed I need to point out another symbolic location where Mr. Young has placed artwork, just as an example of course. Mr. Young and his chums were also funded and were allowed to place some stones ‘complete with coded words and symbols’ at the gates of the Spy centre G.C.H.Q. Hester Way, Cheltenham. Take a little look…
The Listening Stones G.C.H.Q Cheltenham (Source: gordonyoung.net/listening stones)
What? Eh? Listening Stones at G.C.H.Q? Eh? Stones with coded messages written on them? Stones with strange symbols drawn on them? Hey are we not deemed insane if we say these things? Stones actually carry messages and stones hear things do they? They are conductors are they? Hey how do Gordon and his intellectual chums get all these artwork jobs? Why do the authorities keep employing him to do such things? If I went around putting words on stones I’d be arrested. What do you think is going on? Is it all coincidence and meaningless or is some force linking occult scriptures,
linking symbolic artwork and linking organic materials in symbolic places, or on energy lines, that can assist in carrying out rituals? Are the authorities actually using their corrupt strings and their budgets to link artwork in certain locations too? I have only pointed out a couple of examples that I believe link together, there are many more. Please feel free to research things yourself and obviously it’s up to you how you read into the other symbolic works of Gordon Young and view the locations that contain his work. I’ll tell you now that some of it is indeed ‘collective apparatus’ and it is there for ritualistic purposes. I have no doubts about it. I’ll put my life on it. Obviously when I walked on Morecambe Prom in 2004 I didn’t have all the physical information I provide to you today, it didn’t exist then. I had to wait for it all to appear but that said, I always knew it would appear. I can only show you physical things after they appear but I have told you spiritual things from the start. I will continue to do so in some way or another, even though I’ll be ignored and shit on even more. It is entirely up to you if you take heed or not. Just do not tell me that you were not told. I realise most don’t even believe the things I show them in five sense reality. I show them things they can physically see and they still do not believe me. So how will they ever believe me about things I say that they cannot see? Will their contempt for me and the messages that are sent through me only increase? Anyway I’m here today to update you on ‘Blackpool’ in 2012, so lets leave Mr. Young’s older work and move back to his comedy carpet, because that’s where all the older
work leads to anyway isn’t it, the comedy carpet? And that’s where my comments in 2004 were leading too. So please let me get back on track and remind you again that I believe the Comedy Carpet is the navel, the centre spot or even ‘the heart’, of the apparatus that has been purposely created for rituals. Indeed lets us go a little deeper in to the true symbolism that is on display in and around the comedy carpet. It is clear we already went deep on it earlier in this story, but lets go up another notch. I think it is obvious now that the artwork is part of a collection of monuments that link together. Before we go deeper we need to remember the Bring Me Sunshine link mentioned previously and we need to remember the bowing heads trickery going on at all three locations, Morecambe - St Annes, through the statues, and Blackpool through the comedy carpet. Indeed it is now clear to me that the Eric Morecambe “Bring Me Sunshine” memorial area, in Morecambe, is not only directly linked to other sun symbolism it also directly linking ‘physical’ actions too. This is because the exact same words that induce the ‘bowing of heads’ trickery and the same wording has now appeared on a much larger scale right outside Blackpool Tower on the comedy carpet. It is important that you see the same words being repeated and used in a different location on the same coastline and see that the same term ‘Bring Me Sunshine’ is indeed written in stone on the exact centre (The Heart) of the comedy carpet too. In fact the term Bring Me Sunshine is the heart of the comedy carpet. Hey that’s a coincidence isn’t it? What do you think about that? I tell you again that the artwork is
linked to other artwork and when combined they are indeed apparatus that is/will be used for larger rituals. Placing the words ‘Bring Me Sunshine’ to the centre of this comedy carpet is on a par with placing Holy Scriptures or a holy iconic artifact in the centre of a temple. Indeed that is exactly what has gone on symbolically because the words ‘Bring Me Sunshine’ are on a par exactly with the words ‘Let There Be light’. Can you hear that? And these words are the centre iconic attraction on the carpet. It’s on a par with putting a picture of God creating the world on an altar in a church. Can you see this? Do you understand that it Bring Me Sunshine- Let There Be Light really is an ode to a God now? Does the change of terminology help? It is a request for God to act. Just like I pointed out when I mentioned the statues earlier. Did you think I was being silly? I do not joke about the comedy carpet and I assure you there are many hidden meanings on many different levels within it and each notch we go up leads to more understanding, but only if you understand and trust each notch. I therefore wish to point out two roles that the comedy carpet and tower will now adopt (from 2012) and that is because the relevant apparatus is now in place that allows the said roles to be adopted If you keep the idea of a heart or ‘heart centre’ of the carpet in your mind then it may help you understand exactly what I am saying. That is because one of the roles of the comedy carpet is to become an official ‘shrine’.
Indeed it is certainly representing a shrine on a spiritual level already. The centre of the comedy carpet (The nave of the temple) actually contains a special symbolic ‘shrine type area’ and it actually represents the highest-ranking figures of respect possible for the location and area involved. The shrine is literally dedicated to figures of Awe and Respect and any ‘sacrifices’ they may have made. The ‘bowing of heads’ by the visitors, mentioned earlier only confirms it is indeed an accepted shrine. The scenario, in a way, is akin to how Jesus became a figure of Awe and Respect and then he was enshrined around the world for sacrificing his life, dying for the job whilst on the job, sort of thing. We create shrines for such martyrs don’t we? And these shrines are literally a place to respect and feel emotional about yes? Well the comedy carpet is the same thing. Do you understand what I am saying because it’s important that the information, I am giving, is understood by the hearts I am meaning to give it too? Before I point out why the comedy carpet is a shrine I suppose the best example to show you how people flock to ‘a well known shrine’ is to point out the situation at the Mosque built around the ‘Kaaba’ at Mecca. The Kaaba is a strategically placed small building made of granite and marble. It has other stones placed inside it, the most famous one being the ‘Black Stone’. Millions of people direct their prayers at this pile of granite slabs everyday, and millions actually visit it to endorse certain rituals at certain times of the year. It is a shrine to ‘respected figures’ too. I’m not going into great details over the Kaaba, please do your own research. I’m just pointing out the ‘actions’ of people that visit it compare exactly with what will take place in
Blackpool. That said there is no better place on Earth that confirms my theory of spiritual extraction than this den of thieves.
The centre of the Kaaba is the ‘heart’ of the mosque in Mecca…
…. Just as the centre of comedy carpet is the ‘heart’ of a covert temple
Let me put it this way… All ‘thoughts’ and ‘prayers’ from people in that part of the world are purposely directed towards this Kaaba yes? The Kaaba also symbolises the wisdom of high figures of respect like Abraham and Mohammed (Highest respected figures). It has then purposely been made into a shrine to attract a certain group of people to continually visit it and show respect to it through bowing and prayers. The highest figures of respect on the Fylde Coast resorts, especially on the Golden Mile in Blackpool and in Morecambe Bay, are not religious figures or sacrificial prophets in a religious sense. The highest figures of respect are actually the famous comedians that millions love or loved in this part of the world. The highest figures of respect at Mecca are the connections to Abraham or Mohammed and an iconic black stone that millions love or loved. In the case of Blackpool the highest figures of respect are the connections to people like Eric Morecambe Les Dawson and connections to the iconic Blackpool Tower. Can you see the same scam? My friend, the Serpent Cult always creates the relevant ‘suitable’ pied piper needed to attract the specific type of energy they require. That is why I said earlier that the most important thing a temple has is its power of attraction. For example, rituals carried out in places like Blackpool requires suitable pied pipers that will attract drinkers and party go-ers, shaggers, slappers and swearers. The famous comedians make the best pied pipers for this sort of location. The rituals being carried out in Mecca also require suitable pied pipers too. If you want to attract non-drinkers and the obedient, the godly and the repentant, then you need the
right bloody pied piper. Yes? Respect for Tommy Cooper isn’t going to attract millions of pilgrims to Mecca, by placing his Fez in the Kaaba, ‘just like that‘, is he? And Mohammed isn’t going to attract gangs of pissheads and pop festival hunters to Blackpool either. The energy flow would stop. The people (the crowds) involved in all rituals are just programmed drones and muppets and they are simply ‘programmed ingredients’ that will go wherever their respected pied piper takes them. Do you understand? It is not whether you are a religious drone or a pisshead drone that matters. It is just a case of putting the right human drone with the correct pied piper in order for the emotional state of the drone to be raised. The human drone is simply an ingredient that will happily go running to the temple they are attracted to. There are several reasons for these different ingredients being required in different places. But it is mostly to do with whatever ‘symbolic dieties’ are being honoured. E.G. A genuine ritual that involves directing worship to a symbolic god of wine and thunder is not going to work if the attendees are prim and proper sober people (ingredients) who are usually placid fairies and on their knees to another sort of deity anyway. It would be a fake ritual wouldn’t it and actually an insult to the deity to boot? This would make the ritual unsuccessful because type of human ingredient doesn’t fit the ritual. On the other hand a ritual dedicated to a god of obedience and study is not going to be very authentic if drunken pissheads and loose women, dropping their knickers every two minutes, are taking part in it either, again the human ingredients would not fit in with the ritual. Therefore the
ingredients, the punters, taking part in the ritual literally have to suit the deity being worshipped. Its like a football fan ending up on the wrong football ground. He/she may watch the game but they won’t produce a genuine emotional cheer (energy) when someone scores a goal. The ingredient wouldn’t fit the ritual. Yes? Blackpool can do one sort of ritual, because of the ingredients it attracts and Mecca can do another sort of ritual because of the ingredients it attracts. The pied piper being used at the time, to attract certain ingredients, actually ‘filters’ what type of energy arrives at a certain location and it is dedicated to a relevant deity. The symbolic deity on display will change to match certain times of year. In other words it is the pied piper that ultimately decides, through their powers of attraction, the type of clientele that will be willingly in attendance, be they drunk and noisy or simply quiet and subversive. The actual human beings taking part in both events are ALL stupefied pawns following their own programming and slave ways (They follow their pied piper). The people taking part are just simple but necessary ingredients to bake the cake called ritual. All the rituals are the same it’s just that there is a different pied piper to attract and organise the right ingredients. My friend, yes I’m talking to you, you are not reading this by accident. If you only have eyes for one sort of ritual, like the one in Mecca, then you are truly blind. The situation in Mecca is a ritual that the serpent actually wants and allows you to see anyway. Those ingredients are easily controlled and in the open. It is time to use your heart and your eyes and study the rituals the Serpent does NOT want you to see and what is hidden, not the ones it openly displays to you. If you don’t
then I can show you nothing apart from something to laugh at. But it is your own enslavement that you will laugh at. I am showing show you a ritual in a place that the Serpent really does not want you to see, but if you want to ignore it, simply because it is me that is telling you about it, then so be it, but no one else can tell you about it. I also know only too well that I can claim to Christians that a box in Mecca is the home of occult spiritual rituals and not be laughed at. I can state the exact same claim about the Vatican to Muslims and they would agree with me and claim the official rituals at the Vatican are unholy. Both places involve symbolic buildings with towers and obelisks. Both places have lots of people who bow and carry out acts of worship through prayer and music too. So I now suggest to you and I try to warn you too, that covert rituals are going on along the Fylde coast and they are using the exact same apparatus and principles that are used in Mecca and the Vatican. Anyway, we were looking more closely at the central area (The Heart) of the comedy carpet weren’t we? I mentioned that the ‘Bring Me Sunshine’ wording or lyrics are located at the exact centre of the carpet. It is important that you realise that a true spiritual shrine that is officially being used in rituals must be genuine and represent genuine sacrifices. It has no spiritual power if it doesn’t and universal law will not back it up. In this case the ‘heart’ and ‘sacrifice’ are two key ingredients that will be used in future genuine rituals in this location at the Blackpool Tower Eye. So as far as sacrifices go, there are five main ‘centre’ figures that create the heart of this comedy carpet shrine. The main centre figure (again) is Eric Morecambe, but also ‘enshrined’ in the centre are Les Dawson, Tommy Cooper,
Frankie Howard and Ken Dodd. I don’t need to explain these names to folks from the UK but to my American readers I’ll say states they are people that would be on a par with Bob Hope and George Burns as icons of comedy Again who cannot love these comedians? What better pied pipers can be used to attract our genuine positive emotions to a shrine? The basic diagram below is an official index showing location of each comedian mentioned on the comedy carpet. I name the central characters below. But I told you before I’m no numerologist but note that Bring Me Sunshine (pictured below too) is in the exact centre of the carpet.
The comedy carpet layout.
1 TOMMY COOPER 2 FRANKIE HOWERD 3 MORECAMBE AND WISE (Bring Me Sunshine) 4 LES DAWSON 5 KEN DODD 94
The exact centre of this massive carpet is just above the cleaner. Bring Me Sunshine
Anyway. Tommy Cooper, Les Dawson, Frankie Howard and Ken Dodd are also displayed in the centre of this shrine too. Their wise words are with them! Four of these comedians (Five if you count Ernie Wise) have already left this world. They all have one thing in common. They all died of ‘Heart’ attacks. Eric Morecambe drew public attention and sympathy to his heart for years, joking about it during almost every show. It was no coincidence. Tommy Cooper died whilst performing on stage in April 1984 and Eric Morecambe had a heart attack on stage in May 1984 and died in hospital a few hours later. Les Dawson died from a heart attack in 1993. Frankie Howerd also died from a heart attack in 1992.
The Heart of the carpet is Bring Me Sunshine
Is it a coincidence? I tell you again that the Serpent Cult laden celebrities with symbolism during life, during death and even after death. The iconic figure of Jesus is a prime example. Is it a coincidence that the four ‘dead’ pied pipers being displayed in the exact centre of the comedy carpet all died from Heart attacks with massive public sympathy attached to their deaths? I will mention the ‘fifth’ pied piper shortly. I don’t think anyone can really dispute that ‘sacrificial hearts’ are not symbolically located at the exact centre of the comedy carpet? Well can you? The minds of millions ‘respect’ these people just as much as million of Muslim respects the centre (Kaaba) of the Mosque in Mecca, or millions of Christians respect the obelisk at the Vatican and its fellow iconic buildings around the world. The symbolism carried by these ‘icons of comedy’ is on a par with the ‘icons of religion’ in certain locations. Well doesn’t it? The other comedian in the heart of the carpet, Ken Dodd, is still alive, indeed even though Ken is still alive as I write this story, he plays a massive part, I mean a massive, part in the symbolism currently being prepared to be used in ritual on the Fylde coast in England. But that said let’s hope his heart is strong for a while yet eh? I hope he reads this tale
anyway. But as I have said the symbolism these people carry also matters when they are alive too. I tell you the truth today when I tell you that Ken Dodd has carried massive symbolism for many years throughout his life and most of it was created especially for the rituals in Blackpool in 2012. His catchphrases and stage props (apparatus) were also ‘created years ahead of time’ too and this was simply to embed it in the collective consciousness of the British people over many years and be accepted. It is OK folks I haven’t gone doolally. I’m telling you again that that catchphrases and the symbolism were invented years ago especially for use in the rituals on the comedy carpet shrine/nave of the temple in Blackpool in 2012. Again the Serpent agenda has gone on for thousands of years, it is not a once in a lifetime project. An agent will have a mission in life to serve the serpent simply by being laden with symbolism that the serpent requires to carry out ritual. Ken Dodd actually officially ‘unveiled’ the Comedy Carpet on the 10th October 2011, strangely long before it was even complete. Some of you will be aware of Ken’s catchphrase ‘By Jove!’ won’t you? The official opening words to open the comedy carpet were ‘By Jove Folks - This Is It’. On a five-sense level it means nothing but what does it mean on a spiritual level? I’ll tell you ‘By Jove’ means created by God, sworn by God – This is it, as Michael Jackson fans must now realise inside themselves, means the ending of something, but who am I to say that? Please watch the official video, if only for the opening lines, and see if you spot any ambiguous sayings or references. But if you have time watch the video just to see the puppet funder from the council, the puppet artist (Young) and the puppet serpent agent opening the shrine (Dodd) to see how they are all
departmentalised and simply creating something together without one knowing what the other is doing. http://www.youtube.com/watch?v=zGuMJPqRUr0 Have you watched it? Maybe you think the words are just a coincidence or meaningless and the symbolism of Ken Dodd, symbolism he has carried for years and years, is just silly? That’s fine if you think that but I say differently. I say that Ken Dodd symbolism is connected to ‘human sacrifices’ in where the ‘human heart’ plays a big part and By Jove and I’ll show you why shortly, but lets have a look at the heart situation more deeply for a moment. Again if you open your mind for just a moment maybe you will see that the people named in the heart of this carpet literally ‘gave their heart up’ for the public. They sacrificed themselves for the enjoyment, for the good of others! They are saints. The literally gave up their heart for the good of others and it ‘stopped’. Can you see that? If you can then can you start to see that the comedy carpet is literally a shrine, dedicated to people of ‘public sacrifice’, in its own right and I am right to say so? Indeed there is no difference in icons dying from a heart attack after serving on a stage to the public and those that died of a heart attack at ancient sacrificial monuments during PUBLIC rituals in the past. You know what rituals I mean don’t you? I mean those rituals that took place on pyramids and on other ‘towers’. Didn’t the ancients also ‘attack and display the hearts’ of those men being sacrificed to the Sun at the ancient temples just so the sun would continue to shine? Yes? No? Don’t know? Well didn’t they? Don’t you think hearts had a big part to play back then too? Come on let’s
look at a picture and the heart being ‘displayed’ on this tower then….
A picture taken from the Codex Mendoza, created by native scribes for the Spanish in 1541-1542, showing a ritual Aztec sacrifice where the hearts were raised for the sun to return. (Source.aztec-history.com)
I suppose when I talk of hearts being attacked and then raised up on towers you thought I was talking out of my arse eh? Did I give you something to laugh at? Good… but its not a laughing matter now if you think about it is it? By Jove it isn’t is it? It’s not a laughing matter when you see the true meaning of occult symbolism being displayed is it? Or are you too busy looking at your iphone? Tell me, oh awakened ones, the ‘symbolic’ difference between someone dying in front of a crowd, on an ancient monument with his heart cut out, and someone dying on a
stage or in the public eye from a heart attack and then being put on public display under a flashing heart? Isn’t the shock for the participants, the victim and the observers exactly the same? Yes of course it is so please go have a giggle on the comedy carpet about that. Because that is what the heart of the carpet (nave) represents in Blackpool. The ancients sacrificed certain individuals, took out their hearts and presented them to the Sun. ‘Bring Me Sunshine’ is exactly what was said (in their own language of course) on top of a sacrificial Aztec/Mayan/Inca temple when they ripped someone’s heart out. Get it? Penny dropping is it? “The heart was removed from the person being sacrificed and it was raised up for the Gods on the tower.” The people cheered or bowed. Look at the picture above again and look at the heart. It is raised up. Hey oh awakened one, that’s what they do in sun worship rituals, they literally raise the sacrificial heart to the sun and say … BRING ME SUNSHINE! LET THERE BE LIGHT!
Raised Heart for More Sunshine
Bring Me Sunshine. Let There Be Light… Please wake the hell up because you might not get another chance. Obviously in England in 2012 they cannot do that sort of butchery in broad daylight, so they do the 2012 equivalent and be a little more deceptively discreet. They simply place a covert shrine to respected icons that sacrificed their hearts to the public. They do this and then stick a ‘flashing’ (beating) heart on an obelisk in a temple by placing a large heart on Blackpool Tower. BRING ME SUNSHINE! It is no coincidence that the Big Heart is on the tower, now you know why I say it is there eh? So can you, yes I’m really talking to you, open your mind and realise that the big heart, raised up and ‘flashing away’, on the tower, represents a beating heart, and is also the same scenario as a sacrificial heart removal ritual, that used to take place in public on the top of ancient monuments and similar temples around the world? Well I’m here to tell you it is, but laugh about it if you must, but before you do, let me tell you again that these rituals affect you. I tell friends the truth and that my words are trustworthy. Although I do say this is the 2012 version of the removal of heart /sacrifice to the sun ritual, it does not mean that ‘real’ human sacrifices will not take place. I believe genuine heart removal rituals will take place either in Festival House or even in the Tower Eye itself. Don’t forget you have already been told that the base of the tower is a labyrinth of chambers anyway. My friends I tell you again that the apparatus for large ritual is now complete at the Blackpool Tower Eye. This is especially so during forthcoming festivals, including the Queens Diamond Jubilee (Heb Sed), the illuminations (Festival of Opet) and, of course, the
Olympic Torch rituals. You ignored my words last time about these rituals so please heed my words now. Anyway. I promised to point out some more Ken Dodd symbolism, especially his role on opening the comedy carpet didn’t I? Obviously if you know of Ken Dodd, you will know most of his catchphrases and props. I realise a lot of you won’t. I also realise most of you will not accept the following information at this time. That said if you want to break the serpent’s spell then you will have to know about higher levels of the deception involved. But its always up to you what you accept and what you laugh at. But, By Jove, I’d still like to mention the symbolism Ken has literally brought to the comedy carpet shrine and link it again to sacrifice rituals (heart removal) from ancient times (pre-Columbian era) It is recorded many times, during such heart stopping removal rituals, that a warrior would escort the person to be sacrificed (having his heart removed) to the altar whilst dressed in ceremonial suits. Indeed some of the people being sacrificed would also be purposely dressed in ceremonial robes too by Jove. In such a situation the usual weapon being carried by Aztec warriors was called a Maquahuitl. A Maquahuitl is literally a vicious looking club like stick with obsidian (Volcanic glass/rock) placed in the end of the stick to create a spike club or a sword type edge. The warriors also painted shields and created other emblems that showed colours of tribes and indicated how many people they had taken to sacrifice (how many hearts they had ripped out etc)
Aztec warriors as shown in the 16th century Codex Florentine (from Vol. IX). Note that each warrior is brandishing a Maquahuitl.
In some ceremonial combat rituals or staged ‘sacrifices’ the warrior or sacrifice victim or volunteer would be dressed in ceremonial robes and given a ‘mock’ Maquahuitl as a symbolic weapon. The picture below actually shows such a ‘mock’ weapon and feathered ceremonial robes and it also shows the Maquahuitl covered in ‘harmless feathers’ instead of containing dangerous obsidian.
Sacrificial gladiatorial combat. (Source Codex Magliabechiano) Note the feathered suit and the mock feather weapon
The warrior being sacrificed or the warrior taking a captured warrior to be sacrificed was given the mock
weapon for ritualistic reasons only and instead of being a dangerous weapon it was on a par with a wimpy ‘feather duster’. Most noble warrior wore feather suits and had ruffled feathered headwear in rituals anyway, and again they were also adorned with their own basic symbolism of colours and shapes etc. as well. I’m not here to give you a lecture on tribal gowns or weapons. There are many references to this subject on the Internet should you want to research. I’m simply pointing out, and I have checked with ‘experts’ and it is indeed true that Aztecs/Mayan/Inca warriors wore feather suits and they occasionally carried mock weapons, which were literally sticks covered in feathers. Those that know of Ken Dodd know what I’m going to say now especially when I mention ‘how tickled I am’ to tell you of Ken’s, trade mark, tickle stick don’t you? To those that do not know Ken I’ll say he is famous in the UK for carrying a ‘Feather Duster’ around with him. It is known as his tickling stick. He uses the catchphrase ‘How Tickled I Am’. Maybe silly daft bugger Matthew Delooze is half showing you what silly arsed apes we really are after all eh? I assure you that ‘How tickled I AM’, in deciphered up to date ritualistic terminology, means ‘divine high ranker’ in a feathered suit. By Jove how tickled I am is literally occult terminology announcing his rank and status to carry out official ritual. I’ll be blunt. “Ken Dodd uses his trademark stick of feathers as a mock Maquahuitl for rituals”.
What do you mean you are not having that? You don’t believe that Ken Dodd’s tickle stick is a mock weapon that was not only used in ancient rituals but also Ken Dodd carries out the same rituals today? OK then don’t believe it. Hey, oh awakened one, things like this have ‘had you over’, and the rest of us silly arsed apes over, for bloody years. So pretending it’s not possible is kind of counter productive in my opinion. But it is entirely up to you if you believe that or not. I’m telling you these things because I believe them to be true and I’m telling you because I have to tell you. Ken Dodd’s feather duster is a mock Maquahuit and again most of his career was created just for his performance and connections to this comedy carpet temple in 2012. I bet some of you wondered why the silly bugger carried his tickling stick around with him all of his life eh? Now you bloody well know! He is an official ‘divine’ (By Jove) figure of respect selected and adored by the public’s free will. Here is Ken carrying out ritual on the comedy carpet. He is literally waving his tickling stick over a monument of those that sacrificed their hearts. ‘By Jove’ Ken is that really a tickle stick or is it a mock Maquahuit? By Jove indeed…
Ken shaking his Stick of Feathers (Mock Maquahuit) on the Heart Shrine (Comedy Carpet) By Jove!
I realise that being told Ken Dodd’s tickling stick is mock ancient club is hard to accept, and titter ye away if you must, but I assure you that is exactly what it is and it plays a massive symbolic role in ritual. It is also clear that Ken also has a regular and prolonged habit of wearing warrior style symbolic feathered suits too. They are known as the ‘tlahuiztli’, with other Aztec/Mayan or Inca shield type symbolism too. Look below.
How tickled I AM? Ken in full feather suit/tribe symbolism (left) and showing his famous feathered sticks (right)
I’m only trying to show you the connections and to show you deceptive ritual. That is my aim. Can you see the connections? Can you see the ritual? Am I simply mad or am I getting through to you? Have I showed you something? Does the good old tickle stick finally have true meaning for you now? If it has then I’m glad. If I have given you something to laugh at then I’m doing a better job than the comedy carpet, so I’m glad about that too.
The time is coming to grab your mind back and to be deceived no more, but you can just laugh for eternity if you want. I don’t mind. I can shut up. Ken Dodd probably hasn’t the slightest clue to his role in this matter, apart from a low ranking link to a secret society. His skills as a pied piper have just been hijacked and his symbolic character was initially created for him, even the spiky (feathered) type hairstyle, throughout his career. That’s not to say Ken may not know a little within the secret societies and cliques that have led him in his life and its no secret big egos like a big audience. I believe Ken Dodd was purposely groomed for this role on the comedy carpet all his life. He is the old wise bird so to speak. Indeed his role is actually bordering on the shamanic too. He does not carry this symbolism for nothing. I have mentioned how pied pipers in the past have been promoted and laden with symbolism and Ken is a very good example. Ken always linked himself with the ‘sunflower’ (usually through the daisy) but he is very highly connected to carrying ‘shrunken head’ symbolism too. The ancient Aztec/Mayans/Inca communities used to the skulls and skins from those that had been sacrificed (hearts removed) The heads and skins were shrunk for ritualistic purposes mostly connected to shrinking or controlling and stealing the soul energy of the victim, the heads were carried around or used in rituals. The skins were worn as clothing like a coat and then burnt on a fire. But again I’m only showing you a connection please do your own research on the matter. The only connection I’m making now is between ‘shrunken heads’ and Ken Dodd’s ‘Diddy Men’, or should I say Ken’s shrunken men? Here is a picture of a diddy man with Ken.
Shrunken Head or Diddy Man?
Hey you don’t know how gullible you are… do you? We haven’t scratched the surface but don’t worry you are already awake eh? I realise the symbolism is being displayed in a very comical way, but that is just a form of deep trickery and symbolism is symbolism however it is displayed, and a pied piper attracts what is needed for ritual the best way it can. The Serpent loves to trick people in this way, it thrives on it and it thrives on our stupidity. The symbolism being hidden right under your nose is something so silly that you’ll never truly accept its exposure. But understand that as far as ritual participation is concerned there is no difference in a respected ancient noble warrior dancing around in headwear and carrying a weapon (props for ritual) and Ken Dodd being a respected comedian doing the same in his props. It is the free will acceptance of those that endorse it that matter and the masses accept the props of Ken Dodd
far more than you realise. He is literally a chosen Witch Doctor. By Jove! At the end of the day Ken Dodd holding a diddy man and a tickle stick is exactly the same scenario as a noble holding a shrunken skull and a mock weapon in ancient times. Again the Serpent Cult laden the ‘Pied Piper’ with the relevant symbolism they require the pied piper to display. . But again if the trickery involved is so strong you will never see what is really gong on. I was also very surprised to see Ken Dodd in Kenneth Branagh’s film ‘Hamlet’ as ‘Yorik’ and I have no doubts that his own skull will literally be used in ritual after his death, so don’t forget to look for it when he says ‘tatty bye’ and he will. But Dodd has literally carried this type of skull symbolism throughout his time here in this world. It is no coincidence either, and again Ken Dodd’s symbolism has been purposely created for the rituals that are going to take place on the Fylde coast from 2012. Here are just three examples of the skull/shrunken head symbolism Ken carries, diddy men aside. Please remember that skulls and shrunken heads were a vital ingredient to ancient sacrifice rituals. The picture on the bottom centre is Dodd as Yorick in the 1996 movie Hamlet. Dodd literally represents the skull and there are also ‘flash backs’ from the skull scene showing Dodd as Yorik, ‘before he becomes the skull’. The scene is on the link below should you want to see Dodd’s involvement in this symbolic scene. I tell all the shit head intellectuals out there, way ahead of time, to watch ritual and esoteric symbolism being placed on Dodd, in the clip, and to be prepared to see more ritual unfold after Dodd’s death
http://www.youtube.com/watch?v=CXixlEy5Gfc I tell friends the truth when I say Dodd is a pied piper who carries symbolism in life, and will so in death too. Mark my words. Dodd has been purposely placed in this movie to laden him with esoteric occult symbolism. When was Ken Dodd ever a bloody Shakespearian actor? Come on wake the hell up!
Ken Dodd: An entire life with diddymen and skulls.
Ken Dodd and his symbolism have also received the free will and permission from the masses in other ways, especially his role on the comedy carpet. Do you want to see more Dodd symbolism and its connection to what will
unfold on the Fylde coast? Or do you still think I’m making this stuff up? If I’m talking out of my arse I must have a lot of methane stored up there. The events of the Fylde coast are seriously linked to occult ritual. Dodd is heavily involved with his little mock weapon in ritual elsewhere too. Indeed he was literally ‘purified’, again through esoteric rituals taking place right under your nose in public, just so he could actually take part in the opening ceremony in Blackpool. This purification ritual was done through placing a bronze statue (yes another one) and of course his symbolic ‘stick of feathers’ in Liverpool ‘Lime Street’ Station in 2009. Ken Dodd’s statue was witnessed by thousands of people every week taking part in a purification process. He was literally placed in a place or was symbolically passing through a street of ‘Limes’. This is because ‘limes’ were used in ancient times, especially so in South America, for such things. I tell you the truth that this purification process had to take place so Dodd could carry out the opening ceremony at the ‘shrine’ in Blackpool as per universal law. But you don’t have to believe me, believe the BBC instead It does not matter to the ritual’s ‘rules’ if real limes or even the real Dodd were used or not. The fact is that Dodd was purified by Limes (acid) and the masses accepted and endorsed it by praising the statue, as they did and still do everyday now. Here is a picture of the statue and the mock Maquahuit from Lime Street. Please note the display of the tickle stick and his feathered head.
Dodd carrying his ritual tools (symbolism) during the symbolic purification by Lime ritual
The costume and diddy man shrunken heads (soul energies) are in the bag. Hey I know it can sound silly but it is the truth. The Serpent deceives us all this way because our egos won’t let us believe such symbolism ‘on a comedian’ or that rituals take place this way. But I tell you the truth … they do! Dodd, after the lime purification is literally a symbolic purified noble warrior to be officially used in ritual, that still applies if he or even you are tickled about it or not. It is the free will of the people, albeit stupefied and blind people, that makes it so. What a choker Rodney. Hey friend, I can’t make all these things up. It really is impossible for me to do so. This trickery is there for all to
see if they wish to look. I am no longer blind to this sort of trickery because I chose to seek the truth and took the painful path to seek the truth. I am telling you the truth. If I show you a lie then tell me I show you a lie and show me my lies, but please don’t lie yourself in doing so. Anyway, there is another statue that has been placed in Lime Street too. Are you still with me? If you think the Dodd statue is simply put there for decoration and respect for the artist reasons, then please let me show you another one. It is in honour of a politician named ‘Bessie Braddock’ and this lady died in the 1970’s. I have no idea on a ‘five sense level’ why Liverpool would place a statue of this lady so long after her death. Have you any idea? I bet even most Liverpudlians have no idea either. I’m sure some of the more mature scousers will remember her but I can’t see why she receives her honour 40 years after her death? That said also ask yourself why Ken Dodd gets his monumental statue made before his death? Who has really organised and funded these statues? ‘Mersey Travel’ takes the credit but the council funds (the taxpayer) Mersey Travel and therefore councilors hold all the purse strings and these statues carry our blessing and acceptance. Who ordered that the two statues were to be built and placed together in Lime Street and why? Hey come on open your eyes and ears folks, again your soul depends on it. But anyway, as I have said previously, the Serpent Cult place monuments where they want, when they want. The stupefied public just goes along with it. Lets look at the statue and then I’ll tell you something.
The Bessie Braddock Statue (Lime Street Station)
As I said Bessie Braddock died 40 years ago and even those that remember her will not remember ‘the symbolism she carries’. Bessie is recorded of being the lady that created the lion mark on eggs. Hence she (her statue) is carrying an egg. Here is the egg close up.
Bessie Braddock’s EGG.
Obviously the egg can mean many things, both spiritually and symbolically, but Bessie Braddock’s symbolism is also very strongly connected to something more clear-cut than just the egg. Again not many people will know of Bessie anyway, never mind remember her actions. I tell you today that Betty is famed for being a powerful figure both as a councilor, in the ‘St Anne’ district of Liverpool, and as a MP. But she is also famed for being the major figure that ordered the totally unnecessary ‘flooding’ of a village named ‘Capel Celyn’ in 1960’s. Yes the Liverpool council literally drowned an entire village just to create a new reservoir. Bessie was vigorously credited with being the main instigator in the madness in this act. There were protests about it at the time, but lets face it, when do protests solve anything? (Please see my information on protests)
Protest: Please Mr. Serpent we obey you so don’t drown our village there is no need for it!!
Result: Flooded village (‘Capel Celyn’ under water) Source: www.bbc.co.uk/programmes/p00gmpjm
I can only strongly suggest you watch the video (linked above) just to get a sense of what was actually symbolically and physically done, and then maybe you will understand the symbolism Bessie actually carries in her bloody egg and why Bessie was placed in Lime Street too. I’m sure Bessie was simply a pawn, like most good or bad hearted puppets serving on councils, but she does indeed carry massive FLOOD symbolism. Indeed the symbolism Bessie carries is as a powerful respected legal and lawful ‘creator of floods’ on a spiritual level. Can you see this part of the scam too? Is it a coincidence? Is it hell a coincidence! Again the Serpent Cult’s agenda is long term, it is not based on one lifetime or one generation, it is continuous over a very long period of what we call time. Bessie’s symbolism may have been created in the 50’s and 60’s but it is mainly for use in the rituals that are going to happen in 2012, which is long after her death. Indeed the statue only increases the power of the symbolism Bessie carries because she is now an iconic figurehead and has been replaced in the collective consciousness of people in the area and from far away. She is literally a deity representing floods and rebirth, no matter what side of the fence you are on.
Ken Dodd, again obviously still alive at the moment, made an official appearance when the statues of Bessie and himself were unveiled and placed in Lime Street. This opening ceremony took place on a spiritual level to simply to ‘unite the symbolism’ carried separately by both of them, and carry out ritual by using the statues as official props endorsed by the public. (The free will of the masses). Indeed Bessie statue was only brought in to pass on her Flood and ‘After Flood Rebirth’ (egg) symbolism to Dodd, who again is the official shaman or warrior responsible opening the comedy carpet. Bessie’s symbolism is as a lawful respected ‘creator of floods’ or Flood Goddess if you like. The egg symbolises the ‘rebirth after flood’, which is reported in many ancient scriptures. Can you start to understand why this event took place now? Can you see that Bessie Braddock the flood goddess passing the egg to Dodd the noble warrior ‘is actually ritual’? If so, can you see that the ‘flood goddess’ or ‘creator of floods’ literally empowers and initiates the noble warrior by offering the egg? I know both figures are not exactly blessed with divine looks but they literally are flood goddess and noble and it is only your programming of what these symbolic figures are supposed to look like that sways your perceptions. Rituals were carried out when the statues were put in place and they were still announced in public. Our ignorance regarding universal occult practices is no excuse I’m afraid, and our free will respect for the pied pipers and officials only endorses the rituals.
Ken Dodd ‘before’ the official unveiling. (By Jove. Oh awakened ones, it’s just a bit of fun, nothing to worry about)
The rebirth egg carried by the symbolic Flood Creator (Bessie) is delivered to the warrior/shaman/ performer of rituals (Ken)
Dodd is heading to the ‘West Coast’ (Lime Street Station is on the West Coast Line)
Ken Dodd now carries the symbolism (the flood rebirth egg) given to him and because he is in body (still alive in this world) he still carries the symbolism wherever he goes. Can you see? The rebirth egg is passed from the symbolic ‘flood creator’, to the ‘noble official’ (Dodd), who in turn, after receiving purification through ritual (limes) and taking direction to ‘the west coast’, opens the ‘shrine’ and temple to carry out the ritual with the official authority and powerful symbolism he is now laden with. Do you see? Again the PTB ‘control’ all of the symbolism and all of the major pied pipers in this world and they simply link them together. Can you see what I have just showed you?
I tell you the truth but you don’t have to believe it. The type of symbolism that I have pointed out, in the latter stages of this work, is obviously in place and operated by a higher level of understanding altogether, and is not meant for the eyes of the dumbed down. It is obviously either that or everything I have pointed out is just a sheer coincidence. I’m trying to help you break through the next layer of deception. I assure you I am only showing you this example because of the five sense structures that allow me to do so. When I wrote in 2004 I was trying to tell you without any physical structures to use. But I’m only too well aware that even with statues and comedy carpets and other structures to use as guides, that I still will not be believed. I cannot try to help you forever and its clear already that I cannot help many. Hey I may just be fruitcake, with super persistent delusions, but this fruitcake tells you today that, even if you believe you do understand what I show you, it will take a long time to understand it fully. I’m attempting to take you to higher levels of understanding about how you are enslaved and show you the trickery involved. This work today only scratches the surface of the next level. By Jove, how tickled I am if you are with me. What a nice day for running into the nearest lotto booth, dropping our trousers and whilst bending over and parting your bum cheeks, shouting ‘anyone fancy a lucky dip today”. Let’s start to move back from the depth of some of the deeper symbolism we have just seen. Let’s warm down, so to speak, and go back to Blackpool and the comedy carpet scenario. Forget Bessie Braddock and her egg for a moment
and forget Doddy and, by Jove, let’s forget his fluffy mock weapon too. It has just very recently been announced (February 2012) that a special VIP pied piper is going to be the ‘first’ to perform a special concert within this symbolic apparatus. The first party invitations have gone out for a knees up on the comedy carpet if you like. (At a nice price of course) It is Elton John. Those that know of my work know my opinions about Elton ‘Hercules’ John. I have written about him or spoke about him many times including in my Diana article. This, ‘Candle in the Wind’, this official funeral director for the Serpent is a main symbolic pied piper and Serpent recruitment agent (music industry) in the UK. He’s the current daddy, and I’m sure that he has not been selected to open this Festival Headland for nothing. Hercules the Daddy Boy is not simply an innocent greedy celebrity that is being used as a pied piper. Hercules the Daddy Boy is not simply feeding his vanity and his ego, wallowing in celeb land. He is a high ranker in the Serpent Cult and he knows it. I know this pampered puppet won’t be reading this information but if he were I’d say….
“Hey Daddy Boy the game is nearly up, so put the little boys down for once and get ready to run.”
Maybe if you know this puppet you can pass the message on please?
Elton Hercules John with his little boy. 100% Serpent. It’s time to put the little boys down Daddy Boy!
I’m sure Elton John will indeed bless the new apparatus with his own symbolism at this opening concert, and just like Ken Dodd has carried symbolism all his life then so as Sir Elton. It just depends on what level of understanding you wish to gain because I assure you that you are no danger to the illuminati by moronically pointing out obelisks at the Vatican and you only delude yourself if you think you are awake by doing so. I believe Elton’s England’s Rose symbolism will be somehow attached to the opening ceremony on the comedy carpet. Wasn’t Diana the Queen of Hearts too? Didn’t Daddy Boy Elton carry out her ritualistic symbolic send off as
England’s rose? Well didn’t he? Again Elton carries all this symbolism with him whatever he does, just like Dodd does. I said way earlier in this work, the Dutchy of Lancaster, the Red Rose of England, actually run the Fylde coast area (Blackpool is in Lancashire). Only time will show us connections to all the symbolism. As I said this is a ‘collective’ ritual and been accumulating for a very long time. I couldn’t see anyone else but Elton John opening the Festival Headlands. I really couldn’t. Maybe U2 at a push. These collective rituals are not unique, I can inform you of many, they go on all the time, but a stupefied human race will never really catch on to them. So are you catching on? Can YOU even start to accept that the comedy carpet/ Tower Eye situation does have meanings in other levels of existence, in another dimension? Can you accept that some events have higher meanings that are hidden and nothing to do with any official reasons for the existence of such apparatus? Can you accept that you have been dumbed down and are unable to see things that are hidden right under your nose? Can you accept that even the people who are paid to administrate such things, and even artists commissioned to create these things, are also dumbed down and unable to see other meanings in them too? Because, my friends, if you cannot accept that sort of information and you actually believe you are too intelligent and too ‘awake’ to believe that things like the comedy carpet do not have meanings that benefit other realities and dimensions far more than the one you are existing in, literally as a slave, then I suggest you forget about
everything you have heard from me. For I tell you the truth today when I say that things like comedy carpet, the Tower Eye and Festival House are here to service entities in other dimensions far more than the people that will use them in our five sense reality. I’m here to tell you again that the human race creates energy through their emotions to feed an alien race. They do this with using the same principles we use when running a circus. The performers live a false existence simply to feed the audience. We are the circus act the Serpent is the audience. But I realise that a stupefied human race does not want to listen or see such things. We only react to the five senses. We can’t see Ken Dodd’s symbolism simply because we only see a comic entertainer? We can’t see Bessie Braddock’s symbolism because she carried it too long ago, and of course we would be daft to see such things eh? So I suppose, nay I know, people feel far more comfortable running around or dancing on a ‘comedy carpet’ bowing and laughing away to themselves than looking at what is really going on. Plus it will hurt their little heads to look. It is easier to unknowingly dance around (worshipping) under several obelisks, entranced and screaming or singing away to a catchy ambiguous occult laden pop song, than to see symbolism hidden in a boring statue of a MP that died over 40 years ago too. I know this only too well and I really weep for the human race over it. I repeat myself again when I say that human beings will be herded together and energy will be created through their emotions and then the same energy will be given to, and directed at, the creators of the symbolism on show. The
creators of the symbolism on show will then harness the said energy. The actions, and free willed emotions, of the people involved will be taken as the ‘true’ free will wishes of the human race. And therefore they surrender their fate to the ‘creator’ (the architect) of the symbolism being worshipped. It does not matter if you attend these rituals personally or not, because the attendees literally represent you. In the case of the Headlands in Blackpool, it is a public festival and financed and endorsed by YOU the public anyway. Do you think public participation in local government is there to help the public or something? Grow Up! It’s there to put the karma back on you. I have said for many years that the scam has been going on for millennia on this planet, in this world. The masses get what they think they get. WE create our rulers from our will. It does not matter if we are conned into creating our enslavers because it still really is our true spiritual wishes to do so, conned or not. I realise not many people will believe me today. I realise that not many people believed my words from my Beside the Seaside articles in 2004 and 2005, when I first mentioned the symbolism appearing on the Fylde coast (And obviously in many other places). But that does not bother me. I fish with a rod not a net so if one person sees what is going on I will go home whistling. Anyway, as I said earlier I visited Blackpool shortly after returning from Brazil. I spent quite a lot of time in Blackpool, for want of better words, under spiritual guidance. I was shown many things, including the comedy carpet and other apparatus, and they literally confirmed things that I
had been thinking and writing about for a few years. Again I have literally waited for all the apparatus to arrive on the Fylde coast. One afternoon I was so exhausted due to my health problems that I went to lay on my bed in the hotel to rest up. I knew in my heart that my job was coming to an end regarding the Fylde Coast symbolism and apparatus is concerned. I felt very happy about this. I knew I was to write down what I was shown, but something was not complete and niggling me. I knew I had to write about another thing too but I didn’t know what. I was feeling rather frustrated. I was so tired too. It was so quiet in the hotel room and even though Susie was on the laptop I felt very alone in the room. I started dozing off, my eyes were opening and closing but I started to notice a painting on the wall and it really caught my attention and literally entranced me and waved at me so to speak. I don’t know how but it did. My eyes were heavy but I kept looking at the picture. I could feel my eyes getting tired like you do when falling a sleep. Up and down my eyelids went. This is the picture that entranced me.
The picture that entranced me
My eyes kept opening and shutting and I felt slightly queasy. I put it down to my exhaustion. I was drawn to the centre of the painting for some reason thought I could see a strange figure and I assure you it was waving at me, just from in-between the four poppies in the centre of the picture. Hey the painting was a lot bigger than the photo you are looking at! I then saw another face in the clouds, (top centre). I felt like I was back in Brazil. All of a sudden the painting suddenly changed right in front of my eyes (Maybe it was just the fading light of a dark November Day). In a flash it changed to a scene of awful devastation and it shocked me emotionally. I was transfixed on what I was seeing and some sort of flood scene appeared in the painting. It was so graphic and clear. The colours changed and flickered. The flood scene appeared to be showing
fires as well. It is hard to describe but the picture below bears a slight resemblance.
The painting changed to a scene something like this
The red in the painting turned to fire and the white in the painting turned to water and cloud. I realise my example is not exact but it is slightly similar to what I saw.
I suddenly became very drowsy and I slipped into a deep sleep and I started having very powerful visions. I saw many scenes and I was reminded of some the flood symbolism I had seen over the last few years on the Fylde coast. It was like I was witnessing something nasty being done on purpose and it angered me enormously. I felt it couldn’t be
stopped and the only way I could gain from it and others can benefit was if I mention it (Hence me writing this) I was shown other things and I became angrier and angrier. I woke up with a start clenching my fists. I was stunned for several minutes. I was shocked at what I had just seen. I felt so cold and I was definitely in shock. I found myself actually arguing with myself over what info I would write about and I assure you I did not want to write about seeing visions of floods and fire. But I have too and I believe what was shown will happen somewhere on the Fylde coast in the future and ‘funnily’ enough I believe it will happen somewhere between St Annes (Les Dawson’s bronze memorial) and Morecambe (Eric Morecambe’s bronze memorial) or at least directly across from the Eric Morecambe statue (Morecambe Bay) on the Cumbrian coast, but I’m sure the vision showed the Fylde coast. Hey I really wish I was joking but I am not. I really wanted to leave my vision out of this important information but I cannot. I truly hope the vision I experienced was just a silly joke or trick being played on me, or I was just dreaming. Maybe it was just delayed affect from drinking Ayahuasca? Maybe I’m just a fruitcake? Hey why are you nodding your head now? But that said I also hope I’m not in this world when it does happen too, but I will state clearly now that I believe it will be so. My dream/vision/nightmare/delusion (call it what you like) really hit home. I have no doubts that this event will take place sometime in the future but I have no dates. I was just shown the flood and the fire. I have pointed out certain flood symbolism in this area in the past, in my previous writings, obviously not through
clear prophecy to the extent I do above though. (E.G ‘Genesis’ symbolism in Morecambe and the death of the Chinese cockle pickers with the tide around Morecambe Bay) I have also been keeping an eye on the changes in Blackpool and flood symbolism has steadily been appearing and a few of you noticed one or two things too as I remember receiving a few triggers from some of you. I was reminded about little examples of such things during my strange “painting on the wall’ experiences in the hotel. I’d like to show you, for the record, just a couple of examples of the flood symbolism that has appeared in the area over the last few years, just to ponder on, either now, or later on. First off there is ‘The Wave’ structure outside the main symbolic five-sense temple’ in Blackpool, which is the St John the Evangelist Church in Cedar Square. What do you think of it?
‘The Wave’ (lucyglendinning.co.uk)
Again, I have seem quite a lot of flood symbolism appear at Blackpool for quite a few years, especially since the ‘regeneration’ of the coastline and the promenades began. I
am not talking out of my arse on the matter believe me. This artwork hides nothing. It is clear what this message will say directly to your subconscious. It will say, “Flood and drown”. I found this artwork to be the main image being used as a *subconscious trigger on the Fylde coast area. (*’Predictive programming’ seems to be the more hip terminology these days amongst the latte supping in-crowd) But as I have said previously, this flood symbolism links up with other flood symbolism that has been slowly been put in place all along the coastline. If predictive programming creates our physical reality then maybe you can guess what art work like the wave will create. The Wave links up with the Genesis/Flood symbolism in Morecambe. When this similar sort of artwork is placed in various places it immediately creates a larger collective affect on the subconscious minds of a far greater number of people. The collective subconscious of the entire Fylde coast area, and more importantly the millions of visitors to the area, increase the number of minds affected and therefore there is a massive increase in predictive programming. The collective subconscious is literally being programmed with the same hypnotic triggers and the same predictive programming. This is true even though the artwork sometimes varies from place to place in (5 sense) appearance. Indeed the different examples of artwork do not have to physically look exactly the same to have the same meaning and affect on our subconscious. On a subconscious level different artwork sets the same programming. Indeed ‘The Wave’ did not win the original ‘competition’ to be placed in the middle of Blackpool. Mind you I found the original design rather more disturbing, from a spiritual
imagery point of view, than a man being engulfed by a wave. What do you think of this one?
The original winner ‘New Horizon’ (leit-werk.com)
Apparently the original winning sculpture was scrapped because of the soaring cost of steel and obviously, in a fur coat/no knickers town like Blackpool, the steel would be stolen and in a scrap yard before you could say ‘kiss me quick’ or ‘how much is that toffee apple?’ The second (cheaper) monument, which was pictured earlier, “The Wave”, was designed by Lucy Glendinning. Leit-Werk Ltd created the abandoned “New Horizon” sculpture. The wordings of these two statues alone, and what has happened with them, should indicate how even the titles of linked artwork can create predictive programming. It is clear to me that even though both monuments are very different in looks that the affect they have on the subconscious is exactly the same and that affect places the
image of flood or tidal wave into the subconscious mind of those that look at it. I found this Wave and New Horizon situation a great example on how show you how totally different artists can be hired to supply artwork that has possibly the exact same meaning. But who decided what type of artwork was selected anyway? Although it may only be my opinion that the artwork credited to Leit-Werk displays a Tidal Wave/Flood type image there is no doubt that the second attempt artwork by Lucy Glendinning displays that sort of symbolism too. It didn’t really matter who was booked for the job because flood symbolism was always going to be built whatever. Yes? Who decides these things anyway? Again, even though the artworks are totally/slightly different on a five-sense level they may still deliver the same programming to the subconscious collective mind of the local residents and the millions of visitors to the town. My friend, human intuition has been severely destroyed by the Serpent Cult machine. The Serpent Cult can place various artwork miles apart and you would not know it is connected even on a five-sense level never mind on a subconscious level. I have tried to show you this in this article. For example, would you know that the cursing stone in Cumbria was connected to the Morecambe Genesis (flood) symbolism and even the Blackpool comedy carpet? No of course you wouldn’t. But it is. It is no coincidence it is either. I’d also like to show you a pair of ‘gates’, that appeared in Blackpool a couple of years ago, next to the massive Obelisk (Cenotaph) which is just on Queen’s Square near
the Comedy Carpet and Tower. I am in the picture in the centre so you can see the size of them.
Matthew Delooze wondering what the hell are two gates doing plonked here? ‘The Two Gates’
I have no idea of any ‘official’ reason for these gates being placed on either side of the obelisk. There is some ambiguous geometry within the pavement (bottom left of photo above) and some more symbolism out of shot. I immediately thought of (symbolic) ‘Flood Gates’ when I saw them. They are facing the sea.
Maybe my intuition was playing silly buggers with me and I had made too much of the Wave at St John’s and all other flood stuff I had seen? I was about to leave the area but I saw a red balloon on the floor and it caught my eye. I decided I was going to give it a boot (As you do!). I was just about to give it a wallop when I noticed the ‘wave’ design on the gate. Again my intuition told me (symbolic) Flood Gates. Am I seeing things that are not there?
The gates from another angle. The Waves.
Hey it maybe nothing but I was definitely directed to it. I have only shown you a couple of examples of the flood symbolism in Blackpool. I could show you much more. If
it’s meaningless twaddle to you then its meaningless twaddle to you. Maybe you could get Blackpool Council to give you the official reasons regarding the erection of such gates and see if that is twaddle too? I have tried to through several council departments, but I have failed to get an official reason for these gates being there from them. I only politely asked them why they are there. I was passed around from one place to another and then totally ignored. Most people will believe such things are meaningless twaddle, but that mentality never stops the PTB from constantly producing meaningless twaddle and plonking it right under our noses does it? Well does it? The poor in Blackpool can be starved of welfare services, by vicious council cuts, but the same moronic PTB, regardless of cost or practical use, still place the perceived meaningless twaddle artwork all over the coastline. The fact is my friend, I believe, that the meaningless twaddle artwork actually controls your life far more than the authorities that put it there. I tell you that the Wave at St John’s and the Gates at the Obelisk on Blackpool front were not placed there for the benefit of the people of Blackpool. If they were can you please tell me how these gates benefit them then? Cryptic artwork is it? Maybe the gates are there to stop the disabled doing wheelies up and down Queens Square in their zuped up disability scooters eh? Maybe the council bought them on eBay and then thought what the hell did we buy them for and so they simply plonked them anywhere they could? You tell me why they are there because I assure you Blackpool Council won’t tell me. And, even if they did, when was the last time any large council in England ever told the truth anyway?
I tell you the truth when I say these symbolic structures are part of the ‘collective’ symbolism and apparatus that are required for occult rituals to take place and to make the said rituals a success. I’m afraid I believe the Serpent Cult have been/will be successful in their efforts in that scenario on the Fylde coast. That said if the people cannot even see the meaning in one single piece of occult artwork, or won’t even look, then how are they going to see any collective artwork being installed. How are they ever going to see the bigger picture? Do they actually want to see it anyway? If people cannot even comprehend or will not even consider that monuments are being used for rituals and those rituals affect all aspects of life then how will things ever change? If the selfish minded concert goers refuse to even consider that certain concerts may be rituals that are not what they seem, simply because their own ego refuses to look for no other reason other than self gratification, then things will never change for these people. The Serpent Cult realise that they have succeeded in blinding the human race to such an extent that they cannot see, nay that is too mild a comment, they have totally severed man from his natural abilities. Man cannot see anything above his own physical welfare or lusts, or even see anything that may render them in an embarrassing position. If there is anything I regret in my awakening then it is being given the eyesight that shows me such things. ‘A simple triangle and an illuminated circle’ representing the primordial benben and the sun disc is not believed in a Ferris wheel, not because it is not factual geometry but because it makes people feel silly to believe it because of their pathetic ego. My god if that simple occult geometry is ridiculed and/or ignored, mostly out sheer spiritual
ignorance, then what will the oh so awakened see in my explanation as to events I believe are happening on the Fylde coast, especially the comedy carpet, in this work today? Will I be sectioned for pointing out what all human beings would instantly see if they were not dumbed down or had the guts to ignore their ego for once? Hey let me assure you today that the embarrassment about Ferris wheels is all mine, but its not that I am shamed because I bring the news of this sort of symbolism. I’m more embarrassed looking at the fakes and liars that pretend to be awakened human beings. I mean those fakes that run away from things simply because they believe if they can’t see them themselves that they are not there. I mean those liars that believe they are awake because they buy DVD’s and T-shirts’ or that if they pretend information does not exist then it does not exist. I mean the Latte mob that believe if they have a session of intellectual gossip, albeit based on intense university programming, it renders them awake. Hey put some extra sugar in your Latte but drop the bloody pretense for once eh? Your arse is just the same as any other arse and it will be just as wet when the plug is removed from your bathtub of comfort. Anyway. I have also already stated prophecy (a flood and/or fire situation) and hopefully only a small one if my prediction actually comes to pass. Should I be embarrassed over this prediction? Should I be embarrassed for trying to point out the biggest Masonic sponsored illuminati symbol on planet earth too (The Ferris Wheel)? Obviously only time will show if my prophecy is correct or incorrect be it through the Ferris wheel or a flood and fire situation. But please do not believe that I make prophecy
simply based on the occult symbolism or fairground rides alone. Please do not believe I make prophecy whilst frothing at the mouth and masturbating in-between episodes of debilitating psychosis, or whilst buying a 9/11 T-shirts either. (Obviously my paranoid delusions have come in handy though). I assure you I do not and I assure you I do not make prophesy lightly and I assure you the message of prophesy originates from a force most cannot even comprehend. But its not all about spirit and prophesy either. For the intellectuals in the five-sense world I ask that they please take note that the Serpent Cult will probably use ‘five sense apparatus’, in one way or another, in a 5-sense flood/fire situation on the Fylde coast. Hey again it’s not all down to Bessie Braddock’s bloody egg you know! And the five sense apparatus, just like the symbolic monuments, has been slowly jockeyed into position in this area too. Indeed some have already been tried and tested over the last few years or so. Maybe you prefer me to point to that instead of showing you more spiritual stuff? OK. But this information five-sense information is very tame and very powerless compared to the spiritual information you have received. But I’m guessing you may not see it that way. So before I sum up I will point out proven five sense apparatus that could be used in the Fylde coast area to cause flood and fire if the PTB wanted to do so. I’ll even mention a couple of five sense events that have already taken place in the area too. First of all the five sense Shale gas energy company ‘Cuadrilla Resources’, formed in ‘2007’, has appeared in the area. It has conducted tests and experiments etc. The
company uses a technique known as ‘Fracking’, Hydraulic Fracturing, to seek out gas and oil. I quote the company’s official website In the United Kingdom we are the first company to explore unconventional energy sources. We currently have three operational sites in Bowland Shale near Blackpool in Lancashire, and we have permission to explore a further three nearby. All the exploration that we do is highly regulated by the relevant government department including the Department for Energy and Climate Change (DECC), the Environment Agency, the Health and Safety Executive and the Lancashire County Council. (Source: cuadrillaresources.com) Well hearing that they are highly regulated by puppets and incompetents, corrupt national and local government and their puppet agencies, makes me feel really safe, does it you? I’m no fracking expert on fracking so I suggest you do your own research. I suggest frack off to ‘frackoff.org’ as a starting point. I am not here to tell you about these things in detail, they are absolutely meaningless to me, and I am only pointing out the five sense apparatus that is located near the Fylde coast area because I believe can be used to actually create the means for flood and fire situation, but it is the symbolism. But I strongly believe that Cuadrilla are more likely to become the official scapegoats to Serpent or other supernatural activities, should a flood and fire situation occur in the Fylde area in the future. I certainly believe so. Again I have followed this situation for eight years at least and I assure you I would not be writing this work if I didn’t believe every single word in it. Please heed my words.
Preese Hall 1 rig Bowland Shale near Blackpool
There were some five-sense reports from Blackpool last year of a very minor earthquake that took place at 3.30 am on the 1st April 2011. It was later announced that the quake was a direct result of Cuadrilla’s activities. Although the earthquake was mild, damage was reported on the Fylde coast. I also wish to point out that I believe another earthquake, one that also affected the Blackpool area, took place at 1.00am on the 27th February 2008 (Just as Cuadrilla and other alternative energy mercenaries were being established in this country) I personally believe the 2008 Earthquake was induced by the Serpent Cult to provide data and incentives on the best locations for firms like Cuadrilla to set up. The data collected was indeed, on one hand, to find the best place to find the methane gas. But on another hand the data would provide the accurate information/ gain knowledge on how to create an earthquake or induce flood in a very specific area too.
The quake’s epicenter in 2008 was in Lincolnshire, which is now home to Dart Energy (Formerly Composite Energy), which is also heavily involved in shale/coal bed methane gas and experiments to extract it. It is clear to me that the 2008 Earthquake ran through an energy line from Lincolnshire to the Fylde coast via the Pennines and I’m sure the Strata along that line is now well understood by the PTB. Again these firms will make ideal scapegoats for spiritual events that are created through occult ritual. I no bloody expert on these five sense things, but, that said, I truly believe the Serpent Cult have the spiritual means, and even a scapegoat or two in place, to complete a manufactured tragedy or ‘induce’ a natural flood situation or gas explosion causing severe damage through fire. Again I’m only giving you brief details of the five sense apparatus in the area that I’m writing about. I’m sure you can look into these things if you so wish to do so, or indeed you already had. I will say now that the five sense events have steadily been put in place around the same rate of pace and similar timescale as the occult monuments were. This is no coincidence. Take heed, take it in, it is no coincidence. I have also witnessed a large increase in strange weather in Lancashire and Cumbria for quite a while. Minor floods have struck places like Cockermouth in Cumbria in a flash. Indeed I was actually caught up in some very strange weather in the Northwest area myself a few weeks back (29th November 2011). I had no idea if it was natural or a Haarp thing on a five-sense level. I have certainly never experienced such events before in my life and I’m a northerner born and bred. It was like something from the biblical revelations. Oh my brothers it really was like
something out of the book of revelation. The weather was literally terrifying if you got caught up in it and in reality you couldn’t escape it if you were in the area and when it hit you it got in your soul so harshly that you know it was sent with very powerful intent. I have no doubts that extreme weather can and will hit this area in the future, including heavy prolonged rain, and this weather will be on a level never seen before in the area or the country for that matter. Also, it is also very important that you understand the sea on the Fylde coast, especially just north of Blackpool Tower in Norbrek/ Cleveleys area has also been strangely affected recently. The ‘Sea Foam’ has literally been on the land in December 2011. To me this was a sign I’d been patiently waiting quite a few years for and I was literally in the area at the time to see it being created. Hence I know this is the right time to write the things I have. The ‘Sea Foam’ has many meanings and I assure you it hit the land like a wild snowstorm. I’m sure the scientists will simply blame a wild sea and ‘Algal Blooms’ for this foam appearing in such abundance. I’m sure the scientists could blame the massive amounts of human shit and other sewerage that is in the Irish Sea of course. But this loop ball called Matthew Delooze will tell you now, that ‘over the top’ massive amounts of Sea Foam have and will hit many symbolic shores around the world. Sea Foam is very normal in small doses but this is not normal doses. Look at the pictures below. This is the sort of Sea Foam that hit the ‘land’ from the Irish Sea on the Fylde coast on 30th December 2011. I was there. These pictures are on land not on the beach.
Sea Foam 30th December 2011 (Source Daily Mirror.co.uk)
Hey don’t get me wrong. I don’t fear this sign I welcome it. Whatever the reason for sudden increase in Sea Foam, be it spiritual, chemical or even the effects of nearby ‘fracking’, its clear the sea was getting all foamed up on the Fylde coast. I say in 2012 ‘behold the signs’. Have I taken the five sense events and five sense apparatus on this coastline far enough now? Well at least far enough to raise your suspicions over five sense events? That said the five-sense situation and five sense events in the area also have a deep symbolic spiritual meaning anyway. The five sense events are simply props created by spirit. But I will not give my opinions on them today and it is now futile to do so anyway. And hey would you believe me anyway?
I tell you the truth with an outstretched arm when I say it is only the spiritual information and the exposure of spiritual trickery being implemented via art and monuments, through deceptive rituals, that is by far the most important information I can ever supply to you on this matter and this location today. The five sense information about Fracking is useless and worthless simply because the Fracking five sense apparatus being used by puppets like Cuadrilla is Stone Age technology stuff compared to what the Serpent can use. It is entirely up to you whether you accept the information in this work or not. But again please do not ever say it wasn’t provided and please understand that I have suffered and other people have suffered beyond your imagination to actually bring this information to you. I will sum up. I started this article off by reminded people of my previous writings on the matter. ‘Beside the Seaside’ and ‘The Festival of Light” Those articles were written way ahead of time, to try and help make it easier for folks to take in the information contained in this current article today. Indeed I couldn’t have written this information without writing those articles years ago and you wouldn’t be reading this one, with the eyes you are using, without them either. I have literally watched events that I knew were going to unfold on the Fylde coast. I have watched Blackpool become the Fur Coat and No Knickers town is now (Well Plastic Anorak and Dirty Knickers if I’m honest). Although I mostly concentrate on Blackpool in this article the same
scenario applies to Morecambe and the smaller towns both up and down the coast too. Blackpool literally now has a promenade full of expensive props to use in occult ritual and apart from a shopping centre that is full of corporate logos, that entice the greedy, the needy, the wealthy and the shoplifters, the town is now one of the biggest shitholes on the planet. A large proportion of the locals are desperate down and outs, existing on benefits or very shitty low paid jobs. The visitors are mainly only there for stag /hen parties, or are in town for drugs and to party in the fairly recently created Gay Sex scene. The local businesses are being left to rot and the resorts atmosphere has changed drastically in fairly recent times, the town going from a family resort of fun, to a weekend cesspit that is on a par with Sodom, in less than 20 years. Not that I’m saying its wrong to party. I assure you it is the PTB that have steadily created the energy and atmosphere in Blackpool and this type of energy is a vital part of the ingredients to create collective rituals that are to take place on the Fylde coast but mostly in Blackpool itself. The PTB create this by carrying out their five sense policies through puppet councils via corrupt committees. The types of rituals that will take place on festival headland actually require the intense emotional energy that is exclusively created from drunks, drug addicts and sex seekers, especially so the energy created through gay anal sex or even hetro group sex. (Again I’m not condemning people’s behaviour or habits, I’m just pointing out energy types.)
Blackpool today is operating exactly as the Serpent Cult wants it to operate as a place for the poor and deprived to let off pent up frustrations (Energy). It is certainly not a victim of any economic downturn. The economics have only been used as an excuse to create exactly what is now in place. Blackpool has purposely created and/or attracted the drunks, the addicts and the gay scene. It has purposely created the stag and hen parties. It has nothing to do with politics and economies but again it has everything to do with the energy required for the rituals being carried out. The residents and taxpayers of Blackpool have been duped on a vast scale and have actually helped create the apparatus for occult rituals to take place, albeit in the guise of improving the town and through the guise of bringing prosperity to local business. Let me tell any small business in Blackpool now that the Serpent Cult will only sustain the businesses that have the means to attract ‘the emotional energy of the people’ to Blackpool in the long term. The Serpent isn’t interested in local people’s livelihoods. The punters being attracted to Festivals on the prom will also only have the option of eating and drinking in corporate fast food joints and zombified plastic chain pubs. I assure you that only the corporate chains will be opening and shutting their tills in the future in the centre of Blackpool. It’s a done deal. Anyway, I was summing up yes? If we can start to accept that a Serpent Cult requires our emotional energy in certain places at certain times, just like five sense businesses do, then we are part way to breaking the spell. If we can start to see that the corrupt powers that be, the puppets of the Serpent, have purposely placed occult
monuments as pied pipers for human energy extraction, and see there is far more going on if we look beyond these things, then we are more than halfway there. Yes I realise they want our five sense custom in Blackpool too and yes we want to join in fun things at the seaside too. But if we start to look at what really is right under our noses then we will realise that the fun is not really ours in the long term. I have now tried to show you that even the monuments themselves have a far deeper meaning than just something to dance around. It is the next stage of understanding what monuments and statues are really used for. Yes some of it is hard to digest but it’s the only way forward if you wish to break the spell. I have tried my very best to show you what is going on. I have tried my very best to alert you. Did I not forewarn and advise that monuments were being put in place in this area for ritual purposes years ago? Didn’t I? Have I managed to show you now that I wasn’t the madman? Can you see what I show you today? Nay can you start to believe what I show you today? Surely you don’t believe I have made it all up? Is the comedy carpet just a joke novelty attraction or is it a shrine to stars that sacrificed their hearts? Is the Tower Eye just a novelty observation post or is it an obelisk displaying the Eye of Horus on the Golden Mile? Will out of hours ceremonies really take place in the Golden Festival house? Is Festival House really on a par with the situation at Mecca? Or am I just a fruitcake? Do the bronze statues, those located at Morecambe and St Annes, mean anything else apart from decoration and ornamental value? Do people literally bow to the Sun when visiting them, be it a happy request or a serene thank you?
Do the PTB actually create the atmosphere in their own towns and therefore induce and attract the emotions of certain types of visitors to certain locations? If this is so then certainly they can and are purposely manipulated in certain locations to order? If so who ‘plans out’ and puts the certain apparatus in place that attracts the right clientele for this sort of situation to arise? Come on think about it. Can certain statues act like a mobile phone towers and extract or pass on energy. (See other works) Is the fact that certain selected artists’ celebrities are used repeatedly to use their personal and adopted ceremonial symbolism to carry out rituals or host occult ceremonies meaningless too? Is it a fact that they can leave their symbolism within occult monuments, or is displaying this symbolism in certain symbolic locations meaningless also? I have showed you some good examples of this situation in this work and I’m sure those that have followed my work will see that it is not meaningless. It is very pre-planned and very meaningful. Come on it is not 2004 now, it is 2012, look at what I have showed you and think. What about the Ken Dodd and Bessie Braddock symbolism situation? Could I make that up along with all the facts too? Well could I? COULD I? No could I bloody hell as like but I’m sure I’ll be ridiculed for pointing out things. The Dodd and Braddock symbolism is one of the best examples you will see, once it has been pointed out of course. And I assure you no one would see it. This stuff is not for anonymous bloggers, trying to impress 16-year-old schoolies and trying to look clever to brain-dead truthers. This is serious symbolism and important symbolism that will lead to powerful events.
Do the materials used in building the comedy carpet and other monuments matter? Yes of course they do! The ancient ritual sites around the world use special rocks and granites. The comedy carpet is exactly the same. Researchers and specialists have pondered for years why certain rocks were used or why the ancients literally searched high and low for certain rocks and carried them for miles. It is because they had to ‘fit in’ with the recipe for whatever ritual was actually taking place, but again note the emotions of the people had to fit in too. The respected experts working in the fields of stones and other substances are millions of years behind the knowledge already known in this word. And let me stress that the people building these ancient temples were just following orders and getting paid for it, the more mundane roles were carried out by slavery. They were not aware of what they were doing and neither do the physical creators of the comedy carpet and other monuments in this area now. The builders simply take the money and their ego takes the credit for the artwork they were programmed to deliver. But they are still hired muppets in the main. Some climb the ladder within the cliques and secret societies, but most sell their souls for much less, or they are simply oblivious to what is going on. Does the future appearance of Daddy Boy Elton John, the Serpent’s funeral director, mean nothing either? Do the five sense events I mentioned mean nothing either? Is the appearance of the likes of Cuadrilla a coincidence for instance?
It is our spiritual actions that create our physical reality. Our previous spiritual actions have already created the means to destroy this planet inside out and back to front. The sick greed and selfishness that festers in a sick human race cannot reap anything else with what it sows. So is the appearance of Cuadrilla really just a coincidence? As I said earlier in the article, Cuidrilla is there as a creator of destruction and/or a convenient scapegoat to whitewash the cause of any flood and fire situation that may arise. You may wish to note on a symbolic level that the word Cuadrilla means they are servants or a team of helpers for the Matador in a bullfight. Obviously that means spiritually that they symbolically assist in sacrificial rituals, which is what Cuadrilla literally means, it literally means ‘team sacrificial ritual’. (But shush because it’s just another one of my delusions) But what about the heart rituals too? What about the heart temple /shrine? What about the flashing heart on the tower? Is it on a par with the raised hearts on ancient pyramids with steep steps? Hey they didn’t have elevators in those days remember. What about the hearts of respected artists? I realise the situation is deep but that doesn’t means its lies or fantasy. It only means its deeper that your current level of consciousness. And again that level is still low. (I’m only the messenger remember!) Again I can’t make these things up I keep telling you. So why do you doubt my words when I tell the truth? Why do you prefer lies and entertainment? There are no doubts in my heart that the area is totally on a par with a heart
sacrificial shrine and temple in ancient times and my friends it is happening it is not a delusion. It is there in your face. I tell you the truth again. This apparatus is based on heart sacrifices and that is entirely because the Serpent requires these sacrificial heart rituals to take place for selfempowerment and to gain the free will acceptance of human beings to bring various levels of destructions in many areas of the world to appease 4th dimensional entities. To do this they will carry out human sacrifices until their master tell them to stop. Obviously I have at to some point to sum up my soothsaying prediction of a flood and fire event that I believe will take place somewhere along that coastline in the future. Obviously the ‘ultimate evidence of showing there is spiritual involvement from other dimensions actually going on’ can only ever be proven to the masses by actually predicted five-sense situations before they take place and therefore prophecy actually coming to pass. So I sum up my prophecy of serious fire and flood in that area by saying wait to see what bloody happens. My prophecy is clear and easily recognisable when it takes place (If it takes place). Sadly the prophecy I give is not just related to the Fylde coast area, but it does initially stem from there because of the ritualistic activity that has been carried out in the Fylde coast and Cumbria areas, and although flood and/or fire will take place there, it will be repeated in other areas later on. The Serpent will bring flood and fire to other places linked to the Sea Foam. I base this prophecy on many things and many years of research and spiritual activity but most of all I base it on
prophecy I was told previously and my own childhood experiences and the spiritual direction I follow. On a spiritual level Sea Form represents the ancient god Viracocha and it is the appearance of this Sea Foam that triggers me and it will bring a Flood of Tears for Viracocha. As far as showing spiritual truth in a collective five sense situation goes, I say ‘prophecy and fulfillment of prophecy’ is the only way to show spiritual ‘truth’ enmasse. When (if to you) my prophecy comes true then you know all my words on this matter were true. If my prophecy does not come true then I’m obviously totally full of shit. But come on, to most I’m completely full of shit already. But please remember my inner shit when the solar boat goes down the Thames in May and the slaves and drones dance around the Nike monument at the Queens shindig in June. Remember my inner shit when a Ferris wheel is illuminating Jerusalem and remember my inner shit when the ‘protesting drones’ are protesting at replica temples and museums in a place near you. That said, didn’t I already make prophecy that apparatus for ritual and occult monuments were going to be built on this Fylde coastline? Didn’t I say many years ago that events Beside the Seaside were going to increase massively? Did that prophecy not exist? I realise I was ignored in the main but that does not hide the facts now? Indeed I have already showed you that my previous words were true with the pictures on this article and I have now showed you the monuments and apparatus I knew were coming years ago, and I have truly given you the reason they are here today. So I already complete my past prophesy and, Behold, I do it in 2012, whilst being full
of shit or not. I also say behold the deceptive Serpent in all it does in this place, but I realise I talking to the deaf. If I am wrong then please wag your tongue in my direction and tell me I am a liar, pointing out where I am wrong? I give you the prophecy of a flood and fire situation for others not myself. I hope two things, the first is that I am gone from this world before this event happens, and secondly I hope there is little pain. Am I silly to predict an event like this? Yes of course I am. But make it I do. What can man do to me that it hasn’t already done? I’ve witnessed ‘all’ that man does from birth. I’ve been in ever crook and nanny on this ship heap of a planet and my god what a shit heap it is. That said I am only in this world now I’m no longer of it. And I am bloody well glad on that score so I make the prophecy without any qualms at all and I also make my prediction because of the spiritual guidance I now live under 24/7. I have true faith in absolutely nothing else. I share the same faith in man as a severely battered dog does. I also need to remind you and it should be noted that the Serpent Cult only require your spiritual free will and consent at the early stages of spiritual rituals. In this case bowing to Bring Me Sunshine monuments and in this case millions of humans have already done so, albeit unknowingly. Once the Serpent has the initial spiritual consent from the masses they can then ‘do as they please after all necessary surrender rituals have taken place’. The future becomes set in stone for that event because ritual creates the event. I believe the rituals on the Fylde coast will create the event I have foretold, hence my prophecy.
Some people find it hard to grasp why the Serpent Cult require our free will permission, through covert rituals, and how it gives then the right to rule us and carry out physical acts against us. It’s quite an easy explanation to provide to you really, and I have told the wall about this many times before. It is on a par with the political voting system we carry out on a five-sense level. For example, on a physical level, we willingly vote in a government to make our laws then they can go and have wars and commit mass murder in our name should they want to. We elected them to do so. We empower them, but that is easy to understand and accept because you see it all the time in your five sense lives and five sense governments don’t you? You can physically see it. The same scenario applies on a spiritual level too, although you cannot physically ‘see’ it. We are blind. We blindly vote in a spiritual force (The Serpent Cult) simply by taking part in continuous rituals that we do not understand. (Like the ones that will take place under Blackpool Tower Eye and bowing to bring Me Sunshine monuments. Again we literally vote in a spiritual force, via spiritual ritual, via a spiritual election if you like. It is exactly the same process as a five-sense election. Therefore if we spiritually vote for a spiritual force then that force can also do as it pleases ‘after we have elected it’. This is simply because it, The Serpent, literally has our permission to do so, and again it does not matter if we are conned in to voting the said force into power, through taking part in deceptive rituals, we still vote them in. Again it’s on a par with electing a deceptive five sense governments into power, only its spiritual not physical. It is an interdimensional election not an earthy one. OK?
Please understand our blind ignorance of universal laws is no excuse for our actions. If we vote in a spiritual power then we vote in that spiritual power. It does not matter if you vote in a spiritual power dancing in the moonlight under Blackpool Tower or we do it scoffing Turkey and mince pies at the winter solstice. Indeed the Serpent loves watching silly arsed egotistical apes, blowing tooters and wearing silly hats, whilst they enslave themselves and elect their masters. It is a big bloody laugh to them. All special rituals have a reason. The Serpent gets us to carry them out so they can simply do as they like after they have taken place. The events at places like Blackpool (As mentioned in this work) are rituals for special occasions. The rituals, amongst many other things like ‘initiation’ ceremonies, actually allow the Serpent Cult to carry out ‘acts of god’ and sadly because the rituals are carried through the universal laws and have the free will endorsement of the masses behind them, then the ritual will ALWAYS be successful. The Serpent will use the power you have given it even though you do not realise you have given it the power and you also do not realise you have given it well in advance of the physical event actually unfolding. That is why I carry out prophecy at this time, it’s because I understand the rituals. I understand what power you have given the serpent. I am just the same as anyone else and I cannot stop the true wishes of the masses from coming to pass, even if their wishes have been gained through deception and by taking part in rituals they have no perception of.
I realise many folks will laugh and smirk at part of what I am writing in this work and only time and events will wipe their smirk off their faces. I am the last person in the world to want to see any tragedy happen anywhere, but I especially do not want to see any more events happen on the Fylde coast, especially after the drowning of the cocklepickers a few years ago. I am a working class Lancashire Lad on a five-sense level, and Blackpool and Morecambe have played a large part in my life, man and boy, and the lives of my children. I can only hope my visions have other meanings but sadly I must confess that I realise, and therefore believe, that they do not. Although I do not really want to say these things, I say again that I believe a very sad event will take place in this area in the future and it is definitely linked to the combination of the occult symbolism being displayed and to the type of energy that has been attracted to the area in the last ten years. At the end of the day I can only show you what I have showed you. I cannot make you believe me. I wouldn’t want to do that anyway. I want you to believe you. That is the hardest belief to find because how can you believe you when you don’t even know who you are because you are so dumbed down? Oh sorry had you forgot that? We have covered quite another level of the meaning of monuments and artwork this time haven’t we? Yet I tell you the truth we have only gone up one notch in the scale of Serpent deception. Mind you, as I said earlier not many can see past a simply Ferris wheel never mind attempt to see levels beyond that. Your ego and your intellect scoff at such things don’t they? “Oh dear… silly Matt Delooze and his silly Ferris wheel
symbolism at the seaside eh? Let’s all laugh at Matty. Ha Ha ha-ha. HO HO ho-ho. The Serpent Cult realise we are too egotistical, too selfcentred, to see anything. We prefer to be enslaved rather than feel embarrassed about someone telling us about a simple Ferris wheel and its geometry. You want to wake up? Don’t make me laugh. You’d die of embarrassment at your own previous actions and intellect if you woke up. Our refusal to see what is under our noses because we are too intellectual is laughable. I don’t laugh at Matty because Matty was daft enough to see through a Ferris wheel. Because as daft as he is, he still actually realises that he is daft. If you don’t believe you are daft then you must believe you are not daft. If you believe you are not daft then you obviously think you are clever. The members of the clever brigade are the easiest of easiest to deceive and that is because they think they are far too clever to be deceived. The clever brigade has actually created the planet you now exist in because they are so clever. Wow how clever they are eh? That’s why silly arsed apes, whilst they happily believe they are the most intelligent things on the planet, are really still just silly arsed apes, real life, full-blown, silly arsed apes, playing fat lads for the Serpent. That is how clever the human race is? That’s why the Serpent Cult places things like comedy carpets underneath obelisks and all the apes do is shake their silly arses and dance on it to Elton Bloody John. And that’s how the Serpent Cult easily controls us. It’s a case of if you are daft enough to see what I point out in this
work. It never was a case of if you are clever enough to see what I point out in this work? Eeee int it grand when yer daft. Can you see why I wrote the previous seaside articles way back yet? Can you see why I was daft enough to write those things? If I was clever I’d be stupid and you’d be none the wiser today and I’d be long gone. Do you understand me now? It is time for me to leave the seaside and I’m glad about that. You have in your hands, even though I say it myself, esoteric information on how Serpent rituals are not only carried out but how the apparatus is actually created in stages too. You have in your hands information that will mean far more to you in the future than it does now. I therefore dedicate this work to those very few that didn’t shit on me and pretend I don’t exist. I dedicate this work to those that walked on Morecambe prom with me eight years ago and still walk on Blackpool comedy carpet with me now. If my prophecy is wrong and my writing is based on chronic delusion at least you witnessed the workings of the mind inside a mentally ill man. So please at least learn from that. Where did I begin to sum things up after the pages we have just gone through together? Have you a better glimpse of what the human race is doing to itself, or will you only believe me after a flood/fire takes place? Maybe it will be far too late to believe me then though? I have simply informed you of what I have researched and what I have been led to, not just recently either. Please feel
free to believe all the official versions of events on the Fylde, including the Comedy Carpet, Festival Headlands and the Tower Eye. I don’t mind. I really don’t. Those that are not from the UK please do not think that events in Blackpool do not affect you. They most certainly do and not only that there will be similar scenarios going on around the globe and in all major countries as we speak. Indeed I know of at least four myself. But you don’t have to believe me. That said, maybe its time, in 2012, for a few of you to put the smart phones down for a moment and actually look at what is going on around you. For the time will soon be upon us wherein the Serpent Cult will not need your free willed participation in ritual any longer and you will become instantly surplus to requirements. As I said, once they have our consent they can do as we requested. “Once the final rituals are performed in this world the apparatus simply becomes useless scrap material and the human ingredients are simply recycled or binned.” I believe some of you are capable of digesting and understanding what I have said in this work and understand it just as it was intended too. If so, we can progress and if we do that then I believe our journeys will be successful. My heart is and has always been dedicated to delivering the messages I bring to the few I know they will help, so I speak to those few below…. Progress can sometimes be instant and uplifting, but usually our subconscious or even our spiritual heart secretly incubates and slowly cultivates any good seeds that have been previously planted in us. I mean both the good seeds
we have accepted from others and the seeds present in us since birth. I have tried to plant seeds in you for many years now, hoping they will give you a crop of assistance when you need it most. Once we have ALL the seeds we require, our spirit will keep, in the main, any inner cultivation process totally separate from our five sense minds/lives (Serpent Programming). Your heart will protect the seeds as long as your heart wants to complete the journey the seeds can help you complete. If your heart no longer wants that journey the seeds will die. Again if your heart no longer wants that journey then the seeds will die. As the seeds start to germinate their embryonic root will inevitably have to find space in your inner garden and a conflict with the ‘Weeds’ (Serpent Programming) that are already well rooted in your inner garden will inevitably take place. This ‘good seeds v bad weeds’ situation cannot be helped and must take place if far more strenuous garden activity is to be avoided within us later on. This germination of spiritual seeds, as some of you have already experienced, over several years, will cause confusion and imbalance within you and life is difficult or will get difficult. Indeed an inevitable schizophrenic scenario appears, one that causes major battles within and around a genuine truthseeker. These inner battles can be most uncomfortable, both for the person experiencing such a battle and those people around them, living with them, but it is part of the awakening process. I know some of you are going through this situation. But once the roots from spiritual seeds get a grip things will become easier. That said the weeds in the garden are not just going to run to the compost heap without a fight for the soil, and they will dig in like a tick on a hound, be sure of that. Our five sense programmed minds
will use all the five sense gardening tools in existence against any seeds of truth you have incubating inside you. Do not think a quick rake over and a chat over the garden fence is adequate care of your inner garden in this situation. The more the seeds produce embryonic roots, the more the weeds will try to keep control of your inner garden and uproot the seeds and reclaim the soil. It will take all your patience and intuition to protect the seeds. If you take your eyes off your garden even for a few minutes the crows will fly in and eat them. THE CROWS WILL EAT THE SEEDS if you neglect your inner garden. It will not be an easy time. There is a gardener waiting to help you but it may suit some of you to build a scarecrow. But the gardener will not help those that are too lazy to look for weeds in their own garden and a scarecrow with a fancy hat on will not scare any crows. But if the gardener sees someone trying to help healthy seeds grow in their garden and struggling to tackle the weeds he will turn up and, roll up his sleeves, and use all the tools in his tool shed to make your garden beautiful again and if you put a steel hat on the scarecrow it will scare the crows away. So look after your seeds, have a decently made scarecrow and I’m sure the gardener will eventually come to help you reap what was sowed. I thank you for reading my work. May Love Reign O’er You. Matthew Delooze January 2012 Published 6th May 2012
© All Text Copyright Matthew Delooze 2012. All Rights reserved
And By Jove don’t say you weren’t told!
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