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Immortal Childhood By Hylian Dan, in Articles, The Missing Link on September 14th, 2011 150 Comments

Immortal Childhood
By Hylian Dan

Contents
1. 2. 3. 4. 5. 6. 7. 8. 9. 10. Introduction Home, Sweet Home… Good-bye, Great Deku Tree Transformation The Playground Mortal Life The Child’s Wrath The Guardian Tree The Seeds of the Future Immortal Childhood

Introduction
Restless souls wander where they don’t belong… —Ocarina of Time As Link roams across the mysterious Koholint Island, a ghost begins to follow behind him. It whispers, “…The house… …take me… …the house… …at the bay…” Link brings the ghost to its former home. The floors are cracked, the lights have dimmed. The spirit sadly drifts across the room. “…Nostalgia… …unchanged… …boo hoo…”

“…Enough… …cemetery… …take me… …my grave…”

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There is a common theme that runs through Link’s Awakening and Ocarina of Time. It is expressed more fully in Majora’s Mask, and summarized at the end of The Wind Waker. These four stories express what it means to live bound to the flow of time. They are stories about the beauty of mortality, the journey from childhood to adulthood and from life to death. They are about growing up and leaving behind the immortal playground of childhood, letting go of the familiar to venture out into the world that lies beyond.

Home, Sweet Home…
I wonder where these coconut trees come from? Tarin says there is nothing beyond the sea, but I believe there must be something over there…

Link, someday you will leave this island…I just know it in my heart… …Don’t ever forget me…If you do, I’ll never forgive you! —Marin Link’s Awakening tells the story of a boy who is shipwrecked on Koholint Island. He is told that the only way to leave the island is to awaken the Wind Fish, who lies sleeping in a giant egg atop a mountain. But as Link gets to know the island and its people, a question begins to form: Why leave? Koholint is nothing less than a paradise, an infinitely beautiful and comforting home. Link even finds a family in Marin and Tarin, who take Link in and enjoy spending time with him. Why leave? The answer to that question haunts the entirety of Link’s Awakening. It is conveyed in the form of the song Marin sings, the Ballad of the Wind Fish. The song expresses the feelings deep in Marin’s heart, the everlasting desire to see the world that lies beyond Koholint, if there is a world out there. But,

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again, the only way to leave the island is to awaken the Wind Fish. And as Link eventually learns, waking the Wind Fish means that Koholint will vanish, for the island is but a dream. The island paradise lies somewhere beyond time. When Link asks the children playing in Mabe Village when they came to Koholint, they are confused. Their minds cannot grasp the concept of “when.” Koholint stays the same forever, but Link does not. Neither, it seems, does Marin. They need to escape the dream world, escape to a world where “when” exists. The story of Link’s Awakening is effectively summarized by the metaphor of the Wind Fish’s egg. Life on Koholint is like that of a creature whose life begins inside an egg. The egg incubates the newborn, keeping it safe and comfortable. But the egg is not supposed to last forever. Eventually, the newborn must break the eggshell to enter the world beyond it. Once the shell is broken, the small world inside the egg vanishes forever.

Good-bye, Great Deku Tree
The flow of time is always cruel… Its speed seems different for each person, but no one can change it… —Sheik The opening chapter of Ocarina of Time plays out much like the story of Link’s Awakening, with Kokiri Forest taking the place of Koholint Island, Saria taking the place of Marin, and the Deku Tree taking the place of the Wind Fish. Like Koholint, the forest is a world where “when” does not seem to exist. The children of the forest always remain as children. The Deku Tree warns the Kokiri that they will die if they cross the barrier separating the forest from the outside world. While Link’s Awakening ended with Link’s decision to leave a timeless world, that decision is simply the beginning of the Hero of Time’s story. Ocarina of Time and Majora’s Mask are both about what it means to live in a world where “when” does exist. They explore how the flow of time shapes Link’s life, transforming both the world he lives in and the person he is at heart. The first part of the story, Ocarina of Time, focuses on the contrast between the world of the child and the world of the adult. In the beginning, Link is simply a child. Kokiri Forest is a child’s playground contained within a protective barrier. As the player, you feel this sense of childhood wonder. Mystical lights dance in the air. Hidden treasures wait to be found. Other children are there to play with; some are friends, some are bullies. At this point in the story, Link is young and inexperienced. When the Deku Tree dies, Navi tries to shield Link from the weight of the tragedy, quickly reminding him that they’re off to see Hyrule Castle. When Saria meets with Link to say good-bye, Link exits awkwardly. Throughout the first part of Ocarina of Time, Link sees the world of Hyrule through the eyes of a child. It is a wonderful, comforting place. There is mystery, there is friendship, and there is danger. There is so much to explore, and there is still a home to return to.

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But a transition occurs when Link passes through the Door of Time. The childhood world is torn away before Link has a chance to grow up, and he now sees the world of the adult… but still through the eyes of a child. It is a world of fear, loss, romance, and crushing responsibility. Link is not yet too adept at handling it all. During his relationship with Ruto, Link behaves irresponsibly. He has no clue how Ruto feels, staying focused on his own goals. He vanishes from her life for seven years, and when he returns he is oblivious as to how this has affected her. Players see Ruto as some weird psycho girl, because that is how Link perceives her; he has no insight into her feelings. He is still a child. The adult world is overwhelmed by a sense of loss and hardship. Places that once were full of life are now empty and abandoned. Link’s brief reunions with the Sages are tinged with sadness, for they each have separate paths to tread. These childhood friends are no longer a part of the world Link inhabits, though there is still the comfort offered through Saria’s Song.

The return to Kokiri Forest as an adult echoes the scene from Link’s Awakening when the ghost returned to haunt his old home. The people Link spent his childhood with don’t recognize him anymore; some fear that he has died. The stump where Saria once sat and played her ocarina with Link has been abandoned. The sense of nostalgia is painful. The world Link used to know has been taken away from him, stolen by time. Ultimately, Link is able to come to terms with the adult world. He triumphantly overthrows Ganondorf and restores peace and justice to Hyrule. Princess Zelda, however, witnesses the pain Link feels when she meets with him as Sheik. She offers him the chance to return home, the place where he is supposed to be, the way he is supposed to be.

Transformation
By doing one good deed, a child becomes an adult. —Cremia In Ocarina of Time, a child is abruptly thrown into harsh adulthood. Link does not truly belong there,
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and eventually his childhood world is restored. When the game ends, Link is left in an awkward place. He is not yet an adult, but he has been through too much to feel that he still belongs at his home as a child. He has grown restless. And so Majora’s Mask is about the transformation of Link’s spirit, as the Hero of Time leaves childhood behind to embrace the life of an adult. In Ocarina of Time, the exterior world changed to emphasize the contrast between the perspectives of a child and an adult. The world of Termina does not change as Hyrule did; it remains constant, frozen in a brief cycle of time. This time around, the change occurs inside Link. The world is different based only on how he perceives and approaches it. Once again, the game opens by casting the player into the body of a child, a young Deku Scrub. Link is turned into a child because he has lost his sense of confidence, allowing Skull Kid and his mask to take advantage of Link. This time around, childhood is accompanied by a sense of helplessness, fear, and confusion because something has been lost. The lives of strangers are shrouded in mystery, and the falling moon is an obstacle too powerful to overcome. Adults gush about the Deku Scrub’s cuteness while hiding their true feelings from him. They refuse to let him leave the town, for the field outside is too dangerous for a child. Next comes adolescence. Link’s original form is restored. The world opens up and he is able to venture beyond the walls of Clock Town. Adults demonstrate greater respect for him, and at times communicate with him on a deeper level. Link learns more about the people around him, their feelings and the lives they lead. He learns to handle these relationships more responsibly than the one he had with Ruto, and he is able to meet his obligations to these people instead of acting shocked whenever the subject of commitment arises. As the player progresses through the game, Link continues to grow and transform beyond adolescence. In the form of Darmani, Link takes on the role of a respected hero, a symbol of hope to a community that is barely clinging to life. As Mikau, Link gets a taste of what it means to be in a committed relationship. He observes just how much Mikau means to his girlfriend Lulu, a Ruto look-alike. The transformations place Link in the adult world once more. There is still tragedy, romance, and tremendous responsibility. But the sense of horror that pervaded Ocarina’s adult world has been replaced by a sense of belonging. Unlike Ocarina’s Link, Darmani and Mikau had truly transformed into adults. Link relives the three days again and again, each time gaining a more nuanced understanding of the world of Termina. He learns how to manage time, how to treat people, and how to change the world in ways that once seemed impossible. It gradually becomes apparent that Link is just as important to Clock Town and the surrounding places as Darmani and Mikau had been to their communities. Kafei’s role in the story serves as a sort of counterpart to Link’s. Kafei is an adult who is important to his community. Skull Kid finds him and uses Majora’s Mask to trap Kafei in the form of a vulnerable child. When a thief steals Kafei’s wedding mask, Kafei is too afraid to return home. He becomes intimidated by his obligations, so he simply runs away. He neglects the feelings of the people close to him, and they feel pain and confusion. His adult form is not restored until after he returns home and faces Anju.

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…Tee-hee! They’re lovers, but they look just like a mother and child. —Tatl The experience of Majora’s Mask shows that being an adult is not simply about having an older body. The game world is initially a sort of playground where children play hide and seek, but it subtly transforms into a much different place. It becomes a place where there are continuous obligations, where actions have consequences and people have feelings. As Link learns to navigate these complexities, he undergoes his own internal transformation, from a child to an adult. The game’s final transformation mask commemorates the person Link has become. At the beginning of the game, Majora’s Mask recognizes the weakness inside Link, and the mask alters Link’s shape so that his external form reveals Link’s true self: a lost child. Link meets with Majora’s Mask again at the end of the game, but this time the mask offers him the Fierce Deity’s Mask. Link transforms into the Fierce Deity, and once again his outer form reveals his true self: a wise, powerful, and courageous adult.

The Playground
A thing that does not change with time is a memory of younger days. —Sheik The themes of childhood and adulthood are key elements of the Hero of Time’s story, but the true meaning behind Link’s Awakening, Ocarina of Time, and Majora’s Mask runs even deeper. This meaning involves the relationship between two worlds: one that stays the same forever, and one where “when” exists. The Hero of Time’s story begins in a world of immortal childhood, where the children always remain as children. The hero leaves the unchanging world, even though he is warned that those who leave will one day die. From there, the story revolves around Link’s relationship to the flow of time and how it changes him. In Ocarina, players see the world of adulthood from the perspective of a child. Majora then
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transforms players so that they see the world from the perspective of an adult, and realize that it is not as bad as it once seemed. And finally, towards the end of the story, players see childhood through the eyes of an adult.

This takes place during the finale of Majora, when players enter the world beyond the moon. There is a serene field where children play beneath a magnificent tree. This setting and the events that unfold here contain several layers of allegory that, once understood, reveal the central meaning of the story. Once again, the scene when Koholint’s ghost returns to his house is important here. The field offers Link a glimpse of a beautiful world that he no longer belongs to. The image of the children playing beneath the tree recalls Link’s own childhood, when he lived with the Kokiri in the forest of the Great Deku Tree. Though the children here are strangers, the scene is hauntingly familiar. “…Nostalgia… …unchanged…” Like the ghost who took one last look at his earthly home before going to his eternal resting place, Link returns to the world of his childhood one last time before he leaves it behind forever to become the Fierce Deity. The setting itself, the playground of the masked children, has clear ties to Termina. The tree standing at the heart of the playground mirrors the Clock Tower standing at the heart of Termina. The Clock Tower counts down the hours as time passes by. Termina is bound to the flow of time, but the playground beyond the moon is eternal. The Clock Tower symbolizes mortality, while the tree symbolizes immortality. The playground is a paradise untouched by time, an infinitely beautiful and comforting home to the masked children. In this sense, it is just like Koholint Island. However, the tranquility of the scene is disrupted by the roars of distant earthquakes. Like the Ballad of the Wind Fish, these tremors represent the call of the world beyond, a voice asking the dreamers to awaken. Each of the masked children asks to play with Link when he appears in the playground. There are five children, akin to the five members of the Bombers who play with Link. Four of the masked children ask Link to play hide and seek once again. When he finds each of the four children, they are waiting for him in a brightly painted room. Simple, colorful patterns adorn the walls, floor, and ceiling. The room is a child’s playpen.

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In these rooms, each child asks Link a question: Your friends…What kind of…people are they? I wonder… Do those people…think of you…as a friend? You…What makes you…happy? I wonder…What makes you happy… Does it make…others happy, too? The right thing…What is it? I wonder…If you do the right thing… Does it really make…everybody…happy? Your true face…What kind of…face is it? I wonder…The face under the mask… Is that…your true face? —The Masked Children The questions reveal that the kids are starting to grow up. They’re starting to wonder about the feelings of the people around them, the nature of right and wrong, and whether they should accept things at face value. These questions are the first steps on the path to adulthood. When Link returns to the field, these children have left. This process represents the end of childhood, but there is also a grander level of symbolism at work. The rooms where the children wait for Link contain four blocks, each with the face of the moon painted on its sides. The blocks are arranged in a compass pattern, representing the four giants and the four worlds of Termina. Termina is represented as a playpen. The more time the player spends in Termina, the smaller the world seems to become. At first, it towers above the young Deku Scrub. But Link’s body is a little taller, and the bodies of Darmani and Mikau are taller still. The player takes on larger forms as the game progresses, even becoming a giant briefly. The larger the player becomes, the smaller the surrounding world appears. When Link stands in the Termina-like playpens, the effect is similar to donning the Giant’s Mask in Twinmold’s arena. The world is so small because in his heart, Link has become a giant. He has outgrown Termina. When the children vanish from the field, it does not simply represent a child entering the adult world. It also symbolizes a soul leaving Termina, letting go of the world of the living to see what lies beyond death.

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Mortal Life
The rising sun will eventually set, a newborn’s life will fade. From sun to moon, moon to sun. Give peaceful rest to the living dead. —Inscription on the Royal Family’s Tomb Throughout Majora’s Mask, the moon is a symbol of death. It is the source of the ominous earthquakes, the voice telling the children that they have no time left to spend in the playground. Termina is a mortal world, and all things mortal must eventually end. This is the condition Link accepts at the start of Ocarina when he leaves Kokiri Forest: he will one day die. (Since Link is a Hylian, not a Kokiri, this would have applied regardless. But Link did not have that knowledge when he made his choice, and neither did players. By leaving the forest, Link and players accept the prospect of death.) The great conflict of Majora is the fact that a world is facing its death. The player is able to observe the different ways people handle the inevitability of the end. Some run away in fear, some hide in the corners of their homes crying. Some abandon all hope and go for one last drink at the bar, while others stand and face the falling moon, cursing it in a fit of madness. Some think of all that has been left unseen and undone, love that has been lost, mistakes that have been made, time that has been wasted. But there are others who find peace. They hold their loved ones close and prepare to greet the morning together. The player has two overarching tasks: to help the people of Termina find acceptance and strength in the face of death, and to grant them more time to spend in the playground that is the living world. There are also others who have been torn away from the playground but continue to haunt it; they are the living dead. Kamaro died before he could teach the world his dance. Darmani died before he could save his people. Mikau dies while his lover still gazes at the sea hopelessly. The land of Ikana has been cursed so that the dead cannot escape it. They roam the earth, plagued with regret. Gibdos wander about underground, longing for worldly pleasures. Sharp and Flat are bound to their old feud. The King and his servants lurk in the darkness of their castle for eternity. That scene from Link’s Awakening plays out again and again in Majora’s Mask: tormented souls haunt their old homes, yearning for a world where they no longer belong. To them, Link must bring peace.

The Child’s Wrath
Why must you leave? Why do you not stay? —The Imp In the field with the tree, there is one child who does not leave. The child sits beneath the tree of

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immortality, holding on to it like Gollum clutching the Ring—the Ring that prolongs life long after all of its beauty has faded away. The four children leave the playground, but the child wearing Majora’s Mask continues to haunt it.

This child wants his days in the playground to never end. Skull Kid wanted the giants to be with him forever. Skull Kid and Majora’s Mask cannot stand life in a mortal world. They cannot accept change, they cannot accept that things end. Thus, the true enemy of Majora’s Mask is time itself. The mask’s ultimate objective is to end the flow of time, to end the mortal world where time exists. Hence the symbolic imagery of the falling moon destroying the Clock Tower. Majora’s Mask desires only unchanging immortality, a folly that both Ocarina of Time and Link’s Awakening warn against. Koholint Island is at risk of transforming into a nightmare if the dreamer stays too long. Kokiri Forest is shielded by a curse: mortals who enter the immortal forest turn into monsters. This sort of danger is epitomized by the monster Link battles at the end of Majora’s Mask. When the child sitting under the tree asks to play with Link, the two enter a giant, perverted playpen. It is filled with deadly toys: masks that fire beams of light, and sharp spinning tops that explode. This arena is the opposite of the shrunken playpens of the four other children. Those children outgrew their playpens, but the walls of this playpen tower above the monstrous child who calls it home.

That is what Majora truly is: a child who refuses to grow up. Its three manifestations represent childish immaturity. The Child’s Mask hides the child’s true self behind a facade, the Child’s Incarnation lives for the joys of playtime, and the Child’s Wrath lashes out at the world in selfish

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anger. It holds two monstrous, tentacle-like whips perfect for grabbing hold of something and never letting go. It delights in the agony of those around it and screams in horror and pain whenever it is wounded. This monster is the antithesis of the other four children and the altruistic questions they ask. Bratty, self-centered kids generally need stern parents. Hence, the Fierce Deity. If Link faces the bully in any other body, it is terribly powerful. But the Fierce Deity utterly overpowers Majora’s forms. The adult silences the wailing child as time’s hero brings Majora’s Mask’s playtime to an end.

The Guardian Tree
Whenever there is a meeting, a parting is sure to follow. However, that parting need not last forever. Whether a parting be forever or merely for a short time… that is up to you. —The Happy Mask Salesman The tree standing in the playground represents all that is beautiful in life, all that is beloved and invaluable. However, time causes all things to fade. Life’s greatest treasures do not last forever. Those who love the tree must learn to let go of it when time comes to take it away. This is why the Hero of Time’s story begins with the death of the Great Deku Tree. Throughout Ocarina and Majora, trees and tree stumps are used to represent simple beauty and tragic loss. One of the brightest aspects of Link’s childhood is his friendship with Saria. When Link returns to the Sacred Forest Meadow where she taught him Saria’s Song, he pauses for a moment beside the empty tree stump. When Skull Kid became friends with Tatl and Tael, he carved a picture of the three of them in a tree. After their friendship becomes fragmented, Tatl sees the carving and remembers those happier days. Saria’s Song plays during this sequence. Early in Majora, Link finds a tree that looks like it’s about to cry. The tree is the dead body of the Deku Butler’s son—Skull Kid killed it to create Link’s Deku Scrub form. At the end of the game, the Deku Butler kneels before the tree and mourns his son.

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Majora’s Mask represents the temptation to sit beneath that tree forever, to never let go of it. The only way to grow is to overcome that temptation. Majora’s story is framed by Link’s search for Navi. Though players generally have mixed feelings about this guardian fairy, she meant an awful lot to Link. As a kid, Link was bullied for being different, being the one Kokiri with no fairy companion. The carvings at the base of Link’s home show a dinosaur fighting a warrior who has a fairy at his side, showing how Link longed for this companionship. When Navi came to Link, his whole life changed. Saria was happy for him, and he could stand up to Mido. Navi was with Link when he left the forest, when he lost seven years of his life, when he returned home and no one recognized him. She believed in him, supported him, and kept him headed in the right direction. For every meeting, there is a parting. Without Navi, Link feels lost and alone. Link’s feelings towards his beloved guardian and friend are represented by the beauty of the immortal tree in the field beyond the moon. Link has been separated from the tree. The fear and confusion inherent in Majora’s first three-day cycle represent Link’s resulting mental state. Whether the parting, the period of mourning, lasts forever or merely for a short time… that is up to him. At the heart of Majora’s Mask is the story of Link recovering from the loss of his friend, the story of Link learning to let go of the tree. The game ends with Saria’s Song playing over the image of a tree stump where Link carves his memories of Termina: he let go of one tree and found a new one. For the Deku Butler, for the Goron Elder’s son, and for Lulu, the story is about to begin again.

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The Seeds of the Future
I can see this girl’s dreams. Oceans… Oceans… Oceans… Oceans… Oceans as far as the eye can see. —Ganondorf The Wind Waker tells this same story of mortality and immortality, of beauty and loss, of wandering spirits with lingering regrets. In this game, the ancient kingdom of Hyrule represents the immortal world, and the Great Sea is the mortal world. The part of Koholint’s ghost is played by Ganondorf and King Daphnes, who are overwhelmed with nostalgia for their lost home. One of the great highlights of the game is the discovery of Hyrule sleeping on the ocean floor. For most of the game, the player sees only vast seas with small islands scattered across them, but here there are tall mountains and rolling hills. This contrast between ocean and land is akin to the contrast Majora created between the world of the three-day cycle and the field where time stands still. When Link first finds Hyrule, it is frozen in time. Hyrule is the past, and the Great Sea is the present. As for the future, Ganondorf makes it clear that he sees nothing there: So many pathetic creatures, scattered across a handful of islands, drifting on this sea like fallen leaves on a forgotten pool… What can they possibly hope to achieve? —Ganondorf Ganondorf and Daphnes both perceive Hyrule the way the Hero of Time perceives Navi, the way Skull Kid perceives his days with the giants, the way the Deku King perceives his daughter: a lone, beautiful tree surrounded by vast, barren fields. When the tree is lost, all that remains is seeming emptiness.

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As Ganondorf prepares to touch the Triforce, his wish is for the tree to be restored to him: Gods! Hear that which I desire! Expose this land to the rays of the sun once more! Let them burn forth! Give Hyrule to me!!! —Ganondorf But the King of Hyrule learns the same lesson that Link learned in Majora’s Mask: the only way to move forward is to let go of the tree. Gods of the Triforce! Hear that which I desire! Hope! I desire hope for these children! Give them a future! Wash away this ancient land of Hyrule! Let a ray of hope shine on the future of the world!!! —King Daphnes As the King speaks his wish, a choir sings the Serenade of Water from Ocarina of Time. Time passes, people move. Like a river’s flow, it never ends. A childish mind will turn to noble ambition… Young love will become deep affection… The clear water’s surface reflects growth… Now, listen to the Serenade of Water to reflect upon yourself… —Sheik The King’s wish reflects his own growth. Ganondorf would have reversed the flow of time’s river so that he could relive the past, but the King lets the water wash away the ancient world. Ganondorf, like Majora’s Mask, cannot stand the idea of a world that moves forward, so he attempts to destroy the King’s hope for the future by killing Link and Tetra. When Link defeats Ganondorf, the emissary of the past turns to stone. The King of Hyrule then speaks the message that Link’s Awakening, Ocarina of Time, Majora’s Mask, and The Wind Waker have all been preparing: My children… Listen to me. I have lived regretting the past. And I have faced those regrets. If only I could do things over again… Not a day of my life has gone by without my thoughts turning to my kingdom of old. I have lived bound to Hyrule. In that sense, I was the same as Ganondorf. But you… I want you to live for the future. There may be nothing left for you… But despite that, you must look forward and walk a path of hope, trusting that it will sustain you when darkness comes. Farewell… This is the only world that your ancestors were able to leave you. Please…forgive us. —King Daphnes

Immortal Childhood
This island is going to disappear…

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Our world is going to disappear… Our world… Our… world… —The Nightmares Ocarina of Time begins with Link venturing beyond the confines of his familiar playpen, even if it means his death. This act is what the Legend of Zelda series is all about. The magical feeling players sense in these games is this curiosity, this thirst for discovery, this desire for adventure. It is the call of the future. In Majora’s Mask, this call is represented by the terrifying moon. The people of Termina live clinging to something, holding onto regrets, and thus the prospect of embracing the future frightens them. Link’s Awakening and The Wind Waker both use wind to symbolize moving forward. One game has Link awakening the Wind Fish and the other game is titled The Wind Waker. It ends with Tetra and Link setting sail, letting the wind guide them to a new land. Dream and reality, past and present, immortality and mortality: two worlds, one beyond the reach of time, the other governed by it. The relationship between these two worlds is the theme these four games continuously explore, symbolized by Majora’s juxtaposition of the tree and the Clock Tower. There is the timeless world of childhood, where children play under the supervision of a loving guardian, free from obligations. And there is the passing world of adulthood, where lives are lived according to schedules and everything has an end. As beautiful as childhood’s playground is, eventually children yearn for something more, like Marin longing to see what lies beyond the sea. But when they leave childhood it vanishes forever, like Koholint Island. They enter a new territory, the mortal world of adulthood. But as time passes, even this world becomes smaller, seeming like another playground with finite boundaries. And finally they leave behind this world as well. The living world is like the inside of an egg. Once the shell is broken, that world is gone forever. The rising sun will eventually set, a newborn’s life will fade. From sun to moon, moon to sun. Give peaceful rest to the living dead.

Restless souls wander where they don’t belong. Bring them calm with the Sun’s Song. —Ocarina of Time The first line of this poem uses the sun to symbolize life, and in Majora’s Mask the moon symbolizes death. Therefore, the meaning of the second line is this: From life to death, death to life. Time marches on and carries the living with it. One day, it asks them to let go of childhood. Another

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day, it asks them to let go of life. Time brings all things to their end—to termina—and then it releases them. This is the order of the mortal world. The Nightmares, Majora’s Mask, and Ganondorf all try to destroy this order because they are clinging to something precious. The Nightmares want Koholint to last forever, Majora’s Mask wants playtime to last forever, and Ganondorf wants Hyrule to last forever. They all live needing their playpens, in a perpetual state of childhood. Trapped in a mortal existence, they thirst for immortality. For something to truly be immortal, it must be free from the reach of time. The only way to escape time is through death, through an ending. Those who try to hold onto something beautiful forever do not let that beautiful thing die, even as time drains its life. They become like Koholint’s ghost: restless souls, forever haunting that which is gone. As Sheik says to Link in the Sacred Forest Meadow, “The flow of time is always cruel. Its speed seems different to each person, but no one can change it.

“A thing that does not change with time is a memory of younger days.” When something is lost, that thing transforms, escaping time and becoming a memory. Memories are immortal: they stay the same forever, their beauty never fading. Immortals yearn for mortality, and mortals yearn for immortality. To find peace, the two worlds must exist in harmony. Though they are apart, memory is the link that binds them together. We let go of the tree to explore the world beyond it, but the tree is never lost. I am the Wind Fish… Long has been my slumber… In my dreams… an egg appeared and was surrounded by an island, with people, animals, an entire world! But, verily, it be the nature of dreams to end! When I dost awaken, Koholint will be gone… Only the memory of this dream land will exist in the waking world… Someday, thou may recall this island… That memory must be the real dream world… ………… Come Link… Let us awaken… together!! —Link’s Awakening

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About the Author Dan Merrill, aka Hylian Dan, attends Champlain College in Burlington, Vermont, where he is majoring in electronic game design. His portfolio can be found at www.danvmerrill.com. E-mail: hyliandan [at] zeldauniverse.net Tags immortal childhood, philosophy, The Legend of Zelda: Link's Awakening, The Legend of Zelda: Majora's Mask, the legend of zelda: ocarina of time, The Legend of Zelda: The Wind Waker More Cool Stuff

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The N3 Newswire for June 15 | MonsterVine.com
[...] E3 lineup? –Hands on with The Legend of Zelda: Spirit Tracks (SB’s pick!) –How Link can be an insight on the journey from child to adult (SB’s pick!) The evolution of some of your favorite games –New Tales of Graces screens [...] TheKhaion · 172 weeks ago +12

I just love some parts they are saying! Like Sheik's : Time passes, people move. Like a river’s flow, it never ends. A childish mind will turn to noble ambition… Young love will become deep affection… The clear water’s surface reflects growth… Now, listen to the Serenade of Water to reflect upon yourself… That's so thouching...
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2 replies · active 17 weeks ago +10

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karadom · 172 weeks ago i liked the one the happy mask salesmen said

Whenever there is a meeting, a parting is sure to follow. However, that parting need not last forever. Whether a parting be forever or merely for a short time… that is up to you.
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1 reply · active less than 1 minute ago +15

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Thomas · 172 weeks ago

I love the articles Hylian Dan makes. They add 99 more levels of depth to these games stories, and are insanely intresting to read. Please have more stuff like this on the way!
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Azerik 0p · 172 weeks ago That was purely epic. No other word for it.

I particularly like your comparing of the masks in MM to Link's mental state. Put things into a whole new perspective. I salute you Hylian Dan!
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Triforce of the Gods 82p · 172 weeks ago Great article as always Dan!

+11

I just never pick up on these things when I play the games. It's nice to be able to read them from you to think about.
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1 reply · active 86 weeks ago +1

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Cory · 172 weeks ago I agree, that was epic. I didn't understand the "giant, perverted playpen" though.
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6 replies · active 86 weeks ago +9

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KeeSomething · 172 weeks ago

I love how you used Wind Waker’s climax as the climax of your theory. Nice touch and the build up from the beginning to the end of your theory really make for an exciting and enticing read. King Daphne’s speech is placed perfectly—it makes the read (or me, at least) feel like everything you’ve been saying is now proven within the games text without question. I’m also pretty fond of how you used the ghost’s little story from Link’s Awakening to tie all the games together. It was very simple and effective. You make it all seem so obvious when that idea really never crossed my mind at all.
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Derek · 172 weeks ago

That was truly fascinating! I had never looked into Majora's Mask that deeply. I had picked up on some of the things mentioned in OoT and WW, but I had never put it all together like that before. Its interesting to see the connection between of this theme through the different games. Amazing job! Definitely one of the best articles about Zelda that I have ever read.
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Black_Mamba 1p · 172 weeks ago Brilliant.

Your ability to recognize key moments and symbols is incredible. To weave a coherent thread through four games that released over the span of more than a decade is impressive in itself, but it's your use of relevant quotations and evidence that really drive your message home. You've done what great scholars do, but for a medium we actually care about. You've single-handedly deepened the world of Zelda beyond a level anyone would have thought possible. I do not think it an exaggeration to suggest that you are the foremost authority on Zelda's story in the entire world. Your insight exposes the relative poverty of time-line bickering. Needless to say, I enjoyed it and will save the web-page to my computer to keep for all time.
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Caulaincourt · 172 weeks ago My jaw dropped so many times. Just when you think you've discovered everything, the games surprises you.
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+7

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Meralia · 172 weeks ago

What an awesome article! Wow some people really put some thought into these games, I would have never picked up on all of this. Just amazing, this blew my mind, now I'll have something to think about at work this week...
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CrimsonJuiceBox · 172 weeks ago This adds so much depth I'd never even thought about or realised existed before. The final line about the tree was just so... perfect. As someone else said, this is one of the best zelda articles I've ever read. wow.
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swizzles · 172 weeks ago This was an amazing article. I loved it, it's so deep and touching. Fantastic! :)
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Enrique Partida · 172 weeks ago

i agre, o love this article, makes you think and makes you wanna play all zeldas again and to think about it, very nice boy :)
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1 reply · active 86 weeks ago +7

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Darkus Triforce · 172 weeks ago wow. i never knew majora's mask could be so... deep...
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2 replies · active 86 weeks ago +11

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ilia · 172 weeks ago That made me cry. It said a lot about life and time. Touching.
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Sol · 172 weeks ago wow

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this was a great read! it compels me so much! now i have a lot of reflecting whenever i play these games more please!
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Average Gamer · 172 weeks ago

This analysis is written well and pretty good overall. Right off the bat the article seems more like an observation and less like a forced opinion, making it better (in my opinion) than your previous article. I only have a few comments: In my opinion, Zelda trying to send Link back to "The way he is supposed to be," felt more like Zelda making one last mistake, with the price being paid in the backstory of TWW. Link was born to be the Hero of Time and to be in the Hyrule that he saved. Sending Link out of that Hyrule and separating him from his fate feels like the opposite of what was meant to be. Regarding Link's "lost confidence" in MM's opening, I never felt like Link lost any confidence. The opening felt more like a series of plot devices intended to drag Link into Termina. Also, I felt that the initial helplessness presented by the Deku Scrub form came from the fact that Deku Scrubs naturally seem to be feeble creatures, not from the Deku Scrub's age. The moon field analysis was well done. While your comments were interesting, be careful not to lose sight of the fact that the field mainly appeared to be a representation of Skull Kid's thoughts, not Link's. As for Majora's Mask, it is the cause of the troubles in the world of Termina, not something reacting to the troubles. The mask does not seem to be trying to preserve the past in any way, and slamming the moon into the ground would presumably destroy the "timeless" field as well. Also, in the Japanese version of Majora's Mask, the child under the tree wanted to play tag, which is basically called "Catch the Oni" in Japan. The Fierce Deity Mask was called the Oni God Mask in the Japanese version of the game. Thus, the Fierce Deity doesn't seem to be in any sort of parental role; if anything, it would be another child playing a game. This was ultimately a good article. Thanks for writing it.
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2 replies · active 85 weeks ago +6

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JPiazza · 172 weeks ago

This has got to be the greatest connection of the Legend of Zelda games that I have ever read. Hylian Dan is an amazing and truly gifted writer. I look forward to reading more of your work.
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mike · 172 weeks ago

Wao! Esta geniaaal! Todo lo qe pusiste me hizo recordar muchos momentos del juego... Me hizo analizar sobre mi persona...! Super genial! de verdad!! no se qe decir! Eres grande!

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Anonymous · 172 weeks ago

Some of the things written in this article have changed my perspective on not only the Zelda games, but life itself. Thank you for that.
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Okralord 30p · 172 weeks ago Great job man. It makes me want to play MM again.
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1 reply · active 86 weeks ago +13

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Dead Zealot · 172 weeks ago God, that was beautiful. I cried a little...You have turned Zelda into a religious experience for me, Dan.
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Shaelyn · 172 weeks ago

I've read up to the point that TWW was mentioned, since I haven't yet completed the game. (The Seeds of the Future) I'm curious about where ALttP fits in with all of this though. ALttP seems to have that same land that was meant to be untouched (the Golden Land), and like in Link's Awakening, how paradise turned into a nightmare after staying too long on Koholint, the Golden Land transformed into the Dark World. I have this gut feeling that ALttP is also a piece of the puzzle in the article you wrote, and I'd love to hear your thoughts on it, Dan. you always do a wonderful job on your articles; I look forward to reading more. <3
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Link is a young boy living in Skyloft, a land that floats high above the clouds. Although the people of Skyloft are oblivious to the existence of a world below, Link realizes that is not the case when he and his close friend Zelda encounter a tornado and Zelda falls below the clouds. When the mysterious Fi appears before him telling him that Zelda is still alive and asks for his help, it’s up to Link to save the world below. Media Official Artwork Screenshots Logo and Box Artwork Videos and Trailers Reviews and Articles In-depth Skyward Sword Review Chuggaaconroy’s Skyward Sword Review Skyward Sword’s Art Style: Straddling the Line or Walking a New Path? by The Wolfess

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A young boy named Link is plagued by recurring nightmares. He dreams that he is standing outside a castle on a dark and stormy night while a frightened young girl races by on horseback, pursued by a wicked-looking man in black armor. Little does Link know that these are more than just dreams, until one morning he is woken by a fairy messenger to begin the adventure of a lifetime. Widely considered to be one of the best video games of all time, this Nintendo 64 classic brings the legend to a whole new generation with a Nintendo 3DS remake. Re-Releases

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Those who pre-ordered The Wind Waker in 2003 received a two-game bonus disc which contained the original Ocarina of Time along with a slightly different and more difficult version of the game, entitled Ocarina of Time: Master Quest. Ocarina of Time was also included on the Collector’s Edition Disc later the same year. Ocarina of Time was recently remade for the Nintendo 3DS handheld system and released on June 19th, 2011 in the US. The game recieved a full graphical upgrade in addition to the conversion to 3D and various new modes of play including a remake of Master Quest. Media Character Models Enemy Models Screenshots Miscellaneous Artwork Reviews and Articles Zelda Universe's Official Review of Ocarina of Time The Difficulty of Ocarina of Time, by Matt Retrospective Remembrance: The Ocarina of Time, by Power Shot General Information Prologue Characters Items and Equipment Maps Standard Guides Enemy Guide Boss Guide Pieces of Heart Trading Sequence Game Shark Codes Cheats and Tips Game-Specific Guides Ocarina Songs Bean Beds Gold Skulltulas Big Poes Cow Locations Beta Quest Japanese Promo Guide Master Quest Information & Guides Overview Maps Ocarina of Time Launch Text Walkthrough Video Walkthrough Ocarina of Time: Master Quest Launch Text Walkthrough

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As the new day dawns, a young apprentice named Link makes his way to his train engineer certification ceremony at Hyrule Castle. During the ceremony, the lovely Princess Zelda takes him aside and tells him the terrible news that the spirit tracks are disappearing! En route to visit the wise woman Anjean, the two are apprehended by some rogue characters who attack Zelda and carry away her body! Luckily, her spirit manages to escape and she accompanies Link to the Tower where Anjean reveals the terrible truth that the Demon King is breaking free of his prison and may soon plague the land again. Can Link find and restore the spirit tracks in time to stop this happening? Can he reconnect Zelda with her earthly body? Only time and true courage will tell... Media Official Artwork Screenshots Logo & Box Artwork Videos and Trailers Reviews and Articles Back to Hyrule: A Spirit Tracks Review, by Jason The 100-Year Itch, by pipking Roundtable: Thoughts on ST First Trailer General Information Prologue Characters Items and Equipment Standard Guides Enemy Guide Bosses and Mini Bosses

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Super Smash Bros. Melee was the Nintendo Gamecube’s hottest title, which made Super Smash Bros. Brawl the most anticipated title for Wii. The Super Smash Bros. series pits everybody’s favorite Nintendo franchises against one another to duke it out and answer one question: Who is the ultimate warrior? Brawl extends the gameplay and features of previous Smash Bros. incarnations, making it not only the most action-packed and complete Smash Bros. game to date, but also the most compelling and intense battle experience the gaming world has ever seen. Oh, and Link’s in it, too. Media Character Artwork Item Artwork Screenshots Miscellaneous Artwork Reviews "Warning: Challenger Approaching!" - A Review by Power Shot General Information Characters Items
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Link returns from The Legend of Zelda: Twilight Princess to pick up the Wii Zapper and take aim at a host of targets in this shooting-gallery-style game. Bundled with the Wii Zapper peripheral, Link’s Crossbow Training offers a wide variety of gameplay, from shooting stationary targets to defending a supply wagon from onrushing hordes of enemies. Multiplayer modes let players and their friends share a Wii Zapper to shoot for the high score. General Information Characters Items and Equipment Standard Guides Enemies and Bosses Level One: Ordon Target Practice Level Two: Goron Target Practice Level Three: Kakariko Target Practice Level Four: Zora River Target Practice Level Five: Oocca Target Practice Level Six: Ordon Target Practice 2 Level Seven: Underground Target Practice Level Eight: Horseback Target Practice Final Level: Ranch Target Practice

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About three months have passed since the events of The Legend of Zelda: The Wind Waker, and Link, Tetra and Tetra’s band of pirates have set sail in search of new lands. They come across a patch of ocean covered in a dense fog, in which they discover an abandoned ghost ship. Tetra falls into danger when she explores the ship alone, and Link falls into the ocean when he attempts to rescue her. After washing up unconscious on the shores of a mysterious island, he is awakened by the sound of a fairy’s voice. With the aid of this fairy, he sets off to find Tetra – and his way back to the seas he once knew. Media Character Artwork Enemy Artwork Screenshots Miscellaneous Artwork Reviews and Articles Through the Slimy Seas, by Jason General Information Characters Items and Equipment Standard Guides Enemy Guide Boss Guide Heart Containers Game-Specific Guides Ship Parts Fishing Spirit Gems Golden Frogs Mini Games

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Tingle’s Rosy Rupeeland was released only in Japan and Europe, never making it to the USA due to lackluster sales. Surprisingly, the game was well-received among those who did play and review the game. You play as Tingle, a 35-year-old (and single) man lost in the world. Guided by the mysterious figure Uncle Rupee, Tingle fills a mystical spring with money and gain access to the wonderful Rupeeland, a paradise where nobody has to work. Along the way, hire body guards to protect Tingle – but from what? All may not be as it seems in Tingle’s quest for monetary gain, and Rupeeland just might not be so rosy after all... Unfortunately, Zelda Universe has no guides right now for Tingle's Rosy Rupeeland. We're in the process of developing our first guide for this game, however, to check back soon! Unfortunately, we do not offer a walkthrough for Tingle's Rosy Rupeeland. :'(

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Link, a young man raised as a wrangler in a rural village, is given his task by one of his friends, Rusl; Link must take a special sword and shield to Hyrule Castle, as a gift from Ordon Village. But before he can even leave the village, he is pulled into a disastrous series of events which put his and his friends’ lives in danger. When he enters the Twilight Realm that has covered Hyrule, he transforms into a wolf and is captured. A mysterious figure named Midna helps him break free, and with the aid of her magic, they set off to free the land from the shadows. Media Character Artwork Enemy Artwork Screenshots Miscellaneous Artwork Reviews Review by Leminnes, Pipking and GDwarf General Information Game Overview Game Transcript Characters Items and Equipment Standard Guides Enemy Guide Boss Guide Pieces of Heart Game-Specific Guides Hidden Skills Golden Bugs Poe Souls Cave of Ordeals Launch Text Walkthrough

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A long, long time ago, when the world was on the verge of being swallowed by shadow, the tiny Picori appeared from the sky, bringing the hero of men a sword and a golden light. With wisdom and courage, the hero drove out the darkness. When peace had been restored, the people enshrined that blade with care... Media Character Artwork Enemy Artwork Screenshots Miscellaneous Artwork Reviews Zelda Universe's Official Review of The Minish Cap General Information Prologue Characters Items and Equipment Maps Standard Guides Enemy Guide Boss Guide Game-Specific Guides Swordsman Newsletters Swordsmen/Trainers Kinstone Fusions Goron Quest Launch Text Walkthrough

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Long ago in the inner reaches of Hyrule, an evil wind sorcerer known as Vaati began kidnapping beautiful young maidens, one after another. Nobody could stop Vaati, and the people of Hyrule despaired. Then, a brave young wanderer carrying a single sword appeared. When the young lad took out his sword, he split into four separate beings... Media Character Artwork Enemy Artwork Screenshots Miscellaneous Artwork General Information Prologue Characters Items and Equipment Standard Guides Boss Guide Mini Games Game-Specific Guides Gameplay Formations Shadow Battle Information Shadow Battle Stages Section 1: Whereabouts of the Winds Section 2: Eastern Hyrule Section 3: Death Mountain Section 4: Near the Fields Section 5: The Dark World Section 6: Desert of Doubt Section 7: Frozen Hyrule Section 8: Realms of the Heavens

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This is but one of the legends of which the people speak. Long ago, there existed a kingdom where a golden power lay hidden. It was a prosperous land blessed with green forests, tall mountains, and peace. But one day, a man of great evil found the golden power and took it for himself. With its strength at his command, he spread darkness across the kingdom... Media Character Artwork Enemy Artwork Screenshots Miscellaneous Artwork Reviews and Articles Zelda Universe's Official Review of The Wind Waker The Philosophy of the Wind Waker, by Hylian Dan General Information Prologue Characters Items and Equipment Maps Ultimate Sea Chart Standard Guides Enemy Guide Boss Guide Action Replay Codes Game-Specific Guides Wind Waker Songs GBA Connectivity Big Octos Great Fairies Pieces of Heart Treasure Charts Triforce Quest Development History Publicity Bonus Disc Launch Text Walkthrough Video Walkthrough

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Princess Zelda of the land of Hyrule was a beautiful young girl born with the mysterious power to sense approaching forces of evil. For this reason, she was assigned with the sacred duty of protecting the shrine of the Four Sword and the blade itself. One day, Zelda was in Hyrule Castle when she sensed that something unusual was occurring at the Four Sword Shrine... Media Character Artwork Enemy Artwork Screenshots Miscellaneous Artwork Reviews Zelda Universe's Official Review of Four Swords General Information Prologue Characters Items and Equipment Maps Standard Guides Enemy Guide Boss Guide Game-Specific Guides Four Swords FAQ Riddle Quest Palace of the Four Sword Unfortunately, we do not offer a walkthrough for Four Swords. :'(

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Link awoke one day to find himself deep in a strange forest. As he started to walk through the woods, he heard cries for help coming from just up ahead of him. Link hurried toward the voice, only to find a group of monsters surrounding the woman who was screaming. When the monsters saw Link, they immediately fled. The woman who was being attacked was none other than Impa, nurse to Hyrule’s Princess Zelda. Impa said she had come to the forest to search for a singer named Nayru... Media Character Art Enemy Art Screenshots Miscellaneous Artwork General Information Prologue Characters Items and Equipment Maps Standard Guides Enemy Guide Boss Guide Pieces of Heart Trading Sequence Game Shark Codes Game-Specific Guides Magic Rings Secrets Launch Text Walkthrough Video Walkthrough

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One day in Hyrule, a strange force drew Link deep within Hyrule castle, where he found the Triforce resting, glittering brilliantly as it awaited him. "Link... Link... Accept the quest of the Triforce!" Suddenly, Link was enveloped in a circle of light, and the next moment, he vanished. When Link awoke, he found himself in a forest he had never seen... Media Character Art Enemy Art Screenshots Miscellaneous Artwork General Information Prologue Characters Items and Equipment Maps Standard Guides Enemy Guide Boss Guide Pieces of Heart Trading Sequence Game Shark Codes Game-Specific Guides Magic Rings Secrets Launch Text Walkthrough

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In the land of Hyrule, there echoes a legend. A legend held dearly by the Royal Family that tells of a boy. A boy who, after battling evil and saving Hyrule, crept away from the land that had made him a legend... Media Character Artwork Enemy Artwork Screenshots Miscellaneous Artwork Cutscenes Reviews and Articles Zelda Universe's Official Review of Majora's Mask "The Message of Majoras Mask", by Hylian Dan General Information Prologue Characters Items and Equipment Maps Standard Guides Enemy Guide Boss Guide Pieces of Heart Cheats and Hints Game Shark Codes Game-Specific Guides Ocarina Songs The Bombers' Notebook Masks Cow Locations Kafei and Anju Sidequest Keaton's Quiz Launch Text Walkthrough

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Though you fulfilled the Hyrulian prophecy of the Legendary Hero and destroyed the evil tyrant Ganon, the land of Hyrule enjoyed only a precarious peace. "Who knows what threats may arise from Ganon’s ashes?" the restless people murmured as they knitted their brows and shook their heads. Ever vigilant, you decided to journey away from Hyrule on a quest for enlightenment. Re-Releases In 1998, five years after its original release, a color version called Link’s Awakening DX was released which featured colored graphics and additional content. Media Character Artwork Enemy Artwork Screenshots Miscellaneous Artwork Reviews Zelda Universe's Official Review of Link's Awakening General Information Prologue Characters Items and Equipment Maps Standard Guides Enemy Guide Boss Guide Pieces of Heart Trading Sequence Cheats Game Genie Codes Game-Specific Guides

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One night, a girl's voice awakens you from your sleep telepathically pleading for help. You jump out of your bed, not knowing whether the voice was part of a dream or reality. Upon leaving your bed, you find your uncle, who should be fast asleep, preparing to go out, girded for battle. "I'll be back by morning," he says as he departs. "Don't leave the house!" Re-Releases In late 2002, A Link to the Past was re-released for GameBoy Advance. Included with the game was the multiplayer game Four Swords.

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Hyrule was on the road to ruin. The power that the vile heart of Ganon had left behind was causing chaos and disorder in Hyrule. What's more, even after the fall of Ganon, some of his underlings remained, waiting for Ganon’s return. The key to Ganon's return was the blood of Link – the valiant lad who overthrew the King of Evil. Ganon would be revived by sacrificing Link and sprinkling his blood on the ashes of Ganon... Re-Releases The Adventure of Link was included on the Collector's Edition Disc for the GameCube in 2003, and was also part of the second edition of the Classic NES Series for GameBoy Advance in 2004. Media Character Artwork Enemy Artwork Screenshots Miscellaneous Artwork Reviews Review by Mr. Eponia Retrospective Review by Power Shot General Information Prologue Characters Items and Equipment Maps Standard Guides Enemy Guide Boss Guide Tips and Tricks Heart Containers Game Genie Codes Game-Specific Guides Magic Spells Magic Containers Launch Text Walkthrough

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A long, long time ago the world was in an age of chaos. In the middle of this chaos, in a little kingdom in the land of Hyrule, a legend was being banded down from generation to generation, the legend of the 'Triforce'; golden triangles possessing mystical powers... Re-Releases The Legend of Zelda was first re-released in 1992 as BS-Zelda for the Super Famicom, then as part of the Collector’s Edition Disc for GameCube in 2003, and once again as a part of the Classic NES Series for GameBoy Advance in 2004. Media Character Art Enemy Art Screenshots Miscellaneous Artwork Reviews and Articles Review by Daphnes Retrospective Review by Power Shot General Information Prologue Characters Items and Equipment Maps Standard Guides Enemy Guide Boss Guide Heart Containers Cheats Game Genie Codes Walkthrough Video Walkthrough

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