Professional Documents
Culture Documents
Taking notes
Ed Bernacki
I have attended many events for trainers, consultants and speakers in various countries. Its clear that some of the material provided has yet to make the acquaintance of a designer. While I have seen some good workbooks, many look like something produced by a high-school student, not a paid professional. I have faith in well-designed notebooks and journals, and have been thinking about this issue for a long time. There are clues to suggest that people still want something to touch and feel. I challenge you to look around and notice the tools people use for notes and ideas. stage. Instead, he said, they were speedtyping the content of the speeches into their tweets or blog entries. He thought he was witnessing a glorious mass communication revolution until he saw what they were typing. Posts included, Speaker says green is here to stay and Green is good for business. Marc called this a pretty anaemic version of what was actually being said. Then it dawned on me, he added, These audience members were so intent on flexing
When I started a PhD, I noticed many students (who are 30 years younger than me) using technologybut not necessarily for taking notes. I often work at the Victoria State Library and I noticed that most students have a computer open to social media while using school notebooks for their notes and learning. I teach a Masters program in Creativity and Innovation at the University of Adelaide. Only three of 24 students used a computer during one of my lectures, so I asked why. I was told it is easier and faster to use a notebook. I asked about technology and online resources. Did they want more? They said no. What they want is engagement: face-to-face sharing and collaboration. They want to experience something.
these audience members were so intent on flexing their social media muscles that they missed 95 per cent of the message.
their social media muscles that they missed 95 per cent of the message. Technology turned them into stenographersand not particularly good ones. There was no synthesis, no analysis, no thinking. Im certain the writers felt they were making a difference. But they were, in fact, adding little more than chatter. And that, I believe, is a problem. I once joked, How many people attend conferences, make notes and never look at them again? When 70 per cent of the hands went up, I remembered a line from the movie, Apollo 13: Houston, we have a problem. I also remember research from a Canadian Society of Training and Development conference I spoke at 10 years ago on the effectiveness of training. Researchers said about 25 per cent of the impact is
conferences by helping people to make more effective notes. It may sound a bit daft yet more than one participant has said, I had not thought about how I take notes since primary school. I prompt people to focus on different types of knowledge. These are: 1. Insights: capture the aha moments. What intrigues you? 2. Ideas: when you hear something and an idea forms in your head, write it down. 3. Questions: capture insightful questions that you can think about after the event. 4. Quotes: did the speaker say something worth repeating? 5. Actions: what can you do as a result of this presentation? I keep waiting for the guillotine to fall on paper-based notebooks but, thankfully, it has yet to happen. People will respond when something looks good, feels good and serves a purpose. In his book Emotional Design, Donald Norman proposed a way to analyse products in a holistic way to include their attractiveness, their behaviour, and the image they present to the user. He suggests we can design more effective materials by prompting our thinking to consider these types of aesthetic issues: 1. Visceral design: The initial impact. Whats the first impression you want
people to have when they see your product? How can you make first impressions stronger? 2. Behavioural design: the total experience of using a productits look, feel and use. How do you want people to engage with your product? How can you add more engagement? 3. Reflection is about ones thoughts afterwards, how it makes one feel, the image it portrays. How and where do you want them to store it? What will make them come back to the product? This type of design thinking is about seeing the materials through the eyes of the user and what will inspire them.
problem for a bright white piece of paper. And power management is rarely a problem (although your pen may run out of ink). Notebooks dont require any connectivity. Given all of the analogue goodness of notebooks, it is no surprise that there has been a resurgence of paper. When it comes to keeping track of priority information, it would appear that notebooks are becoming the tools of choice for technologys elite.