Takagi Yoshin Ryu

Jutai Jutsu

SHODEN NO KATA
KASUMI DORI

You and opponent sit in SEIZA. He steps with right foot and grabs MUNE with right hand. Secure grabbing hand with your left hand (in usual Takagi yoshin ryu way). Step forward with your right foot and strike URA SHUTO to his right KASUMI. Take grabbing hand with your right hand (in URA GYAKU grip), stand up, kicking with your right foot to SUIGETSU. Land from the kick backwards while taking him down with URA GYAKU. Secure him using your knees, leaving hands free. HENKA Opponent grabs as before. Secure and URA SHUTO as before. Rock your body back slightly to break his balance, and right kick to his chin. Land from the kick with your knee next to his (his inside), and take him down backwards with pressure on his knee. Shift your feet when he's halfway down in order to change his direction to fall face down. HENKA II Opponent grabs MUNE and pushes to take you off balance backwards. Go round with the push (turning anti-clockwise). Step around with the right foot and take him down with URA GYAKU. If you don't have time to do this when pushed go back in the direction pushed, kick and take him over you. (Experiment with this situation). HENKA III Try the above techniques from a standing position.

DO GAESHI
You and opponent sit in SEIZA. He steps in with right foot and punches to SUIGETSU with right fist. Step out to left and block with right hand. Step back in with left leg (with your left knee on the outside of his right knee), grabbing the left side of opponent's gi near his neck with your left hand (palm outwards), and securing his punching hand with your right (palm down). Twist your left hand clockwise to choke with the knuckles of your little finger and ring finger, and take him down backwards (If he is difficult to take down, you can also use your left elbow on his right JUJIRO or bicep). Turn him over onto his face by levering his arm on your shin.

kick with your left foot to KAKU (outside). HENKA II Opponent attacks as before. Secure hand as always. pulling him onto his face. Step out to left and block with your right hand. Take his hand for URA GYAKU. HENKA III Opponent grabs MUNE with left hand and puches with right. taking his fist with your right hand. and right URA SHUTO to KASUMI. as he resists. and his elbow (or the skin of his upper arm) with your left hand. Take his right shoulder with your right hand (don't grab). without landing. he resists. kick to his (now lowered) face. DO GAESHI. Step in right. You walk towards him and he punches you to CHUDAN. pulling your clothes out of his grip and raising his hand. Take his right shoulder with your right hand. and kneel on his elbow with your left knee. and step back left. HENKA Opponent attacks as before. Right kick to KAKU (front). pulling him onto his face.KARAME DORI You sit in SEIZA. Pin him down. right kick to KAKU (inside). and pull him directly forward (not enabling him to roll). KYOTO Opponent sits in SEIZA. Step out left to avoid punch. and take him down as before. KATA MUNE DORI Opponent grabs right MUNE. Shift to his outside. and take hime down as before. and twist his leg in URA GYAKU motion while standing up and jumping back onto your left foot. Strike to the back of his calf with right SHUTO. URA SHUTO as before. This time he is too strong when you try to release his grip. Right kick to his right KAKU (inside). Right kick (toes outwards) to right outside KAKU (or left inside KAKU if that . but after kicking to KAKU. Opponent walks up to you and kicks with his right foot to CHUDAN. and pull him down as before. Keep his momentum coming forward with an URA GYAKU movement. HENKA II As before. Put your left arm under your right arm (over his shin). supporting his right fist on your right thigh. Secure his shoulder. HENKA Opponent grabs as before. This time. and right URA SHUTO to UKO. As you try to take him as above. pushing right BOSHI KEN under his shoulder blade as he goes down. causing him to fall onto his back.

Avoid as before.one is forward). both hands. taking him down (taking care he can't kick you as he's falling). and take him down as as in KATA MUNE DORI. Right uppercut type FUDO KEN to ASAGASUMI (without stepping. Using the hips and picking up your right heel). HENKA II . Right kick to KAKU (front). For practice. Immediately secure his neck with your left knee and twist your hips to strike him in the kidneys with your right knee. Strike his hands and ASAGAUMI as before. Take his right arm and throw him with GANSEKI (not allowing him to roll). Step across him (using YOKO ARUKI if he has long legs). punch to his left YUGASUMI with right FUDO KEN. As he turns to the left. Strike his hands and ASAGASUMI as before. and applying NIHON ZEOI (Very dangerous. simultaniously kicking the back of his left ankle with your right foot. and take him down with GANSEKI. Your right foot goes down to the right (YOKO NAGARE). RYO MUNE DORI Opponent grabs both MUNE. pulling your left hand to your right (raised) knee (in order to be sure that your knee will strike him into SCHICHIBATSU) as he falls. Land behind his right leg and take him down O SOTO. Step in and across him (your right). HENKA Walk up to the opponent as before. grab the back of his collar with your right hand. HENKA Opponent grabs as before. do not throw him). At the moment he turns around to the left to see who it is. securing. Take his collar with your right hand and his belt with your left hand. HENKA IV Opponent grabs and punches as before. and pull downwards. Tap him on the left shoulder with your right hand. OIKAKE DORI Walk up behind the opponent as he is walking along. striking downwards with both SHIKAN KEN to the backs of his hands. HENKA II Opponent grabs as before. Left arm goes under his right in preparation for GANSEKI. and tap him on the left should as before. Step back right. smashing his head into the floor and not letting him roll.

HENKA Opponent attacks as before. step out to the right. HENKA II Opponent attacks with two hook punches (right-left). down to your right knee. As he does. HENKA Opponent attacks as before. he kicks with his right foot. jump with both feet onto the backs of his knees.Walk up to the opponent as before. As second punch comes. Swing his arm back and downwards while sweeping his right foot with your right foot. take it and help it foward with your right hand. Twist to your left. HENKA After you take opponent's right arm. Block and punch as before. . and throw him forward with GANSEKI or URA GYAKU. knocking him down backwards. knocking his head back. Step with your left foot behind his right foot. throwing the opponent across your body (to your right). Pull your elbows inwards. (HANETSURUBE feeling). Right kick to left KOE (stamping downwards). avoid slightly to the inside. to cause him to resist by pulling them back out. Take hold of his right with your right hand in an URA GYAKU grip. Bring his arm over your head. Right URA SHUTO to UKO. and drop down to your left with YOKO NAGARE (left foot up). simultaneously blocking with your left forearm and punching up to the bottom of his nose with right FUDO KEN (with body twist). causing him to fall over your knee. Step in right. As he stops and turns. strike to his URA KIMON with your right elbow. Take his hand straight down behind him (HANETSURUBE). while left elbow strikes his (now exposed) right BUTSUMETSU. rock backwards and hit him in the face with the back of your head. and tap him on the shoulder as before. (VERY DANGEROUS) KAIGO KUDAKI Opponent grabs you from behind in a kind of a full nelson (but without his hands joined). and strike to his face with the back of your left fist. Head butt and strike to his face as before. On the timing of his right arm swinging forward. YUI GYAKU Opponent walks up to you and punches with right hook punch to your face. Block first punch with your left (inside). IKI CHIGAE You and opponent walk towards each other to pass on right. then using your body weight. taking him down directly onto his knees with your whole body weight.

Twist your body to the right. Lift his hand directly over his head in OMOTE GYAKU. Punch to ASAGASUMI with right fist. HIZA GURUMA (GYAKU) As above. When he's face down on the floor. and simultaniously striking with HAPPA KEN to ASAGASUMI. TENNAGACHI Opponent standing very close. breaking his elbow. You walk up to him and right kick to SUIGETSU. Increase the pressure on his knee with your knee. sliding to the outside of the punch. Avoid and block as before. but instead of taking opponent down with OMOTE GYAKU. Opponent punches to JODAN. taking him down directly backwards. landing behind his right foot and putting pressure on his right knee. take him down forwards with O GYAKU. He steps out left and blocks with his right hand. Step on his right (forward) foot with your left foot. At the same time his elbow breaks. pushing his head back. Twist his arm in a URA GYAKU movement and walk him down to the floor with JIGOKU DORI. HENKA Opponent attacks as before. . and kick to his right KAKU (inside) with your right foot in a YOKO ARUKI movement to your left. taking his hand with your right hand and his elbow wiht your left hand. left toe kick to BUTSUMETSU. HIZA GURUMA Opponent sitting in SEIZA. drop your weight. and take his blocking hand with your right. Secure him with UDE JIME. and punches to CHUDAN. Sink down your left knee. Step in between his legs with your right foot. stepping forward on your knees.MIDARIGACHI You stand in SHIZEN NO KAMAE. Avoid to the inside of the punch (90 degrees to the strike) and block with your left. and kick his foot forward with your left foot (KO SOTO) taking him down backwards. Continue the YOKO ARUKI movement.

step out to the left. turning around with KATUMUNE DORI Uke grabs the right collar. URA GYAKU. HENKA After kicking to SUZU.CHUDEN NO SABAKIGATA KATA MUNE DORI Opponent right grab to MUNE and tries to take hold of your right hand with his left. Shift in and punch his face with your right fist. Cover his grabbing hand. and as he attempts to grab your hand. step in with your left foot. O GYAKU etc. bring the right foot back. Take his grabbing hand and take him directly down with OMOTE GYAKU. MUSHA DORI. Right step forward and Ura Shuto to Uke’s Kasumi. and apply armlock to take him down. turn over into Ura Gyaku. and turn anti-clockwise dropping Uke to the ground in a spiral motion. RYO MUNE DORI Opponent grabs both MUNE. Cover his hands as usual. move the left hand to the elbow as it passes your face right Sanshin kick to groin. (any armlock. The left hand comes down to Uke’s right wrist. Right shin kick to SUZU. RYOMUNE DORI .) Secure. ie OMOTE GYAKU. ONI KUDAKI. and strike his hand with your right fist. Tori checks the grab with the left hand.

KOSHINAGE GAMA Uke grabs both Mune. simitaneously slides the right hand up under Ukes left arm to the Hoshi Nagare area (underneath). and punches with right Tsuki. SEIOIGAMA Uke punches with the right hand. Tori then does Ryote Boshi Ken (keep hold of the jacket). Uke does a right Tsuki. with simple movement and the palms of the hands placed togher. Toris left hand grabs the underneath of Uke hand. Tori then shifts to the left and puts the right arm under Ukes punching arm and grips own left wrist in a kind of Oni Kudaki. Tori then . Tori steps in with the right foot and grabs with both hands Ukes jacket on the chest. and using his right knee to apply pressure to the back of Ukes straightened left elbow. to throw. Step in with the right foot and place at the rear of Uke’s right foot. GYAKUTE NAGE Uke steps forward with the right foot and grabs the collar with the right hand. O Gyaku etc) to take Uke down. and steps between Ukes legs with the right foot while pushing up on the elbow and holding the hand in place (The Densho says Tsuki Agaeru or thrust upwards with the right hand breaking the elbow). at the same time drop the arm. Oni Kudaki. the right hand comes in under Ukes forearm. Tori steps in with the right foot to the rear outside of Ukes right foot. ONI KUDAKI Uke strikes from Ichimonji with right Jodan Tsuki. Then applies an armlock (Omote gyaku. leaning back. Tori steps with the right foot between Ukes legs from behind and throws with Seoi. and twists it so the palm is on the outside. left Jodan Uke. Tori covers Ukes hands as usual and applies right shin kick to Suzu. Ura Gyaku. lifts it to shoulder height. KIMON NAGE Uke does Ryomune dori. Apply pressure to the arm. Tori covers with the right hand. UDE ORI Both in Fudoza. The left hand stays with the Tsuki. throw Uke forwards. Tori is in Shizen. Tori moves to the right and blocks with the left hand. and drop to the ground. Ukes arm with bend. Tori responds by grabbing Ukes arm. Tori rolls to the left and continues pressure with the knee. Ukes arm is held high. Musha Dori. Ashi Barai. Tori steps out to the right and blocks with the left. Using Koshi Nage. Secure Ukes left hand to the chest with the left hand. go up on the right knee. and secure. Uke grabs Toris lapel with the left hand. and also does Kikaku Ken.Uke grabs both Mune. From Shizen no Kamae. Tori steps in with the right foot and strikes with a flesh grab to just above Butsumetsu.

onto his back. KOCHO DORI Uke does a left grab. putting Ukes elbow over his right shoulder. Tori steps forward to his right and turns so that he is standing next to Uke (right side to left side during the turn) Tori moves the elbow up and down so that Uke is bending over forwards. and throws Uke.pivots to the left (anti clockwise) until he is with his back completely to Uke. Tori grabs Ukes left elbow with the right hand from under. Tori then turns to the left and goes down on the right knee. NOTE Don't throw during practice because it is very dangerous. and with the left hand from above. Tori uses his right hand to apply a Take Ori to Ukes left arm. goes down on the right knee and throws Uke on the shoulder. Tori then kicks Ukes support leg out throws him. . Tori pivots to the right while going under Ukes left arm and then grabs Ukes left shoulder with his left hand. and punches a Fudo Ken to the ribs with the left hand. ATE NAGE Uke grabs Toris right lapel with the left hand.

KEITOU Uke stands behind Tori and grabbs the jacket at the collar with the right hand. Tori grabs the hand with his right hand turns to his left and strikes with left Shikan Ken to Ukes face. . Puts the right foot into Ukes hip and does Tomoe Nage. this will pull Uke down and over. before Ukes fee.CHUDEN NO TAI NO KATA KOSHI KURUMA Uke and Tori stand in a kind of Kumi Uchi but with the left hand holding the belt on the back and the right on the belt at the front. takes the grabbing hand over with his left hand and strikes with a right Shikan Ken to Suigetsu. and drops down to the ground. Uke now pulls and takes three steps back with the left foot. Tori steps back with his left foot and pushes Uke back and steps back in with his left foot. Tori grabs Ukes belt with the left hand and left shoulder with the right hand. Uke does a right step back. YOTSUDE KUZUSHI Ukes does Ryote Mune Dori. Uke now pulls and does three steps back with the left foot. Tori does Hon Jime (over Ukes arms). And throws him sideways. Tori does a right Tsuki to Ukes face. Tori grabs both Uke’s shoulders from above and does a left Yoko Nagare. Uke comes in and tries to do Koshi Nage (right hip). Uke lands on his back next to Tori. He drops down left leg between Uke legs. Tori now falls to his back left leg between Ukes legs and does Tomoe Nage. KOSHI NAGARE Uke does Ryomune Dori. KOSHI ORI Uke and Tori are standing in Kumi Uchi but Tori has his left hand on Ukes belt. right against Ukes left hip. at the third step steps further in to his left. and next to Tori. on his right side. YOTSUDE Uke and Tori stand in a kind of Kumi Uchi but with the left hand holding the belt and the right on the left lapel. Tori follows three steps sideways. Tori grabs Uke’s belt at the back with the left hand and does Yoko Tomoe Nage. Uke will fall on his back. Tori does three steps (right foot in front). drops back and does Tomoe Nage. KUMOI GAESHI Uke does Ryote mune Dori. Tori puts his right foot between Ukes legs and strikes with a right Shikan Ken to Suigetsu. Tori now pulls Ukes right (left) shoulder drops back and does Tomoe Nage. and the third time he slides his left foot between Ukes legs.

. The body weight will bring down Tori. Take Ukes right hand down while doing this movement. Uke then executes a right heel kick and Tori counters by pulling Ukes right wrist down to interfere with the kick and Tori follows with a right Keri Kaeshi to the outside of Ukes right leg. he kicks Uke's left leg out with his right (uchi mata). lifts Ukes right arm and steps under with a clockwise body pivot. or throw him on his back with a flip. All this in one movement. Uke strikes Tori in neck to unbalance him. Tori responds by dropping his hips while stepping back with the left foot and pushing up on th underside of Ukes elbow. Tori attempts omote gyaku. to flip Uke onto their back. Tori takes a left step back to unbalance Uke and kicks with his right foot to Uke's right knee. ECHIGO KUZUSHI KASASAGI (MAGPIE) Uke steps forward with right Jodan Tsuki. Tori is in Ichimonji no Kamae. Tori then applies a left Shikan Ken to the right ribs. Uke counters by stepping to the opposite side of the omote gyaku.RYOTE KAKE (TWO HAND TRAP) Uke grabs Tori and applies a double hand choke to the sides of the neck. KURUMA GAESHI TEN GAESHI Uke and Tori stand in kumi uchi. and then applies an exagerated Omote Gyaku to pull Uke to the ground. Tori grabs one shoulder and the opposite ribs area. MIZU NAGARE RYUSETSU Uke grabs Tori’s collars with both hands. Uke drops onto one knee (the same side as omote gyaku). and pushing up on the right. but instead of the throw. while pulling down on Ukes left elbow. HYOTSU TSUTAKARAME TATSU OTOSHI OKUDEN NO KATA BAIDO Uke grabs pressure points in the neck with both hands. Tori shifts 45 degrees back to the left while applying a right Jodan Uke to the outside of Uke’s right arm. Tori then comes in for a right Koshi nage. put one foot up into Ukes stomach area and perform Tomoe Nage. unbalance Uke by pulling on the side and pushing the shoulder. Tori suddenly pivots to the right and kneels on the right knee.

Tori applies an omote gyaku with his left hand to Uke's right hand and at the same time executes a right boshi ken to Uke's neck. just a control of the arm. SODE GURUMA Uke and Tori stand in kumi uchi. Tori executes a left boshi ken to Uke's right uko to push him off balance (take a right step out). Tori clasps his hands together and drops back down to his right knee. Tori steps back with his right foot to put Uke off balance. Tori steps back to the side with his right foot and lets his right hand slide until it is on the left wrist of Uke (on top of wrist. Tori then exectues a right boshi ken to Uke's left uko and grabs him there by the shoulder. Uke and Tori stand in kumi uchi. With his left hand Tori grabs the underside of Uke's left elbow and pulls it down while he is pushing up against the wrist with his right wrist (Tori has his wrist bent) and steps beside Uke (right side to left). Tori then puts his right arm over Uke's right hand (arm) (like in ura onidudaki) and grabs his own jacket. Uke will fall onto his back. Tori falls down with his back on Uke and uses koho kaiten to break the arm. Uke falls onto his back. YAMA OTOSHI Uke and Tori stand in kumi uchi. Uke falls onto his back. This is not a grab. Uke will fall onto his back. . KURA ARASHI Uke and Tori stand in kumi uchi. everything in one movement. and comes back in and applies musha dori to Uke's left arm. Tori puts Uke's hand in take ori on the ground and push his elbow. Tori now pushes Uke's elbow up with his left elbow to put him off balance and drops down to his right knee. Tori steps with his right leg behind Uke's right leg and throws with osoto gake (pull with omote gyaku and shoulder). RYOTE KATE (2 Hand Trap) Uke grabs Tori and applies a double hand choke to the sides of the neck.NAGARE DORI Uke and Tori stand in kumi uchi. from the inside). Tori then suddenly pivots to the right and kneels on the right knee while pulling down on Uke's left elbow and pushing up on the right. Tori checks Uke's right hand with his left hand and takes it in omote gyaku (steps back with his left foot). Tori responds by dropping his hips while stepping back with his left foot and pushing up on the underside of Uke's elbow. to flip Uke onto his back. The hand is still in omote gyaku with Tori's right arm over the arm. Tori then goes on with the omote gyaku and Uke falls on his back. Tori takes the hand in omote taki ori with his right hand and grabs the left shoulder with his left hand (between Uke's bent arm). Tori then comes back in with his right leg and pushes Uke's left elbow straight up with his right hand (to put him out of balance) and Tori the executes a koshi nage in the same direction as he was walking.

Tori now pivots to his left until he is completely with his back to Uke. Tori executes a right kick to Uke's knee and puts his foot up against Uke's left hip (from the kick). Uke falls onto his back. Tori steps back and to the side with his left foot applies Muso Dorii to Uke's right arm. Tori takes his left arm under Uke's right arm (at the elbow) and grabs the lapel. Tori now drops to his left knee and executes a gyaku seoi nage. (Another way do this is when Uke punches. TAI KUDAKI Uke and Tori stand in kumi uchi. Tori steps back with his left foot and applies a muso dori to Uke's right arm. go immediately (pivot) in instead of blocking so that he punches his own right arm. This is an elbow lock (keep Uke's hand pressed against the body and push the elbow up). Tori then steps back in with his left foot and grabs Uke's right shoulder with his right hand and steps back and down to the right dragging Uke onto his stomach. . and drop to knee to throw). Uke fall onto his back. He also steps back with his right foot and goes to stand like in ganseki nage. Tori is now standing behind Uke with his right foot and executes koshi nage. Uke steps back with his right. instead of doing ganseki. Tori checks the hand with the left hand and steps back and to the left and execute a right jodan Uke. RAMPUU Uke grabs Tori : right hand takes the belt on Tori's left side. Tori steps back and to the right with his right foot and applies musha dori to Uke's left arm. Tori lets himself fall backwards to the ground and applies a tomoe nage throw. then he clasps his hands together and drops down to his right knee. SUE OTOSHI/RAI OTOSHI/KI OTOSHI Tori and Uke stand in kumi uchi. Tori takes Uke's right hand in omote gyaku and pivots in a clockwise manner and puts the arm onto his shoulder (still in omote gyaku).TANSAI/KIMO KUDAKI Uke and Tori stand in kumi uchi. Uke falls on his back. left hand takes the lapel. Tori passes his right hand under Uke's arm and grabs the other lapel. and drops to his right knee and applies seoi nage. Tori steps back in with his right leg and puts it behind Uke's right leg. At the same time he slams his right forearm into Uke's throat. Tori takes Uke in hon jime and takes a right step forward. Tori now drops down with him on his back. GYAKU DORI Uke grabs with his right hand and attacks with a left tsuki. SOUFUU Uke grabs ryo muna dori. Tori is now standing next to Uke. The arm is still locked. Tori now takes a left step forward. Tori exectues a left boshi ken to Uke's throat. Uke takes a left step back. and he execute a koho kaiten to break the arm. The right arm of Uke's is gripped under Tori's throat.

Tori now takes a right step forward (turn Uke a bit) so that he is almost behind Uke (back to back) and executes a koshi nage.FUUSETSU Uke grabs ryo muna dori. first a stabbing boshi ken then a grab. Tori takes a left step forward (next to Uke) and grabs with both hands under each armpit of Uke. Uke lands on his back. .

Grab the flesh either side of the neck/shoulder. To apply the choke. Place the right hand on Ukes shoulder by placing to the outside of Ukes right arm. then steps forward with the left to the outside of Uke.ERI SHIME GATA HON JIME (PRINCIPLE CHOKE) Tori crosses his wrists and grabs Ukes right lapel with the right hand and left collar with the left hand. twisting the knuckles down into the side of Ukes neck. on both sides of the neck. UDE JIME When Uke does a right arm grab. with the right hand and the right Mune with the left hand (the grab is high in the neck) Tori then pushes with the thumbs in the neck in a backward/upward motion. NOTES Push Uke to the ground and roll over the head to break neck. SUWARI JIME . GYAKU OSAE JIME Tori grabs Ukes left Mune. grip and pull back. on both sides of the neck. but with the palms facing out and the fingers insides Ukes lapels. in a downward forward motion. Move behind Uke placing the left hand on the left shoulder. and falls on Ukes arm to break it. with the palms down. the body weight is dropped. Tori places left hand under Toris on the lapel. and steps back with the left leg. To apply the choke Tori applies a scissor action. and pushes with boshi ken just above the collar bone. Tori applies a scissor action. Place the head in the back of Uke’s neck to help with Jime. twisting his knuckles up into the sides of Ukes neck. Tori then pulls forward while pushing back and inward with the tips or extended middle knuckles of this thumbs. ITEKI JIME Uke grabs Toris left lapel. Toris palms face Ukes body. ITAME JIME (PAINFUL CHOKE) Tori grabs Ukes lapels with both hands. and the thumbs are inside Ukes collars. and goes down with Uke. the right to the left the left to the right. OSAE JIME Tori grabs Uke with both hands on the shoulders. GYAKU JIME (REVERSE CHOKE) Tori grabs Uke as in Hon Jime. use the forearm and elbow to lever Ukes arm up. Tori then does Ura Oni Kudaki. The right leg follows to the rear of the left.

Tori is now standing behind Uke.Tori grabs lapels with the right hand and walks around Uke to the left. With the left hand Tori grabs his own right elbow. Tori then pushes with the left and pulls with the right arm. . Tori can also use the head for more pressure. so that the left forearm is pushing against Ukes neck. and with his right his left elbow. so that the forearm is in front of Ukes throat.

Tori then grabs the right shoulder with the left hand or Boshi ken to Uko ("door of rain" rear to the Jaw bone). The fingers encircle the hand. Uke then does a right Zenpo Keri. Tori grabs the left wrist with the right hand and the right shoulder with the left hand. Using strength the hand is pulled away. Tori reaches over the arm with the left hand and grabs the collar. Tori shifts more back and to the left and grabs the right wrist with the right hand. Uke does left Jodan Tsuki. and uses the gack of his left heel to kick back into the fact of Ukes leg. with a sudden and instant move with a Kiai step forward with the right foot. Tori holds the underneath with the left hand. Tori shifts back to the left 45 degrees and does Chudan Uke to the outside of the knee. JIGOKU DORI TAMA KUDAKI HICHO DORI Uke does right Jodan Tsuki. Press with the thumb. Tori steps in to apply a Muso Dori to Ukes left arm. Tori does left Gedan Uke. Tori responds by checking the grab with the right hand and does left Jodan Uke. Uke does a right Zenpo Geri. Tori shifts 45 degrees to the right. but Uke removes hand. Uke will fall to the ground. Tori does right Jodan Uke. Tori then kicks with the right heel to Ukes left thigh. Uke follows with a right Jodan Tsuki. Tori then pivots to his right while applying elbow breaking pressure to Ukes left arm. in turn Tori grabs Ukes left hand with the left hand. .MOGURI GATA GYAKURAKU DORI (LET FALL TO HEAVEN) Uke grabs Toris lapel with the right hand and the right sleeve with the left hand. As Uke's leg is knocked out. MOGURI DORI Uke grabs Toris right collar with the left hand. then Tori places left foot in Ukes right knee and applies Uchi Mata Uchi Gake. ONIBUSE Uke grabs the lapel with the right hand. right Taisho Ken to Uko. Uke does right Keri and tori responds with left Gedan Uke. INASUMA NAGE MIZU DORI KISETSU TAI OTOSHI Uke does right Jodan Tsuki. Tori pushes down on Ukes left arm forcing him to a sitting position or breaking the arm. Tori then moves his left shoulder under Ukes right arm and does Seoinage. and does right Jodan Tskuki. pull with the hand and drop to the right knee in a circular motion. Tori does left Jodan Uke.

Tori kicks with a right heel strike to back of Ukes left thigh. and then steps back on the right knee. Uke grabs the left lapel with his right hand and attemps a punch. Tori changes hand grab from the right hand to left hand to apply Ura Oni Kudaki on the left arm. and does right Jodan Tsuki.MOGURI NAGE Uke grabs right collar with the left hand. URA SHODEN KATA ATE KOMI Both in fudoza. GYAKU DORI (SUNO ICHI NUMBER 1) . Tori checks grab and does Jodan Uke. Tori covers the uke's right hand with his left hand and executes a right ura shuto to the uke's face before the punch extended while rising up on the left leg first then take omote gyaku twisting anti clockwise and lock up when uke is grounded. Uke does right Keri and Tori responds with Gedan Uke.

MENBU (SUNO NI NUMBER 2) Tori is in fudoza Uke is in shizen. MENBU (SUNO ICHI NUMBER 1) Both in fodoza. Uke executes a right zenpo keri Tori moves to the left and executes a right gedan uke whilst grabbing the foot and twisting it inwards then change hands and strike downwards on the calf with an omote shuto then fold the leg into his rear end as you fold them you tuck your right leg round his legs and then lean forward to create pain. Uke responds with a right punch tori executes a left jodan uke as tori rises he brings the uke's right arm down then circles anti clockwise bringing the uke's leg over the top of uke's arm and punch to the face.Both in fudo za. Uke grabs the left lapel with his right hand and attemps a punch. KATA MUNA DORI Uke grabs the right lapel with the left hand and executes a right jodan tsuki. Tori covers the uke's right hand with his left hand and executes a right ura shuto to the uke's face before the punch extended then take your right hand back and take ura gyaku as you rise. Uke executes a right stomach punch. RYO ASHI DORI (SUNO ICHI NUMBER 1) Tori is in fudoza uke is in shizen. Uke executes a right zenpo keri tori moves to the left and executes a right gedan uke to the outside of Uke's leg. . Lock up on the ground by kneeling on uke's arm. Uke uses a right jodan tsuki tori responds with a right ohsoto jodan uke then grabs hold of the outside of the uke's right wrist and kicks to the uke's butsumetsu with his right leg then push down on the uke's right elbow with the left hand whilst stepping back out of the kick. Uke executes a right jodan tsuki. Tori responds with a right gedan uke then grabs uke's right hand at the wrist with his right hand as you are riesing on the outside of the uke's arm you strike with a left ura shuto to the face then place your left hand on the outside of the uke's elbow and circle in a clockwise direction to bring uke down. Tori responds by dropping to the right using his right hand as a third leg. Tori responds by covering uke's left hand with his right hand while moving forward 45 degrees to the right and striking with a left ura shuto to the kasumi then taking an ura gyaku and executing a left kick to the solar plexus. GYAKU DORI (SUNO NI NUMBER 2) Both in fudoza. and grabs the inside of uke's right wrist with his left hand then as you rise off your right hand you strike with a right shako ken to the face and sweep the leg with your right leg to take him down. KE KOMI (SUNO ICHI NUMBER 1) Both in ichimonji.

RYO ASHI DORI (SUNO NI NUMBER 2) As uke walks in front of you. shuto) to the back. TENGU DORI As uke walks in front of you you creep up and execute a double happa ken to the ears then strike with (fudo. you make a grab for the legs (lower part) as uke turns to see what is happening you then take (left arm in front) hold of the uke's leg and pull them away using a yokonagare type movement so that you end up laying on his knees then pull the legs up to lock the legs and you can strike with a backfist if so desired. Uke attacks with a right jodan tsuki tori responds by executing a right ohsoto jodan uke grabbing the wrist and pulling uke through as you go into migi ihen no kamae. boshi. UDE ORI (SUNO ICHI NUMBER 1) Both in ichimonji. tori responds by dropping his weight and bringing his elbow inwards then peel off both arms and take ganseki nage on one of the arms. HIKI KOMI Both in ichimonji. Tori responds with a double fudo ken to the back of uke's hands then striking a left shako ken to the face while taking an omote gyaku or taki ori on uke's left hand then twist clockwise to take down. tori responds with a left jodan uke then steps in and executes a right shako ken to the face with a tsuki motion. HIKI TAOSHI Uke walks towards you tori takes hold of uke's right hand with his right hand and executes seoi nage as you step under the arm backfist to the face then throw. . Uke attacks with a right jodan tsuki tori responds with a left jodan uke taking hold of uke's right arm then steps in and executes a right shako ken to the face then take your right arm over the uke's right arm and grab your own wrist to lock the elbow then step behind and ohsoto nage retaining the arm. Uke attacks with right jodan tsuki. TSUKI TAOSHI Both in ichimonji.RYO MUNA DORI Uke grabs both lapels. KAIGO KUDAKI Uke walks up behind you and attemps a full nelson. happa.

tori responds with a right ohsoto jodan uke and grabs the wrist and steps in and takes his left arm over the top of uke's arm and grabs his own wrist to bar the uke's elbow then drop to the left knee to throw uke back. ERI JIME Both in ichimonji. Uke attacks with a right jodan tsuki. tori responds with a right ohsoto jodan uke and grabs the wrist and steps in and grabs the back of uke's elbow with his left hand and twist clockwise to throw uke face down then put your right knee into the back of uke's right elbow and strangle uke with the left hand by grabbing uke's right lapel and pulling the lapel across his throat keeping your left knee on his spine as you strangle. Uke attacks with a right jodan tsuki. tori responds with a right ohsoto jodan uke and grabs the wrist at the same time as stepping and striking with a left shako ken to the uke's right elbow then twist clockwise making sure that your left leg is behind uke's right knee. Uke attacks with a right jodan tsuki. . tori responds with a right ohsoto jodan uke and takes hold of uke's wrist then grabs then traps with the right hand and kicks to the uke's throat then steps back and drags uke down.NAGASHI Both in ichimonji. KE KOMI (SUNO NI NUMBER 2) Both in ichimonji. Uke attacks with a right jodan tsuki. UDE ORI Both in ichimonji.

TSUKA OTOSHI DEFF Right Ichimonji no kamae ATT Daijodan ATT Steps forward with the right foot and cuts down DEFF Steps forward to the left and drops the right knee to the ground. the DEFF should now have his back to ATT chest. Finish on ATT right side with the right knee in ATT arm pit and an armlock. As ATT lands the sword is released from his hand. block the cut with the hands. Turn clockwise the right hand comes down to the sword handle. Both hands come up to ATT wrists. the right hand then drops to ATT right wrist. DEFF steps slightly forward with the right foot and drops the body weight low. ICHIMONJI Start the same as in Ken jiya dori. The left hand goes on top of ATT right hand right fudo ken to ATT right hand (do not move the feet). ATT drops the katana. BI HAKU DORI / HAKU DORI DEFF Soshin no Kamae ATT Daijodan ATT Steps forward with the right foot and cuts down DEFF Step forward with the right foot and go under the cut. When ATT steps forward and cuts. the arms are over the left shoulder and throw. Step forward with the right foot and right Fudo ken to the right bicep. Then a right Shikan Ken to the solar plexus. and the right hand takes the right shoulder. pushing both of the elbows back to put him off balance.MUTODORI WAZA SOJA DORI DEFF Kukishinden ryu hira ichimnoji no kamae ATT Katana Daijodan no kamae ATT Steps forward with the right foot and cuts vertically DEFF The right foot moves to the rear turning the body clockwise to avoid the cut. Now facing ATT turn clockwise dropping ATT to the ground. DEFF turns to the left keeping the sword in the air. DEFF left hand takes ATT right wrist. Jump back as far as possible finish in a low Ichimonji. again take hold . DEFF stands up pushing ATT hands into the air and the Katana back. Right Fudo ken to the stomach. turn the blade and cut ATT.

. drop on the right knee and Seoinage.of both elbows and pivot to his left. so that you have your back to Uke.

Put your right hand on Ukes right hand and a left Fudo ken to the left elbow (under the right arm). comes back and grabs Ukes arm under the elbow (between the arm and the body. Keep turning until you are standing with your front to Uke. Lift it up and step under it with Yoko Aruki. grab the left with the left. Ukes left arm is now away. Cut and Migi Tsuki DEFF Shizen. SHISUMI DORI ATT Daijodan. Uke falls back. Tori has Ukes right hand in Omote Gyaku. and Omote Gyaku to the right with the right. . steps back with the first cut and Soto Sabaki (left foot in front) with the tsuki for the tsuki. USHIRO DORI DEFF Has his back to Tori ATT Daijodan no Kamae. Note Be totally aware of the sword at all times in this technique. Keep the Omote Gyaku and make a full clockwise circle. With the left apply Omote Take Ori. the right hand then comes up and down with Shuto to the right elbow. Lean forward when striking. Right kick to Sutsumetsu. turn to the right. vertical cut DEFF As the cut comes in Tori steps to the left. As the foot lands on the ground in one movement a right Fudo ken to the face. Right rising kick to ATT arms. During the turn give a right Shuki ken to the face.MAWASHI DORI DEFF Right Ichimoniji no kamae leaning forward ATT Daijodan DEFF As Att steps forward and cuts DEFF steps to the left. With the right hand grab Ukes right hand.

TAKAGI YOSHIN RYU JUTAIJUTSU KYUSHO KOMEKAMI : Temporal Lobes MIMI : Ears MAKAZUKI : Jaw HICHU : Base of the throat KYOEI : Area below the armpits DANCHU : Sternum GANCHU : Area below the nipples SUIGETSU : Solar Plexus UDEKANSETSU : Arm joint SOTOJAKUZAWA : Outside of the forearm KINTEKI : Testicles YAKO : Inner thigh HIZAKANSETSU : Knee joint KOKOTSU : Shin bone KORI : Instep DOKKO : Sterno mastoid process SHOFU : Side of the neck KEISHU : Nape of the neck SODA : Area between the shoulder blades WANSHU : Back of the arm HIJIZUME : Elbow joint BITEI : Base of the spine KOTE : Wrist .

SHUKO : Back of the hand FUKUTO : Side of the lower thigh SOBI : Back of the calf AKIRESUKEN : Achilles tendon .

Takagi is considered the founder of the actual system. Chuden no sabaki gata. rolls. Sounryu lived in Rikuzen .ryu's techniques go back to a time when armour was worn and standard punches and kicks did not have much effect on their recipients. Later he passed the leadership of the ryu to Umannosuke Shigetada Takagi. Each of these sections of the Takagi .TAKAGI YOSHIN RYU HISTORY According to the DAI NIHON BUGAI RYU HA. The curriculum of Takagi Yoshin . Umannosuke took the development of the ryu even further by adding elements of the Takauchi style of Jujutsu and the Zen school of thought that he was exposed to while training with the monk Gudo . The actual structure of the Takagi Yoshin . but there is reason to believe that he may have been a wandering Taoist sage. These are Shoden no gata. It should be noted that the original Shaolin temple taught a fighting art that was famed for its use of the very same elements. Chuden no tai gata. etc) very difficult for him to execute. blocks. He successfullly concluded a number of practice matches with the Yagyu .ryu on the map. This may be a more symbolic historical notation than an accurate description as it is widely accepted by japanese martial scholars that man's first fighting arts consisted of unarmed tactics.Funagawa near Sanroku mountain. After the Kihon. The techinques of the system passed through a couple of generations where it finally came to be headed by Oriemon Shigenobu Takagi. using various pain hold and chokes (itami jime) to simple grabbing attacks combined with nerve strikes and throws (iki chigae) in some techniques. thus the Takagi .Washo of the Chuzan temple. at the time (ca. Not much is known about Sounryu. the ryu contained the techniques of taijutsu. fighting with sticks of various lengths and hurling stones. Eri shime gata and Moguri gata. Umannosuke had travelled and taught widely. Various ways of taking an opponent down using surprise attacks (kicking his legs out from under him). counter strikes and hold releases are covered in the Kihon Waza (basic techniques). A number of techniques within the system are worthy of note as they are stand .ryu came to be passed down to the present day in a number of forms. Such basic skills as breakfalls. the techniques and ideas that would evolve into TAKAGI . In addition. Okuden no gata. There is an additional set of techniques specifically designed for dealing with weapons while unarmed and a number of techniques with which to counter all of the techniques in the sections named above.ryu (who. there are another six major areas of concentration. bojutsu and shuriken jutsu. In the beginning.ryu jutaijutsu has a number of levels.ryu is of interest. Oriemom did much to put Takagi . were the instructors to the Shogun.outs in terms of combative application. the idea of a quick drop to the .ryu's curriculum has a number of lessons to offer the marital artist and just learning the basic forms of each technique is really only the beginning. By the end of his life. This is important because many of Takagi . The form practiced within the Bujinkan style of Ninjutsu stems from the teachings of one Yagi Jigero Hisayashi who founded the Takagi Yoshin ryu four generations ago.RYU were organised by a man known as Sounryu in the year 1569. thus the ryu still carries his name. ie the Tokugawa family). 1600). Oriemon further refined the system. It should be noted that one of the trademarks of Jutaijutsu (as opposed to Judo or Aikido) is that the techinques are delivered in such a way as to make the opponents receiving skills (breakfalls.

Often these throws are executed by dropping to one knee and dragging the opponent down with the weight of ones own body. Of course. .ryu is far too complex to cover in a simple article. Takagi Yoshin . however. this introduction to the ryu's history and techniques may spur further interest in an art which has influenced the fighting style of many a Ninjutsu practitoner.ground to throw an opponent or counter a throw is employed.

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