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SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product. This product may also use “household” type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged. When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture.

Warning:
Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information.

SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units. This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs.

Disposal Notice:
Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly.

NOTICE:
Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.

NAME PLATE LOCATION:
The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:

Model Serial No. Purchase Date

Battery Notice:
This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.

92-BP (bottom)

PLEASE KEEP THIS MANUAL

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FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
(class B)

2. IMPORTANT: When connecting this product to accessories and/or
another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with the
requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

OBSERVERA!
Apparaten kopplas inte ur växelströmskällan (nätet) sá länge som den ar ansluten till vägguttaget, även om själva apparaten har stängts av. ADVARSEL: Netspæendingen til dette apparat er IKKE afbrudt, sálæenge netledningen siddr i en stikkontakt, som er t endt — ogsá selvom der or slukket pá apparatets afbryder. VAROITUS: Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko laitetta verkosta.
(standby)

Entsorgung leerer Batterien (nur innerhalb Deutschlands)
Leisten Sie einen Beitrag zum Umweltschutz. Verbrauchte Batterien oder Akkumulatoren dürfen nicht in den Hausmüll. Sie können bei einer Sammelstelle für Altbatterien bzw. Sondermüll abgegeben werden. Informieren Sie sich bei Ihrer Kommune.
(battery)

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fire. or roll anything over it. wash immediately with water and consult a doctor. or if any unusual smells or smoke should appear to be caused by it. or battery fluid leakage. • Do not place the AC adaptor cord near heat sources such as heaters or radiators. and do not excessively bend or otherwise damage the cord. but are not limited to. Battery fluid is corrosive and may possibly cause loss of sight or chemical burns. or in a car during the day) to prevent the possibility of panel disfiguration or damage to the internal components. or if there is a sudden loss of sound during use of the instrument. Water warning • Do not expose the instrument to rain. such as candles. the following: Power supply/AC power adaptor • When removing the electric plug from the instrument or an outlet. • Do not dispose of batteries in fire. near a heater. Doing so can result in lower sound quality. immediately turn off the power switch. or different types of batteries from the same maker. on the unit. or battery fluid leakage. remove the batteries from the instrument to prevent possible leakage of the battery fluid. (4)-8 1/2 4 . disconnect the adaptor plug from the outlet. • Do not use the instrument in the vicinity of a TV.PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep this manual in a safe place for future reference. or damage to the instrument or other property. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning. fire. discontinue use immediately and have it inspected by qualified Yamaha service personnel. • Unplug the AC power adaptor when not using the instrument. • Keep batteries away from children. or radio may generate noise. • Never insert or remove an electric plug with wet hands. • Check the electric plug periodically and remove any dirt or dust which may have accumulated on it. fire or other hazards. the following: Power supply/AC power adaptor • Only use the voltage specified as correct for the instrument. or place containers on it containing liquids which might spill into any openings. • Use the specified adaptor (PA-5D or an equivalent recommended by Yamaha) only. • Do not attempt to recharge batteries that are not intended to be charged. mobile phone. but are not limited to. CAUTION Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others. If the battery fluid should come in contact with your eyes. stereo equipment. or other electric devices. or place it in a position where anyone could walk on. These precautions include. Fire warning • Do not put burning items. Otherwise. Using the wrong adaptor can result in damage to the instrument or overheating. or extreme cold or heat (such as in direct sunlight. or batteries from different makers. Do not use new batteries together with old ones. use it near water or in damp or wet conditions. or if the instrument is not to be used for a long time. These precautions include. or during electrical storms. • Do not connect the instrument to an electrical outlet using a multiple-connector. • If the batteries do leak. since this can cause overheating. or possibly cause overheating in the outlet. • When the batteries run out. or skin. and have the instrument inspected by qualified Yamaha service personnel. Failure to do so might result in overheating. always hold the plug itself and not the cord. short-circuiting. Do not open • Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. such as alkaline batteries with manganese batteries.polarity markings. Also. radio. • Always replace all batteries at the same time. mouth. TV. damages. do not mix battery types. place heavy objects on it. The required voltage is printed on the name plate of the instrument. the instrument. Battery • Always make sure all batteries are inserted in conformity with the +/. Location • Do not expose the instrument to excessive dust or vibrations. trip over. A burning item may fall over and cause a fire. avoid contact with the leaked fluid. WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock. If you notice any abnormality • If the AC adaptor cord or plug becomes frayed or damaged.

All other trademarks are the property of their respective holders. Such copyrighted materials include. Before turning the power on or off for all components. or place heavy objects on the instrument. remove all connected adaptor and other cables. • Before moving the instrument. dry cloth. Connections • Before connecting the instrument to other electronic components. even when the power switch is in the “STANDBY” position. • Never insert or drop paper. • Use only the stand specified for the instrument. G COPYRIGHT NOTICE This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others’ copyrights. switches or connectors. Do not use paint thinners. or other objects into the gaps on the panel or keyboard. plastic or rubber objects on the instrument. and do not use excessive force on the buttons. Maintenance • When cleaning the instrument. set all volume levels to minimum. WAVE data and sound recordings. Also. • Do not rest your weight on.• Do not place the instrument in an unstable position where it might accidentally fall over. public performance and broadcasting are strictly prohibited. MIDI files. Always turn the power off when the instrument is not in use.S. Handling caution • Do not insert a finger or hand in any gaps on the instrument. since this might discolor the panel or keyboard. DISTRIBUTE OR USE ILLEGAL COPIES. When you are not using the instrument for a long time. metallic. Saving data Saving and backing up your data • Saved data may be lost due to malfunction or incorrect operation. DON’T MAKE. or chemical-impregnated wiping cloths. Then have the instrument inspected by qualified Yamaha service personnel. The illustrations and LCD screens as shown in this owner’s manual are for instructional purposes only. Any violation of copyright has legal consequences. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. or data that is lost or destroyed. cleaning fluids. Unauthorised copying. Failure to do so could cause damage to the internal components or result in the instrument falling over. G Trademarks • Apple and Macintosh are trademarks of Apple Computer. since this can cause permanent hearing loss. use a soft. electricity is still flowing to the instrument at the minimum level. If this happens. without limitation. registered in the U. and may be different from the ones on your instrument. Save important data to external media such as the Yamaha MDF3 MIDI data filer. all computer software. be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level. solvents. Inc. Make sure to discard used batteries according to local regulations. If you experience any hearing loss or ringing in the ears. turn off the power for all components. When using a power adaptor. When attaching the stand or rack. • Windows is the registered trademark of Microsoft® Corporation. consult a physician. (4)-8 2/2 5 .. • Do not place vinyl. G Regarding the song (or composition) “Just The Way You Are” included in this keyboard Composition Title : Just The Way You Are Composer’s Name : Billy Joel Copyright Owner’s Name : EMI MUSIC PUBLISHING LTD CAUTION : All Rights Reserved. use the provided screws only. Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument. styles files. • Do not operate the instrument for a long period of time at a high or uncomfortable volume level. turn off the power immediately and unplug the power cord from the AC outlet. make sure you unplug the AC power adaptor from the wall AC outlet. and other countries.

.. 45.... great sound and exceptional ease-of-use in a highly compact package. and the DGX-200 takes care of the rest! I GM System Level 1 “GM System Level 1” is an addition to the MIDI standard which ensures that any GM-compatible music data can be accurately played by any GM-compatible tone generator......page 30 The exceptionally natural Touch Response feature........... It also works in conjunction with the Dynamic Filter. I Touch Response. Its outstanding features also make it a remarkably expressive and versatile instrument.. Read this Owner’s Manual carefully while playing your new DGX-200 in order to take full advantage of its various features........ The GM mark is affixed to all software and hardware products that support GM System Level........ However. 6 ............... Just select the genre......Congratulations on your purchase of the Yamaha DGX-200 Portable Grand ™! You now own a portable keyboard that combines advanced functions....... you can play back any XG song data using an XGlite tone generator.........page 28 The One Touch Setting feature lets you automatically call up an appropriate voice for playing with the selected style.................... Main Features The DGX-200 is a sophisticated yet easy-to-use keyboard with the following features and functions: I Stereo Sampled Piano..................... “XGlite” is a simplified version of Yamaha’s high-quality XG tone generation format......... due to the reduced set of control parameters and effects.... gives you maximum expressive level control over the voices..... with a convenient front panel on/off switch........ Naturally.......page 20 The DGX-200 has a special Portable Grand Piano Voice — created by state-of-the-art stereo sampling technology and using Yamaha’s sophiscated AWM (Advanced Wave memory) tone generation system............ I Powerful Speaker System The built-in stereo amplifier/speaker system of the DGX-200 — with a special Bass Boost feature — provides exceptionally powerful........................ This can be a big help if you know what genre of music you want to play.. voice......................... high-quality sound... I XGlite As its name implies..............................page 48 The DGX-200 has an advanced... and effect settings for playing in a specific type of music.... I Music Database.............................. keep in mind that some songs may play back differently compared to the original data....... letting you hear the full dynamic range of the DGX-200’s authentic voices...................................... Each style has memory space for two One Touch Settings......... and you can change them to your own desired voice setting — letting you save your custom panel settings for instant recall...... regardless of manufacturer.................... which dynamically adjusts the timbre or tone of a voice according to your playing strength — just a like a real musical instrument! I Yamaha Education Suite...................... easy-to-use Music Database feature that automatically selects the style......... but you don’t know what settings to make.............pages 43.... 61 The DGX-200 features the new Yamaha Education Suite — a set of learning tools that utilize the latest technology to make studying and practicing music more fun and fulfilling than ever before! I One Touch Setting.

....... 56 • Song Clear ............................................................................................................................................................................................. 87 Drum Kit List .................................................................... 48 • Data stored by the Music Database............................................................................................. 78 Voice List ......................................................40 • Changing the Tempo .............................23 • #000 OTS ..................... 69 • Bulk Data Send .... 56 • Recording a User Song.............................................................32 Function ..................................................................45 Using the Music Database ....................20 Song Lesson ...................................... 70 • Song Out......................................................36 • Sync Stop .............................. 20 • Playing the Portable Grand........................................................................................................................... 69 • External Clock.................................................................................................................................................................................................................................11 • Accessory Jacks ........................... 63 • Lesson 1 — Timing ........ 66 • Connecting to a Personal Computer.................................................... 79 Style List ...................................32 • DSP ......... 31 • Harmony ......31 • Reverb ................. 73 Playing Voices ...41 • Accompaniment Sections (Main A/B and Fill-ins) .... 23 • Playing a Voice ....................................... 68 • Local Control............. 88 MIDI Implementation Chart .......................................28 • Transpose and Tuning....... 16 Panel Display Indications ......... 70 • Loading a Song into DGX-200’s Flash Memory .........................................27 • One Touch Setting................................................................. 63 • Lesson 2 — Waiting.................................... 65 DJ ........26 • Split Voice........................................................... 74 Troubleshooting ............ 77 Data Backup & Initialization .......................... 65 • Grade ............................................................................. 64 • Lesson 4 — Both Hands . 60 Step 1 Voices .............................................................. 51 • Playing the Songs ....26 • Dual Voice ............................................................ 55 Quick Guide 12 Song Recording........................................................ 92 Specifications ....................... 22 • Playing the DJ. 69 • Using Initial Setup Send with a Sequencer.................................11 Selecting and Playing Songs .................................................................................................................................................................. 94 Selecting and Playing Styles ........................................................ 14 Step 3 Music Database....... 18 Portable Grand.........42 • Adjusting the Style Volume............................. 54 • Melody Voice Change.....................................10 • Turning On the Power................................... 93 Index ....................... 61 • Select the Lesson Track .................................................. 12 Step 2 Songs... 35 • Selecting a Style .... 59 • Track Clear ............35 • Playing the Styles ........................................................ 66 • What Is MIDI? ................Contents Panel Controls and Terminals ....................................29 • Touch and Touch Sensitivity........................................................................................... 61 • Using the Lesson Feature................................... 71 • PC Mode .............50 7 ........22 MIDI Functions......................................................... 55 • Adjusting the Song Volume......................................................... 70 • Style Out .................................................................................................................30 • Pitch Bend ..............................31 • Chorus ......................43 • Dictionary.......................................... 51 • Selecting a Song..................................................................... 90 Effect map .......30 Effects..................42 • Using Auto Accompaniment — Multi Fingering ... 10 • Power Requirements ...................................... 53 • A-B Repeat ..............20 • Using the Metronome ............................................................................................................. 64 • Lesson 3 — Minus One ...............................................27 • Setting the Split Point ....................................... 86 Music Database List ................................................ 69 • Keyboard Out...................................... 74 • Using the Function parameters.............................................................................................................................................................................................. 8 Setting Up...............................................................

) t [DUAL] button This turns the Dual voice on or off.) r [HARMONY] button This turns the Harmony effect on and off. The CATEGORY [ ]/[ ] buttons are used to select the category of songs. M. (See page 48. CATEGORY [ ]/[ ] buttons. f > f < > 8 < r r .) !1 [METRONOME] button This turns the metronome on and off.D.B. (See page 27. (See page 30. M.) Holding down this button calls up the Melody Voice Change function. voice. style or M. or specific Function. (See page 23. (See page 12. The SELECT [ ]/[ ] buttons are used to decrease or increase the number of the desired song.) !4 [FUNCTION] Button This calls up the Function mode and stores the specified panel setting to the flash memory (see pages 74.Panel Controls and Terminals I Front Panel u e r t y i o !3 GrandPno 001 092 001 !0 !1 !2 !4 !5 !6 !7 !8 !9 @0 q w @1 @2 @3 @4 @5 @6 @7 @8 @9 q Power switch ([STANDBY/ON]) w [MASTER VOLUME] dial This determines the overall volume of the DGX-200. SELECT [ ]/[ ] buttons This dial is used to select the number of the desired song. voice. (See page 62.B.) y [SPLIT] button This turns the Split voice on and off.) !8 [M. (See page 73.) !6 [STYLE] button This is for enabling style selection. e [TOUCH] button This turns the Touch function on and off.. styles. o [PC] Button This exceptionally convenient control lets you store and instantly call up the specified MIDI settings for optimum use with a connected computer or other MIDI device. (See page 31. or Functions. Pressing the buttons steps through the various categories. (See page 35. style. (See page 55.) !0 LESSON [L] (Left) and [R] (Right) buttons These call up the Lesson exercises for the corresponding hand (left or right) for the selected song. (See page 26.] (MUSIC DATABASE) button This calls up the optimum panel settings for selected music genre.D.) u [DICTIONARY] button This calls up the Dictionary function (page 45). !5 [SONG] button This is for enabling song selection. (See page 24. 78).B.) !7 [VOICE] button This is for enabling voice selection.) This also used to set the Tempo and Function value.) !3 [DEMO] button This is used to play the Demo song.) !9 Dial.D.) !2 [PORTABLE GRAND] button This instantly calls up the Grand Piano voice. as well as to adjust certain settings..B. (See page 51. (See page 14. voices. (See page 20. i [DJ] button This instantly calls up a special DJ voice and style.D.

The pitch bend range of the wheel can also be set. (See page 40. (See page 20. this alternately starts and stops the style.) In the Song mode. (See page 42. (See pages 24.) @2 [SYNC STOP] button This turns the Sync Stop function on and off. (See page 57. this is used to control the Intro and Ending functions. (See page 28.) @8 ONE TOUCH SETTING buttons These buttons ([MEMORY].) 9 . (See page 30. (See page 36. these are used to change auto accompaniment sections and control the Auto Fill function.) @4 [INTRO ENDING] / [ r ] button When the Style mode is selected.) It also allows you to tap out the tempo and automatically start a selected song or style at that tapped speed. this calls up the A-B Repeat function. numeric keypad or [+]/[-] buttons.Panel Controls and Terminals @0 Numeric keypad.) In the Song mode. this turns the auto accompaniment on and off. or move the song playback point toward the end. letting you record up to six different tracks of a song (including a special Chord track). [2]) are used to select the One Touch Setting registrations. or move the song playback point back toward the beginning.) @9 SONG MEMORY buttons These buttons ([REC].) When the Song mode is selected.) #2 SUSTAIN jack This is for connection to an optional FC4 or FC5 Footswitch for control over sustain. @5 [MAIN/AUTO FILL] / [ f ] button When the Style mode is selected. (See page 11. this is used as a “fast forward” control. voices.) In the Song mode. @1 [ACMP] / [ ] button When the Style mode is selected.) @7 [TEMPO/TAP] button This button is used to call up the Tempo setting. @6 [START/STOP] button When the Style mode is selected.) #3 PHONES/OUTPUT jack This is for connection to a set of stereo headphones or to an external amplifier/speaker system. [1] . just like the damper pedal on a piano. and styles. it is used to temporarily pause song playback. (See page 54. (See page 67. (See page 37.) #4 DC IN 12V jack This is for connection to a PA-5D AC power adaptor. (See page 53.) @3 [SYNC START] / [ ❙ ❙ ] button This turns the Sync Start function on and off.) They are also used for adjusting certain settings and answering certain display prompts. OUT terminals These are for connection to other MIDI instruments and devices.[5]. [+/YES] and [-/NO] buttons These are used for selecting songs. [A]) are used for song recording.) I Rear Panel #1 #2 #3 #4 #1 MIDI IN. [1]. (See page 37. (See page 36. (See page 36. (See page 11. letting you set the Tempo with the dial.) #0 [PITCH BEND] wheel This is used for raising or lowering the pitch of the voices as you play. this is used as a “rewind” control. (See page 10. (See page 54. this alternately starts and stops song playback.) When the Song mode is selected.

turn the power off and replace the batteries.g. NEVER mix old and new batteries. w e I Using Batteries • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • For battery operation the DGX-200 requires six 1. 10 . in order to prevent possible fluid leakage from the battery. the sound may be distorted. • Unplug the AC Power Adaptor when not using the DGX-200. • Never interrupt the power supply (e. Yamaha recommends use of an AC adaptor whenever possible. Make sure to read this section carefully before using the instrument. Power Requirements Although the DGX-200 will run either from an optional AC adaptor or batteries. The use of other adaptors may result in irreparable damage to both the adaptor and the DGX200. • Do not use different kinds of batteries (e. • If the instrument is not to be in use for a long time. remove the batteries or unplug the AC adaptor) during any DGX-200 record operation! Doing so can result in a loss of data. e Replace the compartment cover. w Insert the six new batteries. remove the batteries from it. R20P (LR20) or equivalent batteries. When this happens.) When the batteries need to be replaced. I Using an AC Power Adaptor • • • • • • • • • • • • • • • • • • • • • • • • • q Make sure that the [STANDBY/ON] switch of the DGX-200 is set to STANDBY. w Connect the AC adaptor (PA-5D. q Open the battery compartment cover located on the instrument’s bottom panel. replace them with a complete set of six new batteries.g. as described below • When the batteries run down. • Use ONLY a Yamaha PA-5D AC Power Adaptor (or other adaptor specifically recommended by Yamaha) to power your instrument from the AC mains. making sure that it locks firmly in place. An AC adaptor is more environmentally friendly than batteries and does not deplete resources. alkaline and manganese) at the same time. Doing so can damage the internal flash memory and result in loss of data.5V “D” size. being careful to follow the polarity markings on the inside of the compartment. or during electrical storms. • Never attempt to turn the power off when a “WRITING!” message is shown in the display. e Plug the AC adaptor into an AC outlet. the volume may be reduced. and other problems may occur. or other adaptor specifically recommended by Yamaha) to the power supply jack.Setting Up This section contains information about setting up your DGX-200 for playing. (Alkaline batteries are recommended.

• Donotpressthefootswitchwhile turning the power on. Doing so can damage the internal flash memory and result in loss of data. (For more information. see page 67. The footswitch functions the same way as a damper pedal on an acoustic piano — press and hold down the footswitch as you play the keyboard to sustain the sound. connect a set of stereo headphones to the rear panel PHONES/OUTPUT jack. and/or remove the batteries from the instrument.) • Even when the switch is in the “STANDBY” position. allowing you to interface the DGX-200 with other MIDI instruments and devices. Sound from the built-in speaker system is automatically cut off when you insert a headphone plug into this jack.Setting Up Turning On the Power With the AC power adaptor connected or with batteries installed. resulting in reversed footswitch operation. be sure to set the volumes of all devices at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level. electricity is still flowing to the instrument at the minimum level. • Make sure that the footswitch plugisproperlyconnectedtothe SUSTAIN jack before turning on the power. be sure to turn the power off. Accessory Jacks I Using Headphones• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • For private practicing and playing without disturbing others. Stereo System I Using a Footswitch • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • This feature lets you use an optional footswitch (Yamaha FC4 or FC5) to sustain the sound of the voices. (Press the switch again so that it pops up. make sure the DGX-200 and any external devices are turned off. set the volume of the external devices at the minimum setting before connecting them. make sure you unplug the AC power adaptor from the wall AC outlet. When you are not using the DGX-200 for a long time. Also. Doing this changestherecognizedpolarity of the footswitch. • Never attempt to turn the power off when a “WRITING!” message is shown in the display. When the instrument is not in use. I Using the MIDI Terminals • • • • • • • • • • • • • • • • • • • • • • • • • • • The DGX-200 also features MIDI terminals.) MIDI instrument 11 . then connect one end of a stereo audio cable to the LINE IN or AUX IN jack(s) of the other device and the other end to the rear panel PHONES/OUTPUT jack on the DGX-200. simply press the power switch until it locks in the ON position. I Connecting a Keyboard Amplifier or Stereo System • • • • • • • Though the DGX-200 is equipped with a built-in speaker system. First. • To prevent damage to the speakers. you can also play it through an external amplifier/speaker system. Failure to observe these cautions may result in electric shock or equipment damage.

038 039 040 041 042 043 044 045 046 047 048 049 050 Voice Name Distortion Guitar BASS Acoustic Bass Finger Bass Pick Bass Fretless Bass Slap Bass Synth Bass Hi-Q Bass Dance Bass STRINGS String Ensemble Chamber Strings Synth Strings Slow Strings No. No. Playing along with the Metronome z Press the [METRONOME] button. 051 052 053 054 055 056 057 058 059 060 061 062 Voice Name Tremolo Strings Pizzicato Strings Orchestra Hit Violin Cello Contrabass Banjo Harp CHOIR Choir Vocal Ensemble Vox Humana Air Choir 12 . you can automatically select the Grand Piano voice. Piano Hyper Tines Venus Electric Piano Clavi No. z Press the [PORTABLE GRAND] button. 001 002 003 004 005 006 007 008 009 010 011 012 Voice Name PIANO Grand Piano Bright Piano Honky-tonk Piano MIDI Grand Piano CP 80 Harpsichord E. GrandPno 001 x Play the keyboard.PIANO Galaxy EP Funky Electric Piano DX Modern Elec. Want to find out more? See page 20. 013 014 015 016 017 018 019 020 021 022 023 024 Voice Name ORGAN Jazz Organ 1 Jazz Organ 2 Click Organ Bright Organ Rock Organ Purple Organ 16'+2' Organ 16'+4' Organ Theater Organ Church Organ Chapel Organ Reed Organ No.Quick Guide Step 1 Voices w GrandPno 001 092 001 q z z r q Playing the Piano Simply by pressing the [PORTABLE GRAND] button. Want to find out more? See page 20. G Panel Voice List No. 025 026 027 028 029 030 031 032 033 034 035 036 037 Voice Name ACCORDION Traditional Accordion Musette Accordion Bandoneon Harmonica GUITAR Classical Guitar Folk Guitar 12Strings Guitar Jazz Guitar Octave Guitar Clean Guitar 60’s Clean Guitar Muted Guitar Overdriven Guitar * This list includes only a portion of the total available voices.

075 076 077 078 079 080 081 082 083 084 085 086 Voice Name Trombone Section French Horn Tuba BRASS Brass Section Big Band Brass Mellow Horns Synth Brass Jump Brass Techno Brass FLUTE Flute Piccolo Pan Flute No.Step 1 Voices Selecting and Playing Other Voices The DGX-200 has a huge total of 605 dynamic and realistic instrument voices. q Press the [VOICE] button. or BritePno 002 GrandPno 001 e Play the keyboard. Let’s try a few of them out now. 063 064 065 066 067 068 069 070 071 072 073 074 Voice Name SAXOPHONE Soprano Sax Alto Sax Tenor Sax Breathy Tenor Baritone Sax Oboe English Horn Bassoon Clarinet TRUMPET Trumpet Muted Trumpet Trombone No. 111 112 113 114 115 116 117 118 119 120 Voice Name Room Kit Rock Kit Electronic Kit Analog Kit Dance Kit Jazz Kit Brush Kit Symphony Kit SFX Kit 1 SFX Kit 2 13 . Want to find out more? See page 22. q Press the [DJ] button. No. r f • Youcanalsoselecttheappropriatecategory by using the [ ]/[ ] buttons. 087 088 089 090 091 092 093 094 095 096 097 098 Voice Name Recorder Ocarina SYNTH LEAD Square Lead Sawtooth Lead Voice Lead Star Dust Brightness Analogon Fargo SYNTH PAD Fantasia Bell Pad Xenon Pad No. The DJ starts as soon as you play keys in the accompaniment area of the keyboard. DJ Set 1 000 w Play the DJ style. w Select a voice. e Play the DJ voices. Playing with the DJ Feature The exciting new DJ feature gives you a full variety of dance and DJ sounds — letting you create your own real-time mixes and groove along with various contemporary rhythms. Accompaniment area r Stop the DJ style.. Want to find out more? See page 23. 099 100 101 102 103 104 105 106 107 108 109 110 Voice Name Equinox Dark Moon PERCUSSION Vibraphone Marimba Xylophone Steel Drums Celesta Tubular Bells Timpani Music Box DRUM KITS Standard Kit 1 Standard Kit 2 No..

B Bailey 002 or • Youcanalsoselecttheappropriatecategorybyusingthe[ buttons. z Start the Demo song. You can also play songs loaded to the DGX via MIDI. 14 r f . Just You 001 You can also play back songs of other categories. Just You 001 x Select a song. Playing a single song Naturally. Set Demo and DJ Cancel in the Function mode (page 76).) Playing the Demo song Let’s play the Demo song now. Simply select the appropriate number of the desired song during playback. The songs can be stored to song numbers 101-199. • The DGX-200 also has a Demo and DJ Cancel function that allows you to disable Demo song and DJ function. Repeating with #001.205). designed to be used with the educational Lesson feature. (See page 71. z Press the [SONG] button. Want to find out more? See page 51. including one Demo song — which has been specially created to showcase the rich and dynamic sounds of the instrument. you can also individually select and play back the DGX-200’s songs (001 . ]/[ ] c Start (and stop) the song. There are also 99 additional songs.Quick Guide Step 2 Songs zx GrandPno 001 092 001 z xq x cr w Playing the Songs The DGX-200 is packed with a total of 100 songs. or x Stop the Demo song.

r f • Youcanalsoselecttheappropriatecategory by using the [ ]/[ ] buttons.205) for recording.10 La Primavera (From Le Quattro Stagioni) Méditation De Thais Guillaume Tell Camptown Races Frühlingslied Ungarische Tänze Nr. The DGX-200 starts recording as soon as you play the first note on the keyboard. e Start recording by playing a melody on or User 2 202 the keyboard.10-3 “Chanson De L’adieu” Marcia Alla Turca Turkish March Valse Op. “Serenade” Menuett Canon The Danube Waves From “The Magic Flute” Piano Sonate Op.64-1 “Peiti Chien” Menuett Nocturne Op.94-3 The Entertainer Prelude (Wohltemperierte Klavier 1-1) La Viollette Für Elise Practice Little Brown Jug Loch Lomond Oh! Susanna Greensleeves Aura Lee Londonderry Air Ring De Banjo Wenn Ich Ein Vöglein Wär ? Die Lorelei Funiculi-Funicula Turkey In The Straw Old Folks At Home Silent Night Jingle Bells No.[5]). press the [START/ STOP] button. q Select the desired User song (201 . w Simultaneously hold down the [REC] button and press the desired track number button ([1] . User 2 202 G Song List No. 001 002 003 004 005 006 Song Name Demo Just The Way You Are Favorites Bill Bailey (Won’t You Please Come Home) When Irish Eyes Are Smiling Down By The Riverside America The Beautiful When The Saints Go Marchin’ In Orchestra Frühlingsstimmen Danse Des Mirlitons From “The Nutcracker” “Orphée Aux Enfers” Ouverture Slavonic Dances No. Open Your Hands The Cuckoo O Du Lieber Augustin London Bridge American Patrol Beautiful Dreamer Battle Hymn Of The Republic Home Sweet Home Valse Des Fleurs (From “The Nutcracker”) Aloha Oe I’ve Been Working On The Railroad My Darling Clementine Auld Lang Syne Grandfather’s Clock Amazing Grace My Bonnie Yankee Doodle Joy To The World Ave Maria 007 008 009 010 011 012 013 014 015 016 017 018 019 020 021 022 067 068 069 070 071 072 073 074 075 076 15 . the DGX-200 lets you play and record the individual parts of your own song in real time.5 Pianist Dolly’s Dreaming And Awakening La Candeur Arabesque Pastorale Petite Réunion Innocence No.9-2 Moments Musicaux Op. 077 078 079 080 081 082 083 084 085 086 087 088 089 090 091 092 093 094 095 096 097 098 099 100 Song Name Close Your Hands.17 2nd Mov.Step 2 Songs Recording Your Own Song Much like a multi-track tape recorder. Want to find out more? See page 56. 023 024 025 026 027 028 029 030 031 032 033 034 035 036 037 038 039 040 041 042 043 044 045 046 047 048 049 050 Song Name Progrès Tarentelle La Chevaleresque Etude Op. Open Your Hands The Cuckoo O Du Lieber Augustin London Bridge Chord Lesson Twinkle Twinkle Little Star Close Your Hands.3 Jesu. Joy Of Man’s Desiring Symphonie Nr. r To stop recording. 051 052 053 054 055 056 057 058 059 060 061 062 063 064 065 066 Song Name Muss I Denn Liebesträume Nr.9 Song Of The Pearl Fisher Gavotte String Quartet No.27-2 “Mondschein” “The Surprise” Symphony To A Wild Rose Air de Toréador “Carmen” O Mio Babbino Caro (From “Gianni Schicchi”) Duet Row Row Row Your Boat On Top Of Old Smoky We Wish You A Merry Christmas Scarborough Fair Im Mai O Christmas Tree Mary Had A Little Lamb Ten Little Indians Pop Goes The Weasel Twinkle Twinkle Little Star No.

D. . bass + guitar + drums) + Right hand Melody • For more infomation on playing proper chords for the auto accompaniment.Quick Guide Step 3 Music Database zb GrandPno 001 092 001 x v z Music Database Here’s a convenient feature that lets you instantly reconfigure the DGX-200 for playing in different music styles.B. Refer to the Music Database List on page 87. z Press the [M. simply select the genre from the Music Database — and the DGX-200 makes all the right settings for you! Accompaniment area Left hand Auto accompaniment (for example. see “Using Auto Accompaniment — Multi Fingering” on page 43 and “Looking up Chords in the Dictionary” on the next page.] (MUSIC DATABASE) button. or Croco Rk 002 AlvFever 001 16 r f • Youcanalsoselecttheappropriatecategorybyusingthe [ ]/[ ] buttons. If you want to perform in a certain genre but don’t know what settings to make. x Select a Music Database.

The style starts as soon as you play the keyboard. press the [DICTIONARY] button again x Specify the root note of the chord (in this case. The chord name flashes when the chord is played properly..Step 3 Music Database Looking up Chords in the Dictionary The convenient Dictionary function teaches you how to play chords by showing you the individual notes. M7).. Chord area Dict. 17 . Want to find out more? See page 45. Want to find out more? See page 48. b To leave the Dictionary function. c Play a chord with your left hand. G M7 Root note Chord type z Press the [DICTIONARY] button. For more on chords. Learning how to play a specific chord Example: v Play the notes of the chord as indicated in the keyboard diagram in the display. G). Keys for entering the chord (E0 – B2) Keys for entering the chord type (C3 – B4) Keys for entering the chord root (C5 – B5) c Specify the chord type of the chord (in this case. letting you play the melody along with accompaniment. Accompaniment area v Stop the style. see “Looking up Chords in the Dictionary” above. In the example below. we’ll learn how to play a GM7 chord.

) o Accompaniment On indicator This appears when the auto accompaniment is turned on. the display shows the notes you play.) i Split indicator This appears when the Split function is turned on. name and number t y u i o GrandPno 001 w Keyboard Touch indicator Harmony indicator Dual indicator Split indicator Accompaniment On indicator !0 Sync Stop indicator 092 001 !1 Measure and Tempo !2 Chord !3 Song track indicators q Notation / w Keyboard These two portions of the display conveniently indicate notes.D.B. When you play the keyboard yourself. • For a few specific chords. It also displays the category name when using the category button. (See page 31. name and number This portion of the display indicates the name and number of the currently selected song. (See page 36.D.Panel Display Indications The DGX-200 features a large multi-function display that shows all important settings for the instrument. they show the melody or chord notes in succession. (See page 26. or the name and current setting/value of other functions.) e Beat marks These marks (one large. When a song is being played back. r Song/Voice/Style/M. 18 .) y Harmony indicator This appears when the Harmony effect is turned on. This is due to space limitations in the display. as well as other important operation messages. The section below briefly explains the various icons and indications in the display. (See page 30. (See page 27.B.B.D. three small) flash in sequence and in time with the song or style. not all notes may be shown in the notation section of the display. The large arrow indicates the first beat of the measure. q Notation e Beat marks !4 Octave indicator r Song/Voice/Style/M. style or M. t Touch indicator This appears when the Touch function is turned on.) u Dual indicator This appears when the Dual function is turned on. voice.

!2 Chord When a song (with chords) is being played back.) !4 Octave indicator When note data exceeds the range limit of note display. the “8va” indication appears in the display. Music Stand Insert the bottom edge of the included music stand into the slot located at the top rear of the DGX-200 control panel. (See page 40. this indicates the current chord root and type.) !1 Measure and Tempo These show the current measure during playback of a song or style. these indicate the status of the tracks. 19 . It also indicates chords played in the ACMP area of the keyboard when the Style mode and auto accompaniment are on.Panel Display Indications !0 Sync Stop indicator This appears when the Sync Stop function is turned on. and the currently set Tempo value for the song or style. !3 Song track indicators In song recording and playback. (See page 57.

If you’ve changed the Tempo. GrandPno 001 Doing this automatically selects the special “Stereo Sampled Piano” Grand Piano voice. Press the [TEMPO/TAP] button. you can instantly restore thedefaultsettingbypressingboth [+]/[-] buttons simultaneously (when Tempo is selected). or use the [+]/[-] buttons to increase or decrease the value.Portable Grand This convenient function lets you instantly call up the Grand Piano voice. TEMPO 148 148 Current Tempo value 2 Change the value. You can also restore the default Tempo easily by simultaneously holding the [TEMPO/TAP] button and moving the dial. Use the dial or numeric keypad to set the desired Tempo value. Using the Metronome 1 Call up the Tempo setting. or 20 . Restoring the Default Tempo Value Each song and style has been given a default or standard Tempo setting. Playing the Portable Grand Press the [PORTABLE GRAND] button.

21 . Time Sig 04 Indicates current beat number. To turn the Metronome off. Adjusting the Metronome Volume You can adjust the volume of the Metronome sound in the Function mode (page 76).Portable Grand 3 Turn on the Metronome. Press the [METRONOME] button. Setting the Metronome Time Signature The time signature of the Metronome can be set to various quarter-note based meters. The Time Signature can be set in the Function mode (page 76). Numeric keypad 01 02 03 04 : 15 0 Time signature 1/4 — Plays only “1” beats (all high clicks) 2/4 3/4 4/4 : 15/4 Plays no “1” beats (all low clicks) • Thetimesignaturechangesautomaticallywhenastyleorsongis selected. The volume range is 000 127. 148 1 Indicates the beat number in the measure. press the [METRONOME] button again.

• The DGX-200 has a Demo song and DJ Cancel function that allowsyoutodisableDemosong and DJ function. 3 Play the DJ voices. Playing the DJ 1 Press the [DJ] button. when 601 “DJ Set 1” is selected: Accompaniment area (E0 – F#2) Ohh2 FX02 R ev e FX rse TB rs O hh Sc 1 ra Sc tch ra 1 tc h 3 J H oo ui H hu u G ea et U p Sc G ra o Sc tch r Sc atc 2 ra h 4 tc h 5 C3 22 . Play keys in the accompaniment area of the keyboard.DJ This exciting feature lets you instantly call up a dynamic DJ voice and style for playing contemporary dance music. letting you play with one finger. Set Demo and DJ Cancel in the Function mode (page 76). DJ Set 1 000 Doing this automatically resets the entire instrument for playing the specially programmed DJ voice. G For example. Play the upper area of the keyboard. theaccompanimentistriggered by only the root of the chord. 2 Play the DJ style. 4 Stop the DJ style. Accompaniment area • When the DJ style is selected.

dial or the SELECT [ > ]/ GUITAR 23 . f r ]/[ ] buttons. The categories of each voice and their numbers are shown on the panel. G Select the voice CATEGORY Using the CATEGORY [ ]/[ ] button jumps through the voice numbers according to their category divisions. Voice name and number GrandPno 001 2 Select the desired voice number. f r Category name < I Use the CATEGORY [ [ ] buttons.Playing Voices The DGX-200 features a total of 605 authentic voices — all of which have been created with Yamaha’s sophisticated AWM (Advanced Wave Memory) tone generation system. A complete voice list of the available voices is given on page 79. or play from separate areas of the keyboard. play the two together across the keyboard. The DGX-200 also has a Dual Voice or Split Voice function that lets you combine two different voices in a layer. Playing a Voice 1 Press the [VOICE] button. • Selecting the #000 OTS voice calls up a convenient feature — automatically selecting approan priate voice to best match the current style or song. These include 480 XG voices and drum kits.

Playing Voices G Select the voice number Select a voice by using the dial or the SELECT [ > < ]/[ ] buttons. to select voice #109.playing middle C with one voice may sound higher or lower than another voice at the same key. and press the [-] button to select the previous voice.” For voice numbers beginning with zeroes (such as #042 or #006). There are two ways to select voices: 1) directly entering the voice number with the numeric keypad.Thus. then “0”. 24 . Holding down either button continuously scrolls up or down through the numbers. there is a short pause before the indication appears. Std. In this case. G Using the numeric keypad Enter the digits of the voice number as listed on page 79.Kit1 109 G Using the [+]/[-] buttons Press the [+] button to select the next voice number. the initial zeroes may be omitted. Jazz Gtr 032 I Use the numeric keypad. press “1” on the numeric keypad. For example. “9. or 2) using the [+]/[-] buttons to step up and down through the voice numbers. • Each voice is automatically called up with the most suitable octaverangesetting.

mode is active in the background.Playing Voices 3 Play the selected voice. song or M. • For more details. songs or M.D.Kit1 Std.D. when 109 “Standard Kit 1” is selected: ra tc h lic P ul k M No l et is ro e no m Br e us Be ll Br h Ta us p h Sl ap C as ta St ne ick t O s pe n R im Si Sh de ot H Stic an k d C la p H i-H at H C i-H lo a s H t P ed i-H e at dal O pe C ra n sh R C id ym e C ba ym l Ta ba 1 m l1 bo C ow urin e b Vi ell br as la p Bo ng C oL on ga H Ti O pe m ba n Ag le og L o M ar L ac as G ui ro C Sh la ve ort s C ui ca Tr M ia ut n e Sh gle ak Mu er te C C3 W Sc hi ra p S tc la M Fin h P p et ge us ro r h no S m na Se e C p q lic Se Cli k q ck C L Br Bru lick us sh H h S Ta w i Sn p S rl Sn are wirl Ba ar R s e o Ba s D H ll ss ru So D m ft ru So m Ba H ft ss ar D d Sn S rum ar nar e e Fl H H M oo a Fl r T rd oo om rT L o Lo m H M wT id om M Tom id T L C h H om R ines igh H id e T o e C Cy m Sp ym mb la ba al C sh l C ra sh Cy up R Cy mb id m al e C bal ym 2 C B bal on on 2 ga go H H M C ut o e Ti nga m ba L Ag le Sa og H m C o Sa ba ab H m Wh as ba is a W tle G hi H W uir stle oo o L L W d B on oo lo g d ck C Blo H u Tr ica ck L ia ng Op le en Ji Op ng e le n Be Be ll T ll re e Sc 25 .Kit2 Room Kit Rock Kit Elct. see page 88. Since either the Style.B. will be played. Song or M. in the Voice mode by simply pressing the [START/STOP] button.B. you can play different drum and percussion instrument sounds from the keyboard. respectively. you can also play styles. The last selected style.Kit AnlogKit DanceKit Jazz Kit BrushKit SymphKit SFX Kit1 SFX Kit2 G For example.. The following parameteres can be set in the Function mode (page 75). CATEGORY Main Voice SELECT Volume Octave Pan Reverb Send Level Chorus Send Level DSP Send Level Drum Kit Voice List (voices 109-120) When one of the 12 Drum Kit voices is selected. No. 109 110 111 112 113 114 115 116 117 118 119 120 Name Standard Kit 1 Standard Kit 2 Room Kit Rock Kit Electronic Kit Analog Kit Dance Kit Jazz Kit Brush Kit Symphony Kit SFX Kit 1 SFX Kit 2 LCD Std.B.D.

and enhance the way they blend together. This lets you create an optimum mix for the voices. such as giving them separate volume. Select voice #000 (OTS). Reverb. and DSP settings. Pan. CATEGORY Dual Voice SELECT Voice Volume Octave Pan Reverb Send Level Chorus Send Level DSP Send Level To turn the Dual Voice on or off.Playing Voices #000 OTS This special “voice” is actually a convenient feature which automatically selects a suitable voice for you when you select a style. Chorus. which is selected in the Function mode (page 75). The following parameters can be set in the Function mode (page 75). The voice is selected to best match the style or song you’ve called up. octave. #000 OTS is selected. press the [DUAL] button. which is selected normally. You can also set various parameters independently for these voices. GrandPno 001 Indicates Dual Voice is on. or GrandPno 000 Dual Voice The Dual Voice function lets you combine two different voices in a layer — one the Main voice. 26 . and the other the Dual voice.

For example. • This setting also affects the split point for the accompaniment area. press the [SPLIT] button. CATEGORY Split Voice SELECT Voice Volume Octave Pan Reverb Send Level Chorus Send Level DSP Send Level To turn the Split Voice on or off. along with the other Split Voice parameters shown below. The following parameters can be set in the Function mode (page 75). Setting the Split Point The Split Point determines the highest key for the split voice and sets the split point. and the left-hand (or lower) Voice is selected in the Function mode (page 75). GrandPno 001 Indicates Split Voice is on. The right-hand (or upper) Voice is selected in the Main Voice mode (page 23). Split Point Split Voice Main Voice Split Point can be set in the Function mode (page 75).Playing Voices Split Voice The Split Voice function lets you assign two different Voices to opposite areas of the keyboard. and play one Voice with your left hand while your right plays another. 27 . you could play bass with the left hand and play piano with the right.

Two types of One Touch Settings are available. you can create and store your own custom One Touch Settings. • • • • • • • • • • • • • • • • • • • • • • 1 Select the style. I Calling up a One Touch Setting. or 2 Press the ONE TOUCH SETTING button [1] or [2]. Synchro Start is automatically set to on (when style is stopped). OTS 2 28 .Playing Voices One Touch Setting This convenient feature automatically selects the voice to best match the selected style — simply by pressing one of the two One Touch Setting buttons. Main Voice DSP Type On/Off Harmony Type Harmony Volume • One Touch Setting does not function in the Song mode. G One Touch Setting Parameters Voice Number Effect Volume Harmony Octave Pan Reverb Send Level Chorus Send Level DSP Send Level Dual Voice ON/Off Voice Number Volume Octave Pan Reverb Send Level Chorus Send Level DSP Send Level * Accompaniment is automatically set to on. For each style.

Transpose can be set in the Function mode (page 75). Press and hold the [MEMORY] button then press the appropriate button — ONE TOUCH SETTING button [1] or [2]. simultaneously press and hold both the [1] and [2] buttons. simply press and hold the appropriate One Touch Setting button. 1 2 3 Select the desired style. Restoring the Default One Touch Setting data Each One Touch Setting for the current style can be restored to its default. • • • • • • • • • • • • • • You can also create and store your own custom One Touch Settings for each of the styles. To restore all One Touch setting to their defaults. • The Transpose function has no effect on the Drum Kits voices (#109 .Playing Voices I Creating and Storing a One Touch Setting. Make the desired settings. [1] or [2]. I Tuning • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Tuning determines the fine pitch setting of both the main voice and the bass/chord accompaniment. 29 . The Tuning settings can be adjusted over a range of ± 100 (approx. The Transpose settings can be adjusted over a range of ± 12 semitones (± 1 octave). I Transpose • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Transpose determines the key of both the main voice and the bass/chord accompaniment.#120) and DJ voices (#601 . ± 1 semitone). WRITING! Transpose and Tuning You can also adjust the tuning and change the transposition (key) of the entire DGX-200 sound with the Transpose and Tuning functions. This allows you to accurately match the tuning with that of other instruments. Change the voice and make any other settings you want to use with the selected style and the One Touch Setting buttons. Tuning can be set in the Function mode (page 75).#120). It also determines the pitch of the songs.#605). This allows you to easily match the pitch of the DGX-200 to other instruments or singers. To do this. It also determines the pitch of the songs. • The Tuning settings have no effect on the Drum Kit voices (#109 . or play in a different key without changing your fingering.

) Turn the Touch function on or off as desired by pressing the [TOUCH] button. and produces a relatively narrow dynamic range. When Touch is turned off. This lets you play over a normal dynamic range (soft to loud). G Settings: 1 (Soft) 2 (Medium) 3 (Hard) This results in limited touch response. Pitch Bend The DGX-200 has a [PITCH BEND] wheel that lets you change the pitch of the voices in real time. Sensitivity can be set in the Function mode (page 75). expressive control over the voices. This is designed for playing very soft passages. Pitch Bend Range lets you set how the DGX-200 responds to your wheel playing. 30 . • To save the Touch on/off status and the Function parameters to internalmemory(flashmemory). GrandPno 001 Touch Sensitivity lets you set how the DGX-200 responds to your playing strength. Indicates Touch function is on. giving you slightly more detailed control in the soft volume range. a constant volume (corresponding to a velocity value of 80) is produced. (See page 78. allowing you to customize the range to suite your own playing style.Playing Voices Touch and Touch Sensitivity The Touch function gives you dynamic. no matter how lightly or strongly you play the keys. letting you determine how loud or soft the sound is by your playing strength. allowing you to customize the keyboard to suit your own playing style. Pitch Bend Range can be set in the Function mode (page 76). press and hold the [FUNCTION] button. as you play. The default Touch Sensitivity is 2 (Medium).

A total of twenty-six Harmony types are available. • For the first five Harmony Types (Duet. (See page 33. • Each voice of the DGX-200 has its own independent Harmony setting.Effects The DGX-200 is equipped with a wide variety of effects that can be used to enhance the sound of the voices. TheHarmonyvoice(s)changein pitch to best match the chords you play. Harmony The Harmony section features a variety of performance effects that enhance the melodies you play when using the accompaniment styles of the DGX-200. Press the [HARMONY] button. 31 . Reverb The Reverb effect reproduces the natural ambient “wash” of sound that occurs when a instrument is played in a room or concert hall. Country. Reverb. Turn on/off the Harmony effect. andEchoeffectsdependsonthe Tempo setting (page 33). Chorus and DSP — and each has many different effect types to choose from. A total of eight different Reverb types simulating various different performance environments are available. See page 92. The DGX-200 has four separate effect systems — Harmony.) Tremolo. CATEGORY Effect Main Voice Dual Voice Split Voice SELECT Reverb Type Reverb Send Level Reverb Send Level Reverb Send Level • TwelveadditionalReverbTypes areavailablewhencontrollingthe DGX-200 from a MIDI device. (For details. Tremolo. Trill and Echo effects can be used even if accompaniment is off. Block. and Octave).) The following parameters can be set in the Function mode (pages 75. 76). GrandPno 001 Harmony type and Harmony Volume (when Harmony Type 1 . Indicates Harmony effect is on.5 is selected) can be set in the Function mode (page 76). There are five different Harmony Types that automatically create harmony parts (for notes played in the upper section of the keyboard) to match the accompaniment chords. Trio. (See page 33.) • Each style of the DGX-200 has its own independent Reverb setting. • The speed of the Trill. chords must be played in the Accompaniment area of the keyboard.

(For details. 76). CATEGORY Effect Main Voice Dual Voice Split Voice SELECT DSP Type DSP Send Level DSP Send Level DSP Send Level • Each voice of the DGX-200 has itsownindependentDSPsetting. phaser. plus a wealth of other useful and dynamic effects for enhancing and changing the sound of the voices. delay. and wah. warmer. • Fifty-one additional DSP Types areavailablewhencontrollingthe DGX-200 from a MIDI device.) The following parameters can be set in the Function mode (pages 75. Chorus produces a thicker. equalization. rotary speaker. tremolo. A total of four Chorus types are available. whereas Flanger creates a swirling. echo.) The following parameters can be set in the Function mode (pages 75.) 32 . (See page 34. metallic effect. distortion. CATEGORY Effect Main Voice Dual Voice Split Voice SELECT Chorus Type Chorus Send Level Chorus Send Level Chorus Send Level DSP The DSP effect section provides distortion and chorus effects. and more animated sound. see page 92.Effects Chorus The Chorus effect lets you enhance the sound of the voices with the use of pitch modulation. (See page 34. Two basic types are provided: Chorus and Flanger. Included among these miscellaneous effects are reverse gate reverb. A total of thirty-eight DSP types are available. 76).

the actual speed of the effect depends on the Tempo setting (page 41).12) create two-note trills (alternating notes) when two notes are held.Effects I Effect Types No. however. No effect. Simulated steel plate reverb. These types sound whether the auto accompaniment is on or not.19) repeat all held notes (up to four). These types only sound when chords are played in the auto accompaniment area of the keyboard. Triplet settings are also available: 1/6 = quarter-note triplets.5 are pitch-based and add one-. • The Echo effect Types (20 . The individual note values in each type let you synchronize the effect precisely to the rhythm. Small room reverb.or threenote harmonies to the single-note melody played in the right hand. Reverb for solo instruments. 1 2 3 4 5 6 7 8 9 Reverb Type Hall 1 Hall 2 Room 1 Room 2 Stage 1 Stage 2 Plate 1 Plate 2 Off Display Name Hall1 Hall1 Room1 Room2 Stage1 Stage2 Plate1 Plate2 Off Description Concert hall reverb.26) create delayed repeats of each note played. • The Trill effect Types (6 . G Reverb Types No. 1/12 = eighth-note triplets. two.26 are rhythm-based effects and add embellishments or delayed repeats in time with the auto accompaniment. 33 . 1/24 = sixteenthnote triplets. Types 6 . • The Tremolo effect Types (13 . 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 G Harmony Types Harmony Type Duet Trio Block Country Octave Trill 1/4 note Trill 1/6 note Trill 1/8 note Trill 1/12 note Trill 1/16 note Trill 1/24 note Trill 1/32 note Tremolo 1/4 note Tremolo 1/6 note Tremolo 1/8 note Tremolo 1/12 note Tremolo 1/16 note Tremolo 1/24 note Tremolo 1/32 note Echo 1/4 note Echo 1/6 note Echo 1/8 note Echo 1/12 note Echo 1/16 note Echo 1/24 note Echo 1/32 note Display Name Duet Trio Block Country Octave Tril1/4 Tril1/6 Tril1/8 Tril1/12 Tril1/16 Tril1/24 Tril1/32 Trem1/4 Trem1/6 Trem1/8 Trem1/12 Trem1/16 Trem1/24 Trem1/32 Echo1/4 Echo1/6 Echo1/8 Echo1/12 Echo1/16 Echo1/24 Echo1/32 3 3 3 3 3 3 3 3 3 Description Harmony types 1 .

1 2 3 4 5 Chorus Type Chorus 1 Chorus 2 Flanger 1 Flanger 2 Off Display Name Chorus1 Chorus2 Flanger1 Flanger2 Off Description Conventional chorus program with rich. Several panning effects that automatically shift the sound position (left. in which the reverberation is quickly cut off for special effects. Hard-edged. warm distortion. Conventional chorus effect with rich. Similar to Gate Reverb. to simulate the sound heard through a telephone receiver. Reverb for solo instruments. Equalizer with three separate frequency bands.Center Right Delay Left . Deep. Gated reverb effect. Pronounced. and two separate feedback delays. G DSP Types No. Initial delay for each stereo channel. like that of an overdriven amplifier. Soft. Characteristic sound of a guitar amplifier/speaker. warm distortion. Equalizer with two separate frequency bands. Natural distortion. No effect 34 . back). Equalizer effect that cuts both high and low frequencies. Simulated electric guitar tremolo. Rich Tremolo effect with both volume and pitch modulation. Complex effect that sends the delayed repeats “bouncing” between the left and right channels. right and center stereo positions. Pronounced three-phase modulation with a slight metallic sound. front. Early reflections only. metallic modulation with periodic phase change. but with a reverse increase in reverb. Exceptionally rich & deep chorusing. Equalizer effect that boosts both high and low frequencies.Effects G Chorus Types No. warm chorusing. Simulated steel plate reverb. Rotary speaker simulation. right. warm chorusing. Three independent delays. as is typical in most disco music.Right Echo Cross Delay Karaoke Distortion Hard Distortion Soft Overdrive Amp Simulation EQ Disco EQ Telephone 3Band EQ 2Band EQ No Effect Display Name Hall1 Hall2 Room1 Room2 Stage1 Stage2 Plate1 Plate2 ER1 ER2 Gate1 Gate2 Chorus1 Chorus2 Flanger1 Flanger2 Symphony Phaser Rotary1 Rotary2 Tremolo1 Tremolo2 Guitar Tremolo AutoPan AutoWah DelayLCR DelayLR Echo CrossDly Karaoke D Hard D Soft Overdrv AmpSimu EQ Disco EQ Tel 3BandEQ 2BandEQ Off Description Concert hall reverb. No effect. Stereo delay. for the left. Small room reverb. Pronounced three-phase modulation with slight metallic sound. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 DSP Type Hall 1 Hall 2 Room 1 Room 2 Stage 1 Stage 2 Plate 1 Plate 2 Early Reflection 1 Early Reflection 2 Gate Reverb Reverse Gate Chorus 1 Chorus 2 Flanger 1 Flanger 2 Symphonic Phaser Rotary Speaker 1 Rotary Speaker 2 Tremolo 1 Tremolo 2 Guitar Tremolo Auto Pan Auto Wah Delay Left . with independent feedback level settings for each channel. Repeating filter sweep “wah” effect. pronounced echo effect.

A total of 135 different styles are available. The DGX-200 also features the convenient Dictionary function (page 45). Turn the dial and select the desired style. in several different categories. and the lower (set by default to keys F#2 and lower) is for the auto accompaniment function. and Ending — letting you call up different accompaniment sections as you perform. You can also use the CATEGORY and/or SELECT buttons. The auto accompaniment features that are built into the rhythms add the excitement of instrumental backing to your performance. Selecting a Style 1 Press the [STYLE] button. Auto accompaniment effectively splits the keyboard into two areas: The upper is used for playing a melody line. Main A and B. Dictionary provides you with a builtin “chord encyclopedia” that teaches you how to play any chord you specify by showing you the appropriate notes in the display. Each style is made up of separate “sections” — Intro. A complete style list of the available styles is given on page 86. Style name and number 8BtModrn 001 2 Select the desired style number.Selecting and Playing Styles The DGX-200 provides dynamic rhythm/accompaniment patterns (styles) — as well as voice settings appropriate for each style — for various popular musical categories. letting you control the accompaniment by the chords you play. I Use the dial. When you come close to the desired number. Select the appropriate category by using the CATEGORY [ ]/[ ] buttons. The categories of each styles and their numbers are shown on the panel. f r > < 35 . use the SELECT [ ]/[ ] buttons to step down and up through the style numbers.

automatically adding a fill-in pattern before changing the section.Selecting and Playing Styles I Use the numeric keypad.) Pressing this button alternately enables and cancels the Sync Start function.) This controls the Intro and Ending sections. (See page 37.) Pressing this button alternately enables and cancels the Sync Stop function. Style numbers can be selected in the same way as with the voices (page 24). 8BtModrn 001 Indicates that auto accompaniment is on. (See below. 39.) Pressing this button alternately starts and stops style playback. (See page 42. Press the [ACMP] button to turn on (enable) the auto accompaniment. (See page 40. You can use the numeric keypad to directly enter the style number. 1 Turn on the auto accompaniment. (See pages 38. Pressing this button alternately enables and cancels the bass and chord accompaniment. or use the [+]/[-] buttons to step up and down through the styles. Playing the Styles The panel buttons below function as style controls.) Pressing this button switches between the Main A and Main B sections. 36 .

) Auto accompaniment area 37 . (The display briefly shows the letter of the selected section: “MAIN A” or “MAIN B. I Using Sync Start The DGX-200 also has a Sync Start function that allows you to start the style by simply pressing a key on the keyboard. MAIN A I Using Tap Tempo to Start This useful feature lets you tap out the speed (tempo) of the style and automatically start the style at that tapped speed. (When auto accompaniment is on. To use Sync Start. first press the [SYNC START] button (the beat marks all flash to indicate Sync Start standby). then press any key on the keyboard.Selecting and Playing Styles 2 Start the style. You can also change the tempo while the style is playing by tapping the [TEMPO/TAP] button twice at the desired tempo.”) Indicates selected section (Main A or B). Simply tap the [TEMPO/TAP] button four times (or three times for a 3/4 time style). You can do this in one of the following ways: I Pressing the [START/STOP] button The rhythm starts playing immediately without bass and chord accompaniment. play a key or chord in the auto accompaniment area of the keyboard. You can select the Main A or B section by pressing the appropriate button — [MAIN A/B] — before pressing the [START/STOP] button. and the style starts automatically at the tempo you tapped. The currently selected Main A or B section will play.

Indicates Intro standby. and start the Intro section and accompaniment by playing any key on the keyboard. many of the Intro sections also include special chord changes and embellishments to enhance your performance. Indicates selected section (Main A or B). INTRO≥A To actually start the Intro section.Selecting and Playing Styles Starting with an Intro section Each style has its own two. MAIN A 2) Press the [INTRO ENDING] button. Using Sync Start with an Intro section You can also use the Sync Start function with the special Intro section of the selected style. To start with an Intro section: 1) Press the [MAIN/AUTO FILL] button — to select which section (A or B) is to follow the Intro.or four-measure Intro section. (When auto accompaniment is on. When used with the auto accompaniment. INTRO≥A 3) Press the [SYNC START] button to enable Sync Start. MAIN A 2) Press the [INTRO ENDING] button. Indicates Intro standby.) Auto accompaniment area 38 . To use Sync Start with an Intro section: 1) Press the [MAIN/AUTO FILL] button — to select which section (A or B) is to follow the Intro. play a key or chord in the auto accompaniment area of the keyboard. Indicates selected section (MAIN A or B). press the [START/STOP] button.

(Refer to page 43 for more information on how to use auto accompaniment. letting you restart the style by simply playing a chord or key in the auto accompaniment area of the keyboard. and notice how the bass and chord accompaniment change with each chord you play. 39 . END/rit. 4 Stop the style. • Chords played in the auto accompaniment area of the keyboard are also detected and playedwhenthestyleisstopped.Selecting and Playing Styles 3 Change chords using the auto accompaniment feature. this gives you a “split keyboard. Try playing a few successive chords with your left hand. I Using an Ending section Press the [INTRO ENDING] button. • TohavetheEndingsectiongraduallyslowdown(ritardando)asit is playing. ENDING I Pressing the [SYNC START] button This immediately stops the style and automatically enables Sync Start.”withbassandchords in the left hand and the normally selected voice in the right. press the [INTRO ENDING] button twice quickly. You can do this in one of three ways: I Pressing the [START/STOP] button The style stops playing immediately. In effect. The style stops after the Ending section is finished.) • The [ACMP] button can also be used to turn off and on the bass/ chord accompaniment while playing — allowing you to create dynamicrhythmicbreaksinyour performance.

This is ideal for putting dynamic breaks in your performance — for example. Playing the chord again restarts the style. 3 4 Play a chord on the keyboard (in the auto accompaniment area of the keyboard).Selecting and Playing Styles Sync Stop This convenient feature lets you stop (or pause) the style by releasing your fingers from the auto accompaniment area of the keyboard. stopping the rhythm and accompaniment briefly while you play a melodic break or solo with your right hand. . Setting Sync Stop to on before starting the style automatically sets Sync Start to on as well. 1 Press the [ACMP] button. 8BtModrn 001 Indicates that Sync Stop is on. 2 Press the [SYNC STOP] button. Stop the style by releasing the chord. press the [SYNC STOP] button again. To turn accompaniment on. The style starts as soon as you play a chord. To stop the style completely. 8BtModrn 001 Indicates that auto accompaniment is on. play a chord. press the [START/STOP] button. 5 6 40 To start the style again. To turn Sync Stop off.

(This allows you to keep the same tempo. You can also restore the default Tempo easily by simultaneously holding the [TEMPO/TAP] button and moving the dial. (See page 37. you can instantly restore thedefaultsettingbypressingboth [+]/[-] buttons simultaneously (when Tempo is selected). Restoring the Default Tempo Value Each song and style has been given a default or standard Tempo setting. the tempo returns to the default setting of the new style. When switching styles during playback.280 bpm (beats per minute). Use the dial or numeric keypad to set the desired Tempo value. TEMPO 120 120 Current Tempo value 2 Change the value.) 1 Call up the Tempo setting. the last tempo setting is maintained.) 41 . If you’ve changed the Tempo.Selecting and Playing Styles Changing the Tempo The tempo of style playback can be adjusted over a range of 32 . even when changing styles. • Whenstyleplaybackisstopped and a different style is selected. or use the [+]/[-] buttons to increase or decrease the value. or • Youcanalsousetheconvenient Tap Tempo function to change thetempoby“tapping”anewone in real time. Press the [TEMPO/TAP] button.

. followed by the Main B section... 3rd measure 2 3 If you press the [MAIN/AUTO FILL] button here.. Fill A≥B About the Fill-in Patterns If you press the [MAIN/AUTO FILL] button before beat 4.. pressing this button automatically plays a fill-in pattern....and the Main A or B section begins here. • Rhythm sounds and fill-in sections are not available when one ofthePianiststyles(#124-#135) are selected. (See illustration below. ... For example. if the Main A section is currently playing.. automatically playing a fill-in pattern to smoothly lead into the next section. The volume range is 000 127. after beat 4. This appears while the fill-in pattern is playing. 1st measure beat 1 2 3 4 1 2nd measure 2 3 4 1 ..Selecting and Playing Styles Accompaniment Sections (Main A/B and Fill-ins) While the style is playing. This volume control affects only the Style volume. 42 .a fill-in pattern plays immediately until the end of the measure. you can add variation in the rhythm/accompaniment by pressing the [MAIN/AUTO FILL] button...) You can also select either the Main A or B section to start by pressing the [MAIN/ AUTO FILL] button before starting the style. . .and the Main A or B section begins here..a fill-in pattern plays from here. Adjusting the Style Volume The playback volume of the style can be adjusted in the Function mode (page 76).. This switches between the Main A and Main B sections. • StyleVolumecannotbechanged unless the Style mode is active.

or three-finger chord indication (see Single Finger Chords below).) C Cm C7 Cm 7 To play a major chord: Press the root note of the chord.Selecting and Playing Styles Using Auto Accompaniment — Multi Fingering When it is set to on (page 36). You can change the chords of the accompaniment by playing keys in the auto accompaniment area of the keyboard using either the “Single Finger” or “Fingered” method. For example. The illustration shows how to produce the four chord types. by using Multi Fingering operation. the chords will be recognized without them. I Fingered Chords • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Using the key of C as an example. To play a seventh chord: Press the root note together with the nearest white key to the left of it. Bb7 is played as Bb and A. the auto accompaniment function automatically generates bass and chord accompaniment for you to play along with. seventh and minor seventh. two. The Fingered technique is that of conventionally playing all the notes of the chord. ( ) ( ) ( ) 43 . minor. To play a minor chord: Press the root note together with the nearest black key to the left of it. other keys follow the same rules. I Single Finger Chords • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Chords that can be produced in Single Finger operation are major. To play a minor seventh chord: Press the root note together with the nearest white and black keys to the left of it (three keys altogether). With Single Finger you can simply play a one-. G Example for “C” chords C C (9) C6 C 6 (9) CM 7 CM 7 (9) CM7 (#11) C (b5) CM7 b5 ) ) ) ) ( ( ( ( ( ) Csus 4 Caug CM 7 aug Cm Cm (9) Cm 6 Cm 7 Cm 7 (9) Cm 7 (11) ( ) ) ) ) ( ( ( CmM 7 CmM 7 (9) Cm 7 b5 CmM 7 b5 Cdim Cdim 7 C7 C 7 (b9) C 7 (b13) ) ) ) ( ( C 7 (9) C 7 (#11) C 7 (13) C 7 (#9) C 7 b5 C 7 aug C 7 sus4 ( C 1+2+5 ) ) ) ) ( ( ( ( * Notes enclosed in parentheses are optional. Whichever method you use. (The key of C is used here as an example. the chart below shows the types of chords that can be recognized in the Fingered mode. the DGX-200 “understands” what chord you indicate and then automatically generates the accompaniment.

b5 1 .#2 .(5) .6 1 .4 .(3) .b7 1 .(5) . 1+2+5.5 .3 .6 1 . m7 b5.2 .2 . 7 b5.7 1 .5 1 .5 .6 1 .3 .5 . m6.3 . 6(9).7 1 .b3 .5 .b7 1 .5 1 . some minor chordsfollowedbytheminorseventh).b7 1 .b5 . CM7(#11) CM7(#11) C(b5) CM7b5 Csus4 Caug CM7aug Cm Cm(9) Cm6 Cm7 Cm7(9) Cm7(11) CmM7 CmM7(9) Cm7b5 CmM7b5 Cdim Cdim7 C7 C7(b9) C7(b13) C7(9) C7(#11) C7(13) C7(#9) C7b5 C7aug C7sus4 C1+2+5 Cb5 CM7b5 Csus4 Caug CM7aug Cm Cm(9) Cm6 Cm7 Cm7(9) Cm7(11) CmM7 CmM7(9) Cm7b5 CmM7b5 Cdim Cdim7 C7 C7(b9) C7(b13) C7(9) C7(#11) C7(13) C7(#9) C7b5 C7aug C7sus4 C 44 .b7 1 .b3 .3 .(5) .b5 .(5) .g.(3) .b7 1-2-5 Chord (C) Display C C(9) C6 C6(9) CM7 CM7(9) C C(9) C6 C6(9) CM7 CM7(9) • Notes in parentheses can be omitted.5 .7 1 .(2) .3 .#5 .(5) .b7 1 .b7 1 .b7 1 .b5 .butotherinversions can be used — with the following exceptions: m7.2 .7 or 1 .3 .(5) .(3) .#4 . • The auto accompaniment will sometimes not change when related chords are played in sequence (e. sus4.2 .b5 .b3 .3 .b3 .b3 .(5) .b7 1 .(5) .2 .(b7) 1 . • Playingtwosamerootkeysinthe adjacent octaves produces accompaniment based only on the root.b5 .(2) .(5) .(5) .3 .Selecting and Playing Styles Chord Name/[Abbreviation] Major [M] Add ninth [(9)] Sixth [6] Sixth ninth [6(9)] Major seventh [M7] Major seventh ninth [M7(9)] Major seventh add sharp eleventh [M7(#11)] Flatted fifth [(b5)] Major seventh flatted fifth [M7b5] Suspended fourth [sus4] Augmented [aug] Major seventh augmented [M7aug] Minor [m] Minor add ninth [m(9)] Minor sixth [m6] Minor seventh [m7] Minor seventh ninth [m7(9)] Minor seventh add eleventh [m7(11)] Minor major seventh [mM7] Minor major seventh ninth [mM7(9)] Minor seventh flatted fifth [m7b5] Minor major seventh flatted fifth [mM7b5] Diminished [dim] Diminished seventh [dim7] Seventh [7] Seventh flatted ninth [7(b9)] Seventh add flatted thirteenth [7(b13)] Seventh ninth [7(9)] Seventh add sharp eleventh [7(#11)] Seventh add thirteenth [7(13)] Seventh sharp ninth [7(#9)] Seventh flatted fifth [7b5] Seventh augmented [7aug] Seventh suspended fourth [7sus4] One plus two plus five [1+2+5] Normal Voicing 1-3-5 1-2-3-5 1 .3 .3 .7 1 .(3) .(5) .7 1 .b7 1 .#4 .b3 .b3 . • Two-notefingeringswillproduce a chord based on the previously played chord.3 .b7 1 . • Thechordfingeringslistedareall in“root”position. dim7.#4 .5 .#4 . aug.(5) .#5 1 .2 .3 . • A perfect fifth (1 + 5) produces accompaniment based only on the root and fifth which can be used with both major and minor chords.5 .3 .7 or 1 .6 1 .6 . 6.b7 1 .b3 .b2 .3 .4 .b3 . • Inversion of the 7sus4 and m7(11) chords are not recognized if the notes shown in parentheses are omitted.7 1-4-5 1 .b7 or 1 .7 1 .#5 .b7 1 .b6 .(2) .(5) .(5) .b3 .3 .3 .5 .b5 1 .2 .7 1 .b7 or 1 .3 .(5) .3 .b3 .b3 .2 .

Thisis due to space limitations in the display. • Youcanalsoshowtheinversion ofchordwhenusing[+]/[-]button. not all notes may be shown in the notationsectionofthedisplay. 3 Specify the type of the chord (major. Individual notes of chord (keyboard) 45 .). seventh. Notation of chord Dict. Dict. It is ideal when you know the name of a certain chord and want to quickly learn how to play it. 2 Specify the root of the chord. etc.Selecting and Playing Styles Dictionary The Dictionary function is essentially a built-in “chord book” that shows you the individual notes of chords. Press the key on the keyboard that corresponds to the desired chord root (as printed on the panel). • For a few specific chords. 1 Press the [DICTIONARY] button. Press the key on the keyboard that corresponds to the desired chord type (as printed on the panel). minor. Pressing this key selects the root G. Dict. Chord name (root and type) Pressing this key selects the major seventh chord type (M7).

Selecting and Playing Styles

4

Play the chord.
Play the chord (as indicated in the display) in the chord area of the keyboard. The chord name flashes in the display when the correct notes are held down. (Inversions for many of the chords are also recognized.)

Dict.

Indicates notes to be played. Flashes when correct notes are held.

To leave the Dictionary function, press the [DICTIONARY] button again.

• • • • • • • • • • • • • • • • • • • • • • • • What is a Chord? • • • • • • • • • • • • • • • • • • • • • • • •
The simple answer: Three or more notes played simultaneously is a chord. (Two notes played together is an “interval” — an interval being the distance between two different notes. This is also referred to as a “harmony.”) Depending on the intervals between the three or more notes, a chord can sound beautiful or muddy and dissonant. The organization of notes in the example at left — a triad chord — produces a pleasant, harmonious sound. Triads are made up of three notes and are the most basic and common chords in most music.

In this triad, the lowest note is the “root.” The root is the most important note in the chord, because it anchors the sound harmonically by determining its “key” and forms the basis for how we hear the other notes of the chord. The second note of this chord is four semitones higher than the first, and the third is three semitones higher than the second. Keeping our root note fixed and changing these notes by a semitone up or down (sharp or flat), we can create four different chords.
Major chord (ex. C) Minor chord (ex. Cm) Augmented chord (ex. Caug) Diminished chord (ex. Cdim)

Minor 3rd

Major 3rd

Major 3rd

Minor 3rd

Major 3rd

Major 3rd

Minor 3rd

Minor 3rd

Keep in mind that we can also change the “voicing” of a chord — for example, change the order of the notes (called “inversions”), or play the same notes in different octaves — without changing the basic nature of the chord itself.
Inversion examples for the key of C C G E E C G

G E C

46

Selecting and Playing Styles

Beautiful sounding harmonies can be built in this manner. The use of intervals and chords is one of the most important elements in music. A wide variety of emotions and feelings can be created depending on the types of chords used and the order in which they are arranged.

• • • • • • • • • • • • • • • • • • • • • • Writing Chord Names • • • • • • • • • • • • • • • • • • • • • •
Knowing how to read and write chord names is an easy yet invaluable skill. Chords are often written in a kind of shorthand that makes them instantly recognizable (and gives you the freedom to play them with the voicing or inversion that you prefer). Once you understand the basic principles of harmony and chords, it’s very simple to use this shorthand to write out the chords of a song. First, write the root note of the chord in an uppercase letter. If you need to specify sharp or flat, indicate that to the right of the root. The chord type should be indicated to the right as well. Examples for the key of C are shown below.
Major chord Minor chord Augmented chord Diminished chord

C

Cm

Caug

Cdim

For simple major chords, the type is omitted.

One important point: Chords are made up of notes “stacked” on top of each other, and the stacked notes are indicated in the chord name of the chord type as a number — the number being the distance of the note from the root. (See the keyboard diagram below.) For example, the minor 6th chord includes the 6th note of the scale, the major 7th chord has the 7th note of the scale, etc.

The Intervals of the Scale
To better understand the intervals and the numbers used to represent them in the chord name, study this diagram of the C major scale:

Dominant 7th (flatted 7th)

C D E F G A B C D E F

Root

4th 3rd 2nd

Other Chords
Csus4 C7 Cm7

7th 6th 5th

11th 9th Octave

CM7

5th

4th

Dominant 7th

Major chord

Dominant 7th

Minor chord

7th

Major chord

b Cm7b5

Cm6

C(9)

Cdim7 * Bbb = A

Dominant 7th

Diminished chord

Minor chord

6th

9th

Diminished 7th (double flatted 7th)

Diminished chord

47

Using the Music Database
If you want to play in a certain genre of music but don’t know which style and voice settings would be appropriate, simply select the desired genre from the Music Database. The DGX-200 automatically makes all appropriate panel settings to let you play in that music style!

1

Press the [M.D.B.] (MUSIC DATABASE) button.
The MUSIC DATABASE menu appears in the display.
• Press the [M.D.B.] (MUSIC DATABASE) button to automatically set the Style mode, turn AUTO ACCOMPANIMENT on, and turn SYNCHRONIZED START on. See page 37 for details.

AlvFever
001

2

Select a Music Database.
The categories of each Music Database and their numbers are shown on the panel. A complete list of the available styles in the Music Database is given on page 87.

I Use the dial. You can also use the CATEGORY and/or SELECT buttons. Turn the dial and select the Music Database. Select the appropriate category by using the CATEGORY [ ]/[ ] buttons. When you come close to the desired number, use the SELECT [ ]/[ ] buttons to step down and up through the Music Database numbers.
f

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XmasWalz
208

I Use the numeric keypad. Music Database numbers can be selected in the same way as with the voices (page 24). You can use the numeric keypad to directly enter the Music Database number, or use the [+]/[-] buttons to step up and down through the Music Database. 48

As soon as you play a chord with your left hand. When the ending is finished. the style starts. 49 . When you reach the point in the music indicated by the arrow above. • See pages 35 through 44 for details about the Style. we will select #208 “Xmas Walz” and play the Song “Silent Night”. You can also stop the style by using the [STOP] button. press the [ENDING] button. For information on how to enter chords. see “Multi Fingering” on page 43. The style plays an ending phrase in ritardando. the style automatically stops. Auto accompaniment area 3 4 Play the chords with your left hand and the melody lines with your right hand along with the music.Using the Music Database In this example.

Parameters Style Style Number Accompaniment Split Point MainA/MainB Style Volume Voice Number Volume Octave Pan Reverb Send Level Chorus Send Level DSP Send Level ON/Off Voice Number Volume Octave Pan Reverb Send Level Chorus Send Level DSP Send Level Split Voice ON/Off Voice Number Volume Octave Pan Reverb Send Level Chorus Send Level DSP Send Level Split Point Reverb Type Chorus Type DSP Type On/Off Harmony Type Harmony Volume Transpose Tempo Main Voice Effect Dual Voice Harmony Transpose Tempo * Accompaniment is automatically set to on.D.] (MUSIC DATABASE) button and selecting a number lets you instantly reconfigure all relevant settings.Using the Music Database Data stored by the Music Database Each of the Music Database settings has been specially programmed to match the selected musical style and each features the best suited voice (or combination of voices). G M. Pressing the [M.B.D.B. Synchro Start is automatically set to on (when style is stopped). 50 . style and other settings. conveniently allowing you to start playing in the desired genre with all the appropriate sounds — without having to make each setting one by one.

) You can also transfer song data from your computer to the DGX-200 for playback. The first arrow indicates the first beat of the measure.) About the Beat Display The arrow marks in the beat display flash in time with the rhythm of the song or style. Moreover. and the others flash in sequence. see page 56. there are five special User songs to which you can record your own performance. (For instructions on recording your own songs. (These can be alternately muted and sounded during playback by pressing the corresponding SONG MEMORY buttons. G Song Playback Display These display the notes and name of the current chord.Selecting and Playing Songs The DGX-200 features a total of 105 songs. Babbino 066 120 012 Current measure number Indicates the tracks currently playing back. Song name and number Just You 001 51 . a powerful tool that makes learning songs fun and easy. These include 100 songs that showcase the rich and dynamic sounds of the instrument. see page 71. and 99 of these songs can be used with the educational Lesson feature (page 61). and can be played automatically by pressing the [DEMO] button. A special Demo song has also been included. First beat of measure Second beat Third beat Fourth beat Selecting a Song 1 Press the [SONG] button. For details. The User songs are “empty” and cannot be played until something has been recorded to them.

You can use the numeric keypad to directly enter the song number. or use the [+]/[-] buttons to step up and down through the song. you’ll need to connect the DGX200 to a personal computer. 52 < . For more information on Flash songs and Song Filer. refer to page 71. f r > I Use the numeric keypad. A complete list of the available songs is given on page 15. and use the “Song Filer” software to transmit the song from the computer. The categories of each song and their numbers are shown on the panel. When you come close to the desired number. use the SELECT [ ]/[ ] buttons to step down and up through the song numbers. You can also use the CATEGORY and/or SELECT buttons. Song numbers can be selected in the same way as with the voices (page 24). Listening to the Flash Memory Song The DGX-200 can play a song loaded into its internal flash memory. To do this. Select the appropriate category by using the CATEGORY [ ]/[ ] buttons. I Use the dial. Select the song number 101-199 using the dial or numeric keypad in the same way as preset songs.Selecting and Playing Songs 2 Select the desired song number. Turn the dial and select the desired song.

(See page 23. Turns on the A-B Repeat function (page 54). Simply call up the Voice mode while the song is playing back and select the desired voice. 53 . About the Song Tracks G Song track indicators Track 1 generally contents data for the right hand.Selecting and Playing Songs Playing the Songs The Panel buttons below function as Song controls.) 2 Stop the song. the selected song stops automatically. Advances the playback position. As the song plays back. • Youcanplayalongwiththesong using the currently selected voice. The “A” track contents Style (accompaniment) data. Pauses playback. Starts and stops song playback. Reverses the playback position. If playback was started by pressing the [START/STOP] button. Indicates track is enabled for playing Indicates track is muted or contains no data Melody tracks Style track 1 Start the selected song. the measure number and chords are shown in the display. Press the [START/STOP] button. Track 2 generally contents data for the left hand. Press the [START/STOP] button. or even select a different voice for playing along.

As the song continues playing.thismakesiteasier to accurately set the points. • If you’re repeat practicing a particularlydifficultsection. at the beginning point to • The A and B points can only be specified at the beginning of a measure (beat 1). Use the [ ❙ ❙ ] button or [START/STOP] button. set point A (the start point). • You can also set the A-B Repeat function when the song is stopped. then start playback. REPEAT A006 006 2 Set point B (the end point). press the [ ] button once again.pressingthe [ ] button for each point. and not at any point in the middle of a measure. 1 While playing a song. Stopping playback does not cancel the set A/B points or the A-B Repeat function. Simply use the [ r ] and [ f ] buttons to select the desiredmeasures. The selected phrase repeats indefinitely until stopped. press the [ ] button before starting playback. ] button once. You may also want to slow down the Tempo while setting the A andBpoints.tryslowing down the Tempo to an appropriatespeedtomakeiteasier to play and master the part. 4 54 Turn off the A-B Repeat function. It allows you to specify a phrase of a song (between point A and point B) and repeat it — while you play or practice along with it. 012 REPEAT A-b 012 3 Pause or stop playback as needed. During playback. Press the [ ] button. press the [ be repeated. • To set the A point to the beginning of a song.Selecting and Playing Songs A-B Repeat The convenient A-B Repeat function is an ideal aid for practicing and learning. . at the ending point to be repeated.

indicating that the selected panel voice has replaced the song’s original melody voice. numeric keypad or [+]/[-] buttons to select the desired voice. (See page 51. The convenient Melody Voice Change feature takes this one step further — it lets you replace the original voice used for the melody of the song with the panel voice of your own selection. Press the [VOICE] button. This volume control affects only the Song volume. using Melody Voice Change will change the flute melody voice to piano. either with the original melody voice or one of your own selection.) Select the desired voice. (ThisfunctionbecomesStyleVolume when the Style mode is active. then use the dial . (See page 23. The volume range is 000 127. • SongVolumecannotbechanged unless the Song mode is active. MELODY V Adjusting the Song Volume The playback volume of the song can be adjusted in the Function mode (page 76). 1 2 3 Select the desired song. Press the [SONG] button.Selecting and Playing Songs Melody Voice Change The DGX-200 lets you play a melody on the keyboard along with each of the songs. “MELODY VOICE CHANGE” appears in the display. then use the dial .) Press and hold down the [VOICE] button for at least one second. if the current voice selected on the panel is piano but the song’s melody is being played by a flute voice. For example. numeric keypad or [+]/[-] buttons to select the desired song.) 55 .

Before you actually start recording. Main A/B. other settings can be changed in the middle of a song. when you record subsequent parts to other tracks.) If desired. (See pages 35. (See page 20. whatever you play on the keyboard is recorded in real time as you play it. Time Signature* (if there is no such data in the Chord track) • Sustain on/off • Reverb Type* • Chorus Type* • DSP Type* • Harmony Type. press the [METRONOME] button before recording in step #4 below. To do this. fully orchestrated compositions. User 1 rEC Song recording on the DGX-200 is similar to using a tape recorder. Also.) • Tempo.000 (when only “melody” tracks are recorded) • Maximum number of chords : approximately 5. 001 Song Memory Capacity • Maximum number of notes : approximately 10.” even when recording without style. the voice assigned to the left of the split point cannot be recorded. you can hear the previously recorded parts as you record new ones.) • When using a Split Voice for recording. Refer to the list above for settings that can be recorded to a song. simply play back the song with the Metronome turned off. This allows you to keep your performance “in time.Song Recording The DGX-200 features powerful and easy-to-use song recording features that let you record your keyboard performances — using up to six independent tracks (including one track for accompaniment) — for creating your own complete. etc.500 (when only the chord track is recorded) Recording a User Song Data that can be recorded to the normal (melody) tracks: • Note on/off • Velocity • Voice Number • Volume • Pan • Tempo*. 41. on/off • Reverb Send Level • Chorus Send Level • DSP Send Level Data that can be recorded to the Chord track: • Chord changes and timing • Style number* • Style Volume* • Changing sections (Intro. Time Signature* • Reverb Type* • Chorus Type* • DSP Type* * These settings can only be recorded once at the beginning of a song. 56 . After the song is completely recorded. You can record and save up to five User songs. and 23. Using the Metronome You can use the Metronome instead of a style if desired. also make other settings. and selecting a voice. setting the Tempo. 1 Make all desired DGX-200 settings. you’ll need to make various settings for the song — such as selecting a style.

Song Recording 2 Select a User song number for recording. Selecting the Chord track automatically turns on the accompaniment. • If accompaniment has already been turned on before entering the Record mode. the DGX-200 automatically selects the first available empty song number. all previous data in the track will be erased and replaced by the newly recorded data. In other words. the Chord track is automatically selected. you’ll want to record these after you’ve recorded the Chord track. While holding down the [REC] button. I Recording to a Melody Track (1 . Use the dial or numeric keypad to select the desired song: 201 . User 2 rEC 001 I Recording to the Chord Track A special Chord track is provided for recording accompaniment data. or User 2 202 3 Select a track number for recording. This is automatically recorded to the Chord track (track A). Normally.205. You can also record the Chord track and one of the Melody tracks simultaneously. 57 . • Keep in mind that all recording operations “replace” the data. If no song is manually selected.5) Five independent Melody tracks are provided for recording your keyboard performance. press the appropriate SONG MEMORY button. if you record to a track that already has recorded data.

Song Recording Muting Tracks During Playback While recording is enabled. After you’ve finished playing the part. The accompaniment starts automatically and you can continue recording.* * Cannot be selected during playback. To use muting. you can selectively mute different tracks. 58 . Muting can also be done “on the fly” during playback. 4 Start recording. simply press the [START/STOP] button again. and not others. press the corresponding SONG MEMORY button. Track number on — Track will play back. play the first chord of the song in the auto accompaniment area of the keyboard. When the beat marks and track number start flashing. User 2 rEC 001 001 Indicates the current measure If you want to rehearse your part before recording. Playback stops when the [START/STOP] button is pressed again. 5 6 7 Stop recording. To do this. Make sure that when you press the SONG MEMORY button corresponding to the desired track. repeatedly if necessary. This is useful for when you want to clearly hear certain tracks. press the [START/STOP] or [REC] button. To play back the song from the beginning. I When recording the Chord track With Sync Start on. playing other chords in time with the accompaniment. After rehearsing. you can start recording simply by playing the keyboard (or by pressing the [START/STOP] button). during recording. Record to other tracks as desired. the track number in the display flashes. Track number flashes — Track will record. simply repeat steps #3 . press [SYNC START] again to return to the above condition. Each press of a SONG MEMORY button (when playback is stopped) cycles through the following settings: Track number off — Track is muted.#5 above. press the [SYNC START] button to turn Sync Start off. until the desired track number in the display is off. Listen to your new recording.

use the Track Clear operation (page 60). Use this operation only when you’re sure you want to erase a song and record a new one. indicating that all tracks are to be erased. WRITING! 59 . Pressing the [+/YES] button executes the Song Clear operation. To erase an individual track of a song while leaving the other tracks intact.Song Recording Song Clear The Song Clear operation completely erases all recorded data on all tracks of a selected User song. All track indications in the display flash. At the “Sure?” prompt. ClrUser2 YES 3 4 Press the [+/YES] button. User 2 202 2 While holding down the [A] button. Press the [SONG] button. or press the [-/NO] button to abort. press SONG MEMORY button [1]. then use the numeric keypad or [+]/[-] buttons to select the desired song (201 . 1 Select the desired song. press the [+/YES] button. Pressing the [-/NO] button aborts.205).

press the [+/YES] button. Pressing the [+/YES] button executes the Track Clear operation. or press the [-/NO] button to abort. User 2 202 2 Press and hold down the button corresponding to the track to be erased. [A]) for at least one second.Song Recording Track Clear The Track Clear operation completely erases all recorded data on a selected track of a selected User song. use the Song Clear operation (page 59). ClrTr1 YES 3 4 Press the [+/YES] button. WRITING! 60 . then use the numeric keypad or [+]/[-] buttons to select the desired song (201 .[5]. 1 Select the desired song.205). leaving the other tracks intact. Press and hold down the appropriate SONG MEMORY button ([1] . Use this operation only when you’re sure you want to erase a track and record a new one. At the “Sure?” prompt. Press the [SONG] button. To erase the data of an entire song. Pressing the [-/NO] button aborts.

Song Lesson The Lesson feature provides an exceptionally fun and easy-to-use way to learn how to read music and play the keyboard.3 apply to each hand.and right-hand parts are muted — letting you play and master both hands at the same time. the DGX-200 waits for you to play the correct notes before continuing playback of the song. Lesson lets you practice the left. I Lesson 3 — Minus One This lesson step plays back the song with one part muted. [L] (left) or [R] (right) to select the desired part for practice. until you’ve mastered them and are ready to practice with both hands together. step by step. I Lesson 1 — Timing This lesson step lets you practice just the timing of the notes — any note can be used. as described below. except that both the left. or FurElise 036 The songs are divided into several different categories or music genres. letting you play and master the missing part yourself — in rhythm and at the proper tempo. I Lesson 4 — Both Hands Lesson 4 is a “Minus One” practice essentially the same as Lesson 3. Naturally. then use the dial or numeric keypad or [+]/[-] buttons to select the desired song. 61 . Lessons 1 . press the appropriate button. I Lesson 2 — Waiting In this lesson step. Press the [SONG] button. These practices are divided into four Lesson steps.and right-hand parts of each song independently. Using the Lesson Feature 1 Select one of the Lesson songs. as long as you play in rhythm. you can also use Song data you’ve loaded from computer with the Lesson features.

The selected Lesson step is indicated in the display. 62 . Pressing either button repeatedly cycles through the available Lesson steps in order: Lesson 1 → Lesson 2 → Lesson 3 → Off → Lesson 1. The DGX-200 exits from the Lesson feature automatically when the [START/STOP] button is pressed. page 65). The Lesson and song playback start automatically (following a lead-in count) as soon as the Lesson step is selected. If you want to work on the right-hand part. * * * å * r1 060 001 Asterisks appear indicating the timing at which you should play the notes. Timing L 1 Timing r1 Waiting L 2 Waiting r2 MinusOne L 3 MinusOne r3 (Song Lesson off) FurElise 036 FurElise 036 (Song Lesson off) To select Lesson 4. 4 Press the [START/STOP] button to stop the Lesson. BothHand Lr4 3 Start the Lesson. your performance “grade” is shown in the display (if the Grade function is turned on. press both [L] and [R] buttons simultaneously. press the [L] button. When the Lesson is finished. After a short pause.Song Lesson 2 Select the part you wish to work on (left or right) and the Lesson step. press the [R] button. Sixteenth notes are indicated by an alternating asterisk and sharp sign. the Lesson begins again automatically. etc. to work on the left. The line of asterisks represents one full measure.

the song starts automatically. simply play one note repeatedly in time with the music. for the right. the DGX-200 actually has two different types of songs: 1) songs with normal left-hand chords. In the case of the first type. play the chords with your left hand in the auto accompaniment area of the keyboard. Select Lesson 1. Simply concentrate on playing each note in time with the rhythmic accompaniment. and 2) songs in which the left hand plays arpeggios or melodic figures in combination with the right. Lesson 1 — Timing This lesson step lets you practice just the timing of the notes — any note can be used. Auto accompaniment area 63 . Press the [L] or [R] button (repeatedly.Song Lesson Select the Lesson Track This function allows you to select the track number of a loaded song from computer (only SMF format 0). For the left hand. • The melody note does not sound unlessyourplayingisintimewith the rhythm. After the lead-in. Timing r1 3 Play the appropriate melody or chord with the song. play a note above F#2. use a note in the auto accompaniment area or play the appropriate left-hand note. as long as you play in rhythm. and the appropriate notes appear in the display. Regarding chords and the use of the left hand. 1 2 Select one of the Lesson songs. Pick a note to play. In Lesson 1. if necessary) until Lesson 1 is indicated. The track number of the song can be specified in the Function mode (page 76).

if necessary) until Lesson 2 is indicated. play the correct notes at your own pace. if necessary) until Lesson 3 is indicated. Press the [L] or [R] button (repeatedly. MinusOne r3 64 . 1 2 Select one of the Lesson songs. as you play them correctly. In Lesson 2. This lets you practice reading the music at your own pace. Press the [L] or [R] button (repeatedly. and the appropriate notes appear in the display. Lesson 3 — Minus One This lesson step lets you practice one part of the song in rhythm at the proper tempo. After the lead-in. The DGX-200 plays back the song accompaniment with one part muted (either the left part or the right)— letting you play and master the missing part yourself. Select Lesson 2. Waiting r2 3 Play the appropriate melody or chord with the song. The notes you are to play are shown continuously in the display as the song plays back. one after another. until you can master playing them in rhythm.Song Lesson Lesson 2 — Waiting In this lesson step. The notes to be played are shown in the display. 1 2 Select one of the Lesson songs. Select Lesson 3. the song starts automatically. the DGX-200 waits for you to play the correct notes before continuing playback of the song.

listen carefully to the un-muted part. and the appropriate notes appear in the display.” and “Excellent. BothHand Lr4 3 Play both the left.and right-hand parts with the song. Select Lesson 4. and just like a real teacher. depending on your performance: “OK. 1 2 Select one of the Lesson songs. After the lead-in. After the lead-in. letting you play the entire song by yourself.Song Lesson 3 Play the appropriate part with the song. both parts (left and right) are muted. and the appropriate notes appear in the display. In Lesson 4. Lesson 4 — Both Hands Lesson 4 is a “Minus One” practice essentially the same as Lesson 3. and play the muted part yourself. Go on to this lesson step after you’ve mastered each hand’s part in the previous three lesson steps. it tells you how well you did each exercise.and right-hand parts are muted — letting you play and master both hands at the same time. Grade The Lesson feature has a built-in evaluation function that monitors your practicing of the Lesson songs. • Grade is automatically set to on as the default setting. Practice both hands in time with the rhythm along with the notation in the display. so that Lesson 4 is indicated. In Lesson 3.” “Good. except that both the left. the song starts automatically. 65 . the song starts automatically. Press the [L] and [R] buttons simultaneously.” “Very Good.” The evaluation function can be set to on/off in the Function mode (page 76). Four grades are assigned.

With the piano. you strike a key. a sampling note stored in the tone generator is played through the speakers.” Then each piece of information is changed into a number value and sent to the tone generator. With the guitar. featuring MIDI IN and MIDI OUT terminals and providing a variety of MIDI-related controls.” “when was it pressed. As shown in the illustration above. in an electronic instrument the sampling note (previously recorded note) stored in the tone generator section (electronic circuit) is played based on information received from the keyboard. and what it can do. 66 . let’s say you play a “C” quarter note using the grand piano sound on the DGX-200 keyboard.MIDI Functions The DGX-200 is MIDI-compatible.” “with which key. What Is MIDI? No doubt you have heard the terms “acoustic instrument” and “digital instrument. these are the two main categories of instruments.” “about how strong. Based on playing information from the keyboard.” and “when was it released. Unlike an acoustic instrument that puts out a resonated note. G Example of Keyboard Information Voice number (with what voice) Note number (with which key) Note on (when was it pressed) and note off (when was it released) Velocity (about how strong) 01 (grand piano) 60 (C3) Timing expressed numerically (quarter note) 20 (strong) GM System Level 1 “GM System Level 1” is an addition to the MIDI standard which ensures that any GM-compatible music data can be accurately played by any GM-compatible tone generator. regardless of manufacturer. the tone generator plays the stored sampling note. the electronic instrument puts out information from the keyboard such as “with what voice. This section explains what MIDI is. and a hammer inside hits some strings and plays a note. Using these numbers as a basis. as well as how you can use MIDI on your DGX-200. But how does a digital instrument go about playing a note? Acoustic guitar note production Digital instrument note production L Sampling Note Tone Generator (Electronic circuit) Sampling Note R Playing the keyboard Pluck a string and the body resonates the sound. By using the MIDI functions you can expand your musical possibilities. The GM mark is affixed to all software and hardware products that support GM System Level 1. The DGX-200 supports GM System Level 1. They are easy to understand. Let’s consider an acoustic piano and a classical guitar as representative acoustic instruments. So then what is the information from the keyboard that becomes the basis for note production? For example. you directly pluck a string and the note sounds.” In the world today.

Message Name Note ON/OFF DGX-200 Operation/Panel Setting Messages which are generated when the keyboard is played.). Messages that are used to change some aspect of the sound (modulation. Below is an explanation of the various types of MIDI messages which the DGX-200 can receive/transmit.” Channel messages transmit information such as Note ON/OFF. pan. by sending and receiving compatible Note. plus a velocity value based on how hard the key is stuck.MIDI Functions MIDI is an acronym that stands for Musical Instrument Digital Interface. MIDI messages can be divided into two groups: Channel messages and System messages. select MIDI channels. Program Change. voices and effects. Voice number (along with corresponding bank select MSB/LSB settings. etc. each device must be connected by a cable. • Special MIDI cables (sold separately)mustbeusedforconnecting to MIDI devices. Program Change and various other types of MIDI data. This is usually expressed as “it can play 16 instruments at the same time. Message Name Exclusive Message Realtime Messages DGX-200 Operation/Panel Setting Reverb/chorus/DSP settings. MIDI Terminals In order to exchange MIDI data between multiple devices. System messages include messages like Exclusive Messages that transmit data unique to each instrument manufacturer and Realtime Messages that control the MIDI device. or messages. change parameter values and of course play the voices specified for the various parts. • Never use MIDI cables longer than about 15 meters. They can be bought at music stores. The MIDI terminals of the DGX-200 are located on the rear panel. Each message includes a specific note number which corresponds to the key which is pressed. Transmits the DGX-200’s keyboard information as MIDI data to another MIDI device. G Channel Messages The DGX-200 is an electronic instrument that can handle 16 channels. if necessary). etc. Program Change Control Change G System Messages This is data that is used in common by the entire MIDI system. which allows electronic musical instruments to communicate with each other. The DGX-200 can control a MIDI device by transmitting note related data and various types of controller data. for each of the 16 channels. Start/stop operation The messages transmitted/received by the DGX-200 are shown in the MIDI Implementation Chart on page 90. The DGX-200 can be controlled by the incoming MIDI messages which automatically determine tone generator mode. 67 . Cables longerthanthiscanpickupnoise which can cause data errors. MIDI IN MIDI OUT Receives MIDI data from another MIDI device. Control Change. volume. etc.

G When using a MIDI interface device installed in the personal computer. RS-422 MIDI Interface MIDI IN DGX-200 Viewing the Notation for MIDI Channel 1 • The DGX-200 has a special function that lets you view the notes of the MIDI data (channel 1 only) on the display. Connect the UX16 and the computer with a standard USB cable. UX16 USB MIDI IN OUT IN DGX-200 MIDI OUT Computer (sequencer software) 68 . • When using a Macintosh series computer. then make the proper MIDI connections between the DGX-200 and the UX16.MIDI Functions Connecting to a Personal Computer By connecting your DGX-200’s MIDI terminals to a personal computer. set the MIDI interface clock setting in the application software to match the setting of the MIDI interface you are using. For details. refer to the owner’s manual for the software you are using. connect the MIDI terminals of the personal computer and the DGX-200. you can have access to a wide variety of music software. MIDI OUT MIDI IN DGX-200 MIDI IN MIDI OUT Computer (sequencer software) G When using a MIDI interface with a Macintosh series computer. connect the RS-422 terminal of the computer (modem or printer terminal) to the MIDI interface. use the Yamaha UX16 USB/MIDI Interface. as shown in the diagram below. MIDI OUT Computer (sequencer software) G When connecting to a computer with a USB interface.

Normally. These settings can be made in the Function mode (page 76). • When the Initial Setup Send operationiscompleted. when playing the DGX-200 by itself. These settings can be made in the Function mode (page 76).theDGX200 automatically returns to the previous panel condition. This would come in handy. or MIDI data filer). External Clock This determines whether the style and song playback functions are controlled by the DGX-200’s internal clock (off) or by MIDI clock data from an external sequencer or computer (on). you can instantly restore the necessary settings on the DGX-200 in the Function mode (page 76). By recording this “snapshot” at the start of the song (before any actual performance data). Provided there is a pause in the song.” • No sound is output from the DGX-200 when Local ON/OFF is set to OFF. Bulk Data Send This lets you save important DGX-200 data and settings to another device (such as a sequencer. you would want to set this to “off” — in order to avoid getting “double” notes. Essentially. If you are using the sequencer to play back the voices of the DGX-200. style.D. • Keep in mind that all recorded Song data and One Touch Setting data operations replace the data. this should be set to “on. this takes a “snapshot” of the DGX-200 settings and sends that data to the sequencer. Using Initial Setup Send with a Sequencer The most common use for the Initial Setup Send function is in recording a song on a sequencer that is intended for playback with the DGX-200. This should be set to on when you want to have style or song playback follow the external device (such as a rhythm machine or a sequencer). 69 . The default setting is off. computer. you could also do this in the middle of a song — for example. for example.MIDI Functions Local Control This function lets you enable or disable keyboard control over the DGX-200’s voices in the Function mode (page 76).B. when recording notes to MIDI sequencer. playback will not start unless external clock are received. both from the keyboard and from the sequencer. song or M. • If External Clock is set to ON. completely changing the DGX-200 settings for the next section of the song. G Bulk Data Receive Send the Bulk Data from computer or sequencer to the DGX-200.

Press and hold the lowest key and turn on the power to change the setting (LSB is ignored). MIDI LSB Receive Cancel Determines whether the LSB data of Bank Select is received or not. data is not transmitted. These settings can be made in the Function mode (page 76). Song Out This determines whether Song data is transmitted via MIDI OUT or not. 70 .MIDI Functions Keyboard Out This determines whether Keyboard performance data of the DGX-200 is transmitted via MIDI OUT or not. These settings can be made in the Function mode (page 76). • For the Song #001. Style Out This determines whether style data is transmitted via MIDI OUT or not. These settings can be made in the Function mode (page 76). turn on the power again normally. To restore MIDI LSB Receive Cancel to normal (LSB is recognized).

MIDI Functions Loading a Song into DGX-200’s Flash Memory The DGX-200’s internal flash memory enables you to save song data transmitted from a connected personal computer. 99 songs (Song #101–#199) 352 KB SMF format 0 I Installing Song Filer • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • You can download the “Song Filer” application from the following Yamaha PK CLUB website.com/ • Visit the Yamaha PK CLUB website for more information on the latest version of Song Filer (version 2.5 or upper Power PC or upper 8MB or more 2MB or more 800 x 600.0.yamahaPKclub.0 or higher) and how to install it. System requirements for Song Filer: [Windows] OS: CPU: Available Memory: Free space in Hard Disk: Display: [Macintosh] OS: CPU: Available Memory: Free space in Hard Disk: Display: Windows 95/98/Me/2000 Pentium/100MHz or faster 8MB or more 2MB or more 800 x 600. You can play or practice Flash songs (saved in flash memory) in the same way as preset songs. 256 colors or more Mac OS 7. Song data that can be saved in flash memory: • The number of songs: • Available memory: • Data format: max. you first need to install the “Song Filer” application to your computer. Yamaha PK CLUB (Portable Keyboard Home Page) http://www. To transmit song data from a personal computer to the DGX-200. Make sure that your computer has an Internet connection. 256 colors or more 71 .

G Transmit Files You can transmit song files from your computer to your DGX-200’s Flash Memory.mid abcd. but also make the internal flash memory unstable. It may also clear all the data residing in the flash memory when turning the power on and off.mid efgh. • For more information on using Song Filer.mid Selecting a right & left hand guide track You can select a track in the Function mode (page 76) to guide your right and left hand fingering during the Lesson (page 63).MIDI Functions I Song Filer • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • After you install Song Filer and connect the DGX-200 to the computer. Transmit DGX-200 • Never attempt to turn the power off while transmitting song data. • Refer to page 68 for information on connecting the DGX-200 to a computer. you can use the two functions described below. • You cannot use the Song Filer’s “Receive Files” function with the DGX-200. Delete Rename abcd. This function is available only when you select a flash memory song (SMF format 0). • Saved data in the instrument may be lost due to malfunction or incorrect operation. Computer G Manage Files on Flash Memory You can delete and rename files in your DGX-200’s Flash Memory from your computer. Retain important data to your computer or floppy disk. refer to the PDF manual included in the Song Filer application. 72 . Doing so will not only result in failure to save the data.

Press and hold the [PC] button until “WRITING!” appears in the LCD. playback will not start unless external clock are received. PC Mode on I To store the PC mode parameters: 1 Change the PC mode parameters. song or M. WRITING! 73 . LOCAL ON/OFF EXTERNAL KEYBOARD STYLE OUT SONG OUT • No sound is output from the DGX-200 when Local ON/OFF is set to OFF. Change the desired MIDI parameters in the Function mode. 2 Store the parameters to the PC memory. style.B.D. G Default settings PC mode is on LOCAL ON/OFF EXTERNAL CLOCK KEYBOARD OUT STYLE OUT SONG OUT ON OFF ON OFF OFF ON PC mode is off I To turn the PC mode on or off: Press the [PC] button and then press the appropriate [+]/[-] button.MIDI Functions PC Mode The PC Mode lets you instantly reconfigure the MIDI control settings for use with a computer or MIDI device. This switches between the PC Mode on/off settings. • If External Clock is set to ON. The following PC Mode parameters can be stored to memory.

. • TosavetheFunctionparameters and the Touch on/off status to internalmemory(flashmemory). Using the Function parameters 1 Press the Function button.Volume 104 3 Input the appropriate value or use the [+]/[-] buttons to set the selected Function.Function The DGX-200 has a variety of settings in the Function parameters. M.) OVERALL < • Use the CATEGORY [ ]/[ ] buttonswhenselectingthecategory steps. or 74 r f Use the SELECT [ > 2 Select a Function name. These give you detailed control over many of the DGX-200’s features. press and hold the [FUNCTION] button. You can also use the dial. ]/[ ] buttons to select a Function name. (See page 78.

) The default Split Point is 054 (F#2). This determines how much of the Dual voice’s signal is sent to the Reverb effect. M. This determines the octave range for the Dual voice. 0 (full left)–64 This determines the pan position of the Main voice in the stereo image.DspLvl S. Higher values result in a louder Chorus effect for the Split voice.Octave D. Use this to set the (octave) most suitable range for the Main voice. The Split Point setting and Accompaniment Split Point setting are automatically set to the same value.Volume S. Higher values result in a louder DSP effect for the Split voice.RevLvl 0–127 * D. Higher values result in a louder Reverb effect. and set the Main Voice Pan at the opposite positive value.* rus effect.DspLvl D. while “3” is designed for playing very soft passages. letting you create an optimum mix with the Main voice. 1–3 A setting of “1” results in limited touch response. (center) –127 (full right) Touch Sensitivity TouchSns * Main Voice Volume Octave Pan Reverb Send Level Chorus Send Level DSP Send Level Voice Volume Octave Pan M. Higher values result in a louder Reverb effect for the Split voice.Octave M. Higher values result in a louder DSP effect for the Dual voice. and set the Main Voice Pan at the opposite positive value. This select the dual voice. For a spacious sounding effect. This determines the octave range for the Split voice. 0–127 This determines the volume of the Main voice.Voice S. This determines the pitch of the entire DGX-200 sound . This determines how much of the Dual voice’s signal is sent to the DSP effect. the key that separates the Split (lower) and Main (upper) voices. Use this to create an octave layer with the Main voice. Higher values result in a louder DSP effect.ChoLvl 0–127 This determines how much of the Split voice’s signal is sent to the Chorus * effect. letting you create an optimum mix with the Dual or Split voice. letting you create an optimum mix with the Main voice. This determines how much of the Split voice’s signal is sent to the DSP effect. set this value at or near 0.ChoLvl 0–127 This determines how much of the Main voice’s signal is sent to the Cho. -2–2 This determines the octave range for the Main voice.DspLvl 0–127 * The “*” mark indicates that the setting can be restored to default value by pressing both [+]/[-] buttons simultaneously. This determines the pan position of the Split voice in the stereo image. This determines how much of the Split voice’s signal is sent to the Reverb effect. Higher values result in a louder Chorus effect. (The Split voice sounds up to and including the Split Point key. no matter how lightly or strongly you play the keys. When Touch is turned off (page 30).Function G Function parameters CATEGORY Overall SELECT Display Transpose Transpos Tuning Tuning Split Point SplitPnt Range/ Settings -12–12 -100–100 000–127 Description * * * This determines the transposition of the entire DGX-200 sound. Higher values result in a louder Reverb effect for the Dual voice.Pan M.Volume M.Octave S. Use this to set the most suitable range for the Split (lower) voice.Pan 0–127 1–605 0–127 -2–2 (octave) 0 (full left)–64 (center) –127 (full right) Dual Voice * * * Split Voice Reverb Send Level Chorus Send Level DSP Send Level Voice Volume Octave Pan D. This determines how much of the Dual voice’s signal is sent to the Chorus effect. 75 .Volume D.RevLvl * * * * 0–127 This determines how much of the Main voice’s signal is sent to the Reverb effect. This select the split voice. This determines how much of the Main voice’s signal is sent to the DSP effect. This determines the volume of the Dual voice. set this value at or near 0.ChoLvl 0–127 * D. Higher values result in a louder Chorus effect for the Dual voice.Pan 0–127 1–605 0–127 -2–2 (octave) 0 (full left)–64 (center) –127 (full right) * * * * Reverb Send Level Chorus Send Level DSP Send Level S. giving you slightly more detailed control in the soft volume range. This determines the highest key for the Split voice and sets the Split “point” — in other words. “2” lets you play over a normal dynamic range (soft to loud).RevLvl 0–127 * S.Voice D. * S. * M. a constant velocity value of 80 is produced (total velocity range = 0–127). this setting produces a relatively narrow dynamic range. For a spacious sounding effect. This determines the pan position of the Dual voice in the stereo image. This determines the volume of the Split voice.

This determines the Demo and DJ cancel is enabled or not. (See the list on page 33). This lets you save important DGX-200 data and settings to another device (such as a sequencer. This determines whether Song data is transmitted via MIDI OUT or not. including “off. This determines whether Grade function is on or off. This determines the level of the Harmony effect when Harmony type 1-5 is selected. This setting is effective only loaded song. This determines whether Keyboard performance data of the DGX-200 is transmitted or not.Function CATEGORY Effect SELECT Reverb Type Chorus Type DSP Type Harmony Type Harmony Volume Local On/ Off External Clock Bulk Data Send Display Reverb Chorus DSP HarmType HarmVol Range/ Settings 1–9 1–5 1–39 1–26 0–127 Description This determines the Reverb type. letting you create the optimum mix with the original melody note. This determines the Chorus type. This determines the External clock or Internal clock.” (See the list on page 34). 76 . This determines the track number for your right hand lesson. (For song #001. computer. data is not transmitted. Use the [NO/-] button to stop the transmission. Use the [YES/+] button to transmit the data.” (See the list on page 34). including “off. Press the [+]/[-] buttons to set External clock or Internal clock. This determines the Harmony type. This determines the time signature of the Metronome. Press the [+]/[-] buttons to set Local Control to on or off. Press the [+]/[-] buttons to set Demo and DJ Cancel to on or off. Use the [NO/-] button to stop the transmission. computer. This determines the Local on or off. Use the [YES/+] button to transmit the data. This setting is effective only loaded song. * * * * * Harmony MIDI Local ExtClock BulkSend On/Off On/Off YES/NO Initial Setup Send Keyboard Out Style Out Song Out InitSend YES/NO KbdOut On/Off StyleOut SongOut On/Off On/Off Volume Style Song Volume Time Signature Lesson Track (R) Lesson Track (L) Grade On/ Off Demo and DJ Cancel Pitch Bend Range StyleVol SongVol MtrVol TimeSig R-Part L-Part Grade D-Cancel PB8Range 0–127 0–127 0–127 0–15 1–16 1–16 On/Off On/Off 1-12 * * * * * * Metronome Lesson Utility * * The “*” mark indicates that the setting can be restored to default value by pressing both [+]/[-] buttons simultaneously. or MIDI data filer). This determines whether style data is transmitted via MIDI OUT or not. This determines the track number for your left hand lesson. Press the [+]/[-] buttons to set Grade to on or off. Press the [+]/[-] buttons to set the Style Out to on or off. This lets you save DGX-200 initial data to another device (such as a sequencer. This determines the volume of the Metronome. or MIDI data filer).” (See the list on page 33). letting you create an optimum mix with your performance. Press the [+]/[-] buttons to set Song Out to on or off. This determines the DSP type. including “off. This determines the Pitch Bend Range in semitone steps. Use the [+]/[-] buttons to change the setting.) This determines the volume of the style. This determines the volume of the Song.

When using the style with a sequencer. The AWM tone generation method uses multiple recordings (samples) of an instrument across the range of the keyboard.) Playing keys in the right hand area of the keyboard does not produce any sound. When using the Dictionary function (page 45). turn off the mobile phone or use it further away from the DGX-200. Check that nothing is connected to the PHONES/OUTPUT jack on the rear panel. Check the Local Control on/off.) Make sure that the Style Volume (page 42) is set to an appropriate level.) Make sure the Style mode is active before using the auto accompaniment. song or M. thus. a popping sound is temporarily produced. the rhythm cannot be heard. (See page 10. Possible Cause and Solution This is normal and indicates that the DGX-200 is receiving electrical power. The sound of the voices or rhythms seems unusual or strange.) The polarity of the footswitch is reversed. does not play back even when pressing the [START/STOP] button.B. (See page 69. Make sure that the Split Point (page 27) is set to an appropriate value. When using a mobile phone.” (Refer to the owner’s manual of your particular device and/or software for details. some notes/sounds may be omitted (or “stolen”) from the accompaniment or song. pressing the footswitch cuts off the sound and releasing it sustains the sounds. (This may also sound like a “dual” layered sound of two voices. The style does not sound properly. the keys in the right hand area are used only for entering the chord root and type. noise is produced. To prevent this. The accompaniment of the style can only be heard when accompaniment is set to ON and keys are played in the auto accompaniment area of the keyboard. Check the External Clock on/off.D. The DGX-200 is polyphonic up to a maximum of 32 notes. If the Dual voice or Split voice is being used and a style or song is playing back at the same time.#135). Make sure that the footswitch plug is properly connected to the SUSTAIN jack before turning on the power. The style. Not all of the voices seem to sound. Replace the batteries. even when Dual is turned off. The auto accompaniment doesn’t turn on. Using a mobile phone in close proximity to the DGX-200 may produce interference. There is no sound even when the keyboard is played or when a song is being played back. set MIDI Echo (or the relevant control) to “off.) The footswitch (for sustain) seems to produce the opposite effect. For example. Press the [STYLE] button to enable style operations. no sound is output. The battery power is too low. A strange “flanging” or “doubling” sound occurs when using the DGX-200 with a sequencer. (See page 69. even when pressing the [ACMP] button. The Pianist styles have no drums or bass — only piano accompaniment. When a set of headphones is plugged into this jack. When playing back one of the Pianist styles (#124 .Troubleshooting Problem When the DGX-200 is turned on or off. 77 . or the sound seems to be cut off. This is normal. The sound of the voice changes from note to note. the actual sound of the voice may be slightly different from note to note.

Data Backup & Initialization I Data Backup • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • The following data can be stored to internal flash memory as data backup. plus loaded song data. Function and touch On/Off are stored when Pressing and Holding the Function button. • Never attempt to turn the power off when a “WRITING!” message is shown in the display. • Carrying out the data initialization procedure will usually restore normal operation if the DGX-200 freezes or begins to act erratically for any reason. Doing so can damage the internal flash memory and result in loss of data. Group SONG ONE TOUCH SETTING PC FUNCTION Parameter User Song Data See page 28. • All data listed above. All Mem CLr G Loaded Song Initializaion You can erase only the loaded song data by turning on the power while holding the highest (rightmost) black key on the keyboard. will be erased and/or changed when the All Data Initialization procedure is carried out. PC Memory Tuning Split Point Touch Sensitivity Style Volume Song Volume Metronome Volume Grade On/Off Demo & DJ Cancel Touch On/Off G About the Internal Flash Memory The Song. 78 . “All Mem CLr” will appear briefly on the display. Touch I Data Initialization • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • G All Data Initialization All data can be initialized and restored to the factory preset condition by turning on the power while holding the highest (rightmost) white key and highest (rightmost) black key on the keyboard. One Touch Setting and PC parameters are automatically stored when each saving operation is done.

• Somevoicesmaysoundcontinuously or have a long decay after the notes have been released while the sustain pedal (footswitch) is held. Auto Accompaniment uses a number of the available notes.Voice List I Maximum Polyphony • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • The DGX-200 has 32-note maximum polyphony.PIANO 4 Galaxy EP 4 Funky Electric Piano 5 DX Modern Elec. Use these program change numbers when playing the DGX-200 via MIDI from an external device. G Panel Voice List Voice No. • TheVoiceListincludesMIDIprogram change numbers for each voice. 001 002 003 004 005 006 007 008 009 010 011 012 013 014 015 016 017 018 019 020 021 022 023 024 025 026 027 028 029 030 031 032 033 034 035 036 037 038 039 040 Bank Select MSB 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 LSB 112 112 112 112 113 112 114 112 112 113 114 112 112 113 112 116 112 114 118 119 114 112 113 112 113 112 113 112 112 112 113 112 113 112 117 112 112 112 112 112 MIDI Program Voice Name Change# PIANO 0 Grand Piano 1 Bright Piano 3 Honky-tonk Piano 2 MIDI Grand Piano 2 CP 80 6 Harpsichord E. so when Auto Accompaniment is used the total number of available notes for playing on the keyboard is correspondingly reduced. Piano 5 Hyper Tines 5 Venus Electric Piano 7 Clavi ORGAN 16 Jazz Organ 1 16 Jazz Organ 2 17 Click Organ 16 Bright Organ 18 Rock Organ 18 Purple Organ 16 16'+2' Organ 16 16'+4' Organ 16 Theater Organ 19 Church Organ 19 Chapel Organ 20 Reed Organ ACCORDION 21 Traditional Accordion 21 Musette Accordion 23 Bandoneon 22 Harmonica GUITAR 24 Classical Guitar 25 Folk Guitar 25 12Strings Guitar 26 Jazz Guitar 26 Octave Guitar 27 Clean Guitar 27 60’s Clean Guitar 28 Muted Guitar 29 Overdriven Guitar 30 Distortion Guitar BASS 32 Acoustic Bass 33 Finger Bass Voice No. This means that it can play a maximum of up to 32 notes at once. 041 042 043 044 045 046 047 048 049 050 051 052 053 054 055 056 057 058 059 060 061 062 063 064 065 066 067 068 069 070 071 072 073 074 075 076 077 078 079 080 Bank Select MSB 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 LSB 112 112 112 112 113 113 112 112 112 113 112 112 112 112 112 112 112 112 112 113 112 112 112 112 112 114 112 112 112 112 112 112 112 112 113 112 112 112 113 119 MIDI Program Voice Name Change# 34 Pick Bass 35 Fretless Bass 36 Slap Bass 38 Synth Bass 38 Hi-Q Bass 39 Dance Bass STRINGS 48 String Ensemble 49 Chamber Strings 50 Synth Strings 49 Slow Strings 44 Tremolo Strings 45 Pizzicato Strings 55 Orchestra Hit 40 Violin 42 Cello 43 Contrabass 105 Banjo 46 Harp CHOIR 52 Choir 52 Vocal Ensemble 53 Vox Humana 54 Air Choir SAXOPHONE 64 Soprano Sax 65 Alto Sax 66 Tenor Sax 66 Breathy Tenor 67 Baritone Sax 68 Oboe 69 English Horn 70 Bassoon 71 Clarinet TRUMPET 56 Trumpet 59 Muted Trumpet 57 Trombone 57 Trombone Section 60 French Horn 58 Tuba BRASS 61 Brass Section 61 Big Band Brass 61 Mellow Horns 79 . The same applies to the Split Voice and Song functions. regardless of what functions are used.

129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 Bank Select MSB 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 LSB 1 32 40 41 0 1 0 1 18 32 40 45 64 0 1 32 33 34 40 41 42 45 0 1 25 35 0 1 27 64 65 0 0 0 64 0 1 45 0 1 64 97 98 0 0 96 97 0 35 96 97 0 32 33 34 35 G XG Voice List Voice No.Voice List Voice No. 121 122 123 124 125 126 127 128 Bank Select MSB 0 0 0 0 0 0 0 0 LSB 0 1 18 40 41 0 1 0 MIDI Program Change# PIANO 0 0 0 0 0 1 1 2 Voice Name Grand Piano Grand Piano KSP Mellow Grand Piano Piano Strings Dream Bright Piano Bright Piano KSP Electric Grand Piano Electric Grand Piano KSP Detuned CP80 Layered CP 1 Layered CP 2 Honky-tonk Piano Honky-tonk Piano KSP Electric Piano 1 Electric Piano 1 KSP Mellow Electric Piano 1 Chorus Electric Piano 1 Hard Electric Piano Velocity Crossfade Electric 4 Piano 1 4 60’s Electric Piano 1 5 Electric Piano 2 5 Electric Piano 2 KSP 5 Chorus Electric Piano 2 5 DX Electric Piano Hard 5 DX Legend 5 DX Phase Electric Piano 5 DX + Analog Electric Piano 5 DX Koto Electric Piano Velocity Crossfade Electric 5 Piano 2 6 Harpsichord 6 Harpsichord KSP 6 Harpsichord 2 6 Harpsichord 3 7 Clavi 7 Clavi KSP 7 Clavi Wah 7 Pulse Clavi 7 Pierce Clavi CHROMATIC 8 Celesta 9 Glockenspiel 10 Music Box 10 Orgel 11 Vibraphone 11 Vibraphone KSP 11 Hard Vibraphone 12 Marimba 12 Marimba KSP 12 Sine Marimba 12 Balimba 12 Log Drums 13 Xylophone 14 Tubular Bells 14 Church Bells 14 Carillon 15 Dulcimer 15 Dulcimer 2 15 Cimbalom 15 Santur ORGAN 16 DrawOrg 16 DetDrawOrg 16 60sDrawOrg1 16 60sDrawOrg2 16 70sDrawOrg1 MIDI Program Change# 2 2 2 2 3 3 4 4 4 4 4 Voice Name 80 . 081 082 083 084 085 086 087 088 089 090 091 092 093 094 095 096 097 098 099 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 Bank Select MSB 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 127 127 127 127 127 127 127 127 127 127 126 126 MIDI Program Voice Name LSB Change# 112 62 Synth Brass 113 62 Jump Brass 114 62 Techno Brass FLUTE 112 73 Flute 112 72 Piccolo 112 75 Pan Flute 112 74 Recorder 112 79 Ocarina SYNTH LEAD 112 80 Square Lead 112 81 Sawtooth Lead 112 85 Voice Lead 112 98 Star Dust 112 100 Brightness 115 81 Analogon 119 81 Fargo SYNTH PAD 112 88 Fantasia 113 100 Bell Pad 112 91 Xenon Pad 112 94 Equinox 113 89 Dark Moon PERCUSSION 112 11 Vibraphone 112 12 Marimba 112 13 Xylophone 112 114 Steel Drums 112 8 Celesta 112 14 Tubular Bells 112 47 Timpani 112 10 Music Box DRUM KITS 0 0 Standard Kit 1 0 1 Standard Kit 2 0 8 Room Kit 0 16 Rock Kit 0 24 Electronic Kit 0 25 Analog Kit 0 27 Dance Kit 0 32 Jazz Kit 0 40 Brush Kit 0 48 Symphony Kit 0 0 SFX Kit 1 0 1 SFX Kit 2 Voice No.

Voice List Voice No. 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 Bank Select MSB 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 LSB 36 37 38 40 64 65 66 67 0 24 32 33 37 0 64 65 66 0 32 35 40 64 65 0 40 0 32 0 32 0 64 0 16 25 43 96 0 16 35 40 41 96 0 18 32 0 32 0 40 41 43 45 0 43 0 40 41 0 MIDI Program Change# 16 16 16 16 16 16 16 16 17 17 17 17 17 18 18 18 18 19 19 19 19 19 19 20 20 21 21 22 22 23 23 GUITAR 24 24 24 24 24 25 25 25 25 Voice Name DrawOrg2 60sDrawOrg3 Even Bar 16+2"2/3 Organ Bass 70sDrawOrg2 Cheezy Organ DrawOrg3 Percussive Organ 70’s Percussive Organ Detuned Percussive Organ Light Organ Percussive Organ 2 Rock Organ Rotary Organ Slow Rotary Fast Rotary Church Organ Church Organ 3 Church Organ 2 Notre Dame Organ Flute Tremolo Organ Flute Reed Organ Puff Organ Accordion Accord It Hamonica Harmonica 2 Tango Accordion Tango Accordion 2 Nylon Guitar Nylon Guitar 2 Nylon Guitar 3 Velocity Guitar Harmonics Ukulele Steel Guitar Steel Guitar 2 12-string Guitar Nylon & Steel Guitar Steel Guitar with Body Sound Mandolin Jazz Guitar Mellow Guitar Jazz Amp Clean Guitar Chorus Guitar Muted Guitar Funk Guitar 1 Muted Steel Guitar Funk Guitar 2 Jazz Man Overdriven Guitar Guitar Pinch Distortion Guitar Feedback Guitar Feedback Guitar 2 Guitar Harmonics Voice No. 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 Bank Select MSB 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 LSB 65 66 0 40 45 0 18 27 40 43 45 65 0 28 0 32 33 34 96 97 0 27 32 0 43 0 18 20 24 35 40 64 65 66 96 0 6 12 18 19 32 40 41 64 0 8 0 0 0 0 8 40 0 0 40 0 MIDI Program Change# 31 31 BASS 32 32 Voice Name Guitar Feedback Guitar Harmonics 2 Acoustic Bass Jazz Rhythm Velocity Crossfade Upright Bass Finger Bass Finger Dark Flange Bass Bass & Distorted Electric Guitar Finger Slap Bass Finger Bass 2 Modulated Bass Pick Bass Muted Pick Bass Fretless Bass Fretless Bass 2 Fretless Bass 3 Fretless Bass 4 Synth Fretless Smooth Fretless Slap Bass 1 Resonant Slap Punch Thumb Bass Slap Bass 2 Velocity Switch Slap Synth Bass 1 Synth Bass 1 Dark Fast Resonant Bass Acid Bass Clavi Bass Techno Synth Bass Orbiter Square Bass Rubber Bass Hammer Synth Bass 2 Mellow Synth Bass Sequenced Bass Click Synth Bass Synth Bass 2 Dark Smooth Synth Bass Modular Synth Bass DX Bass X Wire Bass Violin Slow Violin Viola Cello Contrabass Tremolo Strings Slow Tremolo Strings Suspense Strings Pizzicato Strings Orchestral Harp Yang Chin Timpani 32 33 33 33 33 33 33 33 34 34 35 35 35 35 35 35 36 36 36 37 37 38 38 38 38 38 38 38 38 38 38 39 39 39 39 39 39 39 39 39 STRING 40 40 41 42 43 44 44 44 45 46 46 47 25 25 26 26 26 27 27 28 28 28 28 28 29 29 30 30 30 31 81 .

Lead 45 81 Velocity Lead 96 81 Sequenced Analog 0 82 Calliope Lead 65 82 Pure Pad 0 83 Chiff Lead 64 83 Rubby 0 84 Charang Lead 64 84 Distorted Lead 65 84 Wire Lead 82 .Voice List Voice No. 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 Bank Select MSB 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 MIDI Program Voice Name LSB Change# ENSEMBLE 0 48 Strings 1 3 48 Stereo Strings 8 48 Slow Strings 24 48 Arco Strings 35 48 60’s Strings 40 48 Orchestra 41 48 Orchestra 2 42 48 Tremolo Orchestra 45 48 Velocity Strings 0 49 Strings 2 3 49 Stereo Slow Strings 8 49 Legato Strings 40 49 Warm Strings 41 49 Kingdom 64 49 70’s Strings 65 49 String Ensemble 3 0 50 Synth Strings 1 27 50 Resonant Strings 64 50 Synth Strings 4 65 50 Synth Strings 5 0 51 Synth Strings 2 0 52 Choir Aahs 3 52 Stereo Choir 16 52 Choir Aahs 2 32 52 Mellow Choir 40 52 Choir Strings 0 53 Voice Oohs 0 54 Synth Voice 40 54 Synth Voice 2 41 54 Choral 64 54 Analog Voice 0 55 Orchestra Hit 35 55 Orchestra Hit 2 64 55 Impact BRASS 0 56 Trumpet 16 56 Trumpet 2 17 56 Bright Trumpet 32 56 Warm Trumpet 0 57 Trombone 18 57 Trombone 2 0 58 Tuba 16 58 Tuba 2 0 59 Muted Trumpet 0 60 French Horn 6 60 French Horn Solo 32 60 French Horn 2 37 60 Horn Orchestra 0 61 Brass Section Trumpet & Trombone 35 61 Section 40 61 Brass Section 2 41 61 High Brass 42 61 Mellow Brass 0 62 Synth Brass 1 12 62 Quack Brass 20 62 Resonant Synth Brass 24 62 Poly Brass 27 62 Synth Brass 3 Voice No. 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 Bank Select MSB 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 MIDI Program Voice Name LSB Change# 32 62 Jump Brass 45 62 Analog Velocity Brass 1 64 62 Analog Brass 1 0 63 Synth Brass 2 18 63 Soft Brass 40 63 Synth Brass 4 41 63 Choir Brass 45 63 Analog Velocity Brass 2 64 63 Analog Brass 2 REED 0 64 Soprano Sax 0 65 Alto Sax 40 65 Sax Section 43 65 Hyper Alto Sax 0 66 Tenor Sax 40 66 Breathy Tenor Sax 41 66 Soft Tenor Sax 64 66 Tenor Sax 2 0 67 Baritone Sax 0 68 Oboe 0 69 English Horn 0 70 Bassoon 0 71 Clarinet PIPE 0 72 Piccolo 0 73 Flute 0 74 Recorder 0 75 Pan Flute 0 76 Blown Bottle 0 77 Shakuhachi 0 78 Whistle 0 79 Ocarina SYNTH LEAD 0 80 Square Lead 6 80 Square Lead 2 8 80 LM Square 18 80 Hollow 19 80 Shroud 64 80 Mellow 65 80 Solo Sine 66 80 Sine Lead 0 81 Sawtooth Lead 6 81 Sawtooth Lead 2 8 81 Thick Sawtooth 18 81 Dynamic Sawtooth 19 81 Digital Sawtooth 20 81 Big Lead 24 81 Heavy Synth 25 81 Waspy Synth 40 81 Pulse Sawtooth 41 81 Dr.

Voice List Voice No. 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 Bank Select MSB 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 MIDI Program Voice Name LSB Change# 68 98 Vibraphone Bells 69 98 Digital Bells 70 98 Air Bells 71 98 Bell Harp 72 98 Gamelimba 0 99 Atmosphere 18 99 Warm Atmosphere 19 99 Hollow Release 40 99 Nylon Electric Piano 64 99 Nylon Harp 65 99 Harp Vox 66 99 Atmosphere Pad 67 99 Planet 0 100 Brightness 64 100 Fantasy Bells 96 100 Smokey 0 101 Goblins 64 101 Goblins Synth 65 101 Creeper 66 101 Ring Pad 67 101 Ritual 68 101 To Heaven 70 101 Night 71 101 Glisten 96 101 Bell Choir 0 102 Echoes 8 102 Echoes 2 14 102 Echo Pan 64 102 Echo Bells 65 102 Big Pan 66 102 Synth Piano 67 102 Creation 68 102 Star Dust 69 102 Resonant & Panning 0 103 Sci-Fi 64 103 Starz WORLD 0 104 Sitar 32 104 Detuned Sitar 35 104 Sitar 2 96 104 Tambra 97 104 Tamboura 0 105 Banjo 28 105 Muted Banjo 96 105 Rabab 97 105 Gopichant 98 105 Oud 0 106 Shamisen 0 107 Koto 96 107 Taisho-kin 97 107 Kanoon 0 108 Kalimba 0 109 Bagpipe 0 110 Fiddle 0 111 Shanai 64 111 Shanai 2 96 111 Pungi 97 111 Hichiriki PERCUSSIVE 0 112 Tinkle Bell 83 . 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 Bank Select MSB 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 MIDI Program Voice Name LSB Change# 0 85 Voice Lead 24 85 Synth Aahs 64 85 Vox Lead 0 86 Fifths Lead 35 86 Big Five 0 87 Bass & Lead 16 87 Big & Low 64 87 Fat & Perky 65 87 Soft Whirl SYNTH PAD 0 88 New Age Pad 64 88 Fantasy 0 89 Warm Pad 16 89 Thick Pad 17 89 Soft Pad 18 89 Sine Pad 64 89 Horn Pad 65 89 Rotary Strings 0 90 Poly Synth Pad 64 90 Poly Pad 80 65 90 Click Pad 66 90 Analog Pad 67 90 Square Pad 0 91 Choir Pad 64 91 Heaven 66 91 Itopia 67 91 CC Pad 0 92 Bowed Pad 64 92 Glacier 65 92 Glass Pad 0 93 Metallic Pad 64 93 Tine Pad 65 93 Pan Pad 0 94 Halo Pad 0 95 Sweep Pad 20 95 Shwimmer 27 95 Converge 64 95 Polar Pad 66 95 Celestial SYNTH EFFECTS 0 96 Rain 45 96 Clavi Pad 64 96 Harmo Rain 65 96 African Wind 66 96 Carib 0 97 Sound Track 27 97 Prologue 64 97 Ancestral 0 98 Crystal 12 98 Synth Drum Comp 14 98 Popcorn 18 98 Tiny Bells 35 98 Round Glockenspiel 40 98 Glockenspiel Chimes 41 98 Clear Bells 42 98 Chorus Bells 64 98 Synth Mallet 65 98 Soft Crystal 66 98 Loud Glockenspiel 67 98 Christmas Bells Voice No.

588 589 590 591 592 593 594 595 596 597 598 599 600 Bank Select MSB 64 64 64 64 64 64 64 64 64 64 64 64 64 LSB 0 0 0 0 0 0 0 0 0 0 0 0 0 MIDI Program Change# 87 88 89 90 96 97 98 99 100 112 113 114 115 Voice Name Starship Burst Roller Coaster Submarine Laugh Scream Punch Heartbeat Footsteps Machine Gun Laser Gun Explosion Firework G DJ Voice List Voice No.Voice List Voice No. 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 Bank Select MSB 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 64 64 64 64 64 64 64 64 64 64 64 64 64 64 64 64 64 64 64 64 64 64 64 64 64 64 64 64 64 MIDI Program Voice Name LSB Change# 96 112 Bonang 97 112 Altair 98 112 Gamelan Gongs 99 112 Stereo Gamelan Gongs 100 112 Rama Cymbal 101 112 Asian Bells 0 113 Agogo 0 114 Steel Drums 97 114 Glass Percussion 98 114 Thai Bells 0 115 Woodblock 96 115 Castanets 0 116 Taiko Drum 96 116 Gran Cassa 0 117 Melodic Tom 64 117 Melodic Tom 2 65 117 Real Tom 66 117 Rock Tom 0 118 Synth Drum 64 118 Analog Tom 65 118 Electronic Percussion 0 119 Reverse Cymbal SOUND EFFECTS 0 120 Fret Noise 0 121 Breath Noise 0 122 Seashore 0 123 Bird Tweet 0 124 Telephone Ring 0 125 Helicopter 0 126 Applause 0 127 Gunshot 0 0 Cutting Noise 0 1 Cutting Noise 2 0 3 String Slap 0 16 Flute Key Click 0 32 Shower 0 33 Thunder 0 34 Wind 0 35 Stream 0 36 Bubble 0 37 Feed 0 48 Dog 0 49 Horse 0 50 Bird Tweet 2 0 54 Ghost 0 55 Maou 0 64 Phone Call 0 65 Door Squeak 0 66 Door Slam 0 67 Scratch Cut 0 68 Scratch Split 0 69 Wind Chime 0 70 Telephone Ring 2 0 80 Car Engine Ignition 0 81 Car Tires Squeal 0 82 Car Passing 0 83 Car Crash 0 84 Siren 0 85 Train 0 86 Jet Plane Voice No. 601 602 603 604 605 Bank Select MSB 0 0 0 0 0 LSB 123 123 123 123 123 MIDI Program Change# DJ 118 119 120 121 122 Voice Name DJ Set 1 DJ Set 2 DJ Set 3 DJ Set 4 DJ Set 5 84 .

Voice List G DJ Voice List Voice No. MSB/LSB/PC Note# Note 036 C 1 037 C# 1 038 D 1 039 D# 1 040 E 1 041 F 1 042 F# 1 043 G 1 044 G# 1 045 A 1 046 A# 1 047 B 1 048 C 2 049 C# 2 050 D 2 051 D# 2 052 E 2 053 F 2 054 F# 2 055 G 2 056 G# 2 057 A 2 058 A# 2 059 B 2 060 C 3 061 C# 3 062 D 3 063 D# 3 064 E 3 065 F 3 066 F# 3 067 G 3 068 G# 3 069 A 3 070 A# 3 071 B 3 072 C 4 073 C# 4 074 D 4 075 D# 4 076 E 4 077 F 4 078 F# 4 079 G 4 080 G# 4 081 A 4 082 A# 4 083 B 4 084 C 5 085 C# 5 086 D 5 087 D# 5 088 E 5 089 F 5 090 F# 5 091 G 5 092 G# 5 093 A 5 094 A# 5 095 B 5 096 C 6 601 000/123/118 DJ Set 1 BD Analog H Analog Side Stick Analog Snare 1 Hand Clap Analog Snare 2 Analog Tom 1 Analog HH Closed 1 Analog Tom 2 Analog HH Closed 2 Analog Tom 3 Analog HH Open Analog Tom 4 Analog Tom 5 Analog Cymbal Analog Tom 6 Ride Cymbal 1 Chinese Cymbal Ride Cymbal Cup Tambourine 602 000/123/119 DJ Set 2 Bass Drum Soft Side Stick Snare M Hand Clap Snare H Hard Floor Tom L Hi-Hat Closed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H Crash Cymbal 1 High Tom Ride Cymbal 1 Chinese Cymbal Ride Cymbal Cup Tambourine 603 000/123/120 DJ Set 3 BD Analog H Analog Side Stick Analog Snare 1 Hand Clap Analog Snare 2 Analog Tom 1 Analog HH Closed 1 Analog Tom 2 Analog HH Closed 2 Analog Tom 3 Analog HH Open Analog Tom 4 Analog Tom 5 Analog Cymbal Analog Tom 6 Ride Cymbal 1 Chinese Cymbal Ride Cymbal Cup Tambourine 604 000/123/121 DJ Set 4 BD Analog H Analog Side Stick Analog Snare 1 Hand Clap Analog Snare 2 Analog Tom 1 Analog HH Closed 1 Analog Tom 2 Analog HH Closed 2 Analog Tom 3 Analog HH Open Analog Tom 4 Analog Tom 5 Analog Cymbal Analog Tom 6 Ride Cymbal 1 Chinese Cymbal Ride Cymbal Cup Tambourine 605 000/123/122 DJ Set 5 BD Analog H Analog Side Stick Analog Snare 1 Hand Clap Analog Snare 2 Analog Tom 1 Analog HH Closed 1 Analog Tom 2 Analog HH Closed 2 Analog Tom 3 Analog HH Open Analog Tom 4 Analog Tom 5 Analog Cymbal Analog Tom 6 Ride Cymbal 1 Chinese Cymbal Ride Cymbal Cup Tambourine Ohh2 FX01 ORCH signal Go FX02 Onemoretime Onemoretime Uhh-Hit Huea Joo Reverse Huihu FXTBrs Huea GetUp Ohh1 Go Scratch 1 Scratch 2 Scratch 3 Scratch 4 Scratch 5 Go Ohh2 Heau FX02 Huihu GetUp Reverse signal Scratch 1 Scratch 2 Scratch 3 Scratch 4 Scratch 5 GetUp signal Joo FXTBrs Go Huihu FX01 ComeOn Scratch 1 Scratch 2 Scratch 3 Scratch 4 Scratch 5 Huihu Joo ComeOn Onemoretime Go GetUp Huea Ohh2 Scratch 1 Scratch 2 Scratch 3 Scratch 4 Scratch 5 GetUp Reverse Joo FX01 Ohh1 Ohh2 Onemoretime ComeOn Scratch 1 Scratch 2 Scratch 3 Scratch 4 Scratch 5 85 .

001 002 003 004 005 006 007 008 009 010 011 012 013 014 015 016 017 018 019 020 021 022 023 024 025 026 027 028 029 030 031 032 033 034 035 036 037 038 039 040 041 042 043 044 045 046 047 Style Name 8Beat 8BeatModern 60’sGtrPop 8BeatAdria 60’s8Beat 8Beat OffBeat 60’sRock HardRock RockShuffle 8BeatRock 16Beat 16Beat PopShuffle1 PopShuffle2 GuitarPop 16BtUptempo KoolShuffle JazzRock HipHopLight Ballad PianoBallad LoveSong 6/8ModernEP 6/8SlowRock OrganBallad PopBallad 16BeatBallad1 16BeatBallad2 Dance EuroTrance Ibiza HouseMusik SwingHouse TechnoPolis Clubdance ClubLatin Garage1 Garage2 TechnoParty UKPop HipHopGroove HipShuffle HipHopPop Disco 70’sDisco1 70’sDisco2 LatinDisco DiscoPhilly SaturdayNight DiscoChocolate DiscoHands Style No. 095 096 097 098 099 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 Style Name Tango Pasodoble Samba ChaChaCha Rumba Jive Traditional USMarch 6/8March GermanMarch PolkaPop OberPolka Tarantella Showtune ChristmasSwing ChristmasWaltz ScottishReel Hawaiian Waltz GuitarSerenade SwingWaltz JazzWaltz1 JazzWaltz2 CountryWaltz OberWalzer Musette DJ DJ-HipHop DJ-DanceSwing DJ-House DJ-GarageHouse DJ-PopR&B Pianist Stride PianoSwing PianoRag Arpeggio Musical Habanera SlowRock 8BeatPianoBallad PianoMarch 6/8PianoMarch PianoWaltz PianoBeguine 86 . 048 049 050 051 052 053 054 055 056 057 058 059 060 061 062 063 064 065 066 067 068 069 070 071 072 073 074 075 076 077 078 079 080 081 082 083 084 085 086 087 088 089 090 091 092 093 094 Style Name Swing&Jazz BigBandFast BigBandMid BigBandBallad BigBandShfl JazzClub Swing1 Swing2 Five/Four JazzBallad Dixieland Ragtime AfroCuban Charleston R&B Soul DetroitPop1 60’sRock&Roll 6/8Soul CrocoTwist Rock&Roll DetroitPop2 BoogieWoogie ComboBoogie 6/8Blues Country Country8Beat CountryPop CountrySwing Country2/4 CowboyBoogie CountryShuffle Bluegrass Latin BrazilianSamba BossaNova PopBossa Tijuana DiscoLatin Mambo Salsa Beguine GypsyRumba RmbFlamenca RumbaIsland Reggae Ballroom VienneseWaltz EnglishWaltz Slowfox Foxtrot Quickstep Style No.Style List Style No.

No. No. Name SmallWld SpkSoft SpnishEy StrangeN TieRibbn TimeGoes WhteXmas WishStar WondrWld ROMANTIC BALLADS AdelineB ArgenCry BeautBdy Bl Bayou CatMemry CavaSolo E Weiss ElvGhett Feeling Fly Away Fnl Date GreenSlv GtCncert HrdToSay LonlyPan MBoxDnce Mn Rivr Norw.D.B. 071 072 073 074 075 076 077 078 079 080 081 082 083 084 085 086 087 088 089 090 091 092 093 094 095 096 097 098 099 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 M.Pop SultanSw SweetLrd ThnkMsic TitanicH WatchGrl WhatALoo WhitePle YestDGtr SWING & JAZZ Alex Rag Blue Set DayOfW&R HighMoon MistySax MoonLit New York PanthrSw PatrolBr PatrolSx PetiteCl RedRoses SaintMch SatinWd SaxMood SF Heart ShearJz Showbiz SplnkyTb SunnySde TstHoney TwoFoot5 WhatsNew Wild Cat WondrLnd EASY LISTENING BlackFst CaliBlue CiaoCpri Close2U DAmorStr DolanesM ElCondor Entrtain Frippers LuckySax LuvStory MyPrince OSoleMio PalomaGt PuppetBr Raindrop RedMouln R’ticGtr Schiwago ShadowGt SingRain M. 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 M.D.Music Database List M.B.B. No. Name M.D.B. Name POP HITS AlvFever Croco Rk DayPdise EasySday GoMyWay HowDeep! HurryLuv I’m Torn Imagine ISurvive JustCall JustWay NikitTrp ProudGtr SailngSx Sept.B.D. 001 002 003 004 005 006 007 008 009 010 011 012 013 014 015 016 017 018 019 020 021 022 023 024 025 026 027 028 029 030 031 032 033 034 035 036 037 038 039 040 041 042 043 044 045 046 047 048 049 050 051 052 053 054 055 056 057 058 059 060 061 062 063 064 065 066 067 068 069 070 M.Flt OnMyMnd OverRbow Red Lady ReleseMe SavingLv Shore Cl SierraMd SilverMn SmokyEye SndOfSil TblWater WhisprSx ROCK & FUSION DavAgain JumpRock OyComCha PickUpPc RdRiverR SatsfyGt Sheriff SmokeWtr TwistAgn VenusPop RHYTHM & BLUES AmazingG BoogiePf Clock Rk CU later HappyDay JohnnyB MercyBrs RisingSn S Preems SuperStv Yeh Orgn HIP HOP HOUSE 2 of US B Leave Back St FunkyTwn KillSoft MiamiTrn Nine PM SharpRap SingBack StrandD LATIN NIGHTS BambaBrs BambaFlt BeHappy! CopaLola DayNight Ipanema MarinaAc MuchoTrb SmoothLt SunOfLif Sunshine Tico Org TrbWave COUNTRY & WESTERN BlownWnd Bonanza BoxerGtr CntryRds GreenGrs Jambala LondonSt LooseEL TopWorld YlwRose DISCO & PARTY AlhHwaii Babylon Barbados BirdySyn FestaMex HandsPty LuvTheme ModrnTlk NxtAlice PalomaFl PubPiano Tijuana Why MCA? BALLROOM BrazilBr CherryBr CherryOr DanubeWv MantoStr SandmnFx SundyNvr TangoPiz Tea4Two TulipWtz YesSirQk TRADITIONAL AlpenTri Balalaik Ceilidh CielPari Cl Polka Comrades Funiculi HappyPlk Herzlin HornPipe JinglBel Kufstein MexiHat MickyFlt NavyAway RlBarrel SnowWtz StarMrch WashPost WdCuttrs XmasWalz 87 .B.D.D.

) Keyboard Note# Note Voice No. in “109: Standard Kit 1”. • The MIDI Note # and Note are actually one octave lower than keyboard Note # and Note. MSB/LSB/PC MIDI Key Alternate Note# Note Off assign 109 127/000/000 Standard Kit 1 Surdo Mute Surdo Open Hi Q Whip Slap Scratch Push Scratch Pull Finger Snap Click Noise Metronome Click Metronome Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap Brush Tap Swirl Snare Roll Castanet Snare H Soft Sticks Bass Drum Soft Open Rim Shot Bass Drum Hard Bass Drum Side Stick Snare M Hand Clap Snare H Hard Floor Tom L Hi-Hat Closed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H Crash Cymbal 1 High Tom Ride Cymbal 1 Chinese Cymbal Ride Cymbal Cup Tambourine Splash Cymbal Cowbell Crash Cymbal 2 Vibraslap Ride Cymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas Samba Whistle H Samba Whistle L Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open Triangle Mute Triangle Open Shaker Jingle Bell Bell Tree 110 127/000/001 Standard Kit 2 111 127/000/008 Room Kit 112 127/000/016 Rock Kit 113 127/000/024 Electronic Kit 114 127/000/025 Analog Kit E0 F0 G0 G#0 A0 B0 C1 D1 E1 F1 G1 G#1 A1 B1 C2 D2 E2 F2 G2 G#2 A2 B2 C3 D3 E3 F3 G3 G#3 A3 B3 C4 D4 E4 F4 G4 G#4 A4 B4 C5 D5 E5 F5 G5 G#5 A5 B5 C6 D6 E6 F6 D#6 A#5 D#5 A#4 D#4 A#3 D#3 A#2 D#2 A#1 D#1 A#0 F#0 C#1 F#1 C#2 F#2 C#3 F#3 C#4 F#4 C#5 F#5 C#6 F#6 G6 88 88 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1 1 1 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 4 4 4 4 4 4 4 4 4 4 4 4 5 5 5 5 5 5 5 5 5 5 5 5 6 6 6 6 6 6 6 6 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1 1 1 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 4 4 4 4 4 4 4 4 4 4 4 4 5 5 5 5 5 5 5 5 3 3 4 4 O O O Reverse Cymbal Hi Q 2 Snare L Bass Drum H Open Rim Shot 2 Bass Drum 2 Snare M 2 Snare H Hard 2 SD Room L SD Room H Room Tom 1 Room Tom 2 Room Tom 3 Room Tom 4 Room Tom 5 Room Tom 6 Bass Drum H BD Rock SD Rock L SD Rock Rim Rock Tom 1 Rock Tom 2 Rock Tom 3 Rock Tom 4 Rock Tom 5 Rock Tom 6 BD Rock BD Gate SD Rock L SD Rock H E Tom 1 E Tom 2 E Tom 3 E Tom 4 E Tom 5 E Tom 6 Reverse Cymbal Hi Q 2 SD Rock H Bass Drum H BD Analog L BD Analog H Analog Side Stick Analog Snare 1 Analog Snare 2 Analog Tom 1 Analog HH Closed 1 Analog Tom 2 Analog HH Closed 2 Analog Tom 3 Analog HH Open Analog Tom 4 Analog Tom 5 Analog Cymbal Analog Tom 6 Snare H Soft 2 SD Rock H 1 1 1 Analog Cowbell Analog Conga H Analog Conga M Analog Conga L Analog Maracas O O O Analog Claves Scratch Push Scratch Pull Scratch Push Scratch Pull 2 2 . For example. • Each percussion voice uses one note. (They are designed to be played alternately with each other. the “Seq Click H” (Note# 36/Note C1) corresponds to (Note# 24/Note C0). • Key Off: Keys marked “O” stop sounding the instant they are released.Drum Kit List • “ ” indicates that the drum sound is the same as “Standard Kit 1”. • Voices with the same Alternate Note Number (*1 … 4) cannot be played simultaneously.

MSB/LSB/PC MIDI Key Alternate Note# Note Off assign 109 127/000/000 Standard Kit 1 Surdo Mute Surdo Open Hi Q Whip Slap Scratch Push Scratch Pull Finger Snap Click Noise Metronome Click Metronome Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap Brush Tap Swirl Snare Roll Castanet Snare H Soft Sticks Bass Drum Soft Open Rim Shot Bass Drum Hard Bass Drum Side Stick Snare M Hand Clap Snare H Hard Floor Tom L Hi-Hat Closed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H Crash Cymbal 1 High Tom Ride Cymbal 1 Chinese Cymbal Ride Cymbal Cup Tambourine Splash Cymbal Cowbell Crash Cymbal 2 Vibraslap Ride Cymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas Samba Whistle H Samba Whistle L Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open Triangle Mute Triangle Open Shaker Jingle Bell Bell Tree 115 127/000/027 Dance Kit 116 127/000/032 Jazz Kit 117 127/000/040 Brush Kit 118 127/000/048 Symphony Kit 119 126/000/000 SFX Kit 1 120 126/000/001 SFX Kit 2 E0 F0 G0 G#0 A0 B0 C1 D1 E1 F1 G1 G#1 A1 B1 C2 D2 E2 F2 G2 G#2 A2 B2 C3 D3 E3 F3 G3 G#3 A3 B3 C4 D4 E4 F4 G4 G#4 A4 B4 C5 D5 E5 F5 G5 G#5 A5 B5 C6 D6 E6 F6 G6 D#6 A#5 D#5 A#4 D#4 A#3 D#3 A#2 D#2 A#1 D#1 A#0 F#0 C#1 F#1 C#2 F#2 C#3 F#3 C#4 F#4 C#5 F#5 C#6 F#6 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1 1 1 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 4 4 4 4 4 4 4 4 4 4 4 4 5 5 5 5 5 5 5 5 5 5 5 5 6 6 6 6 6 6 6 6 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1 1 1 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 4 4 4 4 4 4 4 4 4 4 4 4 5 5 5 5 5 5 5 5 3 3 4 4 O O O Reverse Cymbal Hi Q 2 AnSD Snappy AnBD Dance-1 AnSD OpenRim AnBD Dance-2 AnBD Dance-3 Analog Side Stick AnSD Q AnSD Ana+Acoustic Analog Tom 1 Analog HH Closed 3 Analog Tom 2 Analog HH Closed 4 Analog Tom 3 Analog HH Open 2 Analog Tom 4 Analog Tom 5 Analog Cymbal Analog Tom 6 SD Jazz H Light Brush Slap L Bass Drum L Gran Cassa Gran Cassa Mute Marching Sn M BD Jazz SD Jazz L SD Jazz M Jazz Tom 1 Jazz Tom 2 Jazz Tom 3 Jazz Tom 4 Jazz Tom 5 Jazz Tom 6 BD Jazz Brush Slap Brush Tap Marching Sn H Brush Tom 1 Jazz Tom 1 Brush Tom 2 Jazz Tom 2 Brush Tom 3 Jazz Tom 3 Brush Tom 4 Jazz Tom 4 Brush Tom 5 Jazz Tom 5 Hand Cym.Short L 1 1 1 Cutting Noise Phone Call Cutting Noise 2 Door Squeak Door Slam String Slap Scratch Cut Scratch Wind Chime Telephone Ring 2 Analog Cowbell Analog Conga H Analog Conga M Analog Conga L Flute Key Click Car Engine Ignition Car Tires Squeal Car Passing Car Crash Siren Hand Cym.Drum Kit List Keyboard Note# Note Voice No.Short H Starship Burst Roller Coaster Submarine Analog Maracas O O O Shower Thunder Wind Stream Bubble Feed Laugh Scream Punch Heartbeat FootSteps Analog Claves Scratch Push Scratch Pull 2 2 Dog Horse Bird Tweet 2 Machine Gun Laser Gun Explosion Firework Ghost Maou 89 . L Brush Tom 6 Jazz Tom 6 Hand Cym. H Train Jet Plane Hand Cym.

: Song Sel.16 x 3 x ************** 1 .v=1-127 o 9nH.126.94 96.127 Bank Select Modulation wheel Data Entry(MSB) Data Entry(LSB) Part Volume Pan Expression Sustain Harmonic Content Release Time Attack Time Brightness Portamento Cntrl Effect Depth RPN Inc.v=0 or 8nH x x o *2 o o o o o o o o o o o o o o o o o 0 .MONO o : Yes x : No 90 Mode 1 : OMNI ON .v=0 x x o o x o x o o x o x x x x x o x x Control Change *2 *2 *2 *2 *2 *2 *2 Prog Change o 0 .127 0 .:Active Sense sages:Reset *4 o(120.127 : True voice ************** Note ON Note OFF Key's Ch's o 9nH.127 o 9nH.93. POLY .101 : True # Default Changed Default Messages Altered 1 .0 Remarks 0 . Basic Channel Mode Note Number Velocity After Touch Pitch Bend 0..Dec RPN LSB.16 x 3 x x 0 .MSB *1 Recognized Date:25-Jan-2002 Version : 1.97 100..127) o(121) o(122) *5 o(123-125) o x Mode 2 : OMNI ON .MIDI Implementation Chart YAMAHA [ Portable Grand™ ] Model DGX-200 MIDI Implementation Chart Transmitted Function.127 ************** o x x x o o o x x x o x *4 *3 System Exclusive : Song Pos. POLY Mode 3 : OMNI OFF.MONO Mode 4 : OMNI OFF.v=1-127 o 9nH.32 1 6 38 7 10 11 64 71 72 73 74 84 91. : Tune o x x x o o *3 Common System : Clock Real Time: Commands Aux :All Sound OFF :Reset All Cntrls :Local ON/OFF :All Notes OFF Mes.

ll. 73H. <Chorus Type> F0H. respectively. 01H. and DSP Type. 06H. F7H • mm : DSP Type MSB • ll : DSP Type LSB Refer to the Effect Map (page 92) for details.low 4bit. mm. 4CH. both FAH (accompaniment start) and FCH (accompaniment stop) are recognized. 7FH. dd. 27H. ll. • MIDI Master Tuning • System exclusive messages for changing the Reverb Type. 43H. 00 Value for “n” is ignored. *2 Messages for these control change numbers cannot be transmitted from the DGX-200 itself. 30H. <MIDI Master Volume> F0H. bb. 09H. the MIDI messages listed below do affect the panel voices.f (receive) • aa bb : Byte Count (aa << 7) + bb • hh mm ll : address • dd : data <Sequence Recording Bulk Dump> F0H. bb. hh. 7FH. mmH. 1nH. When accompaniment is stopped. 43H.. hh. 01H.When the clock is set to External. • aa : Byte Count MSB • bb : Byte Count LSB • cc : amount of valid MSB data • dd : amount of valid LSB data • hh mm ll : address • bulk data : Sequence data (1byte. F7H • mID : model ID DGX-200=2BH • 06H : Bulk ID • 0AH : Bulk No. <DRY Level> F0H. high 4 bit) • sum : Check Sum = 0-sum (bulk data) *4 When the accompaniment is started. aa. they may be transmitted when playing the accompaniment. with the exception of MIDI Master Tuning. 7FH. (Values for “ll” are ignored. 7FH. *5 Local ON/OFF <Local ON> Bn. mm. • The default value of “mm” and “ll” are 08H and 00H. F7H • This message automatically restores all default settings for the instrument. 08H. 7FH. F7H • mID : model ID DGX-200=2BH • 06H : Bulk ID • 09H : Bulk No. F7H • 0n : Device Number n=0 (send). 06H. hh. 00H. 73H. bb. dd. However. 43H. llH. However. 43H. dd. 4CH. 02H. 91 . • aa : Byte Count MSB • bb : Byte Count LSB • cc : amount of valid MSB data • dd : amount of valid LSB data • hh mm ll : address • bulk data : Sequence data (low 4bit. 1nH. 40H. llH. mm. song or using the Harmony effect. 43H. 00H. dd. bulk data. aa. 02H. auto accompaniment. bulk data. cc. 0mH. • The values of “mm” is used for MIDI Master Tuning. 1nH.. 09H. ll. 4CH. an FAH message is transmitted. high 4 bit. 02H. mm. F7H • This message allows the volume of all channels to be changed simultaneously (Universal System Exclusive). sum. 01H. F7H • ll : Dry Level • 0m : Channel Number <XG Parametter Change> F0H. F7H • This message simultaneously changes the tuning value of all channels. ll. • The values of “mm” and “ll” are used for MIDI Master Tuning. 0nH. llH. mm. <DSP Type> F0H. 4CH. 1nH.” <Reverb Type> F0H. 1nH.. Any values can be used for “n” and “cc. 43H. 43H. and songs. 2byte. llH. ll.MIDI Implementation Chart NOTE: *1 By default (factory settings) the DGX-200 ordinarily functions as a 16-channel multi-timbral tone generator. 0AH. hh. cc. sum. 7F <Local OFF> Bn. ll. mmH. mmH. 01H. MSB data) • sum : Check Sum = 0-sum (bulk data) <One Touch Setting Bulk Dump> F0H. mID. an FCH message is transmitted. 7EH. 01H. 43H. 11H. 1nH. mID. and incoming data does not affect the panel voices or panel settings. 4CH.7byte. 04H. cc. Chorus Type. *3 Exclusive <GM System ON> F0H. 0 . aa.) <MIDI Master Tuning> F0H. 4CH. 00H. F7H • mm : Chorus Type MSB • ll : Chorus Type LSB Refer to the Effect Map (page 92) for details. 7A. cc. 20H. F7H • mm : Reverb Type MSB • ll : Reverb Type LSB Refer to the Effect Map (page 92) for details.. mm. F7H • hh mm ll : address • dd : data <XG Bulk Dump> F0H. 43H. 7A.

... Chorus and DSP effect types which are not accessible from the DGX-200 panel itself. the LSB will be directed to TYPE 0.C. which is capable of editing and transmitting the system exclusive messages and parameter changes. When one of the effects is selected by the external sequencer....127 No Effect TYPE MSB 01 02 08 TYPE LSB 16 17 (2)Hall2 (3)Room1 (6)Stage2 (8)Plate2 18 19 20 (4)Room2 (5)Stage1 (7)Plate1 G CHORUS 00 000.Effect map MIDI Implementation Chart I Effect map * If the received value does not contain an effect type in the TYPE LSB.R 006 (27)Delay L.R (26)Delay L.C.R 007 (28)Echo 008 (29)Cross Delay (9)Early Reflection1 (10)Early Reflection2 009 010 (11)Gate Reverb 011 (12)Reverse Gate 012. “ .” will be shown on the display.127 No Effect TYPE MSB 17 (2)Hall2 (3)Room1 (6)Stage2 (8)Plate2 18 19 20 (4)Room2 (13)Chorus1 (16)Flanger2 (20)Rotary Speaker2 (22)Tremolo2 (23)Guitar Tremolo (32)Distortion Soft (36)EQ Telephone 92 . G REVERB 00 000 No Effect 001 (1)Hall1 002 Room 003 Stage 004 Plate 005.127 No Effect TYPE MSB 01 02 Chorus2 Flanger1 Chorus1 Flanger2 08 TYPE LSB 16 17 18 19 20 G DSP TYPE LSB 00 01 02 08 16 000 No Effect 001 (1)Hall1 002 Room 003 Stage (5)Stage1 004 Plate (7)Plate1 005 Delay L.... * The numbers in parentheses in front of the Effect Type names correspond to the number indicated in the display. you can select the Reverb. * By using an external sequencer..064 No Effect 065 Chorus 066 Celeste 067 Flanger 068..019 No Effect 020 (30)Karaoke 021..064 No Effect 065 Chorus (14)Chorus2 066 Celeste (15)Flanger1 067 Flanger 068 Symphonic (17)Symphonic (19)Rotary Speaker1 069 Rotary Speaker 070 Tremolo (21)Tremolo1 071 Auto Pan (24)Auto Pan 072 (18)Phaser 073 Distortion 074 (33)Overdrive (34)Amp Simulation (31)Distortion Hard 075 076 (37)3Band EQ (35)EQ Disco 077 (38)2Band EQ 078 Auto Wah (25)Auto Wah 079..

Reverb Send Level. please check with your Yamaha dealer. 3. R20P (LR20) or equivalent batteries Dimensions (W x D x H) • 1178 x 412 x 153 mm (46-3/8" x 16-1/4" x 6") Style • 135 styles • Style Control : ACMP ON/OFF. DICTIONARY. [+](YES). Lesson Track (L). MAIN/AUTO FILL • Fingering : Multi fingering • Style Volume Weight • 8. Grade On/Off. with Touch Response. ONE TOUCH SETTING.D. Bulk Data Send. MIDI • Local On/Off • Initial Setup Send • External Clock • Bulk Data Send • Keyboard Out • Style Out • Song Out Display • Large multi-function LCD display (backlit) Setup • STANDBY/ON • MASTER VOLUME : MIN . HARMONY. Pitch Bend Range * Specifications and descriptions in this owner’s manual are for information purposes only.) Supplied Accessories • Music Stand • Owner’s Manual • Song Book Music Database • 208 Yamaha Educational Suite • Dictionary • Lesson 1-4 Optional Accessories • • • • Headphones : HPE-150 AC power adaptor : PA-5D Footswitch : FC4. Split Point. Yamaha Corp. Split Voice – Voice. Pan. Chorus Send Level. Volume. STYLE 93 .B. LESSON L. STYLE. DJ. R. START/STOP. Demo and DJ Cancel. Reverb Send Level. Style Out. TEMPO/TAP. 3 oz. Initial Setup Send. CATEGORY. SYNC STOP. Effects • • • • Reverb : 8 types Chorus : 4 types DSP : 38 types Harmony : 26 types Song • 100 Songs + 5 User Songs + Flash Memory • Song Clear. Local On/Off. Volume. Reverb Send Level. FUNCTION(TRANSPOSE).MAX Auxiliary jacks • PHONES/OUTPUT. Octave.. Metronome Volume.0W Speakers • 12cm x 2 + 3cm x 2 Power Consumption (when using PA-5D power adaptor) • UL/CSA :20W • CE :17W Voice • 108 panel voices + 12 drum kits + 480 XG voices + 5 DJ voices • Polyphony : 32 • DUAL • SPLIT Power Supply • Adaptor : Yamaha PA-5D AC power adaptor • Batteries : Six “D” size. Octave. SELECT. Song Out. DUAL. INTRO ENDING.7 kg (19 lbs. Chorus Send Level. Keyboard Out. Reverb Type.0W + 6. SUSTAIN Panel Controls • SONG. Style Volume.G6). Pan. PITCH BEND Amplifier • 6. Lesson Track (R). SYNC START. Dual Voice – Voice. 4. PC. METRONOME. SPLIT. Chorus Type. Chorus Send Level. Touch Sensitivity. Harmony Volume. M. 2. VOICE.Specifications Keyboards • 76 standard-size keys (E0 . equipment or options may not be the same in every locale. PORTABLE GRAND. Harmony Type. Octave. Song Volume. Main Voice – Volume. Time Signature. Tuning. 5. Dial. reserves the right to change or modify products or specifications at any time without prior notice. DSP Send Level. [0][9]. DSP Type. External Clock. Track Clear • Song Volume Recording • Song User Song : 5 Songs Recording Tracks : 1. MIDI IN/OUT. Pan. DSP Send Level. TOUCH. [-](NO). FC5 Keyboard stand : LG-100 One Touch Setting • Preset 1 and 2 (for each style) • Memory Function • Transpose. DEMO. DC IN 12V. DSP Send Level. Since specifications.

Index
Panel controls and terminals
f............................................... 9, 53 r............................................... 9, 53 ❙ ❙ ................................................. 9, 53 ........................................ 9, 53 +/- ............................................... 9, 24 ACMP ......................................... 9, 36 CATEGORY ............................... 8, 23 DC IN 12V ................................. 9, 10 DEMO ........................................ 8, 14 Dial ............................................. 8, 24 DICTIONARY............................ 8, 45 DJ................................................ 8, 22 DUAL ......................................... 8, 26 FUNCTION................................ 8, 74 HARMONY ............................... 8, 31 INTRO ENDING........................ 9, 36 LEFT................................................53 LESSON ..................................... 8, 62 M.D.B. ........................................ 8, 48 MAIN/AUTO FILL .................... 9, 36 MASTER VOLUME .........................8 MEMORY .................................. 9, 29 METRONOME .......................... 8, 20 MIDI IN...................................... 9, 67 MIDI OUT.................................. 9, 67 NO ........................................ 9, 59, 60 Numeric keypad.......................... 9, 24 ONE TOUCH SETTING............ 9, 28 PC ............................................... 8, 73 PHONES/OUTPUT.................... 9, 11 PITCH BEND............................. 9, 30 PORTABLE GRAND................. 8, 20 REC .................................................57 RECORD...........................................9 RIGHT.............................................53 SELECT ..................................... 8, 24 SONG .............................8, 51, 57, 61 SONG MEMORY ...................... 9, 57 SPLIT ......................................... 8, 27 STANDBY/ON........................... 8, 11 START/STOP ....................... 9, 36, 53 STYLE........................................ 8, 35 SUSTAIN.................................... 9, 11 SYNC START ............................ 9, 36 SYNC STOP............................... 9, 36 TEMPO/TAP ........................ 9, 20, 41 TOUCH ...................................... 8, 30 VOICE ........................................ 8, 23 YES....................................... 9, 59, 60

Misc.
#000 OTS ........................................ 26

I
Indicator .......................................... 18 Initial Setup Send ............................ 69 Initialization .................................... 78 Internal Clock.................................. 69 Intro ................................................. 38

A
A-B repreat ..................................... 54 AC Power adaptor ........................... 10 accessory jacks................................ 11 accompaniment sections ................. 42 Accompaniment Split Point ............ 27

L
Left .................................................. 62 Lesson ............................................. 61 Lesson Track ................................... 63 Level, chorus send........................... 32 Level, DSP send .............................. 32 Level, reverb send ........................... 31 Local on/off ..................................... 69

B
Batteries .......................................... 10 Beat display..................................... 51 beat marks ....................................... 51 Bulk................................................. 69

C
Chord Names .................................. 47 Chord Track .................................... 57 Chord Type...................................... 47 Chords, About ................................. 46 Chords, Fingered............................. 43 Chords, Single Finger ..................... 43 Chorus............................................. 32 Clearing, Song ................................ 59

M
M.D.B. (music database)................. 48 Main A/B......................................... 42 Main Voice....................................... 25 Master Volume................................... 8 Melody Voice Change ..................... 55 Metronome ...................................... 20 MIDI................................................ 66 MIDI channels................................. 67 MIDI Implementation Chart ........... 90 MIDI LSB Receive cancel .............. 70 MIDI terminals................................ 67 Multi Fingering ............................... 43 Music Stand..................................... 19

D
DEMO Cancel................................. 14 Demo song ...................................... 14 Dictionary ....................................... 45 DJ .................................................... 22 Drum Kit Voice Chart ..................... 88 DSP ................................................. 32 Dual Voice....................................... 26

O
Octave.............................................. 19 Octave, dual..................................... 26 Octave, main.................................... 25 Octave, split..................................... 27 One Touch Setting ........................... 28

E
Effects ............................................. 31 Ending............................................. 36 External Clock ................................ 69

P
Pan, dual .......................................... 26 Pan, main......................................... 25 Pan, split .......................................... 27 PC.................................................... 73 Pitch Bend Range............................ 30 Portable Grand ................................ 20

F
Fill-in .............................................. 42 Fingered chords............................... 43 Flash memory ........................... 71, 78 Footswitch....................................... 11 Function .......................................... 74

G
GM System Level 1 ........................ 66 Grade............................................... 65

Q
Quick Guide .................................... 12

R
recording, song ................................ 56 Reverb ............................................. 31 Right................................................ 62 Root ................................................. 46

H
Harmony ......................................... 31 Headphones..................................... 11

94

Index

S
sections (accompaniment) ...............42 Single Finger chords........................43 Song Clear .......................................59 Song Filer ........................................72 Song Volume....................................55 songs, playing ..................................53 songs, recording...............................56 songs, selecting................................51 Specifications...................................93 Split Point ........................................27 Split Voice........................................27 Style Volume....................................42 styles, playing ..................................36 styles, selecting................................35 Sync Start.........................................37 Sync Stop.........................................40

T
Tap................................................... 37 Tempo ....................................... 20, 41 Time Signature................................ 21 Touch Sensitivity............................. 30 track (song) ..................................... 57 tracks, muting.................................. 58 Transpose ........................................ 29 Troubleshooting .............................. 77 Tuning ............................................. 29

V
Voice List......................................... 79 voices, Drum Kit ............................. 88 voices, selecting and playing........... 23 voices, XG....................................... 80 Volume, dual.................................... 26 Volume, harmony ............................ 31 Volume, main .................................. 25 Volume, Metronome........................ 21 Volume, Song .................................. 55 Volume, split.................................... 27 Volume, Style .................................. 42

U
User songs....................................... 56

X
XG voices........................................ 80

95

Limited Warranty
90 DAYS LABOR 1 YEAR PARTS
Yamaha Corporation of America, hereafter referred to as Yamaha, warrants to the original consumer of a product included in the categories listed below, that the product will be free of defects in materials and/or workmanship for the periods indicated. This warranty is applicable to all models included in the following series of products:

SERIES OF ELECTRONIC KEYBOARDS
If during the first 90 days that immediately follows the purchase date, your new Yamaha product covered by this warranty is found to have a defect in material and/or workmanship, Yamaha and/or its authorized representative will repair such defect without charge for parts or labor. If parts should be required after this 90 day period but within the one year period that immediately follows the purchase date, Yamaha will, subject to the terms of this warranty, supply these parts without charge. However, charges for labor, and/or any miscellaneous expenses incurred are the consumers responsibility. Yamaha reserves the right to utilize reconditioned parts in repairing these products and/or to use reconditioned units as warranty replacements. THIS WARRANTY IS THE ONLY EXPRESS WARRANTY WHICH YAMAHA MAKES IN CONNECTION WITH THESE PRODUCTS. ANY IMPLIED WARRANTY APPLICABLE TO THE PRODUCT, INCLUDING THE WARRANTY OF MERCHANT ABILITY IS LIMITED TO THE DURATION OF THE EXPRESS WARRANTY. YAMAHA EXCLUDES AND SHALL NOT BE LIABLE IN ANY EVENT FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES. Some states do not allow limitations that relate to implied warranties and/or the exclusion of incidental or consequential damages. Therefore, these limitations and exclusions may not apply to you. This warranty gives you specific legal rights. You may also have other rights which vary from state to state.

CONSUMERS RESPONSIBILITIES
If warranty service should be required, it is necessary that the consumer assume certain responsibilities: 1. Contact the Customer Service Department of the retailer selling the product, or any retail outlet authorized by Yamaha to sell the product for assistance. You may also contact Yamaha directly at the address provided below. 2. Deliver the unit to be serviced under warranty to: the retailer selling the product, an authorized service center, or to Yamaha with an explanation of the problem. Please be prepared to provide proof purchase date (sales receipt, credit card copy, etc.) when requesting service and/or parts under warranty. 3. Shipping and/or insurance costs are the consumers responsibility.* Units shipped for service should be packed securely. *Repaired units will be returned PREPAID if warranty service is required within the first 90 days. IMPORTANT: Do NOT ship anything to ANY location without prior authorization. A Return Authorization (RA) will be issued that has a tracking number assigned that will expedite the servicing of your unit and provide a tracking system if needed. 4. Your owners manual contains important safety and operating instructions. It is your responsibility to be aware of the contents of this manual and to follow all safety precautions.

EXCLUSIONS
This warranty does not apply to units whose trade name, trademark, and/or ID numbers have been altered, defaced, exchanged removed, or to failures and/or damages that may occur as a result of: 1. Neglect, abuse, abnormal strain, modification or exposure to extremes in temperature or humidity. 2. Improper repair or maintenance by any person who is not a service representative of a retail outlet authorized by Yamaha to sell the product, an authorized service center, or an authorized service representative of Yamaha. 3. This warranty is applicable only to units sold by retailers authorized by Yamaha to sell these products in the U.S.A., the District of Columbia, and Puerto Rico. This warranty is not applicable in other possessions or territories of the U.S.A. or in any other country. Please record the model and serial number of the product you have purchased in the spaces provided below. Model___________________________ Serial #________________________________ Sales Slip #________________________________ Date______________________________________

Purchased from____________________________________________________________ (Retailer)

YAMAHA CORPORATION OF AMERICA Electronic Service Division 6600 Orangethorpe Avenue Buena Park, CA 90620

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Para detalles sobre productos. Calle 47 y Aquilino de la Guardia. Tun-Hwa Northroad.. Indonesia Tel: 21-520-2577 GREECE Philippe Nakas S. Buenos Aires. Panamá Tel: 507-269-5311 NORWAY Norsk filial av Yamaha Scandinavia AB Grini Næringspark 1 N-1345 Østerås.Code 10680. Sdn. 09300 Mexico. 10F. A-1100 Wien Austria Tel: 01-60203900 THE NETHERLANDS Yamaha Music Nederland Kanaalweg 18G. Pro Audio & Digital Musical Instrument Division Nakazawa-cho 10-1. S. Ltd. Finland Tel: 09 618511 SINGAPORE Yamaha Music Asia Pte. Makati. Silvercord Tower 1. Ltd. 20020 Lainate (Milano)..R. Ciudad de Panamá.V.Z. Bhd. Sucursal de Argentina Viamonte 1145 Piso2-B 1053. Dublin Tel: 01-2859177 THE PEOPLE’S REPUBLIC OF CHINA AND OTHER ASIAN COUNTRIES Yamaha Corporation. P. Australia Tel: 3-9693-5111 AUSTRIA Yamaha Music Austria Schleiergasse 20. Japan 430-8650 Tel: 053-460-2317 AFRICA Yamaha Corporation. Yamaha Corporation of America 6600 Orangethorpe Ave. F. Jalan Jend. Tong-Yang Securities Bldg. U. 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Viale Italia 88. veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante.A. 4. please contact your nearest Yamaha or the authorized distributor listed below. 135 Milner Avenue. Departamento de ventas Javier Rojo Gomez No. Pour plus de détails sur les produits. Jakarta 12930. 3526KL.S. Selangor. Kowloon. Ontario. Sweden Tel: 031 89 34 00 MALAYSIA Yamaha Music Malaysia. Dubai.A. Asia-Pacific Music Marketing Group Nakazawa-cho 10-1. 17.For details of products. Greece Tel: 01-364-7111 CENTRAL & SOUTH AMERICA MEXICO Yamaha de Mexico S. Tel: 02-2713-8999 ICELAND Skifan HF Skeifan 17 P. Sallynoggin Road. Tilbrook. Siemensstraße 22-34. Hamamatsu. Calif. Metro Manila. 25462 Rellingen. Norway Tel: 67 16 77 70 TAIWAN Yamaha KHS Music Co. Taipei. Seoul. Tel: 686-00-33 KOREA Yamaha Music Korea Ltd.. 28230 Las Rozas (Madrid) Spain Tel: 91-201-0700 U. Japan 430-8650 Tel: 053-460-2312 GERMANY/SWITZERLAND Yamaha Europa GmbH. 99 Queensbridge Street. 146/148 Captain Springs Road.A. The Netherlands Tel: 030-2828411 NEW ZEALAND Music Houses of N.A..) Ltd. Dun Laoghaire. Hamamatsu. São Paulo..A.E. Jalan Perbandaran. Col.R.F. Deleg. 25462 Rellingen. 11 Ubi Road #06-00. Ltd. F. Siemensstraße 22-34. Scarborough. Belgium Tel: 02-7258220 COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN Yamaha Corporation. Ltd. Gpe Del Moral. 90620.C. 30 Canton Road. Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen Bestimmungsländern erhältlich.. Division Claviers BP 70-77312 Marne-la-Vallée Cedex 2. Taiwan.. Asia-Pacific Music Marketing Group Nakazawa-cho 10-1. of Germany Tel: 04101-3030 IRELAND Danfay Ltd. of Germany Tel: 04101-3030 OCEANIA MIDDLE EAST TURKEY/CYPRUS Yamaha Europa GmbH. Ltd.O. Athens. France Tel: 01-64-61-4000 HEAD OFFICE Yamaha Corporation. 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