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University of Northern Iowa

Matthew Arnold's Landscapes Author(s): Ferris Lockwood Source: The North American Review, Vol. 147, No. 383 (Oct., 1888), pp. 473-474 Published by: University of Northern Iowa Stable URL: . Accessed: 08/04/2013 12:23
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206 on Mon. Where 473 do they me me me IIIIIIIIIIIIIIIIIIIIIIIIIIII IV. Aside for one or two examples work from that vague of Arnold's and indescribable charm that must always belong to any imaginative rendering by so true a poetic genius as was Arnold's. 8 Apr 2013 12:23:49 PM All use subject to JSTOR Terms and Conditions . aside. and bow he deals with to ask what attitule her. of heightening arranging. that makes Thom son's descriptions and loving as they are?so of natural tedious.of nowhere does he show himself a timer artist than m some of these brief but vivid " com in pictorial His success here is largely due to what art we call pictures. The vital meaning of all such telling touches. cxLVii. clear of the w?ic?. however. MATTHEW ARNOLD'S LANDSCAPES. of nature that he may have held. but to discern upon what.231. scenery?careful in effectiveness and so lacking . and there Among The sunshine in the happy glens is fair . its unioy. fixes upon the salient features of the scene. the interest and value belonging in the history of English Since that movement may be said to poetry?which and to have culmiuated with Words worth have beguu with James Thompson when Nature took a distinct place of her own as a subject. cne is always interested a poet assumes toward Nature. Stoddard's poetry 8-s suggesting the general characteristics of Arnold's in this de work admirable a particular A few words concerning phase of his poetic art may be of partment. And by the sea. treatment of particular of Arnold's It is. Far. the sea-side air * * * and fresh. S. scenes that I wish to speak. while impression preserving It is the lack of this. He is rather than of any larger philosophy a natural his poem.?ko. and very fond of furnishing setting for the human element. statement!* as the foregoing lies along the liue of illustration. touch. and at the same time gives to each its proper as part of the picture. to thus briefly the beauty of a but clearly suggest p< etry is due to his power scene by means of a few vigorous. or emphasizing or rejecting of subordinating this. more all element of art sometimes much than is position"?a important literary realized. 383. these qualities depend. too. P. far from here. The grass is cool. and in the brakes. and there is space in this field. Buoyant ? Cadmus and Harmon?a.NOTES AND COMMENTS. 32 value This content downloaded from 121. all little godkins. pecu the beauty and the power intensely There results from this a process of selecting and liarly.247. sense how much of the force of the pictures depends upon this arcistic an unerring with and unfaltering the attention wmch. The Adriatic in a warm bay breaks the green Illyrian hills . they show little sense of the relative values of the that go to make Not a little of the charm of Arnold's elements up the picture. shall give a sharp.?For go in ? myself myself my my my my my my me me me me me me me the omitted words are supplied. that. Arnold's in the June Review article on Matthew is Mr. vol. in poetry has always to me The subject of landscape portrayal seemed interest. from the beauty of diction ana meter. than it deserves in view of to occupy a less important place in study and criticism to it. characteristics of a scene. not only to perceive It is given to the imaginative clearly and feel insight of a scene. for example.

but to all kindred as well as human.231.206 on Mon. free.474 THE NORTH AMERICAN REVIEW. gnarl'd Like ghosts. V. Ferris Lockwood. Melt into open moonlit The soft Mediterranean breaks At my feet. are a vain show. to legislation was given A noticeable is great. the cliffs of England stand. not only to their own thorough in a spirit entirely social questions subjects. its glistening houses white. power of such a congress impulse held in Washington in 1886. with beach away Curves with the curviag To where the lighthouse beacons bright Far in the bay. a waste of words and feeling with no result No error could be greater The educating and illuminating worth mentioning. investigating topics. ?A Southern Night. and vast. upon the most practical spend a week questions " 4* ? een said. This content downloaded from 121. Tne tide is full. by the thirteenth on Charity felt its influence so far as to establish a lectureship Organi University in these conferences and women who gather The men zation and kindred topics. would marvel science. olives that lovely mountain-line 1 Behind. to find four It is something noteworthy. the shore-lock'd sea . scientific at one of the meetings. been wrought in the last two have which miracles by Christian philanthropy generations." during the first and second weeks of July. as has morality that flower was seen in fullest bloom in Buffalo mate fl >wer of our civilization." was no less unsci sician of repute who said of idiots. like this. While.247. from thousands of miles apart to hundred busy men and women coming together in conference of social science. THE NATIONAL CONFERENCE OF CHARITIES AND CORRECTIONS. Glimmering ?Dover The sandy spits. is truly No philanthropy. 8 Apr 2013 12:23:49 PM All use subject to JSTOR Terms and Conditions . as was observed as none is truly scientific and not humane. of small are not mere theorize? s. * I would kill them all off. by the strand. who are giving special study. and Johns Hopkins conference. Dotting the huge. culture and narrow or in penology. no chemical of the time of Plato an ancient Greek s~>astonish him as would Laura Bridgman. stand. even in these altruistic times of ours. the fields of corn and vine. The sea is calm to-night. That phy humane and not scientific. with Physical so marvelous as the moral and intellectual has effected nothing all its progress. fu*ed wit? social devotion" If the most consum is. being without It is often said that conferences entirely legislative or judicial power. remarked in this conference that were It was speakers by one of the to como to life among us.?on the French coast the light Upon Gleams and is gone . Beach. Cette. the mooa lies fair the straits . nor are they simply officials of public institutions of them are actual workers in charity The majority intellect. lakes. out in the tranquil bay. indeed.