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List of compositions by Wolfgang Amadeus Mozart

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This is a selective list of the works of Wolfgang Amadeus Mozart, listed by genre. The Köchel catalogue contains a complete, chronologically ordered, list. Wolfgang Amadeus Mozart was prolific and wrote in many genres. Perhaps his best-admired work is in opera, the piano concerto and sonata, the symphony, and in the string quartet and string quintet. Mozart also wrote much work for solo piano, other forms of chamber music, masses and other religious music, and numerous dances, divertimentos, and other forms of light entertainment.
Contents

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1 How Mozart's compositions are listed 2 Symphonies

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2.1 Childhood symphonies (1764–1771) 2.2 Salzburg-era symphonies (1771–1777) 2.3 Late symphonies (1778–1791)

3 Concertos

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3.1 Piano concertos 3.2 Violin concertos 3.3 Horn concertos 3.4 Woodwind concertos 3.5 Concertante symphonies 3.6 Other

4 Piano music

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4.1 Solo piano works 4.2 Dual piano/performer works

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4.2.1 Piano four-hands 4.2.2 Two pianos

5 Chamber music

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5.1 Violin music

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5.1.1 Childhood violin sonatas (1763–66) 5.1.2 Mature violin sonatas (1778–88) 5.1.3 Variations for violin and piano 5.1.4 String duos and trios

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5.2 String quartets 5.3 String quintets 5.4 Piano trios 5.5 Other chamber music

6 Serenades, divertimenti, and other instrumental works

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6.1 Serenades 6.2 Divertimenti 6.3 Marches 6.4 Dances

7 Sacred music

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7.1 Masses 7.2 Other sacred music

8 Church sonatas 9 Organ music 10 Operas 11 Concert arias, songs and canons 12 Recordings 13 See also 14 References 15 External links

[edit]How 

Mozart's compositions are listed

The indication "K." or "KV" refers to "Köchel Verzeichnis" (Köchel catalogue), i.e. the (more or less) chronological (i.e. by composition date) catalogue of Mozart's works by Ludwig von Köchel. This catalog has been amended several times, leading to ambiguity over some KV numbers (see e.g. Symphony No. 25).

The compositions of Mozart listed below are grouped thematically, i.e. by type of composition. Not all thematic groups of Mozart's works have a separate numbering that is generally accepted: Köchel only numbers symphonies (1 to 41), piano concertos (1 to 27, leaving out some early transcriptions by Mozart) and a few other groups. On the other hand, for most chamber music and vocal music there is no such numbering (or at least no generally accepted one).

8 in D major. K. 75 (GA 42) Symphony in F major. referred to as "GA"). 73/75a Symphony No. 5 in B-flat major. 45 Symphony No. 297. 1877–1910. K. as not so many of his compositions were published during his lifetime. K. K. 84/73q Symphony No. 41". K. K. from 1764 to 1788.              Symphony No. 550) were revised by the author after their first versions. but newer collections refer to them only by their entries in the Köchel catalogue. 6 in F major. Many of these can not be completely established as being written by Mozart (see here). 19 Symphony No.   Symphony in F major. 74 Symphony No. K. K. According to most recent investigations. 22 Symphony No. 1 in E-flat major. 4 in D major. K. so numbering by opus number proves quite impractical for Mozart compositions. K. K. 11 in D major. 10 in G major. 18 (spurious. 112 There are also several "unnumbered" symphonies from this time period. 48 Symphony No. 7 in D major. 3 in E-flat major. Mozart wrote not just the 41 symphonies reported in traditional editions. and so his last symphony is still known as "No. 12 in G major. 16 Symphony No. attributed to Leopold Mozart) Symphony No. but up to 68 complete works of this type. 9 in C major. K. 13 in F major. the original numbering has been retained. 2 in B-flat major. K. Some of the symphonies (K. 76/42a (GA 43: doubtful) . by Carl Friedrich Abel) Symphony No. 385. [edit]Childhood symphonies (1764–1771) These are the numbered symphonies from Mozart's early childhood. 110/75b Symphony No. However. Only relatively few of Mozart's compositions have opus numbers. K. 17 (spurious. [edit]Symphonies Main article: List of symphonies by Wolfgang Amadeus Mozart Mozart's symphonic production covers a 24 year interval. K. Many of them were given numbers past 41 (but not in chronological order) in an older collection of Mozart's works (Mozart-Werke. by convention. 43 Symphony No.

14 in A major. 20 in D major. 124 (1772) Symphony No. "Odense". K. 23 in D major. in 3-movement Italian overture style. K. are sometimes indicated as "Salzburg Symphonies" too. K. K. 28 in C major. Anh. 96/111b (GA 46) Symphony in D major. 29 in A major. 24 in B-flat major. 199/161b (1773) Symphony No. 183/173dB (1773) Symphony No. Anh. Anh. 25 in G minor. 216/74g/Anh. K. None of these were printed during Mozart's lifetime. 26 in E-flat major. 221/45a ("No. 136–138. K. 181/162b (1773) Symphony No. 15 in G major. "Old Lambach". K. K. 182/173dA (1773) Symphony No. and sometimes subcategorized as "Germanic" (with minuet) or "Italian" (without minuet). K. K. 200/189k (1774) Symphony No. 220/16a (doubtful) [edit]Salzburg-era symphonies (1771–1777) These symphonies are sometimes subcategorized as "Early" (1771–1773) and "Late" (1773–1777). 130 (1772) Symphony No. Anh. K. K. K. K. 17 in G major. 162 (1773) Symphony No. 81/73l (GA 44: doubtful) Symphony in D major. K. 201/186a (1774) . 184/161a (1773) Symphony No. K. 27 in G major. 214/45b (GA 55: doubtful) Symphony in B-flat major.                 Symphony No. 114 (1771) Symphony No.          Symphony in D major. K. K. 19 in E-flat major. 7a") Symphony in F major.C 11. 16 in C major. K. K. 22 in C major. 129 (1772) Symphony No. 223/19a Symphony in A minor. K. 21 in A major. 132 (1772) Symphony No. K. 18 in F major.04 (doubtful) Symphony in B-flat major.03 (GA 54: doubtful) Symphony in G major. 134 (1772) Symphony No. 128 (1772) Symphony No. K. Although not counted as "symphonies" the three Divertimenti K. Anh. 95/73n (GA 45) Symphony in C major. K. 98/Anh.C 11. 97/73m (GA 47) Symphony in F major. 133 (1772) Symphony No. K. K.

50") Symphony in D major. K. 385 (1782) Symphony No. but later scholarship determined that it was actually composed by Michael Haydn (Symphony No. 543 (1788) Symphony No. They are also given numbers past 41. 204 (based on the Serenade No. It is quite likely that he hoped to publish these three works together as a single opus. 208+(102/213c) ("No. K. K. K. "Prague". 32 in G major. K. K. K. 40 in G minor. 37 in G major. 5) Symphony in D major. K. "Haffner". One or two of them might have been played in public in Leipzig in 1789. 425 (1783) Symphony No.      Symphony in D major. 38 in D major. 504 (1786) The three final symphonies (Nos. 25). K. "Linz". K. and Mozart wrote only the slow introduction for it. 51") Symphony in C major. "Paris". (126+(161/163))/141a ("No. 297/300a (1778) Symphony No. 30 in D major. 33 in B-flat major. 48") Symphony in D major. K. 319 (1779) Symphony No. 34 in C major. K. 202/186b (1774) There are also several "unnumbered" symphonies from this time period that make use of music from Mozart's operas from the same time period. 35 in D major. K. K. 196+(121/207a) ("No. 250 (based on the "Haffner" serenade) Symphony in D major. 36 in C major. 135+61h There are also three symphonies from this time period that are based on three of Mozart's serenades:    Symphony in D major. 39–41) were completed in about three months in 1788. 52") Symphony in D major.  Symphony No. 320 (based on the "Posthorn" serenade) [edit]Late        symphonies (1778–1791) Symphony No. 444 (1783) For years this was categorized as a Mozart symphony. although actually they remained unpublished until after his death. K. K. 318 (1779) Symphony No. "Overture in the Italian style". 111+(120/111a) ("No. Symphony No.   Symphony No. K. 338 (1780) Symphony No. 31 in D major. 39 in E-flat major. 550 (1788) . K. K.

The first four numbered concertos are early works. "Jupiter". 16 in D major. K. K. 246 Piano Concerto No. The movements of these concertos are arrangements of keyboard sonatas by various contemporary composers (Raupach. C. 5 in D major. K. 10 in E-flat major for Two Pianos. 551 (1788) [edit]Concertos [edit]Piano concertos Main article: Mozart piano concertos Wolfgang Mozart's concertos for piano and orchestra are numbered from 1 to 27. K. 413/387a Piano Concerto No. 365 Piano Concerto No. Bach).                      Piano Concerto No. 9 in E-flat major. K. "Lützow". C. 3 in D major. Symphony No. 18 in B-flat major. 242 Piano Concerto No. 456 Piano Concerto No. 6 in B-flat major. The remaining twenty-one are original compositions for solo piano and orchestra. 459 Piano Concerto No. Concertos 7 and 10 are compositions for three and two pianos respectively. 238 Piano Concerto No. 19 in F major. P. Bach. K. K. 107. K. K. There are also three unnumbered concertos. 175 Piano Concerto No. 451 Piano Concerto No. 107 Piano Concerto No. 466 . K. K. K. 1 in F major. K. fifteen were written in the years from 1782 to 1786. Honauer. Among them. "Jeunehomme". 453 Piano Concerto No. 11 in F major. 4 in G major. 271 Piano Concerto No. K. K. 7 in F major for Three Pianos. 20 in D minor. K. 12 in A major. 40 Piano Concerto No. 8 in C major. 17 in G major. K. K. 449 Piano Concerto No. K. 15 in B-flat major. 2 in B-flat major. 41 Three Piano Concertos in D major. K. 415/387b Piano Concerto No. 37 Piano Concerto No. Eckart. K. 39 Piano Concerto No. 414/385p Piano Concerto No. while in the last five years Mozart wrote just two more piano concertos. which are adapted from piano sonatas by J. 450 Piano Concerto No. G major and E-flat major. E. 14 in E-flat major. 13 in C major. K. 41 in C major. K. Schobert.

K. K. though Mozart probably never went through all the violin possibilities that others (e. K. 271a ("No. 219 (1775) Mozart also penned an adagio and two stand-alone rondos for violin and orchestra. "Kolb". K. 216 (1775) Violin Concerto No. Beethoven and Brahms) did after him. 488 Piano Concerto No. 27 in B-flat major. (Alfred Einstein notes that the violin concerto–like sections in the serenades are more virtuosic than in the works titled Violin Concertos. They are notable for the beauty of their melodies and the skillful use of the expressive and technical characteristics of the instrument.   Violin Concerto in E-flat major. K. K. 3 in G major. 7") (1777) [edit]Horn concertos Main article: Horn Concertos (Mozart) . 491 Piano Concerto No.)      Violin Concerto No. 482 Piano Concerto No.    Adagio for violin and orchestra in E major. 261 (1776) Rondo for violin and orchestra in B-flat major. 537 Piano Concerto No. there are two works that are spuriously attributed to Mozart. K. 218 (1775) Violin Concerto No. "Coronation". 5 in A major.g. K. 595 Rondo for piano and orchestra in D major. 382 Rondo for piano and orchestra in A major. K. 269 (between 1775 and 1777) Rondo for violin and orchestra in C major. K. 4 in D major. 23 in A major. K. K. K. 25 in C major. 6") (1780) (attributed to Johann Friedrich Eck)[1] Violin Concerto in D major.         Piano Concerto No. 503 Piano Concerto No. 373 (1781) In addition. 467 Piano Concerto No. 268 ("No. K. 26 in D major. 24 in C minor. 21 in C major. K. 1 in B-flat major. K. 207 (1775) Violin Concerto No. 2 in D major. K. K. 22 in E-flat major. K. 386 [edit]Violin concertos Mozart's five violin concertos were written in Salzburg around 1775. 211 (1775) Violin Concerto No.

but was almost certainly an oboe concerto) (1777–78)     Concerto for Clarinet and Orchestra in A major. 2 in E-flat major. the four Horn Concertos are a major part of most professional horn players' repertoire. K. They were written for Mozart's lifelong friend Joseph Leutgeb.     Horn Concerto No. K. 364 (3rd movement. K. K.    Bassoon Concerto in B-flat major. K. K.Arguably the most widely played concertos for horn. 447 (c. and Orchestra in C major. K. 1 in D major. 315/285e (1778) [edit]Concertante symphonies K. 412 (1791) Horn Concerto No. Presto) Sinfonia concertante for violin. 1 in G major. The Horn Concertos are characterized by an elegant and humorous dialogue between the soloist and the orchestra. . 417 (1783) Horn Concerto No. 299 (1778) Oboe Concerto in C major. K. 1784–87) Horn Concerto No. 622 (1791) Flute Concerto No. 191 (1774) Concerto for Flute. 2 in D major. Rondeau allegro) Mozart's C major Flute and Harp Concerto Problems listening to this file? See media help. K. Andante for flute and orchestra in C major. 314 (1778) (An arrangement of the above Oboe Concerto). 4 in E-flat major. K. 495 (1786) [edit]Woodwind concertos K. Harp. 299 (3rd movement. 314 (has come down to us as the second flute concerto. K. 313 (1778) Flute Concerto No. Many of the autographs contain jokes aimed at the dedicatee. viola and orchestra Problems listening to this file? See media help. The concertos (especially the fourth) were written as virtuoso vehicles that allow the soloist to show a variety of abilities on the valveless horns of Mozart's day. 3 in E-flat major.

401 . Clarinet. K. 521 Sonata for Keyboard Four-hands in G major. 1779.  Sinfonia Concertante for Violin. 19d (London. variations. 320e (Anh. fantasias. 9 and later Anh. K. lost) [edit]Piano music Mozart's earliest composition attempts begin with piano sonatas and other piano pieces. though not completed. K. also a proficient piano player). Anh. 56 (1778. Cello and Orchestra in A major. K. Viola and Orchestra in E-flat major. and Orchestra from 1778) These were not Mozart's only attempts at the genre. Horn. 297b (Anh. 381 / 123a Sonata for Keyboard Four-hands in B-flat major. fragment) [edit]Other   Concerto for Trumpet. fragment)  Sinfonia Concertante for Piano.01) (Probably spurious arrangement of lost Sinfonia Concertante for Flute. 47c (lost) Cello Concerto. as this is the instrument on which his musical education took place. Bassoon and Orchestra in E-flat major.206a (1775. Examples of his earliest works are those found in Nannerl's Music Book. Oboe. K. [edit]Solo piano works Main article: List of solo piano compositions by Wolfgang Amadeus Mozart [edit]Dual piano/performer works [edit]Piano four-hands        Sonata for Keyboard Four-hands in C major. 104) (c. 364 (1779) Sinfonia Concertante for Oboe. Almost everything that he wrote for piano was intended to be played by himself (or by his sister. Between 1782 and 1786 he wrote 20 works for piano solo (including sonatas. 357 (incompleted) Fugue in G minor.  Sinfonia Concertante for Violin. fugues. K. 497 Sonata for Keyboard Four-hands in C major. K. 358 / 186c Sonata for Keyboard Four-hands in F major. K. K. Bassoon. suites. K. Viola. rondo) and works for piano four hands and two pianos. K. May 1765) Sonata for Keyboard Four-hands in D major. Violin and Orchestra in D major. a few other fragmentary works were also composed around the same time. C 14. K. K. Horn.

K. 28 Violin Sonata No. 608 (organ. K. K. 30 Violin Sonata No. KV 6–9      Violin Sonata No. the role of the violin grew to not just a support to the other solo instrument. 10 in B-flat for Keyboard and Violin (or Flute). K. 13 in C for Keyboard and Violin. these are keyboard-centric sonatas where the violin plays a more accompanying role. K. 7 Violin Sonata No. 31 . 8 Violin Sonata No. K. 16 in B-flat for Keyboard and Violin. 13 Violin Sonata No. 10 Violin Sonata No. K. K. K. 12 Violin Sonata No. KV 10–15        Violin Sonata No. 448 / 375a Fugue in C minor for Two Keyboards. KV 26–31       Violin Sonata No. 1 in C for Keyboard and Violin. 11 Violin Sonata No. 27 Violin Sonata No. composer's transcription) [edit]Two pianos   Sonata for Two Pianos in D major. 6 in G for Keyboard and Violin (or Flute). K. 15 Violin Sonatas. 546) [edit]Chamber [edit]Violin music music He also wrote for piano and violin. 14 in D for Keyboard and Violin. K. K. 5 in B-flat for Keyboard and Violin (or Flute). K. 15 in F for Keyboard and Violin. 8 in F for Keyboard and Violin (or Flute). K. 12 in G for Keyboard and Violin. 594 Fantasia in F minor. 2 in D for Keyboard and Violin. 3 in B-flat for Keyboard and Violin. for the most part. 26 Violin Sonata No. 426 (transcribed in 1788 for strings as K. [edit]Childhood violin sonatas (1763–66)  Violin Sonatas. Note the order of the two instruments. In later years. but to build a dialogue with it. K. 14 Violin Sonata No. K. 9 Violin Sonatas. 29 Violin Sonata No. 501 Adagio and Allegro (Fantasia) in F minor. K. K. 4 in G for Keyboard and Violin. K. 7 in A for Keyboard and Violin (or Flute). 9 in C for Keyboard and Violin (or Flute). K. K. 11 in E-flat for Keyboard and Violin. 6 Violin Sonata No.   Andante and Variations in G major.

K. K. 423 (1783) Duo for Violin & Viola in B-flat major. K. 402 (fragment. 378 Violin Sonata No. 404 (fragment) Violin Sonata No. 359 6 Variations in G minor on "Helas. K. 547 [edit]Variations for violin and piano   Variations in G major. 454 Violin Sonata No. Viola & Cello. 380 Violin Sonata No. 23 in D major. K. 22 in A major. 27 in G major. 301 Violin Sonata No. 376 Violin Sonata No. 377 Violin Sonata No. 304 Violin Sonata No. K. K. K. K. 296 Violin Sonata No. 29 in A major. K. 26 in B-flat major. 31 in C major. Stadler) Violin Sonata No. K. "La bergere Celimene".[edit]Mature violin sonatas (1778–88)                    Violin Sonata No. 302 Violin Sonata No. 28 in E-flat major. 80/73f (1770) . K. 32 in B-flat major. K. 1 in G major. K. K. 18 in G major. 24 in F major. K. K. 424 (1783) Trio for Violin. j'ai perdu mon amant". K. 526 Violin Sonata No. 379 Violin Sonata No. K. 25 in F major. 563 (1788) [edit]String  quartets String Quartet No. K. 403 (fragment. completed by M. K. 306 Violin Sonata No. 303 Violin Sonata No. K. K. 266 Preludes and Fugues for Violin. K. K. 481 Violin Sonata No. 19 in E-flat major. 35 in A major. Stadler) Violin Sonata No. 360 [edit]String duos and trios      Trio for 2 Violins & Cello in B-flat major. 404a Duo for Violin & Viola in G major. 17 in C major. "Lodi". K. 30 in C major. 36 in F major. 21 in E minor. 33 in E-flat major. 20 in C major. Viola & Cello in E-flat major. K. completed by M. 305 Violin Sonata No.

"Hunt". in three movements. K. 20 quartets of Joseph Haydn. 158 (1772–73) String Quartet No. K. 170 (1773) String Quartet No. 9 in A major. K. In Vienna Mozart is believed to have heard the op. Op.       String Quartet No. 18 in A major. 465. K. 428. 173 (1773)  Haydn Quartets K. 3 in G major. 6 in B-flat major. K. 421. 19 in C major. K. K. and developed a friendship with the older composer. K. 16 in E-flat major. 12 in B-flat major. K. 155–160 (1772–1773) This cycle. 172 (1773) String Quartet No.        String Quartet No. 421/417b (1783) String Quartet No. 465 (1785)  String Quartet No. 10 in C major. These quartets are often regarded as among the pinnacles of the genre. 458. 14 in G major. K. Haydn had just published his set ofsix quartets. K. 13 in D minor. 159 (1773) String Quartet No. 5 in F major. "Hoffmeister". which are thought to have been a stimulus to Mozart in returning to the genre. 499 (1786) . K. 17 in B-flat major. Milanese Quartets. K. 464. "Dissonance". 160/159a (1773) Viennese Quartets. and had received from them a deep impression. K. 11 in E-flat major. Op. K. "Spring". is interesting as far as these works can be considered precursors of the later —more complete— string quartets. 17 and op. 428/421b (1783) String Quartet No. K. 15 in D minor. 2 in D major. 387 (1782) String Quartet No. K. met Haydn in person. 4 in C major. 458 (1784) String Quartet No. 33. K. K. 157 (1772–73) String Quartet No. 168 (1773) String Quartet No.       String Quartet No. K. 156/134b (1772) String Quartet No. 20 in D major. 7 in E-flat major. 10 (1782–1785) Mozart returned to the quartet in the early 1780s after he had moved to Vienna. K. 171 (1773) String Quartet No. 387. 168–173 (1773) Much more stylistically developed. 464 (1785) String Quartet No. 155/134a (1772) String Quartet No. 169 (1773) String Quartet No. 8 in F major.

589. as well as the Prussian Quartets. K. 4 in G minor. K. 254 Trio (Sonata) in G for Piano. Violin and Violoncello. K. 174. K. 5 in D major. Violin and Violoncello. 406. 388. 22 in B-flat major. K. K. 21 in D major. 593 String Quintet No.     Prussian Quartets. 6 in E-flat major. the sweetness of sounds and the equilibrium among the different instruments. K. Mozart's last three quartets. 548 Trio in G for Piano. 575. K. K. 516 String Quintet No. dedicated to the King of Prussia Friedrich Wilhelm II. K. Allegretto) Mozart's Quintet for Piano and Winds .This work was published by (dedicated to?) Franz Anton Hoffmeister. 590 (1790) [edit]String quintets The string quintets (K. 174 String Quintet No. K. 406 (516b) – This is a transcription for string quintet of the earlier Serenade for wind octet in C minor. Violin and Violoncello. two violas and cello. 515 String Quintet No. 614). 496 Trio in B-flat for Piano. K. 3 in C major. Mozart's greatest achievement in chamber music is the group of string quintets with two violas. 452 (3rd movement. Violin and Violoncello. for two violins. Violin and Violoncello. 593. are noted for the cantabile character of the parts for cello (the instrument played by the king himself). 575 (1789) String Quartet No. 23 in F major. 2 in C minor. K. K. 516. Violin and Violoncello. 542 Trio in C for Piano. 502 Trio in E for Piano. K. 564 [edit]Other chamber music K. K. 589 (1790) String Quartet No.     String Quintet No. 1 in B-flat major."[2]   String Quintet No. 590 (1789–1790) String Quartet No. 614 [edit]Piano       trios Divertimento à 3 in B-flat for Piano. Charles Rosen wrote that "by general consent. K. 515.

Problems listening to this file? See media help. viola. cello) in F major. K. K. clarinet. besides. of course. divertimenti. K. 426)   Clarinet Quintet in A major. 285b. violin. K6. K. and other instrumental works The production for instrumental ensembles includes several Divertimenti. Marches. 298 (1777–1778)       Sonata for Bassoon and Violoncello in B-flat major. K. 204 . 4 in D major. 478 (1785) 12 Duets — For Two Horns. 292 Oboe Quartet (oboe. bassoon) K. 3 in D major. 1 in G minor K. K. K. K 6. 617a (1791) [edit]Serenades. the Symphonies. Cassations. K. "Kegelstatt". and Dances. Viola and Cello. 452 (1784) Piano Quartet No. Notturni. 285. 185 Serenade No. 487 (incorrectly published as being for Basset horns)    Piano Quartet No. Mozart's production for orchestra is written for string ensembles (like the early Divertimenti K. 136–138). "Antretter". K. 370 (1781) Horn Quintet In E-flat. 2 in E-flat major K. K. "Colloredo" K. horn. 581 (1789) Adagio and Rondo for Glass Harmonica. Oboe. [edit]Serenades     Serenade No. 100 Serenade No. 285a. 1 in D major.  Flute Quartets (flute. 617 (1791)  Adagio in C for Glass Harmonica. violin. Viola and Piano in E-flat major. cello) K. Serenades. as well as for wind instruments ensembles and the varied combinations of string and wind. K. 546 (1788) (a transcription from Fugue in C minor for Two Keyboards. 203 Serenade No. 5 in D major. 407 Quintet for piano and winds (oboe. 498 (1786) Adagio and Fugue in C minor. viola. Flute. K. K. K. 493 (1786) Trio for Clarinet.

K. 136/125a (1772) Divertimento in B-flat for string quartet or string orchestra. K. K.253 Divertimento in B-flat. 287 (1777) Divertimento in D. 239 Serenade No. 113 (1771) Divertimento in D. 251 (1776) Divertimento in F. 320 Serenade No. K.213 Divertimento in B-flat. "Eine kleine Nachtmusik". K. K. 375 Serenade No. K. 229) .186 Divertimento in D. K. "Haffner". 205 (1773) Divertimento in F. "Gran Partita". 99 (1769) Divertimento in E-flat. K. K. 247 (1776) Divertimento in D. K. 138/125c (1772) Divertimento in E-flat. 63 (1769) Cassation in B-flat.     Serenade No. K. K. 137/125b (1772) Divertimento in F for string quartet or string orchestra. 12 for winds in C minor. 131 (1772) Divertimento in D for string quartet or string orchestra. 6 in D major. K. 388 Serenade No. "Serenata Notturna". K.240 Divertimento in F. K. K. K. "Lodron". 32 (1766) Cassation in G. K. 8). 11 for winds in E-flat major.270 Divertimento in B-flat.166 Divertimento in B-flat. K. 334 (1779–80) 25 Pieces (five divertimenti) for three basset horns. 439b (K. 10 for twelve winds and double bass in B-flat major. Anh. 361    Serenade No. K. "Lodron". 250 (248b) Notturno in D for Four Orchestras (Serenade No. K. 525 [edit]Divertimenti                     Galimathias Musicum (Quodlibet). "Posthorn". K. 286 (1776–77) Serenade No. K. K. 13 for String Quartet & Bass in G major. K. 9 in D major. K. K. 7 in D major.

K. 534. K. 1 March in D major. Mozart generally followed Haydn's example. "Haffner". 248 (for use with Divertimento. La Bataille. No. K. re di Ponto)         March in D major. 600/5. K. 334) [edit]Dances See also: Mozart and dance Mozart left a huge production of dances for orchestra. 247) March in D major. K. also used in Mitridate. No. 100 Serenade. Contredanse and Allemande (or Teitsch. K. K. 204) March in D major. 320)     March in C major. K. 290 March in D major. 408. 215 (to open and/or close Serenade. No. K. K. 2 March in C major. like Il Temporale. 522  Divertimento for string trio in E-flat major K. K. 203) March in F major. K. 214 March in D major. 445 (for use with Divertimento. ("Ein Musikalischer Spaß"). In the Contredanse production. No. K. 563 (1788) [edit]Marches  March in D major. including the genres of Minuetto (more than 100). 320)  March in D major. K. "Posthorn". 335. 2 (probably to close Serenade.  6 Menuets. K. 249 (to open and/or close Serenade. 535. In his production of minuets. Allemandes (56 between 1787 and 1791) were written mainly for public balls in Vienna. "A Musical Joke". 61h . 3 March in D major. K. K. K. Canary. 1 (probably to open Serenade. K. 408. etc. K. K. also written mainly in Vienna. or German Dances). K. 250) March in D major. 335. preferring the slow character of the dance. K. No. 185 Serenade) March in C major. K. 62 (Introduction to K. or Laendler. 237 (to open and/or close Serenade. Divertimento for two horns and strings. "Posthorn". 408. K. some examples of program music are found. 189 (probably to open/close K. K.

K. K. 300 3 Menuets. K. K. 585 12 German Dances. 104/61e 6 Menuets. K. K. K. 463/448c 6 German Dances. 534 Contredanse in C. K. 123 6 Menuets. "Der Sieg vom Helden Koburg". 535 6 German Dances. K. K. 164 16 Menuets. 599 6 German Dances. K. K. 462/448b 2 Quadrilles. K. 536 6 German Dances. 103 6 Menuets. 600 4 Menuets. 603 2 Menuets. 176 4 Contredanses. K. 571 12 Menuets. 605 6 German Dances. K. K. K. K. "Das Donnerwetter". K. 101/250a 20 Menuets. K. 601 4 German Dances. 461 6 Contredanses. K. K. 586 Contredanse in C. K. 602 2 Contredanses. 267/271c Gavotte in B-flat. 567 12 Menuets. 587 6 Menuets. 606 . 568 6 German Dances. K. K. 604 3 German Dances. K. K. "La Bataille". 363 5 Menuets. K. K. K. 122 Contredanse in B-flat. 105/61f Menuet in E-flat. K. 65a/61b 4 Contredanses.                                 7 Menuets. 509 Contredanse in D. K. K.

257 Mass No. K. K. K. also the compositions written for the Masonic Lodge. K. K. like the Sonate da Chiesa for 2 violins. 192 Mass No. Credo Mass. K. 2 ("Missa brevis") in D minor. composed between 1767 and 1780. We include in this genre. 66 Mass No. 140 Mass No. 65 Mass No. Missa aulica. 7 in C major. 17 in C minor. Stylistic unity and consistency is present over all his sacred music work. 3 ("Missa solemnis" in C major. 258 Mass No. K. Spatzenmesse. Waisenhausmesse. Piccolomessa. K. 259 Mass No. 262 Mass No. Mozart's sacred music presents a rich stylistic mosaic: Gregorian choral elements meet rigorous counterpoint. 12 ("Missa brevis") in C major. 10 ("Missa brevis") in C major. 4 ("Missa solemnis") in C minor. 49 Mass No. Organ Solo.  5 Contredanses. double bass and organ. Coronation. 337 Mass No. 8 ("Missa brevis") in D major. 139 Mass No. though also instrumental examples exist. K. 317 Mass No. 6 ("Missa brevis") in F major. 167 Mass No. Great Mass in C minor. K. K. Dominicusmesse. 1 ("Missa brevis") in G major. K. 477. K. 194 Mass No. for their liturgical character. 11 ("Missa brevis") in C major. 275 Mass No. 13 ("Missa longa") in C major. K. K. 427 . K. K. 16 ("Missa solemnis") in C major. and even operatic elements can sometimes emerge. 610 [edit]Sacred music Mozart's sacred music is mainly vocal. K. Missa in honorem Sanctissimae Trinitatis. 15 in C major. K. 609 Contredanse in G. [edit]Masses Main article: List of masses by Wolfgang Amadeus Mozart                  Mass No. 14 ("Missa brevis") in B-flat major. K. like the cantata Laut Verkunde unsre Freude K623 and the Maurerische Trauermusik(Masonic Funeral Music). 220 Mass No. 9 ("Missa brevis") in C major. 5 ("Missa brevis") in G major.

68/41i (1772) Church Sonata No. chorus and orchestra. and other mass fragments. K. 144/124a (1772) Church Sonata No. K. psalms. 1 in E-flat K. chorus and orchestra. 141 Exsultate. K. numerous offertories. chorus and orchestra. 339 (1780) Kyrie in D minor. tenor and bass. 6 in B. 127 Regina Coeli for soloists. K. K. alto. 33 Scande Coeli Limina in C. [edit]Church sonatas Main article: Church Sonatas (Mozart)       Church Sonata No. 321 Vesperae solennes de confessore. K. 618 as well as four litanies. 34 Kyrie in D minor for soprano. 276 Te Deum. jubilate. K. K. 108 Regina Coeli for soprano. 4 in D. K. 212 (1775) . 69/41k (1772) Church Sonata No. 165 Two Vesper services:     Vesperae de Dominica in C. K. K. K. 20 Kyrie in F major. 90 Three settings of the Marian antiphon Regina coeli:      Regina Coeli for soprano. K. Franz Xaver Süssmayr after Mozart's death) [edit]Other sacred music Mozart's other sacred music includes:     God is Our Refuge. 67/41h (1772) Church Sonata No. 2 in B K. 5 in F. 341 Ave verum corpus. motets. 145/124b (1772) Church Sonata No. K. 626 (compl. K. 3 in D K. K. K. Requiem Mass in D minor.

K. 594 (1790) Fantasia in F minor for a Mechanical Organ. 38 (1767) Bastien und Bastienne. K. 111 (1771) Betulia liberata. 13 in G. K. 241 (1776) Church Sonata No. 35 (1767) Apollo et Hyacinthus. 608 (1791) Andante in F for a Small Mechanical Organ. 118=74c (1771) Il sogno di Scipione. 244 (1776) Church Sonata No. 328/317c (1779) Church Sonata No. an oratorio. 329/317a (1779) Church Sonata No. K. 10 in F. 11 in D. 616 (1791) [edit]Operas Main article: List of operas by Mozart          Die Schuldigkeit des ersten Gebots. K. re di Ponto. 50=46b (1768) La finta semplice. K. K. 7 in F. K. 274/271d (1777) Church Sonata No. 245 (1776) Church Sonata No. K. 16 in C. 263 (1776) Church Sonata No. K. 225/241b (1776) Church Sonata No. 574 Adagio and Allegro in F minor for a Mechanical Organ. K. 224/241a (1776) Church Sonata No. K. 8 in A. 87 (1770) Ascanio in Alba. 135 (1772) . 154 (385k) Ouverture in C major. 17 in C. 336/336d (1780) [edit]Organ         music Fugue in E-flat major. K. K. K.           Church Sonata No. 12 in C. K. 9 in G. K. 278/271e (1777) Church Sonata No. K. K. K. 401 (375e) Eine kleine Gigue. K. K. 126 (1772) Lucio Silla. K. K. K. 15 in C. 14 in C. 153 (375f) Fugue in G minor. 399 (385i) Fugue in G minor. 51 (1768) Mitridate. K. K. K.

527 (1787) Così fan tutte. 422 (1783) Lo sposo deluso. K. 588 (1789) Die Zauberflöte. 344 (1779) Idomeneo. K. K. K. 208 (1775) Zaide. K. K. 1775) La finta giardiniera. K. 620 (1791) . 366 (1781) Die Entführung aus dem Serail. 430 Der Schauspieldirektor. 384 (1782) L'oca del Cairo. 492 (1786) Don Giovanni. K. König in Ägypten (1773.             Thamos. K. K. K. 196 (1774–75) Il re pastore. 486 (1786) Le nozze di Figaro. K.