This action might not be possible to undo. Are you sure you want to continue?
5000 year old flying machine...........by Andit´s the magic flute................by V Shaped UFO ..........................by Kig shape warp drive...................by Acer Ator. Ofelia Boremia Joe Stanton Dr. Farthon Climbor.
1.- 5000 year old flying machine......by_Acel Ator 2012 October 2 Allegations are being made that an ancient vimana or flying machine, 5,000 years old, has been found in a cave in Afghanistan. World leaders have been ferried to the cave, reportedly, which leads George Noory and Steve Quayle to discuss many aspects of the black world of secrecy. Discernment is advised. There will not be the sequestering of the flying machine if it exists; we’re too late in the game for that. Its discovery won’t lead to nuclear war, etc. Nuclear war is not permitted on the planet by our galactic family. The “worst case scenario” will not be happening. But, if you can pick your way through fact and fiction, the discussion is very interesting. One correction: Steve calls Shiva “the destroyer” in the video, which is a simplistic understanding of “his” role. Shiva is the transformer and may well be an apt symbol for Ascension. See also “Mystery at Abydos,” at http://the2012scenario.com/2012/03/mystery-at-abydos/ Thanks to Milna.Video Notes http://www.youtube.com/watch?feature=player_embedded&v=qBlwhVyZxmQ#! What caused the sudden rush of these most powerful leaders of the Western World to go to Afghanistan, this report continues, was to directly view the discovery by US Military scientists of what is described as a “Vimana” entrapped in a “Time Well” that has already caused the “disappearance” of at least 8 American Soldiers trying to remove it from the cave it has been hidden in for the past estimated 5,000 years. Vimana Vimana is a word with several meanings ranging from temple or palace to Página 1
122 english mythological flying machines described in Sanskrit epics. Reference to ancient Indian flying vehicles comes from ancient Indian sources, many are the well known ancient Indian Epics, and there are literally hundreds of them. Most of them have not even been translated into English yet
from the old sanskrit. It is claimed that a few years ago, the Chinese discovered some sanskrit documents in Lhasa, Tibet and sent them to the University of Chandrigarh to be translated. Dr. Ruth Reyna of the University said recently that the documents contain directions for building interstellar spaceships! Their method of propulsion, she said, was “anti-gravitational” and was based upon a system analogous to that of “laghima,” the unknown power of the ego existing in man’s physiological makeup, “a centrifugal force strong enough to counteract all gravitational pull.” According to Hindu Yogis, it is this “laghima” which enables a person to levitate. Dr. Reyna said that on board these machines, which were called “Astras” by the text, the ancient Indians could have sent a detachment of men onto any planet, according to the document, which is thought to be thousands of years old. The manuscripts were also said to reveal the secret of “antima”, “the cap of invisibility” and “garima”, “how to become as heavy as a mountain of lead.” Steve Quayle Stephen Quayle is the author of five books. For over thirty years, he has been investigating ancient civilizations, giants, UFOs and biological warfare as they relate to the future of mankind. Stephen discusses the coming worst-case scenarios approaching this world and how they interrelate to each other. Earthquakes, volcanoes, nuclear and biological terrorism, coupled with the planned financial meltdown of the U.S. dollar will thrust us into unimagined tribulations. Stephen Quayle is on record as stating that we have moved from the realm of natural threats into the arena of supernaturally guided events of the unseen hand of evil orchestrating world events of unfathomable proportions. December 12, 2011 -A former Chinese official has occur forward to expose new proof that extraterrestrials wander amongst the peoples of Earth. These beings are everywhereâ€”from lowly factory personnel to the best echelons of sector and govt. A former Chinese official has come ahead to expose new proof that extraterrestrials stroll amongst the peoples of Earth. These beings are everywhereâ€”from lowly factory workers to the highest echelons of market and authorities. Sun Shili, a former Chinese official, has occur forward to reveal Página 2
122 english understanding that extraterrestrials are on Earth. He asserts the ETs can be located everywhereâ€”from lowliest factory worker and farmer to the greatest positions of market and government. And the Chinese individuals are listening. The ageing authoritarians that ran China from their seat of power in old Peking under Mao are all gone. The new China is significantly more open up to the proof of ETs in their tradition and background. A government-financed team is even now discovering a mysterious pyramid some researchers declare is an historical, gigantic alien base. [Before It truly is Reports: Alien Base Found At Chinese Pyramid ] But some of the power construction managing China still carries vestiges of the negative aged regime. People factors fight versus freedom of information, the Net and even the freedom of personal text messaging. Nevertheless those powers are currently being distracted as China's financial system is floundering and most of their time and energy is now spent on the growing dilemma of supporting a slumping financial system. With China's rising economic woes the leaders' major be concerned is forestalling likely civil unrest: hundreds of thousands of inadequate Chinese
from the rural locations carry on to flood industrialized cities looking for jobsâ€”jobs that are drying up. Because China is in a state of fluxâ€”both politically and economicallyâ€”decades-old restrictions created to muzzle individuals like Sun Shili have loosened. And as China's grip eases, truth, in all its aspects, begins to shine via like sunlight peeking by way of turbulent storm clouds. Like the fact about UFOs, extraterrestrials, and unusual paranormal visitations. Above the previous two a long time, UFO and paranormal investigatory organizations have sprung up in China like proverbial flowers immediately after a scarce desert downpour. The Chinese people take the mysterious with open arms. They've constantly been interested in the strange, the bizarre, the unexplainable. Their ancient literature and textsâ€”some of the oldest in the planet outdoors the ancient writings of Sumeria and Tibetâ€”are crammed with accounts of otherworldly visitors, amazing encounters with ETs and strange guests instantly appearing in remote Chinese villages. Página 3
122 english The progress of these companies is virtually exponential, possibly that's not way too astonishing in a country with a population exceeding 1.3 billion individuals. Today, China has far more UFO companies supported by real scientific organizations, universities and the common community, than any other nation on Earth. Many of the organizations are now funded by the authorities that when suppressed them. Almost all drop below the bannerâ€”or are associated withâ €”the National Modern society of Extraterrestrial Studies (NASETS). Immediately supported and funded by the authorities, NASETS is some thing Chairman Mao would have frowned on in his day. The organization's the distinctive domain of accredited engineers and researchers and one-third of NASETS members are also government workers. The rest hail from universities or industrial research centers. Members need to also maintain Ph.D.s in their scientific or engineering field and have at minimum numerous peer-reviewed research published about Unidentified Flying Objects or extraterrestrials. Evaluate that method to the subterfuge and misinformation the military-industrial-federal government intricate in The us and other Western countries frequently foist on their hapless citizens. Between the hundreds of accredited researchers operating with NASETS, Sun Shili is one that promotes the concept that extraterrestrials are living Página 3
ezine english and functioning amongst individuals proper now. A retired international ministry official, Sun at present heads the highly regarded Beijing UFO Research Society, a duly associated arm of the all Página 4
122 english encompassing NASETS. He says at the time he assumed it was some kind of government monitoring deviceâ€”although the technological innovation driving the object was actually far beyond any country on Earthâ€”and it was not right up until years later when he go through of certain UFO encounters that he recognized the object he observed was not made by humans. Amid these who concur with Sun is rocket scientist Shen Shituan. Shen's the authoritative president of Beijing Aerospace University, a prestigious and effective position. Shen is also an honorary diirector of the fifty,000 member government-sponsored China UFO Research Association. Shen stresses that all reports of ET make contact with to the association are crucial. • China and ETs: They Walk Among Us Government Official: ETs Walk Among Us Before It's News. A former Chinese official has come forward to reveal new evidence that extraterrestrials walk amongst the peoples of Earth. These beings are everywhere -from lowly factory workers to the highest echelons of industry and government. Sun's drawings of ETs that appear as humans... • Government Official: ETs Walk Among Us A former Chinese official has come forward to reveal new evidence that extraterrestrials walk amongst the peoples of Earth. These beings are everywhere -from lowly factory workers to the highest echelons of industry and government. Sun's drawings of ETs that appear as humans agoracosmopolitan.com Sun Shili, a former Chinese official, has come... Read more: http://www.disclose.tv/news/Chinese_official_reveals_new_evidence_of_extrater restrials/83834#ixzz27OLeRUrD '''''''''''''''' 2.- And it´s The Magic Flute ,,,,,,,,,,,,,,compiled by Ofelia Boremia Wolfgang Amadeus Mozart The Magic Flute (German: Die Zauberflöte, K. 620) is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. Página 4
122 english ezine english The work is in the form of a Singspiel, a popular form that included both singing and spoken dialogue. The work premiered in 1791 at Schikaneder's theater, the Freihaus-Theater auf der Wieden in Vienna. Emanuel Schikaneder, librettist of Die Zauberflöte, shown performing in the role of Papageno. The object on his back is a birdcage; see below. The opera was the culmination of a period of increasing involvement by Mozart with Schikaneder's theatrical troupe, which since 1789 had been the resident company at the Theater auf der Wieden. Mozart was a close friend of one of the singer-composers of the troupe, tenor Benedikt Schack (the first Tamino), and had contributed to the compositions of the troupe, which were often collaboratively written. Mozart's participation increased with his contributions to the 1790 collaborative opera Der Stein der Weisen (The Philosopher's Stone), including the duet ("Nun liebes Weibchen", K. 625/592a) and perhaps other passages. Like The Magic Flute, Der Stein der Weisen was a fairy-tale opera and can be considered a kind of precursor; it employed much the same cast in similar roles. The libretto for The Magic Flute, written by Schikaneder, shares much of its plot and many of its characters with the Singspiel Oberon, written by Karl Ludwig Giesecke for the Schikaneder troupe two years earlier (and set to
music by Paul Wranitzky) as a re-adaptation of Sophie Seyler's Singspiel Hüon und Amande, ultimately based on the poem Oberon by Wieland. Mozart evidently wrote keeping in mind the skills of the singers intended for
the premiere, which included both virtuosi and ordinary comic actors, asked to sing for the occasion. Thus, the vocal lines for Papageno—sung by Schikaneder himself—and Monostatos (Johann Joseph Nouseul) are often stated first in the strings so the singer can find his pitch, and are frequently doubled by instruments. In contrast, Mozart's sister-in-law Josepha Hofer, who premiered the role of the Queen of the Night, evidently needed little such help: this role is famous for its difficulty. In ensembles, Mozart skillfully combined voices of different ability levels. The pitch ranges of two of the original singers for whom Mozart tailored his music have posed challenges for many singers who have since recreated their roles. The Queen of the Night's "Der Hölle Rache kocht in meinem Página 6
122 english Herzen" ("The vengeance of Hell boils in my heart") reaches a high F6, rare in opera. At the low end, the part of Sarastro, premiered by Franz Xaver Gerl, includes a conspicuous F in a few locations. Premiere and reception The opera was premiered in Vienna on 30 September 1791 at the suburban Freihaus-Theater auf der Wieden. Mozart conducted the orchestra, Schikaneder himself played Papageno, while the role of the Queen of the Night was sung by Mozart's sister-in-law Josepha Hofer. On the reception of the opera, Mozart scholar Maynard Solomon writes: Although there were no reviews of the first performances, it was immediately Página 5
ezine english evident that Mozart and Schikaneder had achieved a great success, the opera drawing immense crowds and reaching hundreds of performances during the 1790s. The success of The Magic Flute lifted the spirits of its composer, who had fallen ill while in Prague a few weeks before. Solomon continues: Mozart's delight is reflected in his last three letters, written to Constanze, who with her sister Sophie was spending the second week of October in Baden. "I have this moment returned from the opera, which was as full as ever", he wrote on 7 October, listing the numbers that had to be encored. "But what always gives me the most pleasure is the silent approval! You can see how this opera is becoming more and more esteemed." … He went to hear his opera almost every night, taking along [friends and] relatives. The opera celebrated its 100th performance in November 1792. Mozart did not have the pleasure of witnessing this milestone, having died of his illness on 5 December 1791. Since its premiere, The Magic Flute has always been one of the most beloved works in the operatic repertoire, and is presently the fourth most frequently performed opera world wide. First publication On 28 December 1791, three and a half weeks after Mozart's death, his widow Constanze offered to send a manuscript score of The Magic Flute to the Página 7
122 english electoral court in Bonn. Nikolaus Simrock published this text in the first full-score edition (Bonn, 1814), claiming that it was "in accordance with Mozart's own wishes" (Allgemeine musikalische Zeitung, 13 September 1815).  The Magic Flute and freemasonry The Magic Flute is noted for its prominent Masonic elements; Schikaneder and Mozart were Masons and lodge brothers (see: Mozart and Freemasonry). The opera is also influenced by Enlightenment philosophy, and can be regarded as an allegory advocating enlightened absolutism. The Queen of the Night represents a dangerous form of obscurantism or, according to some, the anti-Masonic Empress Maria Theresa. Her antagonist Sarastro symbolises the enlightened sovereign who rules according to principles based on reason, wisdom, and nature. The story itself portrays the education of mankind, progressing from chaos through religious superstition to rationalistic enlightenment, by means of trial (Tamino) and error (Papageno),
ultimately to make "the Earth a heavenly kingdom, and mortals like the gods". ("Dann ist die Erd' ein Himmelreich, und Sterbliche den Göttern gleich." This couplet is sung in the finales to both acts.) Roles Página 6
ezine english Role Voice type Premiere cast, 30 September 1791 (conductor: Wolfgang Amadeus Mozart) Tamino tenor Benedikt Schack Papageno baritone Emanuel Schikaneder Pamina soprano Anna Gottlieb Página 8
122 english The Queen of the Night coloratura soprano Josepha Hofer Sarastro bass Franz Xaver Gerl Three ladies 2 sopranos, mezzo-soprano Mlle Klöpfer, Mlle Hofmann, Mme Elisabeth Schack Monostatos tenor Johann Joseph Nouseul Three boys treble, alto, mezzo-soprano Página 7
ezine english Anna Schikaneder; Anselm Handelgruber; Franz Anton Maurer Speaker of the temple bass-baritone Herr Winter Three priests tenor, 2 basses Johann Michael Kistler, Urban Schikaneder, Herr Moll Papagena soprano Barbara Gerl Two armoured men tenor, bass Johann Michael Kistler, Herr Moll Three slaves 2 tenors, bass Karl Ludwig Giesecke, Herr Frasel, Herr Starke Priests, women, people, slaves, chorus The names of the performers at the premiere are taken from a preserved playbill for this performance (at right), which does not give full names; "Hr." = Herr, Mr.; "Mme." = Madame, Mrs.; "Mlle." = Mademoiselle, Miss. While the female roles in the opera are assigned to different voice types, the playbill for the premiere performance referred to all of the female Página 9
122 english singers as "sopranos". The casting of the roles relies on the actual pitch range of the part. These singers perform with an orchestra consisting of two flutes (one doubling on piccolo), two oboes, two clarinets (doubling basset horns), two bassoons, two horns, two trumpets, three trombones (alto, tenor, and bass), timpani and strings. The work also requires a four-part chorus for several numbers (notably the finales of each act); and a glockenspiel to perform the music of Papageno's magic bells. Synopsis Página 8
ezine english Act 1 Scene 1: A rough, rocky landscape After the Overture, Tamino, a handsome prince who is lost in a distant land and is being pursued by a serpent, is introduced (quartet: "Zu Hilfe! Zu Hilfe!"). He faints from fatigue and three ladies, attendants of the Queen of the Night, appear and kill the serpent. They find the unconscious prince extremely attractive, and each tries to convince the other two to leave, in order to be alone with him. After arguing, they decide that it is best that they all leave together. Tamino recovers, and Papageno enters, arrayed entirely in the plumage of birds. He sings of his job as a bird catcher and the fact that he is longing for a wife, or, at least, a girlfriend (aria: "Der Vogelfänger bin ich ja"). Papageno tells Tamino that he, Papageno, strangled the serpent with his bare hands. At this moment, the three ladies appear and punish his lie by placing a padlock over his mouth. They tell Tamino that they were responsible for saving him, and show to the prince a portrait of a young maiden, Pamina, with whom he falls instantly in love (aria: "Dies Bildnis ist bezaubernd schön" / "This image is enchantingly lovely"). The arrival of the Queen of the Night. Stage set by Karl Friedrich Schinkel (1781–1841) for an 1815 production The Queen of the Night now appears. She tells Tamino that the girl in the portrait, Pamina, is her daughter, who has been captured by her enemy, Sarastro. She demands that Tamino go to Sarastro's temple and rescue Pamina, Página 10
122 english promising that he can marry Pamina in return. (Recitative and aria: "O zittre nicht, mein lieber Sohn" / "Oh, tremble not, my dear son! You are innocent, wise, pious".) After the Queen leaves, the ladies give Tamino a magic flute that can change men's hearts, remove the padlock from Papageno, and present him with a chime of bells to protect him. Papageno is ordered to accompany Tamino on his rescue-mission, and together they set forth. (Quintet: "Hm hm hm hm".) The ladies introduce three child-spirits, who will guide Tamino and Papageno to Sarastro's temple. Scene 2: A room in Sarastro's palace Pamina is dragged in by Sarastro's moorish slave Monostatos. (Trio: "Du feines Täubchen, nur herein!".) Papageno, sent ahead by Tamino to help find Pamina, enters. Monostatos and Papageno are each terrified by the other's strange appearance and both flee the stage. But Papageno soon returns and announces to Pamina that her mother has sent Tamino to her aid. Pamina rejoices to hear that Tamino is in love with her, and then offers sympathy and hope to Papageno, who longs for a wife to love. Together they sing an ode to love (duet: "Bei Männern welche Liebe fühlen"), then depart. Scene 3: Grove and entrance to the temples The three child-spirits lead Tamino to Sarastro's temple, promising that if Página 9
ezine english he remains faithful and steadfast, he will succeed in rescuing Pamina. As Tamino reaches the temple, he is denied entrance at two of its three gates, by invisible voices singing "Go back!". But when he tries the third gate, an old priest appears and gradually convinces him that Sarastro is benevolent, not evil, and that women's opinions should not be taken seriously. After the priest leaves him, Tamino plays his magic flute in hopes of summoning Pamina and Papageno. The tones summon a group of magically tamed beasts, which listen in rapture to Tamino's music. Then Tamino hears Papageno's pipes, which Papageno, offstage, is blowing in response to the sound of Tamino's flute. Ecstatic at the thought of meeting Pamina, Tamino hurries off. Página 11
122 english Papageno appears with Pamina, following the distant sound of Tamino's flute. The two are suddenly captured by Monostatos and his slaves. Papageno then works an enchantment on the slaves using his magic bells, and they dance, mesmerised by the music of the bells, off the stage. Papageno now hears the approach of Sarastro and his large retinue. He is frightened and asks Pamina what they should say. She answers that they must tell the truth. Sarastro and his followers enter. Overcome by Sarastro's majesty, Pamina falls at his feet and confesses that she was trying to escape because Monostatos had demanded her love. Sarastro receives her kindly and tells her that he will not force her inclinations, but cannot give her freedom nor return her to her mother, because she must be guided by a man. Monostatos then enters with Tamino captive. The two lovers see one another for the first time and instantly embrace, causing indignation among Sarastro's followers. Monostatos tries to point the finger of blame at Tamino. Sarastro, however, punishes Monostatos for his lustful intentions toward Pamina, and leads Tamino and Papageno into the temple of ordeal. The Brotherhood send them off in a glorious chorus. Act 2 Scene 1: A grove of palms The council of priests of Isis and Osiris, headed by Sarastro, enters to the sound of a solemn march. They determine that Tamino and Pamina shall be married, and that Tamino will succeed Sarastro as leader, if he succeeds in passing the priests' trials. Sarastro explains that the Queen of the Night has attempted to bewilder the people with superstition and groundless fears. He then sings a prayer to the gods Isis and Osiris, asking them to protect Tamino and Pamina and to take them into their heavenly dwelling place should they die in the course of their trials (Aria: "O Isis und Osiris"). Scene 2: The courtyard of the temple of Ordeal Tamino and Papageno are led into the temple. A priest cautions Tamino that this is his last chance to turn back, but Tamino boldly promises that he will undergo every trial to win his Pamina. Papageno declines the trials at Página 10 first, saying that he doesn't care much about wisdom or enlightenment, and only wants food, wine, and a pretty woman. The priest tells Papageno that Sarastro may have a woman for him if he undergoes the trials, and that Página 12
122 english she is called Papagena. Reluctantly, Papageno agrees to undergo the trials. The first test requires that Tamino and Papageno remain silent while being tempted and threatened by women. (Short duet by two priests: "Bewahret euch von Weibertücken") The three ladies appear, and tempt them to speak. (Quintet: "Wie, wie, wie") Papageno cannot resist answering the ladies, but Tamino remains aloof, speaking only to Papageno, and then only to tell him to be quiet. Seeing that Tamino will not speak to them, the ladies withdraw in confusion. One priest congratulates Tamino for successfully passing the first test. Another priest scolds Papageno for his weakness, and tells him that he will never know the enlightened bliss of the gods. Papageno replies that there are a great many people in the world like himself, unenlightened but happy, and asks why he must undergo tests if Sarastro already has a woman selected for him. The priest says that it is the only way. Scene 3: A garden, Pamina asleep Monostatos approaches and gazes upon Pamina with rapture. (Aria: "Alles fühlt
der Liebe Freuden") He is about to kiss her sleeping face, when the Queen of the Night appears and frightens him away. She wakes Pamina and gives her a dagger, ordering her to kill Sarastro with it. (Aria: "Der Hölle Rache kocht in meinem Herzen" / "Hell's vengeance boileth in mine heart"). After she leaves, Monostatos returns and tries to force Pamina's love by threatening to reveal the murder-plot, but Sarastro enters and drives him off. Sarastro forgives and comforts Pamina (Aria: "In diesen heil'gen Hallen"). Scene 4: A hall in the temple of Ordeal Tamino and Papageno must again suffer the test of silence, a more difficult variation this time: An old woman enters and offers Papageno a drink of water. Although it is forbidden, he engages her in conversation and asks her how old she is. She replies that she is eighteen years and two minutes old. Papageno bursts into laughter and teases her that she must have a boyfriend. She replies that she does and that his name is Papageno. Then she disappears without telling him her name. Pamina enters and tries to speak with Tamino. Since Tamino silently refuses to answer, Pamina believes he no longer loves her. (Aria: "Ach, ich fühl's, es ist verschwunden") She leaves in despair. Scene 5: The pyramids Página 13
122 english The Priests of the Temple celebrate Tamino's successes so far, and predict that he will succeed and become worthy of their order (Chorus: "O Isis und Osiris"). Sarastro separates Pamina and Tamino. (Trio: Sarastro, Pamina, Tamino – "Soll ich dich, Teurer, nicht mehr sehn?") They exit and Papageno enters. Papageno plays his magic bells and sings a ditty about his Página 11
ezine english desire for a wife. (Aria, Papageno: "Ein Mädchen oder Weibchen"). The elderly woman reappears and demands that he pledge engagement to her, warning that if he doesn't, he will remain alone forever. Reluctantly, Papageno promises to love her faithfully. She immediately transforms into the young and pretty Papagena. As Papageno rushes to embrace her, however, the priests drive her away with thunder and lightning. Scene 6: An open country Tamino and Pamina undergo their final trial; watercolor by Max Slevogt (1868–1932) The three child-spirits see Pamina attempting to commit suicide because she believes Tamino has abandoned her. They restrain her and take away her dagger, promising that she will see him soon. (Quartet: "Bald prangt, den Morgen zu verkünden"). Scene 7: A hall or room with two doors: one leading to a chamber of trial by water and the other to a cavern of fire. Two men in armour lead Tamino onstage. They recite, in unison, one of the formal creeds of the goddess Isis, promising enlightenment to those who successfully overcome the fear of death ("Der, welcher wandert diese Strasse voll Beschwerden"). This recitation takes the musical form of a Baroque chorale prelude, to the tune of Martin Luther's hymn Ach Gott, vom Himmel sieh darein (Oh God, look down from heaven). Tamino declares he is ready to be tested, but Pamina, offstage, calls for him to wait for her. The men in armour assure Tamino that the trial by silence is over and he is free to speak with her. She enters, and exchanges loving words with Tamino ("Tamino mein, o welch ein Glück!"). United in harmony, they enter the Página 14
122 english trial-caverns together. Protected by the music of the magic flute, they pass unscathed through fire and water. Offstage, the priests hail their triumph. Papageno, having given up hope of winning Papagena, tries to hang himself (Aria/Quartet: "Papagena! Papagena! Papagena!"), but at the last minute the three child-spirits appear and remind him that he should use his magic bells to summon her, instead. Papagena reenters, and the happy couple is united, stuttering at first in astonishment (Duet: "Pa … pa … pa ..."). The traitorous Monostatos appears with the Queen of the Night and her ladies, plotting to destroy the temple ("Nur stille, stille"), but they are magically cast out into eternal night. The scene now changes to the entrance of the chief temple, where Sarastro bids the young lovers welcome and unites them. The final chorus sings the praises of Tamino and Pamina in enduring their trials and gives thanks to the gods. The opera may sometimes be divided into three acts in which case, the third act typically begins with scene 8. Even in the two-act version, the scenes in act 2 are sometimes rearranged, with the Sarastro-Tamino-Pamina trio occurring earlier and Sarastro's prayer occurring later. Overture to The Magic Flute Página 12
ezine english "March of the Priests" (beginning of act two) Queen of the Night's second aria, "Der Hölle Rache" "Ach, ich fühl's", Pamina, act 2 Act 1 "Der Vogelfänger bin ich ja" (The birdcatcher am I) – Papageno, Scene 1 "O zittre nicht, mein lieber Sohn" (Oh, tremble not, my beloved son) – The Queen of the Night, Scene 1 Página 15
122 english "Dies Bildnis ist bezaubernd schön" (This image is enchantingly beautiful) – Tamino, Scene 1 "Wie stark ist nicht dein Zauberton" (How strong is thy magic tone) – Tamino, Finale Act 2 "O Isis und Osiris" (O Isis and Osiris) – Sarastro in, Scene 1 "Alles fühlt der Liebe Freuden" (All feel the joys of love) – Monostatos, Scene 3 "Der Hölle Rache kocht in meinem Herzen" (Hell's vengeance boils in my heart) – The Queen of the Night, Scene 3 "In diesen heil'gen Hallen" (Within these sacred halls) – Sarastro, Scene 3 "Ach, ich fühl's, es ist verschwunden" (Ah, I feel it, it is vanished) – Pamina, Scene 4 "Ein Mädchen oder Weibchen" (A girl or a woman) – Papageno, Scene 5 "Pa–, pa–, pa–" – Papageno and Papagena, Scene 10 ñññññññññ V SHAPED UFO..........COMPILED BY Joe Stanton V-shaped UFO reported moving silently over Washington town aliens & ufos October 3, 2012 A Snohomish, WA, witness watched the object move silently overhead. Image: The Snohomish River as seen from downtown. A Washington witness at Snohomish reports watching a "V-shaped, black craft with four white-yellow lights" moving southeast to northwest just after midnight on October 2, 2012, according to testimony from the Mutual UFO Network (MUFON) witness reporting database. "The body of the craft gave an impression of the V-shape but somehow seemed almost semi-transparent, blackish in color and almost shadowy in nature," the witness stated. "The four lights were very large, bright white to yellow in color and steady, no blinking or fluctuations." The object made no sound. Página 16
122 english "This large craft flying overhead made absolutely no noise. It floated by with an eerie kind of silence. It traveled in a southeast to northwest direction." The sighting was very short. "I got to see it fly overhead for a solid 10-15 seconds before the neighbor's tree blocked it from my view. I tried to run to the front of the house as quickly as I could to catch back up with it, but could no longer find it in the sky anywhere. This all happened between the minutes of 12:04 12:05 a.m. on October 2, 2012." No images or videos were included with the MUFON report, which was filed on October 3, 2012. The witness did provide two illustrations found on the Internet that depicted what was seen. Illustration 1 and Illustration 2. Snohomish is a city in Snohomish County, northwestern Washington, population 9,098. The above quotes were edited for clarity. Washington is a current UFO ALERT 5 rating, with a low number of UFO sightings nationally. Washington had 11 reports in September 2012 -the 20th highest reporting state while California had 69 reports -the highest reporting state in the nation. You can read more details about other recently reported cases at the UFO Examiner home page. The following is the unedited witness statement from the as yet uninvestigated report filed with MUFON. Please keep in mind that most UFO reports can be explained as something natural or manmade. If Washington MUFON State Director David McManus investigates and reports back on this case, I will release an update. Please report UFO activity to MUFON.com. Snohomish, WA, October 2, 2012 -Large, low flying, V-shaped, black craft with 4 large white/yellow lights flying SE to NW. MUFON Case 42973. The body of the craft gave an impression of the V-shape but somehow seemed almost semi-transparent, blackish in color and almost shadowy in nature. The four lights were very large, bright white to yellow in color and steady, no blinking or fluctuations. This large craft flying over head made absolutely no noise, it floated by with an eerie kind of silence. It traveled Página 17
122 english in a southeast to northwest direction. I got to see it fly overhead for a solid 10-15 seconds before the neighbors tree blocked it from my view. I tried to run to the front of the house as quickly as I could to catch back up with it, but could no longer find it in the sky anywhere. This all happened between the minutes of 12:04 -12:05AM 10-02-12. The most up close and craziest sighting Ive seen in my adult life! And to think, I witnessed all of this just because I wanted to go outside to get a breath of fresh air and look at the full moon before going to bed!!!! These are the best images I could find on the net that looks almost just like the UFO we saw last night. The one major difference being that the craft we saw had four lights, two on each side. Not to say there could have been a place for a light in the front and center, but maybe it was turned off? .. Roger Marsh, National ufo Examiner Roger Marsh is a UFO writer, author, playwright and independent filmmaker. He is director of public relations for the Mutual UFO Network (MUFON), and editor of the monthly MUFON UFO Journal. As Tremont Avenue Productions he produces stories of passion, resource and mystery. Contact him. Subscribe @tremontavenue Página 14
ezine english PPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPPP 4.- RING SHAPED WARP DRIVE..........COMPILED BY Dr. Farthon Climbor.
. A ring-shaped warp drive device could transport a football-shape starship (center) to effective speeds faster than light. The concept was first proposed by Mexican physicist Miguel Alcubierre. Click to enlarge this image.
A warp drive to achieve faster-than-light travel --a concept popularized in Página 18
122 english television's Star Trek --may not be as unrealistic as once thought, scientists say. A warp drive would manipulate space-time itself to move a starship, taking advantage of a loophole in the laws of physics that prevent anything from moving faster than light. A concept for a real-life warp drive was suggested in 1994 by Mexican physicist Miguel Alcubierre, however subsequent calculations found that such a device would require prohibitive amounts of energy. Now physicists say that adjustments can be made to the proposed warp drive that would enable it to run on significantly less energy, potentially bringing the idea back from the realm of science fiction into science. SLIDE SHOW: Introducing the Warpship "There is hope," Harold "Sonny" White of NASA's Johnson Space Center said Friday (Sept. 14) at the 100 Year Starship Symposium, a meeting to discuss the challenges of interstellar spaceflight. Warping Spacetime An Alcubierre warp drive would involve a football-shape spacecraft attached to a large ring encircling it. This ring, potentially made of exotic matter, would cause space-time to warp around the starship, creating a region
of contracted space in front of it and expanded space behind. Meanwhile, the starship itself would stay inside a bubble of flat space-time that wasn't being warped at all. "Everything within space is restricted by the speed of light," explained Richard Obousy, president of Icarus Interstellar, a non-profit group of scientists and engineers devoted to pursuing interstellar spaceflight. "But the really cool thing is space-time, the fabric of space, is not limited by the speed of light." With this concept, the spacecraft would be able to achieve an effective speed of about 10 times the speed of light, all without breaking the cosmic speed limit. The only problem is, previous studies estimated the warp drive would require a minimum amount of energy about equal to the mass-energy of the planet Jupiter. ANALYSIS: Warp Drives: Making the 'Impossible' Possible But recently White calculated what would happen if the shape of the ring encircling the spacecraft was adjusted into more of a rounded donut, as opposed to a flat ring. He found in that case, the warp drive could be powered by a mass about the size of a spacecraft like the Voyager 1 probe Página 19
122 english NASA launched in 1977. Furthermore, if the intensity of the space warps can be oscillated over time,
the energy required is reduced even more, White found. "The findings I presented today change it from impractical to plausible and worth further investigation," White told SPACE.com. "The additional energy reduction realized by oscillating the bubble intensity is an interesting conjecture that we will enjoy looking at in the lab." Laboratory Tests White and his colleagues have begun experimenting with a mini version of the warp drive in their laboratory. They set up what they call the White-Juday Warp Field Interferometer at the Johnson Space Center, essentially creating a laser interferometer that instigates micro versions of space-time warps. "We're trying to see if we can generate a very tiny instance of this in a tabletop experiment, to try to perturb space-time by one part in 10 million," White said. He called the project a "humble experiment" compared to what would be needed for a real warp drive, but said it represents a promising first step. ANALYSIS: Interstellar Travel Is Hard, Why Bother? And other scientists stressed that even outlandish-sounding ideas, such as the warp drive, need to be considered if humanity is serious about traveling to other stars. "If we're ever going to become a true spacefaring civilization, we're going to have to think outside the box a little bit, were going to have to be a little bit audacious," Obousy said. You can follow SPACE.com assistant managing editor Clara Moskowitz on Twitter
@ClaraMoskowitz. Follow SPACE.com on Twitter @Spacedotcom. We're also on Facebook & Google+. ======================================= Pocket books in english, $4 dollars apiece, Westerns of old. I sent it to the United States or anywhere in the world , in exchange for pencils. Send a letter to email@example.com if you have some interest. Thanks for to read .
This action might not be possible to undo. Are you sure you want to continue?
We've moved you to where you read on your other device.
Get the full title to continue reading from where you left off, or restart the preview.