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Jagdish Raj Ratra is B.Com (hons) L.L.

B
Fellow (F.I.I) worked in Insurance Sector
(LIC Of India) for 38 years. He has been
dedicated to serious study in astrology since
last few decades. He retired in Feb 1996, has
special interest in Jaimini Astrology. He
Researches on
a) Why there are 150 nadis in a sign and
what is the span of each nadi
b) What is their importance and its
contribution in natives age span?





Rediscovering The
Trishansha Chart
As Used In Nadis
By

Jagdish Raj Ratra, India
Copy Editor: Yenbeeyes, India

[In our concerted efforts to bring forth
unrevealed secrets of predictive astrology we
are encouraging our team members to submit
write ups to us, even if they happen to appear to
be seemingly contrary to the currently accepted
norms and meanings. This article is an effort in
that direction, as it not only exposes the unequal
division of the nadi amshas but possibly the
correct meaning of the trimshamsas as used in
nadis, though different from Varahamihir or in
the current translations of BPHS. We fully
believe that this will lead to increased use of
Trimshamshas as the one before propounded in
the BPHS has a very limited use especially in
this current social context. Please note that the
unequal nadiamshas as well as the sixteen
divisions have a bearing on the 60 year
Samvastar cycle in which the natal and
mundane predictions can vary. This ofcourse is
under investigation and would be progressively
presented. SA Editor]

t any epoc, horoscope is the
projected map of our solar system
spread over a matrix of 12 houses
with 7 physical planets and two virtual
planets (Nodes). It is the birds eye view.
For close study of the matrix, we need
magnified view of some special aspects
called vargas. The rashi chart is the mother
chart and 15 sub chart as prescribed by the
Sage Prsshar have the magnifying powers
of 2, 3, 4, 7, 9, 10, 12, 16, 20, 24, 27, 30, 40,45,
60.

A
To understand the concept, comparison can be made between watching a cricket
match at stadium and one at T.V. At stadium with naked eyes we can only see miniature
stature of players but can never know split second run out of player and also subtle swing of
ball in the air. With help of close ups videos we can see, split second actions at T.V.

Rasi chart also can be compared with Balance sheet (of natives life) in its briefest
format. It is supported by large number of schedules giving threadbare details of each entry
on assets & liability sides of Balance Sheet. Divisional charts are schedules to the mother
chart (Rashi Chart). Sometimes attractive looking Balance Sheet turns out to be defunct on
deep study, while ordinary looking Balance Sheet is full of hidden Reserves. The Divisional
charts clear the haze.

Degree-wise range & significance of each Sub-chart is as under: -

Sr.No. Name of chart Degree range Significance
1. Rashi 30 Summary of life
2. Hora 15 (30/2) material wealth
3. Drekkan 10 (30/3) c0-borns
4. Tooryansha 7:30 (30/4) fosterness
5. Saptansha 4:17 (30/7) progeny
6. Navansha 3:20 (30/9) Spouse
7. Dashamansha 3:00 (30/10) Status & authority
8. Dwadashansha 2:30 (30/12) Parents
9. Shodashansha 1:5230 (30/16) Conveyance, comforts
10. Vishamansha 1:30 (30/20) Religious karam
11. Chaturvinsha 1:15 (30/24) Academic career
12. Bhansha 1:06:40 Strength
13. Trishansha 1:00 (30/30) Benefic/malefic personality
14. Khavedansha 0:45 (30/40) Shubha influences
15. Akshavedansha 0:30 (30/45)
Miscellaneous matters
16. Shashtiansha 0:30 (30/60)

Sage Prashar has made 4 groups of these Vargas. First of which is SHADVARGA meant for
measuring power and strength of planets and houses without which reliable predictions
cannot be given. Shadvarga is basis of Shadbala (six tools of energy measure of planets) used
to select the method of age calculation of each native. We find the selective strength of
Lagna, the Sun & the Moon to be used in longevity assessments Amsha Ayu, Pinda Ayu
or Naisargik Ayu.

It is unfortunate that accurate casting of Hora and Trishansha have been lost in the
antiquity. Any valid chart should have (i) 12 houses (ii) lagna (iii) and all planets. Any
deviation is against the basic teaching of Sage Prashar. In any Sub chart a planet can occupy
only one sign which may be its Exaltation sign, Moolatrikona sign, Own sign or Kendra
sign from Lagna Aroodha. These placements are called shubha vargas.

The Rishi postulates that any planet can get placement in any of the 16 charts. These
placements can be Shubha varga or otherwise. If it gets Shubha vargas in all charts of 4
groups of 16 charts it obtains special status. If in Shada varga group a planet obtains 6 out of
6 shubha vargas, status name is KUNDAL, in groups of 7 charts (Sapta varga) 7 shubha
varga out of 7 gets the name of MUKAT, in Dasha varga (group of 1- charts) 10 out of 10
shubh varga gets the name of SHREEDHAM, in Shodasha varga (group of 16 charts) 16 out
of 16 shubha varga gets name of SHREEVALABHA. Hence is it very logical to say that all
planets participate in all 16 charts.

In the modern times Format of HORA & TRISHANSHA are against the perception
of Shri Prashar and are of corrupt format. In the corrupt format Hora do not have 12 houses
where Aries, Taurus, Gemini, Virgo, Libra, Scorpio, Sagittarius, Capri, Aqua and Pisces
have no chance of becoming Lagan or represent a house while in Trishansha 5 planets
participate in 5 unit division of 30 degree. If the casting of these charts is faulty, the Shadbala
is incorrect hence the predictions based on that Shadbala are faulty.

Late Dr. B.V.Raman knew about this corruption in 1960s. For reasons best known to
him he did not raise this issue but made a passing reference in his London lecture of 26
th
Sep.
1970, quoted hereinafter at page 8. Late Shri A.D.Pathak raised this issue vide his 2 articles
published in Times of Astrology (Delhi) January and February 1995 issues and blamed Shri
Varaha mihir for inserting fake Trishansha in the text influenced by Tajak Astrology. He
lamented that Mihirs stature in his times was so high and dominant that nobody dared
challenge him rather later writers followed him blindly and meekly.

Shri Varahamihir was court astrologer of King Vikramaditya of Ujjain. He lived
about 2065 years earlier. The corrupt format of Trishansha divided 30 bhava into 5 parts. For
odd rashis 5, 5, 8, 7, 5 belongs to Mars, Saturn, Jupiter, Mercury & Venus. For even
rashis segments are 5, 7, 8, 5, 5 belongs to Venus, Mercury, Jupiter, Saturn, Mars. The
Sun and the Moon are totally ignored. Varaha Trishansha deals with sexual violability
committed by the female natives, while Prashars Trishansha deals with positive and
negative traits of a native as per Trishansha of the planet in which he is born. Shri Pathak
analysed trishansha results prescribed by Shri Varaha and found that out of 25 Trishansha
results 13 belonged to females as violators of chastity as if all males are beyond doubt. It is
better that Varahas Trishansha be called a barometer of females sex pleasures.

The pure format of D-30 (Trishansha) can be found in pre-Varaha literature. In
support we present Verse No. 5750-51 book III of Chandra Kala Nadi which was written
about 200 to 300 years before Varaha:-
4 ~ P U
4 5T
3 3 4 4

Rashi of 30, Hora is half of Rashi, Drekkan is 1/3
rd
, Navansha is 1/9
th
, Dwadashansha is
1/12
th
and Trishansha is 1/30
th
part of Rashi.

With extensive research over 15 years, we have developed a Trishansha chart
depicting each part of 1 degree (30 30 = 1) with following characteristics:-

i) A rashi is divided into 30 parts of one degree each.
ii) Each degree is represented by a rashi in digits (1 to 12).
iii) If the opening Trishansha under dual Rashi like Meena, Mithun, Kanya and
Dhanus is x sign their next rashi being moveable whose opening Trishansha shall
be x 2 sign thereafter follows fixed sign whose opening trishansha will be x + 2
sign.
iv) Opening D-30 signs scheme is as under:-

Dual Signs Moveable Signs Fixed Signs
Meena Mesha Vrishab
9 7 11
Mithun Katak Simha
4 2 6
Kanya Tula Vrishchak
10 8 12
Dhanur Makar Kumbha
3 1 5
(digits 1, 2, 3. Represent Mesha, vrishab etc.)

v) Opening D-30 of Meena + Mithun = 9 + 4 = 13 is same for Kanya + Dhanu. This
arithmetic applies to Mesha + Katak = Thula + Makar; Vrishab + Simha =
Vrischak + Kumbh
vi) Under Meena Rashi D-30 opens with Dhanu followed by Makar, Meena, Mesha
etc. till all 30 degrees are posted with signs in regularity. Under Mesha Rashi D-30
opens with Tula followed by Vrischak, Dhanu etc till all 30 degrees are posted with
signs in regularity.

Trishansha chart on next page is easy to understand and follow. For verification of our
chart we need
i) Pre Varaha literature
ii) Such granthas should contain birth parameters Lagan Rashi of 30 degrees,
Drekkan limiting the lagan to zone of 10 degrees, Navansha narrowing it to
3:20 and Trishansha pinning it down to single degree accuracy or Texts
dealing with 150 nadis within specific Lagan.
iii) Alphabetical list of nadis (annexure No. 1)
iv) Longitudes of each nadi under moveable, fixed and dual Lagans (annexure
No.2). These annexures had been published under our earlier article Mystery
about number & longitude of each nadi

Chandra Kala Nadi is one such granthas in our possession which meets the above
criteria. We have found 19 to 20 Verses from this text which confirm the validity of the said
Trishansha chart. We have arranged laganas in groups of moveable, fixed and dual.


TRISHANSHA CHART

Degr
ee
Mes
ha
Vrish
ab
Mith
un
Kat
ak
Sim
h
Kan
ya
Tul
a
V.ch
ak
Dha
nu
Mak
ar
Kum
bh
Mee
na
1 7 11 4 2 6 10 8 12 3 1 5 9
2 8 12 5 3 7 11 9 1 4 2 6 10
3 9 1 6 4 8 12 10 2 5 3 7 11
4 10 2 7 5 9 1 11 3 6 4 8 12
5 11 3 8 6 10 2 12 4 7 5 9 1
6 12 4 9 7 11 3 1 5 8 6 10 2
7 1 5 10 8 12 4 2 6 9 7 11 3
8 2 6 11 9 1 5 3 7 10 8 12 4
9 3 7 12 10 2 6 4 8 11 9 1 5
10 4 8 1 11 3 7 5 9 12 10 2 6
11 5 9 2 12 4 8 6 10 1 11 3 7
12 6 10 3 1 5 9 7 11 2 12 4 8
13 7 11 4 2 6 10 8 12 3 1 5 9
14 8 12 5 3 7 11 9 1 4 2 6 10
15 9 1 6 4 8 12 10 2 5 3 7 11
16 10 2 7 5 9 1 11 3 6 4 8 12
17 11 3 8 6 10 2 12 4 7 5 9 1
18 12 4 9 7 11 3 1 5 8 6 10 2
19 1 5 10 8 12 4 2 6 9 7 11 3
20 2 6 11 9 1 5 3 7 10 8 12 4
21 3 7 12 10 2 6 4 8 11 9 1 5
22 4 8 1 11 3 7 5 9 12 10 2 6
23 5 9 2 12 4 8 6 10 1 11 3 7
24 6 10 3 1 5 9 7 11 2 12 4 8
25 7 11 4 2 6 10 8 12 3 1 5 9
26 8 12 5 3 7 11 9 1 4 2 6 10
27 9 1 6 4 8 12 10 2 5 3 7 11
28 10 2 7 5 9 1 11 3 6 4 8 12
29 11 3 8 6 10 2 12 4 7 5 9 1
30 12 4 9 7 11 3 1 5 8 6 10 2

Mesha Lagan

(1) Verse No. 1548, Book No I (Chandra Kala Nadi)

P
* ~

4
Sama nadi is at serial No. 7 under moveable sign.; it has longitude of 1:15;01 to 1:20. Birth
is under 2
nd
degree of Mesha lagan. Referring Trishansha chart under column Mesha against
2 we find digit 8 (Vrishchak) belongs to Mars.

(2) Verse No. 2208 & 2211, Book No. I (C.K.Nadi)

P - 2208

6 4 2211
Mangla Nadi serial No. 91 (Shri C.S.Patel list) under moveable sign it has longitude of
17:46:41 to 18:00. The birth was under 18
th
degree of Mesha Lagan. As per Trishansha
chart under Mesh column against 18 degree we find digit 12 (Meena) which belongs to
Jupiter.

(3) Verse No. 2678 & 2679 (Book I (C.K.Nadi)

P P 9 - 2678
P

6 4 2679
Champaka nadi, serial No. 27, under moveable sign; it has longitude of 5:20:01 to
5:30. The birth was under 6
th
degree of Mesha Lagan. Under Mesha column against 6 entry
is digit 12 (Meena) belongs to Trishansha of Jupiter.

Katak Lagan

(4) Verse No. 1795 & 1789 (C.K.Nadi Book I)
P 9
44 ~

1789

Under item No (iii) Nadi is same & Lagan at 6 degrees under column katak against 6 degree
entry is digit 7 (Tula) belonging to Venus.

(5) Verse No. 2913 (C.K.Nadi Book II) Katak Lagan - Pankajansha
P 4
-

97 4


~~F9

Pankaj nadi is at serial No. 149, under moveable Lagan; its longitude is 29:20 to 29:30. The
birth under 30
th
degree of Katak with Meena Navansha. Under column Katak against 30 we
find digit 7 (Tula) belonging to Venus whereas our test says it is Mars Trishansha. This
cannot be true. There appears to be printing mistake because line no. 2 & 3 contain
characteristics of Venus not of Mars. Only Venus Trishansha can be addicted to dance,
music, fancy scents and decorative and precious clothes.

Shadavarga Varga Prakash a book compiled by Shri Mukand Balabh printed by Motilal
Banarsi Dass, Varanasi gives trishansha phala of Mars as (page 70)

- 4
4[ ~ 4 4 U

9

For Venus trishansha it says (page 71)

6c U
3

6* _

U 4

(6) Verse No. 2926 (C.K.Nadi Book II)

It is just repeat of Verse No. 2913

Makar Lagan

(7) Verse No. 1338 (C.K.Nadi Book I)

~ 44

Kanta nadi is at serial No. 32. Under moveable sign its longitude is 6:15:01 to 6:30. The
birth was under 7
th
degree of Makar lagan. Under Makar column against 7 we find digit 7
(Tula) ruled by Venus.

(8) Verse No. 2719 (C.K.Nadi Book I)

4 T P
44 ~ 94
Trailokya nadi is at serial No. 74 (of C.S.Patel list) and at 75 (of C.G.Rajan list). Under
moveable sign its longitude is 14:30; 01 to 14:40 & 14:40:01 to 15:00 respectively both
falling under 15
th
degree. Under column Makar of Trishansha against 15 we find digit 3
(Mithun) belonging to Mercury.

Vrishabha Lagan (Fixed Sign)

(9) Page 65 Astrological Magazine January 1982

Shri N.Sundara Rajan, B.A., M.A., F.A. in an article DHRUVA NADI AND
AYANANSHA quoted the following reading of Dhruva Nadi of Satyacharya as under:

It means as follows in the year Prajapata in the month of katak (July) on 18
th
day in
the bright half of the Moon on Wednesday on the night of eleventh lunar day in the 4
th

quarter of Jyeshta nakshatra, in yoga of Mahindra and Bhadrakya karan, in Trishansha of
Mars & Hora of Mars (!!!) in satvik vela birth takes place after 51 Nadi and quarter (from
sunrise) equal to 21 nadis and 7
th
vinadi after sunset. Birth takes place in Taurus Lagan Virgo
navansha

Life readings tallies with a native born at night of 31.7.1811 at 2:27 a.m. at Madras,
Wednesday. He works out the Niryan position of Lagan at 59:04:54 and ayanansha at
2:13:41. Hence sayan Lagan 56:51:13, Taurus Lagan at 2651:13, Kanya Navansha covers
26:41 to 30:00 of Lagan. Hora covers 16 to 30. Trishansha is stated to be Mars. The exact
degree of birth 1
s
27 under column Taurus (Vrishaba) against 27 we find digit 1 (Mesha)
governed by mars. In the same article Shri N.S.Rajan praises Dhruva Nadi of Satyacharya
and Sukra Nadi as excellent among nadis. An astounding reference is Hora of Mars while all
modern texts talk about Surya Hora and Chandra Hora, how it is Satyacharya (who lived
about eleven centuries before Christ as per late C.S.Patel in his book Nadi astrology at page
39) grants Hora to Mars. We have, argued earlier about distortion of Hora Chart.

(10) Page 889 Astrological Magazine Dec. 1977

Late Dr. B.V.Raman, modern doyen of Astrology in his lecture on 26
th
Sep. 1970 at
Astrological Lodge-LONDON whose extract as second part was published in 1977 declared
that Trishansha is 1/30 division of Rashi and gave many examples to bring home the point.
He quoted an extract from Sukra Nadi as:-

If the Lagan is Taurus and censor point (Nadi is Kumari Nadi), the native born in
the first part shall be third issue to his parents. He will be born in a big town on the banks of
a river in the house of his father, situate in a street running north south and house facing the
EAST. The delivery shall be easy.

If the birth is in second part, it will be in a small place in a relatives house in a street
running East West and house facing south. He will be 4
th
issue to his parents, his elder
brother having died. In either case Trishansha shall be of Venus.

Kumari Nadi is at serial No. 105. For fixed lagan longitude of nadi is 8:53:21 to 9:00,
The birth was under 9
th
degree of Vrishabha. Against 9 under column Vrishabha, the digit
entry is 7 (Tula) ruled by Venus.

Dr. Raman made some wonderful comments on Nadi granthas. He classified Nadis
into 3 groups. (A) Those make predictions on Dwadashansha (B) Those give prediction on
(1/30) Trishansha (C) those which predict on Nadi (1/150). Dwadashansha indicates very
general pattern of future, Trishansha indicates more specific pattern of future while
Nadiansha gives exact pattern of future. Dr. Raman avoiding naming of individual or group
who defiled our shastras was bold enough to praise trishansha as complete predictive system
about traits of native slightly less to Nadi system. He never concurred with 5 unit division
of Trishansha and everything attached to such division. It is likely the interpretation
sections on sub charts under BPHS were eliminated from text by interested parties.

Format of post Varaha trishansha and prediction based on them should be discarded.
Any Lagan getting Shubha trishansha gives the native noble and handsome face, mind and
adorable qualities and not sexual in discipline. We reproduce here the qualities of native
born in Trailokya Nadi in Budha Trishansha (Ver. No. 2719 Book II) & Verse No. 2725 31.

He will be good looking, intelligent, eloquent, be endowed with charming face and
eyes, be fortunate, religious, be fond of Superior ascetics and will worship Gods and
Brahmins. He will eat limited food, talk within limits, sleep for limited hours. He will
conquer his senses, skillful in knowing others thoughts, be fond of ornaments, be evil
person to evils, unkind to unkind people. He will be skilful in law and philosophy etc.etc.
The text is strewn with such instances of benefic trishansha.

Vrishchak Lagan

(11) Verse No. 1939 (C.K.Nadi Book I)

P

64
9 9 *
Gadaa Nadi is at serial No. 86 under fixed Lagan; its longitude is 12:51;24 to 13:00. Lagan
at 13
th
degree of Vrishcak under column Vrishchak against 13, we find 12 (Meena) belonging
to Jupiter.

(12) Verse No. 2349 (C.K.Nadi Bk I)

P 44

Sudha Nadi is at serial No. 72. Under fixed Lagan its longitude is 15:33:21 to 15:45 falling
under 16
th
degree. Under column Vrishchak against 16 we find digit 3 (Mithun) belonging to
Mercury.

Dhanu Lagan (Dual Sign)

(13) Verse No. 2657 & 2652 (C.K.Nadi Book III)

P 4 U - 2657
P P 9
9 ~ 9 - 2652

Champaka nadi is at serial No. 27. Under dual sign its longitude is 20:30:01 to 20:37:20 i.e.
21
st
degree. Under column Dhanu of trishansha chart against 21 we find digit 11 (kumbha)
governed by Saturn.

Meena Lagan

(14) Verse No. 2405, 06, 2413 (C.K.Nadi Book I)
Verse No. 2413 is repetition of VN 2406.

P 9 - 2405

64 - 2406

Vasudha is at serial No I. Under dual sign its longitude is 15:01 to 15:20 i.e. 16
th
degree.
Under column Meena of trishansha chart against 16
th
degree we get 12 (Meena) owned by
Jupiter.

(15) Verse No. 2787 & 88 (C.K.Nadi Book II)

9 P

64 - 2787
-

97 4

~~F9
34

~

Suprabha Nadi is at serial No. 78. Under dual lagan its longitude is 0:40:01 to 0:45:00
i.e. first degree. Under column Meena against first degree we find digit 9 (Dhanu) owned
by Jupiter.

We have proved the validity of New Trishansha with the help of Nadi longitudes
under 7 laganas Mesha, Vrishabha, Katak, Vrishchak, Dhanu and Meena for which
material could be churned out of Chandrakala nadi. We regret we do not have Dhruva
Nadi of Satyacharya or Sukranadi in our possession for research and verification of
Trishansha under remaining 5 laganas. We request scholars to help dig out real
Trishansha.

Much work needs to be done for HORA CHART as well. Dhana yoga, Shri yogas
available in Mother chart should be got confirmed in a Hora Chart whose present format
is useless and illogical. Hora Chart, first Deputy of Mother Chart (Rashi Chart) amongst
15 sub charts should have been developed as a tool of measurement of economic power of
a native. Presently only ruins are available of a grand edifice.

Annexure I

SANSKRIT ALPHABETICAL NAMES OF NADIS
WITH SERIALS GIVEN UNDER ANNEXURE II

Aindra
108
Ambuja
124
Amrutplavini 47
Avilaa 41

Balaa
83
Bharataa
133
Bhupa 66
Braahmi 3
Brahmi
111

Champakaa 27
Chirjivini 65
Chitraa 63
Chitrini 64


Damaka 28
Dhanada
122
Dhanakari
121
Dhananjaya
120
Dhruva 23
Durbhagaa 37
Durbhagaa 62
Durdharaa 36

Gaadhaa
86
Gada
85
Gadaharaa 67
Gahvaraa 51
Ghora 14

Haarini
117
Harini
118
Hasita
134

Jagati 21
Jarjhara 22
Jwalaa
84

Kaalaa 33
Kaalakota 4
Kachchhapa
123
Kadali
135
Kala
130
Kalashodbhava
141
Kalushaa 30
Kalushankura 73
Kamadhruk 49
Kamalaa 31
Kamini
140
Kandala
137
Kanta 32
Karalaa 48
Karavirani 50
Karikara 34
Kokila
106
Kokila
138
Kshamaa 35
Kumari
105
Kumbhini 15
Kundaa
131
Kundini 52
Kunjarakriti
107
Kutila 16

Maadhvi 12
Maala 20
Maaya 10
Madiraa
115
Mahamari
75
Mahi 29
Maitri
116
Managhnaa 61
Mangala
91
Manjuswana 13
Manoharaa 11
Manshani
125
Marut
119
Mokshapavarga
94
Mudgaraa 25
Mudrika
92
Mukundaa
132
Musalaa 24

Naalaa 68
Nadi 71
Naga
148
Nalini 69
Navanitaa
96
Nigada
99
Nimanaa 58
Nirmadaa 56
Nirmala 70
Nishachari
97
Nivrutti
98
Nutana
87

Paapaa
139
Paatalini
147
Pankajaa
149
Paraa 18
Parameswari
150
Pasha 26
Payaswini 19
Prabhaa 17
Prahavi
146
Prita
112
Pritaa 59
Priyavardhini 60

Rakshajalaplava
113
Raudra 53
Raudri
127

Saaraa
100
Sama 7
Samaa
103
Samada
102
Sangaraa
143
Sangitaa
101
Sankari 5
Saumya 8
Shatawari
145
Shatyagnaa
144
Shitalaa 57
Shiva
128
Shivaa
82
Shivadaa
81
Shivakari
129
Shobanaa
80
Shobha
79
Shudhaa
93
Shulini
126
Smara
136
Snigdhaa
44
Sodaraa
45
Somalata
90
Somvalli
89
Sudamritanshu
72
Sudhakari
6
Sukhadaa
77
Sukhadaa
43
Sumanohara
88
Suprabha
78
Suraa
9
Surasundari
46
Sushitlaa
76
Swaahaa
109
Swaraa
110

Trailokyamohankari 74

Vaishnavi 2
Valayaa
95
Varuni
114
Vashirna 39
Vasudha 1
Vibhramaa 42
Vikataa 40
Viraprasu
142
Vishakhya 54
Vishanashini 55
Vishwa 38
Vishwambharaa
104

Annexure II

Sr.
No. C.G.Rajan C.S.Patel Moveable Fixed Dual
(Start) 0:00':01" 30:00':00" 15:00':00"
1 Vasudha Vasudha (end) 0:30':00" 29:30':00" 15:20':00"
2 Vaishnavi Vaishnavi 0:40':00" 29:20':00" 15:30':00"
3 Braahmi Braahmi 0:45':00" 29:15':00" 15:33':20"
4 Kaalakota Kaalakota 1:00':00" 29:00':00" 15:45':00"
5 Sankari Sankari 1:06':40" 28:53':20" 16:00':00"
6 Sadaakari Sudhakari 1:15':00" 28:45':00" 16:15':00"
7 Sama Sama 1:20':00" 28:40':00" 16:30':00"
8 Saumya Saumya 1:30':00" 28:30':00" 16:40':00"
9 Suraa Suraa 1:52':30" 28:17':30" 16:52':30"
10 Maaya Maaya 2:00':00" 28:00':00" 17:00':00"
11 Manoharaa Manoharaa 2:13':20" 27:46':40" 17:08':34"
12 Maadhvi Maadhvi 2:15':00" 27:45':00" 17:15':00"
13 Manjuswana Manjuswana 2:30':00" 27:30':00" 17:20':00"
14 Ghora Ghora 2:40':00" 27:20':00" 17:30':00"
15 Kumbhini Kumbhini 3:00':00" 27:00':00" 17:46':40"
16 Kutilaa Kutila 3:20':00" 26:40':00" 18:00':00"
17 Prabhaa Prabhaa 3:30':00" 26:30':00" 18:30':00"
18 Paraa Paraa 3:45':00" 26:15':00" 18:40':00"
19 Payaswini Payaswini 4:00':00" 26:00':00" 18:45':00"
20 Maala Maala 4:17':08" 25:42':51" 18:53':20"
21 Jagati Jagati 4:26':40" 25:33':20" 19:00':00"
22 Jarjhara Jarjhara 4:30':00" 25:30':00" 19:20':00"
23 Druva Dhruva 4:40':00" 25:20':00" 19:30':00"
24 Musalaa Musalaa 5:00':00" 25:00':00" 20:00':00"
25 Mudgaraa Mudgaraa 5:15':00" 24:45':00" 20:15':00"
26 Pasaa Pasha 5:20':00" 24:40':00" 20:30':00"
27 Champakaa Champakaa 5:30':00" 24:30':00" 20:37':20"
28 Daamini Damaka 5:33':20" 24:26':40" 20:40':00"
29 Mahi Mahi 5:37':30" 24:22':30" 21:00':00"
30 Kalusha Kalushaa 6:00':00" 24:00':00" 21:06':40"
31 Kamalaa Kamalaa 6:15':00" 23:45':00" 21:15':00"
32 Kantha Kanta 6:30':00" 23:30':00" 21:20':00"
33 Kaalaa Kaalaa 6:40':00" 23:20':00" 21:25':45"
34 Karkaraa Karikara 6:45':08" 23:15':00" 21:30':00"
35 Kshamaa Kshamaa 7:00':00" 23:00':00" 21:45':00"
36 Durdhuraa Durdharaa 7:20':00" 22:40':00" 22:00':00"
37 Durbhagaa Durbhagaa 7:30':00" 22:30':00" 22:13':20"
38 Viswa Vishwa 7:46':40" 22:13':20" 22:30':00"
39 Visirnaa Vashirna 8:00':00" 22:00':00" 22:40':00"
40 Vikataa Vikataa 8:15':00" 21:45':00" 23:00':00"
41 Aavilaa Avilaa 8:30':00" 21:30':00" 23:15':00"
42 Vidrumaa Vibhramaa 8:34':16" 21:25':45" 23:20':00"
43 Sukhadaa Sukhadaa 8:40':00" 21:20':00" 23:30':00"
44 Snigdha Snigdhaa 8:45':00" 21:15':00" 23:45':00"
45 Sodaraa Sodaraa 8:53':20" 21:06':40" 24:00':00"
46 Sursundari Surasundari 9:00':00" 21:00':00" 24:22':30"
47 Suramrithplavini Amrutplavini 9:20':00" 20:40':00" 24:26':40"
48 Karalaa Karalaa 9:22':30" 20:37':20" 24:30':00"
49 Kamadhuk Kamadhruk 9:30':00" 20:30':00" 24:40':00"
50 Karaveerani Karavirani 9:45':00" 20:15':00" 24:45':00"
51 Gahvaraa Gahvaraa 10:00':00" 20:00':00" 25:00':00"
52 Kundini Kundini 10:30':00" 19:30':00" 25:20':00"
53 Raudra Raudra 10:40':00" 19:20':00" 25:30':00"
54 Vishaa Vishakhya 11:00':00" 19:00':00" 25:33':20"
55 Vishavinashini Vishanashini 11:06':40" 18:53':20" 25:42':51"
56 Nirmadaa Nirmadaa 11:15':00" 18:45':00" 26:00':00"
57 Seethalaa Shitalaa 11:20':00" 18:40':00" 26:15':00"
58 Nimnaa Nimanaa 11:30':00" 18:30':00" 26:30':00"
59 Prida(Preeta) Pritaa 12:00':00" 18:00':00" 26:40':00"
60 Priyavaasini Priyavardhini 12:13':20" 17:46':40" 27:00':00"
61 Managhna Managhnaa 12:30':00" 17:30':00" 27:20':00"
62 durbhagaa Durbhagaa 12:40':00" 17:20':00" 27:30':00"
63 Chitraa Chitraa 12:45':00" 17:15':00" 27:45':00"
64 Chitrini Chitrini 12:51':24" 17:08':34" 27:46':40"
65 Chirjeevani Chirjivini 13:00':00" 17:00':00" 28:17':30"
66 Virupa Bhupa 13:07':30" 16:52':30" 28:07':30"
67 Gadaharaa Gadaharaa 13:20':00" 16:40':00" 28:30':00"
68 Naalaa Naalaa 13:30':00" 16:30':00" 28:40':00"
69 Nalini Nalini 13:45':00" 16:15':00" 28:45':00"
70 Nirmala Nirmala 14:00':00" 16:00':00" 28:53':20"
71 Nadi (river) Nadi 14:15':00" 15:45':00" 29:00':00"
72 Sadaamritamsukala Sudamritanshu 14:26':40" 15:33':20" 29:15':00"
73 Chapalaa Kalushankura 14:30':00" 15:30':00" 29:20':00"
74 Saankuraa Trailokyamohankari 14:40':00" 15:20':00" 29:30':00"
75 Trailokyamohakari Mahamari
15:00':00" 15:00':00" 30:00':00"
76
Mahaamari Sushitlaa
15:20':00" 14:40':00" 0:30':00"
77
Suseethala Sukhadaa
15:30':00" 14:30':00" 0:40':00"
78
Sumatha Suprabha
15:33':20" 14:26':40" 0:45':00"
79
Suprabha Shobha
15:45':00" 14:15':00" 1:00':00"
80
Sobhaa Shobanaa
16:00':00" 14:00':00" 1:06':40"
81
Sobhana Shivadaa
16:15':00" 13:45':00" 1:15':00"
82
Sivadaa Shivaa
16:30':00" 13:30':00" 1:20':00"
83
Siva Balaa
16:40':00" 13:20':00" 1:30':00"
84
Balaa Jwalaa
16:52':30" 13:07':30" 1:52':30"
85
Jwalaa Gada
17:00':00" 13:00':00" 2:00':00"
86
Gadaa Gaadhaa
17:08':34" 12:51':24" 2:13':20"
87
Gaadaa Nutana
17:15':00" 12:45':00" 2:15':00"
88
Nootana Sumanohara
17:20':00" 12:40':00" 2:30':00"
89
Sumanohara Somvalli
17:30':00" 12:30':00" 2:40':00"
90
Somavalli Somalata
17:46':40" 12:13':20" 3:00':00"
91
Somlatha Mangala
18:00':00" 12:00':00" 3:20':00"
92
Mangla Mudrika
18:30':00" 11:30':00" 3:30':00"
93
Mudrika Shudhaa
18:40':00" 11:20':00" 3:45':00"
94
Sootha Mokshapavarga
18:45':00" 11:15':00" 4:00':00"
95
Mokshapvarga Valayaa
18:53':20" 11:06':40" 4:17':08"
96
Valayaa Navanitaa
19:00':00" 11:00':00" 4:26':40"
97
Navneeta Nishachari
19:20':00" 10:40':00" 4:30':00"
98
Nisakari Nivrutti
19:30':00" 10:30':00" 4:40':00"
99
Nivrithi Nigada
20:00':00" 10:00':00" 5:00':00"
100
Nigadaa Saaraa
20:15':00" 9:45':00" 5:15':00"
101
Saaraa Sangitaa
20:30':00" 9:30':00" 5:20':00"
102
Sangeeta Samada
20:37':20" 9:22':30" 5:30':00"
103
Sumantha Samaa
20:40':00" 9:20':00" 5:33':20"
104
Viswambhara Vishwambharaa
21:00':00" 9:00':00" 5:37':30"
105
Kumari Kumari
21:06':40" 8:53':20" 6:00':00"
106
Kokila Kokila
21:15':00" 8:45':00" 6:15':00"
107
Kunjarakrithi Kunjarakriti
21:20':00" 8:40':00" 6:30':00"
108
Aindiri Aindra
21:25':45" 8:34':16" 6:40':00"
109
Swaahaa Swaahaa
21:30':00" 8:30':00" 6:45':08"
110
Swaraa Swaraa
21:45':00" 8:15':00" 7:00':00"
111
Vahini Brahmi
22:00':00" 8:00':00" 7:20':00"
112
Preethi Prita
22:13':20" 7:46':40" 7:30':00"
113
Rakshajala Rakshajalaplava
22:30':00" 7:30':00" 7:46':40"
114
Plava Varuni
22:40':00" 7:20':00" 8:00':00"
115
Vaaruni Madiraa
23:00':00" 7:00':00" 8:15':00"
116
Madiraa Maitri
23:15':00" 6:45':08" 8:30':00"
117
Maitri Haarini
23:20':00" 6:40':00" 8:34':16"
118
Haarini Harini
23:30':00" 6:30':00" 8:40':00"
119
Harini Marut
23:45':00" 6:15':00" 8:45':00"
120
Maruth Dhananjaya
24:00':00" 6:00':00" 8:53':20"
121
Dhananjaya Dhanakari
24:22':30" 5:37':30" 9:00':00"
122
Dhanakari Dhanada
24:26':40" 5:33':20" 9:20':00"
123
Dhanada Kachchhapa
24:30':00" 5:30':00" 9:22':30"
124
Mricchaya Ambuja
24:40':00" 5:20':00" 9:30':00"
125
Ambuja Manshani
24:45':00" 5:15':00" 9:45':00"
126
Isaani Shulini
25:00':00" 5:00':00" 10:00':00"
127
Thoolini Raudri
25:20':00" 4:40':00" 10:30':00"
128
Raudri Shiva
25:30':00" 4:30':00" 10:40':00"
129
Sivaa Shivakari
25:33':20" 4:26':40" 11:00':00"
130
Sivakari Kala
25:42':51" 4:17':08" 11:06':40"
131
Kalaa Kundaa
26:00':00" 4:00':00" 11:15':00"
132
Kunda Mukundaa
26:15':00" 3:45':00" 11:20':00"
133
Mukunda Bharataa
26:30':00" 3:30':00" 11:30':00"
134
Bharatha Hasita
26:40':00" 3:20':00" 12:00':00"
135
Pasitha Kadali
27:00':00" 3:00':00" 12:13':20"
136
Kandini Smara
27:20':00" 2:40':00" 12:30':00"
137
Smaraa Kandala
27:30':00" 2:30':00" 12:40':00"
138
Kunthala Kokila
27:45':00" 2:15':00" 12:45':00"
139
Kokila Paapaa
27:46':40" 2:13':20" 12:51':24"
140
Paapaa Kamini
28:00':00" 2:00':00" 13:00':00"
141
Kaamini Kalashodbhava
28:17':30" 1:52':30" 13:07':30"
142
Kalasodbhava Viraprasu
28:30':00" 1:30':00" 13:20':00"
143
Viraprasoo Sangaraa
28:40':00" 1:20':00" 13:30':00"
144
Sankara Shatyagnaa
28:45':00" 1:15':00" 13:45':00"
145
Sathayoghana Shatawari
28:53':20" 1:06':40" 14:00':00"
146
Sadaavari Prahavi
29:00':00" 1:00':00" 14:15':00"
147
Brahwi Paatalini
29:15':00" 0:45':00" 14:26':40"
148
Paatalini Naga
29:20':00" 0:40':00" 14:30':00"
149
Pankajaa Pankajaa
29:30':00" 0:30':00" 14:40':00"
150
Parameswari Parameswari
30:00':00" 0:00':01" 15:00':00"

(-)
Underline under serial number indicate mismatch of names
suggested by both researchers

ANNEXURE III
Extract from 9 (ShadVarga Prakashah)
3

~ U 4 9 4 *


4~4 9




\ ~U ~ 4

8 ~=5



U 3 4
4 U] 7 U

3 4
U= U74~

P 9~ 4
4 U F

4
U~ l

6 *

9 ~

U

R-~


4 U
- 4
4[~ 4 4 U ~

F
4 U P ~ 7


7 * 9


0 -
U _=
9 *
U U ~

F
4 U P ~ *


5 ~ * U 9

6
4 *-
~ ~ ~*
~-
U

6 ~

F
4

P U *


5 ~ *

~~

69*




9 *-
~ ~ ~*
7\ 9 ~*-
U U ~

F
4 U P 9


4 *

6~

F 0~

6c-
U =
3

6* _-

UU