wn
Famswmth
Part
I
ByFrank
Lovece
The
strange
story
of
TV's
trMed
origins
ing the
Legend-kept
drowning him
out.
The
Legend
has
begun
to
crumble onlynow, through reappraisal
of
neglected
doc-
uments, fresh talks
with
colleagues
and
family members, and
two
important
dis-coveries: the manuscript of.Zworykin's
un-
published
autobiography, and
a
series oflong-hidden videotaped
interviews
con-
ducted
by
video pioneer
Chuck
Azar
to-
ward the end of.Zworykin's life.
Altogether
they
reveal
that
through
most
of,
Zwory-kin's tenure
at
RCA-until
his office
was
one day unceremoniously shut
down-the
humble
scientist toed
the
conglomerate'sofficial
line. Yet the "father of
television"
always
knew,
and
it
bothered
him,
that
for
the
millions
of
dollars RCA pumped
into
TV,
there
was always
another
man.
This other
was
not
a
corporate
scientist
hke
Zworykin but
a
frontier
maverick who
didn't
realize
the 20th century
was no place
for
lone
inventors.
Yet
on
a
budget
with farfewer
zeroes than
Zworylnn's,
the maver-
ick
matched
his
esteemed competitor
stride
for stride.
RCA czar David
Sarnoff
tried
to
buy
out that
maverick.
Failing that,he
had
RCA
try
to
claim
prior rights
in the
maverick's
key
patent. And
failing
that,Sarnoff and
RCA
kept
up years
of
costly
legal battles
until
finally,
for
perhaps the
first
time
in
Sarnoffs life,
he
was
forced to
surrender. Then,
using
the
same
iron fist
that
crushed
FM-radio
developer
Edwin
Armstrong,
he
rolled out
a
propaganda ma-
chine meant
to
insure
that
RCA's Legend,and
not the maverick, would live
on.
The irony is that the real story
is muchmore legendary
than
the Legend
itself.
It'sa
screenwriter's fantasy, part Reds, partFrank
Capra. Rather than
diminishZwory-
kin's
stature,
it
humanizes
him
and gives
clues to his
inspiration. Just
as
important,
it
gives
credit to
a
quintessentially American
inventor by the
name
of
Philo
T.
Farns-
worth.
It
becomes,
in fact,
less a tale of
two
inventors than
the story of
how
sci-
ence slid
from
the
19th century
into
the
20th.
Eorly Visions
Television was
always
a
part
of
that
slide. Though the notion
of images in
crys-
tal
balls and magic
mirrors
had been
in
humankind's collective
consciousness
for
centuries,
the
idea
of
"television"
is
a
l9th-century
conceit.
The
origin
of
the
word
itself
is
speculative. Pioneer
sci-homas
Edison never
existed.
Neither
did the
Wright Broth-
ers
or
Alexander
Graham
Bell.
They
gave
us
sweat and
in-
tellect,
of
course, but what we
want
to
believe
in
are
the
legends.
Nevermind
that
Edison
had
regiments
of
assis-
tants, or that the Wright
Brothers
relied
on
years of other
people's research as muchas
their
own. Bell? He got his
ideas
fromthe telegraph, not
heaven.
Tucked
somewhere
between
GeorgeWashington's
cherry tree
and
the
Ringling
Brothers'
unicorn lies the Legend of
Tele-
vision.
It
goes
like
this:
While there
was nosingie
inventor,
a
Russian-American scien-
tist
named
Vladimir
Zworyl<rn is
"the father
of
television.
"
He
invented a
TV-camera
tube
called
the
iconoscope
in
1923.
Ormaybe 1925.
With his picture tube,
thekinescope,
he
completed the
first
practical
electronic
TV
system
n
1924.
Or
maybe1925.
Or
1928. (Legends
are
so
hard
to pin
down.
) Zworykin
and
staff, under the
aegis
of RCA
czar David Sarnoff, almost single-
handedly
brought television out
of
the
two-
cans-and-a-string stage.
RCA rolled
on
togtve America
its first TV
sets
and pro-
grams
starting at
the
1939
World's
Fair.
This is the
Legend of Television. Likemost,
it's
essentially untme.
Zworyl<tn,
who
died
in
1982, did possess
a
brilliant
and
unorthodox mind which
con-
jured
many
of
the most critical elements
of
the modern
TV
set.
His
and
RCA's
contri-
butions
not
just
to
TV
but
to every
facet
ofelectro-optics
are
incalculable.
Yet:
"the
father
of
television"? Zworykin
himself
kept
saying he
couldn't
pass
the
blood
test.But
a
larger
voice-the
voice
of
RCA
tout-
ence-fiction
publisher Hugo
Gernsback
rs
said
to
have Anglicized
it
from the
French
term
around
this century's
first
decade;
a
Russian, Constantin
Perskyi,
previouslyused
it
in
a
paper he presented
in
Paris in1900. As early as
1907
the
word
appeared
in
Scienffic
American.
In
any case,
it
was
with the
1837
emer-
gence
of the
telegraph
that
inventors
all
over the world started to
poke around
for
this
thing-with-no-name.
By the
1840s
they'd
already found
the
first
clues:
still-picture
transmission
over wires.
To
accomplish
this they
came
up
with the
no-
tion
of
"scanning,
"
wherein
an image
is
sent
and reproduced one
line at a
time.
That's the
way
TV
sets
work
even today.Some 30 years
later
a
British
telegraph
operator
named
Joseph
May
discovered
that the element
selenium responds elec-
tncally
to
light-the
stronger
the
light
you
throw
on
it,
the stronger the electrical cur-
rent
you
get.
This got
people think-ing: light
falling
on
a
mosaic
of
selenium
cells could
be turned into
correspondingbits of
electricity.
(This electrical output
is
called
the
"photoelectric
effect,
"
and themosaics
"photoelectric
cells.
") At
the re-
ceiving end,
as
the
idea
evolved, would
be
a glass screen.
Television
stood
in this
theoretical
mistuntil
1884.
That year
Paul
Nipkow,
a
Pom-
eranian engineer studying
in
Berlin,
ob-tained
a
German patent
for
a
disc
with
lots
of
holes in
a
spiral
pattern. Nipkow
figuredthis disc,
spinning
furiously,
could
"scan"
a
subject point
by
point. The resulting points
of
light
could be
turned into electrical ener-
gy
and sent
in
a
rapid stream
to
a
photoelectric mosaic.
At
the receiving
end
would
spin
a
second, synchronized disc in
front
of which
rested
a glass
plate where,
theoretically,
a
picture
would appear.
I
say
"theoretically"
because
there's no
evi-dence
Nipkow
actually
built
one
of
these
contraptions.
Nonetheless,
somebody
along
the line
had
the great
idea
to
callthisinvention
"the
Nipkow
disc,
"
and
for
the
next
few
decades
hordes
of
inventors
would
use
this mechanically operated
opti-
cal
disc
as
the
basis
for
so-called
"mechani-
cal" television
systems.
It
would
be
almost
40
Years beforeFarnsworth and
Zworykin
would
decide,
separately, to break from that horde.
Theycould
see
the
dead
end down
mechanical
TV's
road.
They
also could see
that
theexpanding science
of
physics
could bringsomething
better:
electronic
TV.
It
may be
easy today
to
tellthe
difference between,
say,
a mechanical Super-8
movie
camera
and an electronic video
camera-but it
wasn't at
all apparent
in the
days of
hand-
crank
Victrolas.
It
wouldn't
have been apparent even
toFarnsworth
and
Zworykin were
it
not for
some
previous
serendipitous discoveries.
It
was
Britain's Sir
William Crookes, for
instance,
who
discovered
that
cathode
rays-which
would become
the
highway
carrying video signals-could
exist
in
a
vacuum
tube.
It
was
Karl
Ferdinand Braun
70
Video
Vladimir
Kosma
Zworykin
in
1929
(aboue)
and
1940 demonstrating
"
the
first"
electronic
TV
using
a
kinescope
picture
tube
and
iconoscope
(right).
who found
a
way
of
magnetically controlling
electron
beams
inside Crookes'
cath-
ode-ray
tube (CRT).
And
it
was
Russian
physicist
Boris
Rosing
who
in
1907
pro-
posed
(and
later patented)
a
mechanical
TV
system
with
a
Braun
CRT. All this
seems
to
have prompted
a
prescient
Scotsmannamed Alan
A.
Campbell-Swinton
to
sug-
gest-first
in a
1908
letter to the
editor,
then
in a
1911
presentation-that
CRTs
could
be
used
both
as
a
transmitter
(camera
tube)
and
a
receiver
(picture
tube).Campbell-Swinton was a
great thinker,
but
he
didn't follow through.
He
never
con-
structed the system
he
proposed. Howev-
er, if
you
look at
today's video equipment
you'll
realize
that
it's
his system
we're
us-
ing. To
be
fair,
electronics
technology
wasn't
yet
up
to
Campbell-Swinton's
con-
cept;
Rosing's
own attempts
were
less
than
spectacular.
Funny
thing,
though.
They
inspired
Rosing's
prize
student,Vladimir
Kosma
Zworykin.
Grovitqting to
Physics
That
Zworykin
became
more
interestedin
physics than
in the family
business
is
a
little
surprising.
His
father owned one ofthe
most prosperous steamship lines in
all
of
Czarist
Russia and young Vladimir
thrived
on watching him
negotiate.
It
was
straight out
of
Fanny
and
Alexander, thischildhood
of
sleighrides
and
plum
pud-
dings-the
very
stuff
conjured by another
Russian's
Nutcracker
Suite. The
greatthree-story
house
in
Mourom, where
he
was
born
on
July
30,
1889,
was
so
huge
that
Vladimir,
his parents,
and
those
of his
six
siblings
who
hadn't fled
the nest
lived,
with
nursemaids and servants
running
around,
on the
second
floor only. Zwory-
kin's family
was among the
first
to get elec-
tricity
and
a
telephone. Blond and
blue-eyed Vladimir was
a
smart precocious kid.He hunted
and
ice-skated
like
his
peers-
but
he was
also a
self-admitted
terror.
Heaccidently
burned down
a
barn
once
with
some homemade
fireworks.That
and
other
episodes may have
been
just
his
genes
crying
out for
him
to
be
a
scientist.
In
his
unpublished
autobiogra-
phy,
dictated
and
transcribed
in the
mid-
1940s,
one
of
his
earliest memories
in-volves exploring
the
attic
and
finding
scien-
tific
papers belonging
to
his late uncle
lvan,
a
Moscow physicist. Adding
nurture
to
na-
ture,
though, Zworykin's family
always
sent
him
to
the best
schools.
There
he
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