Boss GT-5 custom patch.

WAREHOUSE `A

WAREHOUSE `A It sounds like a some 1950 s Chicago blues lead guitar in a big boomy room (hence the WAREHOUSE moniker) recorded with a little too much gain (teasing in & out the red). Its low, mean & cuts the air like a hammer throw.

This is an early patch I did. It has endured & sounds like no other I ve made since. It sounds different because the effects chain is ordered ALL WRONG. I corrected this after about 18 months but it then sounded bland. I quickly reverted to the original chain. Doing it the wrong way is not too good for clarity, tonal balance etc. but it sounds like it actually should. Obviously it ideally needs a single coil pickup & a clean amp channel. The amp should be slaved to the GT-5 using the effects loop. This means using at least 4 instrument leads. Although, this patch is pretty tolerant of humbuckers and other corruptive hardware. The Expression pedal will accentuate the dirt and add some volume, so that s good for lead breaks. The patch uses = overdrive / preamp / delay / reverb / pedal assign overdrive/dist ----------------TYPE crunch DRIVE 50 BASS +14 TREBLE +44 LEVEL 20

preamp --------TYPE clean twin VOLUME 30 BASS 36 MIDDLE 32 TREBLE 36 PRESENCE 65 MASTER 80 BRIGHT off GAIN high

reverb -------ON = P10 TYPE room 1 REV TIME 1.6 s PRE DELAY 5 ms LOW CUT 110 Hz HIGH CUT 8.00 Hz DENSITY 5 EFFECT LEVEL 30

delay ------NORMAL = dly TYPE = tap DLY TIME 30 ms TAP TIME 50% FEEDBACK 0 DELAY HOLD off DELAY SMOOTH off DELAY HI CUT flat EFFECT LEVEL 70 DIRECT LEVEL 100 1

pedal assign ---------------EXP PEDAL (on) DD: e.level MIN 100 MAX 0 CTL off ASSIGN 1 on ASSIGN 1 TARGET DD : d level TARGET MIN : 0 TARGET MAX: 100 SOURCE exp pedal SOURCE mode normal SOURCE act range Lo : 0 SOURCE act range Hi : 127 ASSIGN 2 TARGET ON : on / off TARGET MIN : off TARGET MAX : on

00Khz effect Level 16 Direct Level 100 Tremelo Mod wave Tri Rate 79 Depth 50 Bal L50 R50 EXP Pedal (P1) Ctl Pedal Pre: Trem On/Off Min: off Max: on Mode: toggle Preamp Customize Pre1 Bottom Tight 1 Top Mild 4 Vol Type Bright 4 3Tone Brit [3] Clip Type Post Tone Presence Type [4] Gain Low Low boost 4 High Boost 4 Cabinet stack 2 .00Khz Hi-Mid Q 1 Hi-Mid EQ _4db High EQ -1db Level +2db Delay Mode Normal Type Tap Time 800ms Tap Time 50% Feedback 30 Hold/Smooth Off Hi Cut 3.SOURCE SOURCE CTL PEDAL mode toggle Another one of my GT-5 sounds here. just thought i'd share anyway Dont Forget.Tone Is All In The Fingers!! Here is the settings if you want to play along at home (dont expect it to sound the same... Nothing special.. your own gear will change the sound) Comp CS Sus 40 Attack 35 Tone +3 Level 50 OD Natural OD Drive 18 Bass 0 Treble -33 LVL 56 Preamp Custom Pre 1 Volume 50 Bass 0 Middle 40 Treble 20 Pres 100 Master 60 Gain High SP Sim Type Voxy Off Mic Set 3cm Mic lvl 100 Direct lvl 0 EQ Low eq +1db Lo-Mid f 100kHz Lo-Mid Q 1 Lo-Mid EQ +6db Hi-id f 1.

Leadddd 3 .

Boss GT-5 Tone .Rock Stack 4 .

Cusstum rock 5 .

1. OD vintage OD Drive 26 Bass 0 Treble +6 LVL 45 Preamp Custom Pre 2 Volume 35 Bass 86 Middle 95 Treble 75 Pres 48 Master 75 Gain Low SP Sim Type Voxy Off Mic Set 6cm Mic lvl 100 Direct lvl 0 EQ Low eq +1db Lo-Mid f 100kHz Lo-Mid Q 1 Lo-Mid EQ +6db Hi-id f 1.Rock chorus sound add your own reverb and delay if its needed.00Khz Hi-Mid Q 1 Hi-Mid EQ +2db High EQ -20db Level +2db EXP Pedal (P1) Ctl Pedal Pre: Gain Min: Low Max: Middle Mode: toggle Preamp Customize Pre2 Bottom Normal Top Sharp 2 Vol Type Bright 4 3Tone Brit [3] Clip Type Pre Tone Presence Type [3] Gain High Low boost 2 High Boost 2 Cabinet Built In 6 .

15KHZ HI MID Q 1 ..i think you can do it on your gt3 almost exactly.Boss GT-5 ..Marie'verb anyways.. as promised..the boss gt5 patch. FU<<IN' HUGE COMP ON MODE C/S SUST 63 ATTA 40 TONE 0 LEVE 40 WAH ON MODE AUTO WAH ON AW MODE BPF POLAR UP SENS 50 FREQ 15 PEAK 50 RATE 50 DEPTH 30 LEVEL 100 OD/DIST ON TYPE DISTORTION2 DRIVE 35 7 BASS 0 TREB 0 LEVEL 43 PREAMP ON TYPE JC120 VOL 28 BASS 55 MID 70 TREB 50 PRES 6 MASTER 80 BRIGHT OFF PRE GAIN MIDDLE EQ ON LO -20DB LO MID FREQ 315HZ LO MID Q 1 LO MID EQ +20DB LO MID FREQ 3. any effects or things not mentioned are not on.

SINGLE NOTES. IT'S COOL. PLAY SLOW..00KHZ DENS 8 FX LEV 15 PED ASSIGN EXP ON (P1) TARGET FV:LEVEL MIN 0 MAX 100 CTL PED ON (P2) CTL PED TARGET FB:ON/OFF MIN OFF MAX 0N CTL PED SOURCE MODE NORMAL MASTER LEVEL 100 NOISE SUP ON THRESH 43 REL 50 FOOT VOL LEV 100 FX CHAIN CS > AW > OD > PRE > EQ > NS > FV > HR > DD > CE > PN > REV FU<<IN' HUGE BY PINKJIMIPHOTON PATCH FOR BOSS GT5 LIKE.anyone. USE IT. i mean TREM/PAN ON MODE TREM MOD WAV TRI RATE 85 DEP 80 ANYONE can sound musical with this f'd up patch. reccomend in stereo over 8 .0MS HI CUT FLAT FX LEV 37 BAL 50/50 REVERB ON (P1) TYPE PLATE TIME 2.8S PREDELAY 0MS LO CUT 165HZ HI CUT 6.HI MID EQ +20DB HI EQ -20DB LEVEL -10 DB MOD ON HARMONIST ON FX SELECT HR VOICE 2 STEREO HR1 MODE SLOW HR1 PITCH +7 HR1 PITCH FINE 0 HR1 PRE DELAY 41 MS HR1 FEEDBACK 12 HR1 LEVEL 80 HR2 MODE SLOW HR2 PITCH -8 HR2 FINE +1 HR2 PRE DELAY 100 MS HR2 LEVEL 80 DIRECT LEVEL 100 DELAY ON DELAY MODE NORMAL DELAY TYPE TAP DELAY TIME 400MS TAP TIME 50/50% FEEDBACK 30 HOLD OFF SMOOTH ON HI CUT FLAT FX LEVEL 40 DIRECT LEVEL 100 CHORUS ON MODE STEREO RATE 25 DEP 50 PRE DL 4.

or try running synth pads from your GR into this patch. Min 0. HR1 Pre-delay 7ms. Mode Toggle Assign 1 . Target HR1 Feedback.On. Min 100. Bass 55. Bright Off. The FV is inactive in this patch. Target HR2 Level. Source Exp Pedal. Range Lo 0. . Treble 55. Lvl 40 HR . Master 55. . Min 30. HR1 Level 100. Min 21. Tone 0. Source Exp Pedal.On. Mode Normal. Low Cut 110Hz. if you use it at all.On. PEDAL PAD FX chain. Here's one for all you twisted souls out there. Tap. Depth 77. Range Hi 127 Assign 2 . Max 100.On. It was inspired by the now-extinct Digitech Space Station. Target CS On/Off. Feedback 35. Max On. Max 37. Max 53 CTL Pedal .On. Max 70. Effect Level 37 Reverb . Mode Normal Assign 3 . Enter Pedal Assign and do this Exp Pedal -On. so 9 . Voice 2-Stereo. Presence 35.adjust the Noise Suppressor to best suit your rig. Max 33. Hi Cut 6k. Mode Normal. For anyone not using a Boss GT-series processor. Stereo.7 s.F***in' Huge looks f'ing awesome . Tap Time 100%. Act. add OD/Dist if you feel like it. Mode Normal Assign 5 . Target HR Direct Level. Sustain 40. HR1 Mode Mono.5 ms. Min 21. PreDly 27. Boss Parameters run from 0-100. High Cut 6k.On. Act. Effect Level 53 Now comes the fun part . Fine 535 ms. Target RV FX Level.ON. Min 0. Rate 31. Attack 25. w/a fixed Level of 100 .. HR2 Fine +5. Headphone approved. Max 92. Sens 100.On.On. Direct Level 70 Pre-amp . Target DD FX Level. Hi Cut 6k. Max 100. HR2 Pre-Delay 12ms. Lots of fun sweeping the Exp Pedal while holding a chord.On. Room 2.On. Mode Normal Assign 6 . Mode Normal Assign 4 . Volume 55. Pre-delay 21 ms. Mic Level 55. FX = CS. Rev Time 1.On. Target Assign CE: FX Level. SG-CS-HR-FV-PRE-NS-DD-REV-CE. Be sure to set the Foot Volume Level at 100. Source Exp Pedal. Time 535 ms. Rise Time 70 CS . Source Exp Pedal. under Master . Middle 55. Gain Middle. HR1 Pitch 0. Mic Set Center. in most cases.On. Source Exp Pedal. HR1 Feedback 92.On. Effect Level 33 Chorus .the EXP Pedal is not assigned to Volume in this patch. HR2 Pitch 0. Density 10.can't wait to load it. Min 100. Clean Twin. Direct Level 5 Delay . Target HR1 Level. HR2 Level 100. SG . Source Exp Pedal. Min Off. HR2 Mode Mono. HR1 Fine -7.

.... FV... PRE. NS...... DD.adjust the numbers for your device . WARM CLEAN Mode D-L/R 15ms.0 PREAMP B. PREAMP A. 94 (Back off on the drive as much as you dare to match your guitar less sounds better!!) 0 -32 32 0 COMP LIMITER............ FX CHAIN CS....HIGH SP TYPE. SG means Slow Gear.. 30 100 -14 10 . GAIN..DYN421 DIST. Its best used with a bridge humbucker (I used a MATON JB6 with DiMarzio Paf dual sounds) with the Vol & Tone backed off a bit. OD. Happy Thanksgiving.75 GAIN SW......... but you'll probably get something pretty cool.......0 LEVEL...ON POS..........45 BASS.5cm MIC LEV....ORG MIC... RV. everybody! This could be a starting point for a "Holdsworth" lead sound...... FX1.50 MID...you may not be able to re-create this patch exactly..100 DI... which may be Auto-Swell or some such on your processor. FX2.......60 TREB........ MATCH DRIVE (MODE D-L/R 15ms) 58 50 50 50 0 85 MID ORG FLAT ON CENT 100 0 OVERDRIVE T SCREAM.50 PRES. BTW....

51 REVERB PLATE. higher the value the more ambient it sounds.8 secs 10ms 165Hz 6. PRES 0dB OUTPUT setting is LINE/PHONES. MID 0dB. LOW 0dB. 29ms 50% 10 (Try the FB at zero.00KHz 10 16 100 DELAY PAN. 2. I use a BOSS EV5) Threshold 30 Release 41 MASTER LEVEL. 112 My INPUT setting is at -6db. 400ms 23 22 NS INPUT. MID FREQ 500Hz. I like 10) flat 22 100 FX1 COMP. (Try with the NS off and ride the Vol with the FV. BOSS COMP 80 0 -50 34 FX2 SUB DELAY. 11 . HIGH -3dB I have used similar settings to this patch for direct recording only.

Amp settings are just about flat. 100. using the exp pedal. 0. PH: Resonance. Min: 45. 2. Max: 15 Ctl Pedal: Off Assign 1: On.0s. +50. With the EXP Pedal full off and your guitar volume backed just a bit is great for rhythm. 8 stage. Parker P-38. 50W MKII Marshall Half Sound Description: I have been working a very long time to write a patch dedicated for strats that can go from a hot SRV drive just over the top to a full up Voodoo Chile. 3.Range Hi: 127 Assign 2: On.. min: 20.Range Lo: 0. High Boost 1 12 .Dark 3. Low Boost 4. Mesa Boogie Mark III Simul-Class. like it should be. 20. OD: Level. Middle EQ: On. Exp Pedal. Typically I prefer tube drives but this certainly gets it and reacts like a tube preamp. I really enjoy using this setting.. Ibanez Iceman IC-300. real close to Hendrix Voodoo Chile. Exp Pedal. 0. Normal. Can also be tweaked for humbuckers.Range Hi: 127 SRV 2 Jimi Devices Used: Various Strats. Mesa 4x12 Cab Sound Description: A lot of the patches i've seen for this tune have involved using wah or auto-wah. 8. Real.00kHz. JC-120.. Act. 50ms. I use the low input side of the MKII 800 series Marshall with the input sensitivity set just under clip with a clean input. Well worth a try. Settings: First set the custom overdrive settings: Custom OD2: Bottom .Range Lo: 0. -6dB. -6dB. 95 off Limiter: On 40.Range Lo: 0. no compression settings needed. Blues. 15. Actually it is my main drive patch for everything other than clean. EXP full on. tube sounding. This patch has a great feel to it. Exp Pedal. However it does require writing a custom overdrive. Just for a little emphasis at the end of the tune as i strike the last chord i rock the pedal all the way forward and hold the chord as long as possible. 1. 0. The settings should get you in the ballpark. great clean solo drive just over the top. Normal. Attack Normal. 1. Max: 40. 60. Act. 40. 85.. +4dB. very natural.00kHz. 20 Preamp: On. 40 OD: On. Max: 15.. Min:20. phaser: on. I use this custom overdrive in many different configurations. Plate. 300Hz. PH: Rate. warm. Act. Min: 70. Try the Neck pickup. 0. 30. Type Dist [High]. but mainly for a fat single coil vibe. +4dB. Max: 95. with a slight cut in pres and treble. Top . Act. On. 331. Settings: Mod: On. 40 Reverb: On. open volume control. Middle Cut 2.Range Hi: 127 Assign 3: On. This patch is very reactive to your volume pot. PH: Rate. Act. 10. unbelievable. 500Hz. 70. After you enter all the settings set your expression pedal halfway or a little further (whatever sounds right to you) and there you have it. but i beleive it has more to do with phase than anything. Act. 0dB Exp Pedal: On. Normal.Tight 2. GT-5.Boss / GT-5 Effects Pedal-Processor Mysterious Ways (U2) Devices Used: Boss GT-5.

+5. 750ms. 11. 0. tap. +2. 20. flat. 20. and info: Various Floyd Devices Used: US standard strat through a Marshall JTM60. 75. H2 Feedback: 0. Level: 50. Level: 50. +10. Level: 5 Mod: On. H2 Fine: 12. High EQ: -3. 1. Exp Pedal. H2 Pitch: 0. Direct Level: 0 EQ: On. 1. +5. High Cut Filter 8. Treble: -10. +8. -2 Harmonist on. -12. High Cut Filter: 4. H1 Fine: -11. Depth: 55.0. HR. Target Min: Off. Pre Delay: 10. Drive: 15. Harmonist. I picked mostly the delay ones. 40. harmony. 0. Low-Mid Freq: 315Hz. +2. 0. Rate: 40. 0. Target: OD: Drive. tonic. Natural. 100. software. normal. mono. Effect Level 25 Reverb: On. H2 Pre Delay: 13. High Mid Freq: 1. 50 EQ on.00KHz. Bass: 5. 100 Chorus on.3. 50 O/D on. 2khz. 100 Delay on. Low Cut Filter: 165HZ. H1 Feedback: 0. 2ms. 48 EQ on. 500Hz. Density: 8. 30. MS Stack On. Effect Level: 8. Delay: 350. FV level. 4kHz. off. 780ms. 30ms. o. Feedback: 20. LM. 500Hz. medium. 40. Dir Level: 100 Delay: Mode: Normal Delay. Hold: Off. 75. High Mid EQ: 0. 70. off.25KHZ. Sound Description: I got an e-mail which finally prompted me to write out some of the floyd patches from my GT5. off. Normal dly. Interval 1. Effect Level: 7 Pedal Assign: On. Mode: Mono. Off Delay on. 4kHz. Pre Delay: 4. Settings:              Run like hell Comp/limiter on. 100 Take it back Com/limiter on. Reverb Time 2. PH. Low Eq: -5. Type: Hall 1. 1. On CRTL Pedal.Patch Settings: OD/DS: On. Voice: 2 Mono.00KHz. Target Max: On Source Mode: Toggle James GT-5 patches. Smooth: Off Chorus: On. c(Am). 4 stage. 20. -2 Phaser on. Lo Mid Q: 8. 50. Direct Level 100. Type: Custom OD 2. 50%. 50.0KHz. Type: Single. Target Max: 74. 100 Exp on (=p1). High Cut Filter: 11. 50%. Lo Mid EQ: 0. Target Min: 15. H1 Pre Delay: 12. H1 Pitch: 0. High Mid Q: 8. tap. flat. 0. 50. 0. Mic Setting: 5CM. Level 40 SP Simulator: On. 1. 60.0. 10. 100 13 . 2 mono. preset. Mic Level 100. +8. CS. +10. They have been timed with the live recordings so perhaps need a tweak to match with studio versions. 0. off. 10. Target: HR: On/Off.

medium. 70. SP Simulator on. middle EQ on. 50. high cut=3. himid f=1. hi-mid eq=+2. off. 50. mode normal delay. -5 Harmonist on. 0. +6. 8kHz. medium. flat. 6khz.85. high eq=+12.Overdrive/Distortion on. cabinet=stack. volume type normal. low cut 110hz. This sound is the closest I have found to reproduce this off-axis / room mic tone with what I have access to. FB on/off. direct level=100. 10. ctl pedal on. 500Hz. on. o. Cliffs of Dover). feedback=15. pres=4. attack=40. pres=0. 14.sus=50. 100. toggle Keep talking Comp/limiter on. medium. 50 Reverb on (=p1). drive=10. 100 Reverb on. type BG Stack on. tone=0. 50. level=40. 0. gain=high. lo-mid f=800hz. 50 O/D on. 2 mono. exp pedal off. min=off. HR. 0. middle=50. 450ms. bass=+5. 42. bass=9. single. bass=44. turbo O/D. 0. type hall1. presence=type1.6s. 75. 100 CTL pedal on. 3tone british=3. 100 Delay on. FV level. 630Hz. +3. +3. treble=33. gain=middle. pre delay 24ms. low boost=3. 50 O/D on (=p3). 40. mode=toggle. 3s. 0. 100 Delay on. 100. Custom Preamp Setup (PRE1). Settings: Comp on(=p1). Pedal Assign. 29 Sorrow intro Compressor on. on/off. -12. o. 50. flat. mic level 83. 15 exp ped on (=p1). 0 100. 0. lo-mid q=1. hi-mid q=1. 1. 1. treb=4. Delay on. treble=0. off. 2ms. 1. single. You have to set up a Custom Preamp setting to make it work.25khz. medium.=9cm. master=58. smooth=off. 80. plate. high cut 8.e. effect level=12.00khz. 0. normal. mic set. 8. natural. vol=73. mono. 0. voxy drive.00khz. 40 Preamp on. CS. Equalizer on. target od=on/off. 62. 5. bottom tight=4. +6. 4khz. mono. FV level. max=on.level=45. Preamp Custom PRE1. 2khz. density=8. high cut 6. 40. Sound Description: The dark solo tone Eric uses in just about all of his work (i. low eq=0. mid=8. level=+1.                      Exp on (=p1). 0. CS. 1. 2 mono. 100 Chorus on. oms. 0. 48. 30ms. off. 48 EQ on. 4ms. 100. 100 Chorus on. lo-mid eq=0. oms. hold=off. rev time=2. 4kHz. -2 Exp pedal on (=p1) Harmonist on. +12. 0. hall1. Marshall Amp about. normal. 100. off. on. 110hz. This actually is pretty close and should get you in the ball park for your final tweaking. 50. 11. normal Eric Johnson Solo Devices Used: Gt-5 Thru a Marshall 50Watt 800 MkII (w/el-34's) and a HM Strat w/Humbucker on Bridge. type vintage od. dlytime=320ms. 0. 0. off. 73. effect level=20. +2. preamp in just at clip on a clean signal. 165hz. HR. 100 ctl pedal. 0. top mild=5. 2. +19. 500ms. 0 0 0ms. flat. 0. clip type=post tone. Jamie 14 . off. direct level=0. 50. Reverb on. type single.

com/?sharekey=8.Metallica Patch Lets try to organize all our Metallica patches into one place. i made a Kill 'em all patch if anyone wants to try it Kill 'em All FX Chain-> cs-wah-lp-OD-PRE-FX1-fx2-EQ-NS-FV-dd-ce-rv-DGT Preamp-ON-Single-ChA-BrightClean26-82-42-100-24-40-High-off-50-4x10-DYN57-On Mic-2-100-0 OD-ON-Sharp-108-0-0-74-0 EQ-On-Flat/+10/500Hz/1/0/4kHz/16/0/0/Flat/0 Fx-1-flat/0/4kHz/8/+2/8kHz/4/-11/+13/4kHz/+1 Wah-off-Cry Wah MasterNS-On-60-0 Input-100-120-100-slow1 Ctl Pedal.9af1844a07d948 setup: PRS copy (evo/jazz) or Dean VXT (JB/Burstbucker 2)>GT-8 (Stack Amp/Low (-8)/Mid (-2)/Mid Freq 5. Let me know what you guys think of my patch. My Patchs: http://www.solo on/off Exp Sw.mediafire.Wah on/off Exp pedal-0-100 I've seen some alot of good metallica patches on the web i figure if we put all of them here it'd be easier for every one to find them.syx form but i don't have a midi to usb plug to transport them into the computer. idk only a suggestion. I wish i could put it in .00kHz/High (-5)/NS threshold (+5)/Input level (-8)/Input Pres(-8)>Boss Ge-7>Harmonic converger>Vox AD100Vt(Black face model/Vol(7) /Gain(4)/Treb(8)/Mid(6)/Bass(6) 15 ...