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BAD GIRLS

THE MUSICAL



Book by
MAUREEN CHADWICK
& ANN MCMANUS

Music and Lyrics by
KATH GOTTS

Originally directed by Maggie Norris
Orchestrations by Martin Koch






LIBRETTO / VOCAL BOOK







Josef Weinberger Limited
12 - 14 Mortimer Street
London W1T 3JJ
Tel: +44 (0)20-7580 2827 Fax: +44 (0)20-7436 9616
general.info@jwmail.co.uk www.josef-weinberger.com



BAD GIRLS THE MUSICAL


Copyright 2007 by Maureen Chadwick, Kath Gotts and Ann McManus
All Rights Reserved

PHOTOCOPYING THIS COPYRIGHT MATERIAL IS ILLEGAL



Applications to perform this musical must be made,
BEFORE REHEARSALS COMMENCE, to:

JOSEF WEINBERGER LIMITED
12 - 14 Mortimer Street
London W1T 3JJ
United Kingdom

Tel: +44 (0)20 7580 2827
Fax: +44 (0)20 7436 9616
www.josef-weinberger.com






























December 2008
BAD GIRLS
THE MUSICAL



CAST

THE PRISON OFFICERS


THE NUMBER ONE

Grade: Governing Governor

The Number One likes a quiet life and has always felt that the old boys network
is the best way of sorting things out to his satisfaction. The appointment of Helen
Stewart as Wing Governor has been imposed upon him and grudgingly accepted.
But it wouldnt take much briefing against her for him to recommend her swift
removal from Larkhall.


HELEN STEWART

Grade: Wing Governor (Grade 5)

As a graduate fast-tracker, Helen is held in contempt by old hands such as Fenner
and Hollamby who both firmly believe that there is no substitute for experience and
jailcraft. Shes idealistic and genuinely concerned about the welfare of the inmates
in her care, but good intentions arent always enough to win the battle. She soon
realises the old guard doesnt play fair and if shes going to beat them shell need
friends in low places...


SYLVIA BODYBAG HOLLAMBY

Grade: Senior Officer

As far as Sylvia is concerned happiness is door-shaped and it would make her life
a hell of a lot easier if prisoners were just kept locked in their cells 24/7. She admires
Jim Fenner immensely, and shares his conviction that the Wing Governor job
should have gone to him instead of to Helen Stewart. She is, however, blind to the
full extent of Jims misdemeanours with the prisoners, and would be genuinely
shocked if she knew.




JIM FENNER

Grade: Principal Officer

Jims a man who likes to run things in prison his own way, rather than by the book,
and hell use whatever means necessary. He can easily justify his pastoral role
with prisoners; the women have come on strong to him, hes got what they need and
hes happy to give it to them. So wheres the harm? His unholy alliance with Shell
Dockley keeps him in the picture about whats happening on the wing as well as
providing some on the job recreation.


JUSTIN MATTISON

Grade: Officer (Basic)

Justin is a new junior officer, a fresh young puppy dog who really does want to do
good, and thinks that Helen is absolutely perfect, not only as Wing Governor, but
maybe even something more . . . Bursting with integrity and rather shy, Justin is
easily teased by the older women prisoners in particular. But as he firmly tells
Yvonne, if you want to screw a screw, youve picked the wrong one.


Other Prison Officers (as required).


THE PRISONERS


NIKKI WADE

Sentence: Life for killing a policeman who was attempting to rape her girlfriend.

Most of the inmates on G-Wing look up to Nikki. Before her conviction Nikki used
to run a nightclub with her girlfriend. Shes intelligent and street-wise with a strong
sense of natural justice because of the injustice she herself has suffered. Shes no
ones fool and she easily sees through the likes of corrupt officer Jim Fenner. But
she doesnt always help her own case by being too quick to fly off the handle.


DENNY BLOOD

Sentence: 7 years for arson she burned down her childrens home.

Despite her tough exterior, Dennys upbringing has left her desperate for love and
attention, making her very easy to manipulate and thats something Shell Dockley
is expert at doing. Denny is Shells fixer and not being the sharpest knife in the
drawer shes always willing to do Shells bidding without question. One day,
however, shes going to have to find a voice of her own




SHELL DOCKLEY

Sentence: Life for the kidnap, torture and eventual murder of the woman who
stole her boyfriend.

Before sentencing Shell to life, the judge presiding over her trial described her as
evil personified, a tag she never has a problem living up to. Whether its taxing
another inmate for her drugs stash or the intimidation of a weaker prisoner, Shell
displays an equal amount of cunning and ruthlessness to get her own way. She
considers herself Jim Fenners right-hand woman and trades on the special
privileges she gets for services rendered.


YVONNE ATKINS

Sentence: 4 years for conspiracy to commit murder she hired a hitman to bump
off a business rival of her husband, Charlie.

Yvonnes as tough as nails; a working-class girl made rich through gangland boss
Charlies criminal gains. Shes intimidating, ruthless and glamorous. When she
arrives at Larkhall she makes a huge impression on the other women and wastes no
time in taking over the Top Dog position from Shell Dockley. Shes also warm and
generous and a force for good against G-Wings bullies officers and inmates alike.


NOREEN BIGGS

Sentence: 3 months for shoplifting ties from a department store.

Recidivist old-timer Noreen regularly gets itchy fingers in the shops and cant resist
the thrill of picking up a few treats. As times gone on shes more at home in prison
than anywhere else and shes been round the system so many times she knows
exactly how to play it to her advantage. Noreen loves a bit of bother and is
always ready to stoke a fight from the sidelines.


CRYSTAL GORDON

Sentence: 12 months for persistent shoplifting

As a bible-bashing Christian, Crystal often takes a critical view of her fellow
inmates and believes that the prison regime is too soft especially where drugs are
concerned. She can be self-righteous and totally blind to her own self-
contradictions and often comical as a result. But at heart shes a kind and caring
person who does believe in standing up for whats right.


RACHEL HICKS

Sentence: 30 months for possession (2 ecstacy tablets) with intent to supply.

When Rachel arrives at Larkhall as a first time offender shes scared and isolated
and distraught about the fact that her baby has been taken into care. Shes got
victim written all over her and is easy prey for prison bully Shell Dockley. She
naively trusts Jim Fenner to look after her, but soon discovers that his special
attention isnt quite the sort of protection she had imagined.


THE TWO JULIES

Sentence: 2 years for theft. Julie Saunders and partner-in-crime Julie Johnston
stole money from clients while working as hotel prostitutes.

The Julies have taken the same name and styled themselves as a sisterly double act.
Theyll always be there for each another and thats their lifeline for surviving
prison. Both are mums, and it was trying to make ends meet for their children that
drove them into prostitution in the first place. Julie S has a son, David, whose
private education is paid for with the proceeds from her life of crime. Theyve got
hearts of gold and will always help a friend in need.



Other Prisoners, incl. KAT, NATALIE and SPIKE



PLACE

H. M. Prison, Larkhall


TIME

The present


THE STORY

BAD GIRLS THE MUSICAL takes as its starting point the original core characters
from the first three series of Bad Girls on TV. Set in the fictional HMP Larkhall, its
the story of new idealistic Wing Governor Helen Stewart and her battles with the
entrenched old guard of Officer Jim Fenner and his sidekick Sylvia Hollamby. It
also follows the love story that develops between Helen and charismatic inmate
Nikki Wade. Other featured characters include Shell Dockley and her runner Denny
Blood, old-timer Noreen Biggs, The Two Julies and the ultimate Top Dog, King-of-
Ganglands missus, Yvonne Atkins.

A tragic death on the wing in which Jim Fenner is implicated leads to an angry
protest from the women and forces Helen and Nikki to their opposite sides of the
bars. But when its clear that Helen stands to lose her job over Jim Fenners
misdeeds, the race is on for the women to nail Jim once and for all.



BAND

INSTRUMENTATION


WOODWIND 1 Flute / Alto Saxophone

WOODWIND 2 Clarinet in Bb / Soprano Saxophone / Tenor Saxophone

TRUMPET dbl. Flugelhorn

2 KEYBOARDS

BASS

DRUMS dbl. Percussion
[Bell Tree / Tambourine / Crotales / Glockenspiel / Castanets]






SOUND EFFECTS [SFX]

Scene changes, unless music is specifically indicated, should be covered by a non-
naturalistic soundscape of echoing prison sounds Locks, Bolts and Bars loud
slamming doors, keys in locks, jangling key chains, the metallic scrape of metal
against metal all amidst the general background hubbub of prison life and
creating a sense of isolation and oppression by a relentless prison machine.








MUSICAL NUMBERS




ACT ONE

SCENE TWO
1. I Shouldnt Be Here (Prisoners)
SCENE THREE
2. Guardian Angel (Shell and Denny)
SCENE FOUR
3. Jailcraft (Jim and Sylvia)
SCENE FIVE
4. One Moment (Nikki)
SCENE SIX
5. Life Of Grime (The Two Julies and Prisoners)
6. The A-List (Yvonne and Prisoners)
SCENE EIGHT
7. The Key (Jim)
SCENE NINE
8. The Way It Is (Company)
8a. Riot Music (Instrumental)


ACT TWO

SCENE ONE
9. Freedom Road (Crystal and Chorus)

SCENE TWO
10. The Future Is Bright (Jim, Sylvia and Officers)
10a. The Future Is Bright Playoff (Instrumental)
SCENE FOUR
11. Sorry (Julie S)
11a. Scene Change (Instrumental)
SCENE SEVEN
12. Every Night (Helen and Nikki)
SCENE EIGHT
13. All Banged Up (Yvonne and The Two Julies)
14. The Baddest And The Best (Nikki, Denny, Justin, Prisoners)
14a. Scene Change (Instrumental)
SCENE NINE
15. First Lady (Jim and Shell)
15a. The Baddest And The Best Reprise (Shell and Chorus)
SCENE TEN / ELEVEN
16. This Is My Life (Helen, Nikki, Yvonne and Prisoners)
16a. This Is My Life Optional Playoff (Instrumental)
17. Curtain Call (Yvonne and Prisoners)
18. Playoff (Optional) (Instrumental)










1
BAD GIRLS
THE MUSICAL


ACT ONE


SCENE ONE

HMP LARKHALL Reception. [SFX: A loud desolate bang echoes across the prison soundscape.]
New prisoner RACHEL HICKS stands with her back to us, in her knickers, being strip-searched by
Senior Officer SYLVIA HOLLAMBY.

SYLVIA Arms out. Lift your bosoms up for me.

(RACHEL complies, shaking with fear and humiliation.)

SYLVIA (contd) Have to get the doctor to give you some pills, stop you leaking. Right, now
cover your top half and take your knickers off.

(She hands Rachel a towel. RACHEL is reluctant. SYLVIA rolls her eyes.)

SYLVIA (contd) Dont worry, you havent got anything I havent seen a thousand times before.

(New Wing Governor HELEN STEWART enters. SYLVIA smarms.)

SYLVIA (contd) Morning, Maam. (Holds out a file.) Hicks, Rachel. Eighteen months for
possession with intent to supply.

(RACHEL turns, holding the towel to her chest, teary faced.)

RACHEL But I never its a lie!

SYLVIA (to RACHEL) Eh, you, you speak when youre spoken to.

HELEN (she takes the file, sharp) Right, I think were done here.

SYLVIA But, Maam

HELEN Thank you, Mrs Hollamby.

(SYLVIA exits.)

HELEN (contd) Come on, Rachel. Ill take you through for your medical. Youre on G Wing.

(HELEN leads RACHEL away.)

2
SCENE TWO

HMP LARKHALL G Wing Landing and Servery.

TANNOY Unlock will now commence.

[SFX: Locks, bolts and bars the clanking sounds of the prison machine
awakening for another day.]

(Welcome to G Wing the prisoners emerge from their cells to introduce
themselves, featuring: SHELL DOCKLEY, CRYSTAL GORDON, DENNY BLOOD,
JULIE JOHNSTON & JULIE SAUNDERS and NIKKI WADE.)

Music No. 1: I SHOULDNT BE HERE (PRISONERS)

SHELL Shell Dockley. Lifer. Murder. Well just a bit of torture, really. Didnt expect the
dozy twat to go and die on me. Pathetic!

BUT NO-ONE MESSES WITH MY MAN
AND GETS AWAY WITH THEIR FACE INTACT
ITS AN OBVIOUS FACT
I WAS BOUND TO REACT
THAT DOUBLE D CUP SLAPPER WAS GONNA GET WHACKED

I SHOULDNT BE HERE . . .

CRYSTAL Crystal Gordon. Twelve months. Shoplifting. But the good book says the Lord
helps them who helps themselves.

ALL THEM SHOPS GO FLAUNTING THEIR GOODS IN YOUR FACE
ITS ASKING FOR GRIEF, MAN
IN THE CIRCUMSTANCE OF MY CASE
ITS MY BELIEF THAT
I WAS DOING IT FOR JESUS
I WAS DOING IT FOR JESUS
LIKE HE DID IN THE TEMPLE STORY
FOR THE LORD GODS GREATER GLORY
BUT INSTEAD OF CHUCKING IT DOWN OFF THE SHELF
I STUFFED IT IN MY RUCKSACK
AND KEPT IT FOR MYSELF

I SHOULDNT BE HERE . . .

DENNY Denny Blood. Seven years. Arson. It was a rubbish kids home anyway!

I WANTED A LIFE
I WANTED A MUM
THEY SAID IF YOURE GOOD, DEN
MAYBE ONE DAY SHE MIGHT COME
SO I WAIT
AND I WAIT
AND I START TO THINK THEY MUST THINK IM REALLY DUMB
COS SHE WERENT NEVER, EVER GONNA COME
SO I POURED PETROL ALL ROUND THEIR KITCHEN FLOOR

3
THREW IN A MATCH AND SLAMMED THE DOOR
AND NOW I DONT WAIT FOR NO ONE ANYMORE

JULIE S Julie Saunders.

JULIE J Julie Johnston.

JULIE S Two years.

JULIE J Two years.

JULIE S Soliciting.

JULIE J And thieving.

TWO JULIES Together.

THE OLDEST PROFESSION IN THE BOOK
COMBINED
WITH A SIDELINE IN THE WALLETS THAT WE TOOK

JULIE S DONT YOU FIND THESE DAYS
ITS ALL FOR THE SCHOOL FEES
AND NOT FOR THE FUN

TWO JULIES YOU HAVE TO PLAN AHEAD NOW
FOR EVERY LITTLE ONE

JULIE S FOR CHOICES PARENTAL

JULIE J DOSH IS FUNDAMENTAL

JULIE S THATS HOW MY TROUBLES FIRST BEGUN

JULIE J GONNA GET OUR KIDS BACK ONE DAY . . .

JULIE S BUT I THOUGHT I OWED IT TO MY SON

TWO JULIES I SHOULDNT BE HERE . . .

NIKKI Nikki Wade. Lifer. Cop-killer. But, hey, at least thats one less rapist in the
world.

(NIKKI screws up the letter she has been reading.)

NOBODYS HERO
SOMEBODYS FOOL
DONT GO MISTAKING ME FOR
SOMEBODY WHOLL
EVER GIVE A DAMN
FOR WHAT THEY THINK I AM
I SHOULDNT BE HERE

4
I DONT WANT TO BE HERE . . .
BUT HERE I AM

PRISONERS HERE I AM
HERE I AM
HERE I AM
AND ONE THING IS CLEAR
ONE THING IS CLEAR
WHEN I TAKE A GOOD LOOK AROUND ME
I SHOULDNT BE HERE . . .

I SHOULDNT BE HERE
I DONT WANNA BE HERE
I SHOULDNT BE HERE
THIS ISNT ME HERE
THIS IS NOT MY LIFE!
GIVE ME BACK MY LIFE!

I HAD PLANS
I HAD DREAMS
MY LIFE IS NOT THE THREE-CAR-WRECK IT SEEMS
I KNOW IT MAY NOT BE MUCH
BUT I WAS SOMEONE
SOMEONES SISTER, DAUGHTER, MOTHER
JUST A GIRL LIKE ANY OTHER
SO MAYBE IM OUT OF TOUCH
BUT STILL IM SOMEONE

AND WHEN THEY SLAM THAT DOOR EVERY NIGHT
AND IM ALONE IN MY BED
I ESCAPE WHERE ITS SAFE OUT OF SIGHT
TO THE WORLD THAT I KEEP IN MY HEAD
THATS WHERE I HIDE MYSELF
OUT OF REACH FROM THE SCREWS

TWO JULIES ON A BEACH WITH OUR KIDS KICKING SAND FROM OUR SHOES

NIKKI THERES A BAR

CRYSTAL THERES A BAR WHERE IM SINGING THE BLUES

SHELL & DENNY GETTING WASTED ON CHEAP FOREIGN BOOZE

PRISONERS I CAN GO WHERE I CHOOSE . . .
IVE GOT NOTHING TO LOSE . . .

(The prison officers interrupt to herd them off to breakfast, featuring:
Principal Officer JIM FENNER, Senior Officer SYLVIA HOLLAMBY and Junior
Prison Officer JUSTIN MATTISON.)

JIM Right, you lot. Breakfast. Move it!

5
SYLVIA (to the JULIES) You two serve out the swill. The rest of you line up at your
trough.

PRISONERS I SHOULDNT BE HERE
THIS ISNT ME HERE
THIS IS NOT MY LIFE!

SYLVIA Move it!

PRISONERS GIVE ME BACK MY LIFE!

JIM Shut it!

(Music underscore continues. The women start to move into place for
breakfast. JUSTIN unlocks the main gate to let in HELEN & RACHEL. JIM alerts
SYLVIA, whos eating a chocolate bar.)

JIM (contd) Chocs away, Sylv, here comes little Miss New Broom.

SYLVIA Flaming Nora! Why cant she stay in her office like any normal Wing
Governor?

JIM (with intent) One day theyll pick the right man for the job.

(They snap into uniform mode and present themselves to HELEN.)

JIM (contd) Morning, maam.

SYLVIA Morning, maam.

HELEN Weve got a new allocation . . .

(The prisoners pay attention.)

HELEN (contd) This is Rachel Hicks. First-time Young Offender.

SYLVIA (aside) Another drug addict come to join us.

JIM Welcome to G Wing, Rachel. Im Principal Officer Mr Fenner. (Introducing
SYLVIA.) Youve met Senior Officer Mrs Hollamby.

(SYLVIA sneers.)

SYLVIA You lot call me Miss.

KAT No we dont, we call you Bodybag.

JIM (introducing JUSTIN) And this is Junior Officer Mr Mattison.

JUSTIN Hi. First days the worst. Soon get your bearings.


6
(RACHEL is trembling, on the verge of tears. HELEN hands JIM a folder.)

HELEN Heres her file. Make an appointment with my secretary for her induction.

JIM Dont have to take up your valuable time, maam. Just leave Rachel with me.

(With a patronising smile, he ushers RACHEL away and SYLVIA moves in to
usher HELEN out.)

SYLVIA Heres the log book, Maam.

JIM One more for breakfast, Julies.

TWO JULIES (mechanically) One coming up, Mr Fenner.

(They fetch another bowl of porridge.)

JIM (to RACHEL) Get yourself fed, Ill find you a bed.

NIKKI Thats his speciality.

JIM Ill find you a bed down the block if you dont shut it, Wade.

(She gives him a world-weary look as he exits to the POs office.)

SHELL (to DENNY, re. RACHEL) Like hed be interested in that little minger.

NIKKI Fresh meat? Better than leftovers.

(SHELL bristles. RACHEL sits down beside CRYSTAL, who erupts.)

CRYSTAL I aint sitting next to this low-life. (To SYLVIA / HELEN.) Theres more doing
dealings in here than down Kings Cross.

SYLVIA Oh skip the saint act, Gordon. I dont remember Jesus saying Blessed are the
shoplifters.

HELEN (pushing past her) Mrs Hollamby! Ill deal with this.

(SYLVIA exits to the POs office.)

RACHEL (to CRYSTAL) You got me wrong. I was only done for two Es.

CRYSTAL Es for Evil!

HELEN Right, thats enough. Nobodys here to be judged. Were all of us in this
prison to try and help you get out of it.

SHELL Okay. Me and Dens up for that, Miss. Give us a key and well be off.


7
HELEN Im trying to treat you women with respect. Please dont make me think you
dont deserve any.

NIKKI Nice idea. Pity you dont tell it to the screws.

(Jeers. The NUMBER ONE Governing Governor enters. Helen glares at NIKKI
and goes to meet the NUMBER ONE.)

NUMBER ONE Miss Stewart I was expecting to find you in your office.

HELEN Its got a great desk, sir, but a lousy view of the prison. I prefer a more hands-on
approach.

NUMBER ONE Indeed . . . Well, I came to inform you that your probationary period, though
not without incident, has been deemed a success. Congratulations.

HELEN (shakes his hand) Thank you, sir. Now I can really hope to make a difference.

NUMBER ONE Helen just remember whatever new ideas youve got in mind prison is a
place with two types of people in it: us and them.

(He exits.)

HELEN MAYBE IM A FOOL TO THINK THAT I COULD DO SOME GOOD
BUT IF I DIDNT THINK I COULD
I WOULDNT BE HERE
NOW I HAVE A CHANCE TO REALLY DO THIS MY OWN WAY
I WONT LET ANYONE SAY
I SHOULDNT BE HERE

(HELEN exits, with determination. SHELL and DENNY sidle up to RACHEL.)

SHELL Dont worry, Rachel. Well help you cope without your drugs, wont we Den?

DENNY Yeah. (To RACHEL) Cos either you give em over to Shell, or Ill smack your
head open!

(She whacks the table with a pool-ball filled sock. They laugh as RACHEL puts
her head in her hands and sobs all the more.)

NIKKI Leave the kid alone, Dockley!

SHELL Why, fancy her yourself?

(Tempers flare.)

CRYSTAL All you sinners is gonna burn.

PRISONERS SAME OLD SHIT
TWENTY FOUR SEVEN


8
JULIES (to RACHEL) WELCOME TO LIFE HERE INSIDE

PRISONERS THIS IS IT

CRYSTAL AND IT SURE ISNT HEAVEN

NIKKI ALTHOUGH IT FEELS LIKE IVE DIED

PRISONERS WHEN YOU NEED A HELPING HAND
DONT EXPECT THEM TO UNDERSTAND
WHATS ANOTHER DAY?
ANOTHER WEEK?
ANOTHER YEAR?
WHEN WE SHOULDNT BE HERE
WE SHOULDNT BE HERE
WE SHOULDNT BE HERE
WE SHOULDNT BE HERE.

(JIM and SYLVIA enter from the office.)

JIM Right then, ladies. Slops and mops. Get ready for work.

SYLVIA Meaning now, not next week. Shift it! Come on . . .

(NOREEN BIGGS (aged 65 going on 100) staggers in, fag in mouth.)

SYLVIA (contd) What time do you call this, Biggs?

NOREEN Im on me last legs, Miss. You got to get me to the hospital.

SYLVIA Youve been on your last flaming legs since Ive been in uniform.

NOREEN Not that long, Miss . . .

(She breaks into a hacking cough.)

SYLVIA Oh get back to your cell and save your lungs.

(NOREEN gives the fingers behind SYLVIAS back and scuttles off.)

SHELL I gotta be excused work too, Miss. Got the decorators in.

SYLVIA Again?

JIM All right, Dockley, take the morning.

(SYLVIA exits.)

SHELL Thank you, sir.

JIM (aside) Thank me later.

9
(SHELL gives him a smug smile and sashays off. Only RACHEL remains, all
adrift. JIM picks up her bag.)

JIM (contd) This way, Rachel. Got you a cell of your own. Nice and private.

(JIM guides her away to her cell with a paternal arm round.)

[SFX: The sound of multiple doors slamming as Rachel is lost within the system.]


SCENE THREE

RACHELS CELL. RACHEL sits on the bare mattress beside a pile of bedding and her bag of
possessions, hanging her head as JIM shuts the door behind him.

JIM Get your bed made up, put your own things out, soon feel like home, eh?

RACHEL Wish Id swapped them two Es for a load of sleeping pills.

JIM Come on, love. Its not the end of the world, is it?

RACHEL It is! Ive lost everything now.

(She sobs. JIM finds her a hanky.)

JIM Here. Have a good blow. Take a deep breath. Then tell Uncle Jim whats the
trouble and see what he can do.

(RACHEL takes his hanky and blows.)

RACHEL Its Maddie.

(RACHEL shows him a photo.)

RACHEL (contd) My baby. Im still meant to be breast-feeding her. She wont look at a bottle.

JIM I didnt know you had a little baby.

RACHEL Yeah, but Socials got her took into care.

JIM Only till you get out of prison, love. Then theyll give her back to you, wont
they?

RACHEL But what if they dont? Ill be chucked out my home by then cos the Social
stops your rent. They wont give you back your baby if you havent got a
home but Council wont re-home you unless youve got a baby.

JIM Right . . . Have you ever heard of the Brotherhood of Freemasons?

RACHEL No.

JIM Well, Im going to let you in on a big secret, Rachel. Theres men like me in
every walk of life. Got the power to pull all sorts of strings for each other.


10
RACHEL You mean, like youre all on the fiddle?

JIM Not for ourselves! We use our influence to protect the weak and needy. And I
can jump you to the top of any housing list you fancy . . .

RACHEL Really?

JIM A place in the country, a cottage by the sea three bed semi with a little
nursery?

RACHEL I just want a flat in Blackpool.

JIM Well, youd better put a smile on that face for me, then. I can tell youre
special, Rachel. Thats why Ill be keeping a very special eye on you. And
thats a promise.

(He exits. RACHEL cheerfully kisses her baby photo.)

TANNOY All inmates are reminded to make beds before movement.

(RACHELS prompted to get on with her bed-making.)

SHELL Watcha.

(RACHEL jumps to find SHELL and DENNY there. SHELLS all smiles.)

SHELL (contd) Thought Id come and see if theres anything you need. Being as youre not
carrying, youll be buying, right? Crack? Smack? Whatever you fancy . . .

RACHEL Im going to report you to Mr Fenner.

SHELL Oh yeah? And what dyou think hes gonna do for you?

RACHEL Said hes going to keep a special eye on me.

SHELL Did he now? (Bastard!) Well, Ill tell you what eye that is the one on the end
of his dick.

(RACHEL turns away, repulsed. SHELL puts an arm round.)

SHELL (contd) Look, Rachel, Im just trying to be a mate, tell you how it works in here, right?

Music No. 2: GUARDIAN ANGEL (SHELL & DENNY)

SHELL LOOK AT ME
LOOK AT HOW I TURNED OUT
USED TO BE A SCAREDY-CAT UNTIL I LEARNED HOW
TO STAND UP FOR MESELF
COS AINT NOBODY ELSE
WHOS GONNA MAKE YOUR LIFE WORTHWHILE

LOOK AT YOU


11
DENNY THE GIRL CANT TAKE IT

SHELL EVERYTHING ABOUT YOU SAYS YOULL NEVER MAKE IT
AND GRASSING TO A SCREW
AINT A CLEVER THING TO DO
UNLESS YOU SUIT A CHELSEA SMILE
SUCH A PRETTY LITTLE THING
I WOULDNT LINGER IN THE SHOWERS
EVERY LEZZER ON THE WING WILL WANT THEIR GO

DENNY YOULL BE STUCK IN THERE FOR HOURS

SHELL THE DAYS ARE LONG AND THE NIGHTS ARE SCARY

DENNY THEM GIRLS ARE STRONG AND SOME QUITE HAIRY

SHELL MOST NIGHTS THE SCREAMING NEVER ENDS

SHELL & DENNY THATS WHEN YOU NEED TO KNOW THAT YOUVE GOT FRIENDS . . .

SHELL AND ILL BE WATCHING OVER YOU

DENNY WELL BE WATCHING YOU

SHELL LIKE A GUARDIAN ANGEL
ANYTIME YOU LOOK BEHIND YOU

DENNY DONT LOOK NOW

SHELL YOU KNOW ILL ALWAYS FIND YOU
ILL KNOW EVERYTHING YOU DO

DENNY EVERYTHING YOU DO

SHELL IM YOUR GUARDIAN ANGEL
NOTHING HAPPENS HERE I DONT SEE
NOTHINGS SAID THAT WONT GET BACK TO ME
LUCKY YOU THAT IM GONNA BE YOUR ANGEL

ITS A FACT
PRISON IS DEPRESSING

DENNY BETTER JUST ACCEPT IT THERES NO POINT IN STRESSING

SHELL THE ONLY WAY TO COPE
INSTEAD OF LOSING HOPE
IS GET COMPLETELY OFF YOUR FACE

NOW IM A MATE
WHO BELIEVES IN SHARING


12
DENNY PEOPLE DONT APPRECIATE THAT SHELLS SO CARING

SHELL A LITTLE BILLY WHIZ
CAN REALLY DO THE BIZ
AND THEN ITS GONE WITHOUT A TRACE
WHEN YOURE CRAWLING UP THE WALL
YOU JUST CALL AND ILL COME FLYING

SHELL & DENNY TAKE YOUR PICK WEVE GOT IT ALL

SHELL JUST LET ME KNOW

DENNY WE DO REGULAR SUPPLYING

SHELL HAVE A WRAP

(RACHEL pushes it away.)

DENNY NO ONES TOUCHED IT

SHELL EXCEPT PERHAPS THE GIRL WHO CRUTCHED IT
JUST PAY YOUR BILLS AND YOULL BE FINE

DENNY Shell, can I have that necklace?

(DENNY eyes up RACHELS necklace.)

SHELL Yeah, go on, Den. Help yourself.

AND REMEMBER NOW WHATS YOURS IS MINE . . .
COS ILL BE WATCHING OVER YOU

DENNY WELL BE WATCHING YOU

SHELL LIKE A GUARDIAN ANGEL
ANYTIME YOU LOOK BEHIND YOU

DENNY DONT LOOK NOW

SHELL YOU KNOW ILL ALWAYS FIND YOU
ILL KNOW EVERYTHING YOU DO

DENNY EVERYTHING YOU DO

SHELL IM YOUR GUARDIAN ANGEL
NOTHING HAPPENS HERE I DONT SEE
NOTHINGS SAID THAT WONT GET BACK TO ME
LUCKY YOU THAT IM GONNA BE YOUR ANGEL

DENNY AH-AH-AH-AH-AAAH


13
SHELL YOUR GUARDIAN ANGEL

TANNOY Movement to work will now commence.

(SHELL takes out a bag of pills.)

SHELL (to RACHEL) Here leave you a coupla freebies.

(RACHELS left staring at the pills. She flushes them down the loo and sobs on
her bed.) [SFX: Locks, bolts and bars as the prison machine closes in.]


SCENE FOUR

PRISON OFFICERS OFFICE / G WING LANDING / MALE STAFF TOILETS. SYLVIAS in her
armchair, feet up, with her Take a Break magazine. JIMS on paperwork.

JUSTIN (to JIM) Black coffee? (To SYLVIA.) Sweet tea?

SYLVIA Id prefer a G and T, the morning Ive had.

JUSTIN You never have a good morning, do you, Sylvia?

SYLVIA Excuse me?

JIM Justin better hop it down to reception. Theres a sweat box due back from
court.

JUSTIN Why do they keep sending us prisoners? Dont they know Sylvias on her tea-
break?

(He exits.)

SYLVIA You can see who that little pups licking up to, cant you?

(RACHEL appears at the door.)

RACHEL Mr Fenner?

(SYLVIA groans. JIM plays weary for SYLVIAS benefit.)

JIM What is it now, Rachel?

RACHEL I need to talk to you, sir. Private, like.

SYLVIA This isnt a drop-in centre, you know.

RACHEL Please, sir

(JIM heads RACHEL outside.)


14
JIM (to RACHEL) All right (Tutting to SYLVIA.) Mr Popular!

(He shuts the door on SYLVIA and turns to tearful RACHEL.)

JIM (contd) Whats the problem, Rachel?

RACHEL That Shell Dockley . . .

JIM What about her?

RACHEL Her and her mates been trying to get me on the smack.

JIM Dont you worry about Dockley, Ill deal with her.

RACHEL Oh thanks, sir. I told her Id report her to you.

JIM Well, shed better not find out you have or shell rip your tongue out.

RACHEL But but youll stop her, wont you?

JIM Rachel I cant give you special treatment if you go round telling everyone
about it.

RACHEL Im going to report her to Miss Stewart.

JIM Miss Stewart? Shes been in prison for about as long as you have, love. But
fine, if youd rather trust her than me . . .

(And he makes to go. RACHEL panics.)

RACHEL No, sir please Im sorry if I said the wrong thing. I just

(She blubs. JIM lifts her chin.)

JIM Its only me can keep you safe and help you get back your baby, Rachel. But
youve got to keep this shut. Okay? Trust me?

(RACHEL nods.)

JIM (contd) Good girl.

(He gives her chin a little brush with his forefinger and winks at her, just as
HELEN appears.)

JIM (contd) Go and report for work.

(RACHEL scurries off.)

HELEN (suspicious) Problem?

JIM Ask me, that ones got victim written all over her, poor kid.

15
HELEN No ones a victim on my Wing.

JIM Thats why Im taking her under my wing, maam.

(HELEN gives him a long look.)

HELEN Book her in to see me first thing tomorrow.

(She heads into the office. JIM follows her, rattled. HELEN finds SYLVIA asleep.)

HELEN (contd) Can I fetch you a footstool, Sylvia?

(SYLVIA jumps up.)

SYLVIA Sorry, maam I was just . . . um . . .

HELEN Skiving?

(SYLVIAS affronted.)

SYLVIA Not me, Miss Stewart! I live and breathe for this prison.

HELEN Well living and breathing isnt quite enough, Im afraid, youve got to move
about a bit as well. So when youve caught up with your other duties, I want
you to find Nikki Wade and upgrade her cell.

(SYLVIA and JIM snort in disbelief.)

JIM / SYLVIA What?

JIM Youre putting a known trouble-maker like Wade on enhanced?

SYLVIA Giving her privileges?

HELEN Her appeal came through today. Its our job to give her every encouragement
to win it.

SYLVIA What, so she can murder another man in a fit of jealous rage? Shes lucky
were not allowed to give her a good hanging.

HELEN Really?

JIM Well you cant believe she stabbed a broken bottle in that coppers neck by
accident?

HELEN That copper was trying to rape her girlfriend!

SYLVIA Theyve always got an excuse.

HELEN Oh, for goodness sake.


16
JIM Um you sure youre not getting too personally involved here?

HELEN Im saying shes not a homicidal maniac.

SYLVIA (to JIM) No, just a homosexual murderess. Society needs protecting. We need
protecting.

HELEN If youd rather execute prisoners, Sylvia, I suggest you apply for a job in Texas.
(She turns to go and JIM suddenly sees the future . . . )

JIM Just a sec . . . you say youre worried about Rachel Hicks? (To SYLVIA.)
Howre we supposed to keep her safe with the likes of Wade let off the leash?

SYLVIA Like throwing a chop to a Rottweiler.

HELEN You dont know anything about any of the women in here, do you?

JIM With all due respect, maam, us old lockhands know a bit about Jailcraft.
Bottom line is, you go soft on a hard case like Wade

SYLVIA Well thats Good Order And Discipline dead and done for.

HELEN Ill tell you whats dead and done for treating these women like children,
cancelling their visits, losing their letters the whole bag of dirty tricks
youve used to make their lives a misery. So stop living in the past and carry
out my orders.

(HELEN exits. SYLVIA shakes her head in despondency.)

SYLVIA Thats it, then. End of an era, Jim. Time to bring on the chronic backache and
sign off on the sick.

JIM Maybe not Sylv, I think shes just shot herself in the foot.

SYLVIA Hows that?

JIM Well, talk about high risk strategy! If Wade kicks off again, and lets face it,
that wont be hard to arrange, then Stewartll be in a right mess.

(SYLVIA sees the light.)

SYLVIA And well clean up!

Music No. 3: JAILCRAFT (JIM & SYLVIA)

JIM YOU WONT LEARN THIS ART IN A BOOK
THERES NO FAST TRACK TO IT

SYLVIA YOU CANT SKIP THE YEARS THAT IT TOOK
THERES A REAL KNACK TO IT

17
JIM JAILCRAFT
WEVE GOT IT!

SYLVIA JAILCRAFT
YOUVE GOT IT!

JIM & SYLVIA JAILCRAFT
THATS WHAT IT TAKES

SYLVIA YOU WONT GET THIS WITH A DEGREE
IN CRIMINAL JUSTICE
DOWN THE SHARP END, TAKE IT FROM ME

JIM & SYLVIA THE ONE THING YOU TRUST IS
JAILCRAFT
WEVE GOT IT
HARD GRAFT
BUT WEVE GOT IT
JAILCRAFT
THATS WHAT IT TAKES

JIM ITS BASIC COMMON SENSE

SYLVIA PLUS A LITTLE SELF-DEFENCE

JIM MIX WITH PROFESSIONAL CALM

SYLVIA ADD A DASH OF PERSONAL CHARM

JIM & SYLVIA AND WHEN THAT OLD PROVERBIAL
FINALLY HITS THE FAN
WERE UP FRONT
BEARING THE BRUNT
JUST DOING THE BEST WE CAN

WE DONT GET THE THANKS WE DESERVE
DOWN AT THE COALFACE
WHILE THOSE WIMPS ARE LOSING THEIR NERVE
WE RUN THE WHOLE PLACE
JAILCRAFT

JIM IRREFUTABLE

JIM & SYLVIA JAILCRAFT

SYLVIA GOD WERE BEAUTIFUL

JIM & SYLVIA JAILCRAFT
THATS WHAT IT TAKES

JIM Right. Get Wade back on the wing and tell Dockley to report for work.

18
SYLVIA Dont worry, Ill wind up Wades welcome party.

(SYLVIA exits.)

JIM AND IF THE POWERS THAT BE
ARE JUST TOO BLIND TO SEE
I KNOW A THING OR TWO
ILL PULL A STRING OR TWO
TAKE A LESSON FROM ME

(JIM enters the Male Staff Toilets. Hes joined at the urinals by the NUMBER
ONE.)

NUMBER ONE So, Jim, off the record, hows the new girl Governor doing on G Wing?

JIM (aside) WORRIED LOOK, FURROWED BROW
A SLIGHT . . . HESITATION . . .

NUMBER ONE If you have concerns . . .

JIM (to NUMBER ONE) I WOULDNT LIKE TO INTERFERE

NUMBER ONE Any informations in the strictest confidence.

(Dramatic pause, then JIM flourishes a notebook.)

JIM ITS ALL IN HERE . . .
YEARS OF EXPERIENCE
YOU UNDERSTAND . . .

(The NUMBER ONE takes the notebook and shakes JIMS hand.)

NUMBER ONE Leave it with me, Jim. Enough said.

JIM YEARS OF PERFECTING
A SHAKE OF THE HAND

NUMBER ONE See you at the Lodge meeting.

(The NUMBER ONE exits and JIM goes to the mirror.)

JIM MY BUT ITS GOOD TAKING CONTROL
SLIDING UP THAT GREASY POLE

(The urinals disappear and SYLVIA rejoins him back on the landing, both a-
swagger.)

JIM & SYLVIA AND YOU WONT GET THAT OUT OF A BOOK
ON PRISON PROCEDURE
WHEN THOSE SUITS GET CAUGHT ON THE HOOK
THATS WHEN THEY NEED YA

19
JAILCRAFT
WEVE GOT IT
HARD GRAFT
BUT WEVE GOT IT
JAILCRAFT
THATS WHAT IT TAKES
WHEN YOURE SHORT-STAFFED
YOUR BACK NEARLY BREAKS
WE GET WELL SHAFTED
BUT WE STRUGGLE THROUGH
KEEP YOUR EYE ON THE BALL
YOUR EAR TO THE GROUND
BACK TO THE WALL
WHEN TROUBLES AROUND
ITS JAILCRAFT
JAILCRAFT
JAILCRAFT
THATS WHAT WE DO
ME AND YOU!

(The JULIES enter to mop the landing, as a prison officer leads NIKKI to the
wing gate. NOREEN lurks. SHELL enters in a strop.)

SHELL (to NOREEN) What you looking at, Asbo? Do one.

(JIM smirks to SYLVIA and exits to the POs office. PRISON OFFICER unlocks the
gate and NIKKI enters.)

PRISON OFFICER One back on the wing.

(He re-locks it and exits.)

NIKKI This has got to be a wind up.

SYLVIA Governors orders.

NIKKI To put me on enhanced?

SHELL Eh? Whats this?

SYLVIA None of your concern, Dockley.

SHELL But whats she done to get given special privvies?

SYLVIA Wait at the gate for escort to work. Wade, go pack your bags.

(SYLVIA exits to the office. And SHELL marches up to NIKKI in a fury.)

SHELL You aint packing nothing cept my fist, you shitpiece.

(SHELL takes a swing at NIKKI, and NIKKI dodges.)

20
NIKKI Whoah! Stay away from me.

JULIE S Oi! Dockley

JULIE J Watch out, Nik

(SHELL dives on NIKKI who is forced to fight back. They wrestle. SHELL is a
fireball of fury. NOREEN watches excitedly.)

SHELL Turned guvnors grass, aintcha?

NIKKI Whatre you on about, you crack-head?

NOREEN Go on, Nikki, kick her in the fanny. (As SHELL kicks NIKKI.) No, not you, her.
Slap her tits.

(And all NIKKI can do to stop her is swing a punch as JUSTIN and PRISON
OFFICER arrive back at the gate to witness.)

JULIE S Leave it, Nik

JULIE J Shes not worth it.

JUSTIN Nikki

TWO JULIES Dockley

(SYLVIA returns.)

SYLVIA What the blue blazes . . .?

SHELL (to JUSTIN) You saw that, sir! She just went for me!

NIKKI The stupid nutters off her face.

(JIM re-emerges from the office, casual as anything.)

JIM Problem?

SYLVIA Wades just attacked Dockley.

NIKKI It was self-defence.

SYLVIA Oh, that old line.

JIM Youre on Rule 43.

NIKKI No way!

JULIE S Thats not fair!


21
JULIE J S not fair!

NOREEN It was just getting good.

JIM And you can stop stirring and get back to your cell. Dockley, off to work.

SYLVIA Shows over.

(SYLVIA herds them away, SHELL smug. JIM smirks as Control and Restraint
arm and leg locks are applied to NIKKI.)

JIM You just cant control that vicious temper, can you, Wade? Shame, cos
apparently your appeal came through today.

NIKKI What appeal?

JIM Too late for regrets now. Take her down the block, Mr Mattison.

NIKKI Get off me, you bastards!

(JIM exits. NIKKI is manhandled off.) [SFX: A deafening slam Locks, bolts
and bars.]


SCENE FIVE

PUNISHMENT BLOCK CELL. NIKKI is manhandled in.

JUSTIN (to other officer) Thats enough.

(NIKKI is left on the bed and the P.O. exits.)

NIKKI Whats this about my appeal?

JUSTIN Miss Stewarts got you a court hearing. Theres new evidence against that
policeman.

NIKKI Huh?

JUSTIN But you just keep looking for trouble, dont you?

NIKKI I didnt start it!

JUSTIN Why the hell do you make it so hard for people to help you, Nikki? Dont you
want to get out of prison?

(JUSTIN exits. NIKKI is left alone to contemplate her fate.)

Music No. 4: ONE MOMENT (NIKKI)

NIKKI DONT WASTE YOUR TIME ON ME
THERES NOTHING ANYONE CAN DO TO SET ME FREE . . .

22
ONE LIFE
ONE FATE
NOTHING I CAN DO
GOD KNOWS IVE WIPED MY TEARS AWAY
TOO LONG
TOO LATE
AND EVERYTHING I EVER HAD WAS BROKEN ON THAT DAY

ONE MOMENT AND LIFE IS CHANGED FOREVER
PATHS ARE CROSSED
DREAMS ARE LOST
DESTINIES COLLIDE
IN ONE MOMENT THE WORLD IS CHANGED FOREVER
THE GREAT AND GOOD DIVIDE
TRUTH WILL DECIDE

ONE CHOICE
ONE FIGHT
WHAT ELSE COULD I DO?
HOW COULD I LIVE AND LET IT BE?
TWO WRONGS
ONE RIGHT
AND EITHER WAY A PRICE TO PAY THAT ALL COMES BACK TO ME

ONE MOMENT YOU FACE THE WORLD TOGETHER
RIDING HIGH
DAYS GO BY
LOST WITHOUT A CARE
ONE LAST MOMENT OF HOLDING ON TOGETHER
AS ALL THE DREAMS YOU SHARE
MELT INTO AIR

AND LIFE PLAYS ON
BEYOND THOSE GATES
WHERE FREEDOM CALLS
AND NO ONE WAITS
THERE WHERE MY LIFE USED TO BE
THERES NOTHING BUT A FANTASY
ALL THAT I HAD LEFT OF ME
IS GONE
ALL GONE
LONG GONE

I WONT FORGET
I DONT REGRET
THERES NOTHING MORE THAT I CAN SAY
ILL PAY MY DEBT
AND LET THEM THROW MY LIFE AWAY

ONE MOMENT YOUR FUTURES GONE FOREVER
BRIDGES BURNED

23
A CORNER TURNED
YOU WALK THE LINE ALONE
IN ONE MOMENT WHATS DONE IS DONE FOREVER
WHEN ALL THE BIRDS HAVE FLOWN
YOURE ON YOUR OWN
YOURE ON YOUR OWN
IM ON MY OWN

(She slumps in despair. HELEN unlocks the door and enters, holding an official
letter.)

HELEN Great timing, Nikki.

NIKKI Just leave me alone, will you?

HELEN Sorry, but Ive stuck my neck out for you. I need you to win this appeal.

NIKKI Look, if youve got some Good Samaritan fixation, why dont you go and help
Rachel Hicks?

HELEN Nikki this is your chance to get back together with your girlfriend. You
cant give up on her now.

NIKKI Thats right, I cant cos shes got together with somebody else.

HELEN Oh. Im so sorry.

NIKKI Yeah well, dont worry, if Id known Id lose the girl, Id still have stabbed the
guy. Cant control my vicious temper, can I?

HELEN So youre just going to play the martyr, are you? Feel sorry for yourself?

(NIKKI looks at her and can hardly fight back the tears.)

NIKKI Thats right. Do you mind?

(She turns away. HELEN goes to her.)

HELEN Yes, I do, actually. Youre going to work, then back on the wing.

NIKKI What?

HELEN Im over-ruling Fenner and Im moving you up to Enhanced. And I expect you
to go to court and bloody well fight for your freedom, Nikki. Not just for you,
but for all the other women in here.

(HELEN opens the cell door.)

HELEN (contd) Deal?

NIKKI Youre the boss.

(NIKKI exits with HELEN.) [SFX: Locks, bolts and bars.]

24
SCENE SIX

G WING LANDING. JUSTIN unlocks the gate for the JULIES to mop their way back on to the landing.

JUSTIN On you go.

JULIE S Any jobs you want a hand with, sir?

JULIE J We dont mind getting dirty for you.

JULIE S (snapping on her rubber gloves) But we do insist on using rubbers.

JUSTIN Look, Julies (Sighs.) Do you have to keep this up?

JULIE J Keep what up, lover boy?

JUSTIN That! Harassing me. Respect works both ways, you know?

JULIE S Sorry, darling. Only showing our appreciation.

(She goes off to the servery, but JULIE J hangs back.)

JULIE J Were not used to blokes treating us nice.

JUSTIN Well thats a good reason to try and change your ways, isnt it? Start afresh.

JULIE J Do that every time we get out, innit? But were not educated like you, sir.
Only work we can gets against the bleeding law. Even when half the punters
out there are the bleeding law.

(She heads off after JULIE S, leaving JUSTIN feeling inadequate as HELEN
enters the wing, with a look of determination to JUSTIN.)

HELEN Tell Mr Fenner Ive sent Nikki Wade back to work. Then shell be moving
cells.

(JUSTIN heads off to the POs office, gladly.)

HELEN (contd) Julie? Can I have a word?

(JULIE S points to herself Me, Miss? HELEN nods.)

JULIE S (to JULIE J) Bleedinell, what have I done now?

(She goes over to speak to HELEN.)

JULIE S (contd) Yes, Miss?

(JULIE J earwigs in the background.)

HELEN Ive had a call about your son. David.

25
(JULIE S panics.)

JULIE S What about him? Hes all right, aint he, Miss? Tell me.

HELEN Dont worry, Julie. Theres nothing wrong with him. But Social Services say
theres been a problem with the care arrangements you made for him over the
school holidays . . .

JULIE S Eh? Whats my arrangements got to do with Social bleeding Services? My
Davids staying with his Auntie Sandra. Sorted.

HELEN Unfortunately his Auntie Sandra has also been taken into custody.

JULIE J Oh shit.

HELEN Social Services have found him a foster home.

JULIE S What? You mean theyre sticking my son in a house with a couple of strangers
to look after him?

HELEN Hes too young to look after himself. Im sure your son knows how much you
love him, Julie. Ill try and get a number for you to call him.

(HELEN exits leaving both the JULIES in despair.)

JULIE S Oh my God, Ju. What if I have to tell him the truth?

JULIE J You cant do that, Ju. He thinks his mums a top international travel agent.
Why you got to spend all this time away and sent him to boarding school,
innit? You cant tell him youre on the game and in the nick?

JULIE S Why do they punish our kids? Its not their fault what their rotten mums done.
Shouldve seen this coming, Ju.

JULIE J (bitter) Yeah, since when did we never get shat on?

Music No. 5: LIFE OF GRIME (THE TWO JULIES / PRISONERS)

JULIE J (contd) WHEN YOURE STUCK IN THE MUCK
AND NOBODY GIVES A

TWO JULIES FRENCH CONNECTION

JULIE J WHEN YOURE DOWN ON YOUR LUCK
AND YOURE RUNNING IN THE

TWO JULIES WRONG DIRECTION
THERES NO ESCAPING FROM THE SLIME
YOURE LIVING A LIFE OF GRIME

JULIE J BLOODY RUBBISH

26
TWO JULIES A LIFE OF GRIME

JULIE J WHEN YOU DOSS WITH THE DROSS
AND YOURE BANGED UP IN AN

TWO JULIES INSTITUTION

JULIE S NO-ONES GIVING A TOSS
ALL THEYRE GIVING YOU IS

TWO JULIES RETRIBUTION

YOURE JUST A VICTIM DOING TIME
FOR LIVING A LIFE OF GRIME

JULIE S WHEN YOURE FLAT ON YOUR BACK
WHILE SOME GIT GETS HIS ROCKS OFF

TWO JULIES THATS A TIME TO REFLECT

JULIE J YOURE MOANING AND GROANING
YOUR POOR LITTLE SOCKS OFF

TWO JULIES THAT DOESNT GET YOU RESPECT

AFTER BLOWING HIS HORNPIPE
AND BANGING HIS DRUM
AND THANKING GOD YOURE NOT HIS WIFE
IT TAKES MORE THAN A WET WIPE
TO CLEAN UP THE SCUM
OF YOUR WHOLE STINKING MISERABLE LIFE

JULIE J YOURE A SLUT IN A RUT

JULIE S NEVER SHIFTING THE DIRT

JULIE J ALWAYS LOOKING FOR SOME LUBRICATION

JULIE S SICK AND TIRED OF THE SMUT

JULIE J SICK OF LIFTING YOUR SKIRT

JULIE S YOU COULD USE A BIT OF CULTIVATION

TWO JULIES INSTEAD OF BLOOMING IN YOUR PRIME
YOURE LIVING A LIFE OF . . .

(The women at work appear at their production line, robotically sticking the
heads on dolls and passing them down the line as they sing.)



27
TWO JULIES
& PRISONERS GRIME, GRIME, GRIME, GRIME

PRISONERS CANT SHIFT IT
CANT MOVE IT
CANT GET THIS CRAP OUT OF MY LIFE
CANT SHIFT IT
CANT MOVE IT
CANT GET THIS CRAP OUT OF MY LIFE

LOW DOWN DIRTY LITTLE SCUMBAG SCRUBBERS
LOW DOWN DIRTY LITTLE SCUMBAG SCRUBBERS
LOW DOWN DIRTY LITTLE SCUMBAG SCRUBBERS
LOW DOWN DIRTY LITTLE SCUMBAG SCRUBBERS

(Lights down on the works production line, as JULIE S slumps in despair.)

JULIE S ALL THAT I WANTED
WAS ONE LOUSY BREAK
A CHANCE TO MAKE EVERYTHING RIGHT
BUT DESPITE ALL MY TALENTS
THE BOOKS NEVER BALANCE
I KEEP ENDING UP IN THE SHITE

TWO JULIES WHEN YOURE STUCK IN THE MUCK
AND NOBODY GIVES A FRENCH CONNECTION
ALWAYS PASSING THE BUCK
BUT YOURE NEVER GONNA PASS INSPECTION
NOW LET ME TELL YOU ONE MORE TIME . . .
IF CLEANLINESS
MEANS GODLINESS
WERE SCREWED ALREADY
SO SOD THE MESS
THE SLOPS IN THE BUCKET
YOU DONT HAVE TO SUCK IT
TO SEE THAT ITS A CRIME
LIVING A LIFE
LIVING A LIFE
LIVING A LIFE OF GRIME.

(The JULIES pack up their mops and buckets and get ready behind the servery
to dish up the next meal.)

TANNOY Return from work will now commence. [SFX: Locks, bolts and bars the
sound of multiple gates and doors unlocking all round the prison.]

(The other prisoners return from work and start to queue for tea. CRYSTALS
reading her bible. JIM and SYLVIA emerge from the POs office to supervise. A
MALE NURSE enters with the drugs trolley.)

NURSE Medication?

28
TWO JULIES Buns and biccies.

(NOREEN queues up in the hope of getting some drugs.)

NOREEN Im on the methadone.

SYLVIA No youre not, youre on biccies. Get back in the other queue.

JIM Mr Mattison one more to collect from reception.

(JUSTIN exits.)

SHELL (to SYLVIA, re. NIKKI) Whats that snitch-bitch doing off the block?

SYLVIA Miss Stewart insists on moving her to an enhanced cell.

CRYSTAL Enhanced?! That sinner?

(SYLVIA folds her arms, as does JIM both playing poker-faced.)

DENNY I dont get it.

(Shell barges up to JIM.)

SHELL Neither do bleeding I! After what she done to me?

SYLVIA Dont blame us, Dockley. Were just following orders.

(She heads off to the POs office.)

SHELL Stewart must be shagging her!

NIKKI Piss off, Dockley.

JIM Wade, shut it! Dockley, move it.

(He exits. The JULIES join NIKKI, delighted. CRYSTAL walks amongst the
heathen, intoning from her Bible.)

CRYSTAL Then the Lord rained upon Sodom and Gomorrah with brimstone and fire
from the Lord out of heaven.

JULIE S Give us a break, Crystal.

JULIE J We had enough rained on us from old men when we was working, innit?

CRYSTAL All you heathens is gonna get stuffed with red hot pokers come Judgement
Day. When I is chilling up in Heaven with angels bringing me milk and
honey to sip off their golden spoon.

JULIE S Only till you nick it off em.

29
JULIE J Then youll get a poker like the rest of us.

(JUSTIN unlocks the gate and ushers in a new plastic-bag laden prisoner,
YVONNE ATKINS. In stark contrast to RACHEL, YVONNES entrance is sassy
and bold, dressed in a long red leather coat and high-heeled boots. The
womens heads turn.)

JUSTIN New one on the Wing. Yvonne Atkins.

(He turns his back on her to lock the gate.)

YVONNE Hi girls. Just popped in for a quick four years. But look on the bright side, I said
to myself. Least youll get a break from bleeding men. On the other hand

(Looks at JUSTINS arse.)

YVONNE (contd) Nice firm buns, do you give em away later?

(She gooses him.)

JUSTIN How would you like me to take you down the block?

YVONNE Is that like up the Arsenal?

(JUSTIN flushes.)

YVONNE (contd) (to the women) Bloody hell hes pushy, aint he?

JUSTIN Wait there! Ill see what cell youre in.

YVONNE Ive booked an en-suite double with a view of the bay.

(Prisoners laugh as red-faced JUSTIN hurries away to the POs office. YVONNE
spots a familiar face and approaches NOREEN.)

YVONNE (contd) Hello? I thought you were dead!

JULIE S Well what you waiting for, Shell? Gonna say hello to the new girl?

JULIE J Like you do?

(SHELL sees her chance to regain face.)

SHELL What, you think Im crapping it for some knackered old mobsters missus?
(To DENNY.) Insult, innit?

DENNY Yeah, mentalist.

SHELL (nudges DENNY) Go on, then, Den. Do the honours.

DENNY Me?

30
SHELL Yeah. Like you do.

(DENNYS nervous as shes bounced to the fore to give YVONNE the treatment.)

DENNY (to YVONNE) Oi! Brung any gear in on you? Cos either you give it over to
Shell or Ill smack your head open.

(She brandishes the sock. YVONNE is unimpressed.)

YVONNE And whos Shell when shes not at home?

DENNY (pointing) Shell Dockley. Shes top dog in this nick.

YVONNE Oh yeah? Woof woof. Well sorry, Fido. Its time to move you out of your
kennel.

DENNY Listen, Grandma, you aint getting it. Shells doing life for topping the last tart
who got on her tits. You should be scared of her.

(She holds SHELLS stunned stare. Then quickly takes out a flick-knife which
causes DENNY to drop the sock with the pool balls in. YVONNE casually
manicures her nails with the knife.)

YVONNE (to DENNY) I dont do scared. (Beat.) I think your balls are on the floor.

(All the prisoners laugh. DENNY bends to pick them up. SHELL finally covers
with a little laugh.)

SHELL Okay. Just a joke.

(SHELL and DENNY retreat, the sound of jeering ringing in their ears.)

YVONNE (to the other women) Thats all sorted, then.

(SYLVIA approaches, followed by JUSTIN.)

SYLVIA You can wipe that smile off your face, Atkins. You might be famous on the
outside, but you wont be in here.

YVONNE Wanna bet?

SYLVIA Youre in cell seven. Move it.

YVONNE (to JUSTIN) Whos the concierge?

SYLVIA You call me Miss and you move, or youre on report.

YVONNE Sylvia Hollamby, thats right. As in Mr R. J. Hollamby Funeral Directors,
care of number thirteen, Cherry Tree Crescent, London SW9 4PQ?

(SYLVIA is taken aback.)

31
SYLVIA (to JUSTIN) How does she know that?

NOREEN Shes a witch.

JUSTIN Not from me.

YVONNE From my husband, Charlie. He provides a lot of business for undertakers. If
you want me to put in a good word for your old man. Miss?

(SYLVIA flusters.)

SYLVIA (to the women) Youre on free association until lock-up. (To JUSTIN.) Youre
on paperwork.

(She herds JUSTIN away to the POs office. YVONNE addresses the women.)

YVONNE I hope you girls know how to party.

(To exclamations of gleeful amazement from the assembled crowd, YVONNE
opens her long coat to reveal an array of inside pockets lined with miniature
bottles and cigarettes.)

JULIE S Blimey!

JULIE J Wow!

NIKKI Christ! I thought this dump was all bars and no booze.

YVONNE The screw who was supposed to search me didnt fancy a visit from my
Charlie neither.

(Whoops of delight as she tosses bottles to the crowd. They immediately start
chucking it down their necks. YVONNE tosses a bottle for DENNY to catch.)

YVONNE (contd) Heres an invite for you two an all. If you want to have a good time.

(DENNY and SHELL are dumbfounded.)

DENNY Eh?

YVONNE I only do nasty if I cant do nice.

(DENNY looks to SHELL, eager.)

DENNY Shell?

(SHELL takes a sniff of the bottle and shrugs.)

SHELL Go with the flow, innit? Only one here wants us to have a bad time is that
Bible basher.


32
DENNY Right, Crys-taaal?

(CRYSTAL chucks away her Bible and grabs a bottle.)

CRYSTAL Aint no commandment says thou shalt not shake thy bootie.

(Whoops and cheers as CRYSTAL joins the throng. YVONNE brandishes her
own hip flask and notices RACHEL left behind on her own.)

YVONNE And whos little Cinderella, then? Aint you coming to the ball, darling?

RACHEL I I dont know anyone.

YVONNE You and me better stick together, eh? Here, have a swig of my special cocktail.
Soon get you in the mood.

(She offers her flask to RACHEL.)

RACHEL Whats in it?

YVONNE Two parts sweet dreams, one part dynamite.

Music No. 6: THE A-LIST (YVONNE & PRISONERS)

YVONNE (contd) WHEN YOURE ALL DOLLED UP WITH NO PLACE TO GO
HEY! DONT MAKE A FUSS
IF WE CANT GET OUT TO THE PARTY
THE PARTY CAN COME TO US!

(YVONNE throws off her coat.)

ITS STRICTLY A-LIST
THISLL BE THE HOTTEST SPOT IN TOWN
SUN-KISSED CELEBRITIES WITH STYLE
CALL OK AND HELLO!
NOW WERE ALL SET TO GO
WERE GONNA MAKE A SPLASH
GET READY TO FLASH THAT SMILE

ITS STRICTLY A-LIST
EVERYONE WHOS ANYONE IS HERE
HEY SISTER, YOUR NAME IS ON THE DOOR
ROLL THE RED CARPET OUT
COS TONIGHT THERES NO DOUBT
WERE HAVING A GIRLS NIGHT IN
LIKE THERES NEVER BEEN BEFORE

IM GONNA BE THE PARTY QUEEN
GIVING IT UP ALL NIGHT
CRUISING AND SCHMOOZING WITH THE BEST
TAKE A LOOK AROUND THIS EXCLUSIVE SCENE

33
SO MUCH FLESH TO BE PRESSED
OH YES

ITS STRICTLY A-LIST
LISTEN TO THE WORD OUT ON THE STREET
DONT MISS THE PARTY OF THE YEAR
NO BS, NO CS
AND DARLING PLEASE, NO DS
NO HAS-BEENS, WOULD BES
WANNABES, COULD BES
I ABSOLUTELY MUST INSIST
STRICTLY AS ON THE LIST
WE NEED JHOOJH AND PIZZAZZ
AND SOME GLAMOUR IN OUR LIVES

OUT ON THE RAZZ
LIKE WERE FOOTBALLERS WIVES

LOW CUT
UPLIFT
YOU ARE
GODS GIFT
GO STRUT YOUR STUFF ON THE FLOOR

PRISONERS GO STRUT YOUR STUFF

YVONNE BIG HAIR
BLING BLING
HOT AIR
MINGLING
THIS IS THE LIFE I ADORE

PRISONERS CANT GET ENOUGH!

YVONNE
& PRISONERS ITS STRICTLY A-LIST
LISTEN TO THE WORD OUT ON THE STREET
DONT MISS THE PARTY OF THE YEAR
NO BS, NO CS,
BUT MAYBE I COULD SQUEEZE SOME ES
NO HAS-BEENS, WOULD BES
WANNABES, COULD BES

PRISONERS HAS-BEENS, WOULD BES
WANNABES, COULD BES

YVONNE I ABSOLUTELY MUST INSIST . . .

YVONNE
& PRISONERS WERE ON THE A-LIST
COME OUT AND PLAY LIST

34
WONT STOP TILL WE DROP
COS WERE ON THE TOP TONIGHT
HEY, MISTER!
HEY, MISTER!
HEY, MISTER!
DONT TURN OUT THAT LIGHT!

PARTY ALL NIGHT
BAD GIRLS PARTY
PARTY ALL NIGHT
BAD GIRLS PARTY
PARTY ALL NIGHT
BAD GIRLS PARTY ALL NIGHT!
PARTY ALL NIGHT!

TANNOY All inmates return to cells for lockup.

DENNY Cheers, Yvonne! I aint had such a good time since I set fire to my first foster
home.

(Prison reality snaps back in as SYLVIA reasserts her authority, JUSTIN in her
wake.)

SYLVIA Thats it, you lot. Bang up!

(Theres much bustling as bottles are tucked away and the prisoners start
heading off to their cells. SYLVIA gives YVONNE a wide berth.)

SYLVIA (contd) (to JUSTIN) You take Atkins. (To all.) Move it!

(JUSTIN comes to fetch YVONNE.)

JUSTIN (to YVONNE) Follow me.

(YVONNE picks up her plastic bag.)

YVONNE You can take me anywhere, sweetheart.

(JUSTIN rounds on her, affronted, as she eyes his arse.)

JUSTIN Look, if you want to screw a screw youve picked the wrong one, all right?
Thats not what Im doing this job for.

YVONNE Ooooh, didnt mean to poke you in the principles. Just let me know when
you need a career break.

(She sashays off to her cell for JUSTIN to lock her in.)

TANNOY Lights out in five minutes.



35
SCENE SEVEN

NIKKIS CELL. Inside her cell, NIKKI is unpacking her possessions mainly books. HELEN knocks at
the half-open door and looks in.

HELEN Hi.

NIKKI Hi! Welcome to my new apartment.

(HELEN comes in, pushing the door to behind her.)

HELEN Happy with it?

(NIKKIS flirty / challenging.)

NIKKI Be lovely when Ive knocked through.

HELEN I know its still a cell but its the best I can do.

NIKKI Well, hopefully I wont be here too long Ive decided to really go for this
appeal.

HELEN That is such good news.

NIKKI Its the least I can do after you sticking your neck out for me. Taking a hell
of a risk, arent you?

HELEN I dont believe prisons should be about us and them, Nikki. I dont believe
most of these women should even be here. And Ive never doubted you were
telling the truth about your case. I hope you believe were on the same side now.

NIKKI Apart from the odd set of bars and a ten foot wall . . . Seriously youve given
me the first hope Ive had in ages. Even lightened up enough to let my hair
down tonight.

(HELEN laughs.)

HELEN Would that explain the whiff of alcohol I detected on the Wing?

NIKKI Do I have the right to remain silent?

HELEN No.

NIKKI Do I have the right to tell you youre gorgeous?

(HELEN flushes and gets up to go. NIKKI hastens to reassure.)

NIKKI (contd) All the women in here think youre brilliant, taking on Fenner. Well, except
for Dockley, but (shes a psycho . . .)

HELEN Good night, Nikki.

36
(She exits and NIKKIS left in a spin.)

TANNOY Lights out.

(And the main lights go out.)


SCENE EIGHT

G WING LANDING / URBAN STREET. The night calls start up out of the darkness unusually
merry.

JULIE S Anyone know a good cure for hiccups?

JULIE J Hiccups?

CRYSTAL Imagine being married to Fenner. Give yourself a fright, right?

(Cackles of laughter.)

NIKKI Theres hope for you yet, Crystal.

JULIE J Yeah, keep shaking that bootie.

KAT Can we have a party every night, Yvonne?

NOREEN What about some Bingo?

YVONNE Anyone for a nightcap?

PRISONER
(NATALIE) Yeah, swing it over!

DENNY Love ya, Shell.

SHELL I love me too, Den.

(JIM and SYLVIA complete the final lock-up. HELEN enters, on her way home
and deep in disturbed thought. JUSTIN is waiting for her but she doesnt
immediately notice him. Hes trying to avoid attracting JIM and SYLVIAS
attention.)

JUSTIN Helen?

HELEN Oh, hi

JUSTIN Fancy a drink?

(Beat. HELEN catches up with herself.)

HELEN Yeah, why not?

37
(And they head off. JIM and SYLVIA call after her from afar.)

JIM & SYLVIA Goodnight, Maam!

(JIM mimes swinging his golf club after her, smirking to SYLVIA.)

JIM Soon be in the rough.

SYLVIA Well, thats me off home happy. My Bobbys doing his braised meatballs
tonight.

JIM Lovely. Ill hand over to the night shift.

SYLVIA Night, Jim.

JIM Night, Sylv.

(Music starts. SYLVIA exits happily, swinging her keys.
JIM surveys his domain and smiles.)

Music No. 7: THE KEY (JIM)

JIM (contd) THE KEY TO HIDDEN TREASURE
THE KEY TO FORBIDDEN PLEASURE
AND HOW DO YOU MEASURE A MAN
IF ITS NOT BY WHAT HANGS FROM HIS FOB?
EVER SINCE JAILERS BEGAN
ITS BEEN ONE OF THE PERKS OF THE JOB
GOING TO WORK ON THE JOB
WHEN YOU HOLD THE KEY

NO FORCE
NO COERCION
PURE SATISFACTION FOR ALL
OF COURSE
SOME PERVERSION
BUT NOTHING THATS PAINFUL OR TOO OFF THE WALL

A MUTUAL SERVICE AND WHAT BETTER WAY
TO UNWIND AS YOU WEND AT THE END OF THE DAY
AND WHILE YOURE GETTING YOUR END WELL AWAY
YOURE THE KING
OF THE NIGHT
OUT OF REACH
OUT OF SIGHT
EVERYONES UP FOR A BITE, SO
DONT CALL ME GREEDY
COS THESE GIRLS ARE NEEDY


38
(JIM makes his way to SHELLS cell. SHELL, in a sexy nightie, drapes herself in
the doorway, and Jim follows her inside. MUSIC continues as lights go up on
HELEN and JUSTIN in the street outside, running from the rain.)

HELEN & JUSTIN Taxi!

HELEN The great outdoors!

(He puts his umbrella over them both.)

HELEN Do you ever dream about doors?

JUSTIN Nah, I can lock em or leave em, me.

HELEN Why do we do it? Tonight when I locked Nikki Wade in her cell I thought
This is the shittiest job in the world. I mean, what kind of profession is it
where the occupational hazard is lockhand?

JUSTIN Its the kind where you start your day with two prostitutes giving you the
come on, and you end it with a mobsters missus grabbing your bum.

(HELEN giggles.)

JUSTIN (contd) Least thats one hassle you dont have to deal with getting propositioned by
the prisoners.

HELEN Not every Juliets looking for a Romeo . . .

JUSTIN Right . . . (The penny drops.) Right.

HELEN Anyway, Nikki Wades going for her appeal so up yours, Fenner!

JUSTIN Taxi!

(Lights down and back up on the landing as JIM emerges from SHELLS cell,
zipping up his flies.)

SHELL Aint you ever heard of Ladies First?

JIM If you play your cards right, pretty soon you could be shagging the Wing
Governor.

SHELL What, that Scottish tart? Shed be lucky.

JIM No. Me!

(JIM locks her in and resumes his patrol.)

JIM (contd) THE KEY TO HIDDEN TREASURE
THE KEY TO FORBIDDEN PLEASURE
TO TAKE AT YOUR LEISURE AND BEND

39
TO WHATEVER YOUR FANCIES DICTATE
VIRGINS AND TARTS END TO END
ITS THE CREAM OF THE FEMALE ESTATE
AND YOU GET IT ALL ON A PLATE
WHEN YOU HOLD THE KEY

NO TIES
NO CONNECTIONS
FRESH SUPPLIES ALWAYS ON TAP
RECOGNISE
THEIR AFFECTIONS
YOULL SOON HAVE THEM EATING RIGHT OUT OF YOUR LAP

DESPERATELY GRATEFUL FOR ALL YOU CAN GIVE
ITS QUITE FAIR TO SAY YOURE THEIR REASON TO LIVE
FRANKLY ITS JUST IRRESPONSIBLE IF
I DONT TRY
TO PROVIDE
WHAT THEY LACK
HERE INSIDE
EVERYONES UP FOR THE RIDE, SO
WHO COULD ACCUSE ME
IF THEY CHOOSE TO USE ME?

(JIM unlocks the door to RACHELS cell.)

JIM (contd) Whos got a smile for me, then?

(RACHEL comes to the doorway, dishevelled and snivelling.)

RACHEL Oh sir, Im so glad to see you.

JIM Doesnt look much like it, love.

RACHEL Im sorry. The darks doing my head in. I get all scared. I have to keep the
light on at home.

JIM Nothing to be scared about now Im here, eh?

(RACHEL brims with gratitude. She produces a piece of paper.)

RACHEL Wrote this poem for you, sir. To tell you all my feelings about you.

(JIM covers his annoyance with a smile.)

JIM Better look after it, hadnt I?

(JIM takes the letter and ushers her back inside her cell.)

JIM (contd) Go make yourself look nice, Ill come and tuck you into bed.


40
(JIM blows her a kiss and pulls the door to but doesnt lock it.)

JIM (contd) (reads) Dear Sir, you are my saviour.
Pardon me, for my behaviour.
If you could see . . .

(He scrunches up the paper and puts it in his pocket.)

JIM (contd) I WATCH AND I WAIT
MR WOLF AT THE GATE
I LEAD AND THEY FOLLOW
I FEED AND THEY SWALLOW
I NEED IT
I TAKE IT
WHO CARES IF
THEY FAKE IT
A MANS GOTTA MAKE IT
AND MOVE IT
AND SHAKE IT
AND THIS LUCKY JIM
GETS IT ALL JUST FOR HIM
PICK ANY SLAG
EVERY SHAGS IN THE BAG
WITH THE KEY
THE KEY
SLIDE INSIDE
AND OPEN WIDE
FOR ME

(He begins to unzip his flies as he turns to go to RACHELS door.)

BEHOLD THE KEY
THE BIGGEST YOULL SEE
I HOLD THE KEY

(RACHEL appears in her doorway in her nightie. JIM is facing her. RACHEL
looks down at his groin and her smile fades.)

RACHEL What you doing?

JIM I said Id keep my special eye on you, love.

RACHEL But I thought you meant youd look after me.

JIM Thats right. Like I will every night. And this is how you say thank you, sir.

(RACHEL gasps in disbelief and backs into her cell.)

RACHEL No! Please dont

JIM Sshhhh . . .

41
(JIM follows, silencing her. And the door shuts tight behind them.)

(Blackout.)


SCENE NINE

G WING MORNING UNLOCK, next day.

TANNOY Attention all ears. This is Control. Morning unlock will now commence.

(Multiple key chains jangle, keys turn in locks . . . The prisoners make their
way from their cells. SYLVIA notices that RACHEL is missing.)

SYLVIA Wheres Hicks?

(JUSTIN is struggling to open RACHELS door. Some of the prisoners watch
him, YVONNE at the forefront.)

SYLVIA (contd) Mr Mattison?

YVONNE (to JUSTIN) Whats the matter, darling? Cant get it in?

(JUSTIN snaps.)

JUSTIN Look, I told you

(JUSTIN calls to SYLVIA.)

JUSTIN (contd) Mrs Hollamby

(SYLVIA joins him, tutting.)

SYLVIA What is it?

JUSTIN Something wrong with this lock. Peep-holes bunged up and all.

SYLVIA Stand aside.

(She inserts her own key but cant open the door. She looks through the peep-
hole.)

SYLVIA (contd) Its not bunged up, its blocked off.

(She bangs on the door.)

SYLVIA (contd) Hicks! Unblock this door immediately!

JUSTIN Shes not answering.


42
(By now, all the women are gathering round and exchanging uneasy
mutterings, ad lib. SYLVIA calls to JIM )

SYLVIA Mr Fenner

(And barks at JUSTIN.)

SYLVIA (contd) Get that lot lined up with the rest of them.

(JUSTIN gestures to the women as JIM joins SYLVIA.)

YVONNE How many screws does it take to unlock a door?

(The JULIES lead the women into line, keeping their eyes fixed on RACHELS
cell door.)

JIM (to SYLVIA) Whats the problem?

SYLVIA Its Hicks. Barricaded herself in, refusing to talk.

(JIM sighs.)

JIM Okay, leave her to me.

(He knocks on the door.)

JIM (contd) Rachel? This is Mr Fenner. Stop being a silly girl and clear this door. Then Ill
come in and you can tell me whats your problem.

(Everyone waits for a response nothing. JIM beckons JUSTIN.)

JIM (contd) Give us a hand here, Mr Mattison. Count of three. One two

(JIM and JUSTIN heave their combined weight against the door the metal
locker behind it makes a deafening thud as it topples over and the door grinds
open, leaving JUSTIN and JIM filling the doorway to recoil in horror at what
they alone can see.)

JUSTIN Jesus Christ

JIM Oh shit

(Music starts. They step back and aside, unblocking the open doorway and
everyone gasps in ad libbed shock / horror except for SHELL, whose reaction
is more astonished glee.)

DENNY (guilty) Shit, man.

SHELL (aside) Kinell, Den. Dozy twat couldnt last a night.

SYLVIA The stupid, stupid girl.

43
(JUSTIN makes to enter the cell.)

JUSTIN Lets get her down.

(JIM gets his grip back and stands in JUSTINS way, pulling the door to.)

JIM (to JUSTIN) No, you better get that lot back to their cells first. (To SYLVIA.)
Radio the medics. Ill sort this.

JUSTIN Maybe she left a note?

JIM Well if she did, Ill make sure I find it.

(JIM lets himself back into the cell, closing the door behind him. SYLVIA gets
on her radio as JUSTIN returns to herding the women.)

SYLVIA (into walkie-talkie) Hello Hotel, this is Zulu, over . . . Hotel, are you
receiving? This is Zulu calling . . . Zulu to Hotel? Hello? Anyone there? . . .
Oh hurrah. Weve got a stiff on G Wing. Need it bagged up. Over . . .

(The women are horrified by SYLVIAS attitude.)

Music No. 8: THE WAY IT IS (COMPANY)

PRISONERS NOW WE KNOW
WHERE WE STAND
THERE IS NO
NO-MANS LAND
TRUST IS TORN
A LINE IS DRAWN
AND THATS THE WAY IT IS!

MAKE YOUR MOVE
TAKE YOUR SIDE
THERE IS NO
PLACE TO HIDE
YOURE OUT ON A LIMB
NOW SINK OR SWIM
COS THATS THE WAY IT IS!

(Ad lib back-up No way / This is shit / Poor Rachel as JUSTIN pleads
with them and SYLVIA shouts into her walkie-talkie. Its chaos as HELEN
marches on to the wing, behind the backs of SYLVIA and JUSTIN. Everyone
jumps as she demands their attention.)

HELEN What the hells the commotion?

(Hush as she takes centre stage.)

HELEN (contd) (to SYLVIA) Well?


44
(SYLVIA almost relishes telling her.)

SYLVIA Weve got a swinger, maam. Rachel Hicks.

(HELEN gasps.)

HELEN Oh no . . .

SYLVIA Mr Fenners cutting the corpse down now, if you want to take a look? (HELEN
balks. SYLVIA barks at the women.) Right, you lot Move it! Back to your
cells Now!

YVONNE Were not going anywhere.

(The women are kicking off. SHELL joins in for the hell of it.)

SHELL Aint our fault poor Rachels dead, is it?

HELEN Listen, everybody, please . . . Now Im sure every one of you has had a terrible
shock. But you wont help anything by kicking off.

NIKKI What do you expect? Rachels dead.

(Ad lib support.)

YVONNE That kid was right as rain last night. Why would she suddenly go and top
herself?

(Ad lib support. JIM exits RACHELS cell, pocketing something.)

HELEN I assure you there will be a full investigation into how and why this
happened.

NIKKI It happened because she was banged up in prison. (Pointing at JIM.) With
bastards like him on the loose.

JULIE J His last one ended up down the muppet wing.

JULIE S Yeah, hes the one should be swinging.

PRISONERS NO MATTER HOW YOU TRY TO SWEEP US OUT OF SIGHT
WE WILL NOT LET THIS DAY GO BY
ALL OF YOUR MIGHT CANNOT FIGHT WHAT IS RIGHT
AND THATS THE WAY IT IS NOW
BRING IT ON DOWN

HELEN I want every one of you to go back to your cells. Quietly and calmly.

(The NUMBER ONE enters.)

NUMBER ONE What is going on here?

45
YVONNE A bloody crime. And youre not gonna get away with it.

(Ad lib clamour. HELEN despairs. JIM steps in to back up HELEN.)

JIM (to the women) Miss Stewarts given you a Governors order here. Return to
your cells now or the riot teams coming in.

(The women resist.)

HELEN (to JIM) Wait.

(HELEN approaches the chanting women.)

HELEN (contd) Nikki can I talk to you a minute, please?

(NIKKI takes a step forward but SHELL suddenly shouts her down set on all-
out rabble-rousing.)

SHELL Oi! Whose side are you on?

HELEN Im asking to talk to Nikki on behalf of you all!

YVONNE Then talk to us all.

PRISONERS Yeah. / Go on.

YVONNE Explain to us why Rachels dead.

PRISONERS COS IF YOU THINK WELL WALK AWAY
AS IF NOTHING REALLY MATTERS
THEN THERE IS NOTHING MORE TO SAY . . .

JIM Ask Wade. Thats who Rachel was scared of.

(NIKKIS goaded to make her stand.)

NIKKI Go screw yourself, Fenner!

(The women jeer in support. Its Us and Them, with HELEN and NIKKI facing
each other on opposite sides of the divide.)

PRISONERS
& OFFICERS THATS THE WAY IT IS!
COME ON, COME ON
THATS THE WAY IT IS!
COME ON, COME ON
THATS THE WAY IT IS!
COME ON, COME ON
THATS THE WAY IT IS!



46
BRING IT ON DOWN
THATS THE WAY IT IS!
COME ON, COME ON
THATS THE WAY IT IS!
COME ON, COME ON
THATS THE WAY IT IS!
COME ON, COME ON
THATS THE WAY IT IS!
THATS THE WAY IT IS!

PRISONERS COME ON, COME ON

JIM Return to your cells now!

PRISONERS COME ON, COME ON

DENNY / JULIE S This is shit! / Weve had enough of your crap.

SYLVIA Move it!

PRISONERS COME ON, COME ON

JULIE J / SPIKE Get screwed. / No way.

JIM Last chance.

PRISONERS COME ON, COME ON

(HELEN reaches out to NIKKI, desperate.)

HELEN Please dont do this.

YVONNE Better tool up, girls!

(Ad lib cheers and jeers from the women as they break away to arm
themselves with snooker cues and anything else they can find.)

NUMBER ONE Report situation out of control.

Music No. 8a: RIOT MUSIC (INSTRUMENTAL)

[SFX: Riot mayhem alarms sounding, letting off fire extinguishers, furniture
being kicked over, etc.]

(The officers retreat from the wing. Riot.)

(Blackout.)


END OF ACT ONE


47
ACT TWO

A few days later . . .

SCENE ONE

HMP LARKHALL G WING / CRYSTALS CELL night. Out of the dark come the sounds of
chaotic kicking off behind locked doors angry protest and anguished wailing. CRYSTALS on her
bunk, with her guitar.

YVONNE How much longer are you going to keep us banged up?

NOREEN I havent had a fag for three days.

JULIE S Its Fenner should be locked up twenty-four seven!

JULIE J Yeah, bet Rachel strung herself up to get away from him!

PRISONERS (ad libs) This is bang out of order. / They never listen to us. / We got rights. /
Yeah, what about our civil liberties and that?

NIKKI They dont give a toss about us. Nor about Rachel either.

CRYSTAL Youre at peace now, girl.

NOREEN Shes well out of it.

SHELL Sod Rachel Hicks. I need some bleeding peace.

JULIE S I could string you up, Dockley.

JULIE J Yeah, you evil cow.

(The cacophony increases and CRYSTAL covers her ears and sings out from her
soul )

Music No. 9: FREEDOM ROAD
(CRYSTAL & CHORUS chorus remains unseen throughout)

CRYSTAL FREEDOM ROAD
LEAD ME HOME

(She falters, tearful. But silence descends.)

JULIE S Go on, Crystal. Sing it, girl

JULIE J Yeah, sing it for Rachel . . .

(CRYSTAL channels all the anger and anguish into a lament.)


48
CRYSTAL FREEDOM ROAD
LEAD ME HOME
I HAVE TRAVELLED SO LONG
NOW MY JOURNEY IS THROUGH
I WILL COME HOME TO YOU
ALL MY TROUBLES ARE GONE

FREEDOM ROAD

CHORUS FREEDOM ROAD

CRYSTAL LEAD ME HOME

CHORUS LEAD ME HOME

CRYSTAL I HAVE TRAVELLED SO LONG

CHORUS LORD, I HAVE TRAVELLED SO LONG

CRYSTAL WHEN I LAY ME TO REST

CHORUS LAY ME DOWN

CRYSTAL MY SOUL WILL BE BLESSED

CRYSTAL
& CHORUS ALL MY TROUBLES ARE GONE

FREEDOM ROAD
LEAD ME HOME

TAKE ME OUT OF THIS DARKNESS

CHORUS LET YOUR LIGHT SHINE DOWN ON ME

CRYSTAL LET YOUR LIGHT SHINE ON ME

FREEDOM ROAD

CHORUS FREEDOM ROAD

CRYSTAL LEAD ME HOME

CHORUS LEAD ME HOME

CRYSTAL I HAVE TRAVELLED SO LONG

CHORUS LORD, I HAVE TRAVELLED SO LONG

CRYSTAL NOW MY HEART FEELS NO PAIN


49
CHORUS NO MORE PAIN

CRYSTAL I WILL SEE YOU AGAIN

CRYSTAL
& CHORUS ALL MY TROUBLES ARE GONE
ALL MY TROUBLES ARE GONE

FREEDOM ROAD
LEAD ME HOME

[SFX: Sounds of the prison machine relentlessly throbbing in the background.]


SCENE TWO

PRISON OFFICERS OFFICE next day. SYLVIA paces.

SYLVIA Flaming Nora how long does it take for the buck to stop these days?

JUSTIN Maybe Jims being told its stopped with him.

SYLVIA Youd like that, would you?

JUSTIN How can they blame Helen? She didnt drive Rachel Hicks to kill herself.

SYLVIA Oh its Helen now, is it?

JUSTIN I think the whole thing stinks.

(JUSTIN exits. JIM enters, smug. SYLVIA looks at him expectantly.)

SYLVIA Jim?

(JIMS cryptic.)

SYLVIA (contd) What? Tell me!

JIM Youre looking at a man who has just been given the nod.

SYLVIA Do you mean everything I hope you mean, Jim?

JIM A new day dawns, Sylv. (Tic.) Just a shame you wont be part of it.

SYLVIA Not part of it?

JIM I thought you were putting in for early retirement. Bad back.

SYLVIA A girl can change her mind. A bit of good news and I think a full recovery is
very much on the cards.

JIM Looks like well both be moving up in the world, then. Soon as Stewart moves
out.


50
SYLVIA You mean theyve sacked her?

JIM Sacked? A senior civil servant? Dont be daft. Theyll just show her out the
side door. Long as she carries the can with her when she goes.

SYLVIA Oh Jim I hardly dare believe it you in a suit and me by your side its a
dream come true!

JIM No stopping us now, Sylv. Were going to show them how a prison really
should be run . . .

Music No. 10: THE FUTURE IS BRIGHT (JIM, SYLVIA & OFFICERS)

JIM (contd) COS IF THE POWERS THAT BE
IN ALL THEIR WISDOM AGREE
NO OTHER CANDIDATE
CAN SWING THAT GATE LIKE ME . . .

(JIM offers SYLVIA his arm as they exit and a chorus of all singing / dancing
PRISON OFFICERS, waving batons, enter in a glamorous black and white vision
of JIMS fantasy.)

OFFICERS THE FUTURE IS BRIGHT AGAIN
THE WORLD IS BLACK AND WHITE AGAIN
WERE KEY HAPPY
TOE-TAPPY
NEVER THOUGHT THAT WED BE SO HAPPY
ONE OF OUR BOYS HAS MADE IT
SHINING OUT LIKE A STAR
STAKING HIS CLAIM
MAKING HIS NAME
JIM YOU WILL GO FAR

(JIM enters in a spangly suit.)

JIM THE FUTURE IS MINE AGAIN
IM SWINGING FROM A VINE AGAIN
LORD AND MASTER
OF A NEW DAY
HOLD ON FAST
WERE ON THE RUNWAY
HERE AT LAST
AND ILL BE HERE TO STAY

OFFICERS YOUR LOYAL ARMY SALUTES YOU, SIR

(SYLVIA enters spectacularly transformed and wearing tap shoes.)

SYLVIA I MUST SAY, THAT SUIT REALLY SUITS YOU, SIR

(JIM sits at his executive desk.)

51
JIM COME IN
PULL A SEAT UP
PUT YOUR FEET UP
THIS IS HOW ITS GONNA BE
THE WITCH IS GONE
AND FROM NOW ON
THE MAN OF THE MOMENT IS ME
NOW ITS CREAM CAKES WITHOUT WARNING

SYLVIA TEA BREAKS THAT LAST ALL MORNING

JIM & SYLVIA NO, ITS NOT A DREAM
BUT THE START OF OUR NEW REGIME

OFFICERS &
JIM & SYLVIA ITS LOOKING GOOD ITS LOOKING GOOD
ITS LOOKING GREAT ITS LOOKING GREAT
WERE GETTING RID WERE GETTING RID
WE COULDNT WAIT WE COULDNT WAIT
LETS GO WERE ON OUR WAY NOW
WE KNOW HES HERE TO STAY NOW
HEY HO EVERYTHING IS GONNA BE OK NOW

(SYLVIA has a tap solo over the following.)

OFFICERS ONE OF OUR BOYS HAS MADE IT
NO ONE ELSE COULD COMPARE
HOLDING THE FLAME
PLAYING THE GAME
WHO SAID WED PLAY FAIR?

OFFICERS &
JIM & SYLVIA THE DEED IS DONE THE DEED IS DONE
ITS IN THE BAG ITS IN THE BAG
THE BATTLES WON THE BATTLES WON
PUT UP THE FLAG PUT UP THE FLAG
WERE GONNA SPREAD A LITTLE HAPPINESS ALL OVER THE PLACE
LOCKING UP THE LOSERS WITH A SMILE ON OUR FACE
NOTHINGS GONNA STOP US NOW WERE BACK ON THE CASE
AND HOW
JUST LOOK WHOS THE BIG CHEESE NOW!

OFFICERS ITS LOOKING GOOD ITS LOOKING GOOD
ITS LOOKING GREAT ITS LOOKING GREAT
WERE GETTING RID WERE GETTING RID
WE COULDNT WAIT WE COULDNT WAIT
LETS GO WERE ON OUR WAY NOW
WE KNOW HES HERE TO STAY NOW
HEY HO EVERYTHING IS GONNA BE OKAY NOW


52
JIM THE FUTURE IS BRIGHT AGAIN
THE WORLD IS BANGED TO RIGHT AGAIN
IM KEY HAPPY
TOE-TAPPY
NEVER THOUGHT THAT ID BE SO HAPPY

OFFICERS ONE OF BOYS HAS MADE IT
NO ONE ELSE COULD COMPARE
HOLDING THE FLAME
PLAYING THE GAME
WHO SAID WED PLAY FAIR?

JIM HERE I STAND
WITH ALL THE WORLD AT MY FEET
JUST LIKE I ALWAYS PLANNED
VICTORY IS SWEET

OFFICERS THE DEED IS DONE THE DEED IS DONE
ITS IN THE BAG ITS IN THE BAG
THE BATTLES WON THE BATTLES WON
PUT UP THE FLAG PUT UP THE FLAG
WERE GONNA SPREAD A LITTLE HAPPINESS ALL OVER THE PLACE
LOCKING UP THE LOSERS WITH A SMILE ON OUR FACE
NOTHINGS GONNA STOP US NOW WERE BACK ON THE CASE
TODAY

JIM THE FUTURE IS MINE AGAIN
IM SWINGING FROM A VINE AGAIN
LORD AND MASTER
OF A NEW DAY
HOLD ON FAST
WERE ON THE RUNWAY
HERE AT LAST
AND ILL BE HERE TO STAY
FOR THE GLORIOUS

OFFICERS UNMISTAKABLE

JIM VICTORIOUS

OFFICERS STILL UNBREAKABLE

OFFICERS & JIM P - O - A!

(The union banner of the Prison Officers Association unfurls and all salute.)

Music No. 10a: THE FUTURE IS BRIGHT PLAYOFF (INSTRUMENTAL)


SCENE THREE

HELENS OFFICE. HELEN is at her desk studying the incident report. The NUMBER ONE enters.

53
NUMBER ONE Miss Stewart?

(HELEN looks up. He gives her a patronising smile.)

NUMBER ONE
(contd) I know how you must be feeling, but let me assure you one tragic mistake
need not be the end of a promising career. Providing youre prepared to co-
operate.

HELEN Co-operate? With this pack of lies?

NUMBER ONE Helen

HELEN Oh well obviously, if the Government wanted us to tell the truth about what
happens in prisons, why would it insist we all sign the Official Secrets Act?

(The NUMBER ONES mobile rings.)

NUMBER ONE (into phone) Yes? Almost Certainly, your Ladyship. Ill be there. Goodbye.
(Ends call. To HELEN.) The important thing is knowing when to move on.

HELEN Youre talking about covering up what caused a young womans death!

NUMBER ONE Had you followed Mr Fenners advice about Wade, she might still be alive.

HELEN Nikki Wade wasnt a threat to Rachel.

NUMBER ONE Well she was certainly instrumental in causing a riot.

HELEN This is all from Fenner, isnt it?

NUMBER ONE Helen, you made the mistake of becoming involved with a dangerous and
manipulative inmate. The case is closed, whether you like it or not.

HELEN Well I dont like it. I dont like it one bit!

NUMBER ONE Your only option is where you go from here. But face it, Helen. You are going.

HELEN And Ill tell you where to a tribunal.

(The NUMBER ONES taken aback.)

NUMBER ONE Dont be ridiculous.

HELEN Im not leaving those women with Fenner. Im going to fight this all the way.

NUMBER ONE Then youll lose. Everything.

HELEN Not my principles. And theyre worth more to me than a bloody pension.

(She turns away, determined. The NUMBER ONE fumes.)

54
NUMBER ONE I sincerely advise you to think again, Miss Stewart. And swiftly.

(He exits, leaving HELEN to consider her fate.)


SCENE FOUR

G WING LANDING / SERVERY.

TANNOY Unlock will now commence.

[SFX: Locks, bolts and bars the sound of multiple doors unlocking as the
women are finally let out of their cells.]

YVONNE Bastards should be giving us silver service.

JULIE S Thought they was waiting for us all to top ourselves.

JULIE J Top ourselves.

NIKKI Theyd just better tell us whats been done about Rachel.

PRISONERS Yeah!

(JIM and SYLVIA enter and the women confront them.)

CRYSTAL We want an explanation for this situation.

NIKKI And we want it now!

PRISONERS Stop pissing us about! / Bastards! / Been on holiday, have ya? / What about us?
/ What about Rachel? (etc . ad lib protests)

(JIM quells the tumult.)

JIM Shut it! Ill tell you whats what.

YVONNE You do that. And it better be good.

JIM Theres been a tragic set of circumstances on this Wing which should never
have been allowed to happen. And, rest assured, Miss Stewart will be taking
full responsibility. So no more bending the rules from now on its back to
basics. Meaning you lot better start behaving like good girls, got it?

NIKKI Total bollocks!

(The women are outraged, except for smug SHELL and DENNY.)

PRISONERS This is a joke! / Bloody rubbish! / Tragic set of circumstances?! / Bleedin
whitewash! / I dont believe this.

(JIM nods to SYLVIA.)

SYLVIA Johnston, Saunders serve out the slop. The rest of you form an orderly
queue. Move it!

55
(Nobody moves. The JULIES exchange looks in the servery then they rip off
their aprons and sling them on the floor.)

TWO JULIES Shove it!

JULIE S Were going on strike.

JULIE J On strike.

SYLVIA Youre what?

TWO JULIES You heard.

JULIE S So if you want that served

TWO JULIES Serve it yourself!

(The other women cheer, except for SHELL and DENNY.)

PRISONERS Yay! / Go for it, Julies!

JULIE S We aint doing our jobs

JULIE J Till hes lost his!

(They stand aside, arms folded.)

SYLVIA Well youve lost your marbles if you think thats going to happen.

(SYLVIAS walkie talkie goes off.)

SYLVIA (contd) Hello Control, Zulu receiving. Over.

(SYLVIA goes to one side to continue her conversation. JIM picks up the JULIES
aprons.)

JIM Dockley Blood put these pinnies on and get serving.

(SHELL and DENNY are delighted.)

SHELL Yes, sir!

DENNY Wicked, man!

(The JULIES are taken aback and the other women are aghast.)

TWO JULIES Eh?

JIM Its you thats lost your jobs. And your visiting rights. (To the women.) Now
all of you get the message and get on with it.


56
(He leaves them to mutter amongst themselves as SHELL and DENNY take over
the servery. SYLVIA excitedly returns from her walkie talkie conversation).

SYLVIA Jim! The Number One wants to see you. Urgent!

JIM Well talk about fast-track.

(SYLVIA bundles him towards the gate where JUSTIN is about to enter.)

SYLVIA Open the gate for your new Wing Governor, Justin. And look happy about it
or you might find yourself just out.

(JIM smirks.)

JIM Very good, Sylvia.

(JIM exits, SYLVIA waves him off then turns on the women.)

SYLVIA You heard your orders. Move it!

(She exits. JUSTIN locks the gate and despairs.)

SHELL Grubs up.

(NOREEN approaches the counter with a tray.)

NOREEN Mines a full English.

JULIE S (to NOREEN) Eh? What dyou think youre playing at?

JULIE J Wheres your solidarity?

NIKKI Im with you, Julies.

CRYSTAL Dont live by bread alone, innit?

(They all four stand aside in protest. The other women look to YVONNE.)

KAT What you reckon, Yvonne?

YVONNE Id rather be dead than fed by Dockley.

(The other women fall in behind her. SHELL and DENNY challenge from
behind the servery, brandishing their ladles.)

SHELL Yeah? Well you aint gonna get fed by nobody else.

DENNY This aint meals on wheels, Grandma.

SHELL So, seeing as how weve got something you want, I think we need treating
with a bit of respect.

57
DENNY Yeah, respect, man.

SHELL (to the other women) And if we dont get it, you lot dont get nothing.

DENNY Geddit?

YVONNE (to DENNY) You lost the plot or something? Dont you care what happened to
Rachel?

DENNY Nothing happened to her aint happened to me.

SHELL Tell her to piss off, Den.

DENNY Piss off.

(This is top dog stakes, and YVONNES not bending the knee.)

YVONNE Right, Ladies. Clear the decks. Were all done here. (To JUSTIN.) Tell Fenner
were all going on strike. Hunger strike.

PRISONERS Yeah! / Hunger strike!

NOREEN Eh?

(But NOREENS swept out as the women exit the servery. SHELLS triumphant.)

SHELL Whatever. Like we give a shit.

(And she slams the servery hatch closed. JUSTINS aghast, grabs NIKKI.)

JUSTIN Nikki youve got to stop this.

NIKKI Who the hell do you think I am head bloody prefect?

(She joins the rest of the women in clearing away. JUSTIN throws up his
hands.)

JUSTIN This isnt going to help anything . . . (Firm.) Look, just wait by the gate.

(He hails the JULIES.)

JUSTIN (contd) Julie (They both turn which one?) Miss Stewart asked me to give you this.

(He hands JULIE S a note.)

JUSTIN (contd) Its the number of the foster home where your son is.

JULIE S Eh? She remembered?

JUSTIN (for NIKKIS ears, too) Shes not giving up on any of you women.


58
JULIE S What, like theyre really going to let me speak to him?

JUSTIN Youre still his mum, arent you?

(JULIE S looks at the note and quakes. JUSTIN rejoins NIKKI.)

JUSTIN (contd) Miss Stewart wants to see you.

NIKKI Good, because I want to see her.

(He leads her out. JULIE S turns to JULIE J.)

JULIE S Shit, Ju. What am I gonna say?

JULIE J Say youre overseas. And the lines bad. Tell him youll sort everything out
when youre back in the country. Honest, Ju, lyings best.

(JULIE J gives her a squeeze and goes. JULIE S picks up the phone and dials.)

JULIE S (into phone) David? Its your mum . . . Watcha, mate. Gotta be quick cos its
long distance . . . Yeah, Im abroad . . . What? . . . er . . . Taiwan . . . I dont
know, Japan innit? We just fly in and go straight to the hotel and that never
know where we are half the time . . . Yeah, it is a good line, aint it?

Music No. 11: SORRY (JULIE S)

JULIE S (contd) (music intro starts) . . . What? . . . You mean everything? . . . Oh, David
Ive been such a stupid cow . . .

IM SORRY
SORRY YOU FOUND OUT THIS WAY

No, listen

LISTEN
THERES SOME THINGS I NEED TO SAY
GOD KNOWS, I AINT NEVER BEEN PROUD OF WHAT I DO
BUT YOU SHOULD KNOW
IM ALWAYS SO
SO PROUD OF YOU . . .

AND IM SORRY
SORRY I CANT HOLD YOU AND SQUEEZE YOU TIGHT
LOVE YOU
MISS YOU
ITS ONLY YOU THAT GETS ME THROUGH THE NIGHT
GOD KNOWS, THINGS DONT EVER TURN OUT THE WAY I PLANNED
BUT I HOPE AND PRAY
THAT SOME DAY
YOULL UNDERSTAND


59
I JUST WANTED TO MAKE THINGS GOOD
TO GIVE YOU THE LIFE YOU DESERVE
ID HAVE TOLD YOU ONE DAY YES, I WOULD
BUT I KEPT LOSING MY NERVE
AND IT SEEMED SO MUCH BETTER
I SHOULD BE
TRAVELLING THE WORLD
IN SOME FANTASY
STEAD OF WHICH IM A LIAR AND A CON
BUT YOURE THE ONLY THING THAT KEEPS ME HOLDING ON

SORRY WHATS THAT YOU SAY?

Course you can if you want to, darling

YOU CAN COME VISIT ANY DAY
GOD KNOWS, THERE AINT NOBODY ELSE ID RATHER SEE
SO, THERE YOU GO
YOUR FIRST V.O.

Got to send you this form called a Visiting Order Ill put it in the post
straight off, then you can come in (soon as) oh shit, David, I forgot
Fenners stopped our visits . . .

(She puts on a brave face.)

BUT IM GONNA MAKE THINGS GOOD
NO MATTER HOW BAD IT SEEMS
ILL BE THERE LIKE A MOTHER SHOULD BE
SO YOU CAN FOLLOW YOUR DREAMS
YES, THINGS WILL GET BETTER
WAIT AND SEE
WELL WORK IT NOW
JUST YOU AND ME . . .
COS I DONT EVER, EVER WANT TO BE
SO SORRY . . .
AGAIN.

(JULIE S puts the phone down and despairs.)

[SFX: Prison sounds merge into the hissing cistern of the urinals.]


SCENE FIVE

HMP LARKHALL MALE STAFF TOILETS. The NUMBER ONE is at the urinals with Jim,
updating him on the concerning turn of events.

NUMBER ONE We have a problem, Jim. Helen Stewart is refusing to fall on her sword. She
wants to go to tribunal.

JIM Tribunal? You cant let her do that, sir.

60
NUMBER ONE If she insists, how can I stop her?

JIM But thatd drag out the aggro for months. Cost the taxpayer a fortune. Not to
mention the damage she could do to this prisons good reputation.

NUMBER ONE I think you should know its your reputation shes gunning for, Jim. Ive got to
go and assuage the Board of Governors.

(He sprays breath freshener in his mouth and makes to leave. JIMS rattled.)

JIM Just proves what I told you, sir how shes got too close to the cons and let
herself be influenced.

NUMBER ONE Then other influences will have to be brought to bear. My responsibility is
simply to ensure that a head rolls. And much though Id prefer it not to be
yours, Jim, whatever happens its not going to be mine.

(He exits, leaving JIM with the burden.)

JIM Shit . . .

(SYLVIA sneaks in.)

SYLVIA Jim

JIM Sylvia!

SYLVIA Just tell me how did it go?

(JIM fronts up.)

JIM In the right direction, just a slight unforeseen hold-up.

SYLVIA Whats that?

JIM Stewart still thinks shes got a leg to stand on.

SYLVIA What, after a suicide and an all-out riot?

JIM Take one more cock-up to clinch it.

SYLVIA Any tips such as?

JIM Such as a load of Class A turning up on the Wing, for instance? Due to her
stopping our routine searches?

SYLVIA Well, a nods as good as a wink to me . . .

(SYLVIA exits on dancing feet. JIM straightens his tie with satisfaction.)

Music No. 11a: SCENE CHANGE (INSTRUMENTAL)

61
SCENE SIX

HELENS OFFICE. HELENS at her desk, stewing over paperwork in the red file. JUSTIN enters.

JUSTIN Nikki Wade for you.

(He ushers NIKKI in. Shes bristling with hostility.)
HELEN Thanks, Justin. Will you wait outside?

(JUSTIN nods and exits. NIKKI confronts HELEN.)

NIKKI So what did they give you? Cushy desk-job in area management?

HELEN I wish youd shut up and stop giving Fenner another excuse to send you down.

NIKKI I dont need to give him one, do I? Hes a rapist whatever he wants he takes.

HELEN And all youve bloody well done is play into his hands, Nikki.

NIKKI Me? Youre the naive do-gooder who thinks she can turn this place into a girl
guide camp.

HELEN I stupidly thought if I gave you another chance, at least youd have the sense to
stay out of trouble. But no, you go and kick off a full-scale riot.

NIKKI I had no choice. Rachel Hicks died! Has anyone asked Fenner what he was
doing that night?

HELEN No. Everybodys asking me what I was doing bringing you back on to the
wing. And I cant answer them, can I?

NIKKI Well you cant let Fenner win. Nobodyll be safe in here if he gets your job.

HELEN Dont think I dont blame myself.

(She turns away, choking back tears.)

HELEN (contd) I failed. I shouldve talked to Rachel sooner. I just didnt think for one minute
shed go and kill herself . . .

(NIKKIS pulled up.)

NIKKI Hey, look.

(NIKKI moves closer.)

NIKKI (contd) Were on the same side, remember? Well fight together. Dont beat yourself
up. Helen please . . .


62
(NIKKI touches HELENS teary face and HELENS that close to falling into her
arms. Then JUSTIN is suddenly at the door and they spring apart as he looks
in.)

JUSTIN Sorry, just you went very quiet and I wondered

(NIKKI flares.)

NIKKI What, if Id returned to my murdering ways?

(HELEN grabs up the red file, her bag and her coat.)

HELEN Take Nikki back to her cell, please. Im going home to work on my case.

JUSTIN Right. Ill be round straight after my shift, then?

HELEN Yeah, thatd be great.

(The penny drops for NIKKI.)

NIKKI Ill come too shall I? Bring a bottle . . . ?

HELEN Goodnight, Nikki.

(HELEN exits, leaving NIKKI bristling with extra resentment.)

JUSTIN (to NIKKI) Right

NIKKI See you didnt waste much time, then. How cosy.

(NIKKI exits. JUSTIN follows, shaken. Day turns to night and we hear the night
calls start up, led by protesting YVONNE. MUSIC STARTS.)

YVONNE You cant kill us all, Fenner!

JULIE S Got nothing else to lose now, have we?

JULIE J Be scared, you bastard!

SPIKE Save your breath, hes not listening.

NOREEN Were all going to starve to death cos of you Two Julies kicking off.

KAT Yeah, least we got fed all right before.

JULIE S You cant blame us how its went.

JULIE J Aint our fault Dockleys a scab.

SHELL Eat shit, Wade! And you, Atkins.

(Stormy sky, dark clouds rolling past the moon.)

63
SCENE SEVEN

HELENS FLAT / NIKKIS CELL night. HELEN and NIKKI are in their separate spaces, both equally
distracted and disturbed . . .

Music No. 12: EVERY NIGHT (HELEN & NIKKI)

NIKKI WHY DOES SHE DO THIS TO ME?
HOW DID I LET HER IN?
WHEN I SHOULD KNOW BY NOW TO BEWARE

HELEN WHY DOES SHE DO THIS TO ME?
HOW CAN I EVER WIN?
AND THOUGH I TELL MYSELF I DONT CARE

BOTH SHES ALWAYS THERE . . .

NIKKI EVERY NIGHT I SEE HER
THE MOMENT I CLOSE MY EYES TO SLEEP
SHES THERE IN THE DREAMS I KEEP
IN MY HEART

HELEN EVERY NIGHT I SEE HER
SOMEHOW SHES ALWAYS ON MY MIND
AND MAYBE IVE JUST BEEN BLIND
FROM THE START

BOTH ALL MY DEFENCES
LIE HERE BROKEN IN TWO
I TRY TO WAKE UP AND COME TO MY SENSES
BUT THERES NO WAY THROUGH
WHAT ELSE CAN I DO?

EVERY DAY I SEE HER
DARING MY HEART TO CROSS THAT LINE
IGNORE EVERY DANGER SIGN
AND FALL
HOPELESSLY LOST
TO RISK IT ALL
WHATEVER THE COST
BUT INSIDE I KNOW
I AM ONLY FALLING APART

HELEN EVERY NIGHT I SEE HER

NIKKI EVERY NIGHT I SEE HER

HELEN THE MOMENT I CLOSE MY EYES TO SLEEP

NIKKI SHES THERE IN MY DREAMS


64
HELEN THIS SECRET IS BURNING DEEP

NIKKI BURNING DEEP

BOTH IN MY HEART

BUT THIS IS CRAZY
WHAT AM I THINKING?
IM LOSING MY WAY IN THE DARK

HELEN ITS JUST TOO MUCH

NIKKI ITS NOT ENOUGH

HELEN TO SEE HER FACE EVERY DAY

NIKKI WHEN THERES SO MUCH TO SAY

HELEN TO FEEL HER SO CLOSE YET SO FAR

NIKKI TO FEEL HER SO CLOSE YET SO FAR

HELEN WHEN NOTHING CAN CHANGE WHO WE ARE

NIKKI WHEN NOTHING CAN CHANGE WHO WE ARE
BUT I CANT LET HER GO

HELEN BUT I CANT LET HER KNOW

BOTH EVERY NIGHT I SEE HER
THE MOMENT I CLOSE MY EYES TO SLEEP
THIS SECRET IS BURNING DEEP
IN MY HEART

(The lights go out in the prison and the door bell rings in the flat. HELEN pulls
herself together and goes to let in JUSTIN. He hands her a bottle of vodka. Hes
out of uniform and has made an effort with his appearance.)

JUSTIN Hi.

HELEN Hi.

JUSTIN Ready for a drink?

HELEN Yeah, a large one.

(She takes the bottle and fetches glasses.)

HELEN (contd) You look nice.


65
(JUSTIN gives a gawky thumbs up in response then picks up the red folder and sits
on the sofa.)

JUSTIN Hows it reading?

HELEN I can fight till I drop, Justin, but Im never going to win without a scrap of
evidence.

JUSTIN I cant believe Rachel didnt leave a note. Kicking myself I let Fenner go into
her cell on his own. I swear the women are right about him.

(She hands him a filled glass and raises her own.)

HELEN Well heres to hopeless causes.

(She slugs it back, pours another and joins him on the sofa.)

JUSTIN Youre not that, Helen. Youre . . . (He loses his nerve.)

HELEN Maybe theyre right I dont deserve this job. Get too emotionally involved.

JUSTIN Because you care!

(She bites back tears and he moves closer to her on the sofa.)

JUSTIN (contd) Im only staying in the job myself because of you.

(He moves in for a kiss but HELEN moves away, which causes him to topple.)

HELEN Justin, dont

JUSTIN Oh, shit, sorry. I know youre well out of my league.

HELEN No, its not that, its me Im not Oh Jesus . . .

(She turns away.)

JUSTIN Look I know youre under a lot of pressure . . .

HELEN Its not that.

JUSTIN What? What is it?

(HELEN decides to bite the bullet.)

HELEN Its Nikki Wade . . .

JUSTIN Dont let Nikki Wade get under your skin.

HELEN She already has.


66
JUSTIN What do you mean

HELEN (pause) I think you know what I mean . . .

(She looks at him. He looks at her. And they both slug back their drinks as the
lights dim to black.)


SCENE EIGHT

G WING LANDING next morning.

TANNOY Unlock will now commence. [SFX: Locks, bolts and bars echoing sounds
of multiple keys in locks as another day begins.]

(Lights up on the landing. The hungry women are slumped at the empty
tables. Justins on duty at the gate, lost in his own troubled thoughts. SHELL
and DENNY are stuffing their faces at the servery as they tidy up. SYLVIA
patrols, a spring in her step and a smirk on her face.)

SYLVIA Last orders for breakfast. Any takers?

(NOREEN steps forward, but is pulled back by CRYSTAL.)

CRYSTAL The Lord fasted for forty days and forty nights.

NOREEN I might not live that long.

(NOREEN reluctantly falls back into place.)

SYLVIA Well, its your funeral.

(She exits into the office.)

SHELL Time and motion, innit Den? Less serving out, less clearing up.

(She cackles as she exits with a tray of food. And YVONNE gets to her feet.)

YVONNE Im gonna work on the weakest link.

(She pitches up in front of DENNY.)

YVONNE (contd) Youre making a big mistake, Denny. Running around with that screws slag.

DENNY Yeah? Well a tray of sausages to meself says you dont know shit, innit?

YVONNE Is that all you want out of life Dockleys leftovers?

DENNY Itll be you lots screwed when Fenners boss. Me and Shells gonna get special
everything then.

67
YVONNE Listen to me, Denny. I know youve had a tough life childrens homes and
that. No wonder you want to be special to somebody. But what youre really
looking for is a mum, yeah?

DENNY What are you? Some sort of undercover probation officer?

YVONNE Im trying to give you a break, Denny.

DENNY Why dont you leave me alone?

YVONNE Cos maybe I need a second chance an all. For being a lousy mum to my own
kids. But I cant make it up to them cos ones dead and the others doing life
for murder. So what do you reckon?

DENNY (rattled) Reckon youre just trying to mess with my head.

YVONNE Oh do yourself a favour, love. Do Dockley one too. Cos if she thinks shes
anything special to Fenner? You know what that bastards about. Hell bin her
off like a shot. And where will you be then, Den?

DENNY (gesturing with a sausage) Up yours, Atkins.

(And she exits after SHELL. YVONNE returns to the table, frustrated.)

YVONNE Shes her own worst enemy, that one.

NIKKI She cant see past Dockley.

(She heads off to brood by herself.)

JULIE S Were stuffed, aint we?

JULIE J Stuffed.

YVONNE Thats the one thing we aint.

(As Justin crosses in front of them, going about his duties, they eye up his
passing bum.)

YVONNE (contd) (to the JULIES) You know, I can do without food. I can even do without booze.
But I cant do without . . .

JULIE S Dont go there.

JULIE J I dont

JULIE S Nor me.

JULIE J No way.

JULIE S Who needs it?

68
TWO JULIES Not us.

YVONNE Oh yeah? I cant think about nothing else most nights.

JULIE S Well you should be ashamed of yourself at a time like this.

JULIE J Should be thinking about what happened to poor Rachel.

(Drum intro starts and all three are gazing at JUSTIN.)

YVONNE Yeah. But lets face it, aint nothing like death to whet your appetite for life.

(They give up pretending.)

Music No. 13: ALL BANGED UP (YVONNE & THE TWO JULIES)

YVONNE
& JULIES WERE ALL BANGED UP WITHOUT THE BANG
WEVE GOT THE GO BUT THERES NO FAN DANG
HOWS ANY GIRL MEANT TO DO HER THANG
WHEN SHES ALL BANGED UP ALONE?

YVONNE WERE ALL BANGED UP WITHOUT THE BANG

JULIE S THIS LITTLE CHASSIS NEEDS A FULL FRONT PRANG

JULIE J IM LIKE A VAMPIRE WITHOUT A FANG

YVONNE
& JULIES AND WERE ALL VAMPED UP ALONE

AND THOUGH WE TRY NOT TO THINK ABOUT
ALL THE PLEASURES WE MISS
THERES BUGGER ALL ELSE TO THINK ABOUT
WHEN YOURE DUMPED IN A HELLHOLE LIKE THIS

DAY AFTER DAY AFTER DAY
THESE ASSETS ARE WASTING AWAY

WERE ALL BANGED UP WITHOUT THE BANG
WE GET THE TWINGES BUT WHERES OUR TWANG?
WHIPPED TO A PEAK LIKE A STIFF MERINGUE
BUT WERE ALL WHIPPED UP ALONE

(They make a bee-line towards unsuspecting JUSTIN.)

YVONNE
& JULIES (contd) BANG BANG!
BANG!
BANG! BANG!
BANG! BANG!

69
(YVONNE toys with him.)

YVONNE I WANT TO FEEL THE WEIGHT OF A HANDSOME HUNK
LYING ON TOP OF ME IN MY BUNK
AND WHEN THE LIGHTS GO DOWN, SO DOES HE
TIL EVERYTHING GOES TING-A-LING INSIDE OF ME

DONT WANNA FALL IN LOVE, I DONT EXPECT ROMANCE
I JUST WANT SOME ACTION INSIDE MY PANTS
I NEVER THOUGHT DESIRE COULD BE SO STRONG
NEVER THOUGHT ID EVER HAVE TO GO SO LONG

JULIES ITS JUST

YVONNE ITS JUST

JULIES A LITTLE THRUST

YVONNE A LITTLE THRUST

YVONNE
& JULIES IT MUST BE THE LEAST YOU CAN DO

JULIES YOURE A SCREW

YVONNE YOURE A SCREW

JULIES WE CAN TRUST

YVONNE WE CAN TRUST

YVONNE
& JULIES AND OUR WELFARE IS ALL DOWN TO YOU
NIGHT AFTER NIGHT AFTER NIGHT
THINK OF OUR DESPERATE PLIGHT

JUSTIN You really should try and eat something.

(JUSTIN escapes.)

YVONNE
& JULIES WERE ALL BANGED UP WITHOUT THE BANG
WEVE GOT THE GO BUT THERES NO FAN DANG
HOWS ANY GIRL MEANT TO DO HER THANG
WHEN SHES ALL BANGED UP ALONE

WERE ALL BANGED UP WITHOUT THE BANG
NOBODY WANTS TO BE IN OUR GANG
WE COULDNT CARE LESS IF SPRING JUST SPRANG
IF THE QUEEN JUST RANG
THEY CAN ALL GO HANG

70
COS UNTIL WE GET OUT AND GET OUT WITH A BANG!
WERE ALL BANGED UP
WERE ALL BANGED UP
WERE ALL BANGED UP
ALONE

(They slump, in bitter frustration. JUSTIN makes a decision and goes to join
NIKKI for a private word during which SHELL and DENNY reappear at the
servery to finish cleaning up.)

JUSTIN Nikki can I talk to you? About Helen?

NIKKI No thanks. Spare me the details.

JUSTIN For gods sake shes risking everything for you women. And if you want to
help her beat Fenner youd better act before its too late.

NIKKI Look, she doesnt give a toss what I could do for her, darling.

(Shes about to move away JUSTIN grabs her and blurts.)

JUSTIN Yeah? Well I wish you were right about that. But she cant tell you what she
feels about you, can she?

(Pregnant pause.)

NIKKI Eh? What are you talking about?

JUSTIN The point is youll never find out if we dont put a stop to Fenner. And hes
going to use every dirty trick in the book now.

(SYLVIA exits the office and hails JUSTIN.)

SYLVIA Mr Mattison weve had a tip-off theres a large stash of illegal drugs on the
Wing.

NOREEN (excitedly) Where?

SYLVIA Which I sincerely hope, for Miss Stewarts sake, we dont find . . .

(The women exchange disbelieving looks as SYLVIA snaps on rubber gloves
and JUSTIN nods to NIKKI.)

JUSTIN What did I say?

NIKKI Okay.

SYLVIA (to JUSTIN) This way. (She marches towards the servery.) Dockley, Blood
stand aside.

SHELL Eh?

71
SYLVIA Were conducting a drugs search in this servery.

SHELL There aint no drugs round here.

SYLVIA Then we wont find any, will we? But if we do, well obviously know whose
they are.

(CRYSTALS self-righteous.)

CRYSTAL What I been saying, innit?

(SYLVIA bobs under the counter and produces the sugar jar.)

SYLVIA Whats in here?

SHELL What it says, innit? Sugar.

(SYLVIA removes the lid and peers inside.)

SYLVIA And since when did sugar come individually wrapped by the gram? Looks like
cocaine to us, Dockley.

NOREEN Dyou want me to do a taste test, Miss?

SYLVIA Shut it, Biggs.

SHELL Well someones lying if they told you its mine. And it aint hers, neither, is it
Den?

DENNY Give mine to Shell to stash in her cell, innit?

SHELL No you never!

DENNY Eh?

SYLVIA Take Dockley down the block, Mr Mattison. Ill take this off to the lab and
report to Mr Fenner.

CRYSTAL Hallelujah!

SYLVIA Then get the rest of them banged up.

CRYSTAL Eh?

(SYLVIA exits with the sugar jar, leaving SHELL reeling and the other women
protesting. NIKKI takes YVONNE and the JULIES aside for an urgent word.)

PRISONERS Cant bang us up? / Whatve we done? / Its Dockleys brung drugs in. / Do
her! / Aint our bleeding fault.

SHELL They aint my drugs in that jar! I been framed, innit? Somebodys frigging fit me up.

72
NIKKI Got it in one, Dockley.

SHELL Eh?

NIKKI Who do you think?

SHELL Its you, innit! (To JUSTIN.) Its her, sir!

JUSTIN Nikkis not your enemy, Dockley. And Im not taking my orders from
Bodybag.

YVONNE
& JULIES Whoooh!

NOREEN Shit me, whats this? Screw against screw?

NIKKI Hes trying to help us screw Fenner.

SHELL You what?

YVONNE Who is it wants to shaft Miss Stewart so he can get her job? (To SHELL.) And
the pick of any new girl he fancies?

PRISONERS Fenner!

JUSTIN Who else?

YVONNE (to DENNY) Trust me now?

(DENNY does. And confronts SHELL.)

DENNY Like obvious, innit Shell?

SHELL Dont talk dribble. Me and hims got a deal.

NOREEN Hes just using you, you soppy cow.

SHELL No, Im his eyes and ears, right?

JULIE S Tits and arse, more like.

JULIE J As in yesterdays, right?

(Music intro.)

Music No. 14: THE BADDEST AND THE BEST
(NIKKI, DENNY, JUSTIN & PRISONERS)

NIKKI YOUD BETTER WISE UP
TO THE WAY THIS IS GOING DOWN
FOR ONCE IN YOUR LIFE USE YOUR BRAIN

73
PRISONERS Yeah, get real, Shell. / Dont be thick. / Its obvious innit. / Like I told you. etc.

DENNY LIKE A BAD DREAM
THAT KEEPS ON COMING ROUND
HES GONNA SCREW YOU OVER AGAIN

PRISONERS
& JUSTIN AND YOULL BE HISTORY BEFORE YOU KNOW WHATS HIT
GIRL, YOU NEED A WAKE UP CALL AND THIS IS IT

YVONNE SO YOU BETTER LISTEN UP
COS WERE ALL GONNA BEAT THIS RAP

JUSTIN IF HES OUT TO GET YOU GET HIM FIRST!

YVONNE WE NEED A QUEEN BEE

TWO JULIES SITTING IN A HONEY TRAP

NIKKI SHARPEN UP YOUR STING AND DO YOUR WORST

PRISONERS
& JUSTIN AND HELL BE HISTORY BEFORE THE DAY IS THROUGH
SO MAKE YOUR MIND UP NOW ITS UP TO YOU!

NIKKI DO YOU WANNA BE BAD?

PRISONERS DO YOU WANNA BE BAD?

NIKKI DO YOU WANNA BE THE BADDEST AND THE BEST?

PRISONERS
& JUSTIN YOUVE BEEN MESSED AROUND AND TRAMPLED DOWN
GET IF OFF YOUR CHEST

NIKKI NO YOU DONT GET MAD

PRISONERS
& JUSTIN YOU DONT GET MAD

NIKKI YOU JUST GET BADDER THAN ALL THE REST
NO ONE ELSE COULD TAKE THAT CROWN
YOURE THE BADDEST AND THE BEST

PRISONERS
& JUSTIN THE BADDEST
THE BADDEST
THE BADDEST AND THE BEST

SHELL Well its obvious Im the best, innit?


74
NIKKI So? Are you in with us?

YVONNE Or just out for yourself?

DENNY Go on, Shell . . .

PRISONERS
& JUSTIN THE BADDEST
THE BADDEST
THE BADDEST AND THE BEST

(SHELL considers for a moment.)

SHELL Yeah, all right.

(A big cheer goes up.)

SHELL (contd) (to DENNY) I could get used to this solidarity shit.

NIKKI Right, everyone? Lets go to work.

(The women disperse. YVONNE gets on the phone to her gangster husband.)

YVONNE (into phone) Charlie, its me. Do us a favour, darling? I need a state of the art
wireless minicam and receiver unit, some extra-long-length line-out cable, a
couple of male and female adaptors to link it up to the main security system,
and like yesterday, yeah?

(A parcel flies over the prison wall, to be caught by JUSTIN who unwraps it.
Its the minicam, as requested. JUSTIN gives the camera to KAT.)

YVONNE (contd) (ending call) Thanks, Charlie.

IMPRESSED?
IF YOURE GONNA BE BAD

PRISONERS
& JUSTIN IF YOURE GONNA BE BAD

YVONNE YOU GOTTA GET THE BADDEST AND THE BEST
NO MATTER WHERE YOU GO ITS WHO YOU KNOW
PUT IT TO THE TEST

YVONNE (contd) NO YOU DONT GET MAD

PRISONERS
& JUSTIN YOU DONT GET MAD

YVONNE YOU JUST GET BADDER THAN ALL THE REST
HIT HIM HARD AND HIT HIM LOW
DO YOUR BADDEST AND YOUR BEST!

75
(YVONNE enjoys a cigarette while the others do their bit: CRYSTAL and
NOREEN break into the filing cabinet in the P.O.s Office, using a hairpin from
CRYSTALS headwrap and NOREENS lock-picking skills to steal the keys to the
security monitor room.)

CRYSTAL AND IM SURE THE LORD WILL UNDERSTAND
IF WE HAS TO BE A LITTLE BIT UNDERHAND
WHEN YOURE OUT TO SMITE THE DEVIL
YOU GOTTA SINK DOWN TO HIS LEVEL

(SHELL takes up position for her makeover, while Denny stands lookout at the
door. The JULIES kit SHELL out in a sexy corset, stetson and cowboy boots.)

TWO JULIES WELL FIX YOU UP TO LOOK SO NICE
HE WONT THINK TWICE
BEFORE HE MAKES HIS MOVE
ITS AN EASY CASE TO PROVE

(JUSTIN and NIKKI connect the cables to the prison security monitor system.
Meanwhile, KAT is experimenting with the now live camera and the shots she
gets are seen on the bank of monitors that JUSTIN and NIKKI have been
working on. Extreme close-ups in true rock n roll video fashion form the
backdrop to the rest of the song as KAT experiments with the camera.)

JUSTIN AND WHEN ITS UP THERE ON THAT SCREEN
WHEN THE TRUTH IS FINALLY SEEN . . .

(DENNY gets carried away by the excitement of it all.)

DENNY YOURE GONNA BE A TV STAR
AND THE WHOLE WORLDS GONNA KNOW WHO YOU ARE
YOULL BE THE BEST THERES EVER BEEN

SHELL Now that bad, bad man is gonna rot in hell

DENNY HES GOING ROT AWAY IN HELL

SHELL ILL MAKE HIM WISH WED NEVER MET

DENNY HES GONNA WISH HE NEVER EVER MET YOU

SHELL COS IM IN THE MOOD

DENNY IN THE MOOD

SHELL FOR A GOODNIGHT KISS AND TELL

DENNY FOR A GOODNIGHT KISS AND TELL

SHELL THISLL BE A FACE HE WONT FORGET


76
DENNY HE AINT NEVER EVER GONNA FORGET YOU
SHELL & DENNY AND HELL BE HISTORY BEFORE THE DAY IS DONE
WE MAY BE CRAZY BUT REVENGE IS FUN

IF YOURE GONNA BE BAD

PRISONERS
& JUSTIN IF YOURE GONNA BE BAD

SHELL & DENNY YOU GOTTA BE THE BADDEST AND THE BEST

ALL DONT GET MESSED AROUND AND TRAMPLED DOWN
GET IT OFF YOUR CHEST

SHELL & DENNY NO YOU DONT GET MAD

PRISONERS
& JUSTIN YOU DONT GET MAD

ALL YOU JUST GET BADDER THAN ALL THE REST

SHELL WHOS THE BADDEST GIRL IN TOWN?

PRISONERS
& JUSTIN THE BADDEST, THE BADDEST
THE BADDEST AND THE BEST
THE BADDEST, THE BADDEST
THE BADDEST OF THE BADDEST
AND THE BADDEST AND THE BEST!

(Theres a flash / bang as the wiring sparks, the screens go fuzzy and then
return to normal.)

NIKKI (to YVONNE) Your camera may be state of the art, but you cant say the same
about that wiring.

JUSTIN (to SHELL) All set?

SHELL You bet.

DENNY Good luck, Shell.

SHELL I dont need luck.

YVONNE Just dont screw up.

JUSTIN Okay, everybody else get back in your cells, yeah?

(JUSTIN leads SHELL out and the other women hurry off to their cells.)

Music No. 14: SCENE CHANGE (INSTRUMENTAL)

77
SCENE NINE

SEG BLOCK CELL. JUSTIN is putting the camera up on the seg block wall.

JUSTIN Make sure you get his face in view.

SHELL Hell be ready for his close-up, dont worry.

JUSTIN Hed better be. When I flick that switch to over-ride I dont want the Number
One looking at a blank screen.

SHELL You deliver the audience, Ill deliver the show.

(JUSTIN exits. Shell removes a bag of white powder and a straw from her
cleavage and snorts a quick line on the lid of the toilet. Then SHELL hears a
key in the door, and sits on her solitary bunk, disconsolate, as JIM unlocks
and enters, impatient.)

JIM Shell?

SHELL Jim!

JIM Yee-ha!

SHELL Been doing my nut waiting for you. Bodybags set me up on this drugs rap.

(JIM shoves the piss pot at her.)

JIM Just piss in the pot, will you?

SHELL Eh? Saying you want me to test positive?

JIM Look, Im trying to get rid of Stewart for being soft on drugs. But if you dont
trust me, love well, thats the end of it.

(He makes to go and she leaps after him.)

SHELL No Jim wait.

JIM Too late.

SHELL No no you got me wrong. Course I trust you to do right by me. Always
have done, yeah? I was just you know just thought youd gone off me.

JIM Better make me believe I can still get what I want from you, then.

(Music intro starts up.)

SHELL All yours for the taking, innit?

(SHELL takes the lead and coaxes JIM into action.)

78
Music No. 15: FIRST LADY (JIM & SHELL)

SHELL (contd) I NEED A MAN WITH HIS HAND ON THE WHEEL
WHO HAS THE POWER TO GO FAR

JIM Yep. You bet. All the way to the top.

SHELL YOU NEED A WOMAN TO SHOW YOU THE WAY TO REVEAL
WHAT KIND OF MAN YOU TRULY ARE

JIM Oh Ill reveal everything, darling.

SHELL ITS JUST THE TWO OF US WITH NO ONE ELSE TO SEE
SO WHY NOT START REVEALING YOURSELF TO ME?

ILL BE YOUR
FIRST LADY OF THE NIGHT
WONT YOU COME OUT AND PLAY
IM TAKING YOU ALL THE WAY
IF YOU CAN GO THE DISTANCE
ILL OFFER NO RESISTANCE
YOU KNOW WEVE ALWAYS BEEN SO RIGHT
IM YOUR FIRST LADY OF THE NIGHT

JIM BUT LETS NOT FORGET, LOVE, THAT A MAN NEEDS HIS SPACE
TO COME AND GO AS HE MAY PLEASE

SHELL Dont you worry about that, Jim.

YOU CAN BE SURE THAT A WOMAN LIKE ME KNOWS HER PLACE
ILL BE HERE WAITING ON MY KNEES

BOTH AND YOU HAVE NO IDEA WHAT TREATS YOU HAVE IN STORE
IM GONNA HAVE YOU LIKE YOUVE NEVER BEEN HAD BEFORE

SHELL ILL BE YOUR

BOTH FIRST LADY OF THE NIGHT
TURN ALL THE LIGHTS DOWN LOW
WERE IN FOR AN ALL NIGHT SHOW
JUST GIVE IN TO TEMPTATION
COS IN THIS SITUATION
YOU CANT DENY IT FEELS SO RIGHT
YOURE MY/ IM YOUR
FIRST LADY OF THE NIGHT.

YOU REALLY ROCK ME OFF MY FEET
MAYBE ITS MEANT TO BE
TOGETHER WE COULD HAVE THIS WHOLE WORLD IN OUR HANDS
BABY WERE TURNING UP THE HEAT
THIS IS YOUR DESTINY

79
YOU AND ME
WE GOT SOMETHING NO ONE UNDERSTANDS

(As JIM melts under her spell, SHELL removes the key chain and handcuffs
from his belt, under the guise of sex play. Meanwhile JUSTIN leads SYLVIA,
HELEN and the NUMBER ONE into the security room.)

FIRST LADY OF THE NIGHT
TURN ALL THE LIGHTS DOWN LOW
WERE IN FOR AN ALL NIGHT SHOW
JUST GIVE IN TO TEMPTATION
COS IN THIS SITUATION
YOU KNOW WEVE ALWAYS BEEN SO RIGHT
YOURE MY / IM YOUR
FIRST LADY

JIM MY FIRST

SHELL AND ONLY

BOTH LADY OF THE NIGHT.

(The number concludes with SHELL sitting astride JIM, who is now handcuffed
to the bed. As JIM grunts and SHELL grinds, JUSTIN flicks the switch in the
security control room to override the system. The bank of security monitor
screens starts to fill up with images of illicit officer /inmate activity, oblique at
first, then becoming more and more explicitly sexual. Then, for the first time,
JIMS face is clear for all to see on the screens.)

Jim Ah-ah-ah-ah . . .

(Music [No. 15a] continues under the following.)

NUMBER ONE (over tannoy) Mr. Fenner!!!

(JIM jolts, aghast, and SHELL points to the camera with triumphant glee.)

SHELL Smile for the camera, sir!

(The screens fill with big close-ups of JIMS face, frozen in horror, as he
realises how spectacularly he has been caught.)

NUMBER ONE (over tannoy) Security to the seg block now! Detain Principal Officer
Fenner. And call the police!

(Then all the screens suddenly fill up with a flaming flash which sizzles along
the circuitry and the whole scene goes black.)

SHELL (to JIM) Ooops! Looks like the electrics just went on the blink.

(She flicks on her lighter. JIM panics.)

80
JIM Give me the key.

SHELL The what?

JIM Give me the bloody key, you stupid bitch. Ive gotta get out of here.

(SHELL takes stock. This is an interesting situation.)

SHELL Well that aint a very nice way to talk to your special lady.

JIM Please, Shell.

SHELL I dunno. These old electrics, they was an accident waiting to happen, innit?
Shell flicks her lighter and considers for a moment . . .

JIM What . . .?

(She holds the lighter to the mattress and proceeds to set fire to it.)

JIM (contd) What the hell are you doing?

SHELL Sparks can catch hold anywhere . . .

JIM No! Shell! Stop please Im begging you.

SHELL Since when did them words mean anything to you?

JIM Ill fess up to everything I swear just unlock these cuffs!

SHELL I tried to, didnt I? But I just couldnt find the key.

JIM For Gods sake, Shell.

(She swings his key chain up in the air and drops it down the loo.)

SHELL Help! Fire!

(And she leaps out of the cell as it bursts into flames.)

JIM Aaargh!!!

Music No. 15a: THE BADDEST AND THE BEST REPRISE
(SHELL & CHORUS chorus remains unseen throughout)

(SHELL sings against a wall of fire.)

SHELL & CHORUS IF YOURE GONNA BE BAD
YOU GOTTA BE THE BADDEST AND THE BEST
DONT GET MESSED AROUND AND TRAMPLED DOWN
GET IT OFF YOUR CHEST
NO YOU DONT GET MAD

81
YOU JUST GET BADDER THAN ALL THE REST
WHOS THE BADDEST GIRL IN TOWN?
THE BADDEST AND THE BEST!

(She legs it in distress and the scene dissolves in smoke, as a cacophony of
fire, police and ambulance sirens rise and fall . . . )

(Blackout.)


SCENE TEN

G WING The end of a new day. The women and JUSTIN are gathered in an uneasy mood as
SHELL returns, jubilant.

PRISONERS Couldve killed us all! / What if the whole place had gone up? / We could all
get done for it, now. (etc.)

SHELL Big me up, sisters!

(Shes bemused as they blank her. She grabs DENNY.)

SHELL (contd) Bothered? Ere Den, youdve loved it. Fenner was screaming and crapping
himself. Idve pissed meself laughing, but I didnt wanna put the fire out!

DENNY Youre sick, man. You shouldnt have done it. It wasnt part of the plan.

(SHELL is gob-smacked.)

SHELL It was pay back time!

YVONNE Youre on your own, Dockley.

(She puts her arm round DENNY. SYLVIA enters, followed by the NUMBER ONE
with HELEN.)

SYLVIA Quiet, you lot!

NUMBER ONE Thank you, Mrs Hollamby.

(He addresses the assembled inmates of G Wing, flanked by HELEN, SYLVIA
and JUSTIN. SHELL stands to one side, head held defiantly high.)

NUMBER ONE
(contd) I have here the report resulting from the official inquiry into events subsequent
to the previous and I can only say I wish that your concerns about Mr
Fenner had been brought to my attention earlier.

(The women hiss and jeer.)

NIKKI Why didnt you listen to us before then?

82
CRYSTAL Too busy playing golf!

NOREEN You should be sacked, you old bastard!

NUMBER ONE Silence!

(The women hold fire.)

NUMBER ONE
(contd) (to ALL) I assure you, Mr Fenner will be brought to Justice as soon as hes fit
to be discharged from hospital.

NOREEN Aw what, he didnt snuff it, then? Better luck next time.

NUMBER ONE Michelle Dockley the report commends your bravery under duress, for
which you will be granted all due consideration by the parole board. And
now, I entrust you all to the good governance of Miss Stewart.

(The NUMBER ONE goes to leave as SYLVIA hurries after him and they both
exit.)

SYLVIA Oh, sir. I need to talk to you about my back. I really dont know if Im up to
these double shifts . . .

(SHELL crows.)

YVONNE Hey, girls. We got something else to celebrate today. Somebodys twenty-first
birthday isnt it, Denny?

DENNY How do you know that?

NOREEN Told you she was a witch.

DENNY I aint never had a proper birthday.

YVONNE You aint never had a lot of things, love. But Im gonna sort that. If youll let
me. (She looks at her watch) Just right about . . .

ALL Five, four, three, two . . . one!

(And suddenly we hear fireworks going off outside the prison window.)

YVONNE Happy Birthday, Den. The key to the door.

KAT Fireworks!

(Oohs and aahs from the women.)

YVONNE Can we go outside and watch em, Miss?

HELEN Mr Mattison? Would you ?

83
JUSTIN Right, you lot. Youve got five minutes. Be good.

JULIE S Oh, we will, sir!

JULIE J We will, sir!

(JUSTIN ushers the women outside.)

JUSTIN (to YVONNE) After you.

(Music begins. HELEN waits.)

HELEN Nikki can I have a word.

(NIKKI hangs back.)

HELEN (contd) So, you could be out next week, now Fenners not around to screw up your
appeal. Theres nothing stopping you. Right?

NIKKI Im not stopping. Im going to start up the mother of all campaign groups,
fight the whole bastard system.

HELEN So were not going to get rid of you that easily, then?

NIKKI Im hoping you wont want to.

HELEN I think I know what I want . . .

(They kiss. Then HELEN pulls back.)

HELEN (contd) When youre free.

Music No. 16: THIS IS MY LIFE (HELEN, NIKKI & PRISONERS)

NIKKI IM GONNA BE THERE
THATS A PROMISE I WONT BREAK

HELEN IM GONNA BE THERE
WATCHING OVER EVERY MOVE YOU MAKE

NIKKI THIS IS MY LIFE
IM LIVING IT

HELEN THIS IS YOUR LIFE
KEEP GIVING IT
EVERYTHING YOU CAN

NIKKI & HELEN AND IM GONNA BE THERE . . .

(HELEN exits. NIKKI is left in a dream.)


84
SCENE ELEVEN

EXERCISE YARD EVENING. The other women are cheering the fireworks, as NIKKI joins them.
And now shes feeling the odd one out. The JULIES bring her into the group.

JULIE J Come on, Nik.

JULIE S When one of us gets out

TWO JULIES She gets out for all of us, yeah?

NIKKI Yeah . . .

NIKKI (contd) ALL OUR TOMORROWS START TODAY
GOTTA THROW THOSE FEARS AND DOUBTS AWAY
COS NOBODY TELLS YOU WHO YOU ARE

YVONNE THE PAST CANT HURT US NOW ITS GONE
THIS IS THE TIME FOR MOVING ON
DONT HOLD BACK NOW WEVE COME SO FAR

NIKKI AND WE ALL KNOW JUST HOW HARD IT CAN BE
WHEN YOURE FACING THAT TEN FOOT WALL
BUT IF YOU ALL STAND TOGETHER WITH ME
WERE GONNA SEE IT FALL

IM GONNA BE THERE

PRISONERS IM GONNA BE THERE

NIKKI I WILL BE THE FIRST IN LINE
IM GONNA BE THERE

PRISONERS IM GONNA BE THERE

NIKKI IM GOING OUT AND TAKING BACK WHATS MINE

ALL THIS IS MY LIFE
IM LIVING IT
THIS IS MY LIFE
IM GIVING IT
EVERYTHING I CAN
TO MAKE IT GOOD

I HAVE PLANS AND I HAVE DREAMS
THOUGH MAYBE SOME OF THEM ARE JUST CRAZY SCHEMES
BUT STILL I
WANNA TRY
TO BE SOMEONE
JUST GIVE ME A CHANCE AND IM GONNA TAKE IT
TO ESCAPE FROM THE CYCLE AND BREAK IT

85
I WANNA SHOW THEM WHY
I AM SOMEONE

AND WHEN I MAKE IT OUT OF THIS PLACE
FROM THE MOMENT I WALK THROUGH THAT DOOR
WHATEVER SHIT LIFE THROWS IN MY FACE
I AM NOT GONNA TAKE ANY MORE
IM HEADING ON MY WAY
TO WHERE I WANT TO BE

JULIE S ON A BEACH

JULIE J WITH OUR KIDS

TWO JULIES KICKING SAND FROM OUR SHOES

NIKKI THERES A BAR

YVONNE THERES A BAR

CRYSTAL
& YVONNE WHERE IM SINGING THE BLUES

SHELL & DENNY GETTING WASTED ON CHEAP FOREIGN BOOZE

ALL BUT IF THAT IS THE LIFE I CHOSE
IF THAT IS THE LIFE I CHOSE
IM GONNA BE THERE
IVE GOT TO BE THERE
IM GONNA BE THERE
I WANT TO BE THERE!

(As the song reaches its climax, we suddenly see the overhead light and hear
the deafening noise of the propellers of a helicopter as it descends. A rope
ladder is lowered down.)

PRISONERS Eh? Whats going on? / Bloody Hell! / I dont believe it! / Magic! (etc.)

YVONNE Sorry, girls. Looks like my cabs arrived. Oi, Den fancy a ride?

DENNY Wicked, man!

(YVONNE leads DENNY over to the ladder and they both grab hold.)

YVONNE (to NIKKI) Say sorry to Miss Stewart for me, Id love to stay and help but Im a
bit old for all that bollocks. Im doing my time in Spain.

(SHELL tries to remonstrate with DENNY.)

SHELL Oi Den! Where the hell dyou think youre going?


86
YVONNE Shes going home.

Music No. 16a: THIS IS MY LIFE PLAYOFF (OPTIONAL INSTRUMENTAL)

(The helicopter starts to rise again and they are lifted up and out over the wall
to freedom.)


THE END


Music No. 17: CURTAIN CALL (YVONNE AND PRISONERS)

Music No. 18: PLAYOFF (OPTIONAL INSTRUMENTAL)



BAD GIRLS
THE MUSICAL



Book by
MAUREEN CHADWICK
& ANN MCMANUS

Music and Lyrics by
KATH GOTTS

Originally directed by Maggie Norris
Orchestrations by Martin Koch






VOCAL BOOK







Josef Weinberger Limited
12 - 14 Mortimer Street
London W1T 3JJ
Tel: +44 (0)20-7580 2827 Fax: +44 (0)20-7436 9616
general.info@jwmail.co.uk www.josef-weinberger.com



BAD GIRLS THE MUSICAL


Copyright 2007 by Maureen Chadwick, Kath Gotts and Ann McManus
All Rights Reserved

PHOTOCOPYING THIS COPYRIGHT MATERIAL IS ILLEGAL



Applications to perform this musical must be made,
BEFORE REHEARSALS COMMENCE, to:

JOSEF WEINBERGER LIMITED
12 - 14 Mortimer Street
London W1T 3JJ
United Kingdom

Tel: +44 (0)20 7580 2827
Fax: +44 (0)20 7436 9616
www.josef-weinberger.com






























December 2008
MUSICAL NUMBERS




ACT ONE

SCENE TWO
1. I Shouldnt Be Here (Prisoners)................................................... 1
SCENE THREE
2. Guardian Angel (Shell and Denny) ........................................... 13
SCENE FOUR
3. Jailcraft (Jim and Sylvia) .......................................................... 18
SCENE FIVE
4. One Moment (Nikki) ............................................................... 22
SCENE SIX
5. Life Of Grime (The Two Julies and Prisoners).......................... 25
6. The A-List (Yvonne and Prisoners)........................................... 31
SCENE EIGHT
7. The Key (Jim) .......................................................................... 39
SCENE NINE
8. The Way It Is (Company)......................................................... 44
8a. Riot Music (Instrumental)........................................................ 46


ACT TWO

SCENE ONE
9. Freedom Road (Crystal and Chorus) ........................................ 47

SCENE TWO
10. The Future Is Bright (Jim, Sylvia and Officers) ......................... 52
10a. The Future Is Bright Playoff (Instrumental)............................ 59
SCENE FOUR
11. Sorry (Julie S) .......................................................................... 59
11a. Scene Change (Instrumental) .................................................... 62
SCENE SEVEN
12. Every Night (Helen and Nikki)................................................. 63
SCENE EIGHT
13. All Banged Up (Yvonne and The Two Julies) ........................... 67
14. The Baddest And The Best (Nikki, Denny, Justin, Prisoners) .... 73
14a. Scene Change (Instrumental) .................................................... 80
SCENE NINE
15. First Lady (Jim and Shell)......................................................... 81
15a. The Baddest And The Best Reprise (Shell and Chorus)........... 86
SCENE TEN / ELEVEN
16. This Is My Life (Helen, Nikki, Yvonne and Prisoners) .............. 87
16a. This Is My Life Optional Playoff (Instrumental) .................... 93
17. Curtain Call (Yvonne and Prisoners) ........................................ 94
18. Playoff (Optional) (Instrumental) ............................................. 95







_
_
q = 105
(Prisoners)
ACT I
1. I Shouldn't Be Here
Copyright 2007 by Maureen Chadwick, Kath Gotts and Ann McManus
Orchestrations Koch & Gilpin
PHOTOCOPYING THIS COPYRIGHT MATERIAL IS ILLEGAL
BAD GIRLS
_
Shell: Shell Dockley
Kbd. 2
,
,

,
,
. ,
,

Lifer . . .
,
,
.
Murder . . .
,
,

,
Well, just a bit of torture, really . . .
. ,
,

,
,
.
Didn't expect the dozy twat
to go and die on me! . . .
, ,
,
,
,
, .
6
_
.
Pathetic!
,
But
mf
Shell
no
,

,
one
,
- mess es - with
,
,

my
,
,
man,
,

,
_
And gets a way
, ,
,
- with their
, , ,
9
_
face in tact.
,
, ,
-
,
It's an ob
,
,
vi - ous - fact,
,
,
,
,
,
I was bound
,
,
to re act,
,
,
,
,
-
,
That
,

3
12
_
_
_
_ _
dou ble - D
, ,
,
cup slap
,
,

per,
,

,
-
,
Was gon
,

na - get whacked!
,
,
,
,
,
mp
I should
,

n't -
,
,

15

A q = 128
_
be
,
here.
,

-
Crystal: Crystal Gordon . . .
-
12 months . . .
-

19
_

Shoplifting . . .
-
But the good book says the Lord helps
them who help themselves, innit?
All
mf
Crystal
them
,

,
shops
,

go
,

,
flaunt
,

ing - their
, ,
goods
, ,
in your
,
,
,
22
_

face,
,
,
It's ask
,

,
,
- ing for
,
3
grief,
,
man,
,
.
In the
,

,
circ
,

um
,

,
- stance -
,

of my
,
,
,
26
_

case,
,
.
It's my
,

,
be- lief
,

,
that
,
I
,
was
,
29
_

do- ing
,

,
it
,

,
for
,
Je
,
sus, -
,

, ,


I
,
was
,
33
_

do ing
,
,
,
- it
,
,
,
for
,
Je
,

sus. -
,
,
, ,

B q = 184
36
_


Like
f
he did
,
,
in the tem
,
,
,
,
ple
,

,
- sto
,

ry,
,

,
-

For the Lord


,
,
,
God's
,
39
_

great er
,

,
- glo
,

ry,
,

,

-

But in stead
,
,
- of
,

,
chuck
,
ing
,
- it
,
3
down
,
off
,
the
,
3
shelf,

.
I
,
44
_

stuffed
,
it in
,
,
my
,

,
ruck-
,

sack -
,
,

And
,
kept
,
it
,
for my
,

,
self, -
,

,
.
48
,_

C
q = 100
_


mp
I
,
should n't
,

,

- be

here.

-
Denny: Denny Blood . . 7 years . .
52
_
-
Arson... It was a rubbish kids home anyway....
- .

,
Denny
,
I want
,

ed - a
,
,
,
55
_
life,
,

, ,
I want
,

ed - a mum,
,
,
,
,

, ,
They said
,

if you're
,
,
,
2
57
_
good,
,
Den,
,

May be - one
,
,
,
,
day
,

she might come,


, ,
,
,

,
So I
,
,
59
_
wait,
,

,
And I wait,
, ,
,

,
And I
, ,
61
_
start
,
to think
,

they must think


, , ,
,
I'm
,

real ly - dumb,
,
,
,
,


'Cos
,

she weren't
, , ,
63
_
_ _
ne
,
ver, -
,

e
,
ver -
,

gon na - come,
, ,
,
,

So I poured
, ,
,
_
_
Colla voce q = 92 65

_
_
_ _
pet rol -
, ,
,
all round
,

their kitch
,

,
en - floor,
,
,
,

Threw in a - match
, ,
,
,
and slammed
,
,
the door,
,

,
,
,
And
,

69
_
now,
,
I don't wait for no
,
,
,
,
,
one
,
-
,
a ny - more.
,
,

-

D
q = 100
(poco pi mosso)
73
_
Fl / Cl / Tpt

Julie S:
Julie Saunders.
,
,
,
Julie J:
Julie Johnston
,
,
, ,

,
,
,
Julie S:
2 years...
,
,
,
Julie J:
2 years...
,
,
,
Julie S:
Soliciting...
,
,
,
Julie J:
And thieving....
,
,
, ,

.
Both:
Together!

Julie S.
mf
,
The
,

_
- - - .
Julie J.

mf
,
The
,

77
_
old
,
est - pro fess
, ,
- ion - in
,
,

the book,
,
,
,
,
Com bined
,

,
,
with a side
,
,
line -
,

,
in the wall
, , ,
ets - that
,
,
,
we
,
,
3
_
old
,
est - pro fess
, ,
- ion - in
,
,

the book,
,
,
,
,
Com bined
,

,
-
,
with a side
,
,
line -
,

,
in the wall
, , ,
ets that
,
,
,
we
,
,
3
3
80
_
took,
,
Don't you find
,
,
,
these days it's all
,
,
,
,
,
for the school
,
,
,
fees
,

,
and
,

,
not for
,

the fun,
,
,
, ,

You
,

_
took,
,
. - . ,
You
,

83
_
have to plan
,
,
a head -
,
,
,
now
,

,
for ev
,

'ry
,

,
- lit tle - one,
,
,
,
,
For choi
,

,
ces
,
- pa
,
3
ren
,
- tal,
,
-

3
_
have to plan
,
,
a head -
,
,
,
now
,

,
for ev
,

'ry
,

,
- lit tle - one,
,
,
,
-
86
_
- ,
That's how
,

my trou
,
,
bles - first
,
,
be gun,
,
,

-
_
Dosh is
,

,
fun da - men
,
,
,
- tal, -
,

, ,
- ,
Gon na - get
,
,
my kids
,
,
back one day,
,
,
,
,
89
_
,
But I thought
, ,
I owed
,
,
it to my son,
,
,
,
,
,
,
I should
,

n't - be
,
,
,

here,
,

,
3
_
,
.
I
,
should n't - be
,
,
,

here,
,

,
92
E
q = 140
_

-
Nikki:
Nikki Wade. Lifer . . .
-
"Cop killer" . .
-
But, hey, at least that's one less rapist in the world.
- -
_

- - - - -
98
_

- .
Nikki
,
No
mp
bod
,

- y's - he
,
,
,
ro,
,
-
,

Some bod - y's - fool,
, ,
,
, ,
4
103
_

,
,
Don't go
,

mis tak
,
,
- ing
,

,
- me
,

for,
,

,
some bod - y who'll,
, ,
-
,
,
106
_

,
ev er
,
,
,
- give
,
a damn,
, , ,

For
,
,
what they
,
3
think
,
,
I
,
110
_

am,
,
,
I should
,

n't - be
,
,

here,
,

, ,
,
I don't
,

,
wan na -
,
,
113

be
,

here,
,

, ,

But
,
here
,
I
,
3
,
am,___
,

- - -
All Prisoners
.
f

,
Here I
,
3

F
117

-
f

,
Here I
,
3
am,
, ,
When I
,
,
_


f
,
Here I
,
3
am,
, ,
. ,
And one
,

,
thing
,
is
,
3
clear,
,
When I
,
,
_

am,
,
f

,
Here I
,
3
am,
,
,
And one
,

,
thing
,
is
,
3
clear,
, ,
When I
,
,
121

take
,
,
a good
,
3
look
,
a
,
round
,
- me,
,
I
,
,
should
,
,
n't
,
,
- be
,
,

3
here!
,
,

take
,
,
a good
,
3
look
,
a
,
round
,
- me,
,

I
,
should
,
n't
,
- be
,
3
,
here!

take
,
,
a good
,
3
look
,
a
,
round
,
- me,
,

I
,
should
,
n't
,
- be
,
3
here!
,

5
G
125

I should n't - be
,
,
,
,
here,
,

, ,
,
I don't
,

wan na - be
,
,
,
,
here,
,

.
I should n't - be
,
,
,
,
here,
,

, ,
, ,
I don't
,

wan na - be
,
,
,
,
_

-
I should n't - be
,
,
,
,
here,
,

, ,
,
I
,

128


I should n't - be
, , ,
,
here,
,

This is n't - me
, , ,
,
here,
,

,
_

here,
,

,
I should n't - be
, , ,
,
here,
,

This is n't - me
, , ,
,
here,
,

,
_

don't wan na - be
,
,
,
,
here,
,

,
,
I should n't - be
, , ,
,
here,
,

This is n't - me
, , ,
,
here,
,

,
131

This
ff
is
,
,
,
not
,
,
my
,
,
,
life,
,
,
,
, .
Give me
,
,
,
back
,
,
my
,
,
,
life!
,
,
,

mp
I had
,

,
plans,

This
ff
is
,

,
not
,

my
,

,
life,
,

,
.
Give me
,

,
back
,

my
,

,
life!
,

,
mp
I had
,

,
plans,

This
ff
is
,

,
not
,

my
,

,
life,
,

,
.
Give me
,

,
back
,

my
,

,
life!
,

,

mp
I had
,

,
plans,

135

,
I had
,

,
dreams,
,

My life
,

,
is
,
not
,
the three
, ,
car
,

,
wreck
,

it
,

,
seems,
,

,

_

,
I had
,

,
dreams,
,

,
,
My life
,

,
is
,
not
,
the three
, ,
car
,

,
wreck
,

it
,

,
seems,
,

,

6
139

I know it may
,
,
,
,
not be
,
,
,
much,
,
,
But I
,

,
was
,
some
,
one,
,
-
_

I
(unis.)
know it may
, , , ,
not be
,
,
,
much,
,
,
But I
,

,
was
,
some
,
one,
,
-
142

,

Some
,
one's
,
sis ter, -
,

, ,
daugh ter, -
,

, ,

,
moth- er,
,
,
,
Just a
,

girl
,
, ,

like
,

a
,

,
ny -
,

,

Some
,
one's
,
sis ter, -
,

, ,
daugh ter, -
,

, ,
moth- er,
, ,
,
Just a
,

girl
,
, ,

like
,

a
,

,
ny -
,

146

oth er,
,

,
-
.
So may be - I'm
,
,
,
,
out of
,
,
,
touch,
,
,
But
,

still I'm
,
,
,
some
,
one,
,
-
_

oth er,
,

,
-
.
So may be - I'm
, , , ,
out of
,
,
,
touch,
,
,
But
,

still I'm
,
,
,
some
,
one,
,
-
150

,
And
mf
when
,

they slam
, ,
that
,

,
door
,

ev ery - night,
,
,
, , ,

_

,
And
mf
when
,

they slam
, ,
that
,

,
door
,

ev ery - night,
,
,
, , ,

153

,
And I'm
,

a lone
,
,
,
,
,
,
- in
,
,
my
,
,
3
bed,
,
,
,
,
,
,
,
I es
,

cape -
, ,
where it's safe
,
, ,
,
_

,
And I'm
,

a lone
,
,
,
- in
,
my
,
3
bed,
, , ,
,
I es
,

cape -
, ,
where it's safe
, , , ,
7
156

out of sight,
,
,
,
,

To the world
,
,
,
,
,
,
that I keep
,
,
,
,
,
,
in
,
,
my
,
,
3
head,
,
,
,
,
,
,

out of sight,
,
,
,
,

To the
,
,
,
world that I keep
,
,
,
,
in
,
3
my head,
, , ,
159


That's
f
,
,
where I
,
,

,
,
hide
,
,

my
,
,

,
self, -
,

,
,
Out of
,

reach
,
,
from
,

,
the
,


That's
f
,
where I
,

,
hide
,

my
,

,
self, -
,

,
,
Out of
,

reach
,
,
from
,

,
the
,

162

screws,
,
Julie S.
,
On
mf
a
,

beach,
,
, ,
,
kick ing
,

- sand
,
,
from our
,
,
shoes,
, ,
,
,

,
_

screws,
,
.
Julie J.
,
With
mf
our
,

kids
,
,
kick ing - sand
,
, ,
,
from our
,
,
shoes,
,

,
Nikki
There's a bar,
,
,
,
165

,
There's
Crystal
a
,

bar
,
, ,
where I'm sing
,
,
,
ing
,
- the
,
3
blues,
,
,
,
,
,

Get
Shell/Denny
ting - wast
, , ,
ed - on cheap
,
,
,
,
, ,
,
_

, . - -
168

fo reign - booze,
,
,
,
,
,
,
,
,
,
,

All
,
I can
,
,

go
,
,
,
,
where I
,
,
,
,
,
,
chose,
,

cresc.

-
All
,
I can
,

go
,
,
where I
,
,
,
chose,
,
cresc

8
H
171
I

I've
,
got
,
3
no
,
thing
,
- to
,
3
lose.

-
Jim:
Right, you lot. Breakfast. Move it!
-
Sylvia:
You two - serve out the swill.
_

I've
,
got
,
3
no
,
thing
,
- to
,
3
lose.

- -
175

-
The rest of you - line up at your trough.
-
II
f
should n't - be
, , ,
,
here,
,

This is n't - me
, , ,
,
here,
,

,
_

- -
II
f
should n't - be
, , ,
,
here,
,

This is n't - me
, , ,
,
here,
,

,
_

- -
II
f
should n't - be
, , ,
,
here,
,

This is n't - me
, , ,
,
here,
,

,
179

This is
,

,
not
,
,
my
,
,
,
life,
,

,
Sylvia: Move it!
.
Give me
,
,
,
back
,
,
my
,
,
,
life.
Jim: Shut it!
,

,
,
.
_

This is
,

,
not
,

my
,

,
life,
,

,
.
Give me
,

,
back
,

my
,

,
life.
,

, .
_

This is
,

,
not
,

my
,

,
life,
,

,
.
Give me
,

,
back
,

my
,

,
life.
,

,
.
9

_
_
q = 127
1b. I Shouldn't Be Here - Part Two

p
Kbd
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,

_ Kbd
,

,
,
,
,
,
,
,
,
,
,
,

,
,
,
,
,
,
,
,

,
,
,
,
,
,
,
,
,
,
,

,
,
,
,
,
,
,

13

A
_

[Vamp]
Kbd
,
,
,
,
Cue:
Fresh meat? Better than leftovers.
,
,
,
,
,
,
,
,
_ ,
,
,
,
,

B
33
_

,
,
,
,
, ,
,
, ,
,
,
,
,
,
,
,
,
,
,
,
,
,
, ,

,
,
,
,
,
,
, ,
,
,
,

,
,
,
,
,
,
,
,
,
,
37
_

,
,
,
,
, ,
,
, ,
,
,
,
,
,
,
,
, ,
,
,
,
,
,
,

,
,
,
,
, ,
,
, ,
,

40
C

,
,
,
,
,
,
,
,
,
[Vamp]
Kbd
Exit Cue:
Helen, just remember . . . place with
two types of people in it: us and them.
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,

,
,
,
,
,
,
,
,
,
,
,
10
1c. I Shouldnt Be Here - Part Three
_

[Cue:
. . . us and them.]
.
May
Helen
be - I'm a fool
, , ,
,
,
to think
,
, ,
that I
,
,
could
,
,
,
do
,

some
,

,
good,
,

4
_

,

But if I
,
,
did n't - think
, , ,
,
I
,

,
could,
,

,
,
I
,

would n't
,
,
,
-
7
_

be
,
here,
,

,
- .
Now I have a chance
, , ,
,
,
to real
,
,
ly
,

,
- do
,
,
11
_

this
,
, ,
my own
,

,
way
,

,
.
I
,
won't
,
let
,
3
a
,
ny
,
- one
,
3
-
14
_

say,


I
,
should n't
,

,
- be
,
here,
, ,
.

18

Shell: Don't worry, Rachel. We'll help you cope without your drugs, won't we Den?
- - - -
[Vamp]
Kbd
Exit Cue:
Leave the kid alone!
Why? Fancy her yourself?
,
,

,
,
,
,
,
,
,
,
,
23
_

-
Prisoners mf
Same old
,

,
shit,
,
.
Twen ty - four
,
,
,
- se ven, -
,
,

26
_

Two Julies
,
Wel come
,
,

- to life
,
,
,
,
,
,
,
,
here in
,
,
3
side,
,
,

This
Prisoners
is
,

,
it,
,
,
And
Crystal
it
,

sure
,
,
11
29
_

,
is n't - hea
,
,
ven, -
,
,
,
Nikki
Al though
,

- it feels
,
,
,
like
,
I've
,
3
died,
, , ,
32

Prisoners

When you need


,
,
,
,
a
,
,

,
,
help
,
,

ing
,
,

,
- hand,
,

,

Don't ex pect
,
,
,
,
- them to un
,
,
,
,
,
,
,
,
-
_


When you need
, ,
a
,

,
help
,

ing
,

,
- hand,
,

,

Don't ex pect
, ,
- them to un
,
,
,
,
-
35

- der
,
,

,
,
stand, -
,
,

,
,

What's a noth
,
,
,
,
- er
,
,

,
,
- day
,
,

,
,
a
,
,
noth - er
,
,

,
,
- week,
,

,
A
,
,
noth - er
,
,

,
,

-
_

- der
,

,
stand, -
,

,

What's a noth
, ,
- er
,

,
- day
,

,
a
,
noth - er
,

,
- week,
,

,
A
,
noth - er
,

,
-
39

year?


When we should
,
,
,
,
,
,
n't
,
,
- be
,
,
3
here,

,
We should
,
,

,
,
n't
,
,
- be
,
,
3
_

year?


When we should
, ,
,
n't
,
- be
,
3
here,
,
,
,
,
,
We should
,

,
n't
,
- be
,
3
43

here,

,
We should
,
,

,
,
n't
,
,
- be
,
,
3
here,


We
,
,
should n't -
, , ,
, , ,
_

here,
,
,

,
,
We should
,

,
n't
,
- be
,
3
here,
,
,
,
,

We
,
should n't -
, , ,
47

be

here!

be

here!

12
_
_
q = 140
2. Guardian Angel
A
(Shell & Denny)
_

Warning:
Watcha . . .
Cue:
Look, Rachel, I'm just trying to be a mate,
tell you how it works in here, right?
_

Look
Shell
at me,
,
,
,
Look at how
,
,
I
,

,
turned
,

out,
,
,

5
_

Used to be a scare
,
,
,
,
dy - cat un til
,
,
,
,
- I
,

,
learned
,

how,
,

,
to stand
,

up for me self,
,
, ,
,
,
-

8
_

Ain't no bod - y - else


,
, ,
,
who's gon na - make
,
,
,
,
,
your life
,
,
worth
,

,
while. -
,


11
_


Look at you,
,
,
,

,
Denny
,
The girl
,

can't
,

,
take
,

it,
,
,

Eve
Shell
ry - thing - a bout
,
,
,
,
- you says you'll
,
,
,
,
14
_

ne ver
,

,
- make
,

it,
,

,
And grass
,

ing - to a screw,
,
, ,
,
,
Ain't a cle
, ,
ver - thing to do
,
, ,
,
un less - you
,
,
,
,
17
B
_

suit
,
a Chel
,
,
sea
,

,
- smile?
,



Such
Shell
a pret
,
,
ty - lit tle - thing,
,
,
,
,
,
,
I would
,

n't
,

,
- ling
,

-
21
_

,
er
,
- in the
Shell & Denny
,
,
,
show
,
, ,
,
ers, -
,
,
,
,
,
,

Ev
Shell
'ry - lezz
,
,
er - on the wing
,
,
,
,
,
,
will want
,

their
,

,
13
25
_

go,
,
Denny
You'll
,
be
,
stuck in there for hours
,
,
,
,
,
,
,
Shell
The days
,

are long
,
,
and
,

,
the
,
,
28
_

nights
,
are
,
scar
,
y,
,
-
,
Them
Denny
girls
,

are strong,
,
,
,

, ,
And some
,

,
quite
,
hair
,
y,
,
-
Shell

Most
, ,
nights
,
,
the
,

32
_

scream
, ,
ing
,
-

ne ver - ends,
,
,
,
Denny screams in Rachel's face
. -
That's
, ,
when
,
,
you
,

36 C
_

need
, ,
to know
,
, ,
that
Both
,
you've
,

got
,

friends,
,
,
Shell


And
,
I'll
,

be
,
40
_

watch
,
ing - o
,
,
ver -
,
, ,
you,
,

Like a Guar
,
,
,
,
di - an
,
3
- An
,
gel,
,
-
_

-
We'll
Denny
be watch
,
,
,
ing
,
- you,

43
_


A ny - time
, , ,

you look
,

,
be hind -
,
,
you,
,
, ,
,
You know
,

I'll
,

,
al
,

,
ways
,
- find you,
,
,
,
_

- .
Don't
,
look
,
now,
,
. -
47
_

I'll
,
know
,
,
ev
,
'ry - thing
,

,
- you
,
do,
,

I'm your Guar
,
,
,
,
di - an
,
3
- An
,
gel,
,
-
_

- -
Ev 'ry - thing
,
,
,
- you
,
do,
,
.
14
51
_


(Shell)
Noth ing - happ
, ,
ens - here
,
,
,
I don't
,

,
see,
,
, ,

Noth ing's - said


, ,
that won't get
,
,
,
,
54 D
_

back
,
to
,
me,
,
, ,

Luck y - you
,
,
,
that
,
I'm
,
gonn a - be
,
,
,
your
,
An
,
gel,
,
-
58
_

-
It's a fact,
,
,
,
Pri son - is
,
,
de
,

,
press -
,

ing, -
,
,

61
_

Bett
Denny
er - just acc ept
,
,
,
,
- it there's no point
,
,
,
,
in
,

,
stress
,

ing,
,

,
-
Shell
The on
,

ly - way to cope,
,
, ,
,
,
,
In
,

-
64
_

stead of los ing - hope


,
, ,
,
is get com plete
,
,
,
,
,
- ly - off
,
,
your
,

,
face,
,

,
.
67
_

,
Now I'm
,

a mate
,
,
,
who be - lieves
,
,
in
,

,
shar
,

ing, -
,
,

Peo
Denny
ple - don't ap pre
,
,
,
,
- ci - ate - that
,
,
,
,
70
_

Shell's so
,

,
car
,

ing!
,

,
- A
Shell
litt
,

le - Bill y - Whizz,
,
, ,
,
,
,
Will reall
,

y - do the biz
,
, ,
,
and then it's
,
,
,
,
73
E
_

gone
,
with out -
,
,
a
,

,
trace,
,

,
.
When you're crawl
,
,
ing - up the
,
,
,
,
15
76
_

wall,
,

You just
,

,
call
,

,
and
,
I'll
,

,
come
,

fly
Both
ing, -
,
,
,
,
,
,

79
_


Take your pick
,
,
we got it all,
,
,
,
,
,
,
Just
Shell
let
,

me
,

,
know,
,
Denny
We
,
do
,
82
_

reg u - lar - supp ly


,
,
,
,
,
- ing,
,
-

Shell
Have a wrap,
,
,
,

,
Denny
No
,
one's
,
- touched
,
it,
,
85
_

Shell
,
Ex cept
,

- per haps
,
,
-
,

, ,
the girl
,

,
who
,
crutched
,
it,
,

Just
, ,
pay
,
your bills
,
,
88
_

,
,
and you'll
,

be
,

, ,
fine,
,

,
Denny:
Can I have that necklace, Shell?
. -
Shell:
Help yourself, Den
.
And
, ,
re mem -
,
,
-
92
F
_

ber
,

,
- now
,

,
what's
,
yours
,

is
,

mine.
,


'Cos
,
I'll
,

be
,
96
_

watch
,
ing - o
,
,
ver -
,
, ,
you,
,

Like a Guar
,
,
,
,
di - an
,
3
- An
,
gel,
,
-
_

-
Denny
We'll be watch
,
,
,
ing
,
- you,

99
_


A ny - time
, , ,

you look
,

,
be hind -
,
,
you,
,
, ,
,
You know
,

I'll
,

,
al
,

,
ways
,
-
find you,
,
,
,
_

- .
Don't
,
look
,
now,
,
. -
16
103
_

I'll
,
know
,
,
eve
,
ry - thing
,

,
- you
,
do,
,

I'm your
,
,
_

- -
Ev 'ry - thing
,
,
,
you
,
106
_

Guar
,
,
di - an
,
3
- An
,
gel,
,
-

Noth ing - happ


, ,
ens - here
,
,
,
I don't
,

,
see,
,
, ,
_

do,
,
. - -
109
_


Noth ing's - said
, ,
that won't get back
,
,
,
,
,
to
,
me,
,
, ,

Luck y - you
,
,
,
that
,
112
rall.
_

I'm
,

gon na - be
,
,
,

your
,
An

-
gel,

- - -
Ah
Denny
ah - ah
,
,
- ah - ah - ah -
,
,
,
,
-
116
_

-
-
Your
, ,
Guard
,
i
,
- an
,
3
- An
,
-
gel.
,
-
-
_

ah,

ah,

-
,
ah.

-
17
_
_
A
Swing
3. Jailcraft
q = 146
(Jim & Sylvia)
_

Warning:
That's it,then. End of an era, Jim.
Cue:
And we'll clear up.
.
Jim
You
mf
won't
,

,
learn
,

this
,

,
art
,

in a
,
,
,
book,
, ,

There's
,
no
,
fast
,
,
track
,

to it,
,
,
,
5
_

.
Sylvia
You can't
,

,
skip
,

the
,

,
years
,

that it
,
,
,
took,
,
,
There's a
,

,
real
,
knack
,

to it,
,
,
,
9
_

Jail
Jim
,

craft, -
,

,

We've
,
got it,
,
,

Jail
Sylvia
,

craft, -
,

,

You've
,
got it,
,
,

13
_

Jail
Both
,
,

craft,
,
,
-
,

,,

That's
,
,
what it
,
,

,
,
takes!
,
,

,
,
. -
B
17
_

.
Sylvia
You won't
,

,
get
,

this
,

,
with
,

a de
,
,
,
gree
, ,
-

In
,

crim in - al - jus
,
,
,
,
tice,
,

,
-
,
21
_

.
Jim
Down
,
the sharp
,
,
end,
,

,
take
,

it from
,
,
,
me,
,

,
The one
,

,
thing
,
you
,
3
trust
,
is
,
25
_

Jail
Both
,
,

craft,
,
,
-
,

,,

We've
,
,
got it,
,
,
,
,

Hard
,
,

graft,
,
,

,
,
,
But we've
,
,
,

,
,
got it,
,
,
,
,

29
_

Jail
,
,

craft, -
,
,

,
,
That's
,
,
what it
,
,

,
,
takes!
_
,
,

18
C
33
_


It's
Jim
,
bas
,
ic
,
- com mon
,

,
- sense,
,

,
,
Sylvia
Plus
,
a litt
,

le -
,
,
,
self
,
de fence,
,

,
-

37
_


Mix
Jim
,
with
,
pro fes -
, ,
sion - al - calm,
,
, , , ,

Sylvia
,
Add
,
a dash
,

,
of
,
per son - al - charm,
,
,
,
, ,

41
_

Both

And
,
,
when
,
,

that
,
,
old
,,
pro verb -
, , ,
,
i - al
,
,
,
,
,
,

- Fin - al ly
,
,
,
,
,
,
- hits
,
,
the fan,
,
,
,
,
,
,
.
45
_

We're up
,
,

,
,
front,
,
,
,

.
Bear ing - the brunt,
,
,
,
,
,
,
,
,
.
Just
,
,
do ing - the best
,
,
,
,
,
,

,
,
we
,
,

,
,
can.
,
,

,
,
D
49
_

.
We don't
,

,
,
,
,
get
,

,
,
the
,

,
,
,
,
thanks
,

,
,
we de serve, -
,
,
,
, ,
, , ,
, ,


Down at the coal
,
,
,
,
,
,
,
,
face, -
,
,
,
,

53
_

.
While those
,

,
,
,
,
wimps
,

,
,
are
,

,
,
,
,
los

,
,
ing - their
,
,
,
,
,
,
nerve,
,
,
,

,
,
,
,

We run
,

,
the whole
,

,
place,
,
57
_

Jail
,
,

craft, -
,

,
,
Ir
Jim
,

re fut
,
,
- - a - ble,
,
,
,
- Jail
Both
,
,

craft, -
,
,

,
,

Sylvia
,
God
,

we're beau
,
,
ti - ful,
,
,
,
-
61

Jail
Both
,
,

craft, -
,
,

,
,
That's
,
,
what it
,
,

,
,
takes!
Jim: Send and escort to fetch Wade and tell
Dockley "to report for work".
Sylvia: Don't worry, I'll be sure to wind up
Wade's welcome party.
- -
x 3
,
,

19
E
65
_


mp
And
Jim
,

,
if
,
the pow
,
,
ers - that
,
,
,
be,
,

Are
,
just
,
too blind
,
,
to
,
,
,
see,
,

69
_

,
I know
,

a thing
, ,
or two,
,
,
,
,
I'll pull
,

a string
, ,
or two,
, ,
,

Take a les
,
,
son - from
,
,
,
me.
,


F
73

-
Number One:
So, Jim, off the record, how's the new
girl Governor doing on G Wing?
-
Wor ried - look,
,
,
,
Fur rowed - brow,
,
,
,
80
_

. ,
A slight
,

,

hes i - ta
,
,
- tion, -
,
, ,
. ,
I
,

,
would n't -
,
,
84
_

like
,
to
,
,
in ter
,

,
- fere.

-
,
Number One:
Any information will be treated in the strictest confidence.
. -
88
H
_


It's
,
all
,
in
,
here.
,

Years of ex per -
,
,
,
,
i - ence, - You
,
,
,
,
92
_

un der - stand. -
,
,
,
, ,

Number One:
Leave it with me, Jim. Enough said.
_
Years
,
,
of per
,
3
fect
,
- ing
,
- a
,
3
96
I
_

shake
,
,
of the
,
3
hand,
,
Number One:
See you at the next lodge meeting.
_

mf
My
,
but it's good
,
,
,
,
100
_

,
,
tak
,
,
ing
,
,
,

- con
,
trol.
,

-
,


Slid
,
ing
,
,
,
- up
,
,
20
104
J
_

,
that
,
greas y
,

,
- pole.
,

.
Jim & Sylvia
f
You
(unis.)
won't
,

,
get
,

108
_

that
,

,
out
,

of a
,
,
,
book,
, ,

On
,

pri son
,

,
- pro ce
,

,
- dure,
,
-
.
When those
,

,
suits
,

112
_

get
,

,
caught
,

on the
,
,
,
hook,
,
.
That's when they need
,
,
,
, ,
ya,
,
Jail
,
,

craft -
,

, ,
,
,

116 K
_


We've
,
,
got it,
,
,
,
,

He's
,
,

daft,
,
,

,
,
,
But we've
,
,

,
,
got it
,
,
,
,

Jail
,
(unis.)
craft, -
,

,
,
That's
,

120
_

what it takes
,
,
,
,
when you're
,
,
,

short
,
staffed,
,

Your back
,

near ly - breaks
,
,
,
,
We get
,
,
,
,
well
,

,
shaft
,
ed,
,
-
124
_

But
,
we
,
strug gle
,

,
- through,
,

,
Keep
,
your
,
eye on the ball,
,
, , , ,
Your
,
,

128
_

ear to the ground,


,
, , , ,
,
,
,
, ,
Back to the wall
,
,
,
, ,
,
,
,
, ,
when
,
,
troub le's - a round -
,
,
,
,
,
,
,
,
,
,
It's
,
,
131
_

Jail
,
,

craft. -
,
,

,
,
,
,
.
Jail
Jim
,
craft. -
,
, ,
.
135
_

Jail
Sylvia
,
craft, -
,

,

Both
That's
,
,
what we
,
,

,
,
do,
-
mp
Me
(unis.)
,
,

and
,

,
you!
,
.
21
_
_
(Nikki)
Rubato
4. One Moment
_
,
,
Warning: That's enough.
Cue: Don't you want to get out of prison?

Don't
Nikki
p
waste your time
,
,
,
,

on
,
me,
,
_
There's no thing - a
,
,
,
ny - one -
,
,
,
can
,
,
3
4
q = 74
A Verse 1
_
,
,
do
,
to set me free,
,
,
,
,
-
_

One life,
,
, ,
3
8
_
,
,

One fate
,
, ,
No thing - I can
,
,
,
, ,
do?
,
,
God knows
,

I've wiped
,
,
my tears
,
,
a way, -
,
,
,
11
_
,
,
,
Too
,

long.
,

,

Too late,
,
, ,
,
And ev
,

'ry - thing -
,
,
,
I ev
,
,
er - had
,
,
,
was
,
,
14
B
_
,
,
bro
,
ken
,
- on that
,

,
day.

,
One
mp
,
mo
,
ment
,
- and
,
3
life is changed
,
,
for ev
,
,
er, -
,
,

,
17
_

Paths are crossed,


,
,
,
Dreams are lost,
,
,
,
_
Des ti - nies
,
,
- coll ide,
,

,
,
- In
,
one
,
mo
,
ment
,
- the
,
3
20
_
_
_
_ _

world is changed
,
,
for ev
,

,
er. -
,
, ,
,
The great
,

and good
,
,
di vide,
,
,
,
-
_
_
23
_

,
,
Truth
,

will de

,
,
cide.
,
,
,

-
-
22
C Verse 2
26
_
,
,

One
p
choice,
,
, ,

One fight,
,
, ,
What else could I
,
,
,
do?
,
, ,

29
_
,
,
,
How could
,

I live
,
,
and
,

,
let it be?
,
,
,
,
Two
,

wrongs,
,

,

One right,
,
, ,
,
And
,

32
D
_
,
,
ei ther - way
,
,
,
a price
,
,
to pay
,
,
,
that all
,
,
,
comes
,
back to
,

,
me,

,
One
mp
,
mo
,
ment
,
- you
,
3
35
_

face the world


,
,
to geth
,
,
- er, -
,
,

,
Rid ing - high,
,
,
,
Days go by,
,
,
,
_
Lost with out
,
,
- a care,
,

,
,
38
_

One
,
last
,
mo
,
ment
,
- of
,
3
hold ing - on
,
,
to geth
,

,
- er, -
,
, ,
,
As all
,

the dreams
,
,
,
you
,
,
41
_

share,
,
,
Melt
,

in to - air,
,
,
,
,
And
mf
life
,
,
plays on
, ,
be- yond
,
,
,
those gates,
,
,
,
Where
, ,
44
_

free dom - calls


, ,
,
and no
,
,
one - waits,
,
,
, ,
There where my life used
, , ,
,
to be,
,
,
,
There's
,
,
46
_

,
no thing -
,
,
but a fan
,
,
,
ta - sy, -
,
,
,
,
,
,
,
,
All that I
,

,
,
had left
,
,
of me
,
,
,
is gone,
, ,
,
All
,
49
_

gone,
,
,

,
Long
,

,
,

gone,
,
, ,
23
E
52
_

,
I
mf
won't
,

for get, -
,
,
,
I don't
,
,
re gret, -
,
,
, ,

_
There's no
,
_
thing - more
,
,

that I
,
, ,
can
,
,
54
_

say,
,
,
I'll
cresc.
pay
,

my debt,
,
,
And let
,

,
them throw
,
,

my life
,
,
a way, -

,
,
, ,
mf
One
,
mo
,
ment
,
- your
,
3
57
_

fu ture's - gone
,
,
for e
,

,
- ver,___ -
,
, ,
Bridg es - burned,
,
,
,
A cor
,
,
ner - turned
,
,
,
You walk
,
,
the line
,
,
a lone,
,
,
,
-
60
_

In
,
one
,
mo
,
ment
,
- what's
,
3
done is done
,
,
,
for e
,
,

,
,

- ver, -
,
,
, ,
,
,
,
62
_

,
,
When all
,

the birds
,
,
,
have
,
,

flown,
, ,
f
,
You're on
,

,
,
65
F
_

your
,

,
own,
,

,
. ,
You're on
,

your own
,
,

rit.
68
Slower
_

,
,
I'm on
,
-

my
,
-
,
-
,
own.
,
-
-
24
_
_
A
q = 132
5. Life of Grime
(The Two Julies & Prisoners)
_

Warning:
Oh my God, Ju.
Cue:
Yeah, since when did we never get shat on?

When
mp
Julie J.
you're stuck
,
,
in the muck,
-
,
,
,
,

And no bo
,
,
- dy - gives a
,
,
,
,
4
_

Both
,
French
,
,

Con nec
,
,

,
,
- tion,
,
,
-
Julie S.

When you're down


,
,
,
on
,
your
,
3
luck,
,
.
7
_


And you're run
,
,
ning - in the
Both
,
,
,
,
,
wrong
,
,

dir ec
,
,

,
,
- tion,
,
,
-

There's
cresc.
,
,
no es
,
,

,
,
cap -
,
,

-
10
_

ing
,
,

,
,
- from
,
,

the
,
,

,
,
slime,
,
,

,
,

,
mf
You're liv
,
,

ing - a life
,
,
,
,
,
,
,
,
of
,
,

,
,

grime.
,

13
_

,
Blood
Julie J.
y - rub
,
,
bish! -
,
,

Both
,
A life
,
,

of
,
,


,
,
grime.
(unis.)
,

,
, .
16 B
_

-
Julie J.
When you doss
,
,
with the dross,
-
,
,
,
,
19
_


And you're banged
,
,
up in an
Both
,
,
,
,
,
in
,
,

sti - tu
,
,

,
,
- tion.
,
,
-
Julie S.

No one's - giv
,
,
,
ing
,
- a
,
3
25
22
_

toss,
,
.
All they're giv
,
,
ing - you is
Both
,
,
,
,
,
re
,
,

tri - bu
,
,

,
,
- tion.
,
,
-
25
_


You're
,
,
just a
,
,

,
,
vic
,
,

tim
,
,

,
,
- do
,
,

ing
,
,

,
,
- time,
,
,

,
,

,
For
,
,

28
_

liv ing - a life


,
,
,
,
,
,
,
,
of
,
,

,
,

grime.
,

,
Prisoners
Blood y - rub
,
,
bish! -
,
,

Julies
,
A life
,
,

of
,
,


,
,
(unis.)
grime.
,

31
C
_

,
, . .
Julie S.

When
mf
you're flat
, ,
,
,
on your
,
3
back
,
while
,
some
,
3
34
_

git
,
,
gets his
,
3
rocks
,
off,
,

3

That's
Both
a time
,
,
,
,
to re flect, -
,
,
,
,
,
,
,
,
.
Julie J.
,
You're
,

37
_

moan
,
ing
,
- and
,
3
groan
,
ing
,
- your
,
3
poor
, ,
lit
,
tle
,
3
- socks
,
off,
,

3
,
Both
That does
,
,

n't - get
,
,
,
,
,
,
you
,
,
res
,
,
3
-
40
_

pect,
,
,

Af ter - blow
,
,
,
,
ing - his horn
,
,
,
,
,
,
,
,
pipe, -
,
,
,
,
,
And bang
,
,

ing - his
,
,
,
,
,
,
,
,
drum,
,
And
,
,

43
D
_

thank
,
,
ing
,
,
- God
,
,
3
you're
,
, ,
,
not
,
,
3
his wife,
,
,

It takes

more
,
,
,
,

than a wet
,
,
,
,
,
,
,
,
wipe,
,
,

,
,
To
,
,

26
46
_

clean
,
,
,
,
up the
,
,
3
scum,
,
,

Of your whole
,
,
,
,
,
,
stink
,
,
ing
,
,
3
- mis
,
,
,
,
- era ble
,
,
3
- life!
,
, .
3
E
49
_


f
You're
Julie J.
a slut
,
,
in a rut,
Julie S.
,
,
,
,

Ne ver - shift
, ,
ing - the dirt,
,
,
,
, ,
Julie J.
Al ways - look
,
,
ing - for some
,
,
,
,
52
_

,
lub
,
ri - ca
,

,
- tion
,
-
Julie S.

Sick and tired


,
,
of the
,
,
smut,
Julie J.
,
,

Sick of lift
, ,
ing - your
,
,
,
55
_

skirt,
,
You
Julie S.
could use
,
,
a bit of
,
,
,
,
,
cul
,
ti - va
,

,
- tion, -
,

,
Both
In
,
stead - of
,

,
bloom
,

-
58
F
_

G
,
ing
,
- in your
,
,

,
,

prime,
F#7
,
,

,
,

,
You're liv
B9
,

ing - a life
,
,
,
,
,
,
,
,
of
,
,

,
,

61

Grime
mp
Two Julies + Other Prisoners
,


grime
,

grime
,


grime
,

_

- - - -
_

- - - -
_

- - - -
27
65

Grime
mp
,


grime
,

grime
,


grime
,

_


Can't
f
,
shift
,
it,
,

Can't
,
move
,
it,
,

Can't
,
get
,
this
,
crap
,
,
out
,

of my
,
,
,
_

- - - -
_

- - - -
69

Grime
mp
,


grime
,

grime
,


grime
,

_


Can't
f
,
shift
,
it,
,

Can't
,
move
,
it,
,

Can't
,
get
,
this
,
crap
,
, ,
out
,
,


of my
,
,
,
,
,
,

- - - -
_

- - - -
73

Grime
mp
,


grime
,

grime
,


_

life,
mf
,
Can't
,
shift
,
it,
,

Can't
,
move
,
it,
,

Can't
,
get
,
this
,
_

- - -
_

Low
f
,
-
down
,
- dir ty - lit tle - scum
,
,
,
,
,
-
bag
,
- scrub bers -
,
,

Low
,,
down
,,
- dirt

y - lit tle

-
,
,
,
,
,
,
,
,
28
76

grime
,

Grime
mp
,


grime
,

_

crap
,
, ,
out
,
,


of my
,
,
,
,
,
,

mf
life,
,
Can't
,
shift
,
it,
,

Can't
,
move
,
it,
,
_

-
Low
f
,
-
down
,
- dirt y - lit tle - scum
Low
,
,
,
,
,
,
bag
down
,
,
-
-
scrub
dirt

bers,
y

-
- lit
,
,

tle -
,
,
,
,
_

scum
,
,
bag
,
,
- scrub

bers, -
,
,
,
,

Low
f
,,
down
,,
- dirt

y - lit tle

- scum
,
,
,
,
,
,
,
,
,
,
bag
,
,
- scrub

bers, -
,
,
,
,

79
rall.

grime
,


grime
,
-
_


Can't
,
get
,
it
,
out.

-
_

Low
,,
down
,,
- dirt

- lit tle

- scum
,
,
,
,
,
,
,
,
,
,
bag
,
,
- scrub bers, -
,
,
,
,

-
-
_

Low
,,
down
,,
- dirt

y - lit tle

- scum
,
,
,
,
,
,
,
,
,
,
bag
,
,
- scrub

bers, -
,
,
,
,

-
-
G
Colla voce
82
_

All
p
that
Julie S.
I want
,
,
,
,
ed
,

,
- was one
,

lous
,

,
y - break,
,

,
,
A chance
,

,
to make ev
,
,
,
'ry
,
- thing
,
3
-
29
85
_

right,
,
But des pite
, ,
,
- all
,
my
,
3
tal ents, -
,
,
,
The books
,

,
ne
,
ver
,
3
- bal ance, -
,
,
,
I
,

A tempo q = 136
88
H
_

keep
f
,
end
,
ing
,
3
- up
,
in
,
the
,
3
shite!
, .
When
Both
you're stuck
,
,
in the muck,
,
,
,
,
91
_

-
And no bo
,
,
- dy - gives a
,
,
,
,
,
French
,
,

Con nec
,
,

,
,
- tion,
,
,
-
94
_


Al ways - pass
,
,
ing - the
,
,
buck,
-
,
,

But you're ne
,
,
ver - gon na -
,
,
,
,
97
_

pass
,
,

in
,
,
spec
,
,
- tion,
,
,
-

Now
,
,
let me
,
,

,
,
tell
,
,


,
,
you
,
,
one more
,
,

,
,
time,
,
,

101
I
_

,
,

mf
If
,
clean
,
li - ness -
, ,

means
,
God
,
li - ness, -
, ,

We're
,
screwed
,
al rea -
,
,
dy - so
,
,
,
105
_

sod the
,

,
mess,
,

,
The slop's
,

,
in
,
the
,
3
buck
,
et,
,
- You
,
3
don't
,
have
,
to
,
3
suck
,
it,
,
To
,
3
108
_

see
,
that
,
it's
,
a
,
crime,
,
,


Liv
f
ing - a life,
,
,

,
,
,
,
,
,
.
111
_

Liv ing - a life,


,
,

,
,
,
,
,
,
.
Liv ing - a life
,
,

,
,
,
,
,
,
of
,
,

,
,


(unis.)
grime!
,

,
.
30
_
_
Rubato
6. The A-List
(Yvonne & Prisoners)
_
,
,
Warning:
And who's the little Cinderella, then?
Cue:
Two parts sweet dreams, one part dynamite.
.
Yvonne

-
When
mp
you're all
,
,
,
dolled up
, , ,
with no place
,
,
,

to go,
,

,
4
_
,
,

Hey,
,
,
don't make
,

a fuss,
,
,
,

If we can't
,
,
,
get out
,

, ,
to the par
,
,
,
ty,
,
-
,
The
,

8
Latin q = 180
_
,
,
par
,
ty -
,

can
,

,
come
,

to
,

us!
f
,
. - -
13
A
_
,
,
mf

It's
,
strict-
,
ly
,
A
,
list, -
,

. .
This 'll - be
,
,
the hot
,
,
test
,

,
- spot
,

in
,

,
town,
,

17
_
,
,
,
.
Sun
,

kissed
,

,
ce
,
leb
,
- ri - ties -
,
, ,
with
,
style,
,
. .
Call
,
O.
,
22
_
,
,
K!
,
,
and
,

,
Hel
,
lo!,
,
-
,
Now
,

,
we're
,
all
,
set
,

to
,

,
go,
,

,
We're
,
gon na
,

,
-
26
_
,
,
make a
,

,
splash,
,

,
Get
,
read y - to flash
, ,
,
,
that
,


smile,

It's
,
strict
,
ly
,
-
31
B
30
_
,
,
A
,
List, -
,

. .
Ev 'ry - one - who's a
,
, ,
,
ny
,

,
- one -
,

is
,

,
here,
,

,
.
34

_
,
,
Hey,
,

Sis
,

ter - your
, ,
,
name
,
is
,
on
,
the
,
door,
,

.
Broader
Roll
,
the
,
_
,
,
- .
Prisoners
,
Your name
,
,

,
,
,
,
is
,
,
on the
,

,
,
,
,
door,
,

,
,
,
,
Broader

Roll
,
,
the
,
,
38

_
,
,
red
,
car
,

,
pet
,
- out,
,

,
'Cos
,

,
to
,

night
,

-
,
there's
,

,
no
,

doubt
,

we're
,
hav ing - a girls'
,
,
,
,
_
,
,
red
,

,
car
,

,
,
,
,
pet
,
,
- out,
,

,
,
'Cos
,

,
,
,
,
to
,
,
night
,

,
-
,
there's
,

,
,
,
,
no
,
,
doubt
,

,
we're
,
,
hav ing - a girls'
,
,
,
,
,
,
,
,
42

_
,
,
,
night
,
in
,
like there's ne
,
,
ver
,

,
- been
,

be
,

,
fore. -
,



I'm
,
gon na - be the
,
,
,
,
_
,
,
,,
night
,
,
in
,
,
like there's ne
, ,
,
,
ver
,

,
,
,
,
- been
,

,
,
be
,

,
,
,
,
fore. -
,


,
,

-
C
46

_
,
,
par
,

ty -
,

,
Queen,
, ,
,
, ,

Giv ing - it up
, , ,
,
,
all
,
night,
,

,
.
_
,
,
Oooh

ooh

oooh,
,,

_
,
,
Ooh

ooh

oooh,
,

32
50

_
,
,
Cruis
,
ing -
,

,
and
,
schmooz
,
ing
,
- with
,
the
,
best,
,
. ,
Take
,

,
a
,
_
,
,
Oooh,

ooh

ooh,

,

_
,
,
Oooh,

ooh

ooh,
,

54

_
,
,
look
,
a
,

,
round
,
-
,
this
,
ex
,

,
clu
,
- sive -
,

,
scene,
, ,
,
,
,
,
_
,
,
Ooh

,
,
whah
,

,
,
,

ooh,

-
,

,

_
,
,
Ooh
,
whah
,

ooh,

-
,

58

_
,
,

So
,
much
,

flesh
,

to
,

,
be
,
pressed
,

Oh
,

yes,
,


mp
It's
,
strict
,
ly
,
-
_
,
,
Ooh

,
,

whah
,
,
ooh!
,
,

-
. -
_
,
,
Ooh,

,
,

whah
,
ooh!
,

,
-
. -
D
62

_
,
,
A
,
List, -
,

. .
List en - to the word
,
, ,
,
,
out
,
on the
,

,
street,
,

,
, .
_
,
,

It's
,
strict
,
ly
,
- A
,
List, -
,

,
.
List en - to the word
,
, ,
,
,
out
,
on the
,

,
street,
,

33
66

_
,
,
Don't
,

miss
,

,
the
,
par
,
ty
,
- of
,
the
,
year,
,

No
,
_
,
,
,
.
Don't
,
,

miss
,
,

,
,
the
,
,
par
,
,

ty
,
,
- of the
,
, ,

,
,
,
year,
,
,

70
_
,
,
B's
(Yvonne)
mf
, ,

no
, ,

,
C's
, ,
and
, ,
dar
, ,
ling
,
- please,
,
no
,
D's,
,

,

No
,
74
_
,
,
Has
,
beens,
,
Would
,
be's,
,
Wan na - be's,
, ,
,
- Could
,
be's,
,
-

I
,
ab
,
so
,
- lute
,
- ly
,
- must
,
in
,
-
78
_
,
,
sist,
,

Strict
,
ly
,
3
- A's
,
on the list,
,
,
,
. - -
83
E

_
,
,
.
We
mp
,
need
,
jhoosh,
,
,
and
,

,
pi
, ,
zazz,
,
-
,
And
,

,
some
,
glam
,
our
,
- in our
,

,
lives,
,

_
,
,
-
Chorus

mp
Jhoosh!
whispered
,
,
.
Pi zazz! -
,
,
,
,
,
,
, -
87

_
,
,
,

Out
,

,
on
,

,
the
,
razz
,

,
like
,

,
we're
,
Foot
,

ball -
,

,
ers'
,
- Wives!

_
,
,
-
whispered

Out!
,
,
.
Razz!
,
,
. - -
34
92 F

_
,
,
,
.
Low
mp
,
,
cut,
,

,
,
Up
,
,
lift, -
, ,

,

,
You
,
,
are,
,

,
_
,
,
- - .
mp whispered
,
Oooh!
,
,

. ,
Aaah!
,
,

-
97

_
,
,
God's
,
,
gift,
, ,

,

,
Go
,
strut
,

,
your
,
stuff
,
,
on
,

,
the
,
floor.

_
,
,
- - -
Prisoners

Go
,
,
strut

your
, ,

,
,
,
,
stuff!
,

,
,
101
_
,
,
-

Big
Yvonne
,
,
hair
,

,
Bling
,
,
bling,
, ,

,

,
Hot
,
,
air,
,

,
,
105

_
Ming
,
ling -
, ,

,

,
This
,

is
,

,
the
,
life
,
,
I
,

,
a
,
dore.

-
_
- - -
Prisoners

Can't
mf
,
, ,
sung!
get e
,
,

,
,
nough! -
,
,

109
G

_

It's
,

strict
,

ly
,

,
-
,
,
A
,

List, -
,

. .
List en - to the word
,

out
,

on the
,

street,
,

_
- ,
,

It's
,

strict
,

ly
,

- A
,

List, -
,

,
.
List en - to the
,

35
113

_
,
,
,
.
Don't
,

miss
,

,
the
,
par
cresc.
,
ty
,
- of
,
the
,
year,

_
,
,
word
,

out
,

on the
,

street,
,

,
.
broader
Don't
,

,
miss
,

,
,
,
,
the
,
,
part

,
,
y
,
,
- of
,
the
,
,

,
,
,
,
year,

,
,
117

_
,
,
,

mf
No
,
B's
, ,

no
, ,

,
C's,
,
But
,

, ,

may
, ,
be
,
- I
,
could
, ,

,
squeeze
, ,
some
,
E's,
,
No
,
_
,
,
,

,
- - - -
122

_
,
,
Has
,
beens,
,
Would
,
be's,
,
Wan na - be's,
, ,
,
- Could
,
be's,
,
,
,
,
- -
_
,
,
- - ,
,
,
Has
,
,

bins,
,,
Would
,
,
be's,
,,
Wan na - be's,
,
,
,
,
,,
- Could
,
,
be's,
,,
126
q = 90
_
,
,
,

Yvonne
I
,
ab
,
sol
,
- ute
,
- ly
,
- must
,
in
,
sist.
,
-
.
Yvonne & Prisoners
. ,
We're
f
on
,

the
,
,
H Jazz 8's
130
_
,
,
,
A
,
List, -
, , , ,
. ,
Come out
,
,

and
,
,
,
,
,
play
,
, ,

list,
,
,
,
,
,
,
.
Won't
,
,
134
_
,
,
,
stop
,
,
'til we drop,
,
,
,
,
,
,
'Cos we're on
,
,
,
,
the
,
,

,
,
top
,
,

,
,

,
to night
,
,
,

,
,
-
,
,

,
,
,

,
,
,
,
,

36
138

_
,
,
,
Yvonne & Prisoners

Hey
,
Mis ter, -
,
,
-
Hey
,
Mis ter, -
,
,
-

Hey
,
,
Mis ter, -
,
,
,
,

_
,
,
,

Hey
,
Mis ter, -
,
,
-
Hey
,
Mis ter, -
,
,
-
Hey
,
,
Mis ter, -
,
, ,
,

143
I
A tempo q = 172

_
,
,
,
Don't
,
,

turn
, ,

out
,
,
that
,
,

light.
,
, . ,
Par
, ,

ty - all
,
,
,
night!
,

.
_
,
,
,
Don't
,
,

turn
,
,

out
,
,

that
,
,

light!
,
,
. - -
148

_
,
,
,
,
Par
,
,
,

ty - all
,
,
,
,
,
,
night!
,
,
. ,
Par
,
,
,
,

ty - all
,
,
,
,
,
,
,
,
,
night!
,
,
, .
_
,
,
,
- - -
Bad
,
Girls
,

,
Part
,

-
152

_
,
,
,
,
Par
,
,
,
,

ty - all
,
,
,
,
,
,
,
,
,
night!
,
,
,
. ,
Par
,
,
,
,

ty - all
,
,
,
,
,
,
,
,
,
night!
,
,
, .
_
,
,
,
,
- y
,
all
, ,
night,___
,
- -
_
,
,
,
- - -
Bad
,
Girls
,

,
Part
,

-
37
156

_
,
,
,
,
Par
,
,
,
,

ty - all
,
,
,
,
,
,
,
,
,
night!
,
,
, . ,
Par
,
,
,
,
,

ty - all
,
,
,
,
,
,
,
,
,
,
,
,
night!
,
,
, .
_
,
,
,
- - -
Bad
,
Girls
,

,
Part
,

-
_
,
,
,
,
y
,
- all
, ,
night,
,
- -
160

_
,
,
,
,
Par
,
,
,
,
,

ty - all
,
,
,
,
,
,
,
,
,
,
,
,
night!
,
,
, . ,
Par
,
,
,
,
,

ty - all
,
,
,
,
,
,
,
,
,
,
,
,
_
,
,
,
,
y
,
- all
, ,
night,
,
-
_
,
,
,
-
Bad
,
Girls
,

,
Part
,

,
y
,
- all
, ,
night,
,
163

_
,
,
,
night!
,
,
, . -
Par
,
,
,

ty
,
,
,

- all
,
,
,

,
night!
,
,
,

_
,
,
,

Bad
,
Girls
,

,
Part
,

,
y
,
- on,
,

, ,
Par
,

ty
,

- all
,

,
night!
,

_
,
,
,

-
Par
,

ty
,

- all
,

,
night!
,

38

_
Intro
7. The Key
h. = 61
(Jim)

A
_

Warning:
Fancy a drink?
Cue:
Night Jim. / Night, Sylv. (A beat.)
[Vamp]

la "trouser-snake"

mp
(last time)
The
loose
,
,
Key to
,

7
_


hid
,
den
,
- trea
,
sure,
,
- The
,
,
Key to
,

for
,
bid
,
- den
,
- pleas
,
ure,
,
- And
,
13
_

how
,
do
,
you
,
mea
,
sure
,
- a
,
man
,
if
,
it's
,
not
,
by
,
what
,
hangs
,
from
,
his fob?
,

,
-
20
_

-
Ev
,
er
,
- since
,
jail
,
ers
,
- be
,
gan
,
- it's
,
been
,
one
,
of
,
the
,
perks
,
of
,
the job,
,

,

27
_

-
Go
,
ing
,
- to
,
work
,
on
,
the job,
,

,

When
,
you
,
hold
,
the
,
key,
,

34
B
_

-
No
,
force,
,


No
,
co er
,

,
- sion.
,
-
-
41
_

Pure
,
,
sa tis
,

,
- fac
,
- tion
,
- for
,
all.
,


Of
,
course,
,

Some
,

per
,

-
47
_

ver
,
sion,
,
-

But
,
no
,
thing
,
- that's
,
pain
,
ful
,
- or
,
too
,
off
,
the
,
wall.
,
A
,
39
C
53
_

mu
,

tu - al
,

,
- ser
,
vice
,
- and
,
what
,
bet
,
ter
,
- way,
,
To un
,

,
wind
,
- as
,
you
,
wend
,
at
,
the
,
end
,
of
,

the
,

60
_

day.
,

And
,
while
,
you're
,
get
,
ting
,
- your
,
end
,

well a
,

,
way,
,
- You're
,
the
,
King
,

66
_

,
of
,
the
,
night.
,

Out
,
of
,
reach,
,


out
,
of
,
sight.
,

-
73
_

Ev
,
ery - one's
,

,
- up
,
for
,
a
,
bite,
,

so,
,

Don't
,
call
,
me
,
gree
,
dy,
,
- 'Cos
,
79
Underscore transition
(Jim goes into Shell's cell. Scene change) (Helen & Justin pub scene)
Underscore
_

these
,
girls
,
are
,
need
,
y.
,
-


97
_


138


(cue)
,
,
,
,
,
,
,
,
,
,
,
,
,
, - ,

,
,
,
,

146

TILL READY
(after Jim emerges)

,
,
,

Jim

Last Time

The
,
,
Key to
,


hid
,
den
,
-
154
_

trea
,
sure,
,
- The
,
,
Key to
,

for
,
bid
,
- den
,
- plea
,
sure,
,
- To
,
take
,
at
,
you
,
160
_

lei
,
sure
,
- and
,
bend
,
to
,
what
,
e
,
- ver
,
- your
,
fanc
,
ies
,
- dic tate,
,

,
-
-
40
166
_

-
Vir
,
gins
,
- and
,
tarts
,
end
,
to
,
end
,
it's
,
the
,
cream
,
of
,
the
,
fe
,
male
,
- es tate,
,

,
-

173
_

.
And
,
you
,
get
,
it
,
all
,
on
,
a plate,
,

,
.
When
,
you
,
hold
,
the
,
key,
,

180
_

-
No
,
ties,
,


No
,
con nec
,

,
- tions,
,
-
-
187
_

Fresh
,
,
sup plies
,

,
- al
,
ways
,
- on
,
tap.
,


Re cog - nise
,
, ,
-
192
_


their
,

af
fec
,

,
-
tions,
,
-

You'll
,
soon
,
have
,
them
,
eat
,
ing
,
- right
,
out
,
of
,
your
,
198
_

lap.
,
They're
,
des
,

perate - ly
,

,
- grate
,
ful
,
- for
,
all
,
you
,
can
,
give.
,
It's
,
quite
,
fair
,
to
,
204
_

say
,
you're
,
their
,
rea
,
son
,

- to live.
,

,

Frank
,
ly
,
- it's
,
just
,
ir
,
res
,
- pon
,

- si - ble
,

,
-
210
_

if
,
I
,
don't
,
try
,

,
to
,
pro
,
vide,
,
-

What
,
they
,
lack,
,

216
_


Here
,
in
,
side.
,

-
-
Ev
,
ery - one's
,

,
- up
,
for
,
the
,
ride,
,

so,
,

41
223

D
(Jim/Rachel dialogue)
_

Who
,
could
,
ac
,
cuse
,
- me
,
if
,
they
,
chose
,
to
,
use
,
me?
,

(cue)
pp
,
x 3
,
,
,
,
,
229
_

,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
235
Rall
_

,
,
,

,
,
,
,
,
,
,
,
,
,
Slower

242
E
h. = 52
_

.
I

,
watch,
,
And
,
I
,
wait,
,


Mist
,

er - Wolf,
,

,

At
,

the
,

249
gradually faster
_

gate,
,

I
,
lead
,
and
,
they
,
fol
,
low,
,
- I
,
feed
,
and
,
they
,
swall
,
low,
,
- I
,
255
_

need
,
it
,
I
,
take
,
it,
,
Who
,
cares
,
if
,
they
,
fake
,
it,
,
A
, ,
man's
,
got
,
ta
,
- make
,
it
,
and
,
261
Tempo 1
_

move
,
it
,
and
,
shake
,
it,
,
And
,
f
this
,
luck
,
y
,
- - Jim,
, ,
Gets
,
it
,
all
,
just
,
for
,
him,
, ,

267
F Tempo 1
_

Pick
,
a
,
ny
,
- slag,
,
Eve
,
ry
,
- shag's
,
in
,
the
,
bag
,
with
,
the
,
key,
mp subito
,

273
_

-
The
,

key.
,

_
Slide
,
280
_

in
,

side,
,

- And
,
o
,
pen
,

- wide
, ,
for
,
42
287
rall.
_

me.
, ,

Be
,
hold
,
- the
,
key.
,


The
,
294
_

big
,
gest
,
- you'll
,
see.
,


I
,
hold
,
the
,
key.
,

300
G
_

_
(cue)
pp
,
,
,
,
,
,
,
,
,
,
,
,
,
307
_

,
,
,
,
,
,
,
,
,
,
,
,
,
ff
,
,
,

312
_

,
,
,
,

,
,
,

,
,
,
,

,
,
,

,
,
,
,

,
,
,

Cut as leave stage


,
,
,
-

43

_
_
q = 144
8. Thats the Way It Is
(Company)

_
,
,
,
Warning:
Count of three. One . . . two . . .
Cue:
Low drone sound dies after door break
[Vamp]
Exit Cue:
Oh hurrah. We've got a stiff on
G Wing. Need it bagged, over . . .
-
Prisoners
.
mf
Now we
,

,
know,
,

.
Where we
,

,
stand,
,

4
_
,
,
,
.
There is
,

,
no
,

,
No
,

,
man's
,
- land,
,
.
Trust
,
is torn,
, ,
A
,

,
line
,

8
_
,
,
,
is
,

,
drawn,
,

,
And
,
that's
,
the way
, ,
it is!
,
,
,
.
Make your
,

,
move,
,

, ,
Take
,
,
,

your
,
,
,

,
,
,
side,
,
,
,

12
_
,
,
,
,
,
,

,
There is
,
,
,

,
,
,
no
,
,
,

,
,
,

, ,
place
,
,
,

,
,
,
to
,
,
,
hide,
,
,
,
,
You're out
,
,
,

on a limb,
,
,
,
,
,
,
,
,
,
,
,
,
Now
,
,
,

,
,
,
sink
,
,
,

16

B
_
,
,
,
or
,
,
,

,
,
,

swim,
,
,
, ,

,
,
,
'Cos
,
,
,
that's
,
,
,
the way
,
,
,
,
,
,
it is!
,
,
,
,
,
,
,
,
,
-
Cue: He's the one who
should be swinging.
[Vamp]

No
Prisoners
mat
,
,
,
,
,
,
ter
,
,
,

,
,
,
- how
,
,
,

20
_
,
,
,
you
,
,
,

,
,
,
try
,
,

,
,
to
,
,
,
sweep us
,
,
,

,
,
,
out
,
,

of
,
,

,
,
sight,
,
,
,

,
,
,
.
We will
,
,
,
,
,
,
not
,
,
,

,
,
,
let
,
,
,

24
_
,
,
,
this
,
,
,

,
,
,
day
,
,

,
,
go
,
,
,
by.

-
All of
,
,
,
,
,
,
your
,
,
,

,
,
,
might
,
,
,

28
C
_
,
,
,
.
can not
,
,
,

,
,
,
- fight
,
,
,

,
what
,
,

,
,
is
,
,
right,
,
,
,

All

mp
And
,
that's
,
,
,
the way
,
,
,
,
,
,
it
,
,
,

,
,
,
is
,
,
,

44
32

_
,
,
,
now,
,
,
,

,
,
,

Bring it on,
,
,
,
,
,
,
,
,
,


down,___
_
Exit cue: Then talk to us all.
Explain to us why Rachel's dead.
[Vamp]
-
37
D

_
,
,
,
-
'Cos
f
if
,
,
you
,

,
think
,

we'll
,

,
walk
,

a
,

,
way, -
,

_
,
,
,
-
'Cos
f
if
,
,
,
,
,
you
,
,

,
,
think
,
,

we'll
,
,

, ,
walk
,
,

a
,
,

,
,
way, -
,

40

_
,
,
,
,
,
As if
,

no
,
,
-
thing real ly - mat
, ,
,
,
ters,
,
, ,
-

Then there
,
,
is
,

,
no
,

-
_
,
,
,
,
,
As if
,

no
,
,
,
,
- thing real ly -
,
,
,
,
,
,
,
,
mat ters,
,
,
,
,
,
,
-

Then there
,
,
,
,
,
is
,
,

,
,
no
,
,

-
43

_
,
,
,
thing
,

,
- more
,

to
,

,
say.
,

,
.
_
_
,
,
,
thing
,
,

,
, ,
-
more
,
,

to
,
,

,
,
say.
,
,

,
,
.
_
48
E

_
,
,
,
_

That's
Prisoners & Officers
,
the way
, ,
it is!
,
,
,
-
_
,
,
,
_

-
Come
Prisoners
on,
,
,
,
come on,
,

,

52

That's
,
the way
, ,
it is!
,
,
,
-
That's
,
the way
, ,
it is!
,
,
,
-
_

-
Come on,
,
,
,
come on,
,

,
-
Come on,
,
,
,
come on,
,

,

45
56
F

That's
,
,
the way
,
,
,
,
it is!
,
,
,
,
,
, -
That's
,
,
the way
,
,
,
,
it is!
,
,
,
,
,
,
_

- .
Bring it on
,
,
,
down,

59

Prisoners & Officers


-
That's
,
,
the way
,
,
,
,
it is!
,
,
,
,
,
, -
_

Prisoners
,

Bring it on
,
,
,
down.
,
,
, , ,
Bring it on
,
,
,
_

Come on,
,
,
,
come on,
,

,
-
Come on,
,
,
,
come on,
,

,

62

That's
,
,
the way
,
,
,
,
it is!
,
,
,
,
,
, -
That's
,
,
the way
,
,
,
,
it is! That's
,
,
,
,
,
,
,
,
the way
,
,
,
,
it is!
,
,
,
,
,
,
_

down,
,
Bring it on
,
,
,
down.

_

-
Come on,
,
,
,
come on,
,

,
- -
66
_

Come on,
,

,
come on,
,

, -
Come on,
,

,
come on,
,

, -

70

Come on,
,

,
come on,
,

, -
Come on,
,

,
come on,
,

,
SEGUE
Continues into Riot Music . . .
Cue: Report situation
out of control.
[Vamp]
-
_
_
q =144
Dead segue
8a. Riot Music

End of Act 1
Repeat till cut

Saxes / Tpt Saxes / Tpt


,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
46

_
ACT II
9. Freedom Road
(Crystal & Chorus)
_
Free
Cue:
I could string you up, Dockley.
Yeah, you evil cow.
Crystal
p a capella - very freely
, ,
,

,
,
dom
,
- - - Road,
,
,
, , ,

Lead
, ,
,

3
3
3
6
A
Gospel style q = 93
_
,
,
me
,
home.
, ,

Free
p
,
dom
,
- Road,
,

Lead
,
me
,
12
_
home,
,

I
,
have
,
trav
,
elled
,
- so
,
long.
,

Now
,
my
,
Swing 8's 17
_
jour
,
ney
,
- is
,
through,
,
I will come
,
,
,
home
,

,
to you.
,

All
,
my
,
22
B

_
trou bles -
,
, ,
are
,
gone.
,
-
Free
mp
,
dom
,
- Road,
,

_
- - - -
Chorus Free
mp
,
,
,
,
dom
,
,
-
_
- - -
(unseen throughout)
-
Free
mp
,
,
dom
,
-
47
27

_
Lead
,
me
,
home,
,

I
,
have
,
trav
,
elled
,
- so
,
long.
,

When
,
I
,
_
Road,
,
,

Lead
,
,
,
,
me
,
,
home,
,
,

-
Lord,
,
,
I
,
,
have
,
,
trav
,
,
elled
,
,
- so
,
,
_
Road,
,

Lead
,
,
me
,
home,
,

-
Lord,
,
I
,
have
,
trav
,
elled
,
- so
,
33

_
lay
,
me
,
to
,
rest.
,
My
,
soul
,
will
,

,
be blessed.
,

All
,
my
,
trou bles -
,
, ,
are
,
_
long.
,
,


Lay
,
,
me
,
,
down,
,
,

,
,

All
,
,
my
,
,
trou bles -
,
,
,
,
,
,
are
,
,
_
long.
,


Lay
,
me
,
down,
,

,

All
,
my
,
trou bles -
, , ,
are
,
39
C

_
gone.
,

,

Free
p
, ,
,
,
,
dom - - - Road,
,
,
,

,

_
gone.
,
,

,
,

Free
p
,,

,
,
,
,
dom
,
,
- - - Road,
,
,

,
,

_
gone.
,

,

Free
p
, ,
,
,
,
,
dom
,
- - - Road,
,

,

48
45
D

_
Lead
, ,
,
,
,
me home.
,
,
,

,

f
Take
, ,
me
,
out
,
of
,
this
,
_
Lead
,,

,
,
,
,
me
,
,
home.
,
,

,
,

f
Take
,
, ,
me
,
,
out
,
,
of
,
, ,
this
,
,
_
Lead
, ,
,
,
,
,
me
,
home.
,

,

f
Take
,
me
,
out
,
of
,
this
,
51

_
dark
,
ness.
,
-
,

Let
,
your
,
light
,
shine
,
on
,
me.
,
,

_
dark
,,
ness.
,
,
-

Let
,
,
your
,
,
light
,
, ,

shine
,
,
down
,
,
on
,
,
me.
,
,

,
,

_
dark
,
ness.
,
-

Let
,
your
,
light
,
shine
,
down
,
on
,
me.
, ,
57

_
Free
mf
Chorus plus Crystal improvising soulfully & totally free to the end
,
dom
,
- Road,
,

Lead
,
me
,
home,
,

I
,
have
,
trav
,
elled
,
- so
,
_
-
Free
mf
,
,
,
,
dom
,
,
- Road,
,
,

Lead
,
,
,
,
me
,
,
home,
,
,

-
_
-
Free
mf
,
,
dom
,
- Road,
,

Lead
,
,
me
,
home,
,

-
49
63

_
long.
,

Now
,
my
,
heart
,
feels
,
no
,
pain,
,
I will see
,
,
,
you
,

,
a gain.
,

-
_
Lord,
,
,
I
,
,
have
,
,
trav
,
,
elled
,
,
- so
,
,
long.
,
,


No
,
,
more
,
,
pain.
,
,

,
,

_
Lord,
,
I
,
have
,
trav
,
elled
,
- so
,
long.
,


No
,
more
,
pain.
,

,

69

_
All
,
my
,
trou bles -
,
, ,
are
,
gone.
, ,

All
,
my
,
trou bles -
,
, ,
are
,
_
All
,
,
my
,
,
trou bles -
,
, ,
,
, ,
are
,
,
gone.
,
,

,
,

All
,
,
my
,
,
trou bles -
,
,
,
,
,
,
are
,
,
_
All
,
my
,
trou bles -
,
, ,
are
,
gone.
, ,

All
,
my
,
trou bles -
, , ,
are
,
75

_
gone.
,

,

mp
Free
, ,
,
,
,
dom - - - - Road,
,
,
,

_
gone.
,
,

,
,

mp
Free
,,

,
,
,
,
dom
,
,
- - - - Road,
,
,

_
gone.
,

,

mp
Free
, ,
,
,
,
,
dom
,
- - - - Road,
,

50
80
rit.

_
,

Lead
, ,
,
,
,
me
,
home.
,

-
_
,
,

Lead
,,

,
,
,
,
me
,
,
home.
,
,

,
,

-
_
,

Lead
, ,
,
,
,
,
me
,
home.
,

-
51
_
_
q = 148 (Swing)
10. The Future Is Bright
(Jim, Sylvia and Officers)
_

Warning:
A girl can change her mind.
Cue:
No stopping us . . .
. . . really should be run.

'Cos
mp
Jim
,
if
,
the pow
,
,
ers - that
,
,
,
be,
,

In
,
all
,
their wis
,
,
dom - a
,
,
,
gree,
,
-
5
_


No
,
oth er
,

,
- can
,
di - date -
,
,
can
,
, ,
swing that
,
,
gate
, ,
like
,

,
8
_

me,

- .
Officers

The
mf
,
13
_

fu
,
,

ture -
,

,
is
,
bright
,
a gain, -
,
, ,
The
,
,
world
,
is
,
black
,
and
,
white
,
a gain, -
,
, ,
We're
,
,
17
_

key
,
hap
,

py, -
, ,

Toe
,

tap
,

py, -
, ,

Ne ver - thought that we'd
,
,
,
,
,
be
,

so
,
hap
,
py,
,
-
21
_

One of our
, ,
,
boys
,
has
,
made
,
it,
,
.
Shin
,
ing - out
,
,
like a
,
,
,
star,
,


25
_

Stak ing - his claim,


,
,
,
, ,

Mak ing - his name,
, , ,
, ,

Jim

,
,
you
,
,
will
,,
go
,
,
far,

29
_

,
,

Jim
The
,

,
,
,
,
,
,
fu
,
ture -
,
,
,
is
,
mine
,
a gain, -
,
, ,
I'm
,
swing
,
ing
,
- from
,
a
,
52
33
_

,
,
,
,
,
,
vine
,
a gain, -
,
, ,

Lord
,
and
,

mas
,
,
ter - of a new
,
,
,
,
,
day,
,

Hold
,
on
,

fast,
,
,
37
_

,
,
,
,
,
,
,
We're on
,

the run
,
,
,
way,
,
-

Here
,
at
, ,

last,
,
,
,
And I'll
,

be here
,
,
, ,
to
,
40

,
,
,
,
,
,
stay.

- -
_
_
,
,
,
,
,
,
.
Officers

Your
f
,
,
,

loy
,
,
,

al - arm
,
,
,
,
,
,
y
,
,
,

,
,
,
- sal utes
,
,
,

,
,
,
- you
,
,
,

Sir,
,
,
,
_
45
_

,
,
,
,
,
,
.
Sylvia

mf
I
,
must
,
,
say that
,
3
suit
,
,
real ly
,
,
3
- suits
,
,
you,
,
Sir.
,

.
Jim

Come
mp
,
52
_

,
,
,
,
,
,
in,
,
,
Pull a seat
,
, ,
,
,
up,

Put your feet


,
,
up,
,
, ,

This is how
,
,
it's
,
,
,
gon na -
,
,
55
_

,
,
,
,
,
,
be,
, ,

,
The witch
,

is
,

,
gone,
,

,
And
,
from now
,

,
on,
,

,
,
The man
,

,
,
of the
,
3
mo
,
ment
,
- is
,
3
59
_

,
,
,
,
,
,
me,
,
,
Now it's
,

,
cream
,
cakes,
,

,
With
,
out
,
,
,
- warn
, ,
ing,
,
-
-
_
,
,
,
,
,
,
- - -
Sylvia

Tea
,
breaks
,
,
that
,

63
_

,
,
,
,
,
,
-
No it's not
,
,
,
,
a dream,
,
3
,

But the start
,
,
,
of our new
,
,
,
re
,
-
_
,
,
,
,
,
,
last
,
all
,
morn
, ,
ing,
,
-

No it's not
,
,
,
,
a dream,
,
3
,

But the start
,
,
,
of our new
,
,
,
re
,
-
53
67

,
,
,
,
,
,
gime,
mf
,
,
It's look
,

ing - good,
, ,
,
, ,
It's look
,

ing -
,
,
_
,
,
,
,
,
,
gime,
mf
,
,
It's look
,

ing - good,
, ,
,
, ,
It's look
,

ing -
,
,
_
,
,
,
,
,
,
- .
Officers
,
It's look
,

ing - good,
, ,
,
, ,
It's look
,

ing -
,
,
_
,
,
,
,
,
,
- - ,
It's look
,
,

ing - good,
,
,
,
,
,
,
,
70

_
,
,
,
,
,
,
great,
Officers, Jim and Sylvia
,

, ,
We're get
,

ting - rid,
,
,
,

, ,
We could
,

n't - wait,
,
,
,

,
Let's
,
,
_
,
,
,
,
,
,
Officers
,
It's look
,
,

ing - great,
,
,
,
,
,
,

, ,
We're get
,
,

ting - rid,
,
,
,
,
,
,

, ,
We could
,
,

n't - wait,
,
,
,
,
,
,

,
73

_
,
,
,
,
,
,
go,
,
,

We
,
,
know,
,
,
.
Hey

Ho,

_
,
,
,
,
,
,
,
We're on
,

our way
,
,
,
now,
,
,
,
He's here
,

to stay
,
,
,
now,
,
,

Eve- ry thing
,
,
,
,
is gon na - be
,
,
,
,
,
,
,
,
,
,
o
,
,
kay
,
,
- now.
,
,
77

_
,
,
,
,
,
,
-
mp
One
,

of our
,

_
,

,
,

boys
,

,

has
,

,
made

it,
,

.
No
,

,
,

,
one -
,

,
,

,
_
,
,
,
,
,
,
-
mp
One
,

of our
,

_
,

,
,

boys
,

,

has
,

,
made


it
,

,
.
No

,
,
,

,
one

-
,
,
,

,
83

_
,
,
,
,
,
,
else
,

could com
,

_
,

,
,

pare,

-
-
Hold
,

ing
,
,
- the

,
,

,
flame,

,
,
,
,
_
,
,
,
,
,
,
else

could com
,

_
,

,
,

pare,

-
-
Hold

ing
,
,
- the

,
,


,
flame,
,

,
,

,
54
87

_
,
,
,
,
,
,


Play
,

ing

- the
,

,
,

,
game,
,

Who
,

,
,
,

said
,

,
we'd
,

,

play
,

,

_
,
,
,
,
,
,


Play
,

ing

the
,

,
,


,
game,
,
,

-
Who
,
,
,

,

said
,

,

we'd

,

play
,

,

92

_
,
,
,
,
,
,
fair?


,
,
Officers, Jim & Sylvia
,
The
mf
deed
,

,
,
is

done,
,
,
, ,
,
,
,

, ,
It's in
,
,

,
,
the bag,
,
,
,
,
,
,
,

, ,
The batt-
,

,
,
le's
,
,
,
,
_
,
,
,
,
,
,
fair?

,
,
. ,
The
mf
deed
,

,
,
is

done,
,
,
, ,
,
,
,

, ,
It's in
,

,
,
the bag,
,
,
,
,
,
,
,

,
96

_
,
,
,
,
,
,
won,
,
,
,

, ,
Put up
,

,
,
the flag,
,
,
,
,
,
,
,

, ,
We're We're gonn- gonn-
,

,
,
aa spread
,
,
,
,
a lit tle - hap

,
, ,
,
,
,
,
,
pi

- ness - all
,
,
,
,
,
,
,
,
_
,
,
,
,
,
,
,
The
,

bat
,
,
tle's - won,
,
,
,
,
,
,
,

, ,
Put up
,

,
,
the flag,
,
,
,
,
We're gon na - spread
,
,
,
,
,
,
,
,
a lit tle - hap
,
,
,
,
,
, ,
,
pi

- ness - all
,
,
,
,
,
,
,
,
99

_
,
,
,
,
,
,
o ver - the place,
,
,
,
,
,
,
,
,
.
Lock ing - up the los

,
, ,
,
,
,
,
,
ers

- with a smile
,
,
,
,
,
,
,
,
on our face,
,
,
,
,
,
,
,
,
.
_
,
,
,
,
,
,
o ver - the place,
,
,
,
,
,
,
,
,
.
Lock ing - up the los
,
,
,
,
,
, ,
,
ers

- with a smile
,
,
,
,
,
,
,
,
on our face,
,
,
,
,
,
,
,
,
.
102

_
,
,
,
,
,
,
Noth ing's - gonn- a stop

,
, ,
,
,
,
,
,
us

now we're back


,
,
,
,
,
,
,
,
on

the case
,
,
,
, ,
,
,
,
, ,
and
,
,
,
how,

_
,
,
,
,
,
,
Noth ing's - gonn- a stop
,
,
,
,
,
, ,
,
us now we're back
,
,
,
,
,
,
,
,
on

the case
,
,
,
, ,
,
,
,
, ,
and
,,
,
how,

55
105

_
,
,
,
,
,
,
,
,
Just
,
,
look
,
,
,
who's
,

,
,
,
,
the
,
,
big
,
,
cheese
,
,
now.

_
,
,
,
,
,
,
,
,

Just
,
,
look
,,
,
,
who's
,

,
,
,
,
the
,
,
big
,
,
cheese
,
,
now.

109

,
,
,
,
,
,
.
Jim
The
mf
,
fu
,
ture -
,
,
,
is
,
bright
,
a gain, -
,
, ,
The
,
_
,
,
,
,
,
,
,
,
Officers + Sylvia
,
It's
mp
look
,

ing - good,
, ,
,
, ,
It's look
,

ing - great,
,
,
,

, ,
We're get
,

ting -
,
,
_
,
,
,
,
,
,
,
,
.
Officers
,
mp
It's look
,
,

ing - good,
,
,
,
,
,
,
, ,
It's look
,
,

ing - great,
,
,
,
,
,
,

,
112

,
,
,
,
,
,
world
,
is
,
banged
,
to
,
right
,
a gain, -
,
, ,
I'm
,
key
,

hap
,

py, -
, ,

Toe
,
tap
,

py, -
, ,

_
,
,
,
,
,
,
rid,
,

, ,
We could-
,

n't wait,
,
,
,

,
Let's
,
,
go,
,
,

We
,
,
know,
,
,
.
_
,
,
,
,
,
,
,
We're get ting - rid,
,
,
,
,
,
,
,
,

, ,
We could n't - wait,
,
,
,
,
,
,
,
,

, ,
We're on
,

our way
,
,
,
now,
,
,
,
He's here
,

to stay
,
,
,
now,
,
,
116

,
,
,
,
,
,
Ne ver - thought that I'd
,
,
,
,
,
be
,

so
,
hap
,
py,
,
- Here
,
I
,
_
,
,
,
,
,
,
Hey

Ho,

One of our
, ,
,
, ,
,
boys
,
,
has
,
,
_
,
,
,
,
,
,

Eve ry - thing
,
,
,
,
is gon na - be
,
,
,
,
,
,
,
,
,
,
o
,
,
kay
,
,
- now.
,
,
One

of our
, ,
,
, ,
,
boys
,
,
has
,
,
56
119

,
,
,
,
,
,
stand,
,
,
With all
,
,
,
the world
,
,
at my
,
,
,
feet,
,

Just
,
like
,
,
,
I
,
_
,
,
,
,
,
,
made
,
,
it,
,,
.
No
,
,
one - else
,
,
,
,
could com
,
,
, ,
,
,
pare
,
,
-

Hold

ing
,
,
- the

flame,

, , ,
, ,
, , ,
, ,

_
,
,
,
,
,
,
made
,
,
it,
,
,
.
No
,
,
one - else
,
,
,
,
could com
,
, , ,
, ,
pare
, ,
-

Hold

ing
,
,
- the

flame,
, , ,
, ,
, , ,
, ,

123

,
,
,
,
,
,
al
,
ways
,
- planned,
,

Vic
,
to - ry -
,
, ,
is
,
sweet,
,

The
mf
,
_
,
,
,
,
,
,
Play ing

- the game,
,
,
,
, ,
, , ,
, ,
Who
,
,
said
,
,
we'd
,,
play
,
,
fair


,
,
mf
,
The deed
,

,
,
is

,
,
, ,
_
,
,
,
,
,
,
Play ing

- the game,
,
,
,
, ,
,
,
,
, ,

Who
,
,
said
,
,
we'd

,
,
play
,
,
fair

,
,
.
127

,
,
,
,
,
,
fu
,
ture -
,
,
,
is
,
mine
,
a gain, -
,
,

I'm
,
swing
,
ing
,
- from
,
a
,
_
,
,
,
,
,
,
done,
,
,
,

, ,
It's in
,
,

,
,
the bag,
,
,
,
,
,
,
,

, ,
The bat
,

,
,
tle's - won,
,
,
,
,
,
,
,

, ,
Put up
,

,
,
the
,
,
,
,
_
,
,
,
,
,
,
,
The
mf
deed
,

,
,
is

done,
,
,
, ,
,
,
,

, ,
It's in
,

,
,
the bag,
,
,
,
,
,
,
,

, ,
The
,

bat
,
,
tle's - won,
,
,
,
,
,
,
,

,
130

,
,
,
,
,
,
vine
,
a gain, -
,
, ,

Lord
,
and
,

mas
,
,
ter - of a new
,
,
,
,
,
day,
,
_
,
,
,
,
,
,
flag,
,
,
,

, ,
We're We're gon
,

,
,
na - spread
,
,
,
,
a lit tle - hap

,
, ,
,
,
,
,
,
pi

- ness - all o
,
,
,
,
,
,
,
,
ver - the place,
,
,
,
,
,
,
,
,
.
_
,
,
,
,
,
,
,
Put up
,

,
,
the flag,
,
,
,
,
We're We're gon na - spread
,
,
,
,
,
,
,
,
a lit tle - hap
,
,
,
,
,
, ,
,
pi

- ness - all o
,
,
,
,
,
,
,
,
ver - the place,
,
,
,
,
,
,
,
,
.
57
133

,
,
,
,
,
,

Hold
,
on
,

fast,
,
,
,
We're on
,

the run
,
,
,
way,
,
-

Here
,
at
,
last,
, ,
,
_
,
,
,
,
,
,
Lock ing up the los

,
, ,
,
,
,
,
,
ers

- with a smile
,
,
,
,
,
,
,
,
on our face,
,
,
,
,
,
,
,
,
.
Noth ing's - gon na - stop

,
, ,
,
,
,
,
,
us

now we're
,
,
,
,
,
,
,
,
_
,
,
,
,
,
,
Lock ing up the los
,
,
,
,
,
, ,
,
ers

- with a smile
,
,
,
,
,
,
,
,
on our face,
,
,
,
,
,
,
,
,
.
Noth ing's - gon na - stop
,
,
,
,
,
, ,
,
us now we're
,
,
,
,
,
,
,
,
136

,
,
,
,
,
,
,
And I'll
,

be here
,
,
, ,
to
,
stay.
,

For
f
the
,
,
_
,
,
,
,
,
,
back on

the case
,
,
,
, ,
,
,
,
, ,
to
,
,
,
day,

-
,
, .
_
,
,
,
,
,
,
back on

the case
,
,
,
, ,
,
,
,
, ,
to
,,
,
day,

-
,
,
.
139

,
,
,
,
,
,
glor
,
i -
,
,
,
ous,
,
-
,

Vic
,
tor
,

- i -
,
,
,
ous,
,
-
, .
_
,
,
,
,
,
,
-
Un
f
,,
mis - take
,
,
,
,
a - ble,
,
,
,
,
,
,
-
-
Still un
,

,
,
,
,
break
,

,
,
a - ble,
,
,
,
,
,
,
-
_
,
,
,
,
,
,
-
Un
f
,
,
mis - take
,
,
,
,
a - ble,
,
,
, ,
,
,
-
-
Still un
,
,

,
,
break
,
,

a - ble,
,
,
,
,
,
,
-
143

,
,
,
,
,
,
P.

O.

A!
,
.
_
,
,
,
,
,
,
P.

O.

A!

,
,
.
_
,
,
,
,
,
,
P.

O.

A!

,
, .
58
_
_
10a. The Future is Bright Play-off
_
,
,
,
,
,
,
,
_
_
q = 120
11. Sorry
(Julie S)
_
,
,
,
,
Warning:
David? It's your mum . . .
Cue:
Yeah, it's a good line, ain't it?
Kbd
,
,
,
, ,
Julie S: What...?

,
, ,
,
,
,
,
, ,
You mean . . . everything? . . .

,
, ,
, ,
5 Rubato
_
,
,
,
,
. . . Oh, David . . .
,
,
,
, ,

I've been such a stupid cow.
,
, ,
,
,
,
,
, ,
.
Julie S
,
I'm
mp
,

A
9
_
,
,
,
,
sor ry, -
,
,
. .
Sor ry - you found
,
,
, ,
out
,

,

this
,
way,
,
.
13
_
,
,
,
,
Julie S: No, listen . . .
-
List en, -
,
, ,

,
There's some things
,
,
,
I need
,
, ,
to say,
, , ,
17
_
,
,
,
,
.
God
,
knows,
,
I ain't ne
,
,
ver - been
,
,
,
proud
,

of what
,

I
,

,
do,
,

20
_
,
,
,
,
,
,
But you
,

should
,

,
know,
,

,
. ,
I'm
,

59
23
_
,
,
,
,
al ways
,

,
- so,
,

,

So
,
proud
,

, ,
of you,
,

, ,

And I'm
,
,
B
27
_
,
,
,
,
sor ry, -
,
,
. .
Sor ry - I
, ,
,
can't hold
,
, ,
you,
,
,
squeeze
,
you tight,
,

,
.
31
_
,
,
,
,

Love you,
,
, ,

Miss you,
,
, ,

'S'on ly - you
,
,
,
,
that
,

34
_
,
,
,
,
gets me
,

,
through
,

the
,

,
night,
,

,

God
,
knows,
,
things don't e
,
,
ver - turn
,
,
,
37
_
,
,
,
,
out
,
,
the way
,

I
,

,
planned,
,

,
,
But
p
I hope
, ,
and
,

,
pray,
,

,
40
_
,
,
,
,
-
That
,
some
,
day,
,

, ,
.
43
C
_
,
,
,
,
You'll
,
un der - stand, -
,
,
,
,

I
f
just want
, ,
ed - to make
, , ,
,
things
,

,
good,
,

,
,
To
,

47
_
,
,
,
,
give you
,
,
the life
, ,
you
,
,
de serve,
,
, ,
- I'd
mf
,
have told
,
, ,
you one
,
,
day,
,

,
,
Yes,
,

,
I would,
,

,

51
_
,
,
,
,
,
But I
,

kept los
,
,
ing -
,
,
my nerve,
,
,
,
,
And
p
it seemed
,
,
,
so much bet
,
,
ter,
,

-
60
54
_
,
,
,
,

I should be,
,
,
,
,
Trav 'ling
,

- the world
,
,
,
in some
,
,

fan ta - sy,
,
,
,
-
,
'Stead of which,
,
,
,
,
I'm a
,
,
58
_
,
,
,
,
liar,
,
,
And a con,
,
,
,
. - ,
But you're
,

the on
,
,
,
ly - thing that
,
,
,
,
62 D
_
,
,
,
,
keeps
,
me
, ,
,
hold
,
ing - on.
,


-
Julie S: Sorry?
-
67
_
,
,
,
,
.
What's that you
,
,
say?
,
, ,
.
Julie S: 'Course you can if you want to, darling . . .
- .
You can come
,
,
,
71
_
,
,
,
,
vis it -
,
,

a ny
,

,
- day,
,

.
mf
God
,
knows
,
there ain't no
,
,
,
bod - y -
,
,
75
_
,
,
,
,
else
,
,
I'd rath
,

er
,

,
- see,
,

,
,
So
p
there
,

you
,

,
go,
,

. . ,
Your
,

79
_
,
,
,
,
first
,
,
V.
,
,
O.
,

,
Julie S: Got to send you this form called a Visiting Order - Ill put it in the post straight off, . . .
Kbd
,

,
,

,
,
,

83
_
,
,
,
,
. . . then you can come in (soon as) - oh shit, David, I forgot - Fenners stopped our visits . . .
,
,
,
, ,
, ,
,
,
,
,
, ,
, ,
,
,
,
,
, ,
, ,
,
87
E
_
,
,
,
,


f
,
But I'm
,

gon na - make
, , ,
,
things
,

,
good,
,

,

No mat ter - how
,
,
,
,
bad
,
,
,
it
,

61
91
_
,
,
,
,
seems,
, , ,
,
I'll be
,

there
, ,
like
,

,
a moth
,

er
,

,
- should
,

be,
,

94
_
,
,
,
,
,
So you
,

can fol
,
,
low
,

,
- your dreams,
,

,
,
Yes
p
things
,

,
will get bet
,
,
ter,
,

-
97
_
,
,
,
,

Wait and see,
,
,
,
,
We'll work
,

it out
,
,
,
now
,

,
Just
,


you and me,
,
,
, ,
100
_
,
,
,
,
,
'Cos I
,

don't
,
,
e ver,
,
,
,
-

e ver -
,
, ,

wan na - be
,
,
,

So
,
104
rall.
_
,
,
,
,
,
sor
,
ry,
,
-

. ,
a
pp
gain.
,

,
-
.
-
_
_
q = 140
11a. Scene Change

_
Warning:
Don't worry, you haven't got anything.
Cue:
Well, a nod's as good as a wink to me.

-
[ last time ] -
62

_
_
q = 120
12. Every Night
(Helen & Nikki)

_
,
Warning:
Sorry, you just went very quiet . . .
Cue:
See you didn't waste much time, then. How cosy.
[VAMP - Vocal last time only]

Nikki
,
How
mp
does
,

,
she do
, ,
this
,

, ,
to
, ,

me?
,
, , ,
,
How
, ,

,
did I
, ,
,
4
_
,
let her
,

, ,
in,
, ,

,
,
When I
,

,
should know
, , ,
by
,

, ,
now
,

,
,
to be ware.
,
,
,
-
8
_
,
,
.
Helen
,
Why does
,

,
she do
, ,
this
,

, ,
to
, ,

me?
,
, ,
,
How
, ,

,
can I
, ,
,
12
_
,
e ver
,

, ,
- win?
, ,

,
,
And 'though
,

I
, ,

,
tell
,

my
,

, ,
self -
,

I don't
,
,
, ,
15
_
,
care.
,
.
Both
She's
, ,
al
, ,
ways
,
-
,
,
A
q = 95
19
B
_
,
,
there.
,

_
Ev
Nikki
,
'ry - night
,
,
I
,

,
see
,

24
_
,
,
her.
,
, ,
,
The mo
,

ment - I close
,
,
,
,
my
,

,
eyes
,

to
,

,
sleep,
,

,
27
_
,
,

She's there
, ,
,
in the dreams
,
,
,
, ,
I
,

,
keep,
,

In my
,
,
,
heart.
,
.
63
31
_
,
,
Ev
Helen
,
'ry - night
,
,
I
,

,
see
,

her.
,
, ,

Some how - she's al
,
,
,
,
ways
,

,
- on
,

34
_
,
,
my
,

,
mind.
,

,

And may
, ,
,
be - I've just
,
,
,
, ,
been
,

,
blind
,

from the start.


,
,
,
,
C
37
_
,
,
,

Both
All
mf
my de fen -
,
,
,
,
,
,
,
,
ces, -
,
,
,
,
,
,
Lie here
,
,

,
,
bro
,
,

ken - in
,
,
,
,
,
,
-
40
_
,
,
two,
,
,
I try to wake
,
,
,
,
,
,
,
,
,
,

up,
,
,
,
,
,

And come
,
,

to my sens
,
,
,
,
,
,
,
,
es, -
,
,
,
,
,
,
43
_
,
,
,
But there's
,
,

no
,
,
,
,
way
,
,

,
,
though.
,
,

,
What else
,
,

,
,
can I
,
,

,
,

do?

47
D
_
,
,
,
,
.
mp
Ev- 'ry day
,
,
,
I see
,
,

her.
,
,
,
,
,
,

Dar- ing my heart
,
,
,
,
,
,
,
,
to
,
,

,
cross
,

51
_
,
,
that
,

,
line,
,
,

,
,
,
,

,
Ig
cresc.
nore -
,
,
,
,
,
ev 'ry - dang
,
,
,
,
,
, ,
,
,
er
,
,

,
, ,
- sign,
,
,
,

And
,
, ,
,
,
,
54
_
,
,
fall,
f
,
,
Hope
,
,
,
less
,
,
- ly
,
,
3
- lost,
,
,
,

To risk
,
,

it
,
,

,
,
all,
,
,

,
,

What e
,
,

,
,
,
- ver
,
,
- the
,
,
3
57
_
,
,
cost,
,
,
,

But in side
,
,
- I
,

, ,
know,
,

,
I am on
, ,
,
,
ly - fal
, ,
,
ling
,

,
- a part.
, ,

-
64
61
E
_
,
,
-
Helen
Ev
mp
,
'ry - night
,
,
I
,

,
see
,

her,
,
, ,
,
The
,

_
,
,
- -
Nikki
Ev
mp
,
'ry - night
,
,
I
,

,
see
,

64
_
,
,
mo ment - I close
,
,
,
,
my
,

,
eyes
,

to
,

,
sleep,
,

, ,
This se
, ,
,
cret - is burn
,
,
,
, ,
-
_
,
,
her,
,
, ,

She's there
,
,
in my dreams,
,
,
,
, ,

,
mp
Burn
, ,

-
67
F
_
,
,
- ing
,

, ,
deep
,

in my
,
,
, ,
heart.


_
,
,
- ing
,

,
deep
,

in my
,
,
,
heart.


75
_
. ,
But
f
this
,

is cra
,
,
,
zy, -
,

,
What am I think ing?
, ,
,
,
,
-
,
I'm
,

_
. ,
But
f
this
,

is cra
,
,
,

zy, -
,

,
What am I think ing?
, ,
,
,
,
-
,
I'm
,

78
_
los
, ,
- ing my
,
3
way
,
in the dark,
,
,
,
, ,
,
It's just
,

too much,
,
,
,
,
To see
,

her
,
,
_
los
, ,
- ing my
,
3
way
,
in the dark,
,
,
,
. ,
It's not
,

e nough,
,
,
, ,
-

3
65
81
_
face
,
,
ev 'ry
,
3
- day,
,
To feel
,

,
her
,
so
,
3
close
,
yet
,
so
,
3
far,
,

,
When
,

_

When
,
there's
,
3
so
,
much
,
to
,
3
say,
,
To feel
, ,
,
,
her so
,
3
close
,
,
yet so
,
3
84
_
no
,
thing
,
- can
,
3
change
,
who
, ,
we
,
3
are,

_
far,
,
,
When no
,

,
thing
,
- can
,
3
change
,
who
,
we
,
3
are,

87
_
- - .
mp
,
But I
,

can't let
,
,
,
her
,
,
,
know,
,
_
.
mp
,
But I
,

can't let
,
,
her
,

,
go.
,

,
- -
91 G
_

- ,
,
Eve
,
ry - night
,
,
I
,

,
see
,

her,
,
, ,
,
The
,

_
- - ,
,
Eve
,
ry - night
,
,
I
,

,
see
,

her,
,
, ,
,
The
,

95
_
,
,
mo ment - I close
,
,
,
,
my
,

,
eyes
,

to
,

,
sleep,
,

,

This se
, ,
,
cret - is burn
,
,
,
, ,
-
_
,
,
mo ment - I close
,
,
,
,
my
,

,
eyes
,

to
,

,
sleep,
,

,

This se
, ,
,
cret - is burn
,
,
,
, ,
-
98
_
,
,
- ing
,

, ,
deep
,

in my
,
,
, ,
heart.

-
-
_
,
,
- ing
,

,
deep
,

in my
,
,
,
heart.

-
-
66

_
_
q = 124
13. All Banged Up
(Yvonne & The Two Julies)

Warning:
We're a, ain't we?
Cue:
Yeah. But lets face it, aint nothing like
death to whet your appetite for life.
.
[VAMP]

Yvonne + Two Julies


last time
,
We're all
,

,
banged
,
up,
mp
,
,
With out
,

,
- the bang,
,
, ,

4
_

,
We've got
,

the go,
,
,
,
,
but there's
,
3
no
,

fan
,

dang,
,

-
,
How's a
,

ny - girl
, ,
, ,
meant to
,
,
7
_

do her
,

,
thang,
,

,
When she's all
,
,
,
,
,
,
banged
,
,
up
,
,
,
a lone.
,
,

,
,
-
,
Yvonne
We're
,

A
10
_

all
,
banged
,
up,
,
,
With out
,

,
- the bang,
,
, ,

Julie S
,
This litt-
,

le chas-
,
,
sis needs a
,
,
,
,
13
_

full
,

front
,

prang,
,

- .
Yvonne
And we're
,
,
_

- ,
I'm
Julie J
like
,

a vam
, ,
,
pire
,
- with
,
3
out
,
- a fang,
,
, ,
Two Julies
And we're
,
,
16
_

all
,

vamped
,

up
,

,
a lone,
,

,
-
,
And though
,

we try
, ,
,
,
not to
,
3
_

all
,

vamped
,
,

up
,
,

,
a lone,
,
,

,
,

-
,
And though
,

we try
, ,
,
,
not to
,
,
3
67
19
_

think
,
a bout, -
,
,
. ,
All
,
the pleas
,

,
ures
,
- we
,
3
miss.
,
.
_

think
,
,
a bout, -
, , ,
,
. ,
All
,
the pleas
,

,
ures
,
- we
,
3
miss.
,
.
22
_

,
There's bug
,

ger - all
, ,
, ,
else
,
to
,
3
think
,
a bout, -
,
,

When you're dumped
,
,
,
in
,
a
,
3
hell
,
hole
,
- like
,
3
_

,
There's bug
,
,

ger - all
,
,
,
,
,
,
,
,
else
,
,
to
,
,
3
think
,
,
a bout, -
,
,
,
,

When you're dumped
,
,
,
,
,
,
in
,
,
a
,
,
3
hell
,
,
hole
,
,
- like
,
,
3
25
_

this!
,

-
.
Day
,
af-
,
ter
,
3
day
,
aft-
,
er
,
3
day,
,
,
These
,

this!
,
,
.
Day
,
,
,
,
af- ter
,
,
3
day
,
,
,
,
aft- er
,
,
3
day,
,
,
,
These
,
,

28
_

ass
,
ets
,
- are
,
3
wast
,
ing
,
- a
,
3
way,

-
. ,
We're
,

ass
,
,
ets
,
,
- are
,
,
3
wast
,
,
ing
,
,
- a
,
,
3
way,

-
. ,
We're
,

B
31
_

all
,
banged
,
up,
,
,
With out
,

,
- the bang,
, , ,
,
We get
,

the twin
, ,
,
ges
,
- But
,
3
_

all
,
banged
,
,
up,
,
,
,
With out
,
,

,
,
- the bang,
, , ,
, , ,
,
We get
,
,

the twin
,
,
,
,
,
,
ges
,
,
- But
,
,
3
68
34
_

where's
,

our
,

twang?
,

,
Whipped to
,

a peak
, ,
,
like
,

,
a stiff
,

me ringue, -
,
, ,
But we're
,
,
3
_

where's
,
,

our
,
,

twang?
,
,

,
Whipped to
,
,


a peak
,
,
,
,
,
,
like
,
,

,
,
a stiff
,
,

,
,

me ringue, -
,
,
,
,
,
,
But we're
,
,
3
37
C
_

all
,
whipped
,
up
,
,
a lone.
,

-
-
Bang
,
bang!
,

_

all
,
whipped
,
,
up
,
,
,
a lone.
,
,

-
-
Bang
,
bang!
,

41
_

- .
Bang!
,
.
Bang!
,
.
Bang!
,
.
Bang!
,
_

- .
Bang!
,
.
Bang!
,
.
Bang!
,
.
Bang!
,
46
D
q = 100
_

.
Bang!
,
- .
Yvonne
,
I want
,
-

to

feel
,
-
,
-
,
theweight
, ,

of a
,
,
_

.
Bang!
,
- -

-
50
_

hand some
,

,
- hunk,
,

.
Ly
,
ing
,
- on
,
3
top
,
of
,
me
,
3
in my
,

,
bunk,
,

,
And when
,

the -
, ,
53
_

lights
,
go down,
, , ,
,
So does
,

,
he,
,

,
'Til ev
,

'ry - thing - goes ting


,
,
,
,
a - ling - in
,
,
,
,
69
56
slow accel. to a tempo
_

side of
,

,
me,
,

,
Don't want
,

to fall
,
,
,
in love,
, ,
,
I don't ex pect
,
,
,
,
- ro mance, -
, , ,
,
I
,

59
_

just
,
want
,
some
,
3
ac
,
tion
,
- in
,
3
side - my
,

,
pants,
,

I ne ver - thought
, , , , ,
de sire -
, , ,
could
,
62
_

be so
,

,
strong,
,

,
I ne
,

ver - thought I'd e


,
,
,
,
ver - have to go
,
,
,
,
,
so
,
long!
,

- - .
2 Julies
It's
,

E
A tempo q = 124
65
_


It's
,
just
,
,
A lit
,

tle - thrust,
,
,
,
,
It must
,

,
be
,
the
,
3
least
,
you
,
can
,
3
_

just,
,
,
A lit
,

tle - thrust,
,
,
,
,
It must
,
,

,
,
be
,
,
the
,
,
3
least
,
,
you
,
,
can
,
,
3
68
_

do,
,
.
You're a screw,
, ,
,

We can trust,
,
,
,
And our
, ,
_

do,
,
,


You're a screw,
, , ,
,

,
Who we
,
,

can trust,
,
,

,
,
,
,

And our
,
,
,
,
71
_

wel
,
fare
,
- is
,
3
all
,
down
,
to
,
3
you.
,


mf
Night
,
af
,
ter
,
3
- night
, ,
af ter
,
3
-
_

wel
,
,
fare
,
,
- is
,
,

3
all
,
,
down
,
,

to
,
,
3
you.
,
,


mf
Night
,
,
af
,
,
ter
,
,
3
- night
,
,
,
,
af ter
,
,
3
-
70
74
Pause
_

night,___
,


Think
, ,
of our
,
3
des
,
,
- per ate
,
3
- plight,___
Justin:
You really should try & eat something.


. ,
We're

,
,
,
,
,
,

night,___

,
, ,
,

Think
,
,
,
,
of our
,
,
3
des
,
,
,
,
- per ate
,
,
3
- plight,___

-

. ,
We're

,
,
,
,
,
,

F
78
_
,
,
,
,
,
all
, ,
banged
,
up,
,
,
With out
,

,
- the bang,
, , ,
,
We've got
,

the go,
, ,
,
but
,
there's
,
3
_
,
,
,
,
,
all
, ,
banged
,
,
up,
,
,
,
With out
,
,

,
,
- the bang,
,
,
,
,
,
,
,
We've got
,
,

the go,
,
,
,
,
,
,
but
,
,
there's
,
3
81
_
,
,
,
,
,
no
,

fan
,

dang,
,

-
,
How's a
,

ny - girl
,
,
, ,
meant to do
, ,
her
,

,
thang,
,

,
When she's
,
,
_
,
,
,
,
,
no
,
,

fan
,
,

dang,
,
,

-
,
How's a
,
,


ny - girl
,
,
,
,
,
,
,
,
meant to do
,
,
,
,
her
,
,

,
,
thang,
,
,

,
,
When she's
,
,
,
,
84
_
,
,
,
,
,
all
,
banged
,
up
,
,
a lone.
,

, ,

-
,
We're all
,

,
banged
,
up,
,
,
With
,

-
_
,
,
,
,
,
all
,
,

banged
,
,
up
,
,
,
a lone.
,
,

,
,

-
,
We're all
,

,
banged
,
up,
,
,
With
,

-
87
_
,
,
,
,
,
out
,
the bang,
,
, ,
,
No bod
,

- y - wants
,
,
,
,
to be
,
3
in
,

our
,

gang,
,


_
,
,
,
,
,
out
,
the bang,
,
, ,
,
No bod
,

- y - wants
,
,
,
,
to be
,
3
in
.
,
,

our
,
,

gang,
,

,

71
90
_
,
,
,
,
,
,
We could
,

n't - care
,
,
,
,
less if
,
3
spring just
,

,
sprang,
,

,
If the queen
,
,
just
,

,
rang,
,


They can
,
,
_
,
,
,
,
,
,
We could
,
,


n't - care
,
,
,
,
,
,
,
,
less if
,
,
3
spring just
,
,

,
,
sprang,
,
,

,
,
If the queen
,
,
,
,
just
,
,


,
,

rang,
,
,


They can
,
, ,
,
93
_
,
,
,
,
,
all go
,

,
hang,
,


'Cos
f
un til
,
,
,
- we
,
get
,
3
out
,
and
,
get
,
3
out
, ,
with a
,
3
bang,
,
.
-

We're
p
,
_
,
,
,
,
,
all go
,
,


,
,
hang,
,
,


'Cos
f
un til
,
, ,
, ,
,
,
- we
,
,
get
,
,
3
out
,
,

and
,
,
get
,
,
3
out
,
,
,
,
with a
,
,
3
bang,
,
,
.
-

We're
p
,
G
97
_
,
,
,
,
,
all
,

banged
,
up,
,

We're
,
all
,

banged
,
up,
,

We're
,
_
,
,
,
,
,
all
,

banged
,
,
up,
,
,

We're
,
,
all
,

banged
,
,
up,
,
,

We're
,
,
101
q = 170
_
,
,
,
,
,
all
,

banged
,
up
,
a
,
-
lone!
f

-

_
,
,
,
,
,
all
,
,

banged
,
, ,
up
,
,
a
,
,
-
lone!
f
,
,
-
,
,

,
,

,
,

,
,

,
,
,
,
,
,

,
,

106
_
,
,
,
,
,

_
.
Bang!
,

_
,
,
,
,
,
,
,

,
,

,
,
_
.
Bang!
,
,

72
_
_
Rock
14. The Baddest and the Best
q = 161
(Justin & Prisoners)
_
,
Warning:
Shit me, what's this? Screw against screw?
Cue:
As in yesterday's, right?

Nikki
,
mf
You'd bet
,

ter -
,
, ,
A
Verse 1
5
_
,
wise
,
up,
,
.
To the way
,
,
,
this is go
,
,
ing
,

,
- down, -
,

,
.
For
,
9
_
,
once
,

in your
,

,
life
,

,
,
use
,

,
your
,
brain.
,
. .
Denny
Like
,
a
,
13
_
,
bad
,
dream,
,

,

That
,
keeps
,
on
,
com ing
,

,
- round,
,

,
-
17
_
,
He's
,
gon na
,

,
- screw
,

you
,

,
o
,

ver - a
,
,
,
gain.
,
-
. -
B
21
_
,
All except Shell
And you'll
,
,
,
,
be
,
,

,
,
his
,
,

to
,
,

,
,
- ry -
,
,

,
,
be fore -
,
,
,
,
,
,
you know
,
,
,
,
what's
,
,

,
,
hit.
,
,

24
_
,
,
,
.
Girl you need
,
,
,
,
a
,
,

,
,
wake
,
,

up
,
,

,
,
call
,
,

,
,
and
,
,
this
,
,

,
is
,
,

,
,
it!
,
,

28 C
Verse 2
_
,
So
Yvonne
you'd bet
, ,
ter
,

,
- lis
,

ten
,

,
- up,
,
.
'Cos we're all
,
,
,
gon na - beat
,
, ,
,
this
,

,
rap,
,
73
32
_
, -
If
Justin
he's out
, , ,
to get
,
,
you,
,
,

Get him
,

,
first!
,

,
.
36
_
,
Yvonne
,
We need
,

a
,

,
queen
,

,
bee.
,
,
,
Two Julies

Sit ting - in
,
,
,
,
,
,
a
,
,
hon ey
,
,

,
,
- trap,
,
,

,
,
40
_
, -
Nikki

Sharp en - up
, ,
your
,

,
sting
,

,
,
and do
,

your
,

,
worst.
,
.
44
D
_
, -
All except Shell
And he'll
,
,
,
,
be
,
,

,
,
his
,
,

to
,
,

,
,
- ry -
,
,

,
,
be fore -
,
,
,
,
,
,
the day
,
,
,
,
is
,
,

,
,
through.
,
,

48
_
,
,
,
.
So make
,
,

,
,
your
,
,
mind
,
,

up
,
,

,
,
now
,
,

,
,
it's
,
,
up
,
,

,
to
,
,

,
,
you!
,
,

52
E

_
,
Denny

Do
f
you wan
,
,
na - be
, ,
,
bad?
,
.
Do you wan
, ,
na - be the
, , , ,
_
, -
Others

Do
f
you wan
,
,
,
,
,
,
na - be
,
,
,
,
,
,
bad?
,
,
,
,
,
,
,
,
,
.
55

_
,
bad dest
,

,
- and
,

the
,

,
best?
,

,

You've
,
been
,
messed
,
a round -
, ,
and
,

,
tram
,

-
_
,
Bad dest
,
,
,

,
,
,
- and
,
,
,

the
,
,
,

,
,
,
best?
,
,
,

,
,
,

You've
,
,
,
been
,
,
,
messed
,
,
,
a round -
,
,
,
,
,
,
and
,
,
,

,
,
,
tram
,
,
,

-
74
58

_
,
pled
,

,
- down,
,

,

Get it off
, ,
your
,

,
chest!
,

,
No you don't
,
,
,
get
,
_
,
pled
,
,
,

,
,
,
- down,
,
,
,

,
,
,

Get it off
,
,
,
,
your
,
,
,

,
,
,
chest,
,
,

,
,
.
61

_
,
mad,
,
.
Nikki
,
You just
,

,
get
,
bad der - than all
, , ,
, ,
the rest,
,
, ,
.
_
,
You don't
,
,
,
,
,
,
get
,
,
,

,
,
,
mad,
,
,
,

,
,
,
.
Bad der - than all
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
the rest,
,
,
,
,
,
,
,
,
,
.
65
_
, .
Nikki
No one
,

,
- else
,

could
,

,
take
,

that
,

,
crown,
,

,

You're the bad
, ,
dest
,

,
- and
,

the
,

,
best!
,

F
69

_
, .
All except Shell

pp
,
The bad
,
,

dest, -
,
,
,
,
,
the bad
,
,

dest
,
,

,
,
- and
,
,

the
,
,

,
, ,
,
Shell: Well it's obvious I'm the best, innit?
best,
,
,

. ,
The
,
,
,

_
, .
pp
,
The bad
,

dest, -
, ,
,
the bad
,

dest
, ,

,
- and
,

the
,

,
best,
,
. ,
The
, ,

73

_
,
bad dest, -
,
,
,
,
,
The bad
,
,
,

dest
Nikki: So? Are you in with us?
-
,
,
,
,
,
The bad
,
,

dest
,
,

,
,
- and
,
,

the
,
,

,
, ,
,
best!
Yvonne: Or just out for yourself?
-
,
,

_
,
bad dest, -
, ,
,
The bad
,

dest -
, ,
,
The bad
,

dest
, ,

,
- and
,

the
,

,
best!
-
,

77
_
,
(Cue)
Denny: Go on, Shell...
,
, ,

,
,
,
,
, ,
,
, ,
,
,
,
,
,
, ,
,
,
,
,

,
,
,
.
,
,
, ,
,
,
,
, ,
,
,
,
,
,

75
80
_
, ,
Shell: Yeah, all right.
,
,
,
,

,
,
,
.
(A big cheer goes up
from the other women.)

,
,
,
,
,
,
,

,
Shell: I could get used to this solidarity shit.
Okay, so what's the plan?
,
,
,

,
,
,
,

,
,
,
,

,
,
,
, ,
,
83
G
_
,
,
,
,
,
,
,
,

,
,
,
,

,
,

,
, ,

,
,
,
,

H
(until ready)
93

_
,
(Cue)
,
,
,
Yvonne (on phone): "Charlie, it's me. Do us a favour,
darling? I need a state of the art wireless mini-cam . . .
,
,
,
,
,
,
,

,
,
,
,

,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,

,
. . . and like yesterday, yeah?"
(A package flies over the wall.)
,
,
,

,
,
, ,
,
,
,
,
,
,
,
,

,
,
,
,
,
,

97
I

_
,
Yvonne

If
f
you're gon
,
, ,
na - be
, , ,
,
,
,
,
,
,
,
bad,
,
. ,
You got
,

ta - get
, ,
the
, ,
_
, -
Others
,
,
,
,
,
,

If
f
you're gon
,
,
,
,
,
,
na - be bad?
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
.
100

_
,
,
,
,
,
,
bad dest
,

,
- and
,

the
,

,
best,
,

,
,
No mat
,

,
ter
,
- where
,
you go
, ,
it's
,

,
who
,

you
,

,
know,
,

,

_
,
,
,
,
,
,
Bad dest
,
,
,

,
,
,
- and
,
,
,

the
,
,
,

,
,
,
best,
,
,
,

,
,
, . - -
104

_
,
,
,
,
,
,

Put it to
, ,
the
,

,
test,
,

,
No you don't
,
,
,
get
,
mad,
,
.
You
,
just
,

,
get
,
_
,
,
,
,
,
,
- -
You don't
,
,
,
,
,
,
get
,
,
,

,
,
,
mad,
,
,
,

,
,
,
.
76
108

_
,
,
,
,
,
,
bad der - than all
, , ,
, ,
the rest,
,
, , . .
Hit him
,

,
hard
,

,
and
,
hit him
,

,
low,
,

_
,
,
,
,
,
,
Bad der - than all
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
the rest,
,
,
,
,
,
,
,
,
, . - -
112
_
,
,
,
,
,
,
,

Do your bad
, ,
dest
,

,
- and
,

your
,

,
best!
,

,
. .
Crystal

mp
And I'm
,
,
J
116
_
,
,
,
,
,
,
sure
,
the Lord
, , ,
will
,
un der
,

,
- stand, -
,

,
If we has
,
,
to be a lit
,
,
,
,
tle - bit
,
,
,
,
un der
,

,
- hand,
,
-

120
_
,
,
,
,
,
,

When you're out
, , ,
to
,
smite
,

the De
,

vil,
,

-
,
You got
,

ta - sink
,
,
,
down
,
to
,
his
,
le vel, -
,
, ,
124
_
,
,
,
,
,
,
Two Julies

mf
We'll fix
,
,
,
,
you
,
,

,
,
up
,
,

,
,
to look
,
,
so
,

,
,
nice,
,
,

,
,
He won't
, ,
think
,

,
,
twice
,
,

127
_
,
,
,
,
,
,
,
,
be fore -
,
,
,
,
he
,
,

,
,

makes
,
,

his
,
,

,
,
move,
,
,
,
,
,
It's an
,
,

,
,
ea
,
,
sy - case
,
,
,
,
to
,
,

,
,
prove,
,
,

131 K
_
,
,
,
,
,
,
,
,


And
Justin
when
,
,
,
it's
,
up
,
,
there
,
,
,
on
,
,
that
,
,
,
screen,
,
,
, ,
When the
,

truth
,
,
135
_
,
,
,
,
,
,
is
,

,
fin
,

al - ly
,
,
,
- seen.

Denny
,
You're
f
gon
,
,
na - be a T.
, , , ,
,
V.
,
star,
,
And the
, ,
139
_
,
,
,
,
,
,
whole
,
world's
,
gon na - know
,
,
,
who
,
you are,
, , ,

You'll be
, ,
the
,
,
,
best
,
,
77
142
L
_
,
,
,
,
,
,
there's
,
,
,
e
,
,
ver
,
,
,
- been!
.
Shell
Now
mf
,
that
,

,
bad,
,
bad
,

man,
,

146
_
,
,
Is
,
gon
,
na
,
- rot
,
,
in
,

,
hell!
, ,
.
I'll
,
make him
,

,
wish
,

_
, - .
Denny (Very free)
,
He's gon
,

na - rot
, , ,
a
,

,
way -
,

in
,

,
hell.

150
_
,
,
we'd
,
ne ver
,

,
- met,
,

,
. .
'Cos
,
I'm
,
_
, - ,
He's gon
,

na - wish
,
,
he ne ver - e
, , , ,
,
ver
,
- met
,
you,
,
153
_
,
in the
,

,
mood,
,

,

For a good
, , ,
night
,
- kiss
,

and
,

,
tell,
, ,
.
_
,
,
.
In
,
the mood,
,
, ,

,

For a good
,
,
,
night
,
- kiss and
,

,
tell,
,

,
,

157
_
,
This 'll - be
,
,
,
a face
,
,
he
,

,
won't
,

,
for
,
get!
,
-
-
_
,

-
He ain't ne
,
,
ver - e ver - gon
,
,
, ,
na - for get -
, ,
,
,
you,
,

,
M
161
_
,
And
Shell & Denny
he'll
,
,
,
,
be
,
,

,
,
his
,
,

to
,
,

,
,
- ry -
,
,

,
,
be fore -
,
,
,
,
,
,
the day
,
,
,
,
is
,
,

,
,
done,
,
,

,
,
.
78
165
_
,
We may
,
,
,
,
be
,
,

,
,
cra
,
,

zy
,
,

,
,

- but
,
,
re
,
,
venge
,
,

-
,
is
,
,

,
,
fun!
,
,

If
f
you're gon
,
,
na - be
, ,
,
N
169

_
,
bad?
,
. ,
You got
,

ta - be the bad
, , , ,
dest
,

,
- and
,

the
,

,
best?
,

_
,
Others

If
f
you're gon
,
,
,
,
,
,
na - be bad?
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,

, .
Bad dest
,
,
,

,
,
,
- and
,
,
,

the
,
,
,

,
,
,
best!
,
,
,

172

_
,
,

Don't
,
get
,
messed
,
a round -
, ,
and
,

,
tram
,

- pled
,

,
down,
,

,

Get it off
, ,
your
,

,
chest!
,

_
,
,
,
,

Don't
,
,
,
get
,
,
,
messed
,
,
,
a round -
,
,
,
,
,
,
and
,
,
,

,
,
,
tram
,
,
,

- pled
,
,
,

,
,
,
down,
,
,
,

,
,
,

Get it off
,
,
,
,
your
,
,
,

,
,
,
chest!
,
,

176

_
,
No
,

,
you don't
,

,
get
,
mad,
,
. ,
You just
,

,
get
,
bad der - than all
, , ,
, ,
the rest.
,
,
_
,
,
,
.
You don't
,
,
,
,
,
,
get
,
,
,

,
,
,
mad,
,
,
,

,
,
,
.
bad der - than all
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
the rest.
,
,
,
,
,
,
180

_
,
,
. .
Shell
Who's
,

the bad
,

dest
,

,
- girl
,

in
,

,
town?
,


_
,
,
,
,
. - - -
79
184
O

_
, .

pp
,
The bad
,

dest, -
, ,
,
the bad
,

dest, -
, ,
,
The bad
,

dest -
, ,
,
and
,

,
the
,

,
best,
,

_
, .
pp
,
The bad
,
,

dest, -
,
,
,
,
,
the bad
,
,

dest, -
,
,
,
,
,
The bad
,
,

dest -
,
,
,
,
,
and
,
,

,
the
,
,

,
best,
,
,

188

_
, . ,
The
cresc.
bad
,

dest, -
, ,
,
the bad
,

dest, -
, ,
,
The bad
cresc.
,

dest
,

,
- of
,

the
,

,
bad
,
,
-
_
, . ,
The
cresc.
bad
,
,

dest, -
,
,
,
,
,
the bad
,
,

dest, -
,
,
,
,
,
The bad
cresc.
,
,

dest
,
,

,
,
- of
,
,

the
,
,

,
,
bad
,
,

-
192

_
,
- est
,
,
,
and
,

The
,

,
f
Bad dest
,

,
,

- And
,

,
The
,
,
,

Best!
,

,
_
,
- est
,
,

,
,
and
,
,

The
,
,

,
,

f
Bad
,
,

,
,
dest - And
,
,

,
,

,
,
The Best!
,
,

_
_
q = 165
14a. Scene Change

_
,
Cue:
Okay, everybody else get back in your cells, yeah?
(Justin leads Shell out and the other women hurry off to their cells.)

,
,
,
,
,
,

[Vamp]
- -
80
_
_
Gentle Country Rock feel
q = 130
15. First Lady
(Jim & Shell)
A
_

Warning:
Just piss in the pot, will you?
Cue:
Better make me believe I can still get
what I want from you, then.
_

Shell
mp freely
,
I
,

need
,

,
a man
,

,

with his hand
,
,
,
on
,

,
the
,

6
_

wheel,


Who
,
has
,
the po
,
,
wer
,

- to go
,
,
,
far.
Jim: Yep, you bet.
All the way to the top.
,
, ,

10
_

.
You
,
need
,
a
,
3
wo
,
man
,
- who'll
,
3
show
,
you
,
the
,
3
13
_

way
,
,
to re
,

veal, -
,
, ,

What What
,
kind kind
,
of man
,
, ,
you
,
tru
,

,
ly -
,

17
_

are.

Jim: Oh, I'll be revealing everything, darling.


,
. ,
It's just
,

,
the two
,
,
of
,

,
us
,

,
with
,
21
_

no
,
one - else
,
,
to
,

,
see,
,


,
So why
,

not
,

,
start
,

,
re veal -
,
,
ing - your
,
, ,
25
B
_

self
,

to
,
me,
,
I'll
,
be
,
your
mf

,
, ,

First
,
La
,

dy -
,

Of The
,
,
,
29
_

Night
,

Won't
,
you
,
come
,
3
out
,

and
,

play,
,

,
,
I'm tak
,

,
ing
,
- you
,
3
81
33
_

all
,

the
,
way.
,
,
,
,

, ,
,
If you
,

can
,

,
go
,

the
,

,
dis
,

tance,
,

,
-
37
_


I'll
,
of fer
,

-
,
no
,
re sis
,

,
- tance,
,
-
,
You know
,

we've
,

,
al
,

,
ways
,
- been
,
so
,

41
_

,
right.
,

,

I'm
,
your
,
First
,


La
,
dy -
,

Of
,

,
The
,

45
C
Verse 2
_

Night.
,


Jim
,
But
mp
let's
,
,
not
,
for
,
3
get,
,
- luv,
,
3

That a
,
,
49
_

man
, ,
needs
,
his
,
3
space,
, .
To
,
come and
,
,
,
go
,
,
,
as
,
he may
,

53
_

,
please
,

Shell: Don't you worry about that, Jim.


,
. .
Shell
You You
,
can
,
be be
,
3
sure
,
that
,
a
,
3
wo
,
man
,
- like
,
3
57
_

me
,

knows
,
her
,
3
place . . .
,

, ,

I'll
,
be here
,

wait ing -
,
, ,
,
on
,

my
,
,
61
D
_

,
knees,
,


Shell
,
And you
,

,
have
,
no
,
3
i
,

,
dea -
,

,
what
,
_

- -
Jim
,
And you
,

,
have
,
no
,
3
i
,
,
,
dea -
,

,
what
,
82
65
_

treats
,
,
you have
,

in
,

,
store.
,


,
I'm gon
,

na
,

,
- have
,

you like you've ne


, , , ,
ver - been
, ,
,
_

treats
, ,
you have
,

in
,

,
store.
,

,
I'm gon
,

na
,

,
- have
,
,
you like you've ne
, , , ,
ver - been
, ,
,
69
E
_

had
,

be
,
fore, -
,

,
I'll
,
be
,
your . . .

mf
,
, ,

First
,
La
,

dy -
,

,
of
,
the
,
3
_

had
,

be
,

fore, -
,
,

.
mf
First
,
La
,
dy -
,
,
,
of
,
the
,
3
73
_

night,
,

Turn
,
all
,
the
,
3
lights
,

down
,

,
low,
, ,

We're in
,

,
for
,
an
,
3
_

night,
,

Turn
,
all
,
the
,
3
lights
,
down
,

,
low,
, ,
We're in
,

,
for
,
an
,
3
77
_

all
,
night
,

,
show,
,
,
,
,
, ,
,
Just give
,

in
,

,
to
,

temp
,

,
ta -
,

tion,
,

,
-
_

all
,
night
,
,
,

show,
,
,
,
,
Just give
,

in
,
,
,
to
,

temp
,

,
ta -
,

tion,
,

,
-
81
_


'Cos
,
in
,
this
,
,
sit
,

u - a
,
,
,
- tion,
,
-
,
You can't
,

,
de ny -
,
, ,
it feels
,
, ,
so
,
_


'Cos
,
in
,
this
,
,
sit
,

u - a
, ,
,
- tion,
,
-
,
You can't
,
,
,
de ny -
,
, ,
it feels
,
, ,
so
,
83
85
_

,
right.
,

,
I'm
,
your
,
First
mp

La
,
dy
,
-
,
of of
,
the the
,
3
_

,
right.
, ,
. .
mp
First
,
La
,
dy
,
-
,
of of
,
the the
,
3
89
F
_

night.
,

mf
You
,
real
,
ly
,
3
- rock
,
me off
, ,
my
,

,
feet,
,

,

May
,
be
,
- it's
,
3
_

night.
,

mf
You
,
real
,
ly
,
3
- rock
,
me off
, ,
my
,

,
feet,
,

,

May
,
be
,
- it's
,
3
93
_

meant
,
to
,

,
be,
,
To
,
ge
,
- ther
,
3
- we
,
could have
, ,
this
,

whole
,
world
,
in our
, ,
,
_

meant
,
to
,
,
,

be,
,
To
,
ge
,
- ther
,
3
- we
,
could have
, ,
this
,

,
whole
,
world
,
in our
,
,
,
97
_

hands.
,

Ba
,
by
,
- we're
,
3
turn
,
ing - up
,
,
the
,

,
heat,
,

,

This
,
is
,
your
,
3
_

hands.
,

Ba
,
by
,
- we're
,
3
turn
, ,
ing - up
, ,
the
,
,
,
heat,
,
,
,
This
,
is
,
your
, ,
3
101
_


des
,
ti
,

- ny.
,
-
,
,
,
, ,
You and
,

,
me,
,

,

We've got
,

,
some
,

thing
,

,
-
_


des
,
ti
,
,
,

- ny.

- You and
,

,
me,
,

,
We've got
,

,
some
,

thing
,

-
105
G
_

no
,
one
,
- un der
,
,
,
stands.

.
f
First
,
_

no
,
one
,
- un der
,
,
,
stands.

.
f
First
,
84
109
_

La
,
dy -
,

,
of
,
the
,
3
night.
,

Turn
,
all
,
the
,
3
lights
,
down
,

,
low,
,
_

La
,
dy -
,
,
,
of
,
the
,
3
night.
,

Turn
,
all
,
the
,
3
lights
,

down
,

,
low,
,
113
_

,
We're in
,

,
for
,
an
,
3
all
,
night
,

show.
,

,
,
,
, ,
,
Just give
,

in
,

,
to -
,

We're in
,
,
,
for
,
an
,
3
all
,
night
,
,
,
show.
,
,
,

,
Just give
,
,
in
,
,
,
to -
,
,
117
_

temp
,

,
ta -
,

tion,
,

'Cos
,
in
,
this
,
,
sit
,
u - a
,

,
- tion,
,
-
,
You can't
,

,
de ny -
,
,
_

temp
,
,
,
ta -
,

tion,
,

'Cos
,
in
,
this
,
,
sit
,
u - a
,

,
- tion,
,
-
,
You can't
,
,
,
de ny -
,
,
121
_

,
it feels
,
, ,
so
, ,
right,
, ,
I'm
,
your
,
First

,
it feels
,
, ,
so
, ,
right,
,

, . .
First
,
125
_

La
,
dy,
,
-
,
and on
,

,
ly
,
- La
,
dy
,
- Of
,
The
,

Night.
, , , ,
_

La
,
dy,
,
- My
,
First
,

La
,
dy
,
- Of
,
The
,

Night.
, , , ,
129
_


-
-
_


-
-
85

_
_
q = 165
(Shell & Chorus)
15a. The Baddest and the Best Reprise

_
,
[Vamp]
Exit Cue:
Give me the bloody key
-
[Vamp]
Exit Cue:
What the hell are you doing?

Kbd
,

,
,

,
[Vamp]
,

,
,
,
,
,
Exit Cue:
Help! Fire!
,
f
,
,
,
,
,
,
,
,

,
,
,
5
A

_
,
Shell

If
f
you're gon
,
,
na - be
, ,
,
bad?
,
. ,
You got
,

ta - be the
, , , ,
_
, -
Chorus (unseen)

If
f
you're gon
,
,
,
,
,
,
na - be bad?
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,

, .
8

_
,
bad dest
,

,
- and
,

the
,

,
best?
,

,

Don't
,
get
,
messed
,
a round -
, ,
and
,

,
tram
,

-
_
,
Bad dest
,
,
,

,
,
,
- and
,
,
,

the
,
,
,

,
,
,
best!
,
,
,

,
,
,

Don't
,
,
,
get
,
,
,
messed
,
,
,
a round -
,
,
,
,
,
,
and
,
,
,

,
,
,
tram
,
,
,

-
11

_
,
pled
,

,
- down,
,

,

Get it off
, ,
your
,

,
chest!
,

No
,

,
you don't
,

,
get
,
mad,
,
.
_
,
pled
,
,
,

,
,
,
- down,
,
,
,

,
,
,

Get it off
,
,
,
,
your
,
,
,

,
,
,
chest,
,
,

,
,
.
You don't
,
,
,
,
,
,
get
,
,
,

,
,
,
mad,
,
,
,

15

_
, ,
You just
,

,
get
,
bad der - than all
, , ,
, ,
the rest.
,
, ,
. .
Shell
Who's
,

the
,

_
,
,
,
,
.
Bad der - than all
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
the rest.
,
,
,
,
,
,
,
,
,
. -
19
_
,
bad dest
,

,
- girl
,

in
,

,
town?
cresc.
,

, . . ,
The
f
,
Bad dest
,

- And
,

The
,

Best!
,

,
86
_
_
q = 100
16. This Is My Life
(Helen, Nikki, Yvonne & Prisoners)
Cue _
,
,
Warning:
Five, four, three, two, . . . one!
Cue:
- Be good.
- Oh, we will, sir.
- After you.
p
,
,
, ,
,
,
,

,
, ,
,
,
,
, ,
,
,
,
,
,
,
,
,
,
,
5
_
,
,

, ,
, ,
,
,
, , ,
,
,
,
,
,
,
,

-
9
_
,
,
,
,
, ,
,
,
,

,
, ,
,
,
,
, ,
,
,
,
,
,
,
,
,
,
,
13
_
,
,

, ,
, ,
,
,
, , ,
,
,
,
,
,
,
,

-
17

_
,
,
_
[Vamp]
Exit Cue:
When you're free.
,
,
,
,
,
,
-

,
,
,
,
,
,
,
,
A
q = 120
21
_
,
I'm
Nikki
gon na - be
,
,
,
,
there,
,



That's a prom
,
,
ise
,

,
-
,
I won't
,

,
break,
,

,

25
_
,
I'm
Helen
gon na - be
,
,
,
,
there,
,

,

Watch ing - o
,
,
,
ver - ev
,
,
'ry
,

,
- move
,

you
,

,
make,
,

29
_
,
,

,
This
Nikki
is
,
,
my
,

,
life,
,

,
Start
,
liv ing - it,
,
,
,
Helen

This is
,
,
your
,
,
,
life,
,

,
keep
,
giv ing - it
,
,
,
87
33

q = 135

_
,
Ev
,
'ry - thing -
,
,
you
,

,
can.
,



Both
,
And I'm
,

,
,
gon
,
,
na
,
,
3
- be
[Vamp]
,

Exit Cue:
She gets out for all of us, yeah?
Yeah.
there,
,

,
,
,
B
37
_
,
,

Nikki
All
,
our
,
to mor -
,
,
rows
,

,
- start
,

to
,

,
day, -
,

,
Got ta - throw
,
,
those
,
, ,
40
_
,
,
fears
,
and doubts
,
,
a
,

,
way, -
,

,
,
'Cos no
,

bo - dy - tells
, , , ,
you
,

,
who
,

,
you
,
43
_
,
,
are.
,
.
Yvonne

The past
, ,
can't
,

,
hurt
,

us
,

,
now it's
,

,
gone,
,

47
_
,
,
,
,
This is
,

the
,

,
time
,

,
for mov
,
,
ing - on,
,
,
,
, ,

Don't hold
,

,
back
,

50
_
,
,
now we've come
,
, ,
, ,
so
,
far.
,
,
And
Nikki
we
,

all
,
, ,
know
,
just how
,

,
hard
,

54
_
,
,
it can be,
,
,
, , ,
When you're fac
,
,
ing - that ten
, ,
,
,
foot
,

,
wall,
,

,
,
But if
,

you
,
,
57
_
,
,
,
all
,
stand to
,

,
geth -
,

er - with me,
,
,
, , ,

,
We're gon na - see
,
,
, ,
it
,

,
fall.
,

60

_
,
,
,

I'm
Nikki
gon na - be
,
,
,
,
there,
,

,
_
,
,
- -

-
Prisoners
I'm gon na - be
,
,
,
,
,
,
,
,
there
,
,

,
,

88
64


I will be
,
,
,
the first
,
,
in
,

,
line,
,

,
I'm gon na - be
,
,
,
,
there
,

,
,

-
67

,
I'm go
,

ing - out
,
,
,
,
and tak
,

ing
,

,
- back
,

what's
,

,
mine,
,

I'm gon na - be
,
,
,
,
,
,
,
,
there.
,
,
,
,
,
,

,
,


70

,
. - -
_


This
Prisoners
is
,
,
my
,
,
,
life,
,

,
I'm
,
liv ing - it,
,
,
,

This is
,
, ,
,
,
my life,
,


This is
,
,
my
,

,
life,
,

,
I'm
,
liv ing - it,
,
,
,

This is
,
,
my
,

,
life,
,


This is
, ,
my
,

,
life,
,

,
I'm
,
liv ing - it,
,
,
,

This is
, , ,

,
my life,
,

73

,
I'm
,
giv ing - it
,
,
,
ev
,
'ry - thing -
,
,
I
,

,
can.
,


,
To make
,

it
,
,
,

,
I'm
,
giv ing - it
,
,
,
ev
,
'ry - thing -
,
,
I
,

,
can.
,


,
To make
,

it
,

,
I'm
,
giv ing - it
,
,
,
ev
,
'ry - thing -
, ,
I
,

,
can.
,


,
To make
,

it
,

89
77

good.

- .
I have
,

,
plans,

good.

- .
I have
,

,
plans,

81

,
,
And I
,

have
,

,
dreams,
,

,
,
'Though may
,

,
be
,
- some of
,

,
them
,

are just
,
,
,
_

,
,
And I
,

have
,

,
dreams,
,

,
,
'Though may
,

,
be
,
- some of
,

,
them
,

are just
, , ,
84

cra zy
,

,
- schemes,
,

But still
,
,
,
I
,
,
Wan na
,

- try,
,
, ,
To be
,
, ,
some
,
one,
,
-
_

cra zy
,

,
- schemes,
,

But still
, ,
,
I
,
,
Wan na
,

- try,
,
, ,
To be
,
, ,
some
,
one,
,
-
88

,
,
Just give
,

,
me
,
a
,
3
chance
,

and I'm
,

,
gon
,
na
,
3
- take it,
,

,
, ,
To
,
es
,
,
-
_

,
,
Just give
,

,
me
,
a
,
3
chance
,

and I'm
,

,
gon
,
na
,
3
- take it,
,

,
, ,
To
,
es
,

-
91

cape
,
from
,
the
,
3
cy
,
cle
,
- and
,
3
break it,
,

,
, .
I wan na - show
, , , ,
them
,

,
why
,

cape
,
from
,
the
,
3
cy
,
cle
,
- and
,
3
break it,
,

,
, .
I wan na - show
, , , ,
them
,

,
why
,

90
94

,
I am
,

,

some
,
one,
,
-

,
I am
,

,

,
some one,
,
-

97

,
And when
,

I make
, ,
it
,

,
out
,

of this place,
,
,
, , ,
From the mo
,
,
,
,
,
,
ment
,
,
- I
,
,
3
walk
,
,
through
,
,
that
,
,
3
_

,
And when
,

I make
, ,
it
,

,
out
,

of this place,
,
,
, , ,
From the mo
,
,
,
ment
,
- I
,
3
walk
,
through
,
that
,
3
100

door.

,
What e
,

ver - shit
, ,
life
,

,
throws
,

in my face,
,
,
,
, ,

,
I am
,
,
,
,
_

door.

,
What e
,

ver - shit
, ,
life
,

,
throws
,

in my face,
,
,
,
, ,

,
I am
,
,
103

not gon na - take


,
,
,
,
,
,
,
,
a ny
,
,
,
,
,
,
- more,

I'm
,
,
head ing
,
,

,
,
- on
,
,

_

not gon na - take


,
,
,
,
a ny
,
,
,
- more,

I'm
,
head ing
,

,
- on
,

106

- - .
Julie S
,
On a
,

beach,
,
,
_

my
,

,
way,
,

,
,
To where
,

I
,
,
want to
,
,
,
be,
,
.
_

my
,

,
way,
,

,
,
To where
,

I
,
,
want to
,
,
,
be.

91
109
_

. ,
Kick ing
,

- sand
,
,
from our shoes,
,
,
, , ,

Yvonne
,
There's a
,

bar,
,
, ,
Where I'm
,
,
_

,
Julie J
With our
,

kids,
,
,
kick ing - sand
,
, ,
,
from our shoes,
,
,
, , ,

There's
Nikki
a bar,
,
,
, ,

,
Crystal
Where I'm
,
,
112
_

sing ing - the blues,


,
,
,
, ,
Shell
,
Get ting
,

- wast
, ,
ed - on cheap
,
,
,
,
fo reign - booze,
,
,
,
, ,
But
All
if
,
,
_

sing ing - the blues,


,
,
,
, ,
,
,
Denny
,
Get ting
,

- wast
, ,
ed - on cheap
,
,
,
,
fo reign - booze,
,
,
, , ,
But
All
if
,
,
115
_

that is the life


, , , ,
I
,

,
chose,
,

,
,
If that
,

is the life
,
,
,
,
,
,
,
,
I
,
,

,
,
chose,
,
,

that is the life


, , , ,
I
,

,
chose,
,

,
,
If that
,

is the life
, , , ,
I
,

,
chose,
,

118
_

.
I'm
,
,
,
,
gon na
,
3
- be
,
there,
,

, ,

I've
,
,
,
,
got ta
,
,
3
-
_

.
I'm
,
,
gon na
,
3
- be
,
there,
,

, ,

I've
,
,
got ta
,
3
-
122
_

be
,
,

there,
,
,

,
,
,
,
I'm
,
,
,
,
gon na
,
,
3
- be
,
,

there,
,
,

,
,
_

be
,

there,
,

, ,

I'm
,
,
gon na
,
3
- be
,
there,
,

,
92
125
_


I
,
,
wan
,
,
na
,
,
- be

there.


I
,
wan
,
na
,
- be

there.

129
_


-
_


-
_
_
16a. This Is My Life Playoff (optional)
_


93
_
_
Latin q = 180
17. Curtain Call
(Company)
Cue _
,
,
,
f
,

,
,
, ,
,
,
, ,
,

,
, ,

,
,
,

, ,
,

,
,
, ,
, -
A
5
_
,
,

,

,

,
,
,
,

,
,

,

,
,
,
,

,

,

,
,
10
_
,
,

, ,
,
,
,
,
,
,
,
,
,
,
,
,
,
, ,
,

,
,

_
15
_
,
,
,

,
, ,
,
,

,
_
,
,

,
,
, ,
, -
B
21
_
,
,
,_
,
,
,
,
,
,

,
,

36
C
_
,
,
-
,
,

,
,

,
,
,
,
. , ,
,

,
,

,
,

,
,

,
,
41
q = 90
_
,
,
- -
(Cue)
, , , , , , , , ,
Yvonne &
Prisoners
, , , . ,
We're
f
on
,

the
,
,
3 3 3 3
D Jazz 8's
45
_
,
,
A
,
List, -
, , , ,
. ,
Come out
,
,

and
,
, ,
,
,
,
play
,
, ,

list,
,
, ,
,
,
,
,
.
Won't
,
,
49
_
,
,
stop
,
,
'til we drop,
,
,
,
,
,
,
'Cos we're on
,
,
,
,
the
,
,

,
,
top
,
,

,
,

,
to
,
,
,
night

,
,
-
,
,

,
,
,

,
,
,
,
,

94
53

_
,
,
- -
(Cue)
,
,
,
,
, ,
,
,
,
,
,
,
,
3
3
3
3
_
,
,

Hey
,
,
Mis ter, -
,
, ,
,
,

Don't
,
,
turn
, ,
out
,
,
,
that
,
,
light.
,
, .
_
,
,

Hey
,
,
Mis ter, -
,
, ,
,

Don't
,,
,
turn
,
,
out
,
,
that
,
,
light!
,
,
.
56

_
_
_ _
,
,
,
,
,
,
, ,
,
,
,
,
,
,
,
3
, ,
,
,
,

, ,
,
,
,
,
, ,
,

,

,
.
3
3
3
_
_
Freely q = 172
18. Playout (Optional)
60
_
,
,
,
_,
95

Les Petits
Rats

Music by
PETER ALLWOOD
Book & Lyrics by
JEREMY JAMES TAYLOR
& DAVID SCOTT




Tuba











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