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BA Hons Dance Performance 2010-11 Assessment feedback Collaborative PracticesDevised Performance- Film Project First Marker: Dionysios Tsaftaridis

Student: Hara Papoutsi Comments (1 Marker) 1. Evidence of intelligent engagement with the learning experience provided demonstrating an original, inventive investigation which reflects a unique point of view: Excellent 2. Very Good Good Concern
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Evidence of the ability to synthesise ideas and information, ordering existing knowledge and/or developing new knowledge Excellent Very Good Good Concern

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Demonstration of clarity in the structure and crafting of the presentation material, including movement: Excellent Very Good Good Concern

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Evidence of the ability to assess the status of and strategies behind processual work: Excellent Very Good Good Concern

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Evidence of knowledge of key issues in current practice and address them in your discussion/reflection. Excellent Very Good Good Concern

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Evidence of your role as artist/researcher at work, demonstrating rigorous attention to stages of experimentation in the process Evidence of excellent directorial skills in the theatrical handling of the dancers within the work Excellent Very Good Good Concern

Additional comments:

The raw/primary visual material of the screenwork was problematic, as well as its relation with the general idea of the screenwork. However, the appropriately simple editing, along with its interesting relation to music, improved the overall result.
Suggested mark (first marker); 39 Signed: Date:

2 Marker FOR MODERATION/ NOT FOR STUDENTS Name of 2 Marker: Dimitris Tsioukas Student: Hara Papoutsi
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Please rate as EXCELLENT, VERY GOOD, GOOD, CONCERN next to each criteria 1. Evidence of intelligent engagement with the learning experience provided demonstrating an original, inventive investigation which reflects a unique point of view CONCERN 2. Evidence of the ability to synthesise ideas and information, ordering existing knowledge and/or developing new knowledge CONCERN 3. Demonstration of clarity in the structure and crafting of the presentation material, including a clear thematic focus: GOOD 4. Evidence of the ability to assess the status of and strategies behind processual work how particular tasks and methods were evolved: CONCERN 5. Evidence of knowledge of key issues in current practice and address them in your discussion/reflection and thus demonstrate your understanding and application of variety of shots, scale, rhythm in the editing process, in order to create a work that can only exist in the film medium. CONCERN 6. Evidence of your role as artist/researcher at work, demonstrating rigorous attention to stages of experimentation in the process Evidence of excellent directorial skills in the theatrical handling of the dancers within the work CONCERN

Further comments: I strongly believe that Haras concept was too ambitious. She obviously experienced great problems in the realization of her ideas producing a rather poor and problematic material. She tried to tackle questions on sexual identity through the interior experiences of an individual but the form, content and the volume of her work was neither sufficient nor adequate, failing to achieve a successful result.

Suggested Mark: 39 Signed: Date:

MODERATED RESULTS

First Marker: Suggested mark (second marker) Agreed Mark (if applicable)

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(signature of first marker) (signature of second marker) (date finalised) (date finalised)