fretboard topologies

1,117 scales and modes for guitar players
by Nicholas Puryear

Version 1.04 rev120403
Copyright © 2010 Nicholas Puryear
All rights reserved.
www.fretboardtopologies.com

This book was composed with Microsoft Word and OpenOffice Writer (free download at OpenOffice.org).
Fretboard diagrams were created with the Table function in Word, and scale-note and chord-note dots were
created and positioned with the drawing tool and cut-and-paste function in Writer. Permutations of intervallic
structures were calculated at http://juliusdavies.ca/andre/permutations.html.
Copyright © 2010 Nicholas Puryear. All rights reserved.

fretboard topologies
1,117 scales and modes for guitar players
▪ Every five-note, six-note, and seven-note scale containing
an interval no larger than a major third
▪ 266 harmonized 7-note scales with chords
▪ Selected 8-note scales

by Nicholas Puryear
Version 1.04 rev120403
Copyright © 2010 Nicholas Puryear

foreword
years ago as
my personal guitar and music notebook. Over time, it grew and evolved to its present

Fretboard Topologies
boo
to compose, improvise, and explore the instrument. It provides a full accounting of 5-, 6-,
and 7-note scales containing intervals no larger than a major third and selected 8-note
scales, chiefly to account for the Bebop scales and the Diminished Scale.
PDF is the ideal format for this book. You can print out some or all of it, slap it in a 3-ring
binder, mark it up at will, and print clean replacement pages as needed.

guitar-playing friends you think might be interested.

Fretboard Topologies
get it. Just click the Download tab at www.fretboardtopologies.com.
Donate tab at the website if you want to help support the effort. The
suggested contribution is $5, but all donations are gratefully accepted.
Lastly, I proofed this book carefully, but like doctors who treat themselves as patients,
authors make lousy proofreaders of their own work. I would be very grateful if you
report misprints, typos, or other errors to fretboardtopologies@gmail.com so I can
correct them in subsequent versions.

contents
Introduction

1

Part 1 (generally useful scales)
Topology 5.1 (2,2,2,3,3)

6

Topology 7.1 (1,1,2,2,2,2,2)

9

Topology 7.2 (1,1,1,2,2,2,3)

17

Topology 7.3 (1,1,1,1,2,3,3)

59

Part 2 (somewhat less useful and in some cases downright useless scales)
Topology 5.2 (1,2,2,3,4)

91

Topology 5.3 (1,1,2,4,4)

104

Topology 5.4 (1,1,3,3,4)

111

Topology 6.1 (1,2,2,2,2,3)

118

Topology 6.2 (1,1,2,2,3,3)

124

Topology 6.3 (1,1,2,2,2,4)

141

Topology 6.4 (1,1,1,2,3,4)

152

Topology 6.5 (1,1,1,3,3,3)

173

Topology 6.6 (1,1,1,1,4,4)

178

Topology 6.7 (2,2,2,2,2,2)

182

Topology 7.4 (1,1,1,1,2,2,4)

184

Topology 7.5 (1,1,1,1,1,3,4)

200

Topology 8.1 (1,1,1,1,2,2,2,2)

207

Topology 8.2 (1,1,1,1,1,2,2,3)

218

Harmonized scale tones

240

Index of scales

279

Blank scale and chord forms

292

Appendix A: I-IV-V cycles of the Pentatonic Minor and its modes

295

Appendix B: One-note alterations of the Major Scale and its modes

298

introduction
This book is based on the concept of musical interval—the sonic space between any two notes.

The fundamental interval in Western music is the half tone (or semitone), e.g., from C to Db.

Two half tones make up a whole tone, e.g., from C to Dd to D.

Three half tones make up a minor third, e.g., from C to Db to D to Eb.

Four half tones make up a major third, e.g., from C to Db to D to Eb to E natural.

Half tone, whole tone, minor third, and major third are the building blocks of the scales in this book.
Musical intervals can be represented by numbers:
1 = a half tone (the most basic unit; the smallest single step in the 12-tone chromatic scale)
2 = a whole tone (made up of 2 half tones)
3 = a minor third (made up of 3 half tones)
4 = a major third (made up of 4 half tones)
A scale can be shown as a series of numbers representing the sequence of intervals it comprises. No matter how
many or how few notes are in a scale, the numbers representing the intervals in that scale must add up to 12.
For example, the C major scale, C D E F G A B C, contains only half tones (which can be represented by 1’s) and
whole tones (which can be represented by 2’s) in this sequence: whole tone, whole tone, half tone, whole tone,
whole tone, whole tone, half tone.
The intervallic structure is 2212221, and 2 + 2 + 1 + 2 + 2 + 2 + 1 = 12.
Every major scale, regardless of key, has the same intervallic structure, 2212221.
If you know the intervallic structure of a scale, any scale, you can create it in any key.

Mode or scale?
A mode is a scale. When a scale is called a mode, it’s in reference to its parent scale. Using the C major scale as
an example of a parent scale:

Starting and ending on the 1st note, C D E F G A B C, yields the C ionian mode: 2212221.

Starting and ending on the 2nd note, D E F G A B C D, yields the D dorian mode: 2122212.

Starting and ending on the 3rd note, E F G A B C D E, yields the E phrygian mode: 1222122.

Starting and ending on the 4th note, F G A B C D E F, yields the F lydian mode: 2221221.

Starting and ending on the 5th note, G A B C D E F G, yields the G mixolydian mode: 2212212.

Starting and ending on the 6th note, A B C D E F G A, yields the A aeolian mode: 2122122.

Starting and ending on the 7th note, B C D E F G A B, yields the B locrian mode: 1221222

If our example had been, say, the F major scale (F G A Bb C D E F), the modes generated would be G dorian, A

phrygian, Bb lydian, C mixolydian, D aeolian, E locrian, and returning to F major (or F ionian).
In conventional Western music, the roles and relationships of the Major Scale and its modes are pretty much
fixed, but outside that framework, any scale might be considered a parent scale generating a family of modes.
1

the same numeric sequence without commas. a numeric sequence separated by commas. which generates a family of modes. and a minor third.2 yields 21 unique sequences—which can be seen as representing 21 seven-note scales containing no major or minor third.2. for the most part. but also for the chords that can be generated by harmonizing each scale tone.2. each has the same “topology. In our numeric nomenclature.2.2.2.2. represents a topology.Why ‘topologies’? Topology is a branch of mathematics concerned with.1.2. IMHO. among other things. a lot of the scales in topology 7.2 (7-note scales with no thirds) Topology 7.3 comprise 266 unique scales and modes derived from 38 parent scales.1.g.3 (7-note scales with 2 minor thirds) Topology 7.1. what do the intervallic structures of the Major Scale and all its modes have in common? Regardless of the order of arrangement.2. Plus I figure you can best judge for yourself what’s useful or interesting to you. Topology 7. interesting and useful—not only as scales.1.3. How so? Well..1.2.” Each comprises two half tones and five whole tones. calculating all possible permutations of 1.5 aren’t very useful or musically interesting. the deformation of objects in space.1. Five consecutive half tones is half a chromatic scale.2.2.1. 1122222. 2 . a major third.1.4 1. in my opinion.e.2.1. that’s two 1’s and five 2’s. Topology 7.3 (7-note scales with 1 minor third) Topology 7.2. belonging to three families: ▪ Seven unique sequences representing the Major Scale (2212221) and its six modes ▪ Seven unique sequences representing the Melodic Minor Scale (2122221) and its six modes ▪ Seven unique sequences representing the Neapolitan Major Scale (1222221) and its six modes Note: Throughout this book.5 comprises five half tones. These 266 scales are.1.1 1. i.2.4 (7-note scales with a minor and major third) Topologies 7. It has been said of topologists that they make no distinction between a coffee cup and a doughnut—both are 3-dimensional objects with one hole in them.2.1.5 1.1.3 1.4 (7-note scales with 1 major third) Topology 7. As shown on the right.1. but I’ve included them for the sake of providing a complete accounting.2. only a few useful or interesting scales. What’s in this book? Seven-note (heptatonic) scales Every permutation of combinations of seven intervals up to a major third the sum of which equals 12: Topology 7.2 1. which generates permutations.2. represents an individual scale. In this book..3. e. 1.4 produced.1–7.2.2.1.1. I use topology as a metaphor and an organizing principle.

m7+5) is associated with more than one note in the scale..2 1.2.4 (5-note scales with 1 major and 2 minor thirds) Topology 5. I assume you know 8th fret 6th string is C.2.1 1. which can add interest to solos when mixed with the pentatonic minor and its modes. There’s a blank chord form in the back of the book that you can print out for that purpose.1 comprises two families of pentatonic scales (10 scales total).5 1.1.1 2. Five-note (pentatonic) scales Every permutation of combinations of five intervals up to a major third the sum of which equals 12.1.2.3 1.3 (6-note scales with 3 minor thirds) Topology 6. except 2. The selected chords are just a starting point.g.2.3 (5-note scales with 2 minor thirds) Topology 5. The chord forms do not identify fret by Roman numeral.6 is included only to provide a complete accounting of possible 6-note scales.2.1.4 1.4. Quite a few of them are just ordinary pentatonic scales with an extra note or conventional 7-note scales with one note omitted.3.4 (6-note scales with 2 major thirds) Topology 6.2.1. only topologies 6.1.4 include a few useful or interesting scales. and 8-note scales.2.Selected chords derived from 7-note scales The first 38 parent scales in this book (topologies 7.1. 10th fret 6th string is D. 6-note.1.2.4 (6-note scales with 1 major third) Topology 6. The first includes the pentatonic minor and its modes—scales known to just about every rock and blues player on the planet.3.7 is the Whole Tone Scale.2 (the Whole Tone Scale) Of the 6-note scales.1.2. all scale harmonizations are based on a tonic or root note of C.2.4 (5-note scales with 2 major thirds) Topology 5.3. Topology 6.2. For simplicity and economy of space.3 (6-note scales with 2 minor thirds) Topology 6. The second family includes the “pentatonic lydian” and its modes. etc.4 1.2. nor do the 5-note.3 (6-note scales with 1 minor third) Topology 6.2. Topology 6. The other 7-note scales do not have a page of chord forms.2. As is the case throughout the book.1–6.7 2.2.2.2.3) are accompanied by a page of selected chords associated with each scale tone. I leave the many possible inversions and transpositions to you.1.3. I’ve diagrammed the first instance and then noted the others in parentheses.3.6 1.5 includes the Augmented Scale (313131) and its one mode (131313).2. 1.4 (Whole Tone Scale with one note missing): Topology 5.2.1–7.2.2.1.1.2.4 (5-note scales with 1 minor and 1 major third) Topology 5. all chord samples are named off the 6th string and tightly voiced.4 (6-note scales with 1 minor and 1 major third) Topology 6. Six-note (hexatonic) scales Every permutation of combinations of six intervals up to a major third the sum of which equals 12: Topology 6.2.3 1. Wherever the same chord form (e.3.4. Topology 6.3. 3 .3.

Scale diagrams throughout the book reflect that limitation.2.4 and 1.3. When I could find names for some of the more unusual scales. I mapped out the parent scales and all their modes in Part 1.1.” but that’s the way I notate.2. I used them. Note on scale names: Many scales are known by more than one name.1. and 8-note scales do not include chord forms.4 is included only to provide a full accounting of the possible 5-note scales. topology 8. Balinese.2. 1. m7) is associated with more than one note in the scale. At best.1 yields the Diminished scale (21212121) and the Bebop scales. All of the selected chords are named off the 6th string and usually voiced as tightly as possible.3 (8-note scales with a minor third) Topology 8.1.1. there are a lot of ways to make a C7 chord.g. Layouts of the 5-note.2 and 5. Chords The first thirty-eight 7-note parent scales (Part 1) include a selection of chords for each scale tone. Eight-note (octatonic) scales Of the possible 8-note topologies. Mixolydian #9 #11. I generally mapped out just the parent scale or the parent scale and a few modes.2 (8-note scales with no major or minor third) Topology 8. Wherever the same chord form (e.com.. Nor did I research non-English scales names (Japanese. neither do the 7-note scales containing major thirds.g.2. comments. understand. A blank scales page is included at the end of the book. Lydian #2 b7. Other possible 8note topologies (e.1. These chords are just a starting point. and use them..2 1. or suggestions.1. Feel free to come up with your own best articulations.1. The scale diagrams give no indication which finger should play which note.1. Topology 5. though all refer to the same sequence of intervals (3121212). Indian. A blank chords page is included at the end of the book. i. but in Part 2. which are conventional 7-note scales with an added note.1.1. the Phrygian mode with no 3rd and 6th scale tones. You should be able to work out your own best solutions.. I made no effort to determine.3) yield excessively chromatic scales and are not included. I hope you find this book useful.1.1. I’ve included only two: Topology 8. If you have any questions.e.1.3 include pentatonic scales that are redacted modes (e.1.1 1. please feel free to email me at fretboardtopologies@gmail.2. or Mixolydian #2#4.1. whether Hungarian Major is more standard nomenclature than Lydian dominant #2. However. choosing which scale in a family to use as the parent scale was arbitrary. I acknowledge that some of the chord names may be “nonstandard.1.1.g. etc).com or npuryear@fretboardtopologies. Numbering of scales is according to the index of scales at the back of the book. I’ve shown the first instance and then noted the others in parentheses. the Lydian mode with no 2nd and 5th scale tones). 4 . which I used as a guide in its compilation. I have relatively small hands.. 6-note. In many cases.2 yields some chromatically embellished pentatonics.2. for example. Modes on the parent-scale pages are plotted in the articulations easiest for me to play.Topologies 5. and I favor horizontal scale patterns across two octaves with 3-fret stretches. Page layouts Parent scales Numbered parent scales are plotted the length of 24 frets in the key of C.

Part 1: Generally useful scales Parent scales and all their modes are mapped in this section. 5 . Seven-note scales include a selection of chords.

3) 5-note scales with three whole tones and two minor thirds 6 .1 (2.Topology 5.2.3.2.

2. ie. 7 . Pentatonic Major 5. Man Gong XXII XXIV * Intervallic structure. the number of half-steps (semitones) between notes. Yo XII XV XVII XX 4. Ritusen III† V VII VIII X 3. † Roman numerals = fret numbers.1. Pentatonic Minor: 32232* I used the pentatonic minor as the parent scale of this family because I think it’s the “pattern” most familiar to most guitar players.

22332 10. but for a start. † Roman numerals = fret numbers.6. 32223 III† V VII VIII X 8. 23322 XII XV XVII XX 9. 8 . 7. try interspersing C pentatonic lydian.where you might ordinarily use the A pentatonic minor. Pentatonic Lydian: 22233* with a flatted 5th) I’m sure there are many ways to use the pentatonic lydian (a name I made up). try it as a substitute for the 2nd degree of the pentatonic minor. the number of half-steps (semitones) between notes. For example. 33222 XXII XXIV * Intervallic structure. in a blues in A. ie.

2.2) 7-note scales with two half tones and five whole tones 9 .Topology 7.2.1.2.1 (1.2.

‡ Incorporates Pentatonic Minor 32232 § Incorportes Pentatonic Lydian 22233 10 . Aeolian ‡ 14.11. Dorian ‡ 15. ie. Locrian III† V VII VIII X XII XIII XV XVII XX XXII XXIV * Intervallic structure. Mixolydian 13. Phrygian ‡ 16. † Roman numerals = fret numbers. The Major Scale (Ionian Mode): 2212221* 12. Lydian § 17. the number of half-steps (half tones) between notes.

Letters in parentheses = same chord form at that root.Selected C Major Scale chords (2212221)* C∆6 (F) C∆7 (F) C∆9 (F) C6/9 (F) D119 (G. 11 . A.A) Dm6 Dm7 (E. E. B) Dm6/9 Em7+5 (A. Play either note of a gray pair but probably not both. A) *Chords named off the 6th string. A) Dm911 (A) Dm11 (E. B) Emb9 F+11 F+11b5 F∆7b5 G9 G11 G13 Bm7b5 Bm7b5b13 Bm7 (D. Single gray notes are optional.

Mixolydian b6 III† V VII VIII X 20.18. Dorian b2 ‡ 22. ie. the number of half-steps (half tones) between notes. Superlocrian XII XV XVII XX XXII XXIV *Intervallic structure. †Roman numerals = fret numbers. Melodic Minor (Jazz Minor): 2122221* 19. ‡ Incorporates pentatonic minor 32232 § Incorportes lydian pentatonic 22233 12 . Lydian #5 § 23. Semilocrian 21. Lydian b7 § 24.

Letters in parentheses = same chord form at that root. Play either note of a gray pair but probably not both.Selected C Melodic Minor chords*** Cm6 (D) Cm6/9 C∆7+9 Dm7 Dmb9 Eb6/9 (F) Eb∆7b5 Eb∆7+5 F+11b5 (Eb) F+11 F9 (G) F13 F6/9 G11 G7+5 G119 (A) Am911 Am7b5 Am7b5b13 B7b9 B+9 *Chords named off the 6th string. 13 . Single gray notes are optional.

Leading Whole Tone 29.25. Superlocrian bb3 III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. the number of half-steps (half tones) between notes. Lydian #5 b7 § 30. Major Locrian 27. †Roman numerals = fret numbers. § Incorporates lydian pentatonic 22233 14 . Lydian b6 b7 31. ie. Semilocrian b4 28. Neapolitan Major: 1222221* 26.

Play either note of a gray pair but probably not both. 15 .Selected C Neapolitan Major chords* Cm∆7 Cm6 Cmb9 Db9 (all but C) Db∆7b5 Db∆7+5 Db7b5 (all but C) Db7+5 (all but C) Eb6/9 F9 Am7b5 Am7b5b13 Am7+5 Am9 A+9 B7b9 *Chords named off the 6th string. Single gray notes are optional. Letters in parentheses = same chord form at that root.

[page intentionally blank] 16 .

2.2 (1.2.1.3) 7-note scales with three half tones. and one minor third 17 . three whole tones.2.1.Topology 7.

32. Ultralocrian bb3§ XXII XXIV *Intervallic structure. § Incorporates lydian pentatonic 22233 18 . †Roman numerals = fret numbers. Mixolydian #5 37. Ionian #2 III† V VII VIII X XII XV XVII XX 35. the number of half-steps (half tones) between notes. Locrian #3 34. Hungarian Gypsy 38. Lydian #6 36. Neapolitan Minor: 1222131* 33. ie.

Play either note of a gray pair but probably not both.Selected C Neapolitan Minor chords* +9 C∆7 b E 11 (G) Fm7 b b5 A m6 b b D ∆7 (A ) b b D ∆7 b b E7 9 E 13 b5b13 Fm7 +9 B+11 E 11 Fm7 b D9 A ∆7 b5 b +5 +5 G7 (G) b5 b E9 b E 6/9 (B) b9 G7 b5 *Chords named off the 6th string. Single gray notes are optional. 19 . Letters in parentheses = same chord form at that root.

†Roman numerals = fret numbers.39. Mixolydian b2 41. Harmonic Major: 2212131* 40. the number of half-steps (half tones) between notes. Lydian #2 #5 III† V VII VIII X XII XV XVII XX 42. ‡ Incorporates pentatonic minor 32232 20 . Phrygian b4 44. Dorian b5 43. ie. Lydian b3 45. Locrian b7 XXII XXIV *Intervallic structure.

Play either note of a gray pair but probably not both. Single gray notes are optional. 21 . Letters in parentheses = same chord form at that root.Selected C Harmonic Major chords* +5 C∆ C∆7 Dm6/9 Dm7 D+11 11 Em7 Em7 E+9 Fm Fm6 G7 b9 G11 G13 Dm9 F∆7 b +9 A ∆7 b5 C∆7 b5 b b5 +5 +9 A ∆7 +5 Bm6 C∆9 D11 9 Dm6 (B) Dm11 b5∆7 b (A ) Dm7 (E) *Chords named off the 6th string.

ie. Harmonic Minor: 2122131* 47. 22 . Phrygian #3 III† V VII VIII X 48. the number of half-steps (half tones) between notes. Ionian #5 51. †Roman numerals = fret numbers.46. Romanian 52. Ultralocrian XXII XXIV *Intervallic structure. Locrian #6 50. Lydian #2 XII XV XVII XX 49.

Letters in parentheses = same chord form at that root.Selected C Harmonic Minor chords* +9 C∆7 Dm7 (F) E ∆7 E 6/9 F+11 b Fm6/9 Fm7 G11 Fm6 (A ) b A ∆7 b b5 A ∆7 b Dm11 b D° (F. A . Play either note of a gray pair but probably not both. B) b b5 Dm7 (F) b +9 A ∆7 b Dm6 (B) b5 F+11 +5 G7 +9 A ∆6 (B) +5 Bm6 Eb∆9 *Chords named off the 6th string. Single gray notes are optional. 23 .

Hungarian Major: 3121212* 54. 24 . Melodic minor #5 III† V VII VIII X 55. Harmonic minor b5 58.53. Dorian b2#4 XII XV XVII XX 56. the number of half-steps (half tones) between notes. Superlocrian bb6bb7 57. †Roman numerals = fret numbers. ie. Lydian augmented #3 XXII XXIV *Intervallic structure. Superlocrian #6 59.

25 . F ) F m6 (G) b5 # C7 (F ) +5 Gm6 # C+9 (F ) # # C° (D. F ) D ∆6 Em ∆7b5 Gm6/9 Am b9 # (D ) b5 *Chords named off the 6th string. A) # # (D . Letters in parentheses = same chord form at that root. A) # C13 (F ) # b9 b B +11 +9 C∆6 # F7 b5 Cm7 (A) # Cm7 (F . Play either note of a gray pair but probably not both.Selected C Hungarian Major chords* # Cm6 (D . Single gray notes are optional.

Dorian #5 III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. Phrygian #4: 1231122* 61. Lydian #3 64. Ionian #6 63. ‡ Incorporates pentatonic minor 32232 § Incorporates lydian pentatonic 22233 26 . Aeolian #1 66. the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.60. ie. Locrian #7 62. Mixolydian #2 ‡ 65.

27 . Play either note of a gray pair but probably not both. Single gray notes are optional.Selected C Phrygian #4 chords* b5 Cm7 b D +11 b5 # (F ) b # E ∆6 A 11 b Ab11 b B m6 B m6 Cm7 D +11 (F ) b E m6 b5b13 Cm7 b b b b E m11 (B ) +9 F 6/9 9 A ∆7 +5 B m6/9 b9 Cm7 E +9 E 13 Cm +5 b b # Gm b B m9 b ∆7b5 11 b A9 b B m7 b *Chords named off the 6th string. Letters in parentheses = same chord form at that root.

ie.67. Dorian b1 71. Phrygian b7 72. § Incorporates lydian pentatonic 22233 28 . the number of half-steps (half tones) between notes. Locrian b3 III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. Ionian b2: 1312221* 68. †Roman numerals = fret numbers. Aeolian b4 70. Lydian b6 73. Mixolydian b5 § 69.

Single gray notes are optional. Play either note of a gray pair but probably not both. Letters in parentheses = same chord form at that root. 29 .Selected C Ionian b2 chords* C∆7 (F) b D ∆7 b b D ∆7 b5 b +5 D m7 (A) D m7 b Em6 Em6 D 7 (A) D ∆7 G13 +9 b b5b13 +5 b5 G+11 9 G11 b D +9 (A) b D ∆7 Em b5+9 b9 G6/9 b b5 D 7 (G) b +5 D m7 (A) G9 Am7 Am9 *Chords named off the 6th string.

Aeolian b7 79. the number of half-steps (half tones) between notes. Phrygian b3 III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. Mixolydian b1 78. Locrian b6 ‡ 80. Dorian b4 77. ‡ Incorporates pentatonic minor 32232 § Incorporates lydian pentatonic 22233 30 . Ionian b5 § 76.74. †Roman numerals = fret numbers. Lydian b2: 1321221* 75. ie.

Single gray notes are optional.Selected C Lydian b2 chords* C∆7 b D m7 +5 b D m7 (F ) F m7 (A) # Fm C∆7b5 D m7 Em6/9 b5 b b5 # G∆7 G+11 A9 A13 Am6 (E) Am9 A+9 B11 b9 9 # b b5b13 D m7 G6/9 A6/9 +5 Em6 *Chords named off the 6th string. 31 . Play either note of a gray pair but probably not both. Letters in parentheses = same chord form at that root.

2121213 87. 3212121 86. †Roman numerals = fret numbers.81. 1321212 85. Lydian b3#5: 2132121* 82. 2121321 84. 1213212 III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. 1212132 83. 32 . ie. the number of half-steps (half tones) between notes.

Play either note of a gray pair but probably not both.Selected C Lydian b3#5 chords* b5 C+11 b5 D7 # # (F . Letters in parentheses = same chord form at that root. B) # G +9 (B) b # Cm6 (E . 33 . F . A) # D7 (G . Single gray notes are optional. A) D13 (B) Bm b9 Cm6 +5 b b # (E . A) G m7 (B) Bm6 B∆6 +9 *Chords named off the 6th string. A) # E ° (F . F ) # # Cm6/9 (F . A) # (G ) G m7 b5 Cm b5∆7 b9 b (E .

2211132 94. ‡ Incorporates pentatonic minor 32232 § Incorporates lydian pentatonic 22233 34 . 1113222 91. 3222111 ‡ 92. 1132221 III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. the number of half-steps (half tones) between notes. 2111322 90. 89. †Roman numerals = fret numbers. ie. Scala Enigmata: 1322211* Some sources show the F# as an F natural in the descending articulation of this scale.88. 2221113 § 93.

Single gray notes are optional.Selected C Scala Enigmata chords* b5 b5 C∆7 b # D m11 (G ) # # F 11 (G ) # G m9 11 # C7 (F ) b D m7 # 9 # # # b9 (G ) C7 b5 E+11 E+11 F 11 (G ) G9 +5 C7 b D m6 E6/9 F9 # G +9 # A m7 A m7 # # # +5 # b5b13 G m7 b5 # (A ) A m7 *Chords named off the 6th string. 35 . Play either note of a gray pair but probably not both. Letters in parentheses = same chord form at that root.

‡ Incorporates pentatonic minor 32232 36 . 3112122 ‡ 97. 1121223 98. ie. †Roman numerals = fret numbers. the number of half-steps (half tones) between notes. 1223112 99. 2122311* 96. 2311212 101.95. 1212231 III† V VII ‡ VIII X XII XV XVII XX XXII XXIV *Intervallic structure. 2231121 100.

Play either note of a gray pair but probably not both. Single gray notes are optional. 37 .Selected C 2122311 chords* Cm7 (G) Dm7 b +5 E 7 (G) +5 Cm11 (D. G) Dm6 Dm6 b +5 # E 6/9 (A ) +5 G11 B7 11 Cm9 G7 +9 C7 b 9 C11 (F) b E 6 E 7 E 9 F+11 F+11 G+9 B7 b b5 b5 +9 B7 b5+9 *Letters in parentheses = same chord form at that root.

the number of half-steps (half tones) between notes. 1231221* 103. 2112312 § 105. 2211231 104. 1123122 III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. 3122112 107. 38 . 1221123 108. 2312211 106. ie.102. †Roman numerals = fret numbers.

Selected C 1231221 chords* Cm ∆7 b D 11 b Cm 9 E m6 +5 +5 b E +9 (A) b5 Eb7 G∆7 A9 b9 B9 B7 ∆7b5 (A) # Cm6 (F ) b b5 E m7 (A) b +5 Cm b9 b # b b5b13 E m7 +9 E ∆6 Am6 Am9 # C° (E . A) E m7 E7 b (F ) (A) b +5 b5 G∆7 Am6/9 *Chords named off the 6th string. Play either note of a gray pair but probably not both. F . Single gray notes are optional. 39 . Letters in parentheses = same chord form at that root.

1122132 115. 1221321 111. 3211221 113. 2112213 § 114. ie. 2213211 112. 2132112 III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. § Supports Lydian Pentatonic 22233 40 . 1321122* 110.109. †Roman numerals = fret numbers. the number of half-steps (half tones) between notes.

Selected C 1321122 chords* b5 C7 b Dm b5∆7 E6/9 b # (F ) A 11 (G) +5 C7 b b9 (A ) b Em6 (G. Letters in parentheses = same chord form at that root. Play either note of a gray pair but probably not both. 41 . B ) +9 E∆6 b +5 B m7 # b C7 (F ) +5 Em6 b (B ) b A9 b B m7 B m9 Dm Em6/9 (B ) # F9 b D m6 b b ∆7 b5 E+11 b A ∆9 b5 b b5b13 B m7 *Chords named off the 6th string. Single gray notes are optional.

3221112 ‡ III† V VII § VIII X XII XV XVII XX XXII XXIV *Intervallic structure. ‡ Incorporates Pentatonic Minor 32232 §Incoporates Pentatonic Lydian 22233 42 . 2111232 ‡ 120. 2322111 119. †Roman numerals = fret numbers. ie. 1123221 122. 1232211 118. 1112322 121.116. the number of half-steps (half tones) between notes. 2211123* 117.

Letters in parentheses = same chord form at that root. 43 . Play either note of a gray pair but probably not both.Selected C 2211123 chords* C6/9 (F) C∆6 D11 D11 (E. A) Am6 Am7 (D) *Chords named off the 6th string. Single gray notes are optional. A) Em7 b b5 G m7 b b5b13 G m7 +5 b (G . G) F∆7 Gm Am6 9 b +5 ∆7b5 C+11 C+11 b5 D+9 Dm7 (A) Dm11 (E.

1222311* 124.123. ‡Incorporates pentatonic minor 32232 § Incorporates lydian pentatonic 22233 44 . 3111222 125. 1122231 III† V VII ‡ VIII X XII XV XVII XX XXII XXIV *Intervallic structure. ie. †Roman numerals = fret numbers. 2231112 128. 2223111 § 127. the number of half-steps (half tones) between notes. 1112223 126. 2311122 129.

Selected C 1222311 chords* Cm7 b Cm b D 6/9 (E ) b ∆7 Cm11 (G) b b5 D 9 (E ) b E 6/9 D7 b b b E ∆6 E9 G+9 Gm7 b5 b5b13 Gm7 Cm b9 # D ∆7 (B) b E7 (A ) b D 13 (E ) F11 9 # A m6 b b5 b +5 (G) +5 Gm7 # A m6/9 *Chords named off the 6th string. Letters in parentheses = same chord form at that root. 45 . Play either note of a gray pair but probably not both. Single gray notes are optional.

3121122 133. 1122312 134. 46 . 1223121 135. the number of half-steps (half tones) between notes. ie. 2112231* 131. 2231211 136. †Roman numerals = fret numbers. 2312112 132.130. 1211223 III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure.

Letters in parentheses = same chord form at that root. Play either note of a gray pair but probably not both. Single gray notes are optional.Selected C 2112231 chords* b5 b5+9 +9 C∆7 C∆7 D13 D7 E m6 (B) E∆9 (C) E7 b9 +5 E∆7 # F 11 # G +9 9 # C∆7 D7 b +5 # (G ) # b5 G m7 G m7 Bm6 Bm b5 # (G ) D9 E m6 +5 E∆7 E9 F +11 b # b5b13 G m7 # b5 # +5 G m7 b9 *Chords named off the 6th string. 47 .

137. the number of half-steps (half tones) between notes. 3211122 ‡ 140. 1122321 § 141. 2321112 139. 2232111 143. ie. 1223211 142. 1112232* 138. 2111223 III† V VII ‡ VIII X XII XV XVII XX XXII XXIV *Intervallic structure. †Roman numerals = fret numbers. ‡ Incorporates pentatonic minor 32232 § Incorporates lydian pentatonic 22233 48 .

Selected C 1112232 chords* Cm7 (G) b b D ∆7 Dm7 +5 Gm7 b5 9 C11 (F) b5 D ∆7 (G) b # b5b13 Cm b9 b D +11 b E ∆9 # A 6/9 D 6/9 E ∆6 (A ) Gm7 11 Cm9 E ∆7 A m6/9 b Cm11 (D. Single gray notes are optional. Play either note of a gray pair but probably not both. Letters in parentheses = same chord form at that root. 49 . G) b5 b Dm7 b E 6/9 # *Chords named off the 6th string.

144. 1211232*

145. 2112321 §

148. 2321211

146. 1123212

149. 3212112

147. 1232121

150. 2121123

III†

V

VII

VIII

X

XII

XV

XVII

XX

XXII

XXIV

*Intervallic structure, ie, the number of half-steps (half tones) between notes.
†Roman numerals = fret numbers.
‡ Incorporates pentatonic minor 32232

50

Selected C 1211232 chords*
C+9

Cm7

b9

b

C7

Cm11 (G)

b

#

(E )

D ° (E, G, A )

b

+9

D +11

Em6

+5

D ∆7

#

A m6

b

(G)

b5

9

F11

#

(A )

b

D 6/9

b5

Db∆7

b5

Gm7

Cm

b9

b

b5+9

D ∆7

b

E 6/9

Gm7

+5

C11

b

D m6 (E, G)

b

E9

#

A +11

#

A m6/9

*Chords named off the 6th string. Letters in parentheses = same chord form at that root.
Single gray notes are optional. Play either note of a gray pair but probably not both.

51

151. 1121232*

152. 1212321

155. 2321121

153. 2123211

156. 3211212 ‡

154. 1232112

157. 2112123 §

III†

V

VII
VIII

X

XII

XV

XVII

XX

XXII

XXIV

*Intervallic structure, ie, the number of half-steps (half tones) between notes.
†Roman numerals = fret numbers.
‡ Incorporates pentatonic minor 32232

52

Selected C 1121232 chords*
9

C9

C11 (D)

b

D ∆7

b5+9

Dm7

Em7

b5b13

b

D m6 (E)

+5

C11

C7

b

D ∆7

11

Dm7

Dm9

#

Gm6 (A )

#

A 6/9

b

b9

b

#

D ° (E, G, A )

b5

b

+9

D ∆7

D ∆7

Dm11 (G)

Em7 (G)

b5

#

A m6/9

*Chords named off the 6th string. Letters in parentheses = same chord form at that root.
Single gray notes are optional. Play either note of a gray pair but probably not both.

53

158. 2211213*

159. 2112132

162. 2132211

160. 1121322

163. 1322112

161. 1213221

164. 3221121

III†

V

VII
§ VIII

X

XII

XV

XVII

XX

XXII

XXIV

*Intervallic structure, ie, the number of half-steps (half tones) between notes.
†Roman numerals = fret numbers.
§ Incorporates lydian pentatonic 22233

54

Selected C 2211213 chords*
C+11

b5

b5

C6/9

b5

b

Dm9 (G )

E7 (A )

E11

E7

F∆7

F∆7

b9

D7 (A )

E11

E11

9

F∆6

Fm6 (A)

Fm

b

+9

Gm

(A)

∆7b5

b

A 13

b

Dm7

D+9

F∆7

b

Dm7 (G )

b

b9

b

G m7

+5

b

b

(A )

+9

b5b13

G m7

+5

Am6

*Chords named off the 6th string. Letters in parentheses = same chord form at that root.
Single gray notes are optional. Play either note of a gray pair but probably not both.

55

1132212 167. the number of half-steps (half tones) between notes. ‡ Incorporates pentatonic minor 32232 56 . 3221211 ‡ III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure.165. ie. 1322121 168. †Roman numerals = fret numbers. 2113221 171. 2121132 ‡ 169. 2212113* 166. 1211322 170.

Play either note of a gray pair but probably not both. A) F∆9 b b5 A ∆7 +5 *Chords named off the 6th string. Single gray notes are optional.Selected C 2212113 chords* C6/9 (F) Dm9 11 Fm6/9 b A ∆7 C∆6 (F) Dm7 (A) Em7 Em7 F∆7 +9 +5 (A) F∆7 (A) Dm7 E7 b5 b9 F∆7 +9 Dm11 (E. 57 . Letters in parentheses = same chord form at that root.

[page intentionally blank] 58 .

Topology 7.3. 1 whole tone.2. and 2 minor thirds 59 .3) 7-note scales with 4 half tones.1.3 (1.1.1.

Hungarian Minor: 2131131* 173. Oriental 176.172. Locrian bb3 bb7 178. the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ie. Double harmonic  III† V VII VIII X 174. Ultraphrygian XXII XXIV *Intervallic structure. Lydian #2 #6 XII XV XVII XX 175. ‡ Incorporates pentatonic minor 32232 60 . Ionian augmented #2 177.

Play either note of a gray pair but probably not both.Selected C Hungarian Minor chords* Cm b5∆7 b (A ) b9 b b A +9 ∆7 b (B) # b5 +5 E ∆7 b5 b D11 (G) E ∆7 b A m7 D7 (A ) b E ∆7 +5 +9 (A 7 ) b D7 E m6 Cm F +11 G∆7 (A ) B∆6 B∆6 +9 b D13 +9 b Bm b (A ) b E m6 (B) b b5 A m7 b9 *Chords named off the 6th string. Letters in parentheses = same chord form at that root. 61 . Single gray notes are optional.

†Roman numerals = fret numbers. 1132113 III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. 1311321 181. 2113113 184. 1321131* 180. the number of half-steps (half tones) between notes. ‡ Incorporates pentatonic minor 32232 62 . 3113211 182. 1131132 185. ie. 3211311 ‡ 183.179.

Play either note of a gray pair but probably not both. Single gray notes are optional. 63 .Selected C 1321131 chords* C∆7 b Dm ∆7 Em6 b b5 C∆7 ∆7b5 +5 C∆7 (G) A ∆7 b Dm Em6 +9 b A m7 +5 b b b5 D m7 D m7 D m11 (A ) E∆6 E∆6 E6/9 Em6/9 F 11 b +5 A +9 b b b +5 A m7 A7 +9 # 9 b *Letters in parentheses = same chord form at that root.

‡ Incorporates pentatonic minor 32232 64 . 1311231 188. 3113112 191. 1231131* 187. the number of half-steps (half tones) between notes. 1131123 192. 3112311 ‡ 189. †Roman numerals = fret numbers. 1123113 III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. 2311311 190. ie.186.

Play either note of a gray pair but probably not both.Selected C 1231131 chords* Cm ∆7 b +9 (A 7 ) b b E m11 (A ) b E 13 b5 G∆7 Cm ∆7b5 b E m6 b +5 E m7 b A m7 Cm b9 b 9 b +5 D 11 b +5 E +9 (A ) # b5 F +11 E m6 F +11 b A ∆7 b E7 b # b +9 A ∆7 b b E 11 (A ) b G∆7 (A ) B∆6 B6/9 *Chords named off the 6th string. 65 . Letters in parentheses = same chord form at that root. Single gray notes are optional.

3311112 196. 1111233* 194. 1112331 197. 3111123 III† V VII § VIII X XII XV XVII XX XXII XXIV *Intervallic structure. the number of half-steps (half tones) between notes. ie.193. 1233111 199. 2331111 195. 1123311 198. § Incorporates lydian pentatonic 22233 66 . †Roman numerals = fret numbers.

A) D∆7 D9 D7 E m7 # F m7 F m7 b Cm6/9 b E m7 # Cm6 (E . Play either note of a gray pair but probably not both. A) b b5 Em b # b5 F m7 # b5∆7 b5b13 b9 (A) D∆7 9 # E11 # +9 C∆6 +5 F m6 +5 F m7 A∆6 *Chords named off the 6th string. Single gray notes are optional. 67 .Selected C 1111233 chord C 6/9 C+11 b5 b # C° (E . F . Letters in parentheses = same chord form at that root. F .

ie. †Roman numerals = fret numbers. 1323111 206. 3111132 ‡ III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. the number of half-steps (half tones) between notes. 2311113 203. ‡ Incorporates pentatonic minor 32232 68 . 3231111 202. 1113231 204.200. 1111323* 201. 1132311 205.

Play either note of a gray pair but probably not both. 69 .Selected C 1111323 chords* C∆6 Cm C 6/9 b9 b G+11 b5 Cm6 9 E ∆7 E ∆7 +5 Em11 (A) G+11 b5 A7 b5∆7 D11 Em6 +5 Em7 Am7 Am7 Dm Em6 +9 C∆6 b b5 Cm6/9 b b5 A+9 A11 *Chords named off the 6th string. Single gray notes are optional. Letters in parentheses = same chord form at that root.

the number of half-steps (half tones) between notes. 3211113 210. 1133211 212. 1111332* 208. 2111133 § III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. 3321111 209. 1113321 211. †Roman numerals = fret numbers. § Incorporates lydian pentatonic 22233 70 .207. ie. 1332111 213.

B ) b E ∆6 b5b13 Em7 b9 C+9 b b D m6/9 (B ) b E ∆7 +5 Em7 b Dm b C7 (E ) b5∆7 Em6 +5 b B 6/9 (E) (G) b D +11 b5 b (B ) Em7 b +9 B ∆6 *Chords named off the 6th string. Play either note of a gray pair but probably not both. G) 9 D11 Em7 b5 Cm7 b C9 b D ° (E. G. Letters in parentheses = same chord form at that root. 71 . Single gray notes are optional.Selected C 1111332 chords* Cm b9 b D m6 (E.

1121331 218. 21133111 220. 3111213 III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. 3311121 217.214. 72 . †Roman numerals = fret numbers. the number of half-steps (half tones) between notes. ie. 1112133* 215. 1213311 219. 1331112 216.

73 . Play either note of a gray pair but probably not both. A) b Cm6/9 (E ) Dm b9 b5 C+11 +9 D∆7 b F∆6 F∆6 +5 +5 D ∆7 b Dm7 D7 (F) b E m7 b D ∆7 (D) (G m7) D∆7 b (E ) b b9 b5 E m7 (A) F7 +5 b b5∆7 b +5 Em G m6 b (G ) (A) +9 A∆6 *Chords named off the 6th string. Single gray notes are optional.Selected C 1112133 chords* b b Cm6 (E . Letters in parentheses = same chord form at that root. G . A) b D ∆9 +5 D+9 b b E ° (G .

1231311 226. 3131112 III† V VII VIII X 223. 74 . 1311123 XII XV XVII XX 224. the number of half-steps (half tones) between notes. 3111231 XXII XXIV *Intervallic structure.221. 1123131 225. ie. 1112313* 222. †Roman numerals = fret numbers. 2313111 227.

Selected C 1112313 chords* Cm6 (F) b D ∆9 +5 b E +11 b5 +5 Cm6 Dm7 (F) # F∆6 (G ) +5 F+9 (F) F7 Cm6/9 b5 Dm7 F∆6 +5 A∆7 b D ∆7 Dm ∆7 F∆6 b +5 b5∆7 (A7 D ∆7 Dm +9 Fm7 b5 A∆7 A∆7 b5+9 ) +5 +5 +9 A∆7 *Chords named off the 6th string. 75 . Play either note of a gray pair but probably not both. Single gray notes are optional. Letters in parentheses = same chord form at that root.

†Roman numerals = fret numbers. 1231113 XXII XXIV *Intervallic structure. ie. the number of half-steps (half tones) between notes. 228. you should feel free to develop patterns best suited to your own style of playing. alternative 232. 1113123* This scale lends itself more to vertical (up-down the neck) than horizontal (across the neck) articulation.228. 76 . alternative III† V VII VIII X XII XV XVII XX 232.

A) C+11 D11 (A) D∆7 E m7 (A) b b5+9 E ∆6 # +5 Am11 E ∆7 F m6 # Cm6/9 b +9 (A) b b b5 E ∆7 b E +9 (A) *Chords named off the 6th string. Letters in parentheses = same chord form at that root.A) C° (F . Play either note of a gray pair but probably not both. Single gray notes are optional. 77 .Selected C 1113123 chords* # Cm6 (F ) C+11 b b5 E m7 b b5 Cm b9 # (F ) b9 D7 (A) # E m6 (F .

1131321 239. 2111313 XXII XXIV *Intervallic structure. 3211131 III† V VII VIII X XII XV XVII XX 238. the number of half-steps (half tones) between notes. 1321113 237. 3132111 241. 78 . 1113132* 236. †Roman numerals = fret numbers.235. ie. 1313211 240.

Letters in parentheses = same chord form at that root. Play either note of a gray pair but probably not both. Single gray notes are optional.Selected C 1113132 chords* b Cm7 (E ) b5 Cm7 b Cm b b +9 E m6 (B ) b +9 E ∆6 (F ) E 7 E ∆7 b # b9 D7 b b E +9 b E ∆7 +9 E ∆6 b (B ) +5 +9 b +5 D∆7 (Gm7) +5 B ∆6 b E ∆7 b B m6/9 b B 6/9 *Chords named off the 6th string. 79 .

alternative 246. alternative III† V VII VIII X XII XV XVII XX 246. 1113213 242. the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ie.242. 80 . 2131113 XXII XXIV *Intervallic structure.

Selected C 1113213 chords* b # Cm6 (E . Letters in parentheses = same chord form at that root. F . Play either note of a gray pair but probably not both. 81 . Single gray notes are optional. A) b5 D∆7 b Em # (A) b5∆7 F m6 (A) +5 Cm6 b9 # Cm6/9 (F ) # D7 (G ) D7 (G ) b E m11 +9 A∆6 # (F ) b5 b # # C+11 b5 b # (F ) D∆7 b b5 E m7 E m7 # G 11 E ° (F . A) F +11 A∆7 A∆7 # +9 *Chords named off the 6th string.

3312111 255. 2111331 III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. 1113312* 250. 1211133 252. the number of half-steps (half tones) between notes. 3121113 251. 1133121 253. †Roman numerals = fret numbers.249. 82 . 1331211 254. ie.

A) b C° (E . F . Play either note of a gray pair but probably not both. 83 . A) b Em # ∆7 F ∆6 +5 Cm6/9 b9 Cm7 Cm7 +5 D7 D7 b ∆7b5 E m7 b # +5 F ∆6 # b (E ) +9 D∆7 b # E m6 (F ) (A) b b5 C+11 +5 D∆7 Em F m6 b5 +9 B ∆7 b (B ) # F ∆6 b B ∆9 *Chords named off the 6th string.Selected C 1113312 chords* b # Cm6 (E . Single gray notes are optional. Letters in parentheses = same chord form at that root.

†Roman numerals = fret numbers. 1331121 258. 1211331 260. 2113311 261. 1121133* 257.256. ie. 1133112 262. the number of half-steps (half tones) between notes. 3311211 259. 3112113 III† V VII § VIII X XII XV XVII XX XXII XXIV *Intervallic structure. § Incorporates lydian pentatonic 22233 84 .

85 .Selected C 1121133 chords* b5 C6/9 b C+11 b Dm7 (G ) Dm D+9 D∆7 (F) +5 Am6 Am6 G m7 G m7 +9 A∆6 A∆6 A∆6 +9 D9 b b b5 (F) b (G ) ∆7 b +5 D ∆7 9 E11 b D ∆7 (F) D ∆7 +5 +5 *Chords named off the 6th string. Single gray notes are optional. Letters in parentheses = same chord form at that root. Play either note of a gray pair but probably not both.

3131121* This scale lends itself more to vertical (up-down the neck) than horizontal (across the neck) articulation. 264. you can develop patterns best suited to your own style of playing. 1311213 269. ie.263. 2131311 XXII XXIV *Intervallic structure. †Roman numerals = fret numbers. 1121313 XII XV XVII XX 268. 86 . 1313112 III† V VII VIII X 266. the number of half-steps (half tones) between notes.

Selected C 3131121 chords* # +5 C∆7 (E. Play either note of a gray pair but probably not both. G ) +9 C∆6 +9 E∆7 E∆7 b5 Am7 Am Cm6 # (G ) ∆7b5 Am B7 ∆7 +5 +5 Cm6 G6/9 B11 *Chords named off the 6th string. Single gray notes are optional. Letters in parentheses = same chord form at that root. G ) +9 C∆7 Am7 C∆7 # (E. G ) # (E. 87 .

1211313 XII XV XVII XX XXII XXIV *Intervallic structure. ie. alternative 273.270. †Roman numerals = fret numbers. 1131312* 270. the number of half-steps (half tones) between notes. 1312113 III† V VII VIII X 275. 88 .

Play either note of a gray pair but probably not both. G .Selected C 1131312 chords* C+11 b5 b b D ∆7 +5 Dm7 G ∆7 9 C11 b5 b b Dm7 D∆7 (G . B ) Am6 Am6 +5 b +5 (D. Letters in parentheses = same chord form at that root. B ) b +9 (B ) D ∆7 G ∆7 A∆6 b b b D+9 b b5+9 G ∆7 +9 *Chords named off the 6th string. 89 . Single gray notes are optional.

but in many cases.Part 2: somewhat less useful and in some cases downright useless scales Parent scales are mapped the full length of 24 frets. I did not bother to plot the individual modes. 90 .

2.3.2 (1. and a minor and a major third 91 .2. two whole tones.4) 5-note scales with one half tone.Topology 5.

277. 92 . the number of half-steps (half tones) between notes. ie. 12234* 281. 34122 XXII XXIV *Intervallic structure. 41223 III† V VII VIII X XII XV XVII XX 280. †Roman numerals = fret numbers.

†Roman numerals = fret numbers. 12243* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. ie.282. 93 . the number of half-steps (half tones) between notes.

†Roman numerals = fret numbers. ie. the number of half-steps (half tones) between notes. 94 . 24123 XXII XXIV *Intervallic structure.287. 12324* III† V VII VIII X XII XV XVII XX 290.

42123 XXII XXIV *Intervallic structure.292. 12342* III† V VII VIII X XII XV XVII XX 295. the number of half-steps (half tones) between notes. ie. 95 . †Roman numerals = fret numbers.

96 .297. ie. 12423* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. †Roman numerals = fret numbers. the number of half-steps (half tones) between notes.

the number of half-steps (half tones) between notes. 32124 XXII XXIV *Intervallic structure. †Roman numerals = fret numbers. ie. 12432* III† V VII VIII X XII XV XVII XX 305. 97 .302.

the number of half-steps (half tones) between notes. ie. †Roman numerals = fret numbers. 98 .307. 13224* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure.

99 . ie. †Roman numerals = fret numbers.312. the number of half-steps (half tones) between notes. 13242* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure.

ie. the number of half-steps (half tones) between notes. 100 . †Roman numerals = fret numbers. 13422* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure.317.

101 . †Roman numerals = fret numbers. the number of half-steps (half tones) between notes. ie.322. 14223* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure.

the number of half-steps (half tones) between notes.327. ie. 14232* III† V VII VIII X XII XV XVII XX 330. 32142 XXII XXIV *Intervallic structure. 102 . †Roman numerals = fret numbers.

the number of half-steps (half tones) between notes. 32214 III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure.332. 14322* 334. ie. †Roman numerals = fret numbers. 103 .

3 (1. and two major thirds 104 .4) 5-note scales with two half tones.4. one whole tone.1.2.Topology 5.

†Roman numerals = fret numbers. ie.337. 105 . 11244* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. the number of half-steps (half tones) between notes.

11424* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. ie. the number of half-steps (half tones) between notes.342. †Roman numerals = fret numbers. 106 .

11442* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. 107 .347. the number of half-steps (half tones) between notes. ie. †Roman numerals = fret numbers.

352. 12144* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. 108 . †Roman numerals = fret numbers. ie. the number of half-steps (half tones) between notes.

357. †Roman numerals = fret numbers. ie. 14124 XXII XXIV *Intervallic structure. 12414* III† V VII VIII X XII XV XVII XX 360. the number of half-steps (half tones) between notes. 109 .

362. 14142* 364. 110 . †Roman numerals = fret numbers. ie. 14214 III† V VII VIII X 3 XII XV XVII XX XXII XXIV *Intervallic structure. the number of half-steps (half tones) between notes.

two minor thirds.3.3. and one major third 111 .4) 5-note scales with two half tones.Topology 5.1.4 (1.

11334* 371.367. the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ie. 112 . 41133 III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure.

11343* III† V VII VIII X 374. the number of half-steps (half tones) between notes.372. ie. 113 . †Roman numerals = fret numbers. 34311 XII XV XVII XX XXII XXIV *Intervallic structure.

ie.377. 11433* III† V VII VIII X XII XV XVII XX 380. 33114 XXII XXIV *Intervallic structure. 114 . †Roman numerals = fret numbers. the number of half-steps (half tones) between notes.

115 . 34131 XXII XXIV *Intervallic structure. 13134* III† V VII VIII X XII XV XVII XX 385. the number of half-steps (half tones) between notes. †Roman numerals = fret numbers.382. ie.

43131 XXII XXIV *Intervallic structure. 116 . †Roman numerals = fret numbers. the number of half-steps (half tones) between notes. 31314 III† V VII VIII X XII XV XVII XX 390. 13143* 391. ie.387.

†Roman numerals = fret numbers. 14133 XXII XXIV *Intervallic structure. 41331 III† V VII VIII X 394.392. ie. 31413 XII XV XVII XX 395. 13314* 393. 33141 396. 117 . the number of half-steps (half tones) between notes.

2.1 (1.2. and one minor third 118 .2.Topology 6.2.3) 6-note scales with one half tone. four whole tones.

the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ie. 119 . 122223* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure.397.

223212* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure.403. †Roman numerals = fret numbers. 120 . the number of half-steps (half tones) between notes. ie.

121 . †Roman numerals = fret numbers. the number of half-steps (half tones) between notes. 223221* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure.409. ie.

the number of half-steps (half tones) between notes. 122 . ie. 222123* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure.415. †Roman numerals = fret numbers.

the number of half-steps (half tones) between notes. 132222* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. 123 .421. ie. †Roman numerals = fret numbers.

1.3.2.2.2 (1. and two minor thirds 124 .Topology 6.3) 6-note scales with two half tones. two whole tones.

ie. the number of half-steps (half tones) between notes.427. 331122 III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. 112233* 431. 125 . †Roman numerals = fret numbers.

the number of half-steps (half tones) between notes.433. 126 . †Roman numerals = fret numbers. 112323* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. ie.

439. †Roman numerals = fret numbers. the number of half-steps (half tones) between notes. ie. 127 . 112332* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure.

128 . 121233* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. †Roman numerals = fret numbers. the number of half-steps (half tones) between notes. ie.445.

129 . the number of half-steps (half tones) between notes. ie.451. 121323* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. †Roman numerals = fret numbers.

the number of half-steps (half tones) between notes. ie.457. 130 . 121332* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. †Roman numerals = fret numbers.

131 . †Roman numerals = fret numbers.463. ie. 211323* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. the number of half-steps (half tones) between notes.

ie. 211332* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. 132 . †Roman numerals = fret numbers. the number of half-steps (half tones) between notes.469.

133 . the number of half-steps (half tones) between notes. 223113* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure.475. ie. †Roman numerals = fret numbers.

†Roman numerals = fret numbers. ie. 134 .481. 131223* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. the number of half-steps (half tones) between notes.

ie.487. the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. 131232* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. 135 .

the number of half-steps (half tones) between notes.493. ie. 136 . 131322* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. †Roman numerals = fret numbers.

†Roman numerals = fret numbers. 137 . 221331* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure.499. ie. the number of half-steps (half tones) between notes.

212313* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. the number of half-steps (half tones) between notes.505. 138 . †Roman numerals = fret numbers. ie.

ie.511. 139 . †Roman numerals = fret numbers. 123123* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. the number of half-steps (half tones) between notes.

132132* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. 140 . the number of half-steps (half tones) between notes. ie. †Roman numerals = fret numbers.514.

2.2.2. three whole tones. and one major third 141 .Topology 6.4) 6-note scales with two half tones.1.3 (1.

†Roman numerals = fret numbers. ie.517. 112224* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. the number of half-steps (half tones) between notes. 142 .

143 .523. ie. the number of half-steps (half tones) between notes. 112242* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. †Roman numerals = fret numbers.

112422* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. the number of half-steps (half tones) between notes.529. †Roman numerals = fret numbers. 144 . ie.

ie. †Roman numerals = fret numbers. the number of half-steps (half tones) between notes. 145 .535. 221142 III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. 114222* 539.

121224* III† V VII VIII X 543. the number of half-steps (half tones) between notes. 412122 XII XV XVII XX XXII XXIV *Intervallic structure. 122412 546.541. †Roman numerals = fret numbers. ie. 146 .

ie. †Roman numerals = fret numbers. 147 .547. the number of half-steps (half tones) between notes. 121242* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure.

121422* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. 148 . the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ie.553.

149 . †Roman numerals = fret numbers. ie. the number of half-steps (half tones) between notes. 122124 XII XV XVII XX XXII XXIV *Intervallic structure. 124122* III† V VII VIII X 562.559.

122142* III† V VII VIII X XII XV XVII XX 568. †Roman numerals = fret numbers. ie. the number of half-steps (half tones) between notes. 150 .565. 142122 XXII XXIV *Intervallic structure.

571. †Roman numerals = fret numbers. the number of half-steps (half tones) between notes. ie. 122214* 575. 151 . 141222 III† ▪V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure.

1. and one major third 152 .1.3. one minor third.4) 6-note scales with three half tones.4 (1.Topology 6.2. one whole tone.

577. 111234* III† V VII VIII X 579. 411123 XII XV XVII XX XXII XXIV *Intervallic structure. ie. 153 . the number of half-steps (half tones) between notes. 123411 582. †Roman numerals = fret numbers.

the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. 111243* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure.583. 154 . ie.

†Roman numerals = fret numbers. 111324* 589. the number of half-steps (half tones) between notes. 241113 III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. alternative 593. 155 .589. ie.

ie. 156 .595. the number of half-steps (half tones) between notes. 111342* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. †Roman numerals = fret numbers.

231114 III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. ie. 111423* 605.601. the number of half-steps (half tones) between notes. 157 . †Roman numerals = fret numbers.

ie. 111432* 611. 321114 III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure.607. 158 . †Roman numerals = fret numbers. the number of half-steps (half tones) between notes.

159 . the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. ie.613. 213411 XII XV XVII XX XXII XXIV *Intervallic structure. 112134* III† V VII VIII X 615.

112143* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure.619. ie. the number of half-steps (half tones) between notes. 160 . †Roman numerals = fret numbers.

231411 630. 411231 XII XV XVII XX 628. ie. 314112 XXII XXIV *Intervallic structure. 141123 III† V VII VIII X 627. †Roman numerals = fret numbers. the number of half-steps (half tones) between notes. 161 . 112314* 626.625. 123141 629.

241311 635. 124131 III† V VII VIII X 633. 413112 XXII XXIV *Intervallic structure. †Roman numerals = fret numbers. the number of half-steps (half tones) between notes. 112413* 632. 162 .631. 131124 XII XV XVII XX 634. ie.

124113 642. 163 . ie. 411312 III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. †Roman numerals = fret numbers.637. the number of half-steps (half tones) between notes. 113124* 640.

421131 III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. the number of half-steps (half tones) between notes. ie.643. 164 . †Roman numerals = fret numbers. 131421 647. 113142* 644.

113214* 649. 165 .649. ie. the number of half-steps (half tones) between notes. 141132 XII XV XVII XX XXII XXIV *Intervallic structure. alternative III† V VII VIII X 653. †Roman numerals = fret numbers.

ie. 211341 XXII XXIV  *Intervallic structure.655. 341211  660. 166 . 134121 XII 659. 121134  XV XVII XX 657. †Roman numerals = fret numbers. the number of half-steps (half tones) between notes. 113412*  III† V VII VIII    X 656.

412311 XII XV XVII XX 664. 231141 III† V VII VIII X 663. the number of half-steps (half tones) between notes.661. 123114 XXII XXIV *Intervallic structure. †Roman numerals = fret numbers. 167 . 114123* 665. ie.

132114 XXII XXIV *Intervallic structure. ie. 321141 III† V VII VIII X 669. †Roman numerals = fret numbers. 114132* 671. the number of half-steps (half tones) between notes. 168 .667. 413211 XII XV XVII XX 670.

114213* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. 169 . †Roman numerals = fret numbers. the number of half-steps (half tones) between notes.673. ie.

†Roman numerals = fret numbers.679. 114312* III† V VII VIII X 681. 170 . ie. the number of half-steps (half tones) between notes. 431211 XII XV XVII XX XXII XXIV *Intervallic structure.

131412 690. 171 .685. 121314* 689. ie. the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. 141213 III† V VII VIII X 687. 412131 XII XV XVII XX XXII XXIV *Intervallic structure.

172 . †Roman numerals = fret numbers.691. the number of half-steps (half tones) between notes. 121413* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. ie.

3) 6-note scales with three semitones and three minor thirds 173 .3.Topology 6.1.5 (1.1.3.

111333* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. †Roman numerals = fret numbers. the number of half-steps (semitones) between notes. ie.697. 174 .

113133* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. ie.703. the number of half-steps (semitones) between notes. 175 . †Roman numerals = fret numbers.

113313* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. †Roman numerals = fret numbers.709. 176 . the number of half-steps (semitones) between notes. ie.

†Roman numerals = fret numbers. Augmented: 313131* The augmented scale and its one mode repeat at every fourh fret (i. ie. III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure.715. the number of half-steps (semitones) between notes.. 177 . in major third intervals).e.

4) 6-note scales with four half tones and two major thirds 178 .1.6 (1.1.1.4.Topology 6.

the number of half-steps (half tones) between notes.718. 111144* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. 179 . †Roman numerals = fret numbers. ie.

180 . ie.724. the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. 111414* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure.

730. †Roman numerals = fret numbers. 114114* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. 181 . the number of half-steps (half tones) between notes. ie.

2) Whole Tone Scale 182 .Topology 6.2.2.7 (2.2.2.

†Roman numerals = fret numbers. 183 . ie. Whole Tone Scale (222222)* The Whole Tone Scale and its modes are indistinguishable.717. III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. the number of half-steps (half tones) between notes.

and one major third 184 .2.4) 7-note scales with four half tones. two whole tones.2.1.Topology 7.4 (1.1.1.

733. 185 . 4111122 XXII XXIV *Intervallic structure. the number of half-steps (half tones) between notes. ie. †Roman numerals = fret numbers. 1111224* III† V VII VIII X XII XV XVII XX 739.

740. 1111242*

III†

V

VII
VIII

X
745. 4211112
XII

XV

XVII

XX

XXII

XXIV

*Intervallic structure, ie, the number of half-steps (half tones) between notes.
†Roman numerals = fret numbers.

186

747. 1111422*

751. 4221111
III†

V

VII
VIII

X

XII

XV

XVII

XX

XXII

XXIV

*Intervallic structure, ie, the number of half-steps (half tones) between notes.
†Roman numerals = fret numbers.

187

754. 1112124*

III†

V

VII
VIII

X

XII

XV

XVII

XX

760. 4111212

XXII

XXIV

*Intervallic structure, ie, the number of half-steps (half tones) between notes.
†Roman numerals = fret numbers.

188

761. 1112142*

III†

V

VII
VIII

X
766. 4211121
XII

XV

XVII

XX

XXII

XXIV

*Intervallic structure, ie, the number of half-steps (half tones) between notes.
†Roman numerals = fret numbers.

189

768. 1112214*

773. 1411122
III†

V

VII
VIII

X

XII

XV

XVII

XX

XXII

XXIV

*Intervallic structure, ie, the number of half-steps (half tones) between notes.
†Roman numerals = fret numbers.

190

775. 1112412*

III†

V

VII
VIII

X

XII

XV

XVII

XX

XXII

XXIV

*Intervallic structure, ie, the number of half-steps (half tones) between notes.
†Roman numerals = fret numbers.

191

ie. †Roman numerals = fret numbers. the number of half-steps (half tones) between notes. 1114122* 786. 192 . 1221114 III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure.782.

789. 193 . 1421211 793. 2121114 XXII XXIV *Intervallic structure. 1114212* III† V VII VIII X XII XV XVII XX 791. †Roman numerals = fret numbers. the number of half-steps (half tones) between notes. ie.

ie.796. †Roman numerals = fret numbers. 1121124* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. the number of half-steps (half tones) between notes. 194 .

1121142* III† V VII VIII X 808. 195 . 4211211 XII XV XVII XX XXII XXIV *Intervallic structure. †Roman numerals = fret numbers. ie.803. the number of half-steps (half tones) between notes.

810. †Roman numerals = fret numbers. ie. 196 . 1121214* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. the number of half-steps (half tones) between notes.

ie.817. the number of half-steps (half tones) between notes. 1121412* III† V VII VIII X 819. 2141211 XII XV XVII XX XXII XXIV *Intervallic structure. 197 . †Roman numerals = fret numbers.

ie. the number of half-steps (half tones) between notes.824. 1122114* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. †Roman numerals = fret numbers. 198 .

831. 4121211 XII XV XVII XX XXII XXIV *Intervallic structure. 1141212* III† V VII VIII X 833. 199 . †Roman numerals = fret numbers. the number of half-steps (half tones) between notes. ie.

1.1. one minor third.1.Topology 7.5 (1.1. and one major third 200 .3.4) 7-note scales with five half tones.

201 . †Roman numerals = fret numbers. 1111134* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. the number of half-steps (half tones) between notes. ie.838.

845. †Roman numerals = fret numbers. 202 . 1111143* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. the number of half-steps (half tones) between notes. ie.

ie. 4111131 XXII XXIV *Intervallic structure.852. 203 . †Roman numerals = fret numbers. 1111314* III† V VII VIII X XII XV XVII XX 858. the number of half-steps (half tones) between notes.

859. 204 . †Roman numerals = fret numbers. 4131111 XXII XXIV *Intervallic structure. 1111413* III† V VII VIII X 865. the number of half-steps (half tones) between notes. 3111141 XII XV XVII XX 863. ie.

ie. the number of half-steps (half tones) between notes. 1113114* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure.866. †Roman numerals = fret numbers. 205 .

ie.873. †Roman numerals = fret numbers. the number of half-steps (half tones) between notes. 1141131* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. 206 .

1.2) 8-note scales with four half tones and four whole tones 207 .2.1 (1.2.2.1.Topology 8.1.

the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. 208 . ie.880. Bebop major: 22121121* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure.

the number of half-steps (half tones) between notes.888. Bebop locrian XII 892. ie. †Roman numerals = fret numbers. Bebop dominant: 22122111* III† V VII VIII X 890. 209 . Bebop dorian XVII XX XXII XXIV *Intervallic structure.

the number of half-steps (half tones) between notes. Bebop minor: 21221121* III† V VII VIII X 902.896. 21212211 XII XV XVII XX XXII XXIV *Intervallic structure. ie. 210 . †Roman numerals = fret numbers.

‡ Incorporates Pentatonic Minor 32232 211 . the number of half-steps (half tones) between notes.904. 11122212 ‡ XII XV XVII XX XXII XXIV *Intervallic structure. †Roman numerals = fret numbers. 21211122 III† V VII VIII X 908. 22121112* 905. ie.

212 . the number of half-steps (half tones) between notes. 22121211* III† V VII VIII X XII XV‡ XVII XX XXII XXIV *Intervallic structure. ie.912. †Roman numerals = fret numbers.

920. the number of half-steps (half tones) between notes. 213 . ie. 22112112* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. †Roman numerals = fret numbers.

ie. 11121222 933. 12221112 ‡ XXII XXIV *Intervallic structure.928. ‡ Incorporates pentatonic minor 32232 214 . †Roman numerals = fret numbers. 21222111 ‡ XII XV XVII XX 934. the number of half-steps (half tones) between notes. 22111212* III† V VII VIII X 930.

†Roman numerals = fret numbers. the number of half-steps (half tones) between notes.936. 215 . ie. 22111122* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure.

22112211* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. the number of half-steps (half tones) between notes.944. ie. ‡ Incorporates pentatonic minor 32232 216 . †Roman numerals = fret numbers.

i.. III† V VII VIII X at C (tonic) at D XII XV XVII XX XXII XXIV *Intervallic structure. the number of half-steps (half tones) between notes.e. Diminished: 21212121* The Diminished Scale and its one mode repeat at every third fret (i. 217 .e.948. The incomplete articulations below yield a diminished feel across two octaves. in minor third intervals). †Roman numerals = fret numbers..

1.1. two whole tones.2.Topology 8. and a minor third 218 .1.3) 8-note scales with five half tones.1.2.2 (1.

alternative III† V VII VIII X 955. 11213112 XXII XXIV *Intervallic structure. †Roman numerals = fret numbers. the number of half-steps (half tones) between notes. 11211213* 950. 219 . ie.950. 21311211 XII XV XVII XX 953.

11211312* III† V VII VIII X 963. the number of half-steps (half tones) between notes. 220 . ie. †Roman numerals = fret numbers.958. 31211211 XII XV XVII XX 961. 11312112 XXII XXIV *Intervallic structure.

the number of half-steps (half tones) between notes. ‡ Incorporates pentatonic minor 32232 221 . 31121211 ‡ XXII XXIV *Intervallic structure. 11212113* III† V VII VIII X 968. †Roman numerals = fret numbers.966. 21211311 ‡ 971. ie. 11311212 XII XV XVII XX 973.

†Roman numerals = fret numbers. 23111211 XII XV XVII XX 978. 11121123* 976. the number of half-steps (half tones) between notes. 31112112 XXII XXIV *Intervallic structure. 11231112 981. 12112311‡ III† V VII VIII X 980.974. ie. ‡ Incorporates pentatonic minor 32232 222 .

the number of half-steps (half tones) between notes. 11321112 988. ‡ Incorporates pentatonic minor 32232 223 .982. ie. 11121132* III† V VII VIII‡ X 986. †Roman numerals = fret numbers. 32111211 ‡ XII XV XVII XX XXII XXIV *Intervallic structure.

13111212 XII XV XVII XX XXII XXIV *Intervallic structure. 11121213* 995. †Roman numerals = fret numbers. 224 . ie. the number of half-steps (half tones) between notes.990. 21311121 III† V VII VIII X 996.

†Roman numerals = fret numbers. 11121312* 1003. 31211121 III† V VII VIII X 1004.998. ie. 12111213 XII XV XVII XX XXII XXIV *Intervallic structure. 225 . the number of half-steps (half tones) between notes.

12211311 ‡ 1011. 11311122 XII XV XVII XX XXII XXIV *Intervallic structure. ‡ Incorporates pentatonic minor 32232 226 . 11122113* 1010. the number of half-steps (half tones) between notes. †Roman numerals = fret numbers. 21131112 III† V VII VIII X 1008.1006. ie.

11211123 XII XV XVII XX XXII XXIV *Intervallic structure. †Roman numerals = fret numbers. 11123112* 1018.1014. ie. the number of half-steps (half tones) between notes. ‡ Incorporates pentatonic minor 32232 227 . 31121112 ‡ III† V VII VIII X 1019.

31122111 ‡ XXII XXIV *Intervallic structure. †Roman numerals = fret numbers. ‡ Incorporates pentatonic minor 32232 228 . the number of half-steps (half tones) between notes.1022. 11221113 III† V VII VIII X 1027. 11131122* 1026. 12211131 XII XV XVII XX 1025. ie.

229 .1030. ie. the number of half-steps (half tones) between notes. 11131212* III† V VII VIII X 1035. 21211131 XII XV XVII XX XXII XXIV *Intervallic structure. †Roman numerals = fret numbers.

32112111 ‡ XXII XXIV *Intervallic structure. 11211132 XII XV XVII XX 1041. †Roman numerals = fret numbers. 11132112* 1042. ie. ‡ Incorporates pentatonic minor 32232 230 . the number of half-steps (half tones) between notes.1038. 21121113 III† V VII VIII X 1043.

ie.1046. †Roman numerals = fret numbers. the number of half-steps (half tones) between notes. 11112123* 1051. 12311112 III† V VII VIII X XII XV XVII XX 1053. ‡ Incorporates pentatonic minor 32232 231 . 31111212‡ XXII XXIV *Intervallic structure.

1054. 11112132*

1059. 13211112
III†

V

VII
VIII

X

XII

XV

XVII

XX

XXII

XXIV

*Intervallic structure, ie, the number of half-steps (half tones) between notes.
†Roman numerals = fret numbers.

232

1062. 11112213*

III†

V

VII
VIII

X
1068. 13111122
XII

XV

XVII

XX

XXII

XXIV

*Intervallic structure, ie, the number of half-steps (half tones) between notes.
†Roman numerals = fret numbers.

233

1070. 11112312*

III†

V

VII
VIII

X
1076. 12111123
XII

XV

XVII

XX

XXII

XXIV

*Intervallic structure, ie, the number of half-steps (half tones) between notes.
†Roman numerals = fret numbers.

234

1078. 11113122*

III†

V

VII
VIII

X

XII

XV

XVII

XX

1085. 21111312

XXII

XXIV

*Intervallic structure, ie, the number of half-steps (half tones) between notes.
†Roman numerals = fret numbers.

235

1086. 11113212*

III†

V

VII
VIII

X
1092. 12111132 ‡
XII

XV

XVII

XX

XXII

XXIV

*Intervallic structure, ie, the number of half-steps (half tones) between notes.
†Roman numerals = fret numbers.
‡ Incorporates pentatonic minor 32232

236

1094. 11111223*

III†

V

VII
VIII

X

XII

XV

XVII

XX

XXII

XXIV

*Intervallic structure, ie, the number of half-steps (half tones) between notes.
†Roman numerals = fret numbers.

237

ie.1102. †Roman numerals = fret numbers. 238 . 11111232* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure. the number of half-steps (half tones) between notes.

239 .1110. †Roman numerals = fret numbers. the number of half-steps (half tones) between notes. ie. 11111322* III† V VII VIII X XII XV XVII XX XXII XXIV *Intervallic structure.

please let me know at fretboardtopologies@gmail. Generally speaking. the shaded boxes below show the associated chord tones derived from the scale. and Db+11. The third mode yields a Eb7+5. 7 You can use the charts in this chapter to figure out what chords may work over the 7-note parent scales and modes in -to-C errors in these charts. tell us the fully extended chord native to the first note of the Neapolitan minor scale would include:  the root or tonic (C)  minor 3rd (Eb)  perfect 5th (G)  major 7th (B)  flatted 9th (Db)  unaltered 11th (F)  flatted 13th (Ab) s us some of the C chords that would support the C Neapolitan minor scale (Cm or Cm11. for example. for example). The chart also tells us the second mode of this scale. Thanks! 240 . Db9. Start with any scale degree in the row at the top of the grid (Roman numerals).com so I can fix them in subsequent versions of the book. This is how scale notes are harmonized. starting with Db. And so on. chords are derived from scales by selecting every other note in the scale across two octaves. The shaded boxes under C. yields Db7.harmonized scale tones The pages in this section lay out the first 38 seven-note parent scales on a chromatic grid and identify the chord tones native to each parent scale and its modes through two octaves. The example on the right is for the Neapolitan Minor in C.

the number of half-steps (half tones) between notes in the scale.11. Lydian mode 15. Major: 2212221* Scale tone Chord tone 11. Major Scale) 12. 241 . Locrian mode I II III IV V VI VII 1 C D E F G A B b9 C#/Db D#/Eb F F#/Gb G#/Ab A#/Bb C 9 D E F#/Gb G A B C#/Db D#/Eb F G G#/Ab A#/Bb C D E F#/Gb G#/Ab A B C#/Db D#/Eb 4 F G A A#/Bb C D E b5 F#/Gb G#/Ab A#/Bb B C#/Db D#/Eb F 5 G A B C D E F#/Gb +5 G#/Ab A#/Bb C C#/Db D#/Eb F G 6 A B C#/Db D E F#/Gb G#/Ab b7 A#/Bb C D D#/Eb F G A B C#/Db D#/Eb E F#/Gb G#/Ab A#/Bb 1 C D E F G A B b9 C#/Db D#/Eb F F#/Gb G#/Ab A#/Bb C 9 D E F#/Gb G A B C#/Db +9 D#/Eb F G G#/Ab A#/Bb C D 3 E F#/Gb G#/Ab A B C#/Db D#/Eb 11 F G A A#/Bb C D E +11 F#/Gb G#/Ab A#/Bb B C#/Db D#/Eb F G A B C D E F#/Gb b13 G#/Ab A#/Bb C C#/Db D#/Eb F G 13 A B C#/Db D E F#/Gb G#/Ab b7 A#/Bb C D D#/Eb F G A B C#/Db E F#/Gb G#/Ab A#/Bb m3 5 *Intervallic structure. ie. Mixolydian mode 16. Ionian mode (aka. Phrygian mode 14. Aeolian mode 17. Dorian mode 13.

Mixolydian b6 23. Dorian b2 20. Melodic Minor: 2122221* Scale tone Chord tone 18. 242 . Lydian b7 22. the number of half-steps (half tones) between notes in the scale.18. Melodic Minor 19. Superlocrian I II III IV V VI VII 1 C D Eb F G A B b9 C#/Db D#/Eb E F#/Gb G#/Ab A#/Bb C 9 D E F G A B C#/Db D#/Eb F F#/Gb G#/Ab A#/Bb C D E F#/Gb G A B C#/Db D#/Eb 4 F G G#/Ab A#/Bb C D E b5 F#/Gb G#/Ab A B C#/Db D#/Eb F 5 G A A#/Bb C D E F#/Gb +5 G#/Ab A#/Bb B C#/Db D#/Eb F G 6 A B C D E F#/Gb G#/Ab b7 A#/Bb C C#/Db D#/Eb F G A B C#/Db D E F#/Gb G#/Ab A#/Bb 1 C D D#/Eb F G A B b9 C#/Db D#/Eb E F#/Gb G#/Ab A#/Bb C 9 D E F G A B C#/Db +9 D#/Eb F F#/Gb G#/Ab A#/Bb C D 3 E F#/Gb G A B C#/Db D#/Eb 11 F G G#/Ab A#/Bb C D E +11 F#/Gb G#/Ab A B C#/Db D#/Eb F G A A#/Bb C D E F#/Gb b13 G#/Ab A#/Bb B C#/Db D#/Eb F G 13 A B C D E F#/Gb G#/Ab b7 A#/Bb C C#/Db D#/Eb F G A B C#/Db D E F#/Gb G#/Ab A#/Bb m3 5 *Intervallic structure. ie. Lydian #5 21. Semilocrian 24.

Major Locrian 30.25. Superlocrian bb3 I II III IV V VI VII 1 C Db Eb F G A B b9 C#/Db D E F#/Gb G#/Ab A#/Bb C 9 D D#/Eb F G A B C#/Db D#/Eb E F#/Gb G#/Ab A#/Bb C D E F G A B C#/Db D#/Eb 4 F F#/Gb G#/Ab A#/Bb C D E b5 F#/Gb G A B C#/Db D#/Eb F 5 G G#/Ab A#/Bb C D E F#/Gb +5 G#/Ab A B C#/Db D#/Eb F G 6 A A#/Bb C D E F#/Gb G#/Ab b7 A#/Bb B C#/Db D#/Eb F G A B C D E F#/Gb G#/Ab A#/Bb 1 C C#/Db D#/Eb F G A B b9 C#/Db D E F#/Gb G#/Ab A#/Bb C 9 D D#/Eb F G A B C#/Db +9 D#/Eb E F#/Gb G#/Ab A#/Bb C D 3 E F G A B C#/Db D#/Eb 11 F F#/Gb G#/Ab A#/Bb C D E +11 F#/Gb G A B C#/Db D#/Eb F G G#/Ab A#/Bb C D E F#/Gb b13 G#/Ab A B C#/Db D#/Eb F G 13 A A#/Bb C D E F#/Gb G#/Ab b7 A#/Bb B C#/Db D#/Eb F G A B C D E F#/Gb G#/Ab A#/Bb m3 5 *Intervallic structure. the number of half-steps (half tones) between notes in the scale. ie. Semilocrian b4 31. 243 . Neapolitan Major: 1222221* Scale tone Chord tone 25. Lydian #5b7 28. Neapolitan Major 26. Lydian b6b7 29. Leading Whole Tone 27.

Ultrlocrian bb3 I II III IV V VI VII 1 C Db Eb F G Ab B b9 C#/Db D E F#/Gb G#/Ab A C 9 D D#/Eb F G A A#/Bb C#/Db D#/Eb E F#/Gb G#/Ab A#/Bb B D E F G A B C D#/Eb 4 F F#/Gb G#/Ab A#/Bb C C#/Db E b5 F#/Gb G A B C#/Db D F 5 G G#/Ab A#/Bb C D D#/Eb F#/Gb +5 G#/Ab A B C#/Db D#/Eb E G 6 A A#/Bb C D E F G#/Ab b7 A#/Bb B C#/Db D#/Eb F F#/Gb A B C D E F#/Gb G A#/Bb 1 C C#/Db D#/Eb F G G#/Ab B b9 C#/Db D E F#/Gb G#/Ab A C 9 D D#/Eb F G A A#/Bb C#/Db +9 D#/Eb E F#/Gb G#/Ab A#/Bb B D 3 E F G A B C D#/Eb 11 F F#/Gb G#/Ab A#/Bb C C#/Db E +11 F#/Gb G A B C#/Db D F G G#/Ab A#/Bb C D D#/Eb F#/Gb b13 G#/Ab A B C#/Db D#/Eb E G 13 A A#/Bb C D E F G#/Ab b7 A#/Bb B C#/Db D#/Eb F F#/Gb A B C D E F#/Gb G A#/Bb m3 5 *Intervallic structure. ie. Neapolitan Minor: 1222131* Scale tone Chord tone 32. Neapolitan Minor 33. the number of half-steps (half tones) between notes in the scale. Lydian #6 34. Locrian #3 37. 244 . Hungarian Gypsy 36.32. Mixolydian #5 35. Ionian #2 38.

ie. the number of half-steps (half tones) between notes in the scale. Harmonic Minor 40. Locrian b7 I II III IV V VI VII 1 C D E F G Ab B b9 C#/Db D#/Eb F F#/Gb G#/Ab A C 9 D E F#/Gb G A A#/Bb C#/Db D#/Eb F G G#/Ab A#/Bb B D E F#/Gb G#/Ab A B C D#/Eb 4 F G A A#/Bb C C#/Db E b5 F#/Gb G#/Ab A#/Bb B C#/Db D F 5 G A B C D D#/Eb F#/Gb +5 G#/Ab A#/Bb C C#/Db D#/Eb E G 6 A B C#/Db D E F G#/Ab b7 A#/Bb C D D#/Eb F F#/Gb A B C#/Db D#/Eb E F#/Gb G A#/Bb 1 C D E F G G#/Ab B b9 C#/Db D#/Eb F F#/Gb G#/Ab A C 9 D E F#/Gb G A A#/Bb C#/Db +9 D#/Eb F G G#/Ab A#/Bb B D 3 E F#/Gb G#/Ab A B C D#/Eb 11 F G A A#/Bb C C#/Db E +11 F#/Gb G#/Ab A#/Bb B C#/Db D F G A B C D D#/Eb F#/Gb b13 G#/Ab A#/Bb C C#/Db D#/Eb E G 13 A B C#/Db D E F G#/Ab b7 A#/Bb C D D#/Eb F F#/Gb A B C#/Db D#/Eb E F#/Gb G A#/Bb m3 5 *Intervallic structure. Phrygian b4 42.39. Lydian #2#5 45. 245 . Harmonic Major: 2212131* Scale tone Chord tone 39. Dorian b5 41. Lydian b3 43. Mixolydian b2 44.

Ionian #5 49. Locrian #6 48. 246 .46. Harmonic Minor 47. Ultralocrian I II III IV V VI VII 1 C D Eb F G Ab B b9 C#/Db D#/Eb F F#/Gb G#/Ab A C 9 D E F#/Gb G A A#/Bb C#/Db D#/Eb F G G#/Ab A#/Bb B D E F#/Gb G#/Ab A B C D#/Eb 4 F G A A#/Bb C C#/Db E b5 F#/Gb G#/Ab A#/Bb B C#/Db D F 5 G A B C D D#/Eb F#/Gb +5 G#/Ab A#/Bb C C#/Db D#/Eb E G 6 A B C#/Db D E F G#/Ab b7 A#/Bb C D D#/Eb F F#/Gb A B C#/Db D#/Eb E F#/Gb G A#/Bb 1 C D E F G G#/Ab B b9 C#/Db D#/Eb F F#/Gb G#/Ab A C 9 D E F#/Gb G A A#/Bb C#/Db +9 D#/Eb F G G#/Ab A#/Bb B D 3 E F#/Gb G#/Ab A B C D#/Eb 11 F G A A#/Bb C C#/Db E +11 F#/Gb G#/Ab A#/Bb B C#/Db D F G A B C D D#/Eb F#/Gb b13 G#/Ab A#/Bb C C#/Db D#/Eb E G 13 A B C#/Db D E F G#/Ab b7 A#/Bb C D D#/Eb F F#/Gb A B C#/Db D#/Eb E F#/Gb G A#/Bb m3 5 *Intervallic structure. Lydian #2 52. Harmonic Minor: 2122131* Scale tone Chord tone 46. the number of half-steps (half tones) between notes in the scale. ie. Phrrygian #3 51. Romanian 50.

Superlocrian bb6bb7 55.53. Melodic Minor #5 58. Hungarian Major 54. Harmonic Minor b5 56. the number of half-steps (half tones) between notes in the scale. Lydian #3#5 I II III IV V VI VII 1 C D# E F# G A Bb b9 C#/Db E F G G#/Ab A#/Bb B 9 D F F#/Gb G#/Ab A B C D#/Eb F#/Gb G A A#/Bb C C#/Db E G G#/Ab A#/Bb B C#/Db D 4 F G#/Ab A B C D D#/Eb b5 F#/Gb A A#/Bb C C#/Db D#/Eb E 5 G A#/Bb B C#/Db D E F +5 G#/Ab B C D D#/Eb F F#/Gb 6 A C C#/Db D#/Eb E F#/Gb G b7 A#/Bb C#/Db D E F G G#/Ab B D D#/Eb F F#/Gb G#/Ab A 1 C D#/Eb E F#/Gb G A A#/Bb b9 C#/Db E F G G#/Ab A#/Bb B 9 D F F#/Gb G#/Ab A B C +9 D#/Eb F#/Gb G A A#/Bb C C#/Db 3 E G G#/Ab A#/Bb B C#/Db D 11 F G#/Ab A B C D D#/Eb +11 F#/Gb A A#/Bb C C#/Db D#/Eb E G A#/Bb B C#/Db D E F b13 G#/Ab B C D D#/Eb F F#/Gb 13 A C C#/Db D#/Eb E F#/Gb G b7 A#/Bb C#/Db D E F G G#/Ab B D D#/Eb F F#/Gb G#/Ab A m3 5 *Intervallic structure. ie. 247 . Superlocrian #6 57. Dorian b2#4 59. Hungarian Major: 3121212* Scale tone Chord tone 53.

Dorian #5 I II III IV V VI VII 1 C Db Eb F# G Ab Bb b9 C#/Db D E G G#/Ab A B 9 D D#/Eb F G#/Ab A A#/Bb C D#/Eb E F#/Gb A A#/Bb B C#/Db E F G A#/Bb B C D 4 F F#/Gb G#/Ab B C C#/Db D#/Eb b5 F#/Gb G A C C#/Db D E 5 G G#/Ab A#/Bb C#/Db D D#/Eb F +5 G#/Ab A B D D#/Eb E F#/Gb 6 A A#/Bb C D#/Eb E F G b7 A#/Bb B C#/Db E F F#/Gb G#/Ab B C D F F#/Gb G A 1 C C#/Db D#/Eb F#/Gb G G#/Ab A#/Bb b9 C#/Db D E G G#/Ab A B 9 D D#/Eb F G#/Ab A A#/Bb C +9 D#/Eb E F#/Gb A A#/Bb B C#/Db 3 E F G A#/Bb B C D 11 F F#/Gb G#/Ab B C C#/Db D#/Eb +11 F#/Gb G A C C#/Db D E G G#/Ab A#/Bb C#/Db D D#/Eb F b13 G#/Ab A B D D#/Eb E F#/Gb 13 A A#/Bb C D#/Eb E F G b7 A#/Bb B C#/Db E F F#/Gb G#/Ab B C D F F#/Gb G A m3 5 *Intervallic structure. Ionian #6 66. Phrygian #4 (1231122)* Scale tone Chord tone 60. Mixolydian #2 63. the number of half-steps (half tones) between notes in the scale.60. Phrygian #4 61. 248 . ie. Aeolian #1 64. Locrian #7 65. Lydian #3 62.

Mixolydian b5 72. 249 . Lydian b6 71. Phrygian b7 70. the number of half-steps (half tones) between notes in the scale. Dorian b1 69.67. Locrian b3 I II III IV V VI VII 1 C Db E F G A B b9 C#/Db D F F#/Gb G#/Ab A#/Bb C 9 D D#/Eb F#/Gb G A B C#/Db D#/Eb E G G#/Ab A#/Bb C D E F G#/Ab A B C#/Db D#/Eb 4 F F#/Gb A A#/Bb C D E b5 F#/Gb G A#/Bb B C#/Db D#/Eb F 5 G G#/Ab B C D E F#/Gb +5 G#/Ab A C C#/Db D#/Eb F G 6 A A#/Bb C#/Db D E F#/Gb G#/Ab b7 A#/Bb B D D#/Eb F G A B C D#/Eb E F#/Gb G#/Ab A#/Bb 1 C C#/Db E F G A B b9 C#/Db D F F#/Gb G#/Ab A#/Bb C 9 D D#/Eb F#/Gb G A B C#/Db +9 D#/Eb E G G#/Ab A#/Bb C D 3 E F G#/Ab A B C#/Db D#/Eb 11 F F#/Gb A A#/Bb C D E +11 F#/Gb G A#/Bb B C#/Db D#/Eb F G G#/Ab B C D E F#/Gb b13 G#/Ab A C C#/Db D#/Eb F G 13 A A#/Bb C#/Db D E F#/Gb G#/Ab b7 A#/Bb B D D#/Eb F G A B C D#/Eb E F#/Gb G#/Ab A#/Bb m3 5 *Intervallic structure. Aeolian b4 73. Ionian b2 68. ie. Ionian b2 (1312221)* Scale tone Chord tone 67.

Lydian b2 (1321221)* Scale tone Chord tone 74. Ionian b5 79. Aeolian b7 77. the number of half-steps (half tones) between notes in the scale. Mixolydian b1 76. Phrygian b3 I II III IV V VI VII 1 C Db E F# G A B b9 C#/Db D F G G#/Ab A#/Bb C 9 D D#/Eb F#/Gb G#/Ab A B C#/Db D#/Eb E G A A#/Bb C D E F G#/Ab A#/Bb B C#/Db D#/Eb 4 F F#/Gb A B C D E b5 F#/Gb G A#/Bb C C#/Db D#/Eb F 5 G G#/Ab B C#/Db D E F#/Gb +5 G#/Ab A C D D#/Eb F G 6 A A#/Bb C#/Db D#/Eb E F#/Gb G#/Ab b7 A#/Bb B D E F G A B C D#/Eb F F#/Gb G#/Ab A#/Bb 1 C C#/Db E F#/Gb G A B b9 C#/Db D F G G#/Ab A#/Bb C 9 D D#/Eb F#/Gb G#/Ab A B C#/Db +9 D#/Eb E G A A#/Bb C D 3 E F G#/Ab A#/Bb B C#/Db D#/Eb 11 F F#/Gb A B C D E +11 F#/Gb G A#/Bb C C#/Db D#/Eb F G G#/Ab B C#/Db D E F#/Gb b13 G#/Ab A C D D#/Eb F G 13 A A#/Bb C#/Db D#/Eb E F#/Gb G#/Ab b7 A#/Bb B D E F G A B C D#/Eb F F#/Gb G#/Ab A#/Bb m3 5 *Intervallic structure.74. 250 . Lydian b2 75. ie. Locrian b6 78. Dorian b4 80.

2121321 87. Lydian b3#5: 2132121* Scale tone Chord tone 81. 1212132 86. 2121213 85. the number of half-steps (half tones) between notes in the scale. Lydian b3#5 82. 251 . 3212121 84. ie.81. 1321212 83. 1213212 I II III IV V VI VII 1 C D Eb F# G# A B b9 C#/Db D#/Eb E G A A#/Bb C 9 D E F G#/Ab A#/Bb B C#/Db D#/Eb F F#/Gb A B C D E F#/Gb G A#/Bb C C#/Db D#/Eb 4 F G G#/Ab B C#/Db D E b5 F#/Gb G#/Ab A C D D#/Eb F 5 G A A#/Bb C#/Db D#/Eb E F#/Gb +5 G#/Ab A#/Bb B D E F G 6 A B C D#/Eb F F#/Gb G#/Ab b7 A#/Bb C C#/Db E F#/Gb G A B C#/Db D F G G#/Ab A#/Bb 1 C D D#/Eb F#/Gb G#/Ab A B b9 C#/Db D#/Eb E G A A#/Bb C 9 D E F G#/Ab A#/Bb B C#/Db +9 D#/Eb F F#/Gb A B C D 3 E F#/Gb G A#/Bb C C#/Db D#/Eb 11 F G G#/Ab B C#/Db D E +11 F#/Gb G#/Ab A C D D#/Eb F G A A#/Bb C#/Db D#/Eb E F#/Gb b13 G#/Ab A#/Bb B D E F G 13 A B C D#/Eb F F#/Gb G#/Ab b7 A#/Bb C C#/Db E F#/Gb G A B C#/Db D F G G#/Ab A#/Bb m3 5 *Intervallic structure.

1113222 94. 2211132 92. 3222111 90. 2111322 93. 1132221 I II III IV V VI VII 1 C Db E F# G# A# B b9 C#/Db D F G A B C 9 D D#/Eb F#/Gb G#/Ab A#/Bb C C#/Db D#/Eb E G A B C#/Db D E F G#/Ab A#/Bb C D D#/Eb 4 F F#/Gb A B C#/Db D#/Eb E b5 F#/Gb G A#/Bb C D E F 5 G G#/Ab B C#/Db D#/Eb F F#/Gb +5 G#/Ab A C D E F#/Gb G 6 A A#/Bb C#/Db D#/Eb F G G#/Ab b7 A#/Bb B D E F#/Gb G#/Ab A B C D#/Eb F G A A#/Bb 1 C C#/Db E F#/Gb G#/Ab A#/Bb B b9 C#/Db D F G A B C 9 D D#/Eb F#/Gb G#/Ab A#/Bb C C#/Db +9 D#/Eb E G A B C#/Db D 3 E F G#/Ab A#/Bb C D D#/Eb 11 F F#/Gb A B C#/Db D#/Eb E +11 F#/Gb G A#/Bb C D E F G G#/Ab B C#/Db D#/Eb F F#/Gb b13 G#/Ab A C D E F#/Gb G 13 A A#/Bb C#/Db D#/Eb F G G#/Ab b7 A#/Bb B D E F#/Gb G#/Ab A B C D#/Eb F G A A#/Bb m3 5 *Intervallic structure. 2221113 91. ie.88. Scala Enigmata 89. the number of half-steps (half tones) between notes in the scale. Scala Enigmata: 1322211 Scale tone Chord tone 88. 252 .

1223112 97.95. 2231121 98. 2122311 96. 253 . 3112122 100. 1212231 I II III IV V VI VII 1 C D Eb F G A# B b9 C#/Db D#/Eb E F#/Gb G#/Ab B C 9 D E F G A C C#/Db D#/Eb F F#/Gb G#/Ab A#/Bb C#/Db D E F#/Gb G A B D D#/Eb 4 F G G#/Ab A#/Bb C D#/Eb E b5 F#/Gb G#/Ab A B C#/Db E F 5 G A A#/Bb C D F F#/Gb +5 G#/Ab A#/Bb B C#/Db D#/Eb F#/Gb G 6 A B C D E G G#/Ab b7 A#/Bb C C#/Db D#/Eb F G#/Ab A B C#/Db D E F#/Gb A A#/Bb 1 C D D#/Eb F G A#/Bb B b9 C#/Db D#/Eb E F#/Gb G#/Ab B C 9 D E F G A C C#/Db +9 D#/Eb F F#/Gb G#/Ab A#/Bb C#/Db D 3 E F#/Gb G A B D D#/Eb 11 F G G#/Ab A#/Bb C D#/Eb E +11 F#/Gb G#/Ab A B C#/Db E F G A A#/Bb C D F F#/Gb b13 G#/Ab A#/Bb B C#/Db D#/Eb F#/Gb G 13 A B C D E G G#/Ab b7 A#/Bb C C#/Db D#/Eb F G#/Ab A B C#/Db D E F#/Gb A A#/Bb m3 5 *Intervallic structure. the number of half-steps (half tones) between notes in the scale. 1121223 101. 2122311* Scale tone Chord tone 95. 2311212 99. ie.

2112312 108. ie. 2211231 107. 3122112 105.102. 1221123 106. 1231221 103. the number of half-steps (half tones) between notes in the scale. 2312211 104. 1231221* Scale tone Chord tone 102. 254 . 1123122 I II III IV V VI VII 1 C Db Eb F# G A B b9 C#/Db D E G G#/Ab A#/Bb C 9 D D#/Eb F G#/Ab A B C#/Db D#/Eb E F#/Gb A A#/Bb C D E F G A#/Bb B C#/Db D#/Eb 4 F F#/Gb G#/Ab B C D E b5 F#/Gb G A C C#/Db D#/Eb F 5 G G#/Ab A#/Bb C#/Db D E F#/Gb +5 G#/Ab A B D D#/Eb F G 6 A A#/Bb C D#/Eb E F#/Gb G#/Ab b7 A#/Bb B C#/Db E F G A B C D F F#/Gb G#/Ab A#/Bb 1 C C#/Db D#/Eb F#/Gb G A B b9 C#/Db D E G G#/Ab A#/Bb C 9 D D#/Eb F G#/Ab A B C#/Db +9 D#/Eb E F#/Gb A A#/Bb C D 3 E F G A#/Bb B C#/Db D#/Eb 11 F F#/Gb G#/Ab B C D E +11 F#/Gb G A C C#/Db D#/Eb F G G#/Ab A#/Bb C#/Db D E F#/Gb b13 G#/Ab A B D D#/Eb F G 13 A A#/Bb C D#/Eb E F#/Gb G#/Ab b7 A#/Bb B C#/Db E F G A B C D F F#/Gb G#/Ab A#/Bb m3 5 *Intervallic structure.

1122132 113. 2112213 112. 1321122 110. 3211221 111. the number of half-steps (half tones) between notes in the scale. 2132112 I II III IV V VI VII 1 C Db E F# G Ab Bb b9 C#/Db D F G G#/Ab A B 9 D D#/Eb F#/Gb G#/Ab A A#/Bb C D#/Eb E G A A#/Bb B C#/Db E F G#/Ab A#/Bb B C D 4 F F#/Gb A B C C#/Db D#/Eb b5 F#/Gb G A#/Bb C C#/Db D E 5 G G#/Ab B C#/Db D D#/Eb F +5 G#/Ab A C D D#/Eb E F#/Gb 6 A A#/Bb C#/Db D#/Eb E F G b7 A#/Bb B D E F F#/Gb G#/Ab B C D#/Eb F F#/Gb G A 1 C C#/Db E F#/Gb G G#/Ab A#/Bb b9 C#/Db D F G G#/Ab A B 9 D D#/Eb F#/Gb G#/Ab A A#/Bb C +9 D#/Eb E G A A#/Bb B C#/Db 3 E F G#/Ab A#/Bb B C D 11 F F#/Gb A B C C#/Db D#/Eb +11 F#/Gb G A#/Bb C C#/Db D E G G#/Ab B C#/Db D D#/Eb F b13 G#/Ab A C D D#/Eb E F#/Gb 13 A A#/Bb C#/Db D#/Eb E F G b7 A#/Bb B D E F F#/Gb G#/Ab B C D#/Eb F F#/Gb G A m3 5 *Intervallic structure. 255 . ie. 2213211 115.109. 1321122* Scale tone Chord tone 109. 1221321 114.

2111232 118. 1112322 119. 3221112 I II III IV V VI VII 1 C D E F Gb G A b9 C#/Db D#/Eb F F#/Gb G G#/Ab A#/Bb 9 D E F#/Gb G G#/Ab A B D#/Eb F G G#/Ab A A#/Bb C E F#/Gb G#/Ab A A#/Bb B C#/Db 4 F G A A#/Bb B C D b5 F#/Gb G#/Ab A#/Bb B C C#/Db D#/Eb 5 G A B C C#/Db D E +5 G#/Ab A#/Bb C C#/Db D D#/Eb F 6 A B C#/Db D D#/Eb E F#/Gb b7 A#/Bb C D D#/Eb E F G B C#/Db D#/Eb E F F#/Gb G#/Ab 1 C D E F F#/Gb G A b9 C#/Db D#/Eb F F#/Gb G G#/Ab A#/Bb 9 D E F#/Gb G G#/Ab A B +9 D#/Eb F G G#/Ab A A#/Bb C 3 E F#/Gb G#/Ab A A#/Bb B C#/Db 11 F G A A#/Bb B C D +11 F#/Gb G#/Ab A#/Bb B C C#/Db D#/Eb G A B C C#/Db D E b13 G#/Ab A#/Bb C C#/Db D D#/Eb F 13 A B C#/Db D D#/Eb E F#/Gb b7 A#/Bb C D D#/Eb E F G B C#/Db D#/Eb E F F#/Gb G#/Ab m3 5 *Intervallic structure. 256 . 1123221 120. 1232211 121.116. the number of half-steps (half tones) between notes in the scale. 2211123 117. 2211123* Scale tone Chord tone 116. 2322111 122. ie.

ie. 1122231 I II III IV V VI VII 1 C Db Eb F G A# B b9 C#/Db D E F#/Gb G#/Ab B C 9 D D#/Eb F G A C C#/Db D#/Eb E F#/Gb G#/Ab A#/Bb C#/Db D E F G A B D D#/Eb 4 F F#/Gb G#/Ab A#/Bb C D#/Eb E b5 F#/Gb G A B C#/Db E F 5 G G#/Ab A#/Bb C D F F#/Gb +5 G#/Ab A B C#/Db D#/Eb F#/Gb G 6 A A#/Bb C D E G G#/Ab b7 A#/Bb B C#/Db D#/Eb F G#/Ab A B C D E F#/Gb A A#/Bb 1 C C#/Db D#/Eb F G A#/Bb B b9 C#/Db D E F#/Gb G#/Ab B C 9 D D#/Eb F G A C C#/Db +9 D#/Eb E F#/Gb G#/Ab A#/Bb C#/Db D 3 E F G A B D D#/Eb 11 F F#/Gb G#/Ab A#/Bb C D#/Eb E +11 F#/Gb G A B C#/Db E F G G#/Ab A#/Bb C D F F#/Gb b13 G#/Ab A B C#/Db D#/Eb F#/Gb G 13 A A#/Bb C D E G G#/Ab b7 A#/Bb B C#/Db D#/Eb F G#/Ab A B C D E F#/Gb A A#/Bb m3 5 *Intervallic structure. 2223111 125.123. 1222311 124. 2231112 126. 1112223 129. the number of half-steps (half tones) between notes in the scale. 3111222 128. 1222311* Scale tone Chord tone 123. 257 . 2311122 127.

the number of half-steps (half tones) between notes in the scale. 1223121 133. ie. 2112231* Scale tone Chord tone 130. 2231211 134. 2112232 131. 3121122 136. 1122312 132. 2312112 135. 258 . 1211223 I II III IV V VI VII 1 C D Eb E Gb Ab B b9 C#/Db D#/Eb E F G A C 9 D E F F#/Gb G#/Ab A#/Bb C#/Db D#/Eb F F#/Gb G A B D E F#/Gb G G#/Ab A#/Bb C D#/Eb 4 F G G#/Ab A B C#/Db E b5 F#/Gb G#/Ab A A#/Bb C D F 5 G A A#/Bb B C#/Db D#/Eb F#/Gb +5 G#/Ab A#/Bb B C D E G 6 A B C C#/Db D#/Eb F G#/Ab b7 A#/Bb C C#/Db D E F#/Gb A B C#/Db D D#/Eb F G A#/Bb 1 C D D#/Eb E F#/Gb G#/Ab B b9 C#/Db D#/Eb E F G A C 9 D E F F#/Gb G#/Ab A#/Bb C#/Db +9 D#/Eb F F#/Gb G A B D 3 E F#/Gb G G#/Ab A#/Bb C D#/Eb 11 F G G#/Ab A B C#/Db E +11 F#/Gb G#/Ab A A#/Bb C D F G A A#/Bb B C#/Db D#/Eb F#/Gb b13 G#/Ab A#/Bb B C D E G 13 A B C C#/Db D#/Eb F G#/Ab b7 A#/Bb C C#/Db D E F#/Gb A B C#/Db D D#/Eb F G A#/Bb m3 5 *Intervallic structure.130.

ie.137. 3211122 143. 2232111 141. 1223211 140. 1122321 139. 2321112 142. 2111223 I II III IV V VI VII 1 C Db D Eb F G Bb b9 C#/Db D D#/Eb E F#/Gb G#/Ab B 9 D D#/Eb E F G A C D#/Eb E F F#/Gb G#/Ab A#/Bb C#/Db E F F#/Gb G A B D 4 F F#/Gb G G#/Ab A#/Bb C D#/Eb b5 F#/Gb G G#/Ab A B C#/Db E 5 G G#/Ab A A#/Bb C D F +5 G#/Ab A A#/Bb B C#/Db D#/Eb F#/Gb 6 A A#/Bb B C D E G b7 A#/Bb B C C#/Db D#/Eb F G#/Ab B C C#/Db D E F#/Gb A 1 C C#/Db D D#/Eb F G A#/Bb b9 C#/Db D D#/Eb E F#/Gb G#/Ab B 9 D D#/Eb E F G A C +9 D#/Eb E F F#/Gb G#/Ab A#/Bb C#/Db 3 E F F#/Gb G A B D 11 F F#/Gb G G#/Ab A#/Bb C D#/Eb +11 F#/Gb G G#/Ab A B C#/Db E G G#/Ab A A#/Bb C D F b13 G#/Ab A A#/Bb B C#/Db D#/Eb F#/Gb 13 A A#/Bb B C D E G b7 A#/Bb B C C#/Db D#/Eb F G#/Ab B C C#/Db D E F#/Gb A m3 5 *Intervallic structure. the number of half-steps (half tones) between notes in the scale. 1112232* Scale tone Chord tone 137. 259 . 1112232 138.

144. 1123212 147. 2112321 146. 1211232* Scale tone Chord tone 144. 1211232 145. 260 . 1232121 148. 2121123 I II III IV V VI VII 1 C Db Eb E F G Bb b9 C#/Db D E F F#/Gb G#/Ab B 9 D D#/Eb F F#/Gb G A C D#/Eb E F#/Gb G G#/Ab A#/Bb C#/Db E F G G#/Ab A B D 4 F F#/Gb G#/Ab A A#/Bb C D#/Eb b5 F#/Gb G A A#/Bb B C#/Db E 5 G G#/Ab A#/Bb B C D F +5 G#/Ab A B C C#/Db D#/Eb F#/Gb 6 A A#/Bb C C#/Db D E G b7 A#/Bb B C#/Db D D#/Eb F G#/Ab B C D D#/Eb E F#/Gb A 1 C C#/Db D#/Eb E F G A#/Bb b9 C#/Db D E F F#/Gb G#/Ab B 9 D D#/Eb F F#/Gb G A C +9 D#/Eb E F#/Gb G G#/Ab A#/Bb C#/Db 3 E F G G#/Ab A B D 11 F F#/Gb G#/Ab A A#/Bb C D#/Eb +11 F#/Gb G A A#/Bb B C#/Db E G G#/Ab A#/Bb B C D F b13 G#/Ab A B C C#/Db D#/Eb F#/Gb 13 A A#/Bb C C#/Db D E G b7 A#/Bb B C#/Db D D#/Eb F G#/Ab B C D D#/Eb E F#/Gb A m3 5 *Intervallic structure. ie. 2321211 149. 3212112 150. the number of half-steps (half tones) between notes in the scale.

1121232 152.151. ie. 2321121 156. 2112123 I II III IV V VI VII 1 C Db D E F G Bb b9 C#/Db D D#/Eb F F#/Gb G#/Ab B 9 D D#/Eb E F#/Gb G A C D#/Eb E F G G#/Ab A#/Bb C#/Db E F F#/Gb G#/Ab A B D 4 F F#/Gb G A A#/Bb C D#/Eb b5 F#/Gb G G#/Ab A#/Bb B C#/Db E 5 G G#/Ab A B C D F +5 G#/Ab A A#/Bb C C#/Db D#/Eb F#/Gb 6 A A#/Bb B C#/Db D E G b7 A#/Bb B C D D#/Eb F G#/Ab B C C#/Db D#/Eb E F#/Gb A 1 C C#/Db D E F G A#/Bb b9 C#/Db D D#/Eb F F#/Gb G#/Ab B 9 D D#/Eb E F#/Gb G A C +9 D#/Eb E F G G#/Ab A#/Bb C#/Db 3 E F F#/Gb G#/Ab A B D 11 F F#/Gb G A A#/Bb C D#/Eb +11 F#/Gb G G#/Ab A#/Bb B C#/Db E G G#/Ab A B C D F b13 G#/Ab A A#/Bb C C#/Db D#/Eb F#/Gb 13 A A#/Bb B C#/Db D E G b7 A#/Bb B C D D#/Eb F G#/Ab B C C#/Db D#/Eb E F#/Gb A m3 5 *Intervallic structure. 1121232* Scale tone Chord tone 151. 1232112 155. 1212321 153. 261 . the number of half-steps (half tones) between notes in the scale. 2123211 154. 3211212 157.

262 . the number of half-steps (half tones) between notes in the scale. 1322112 164. 1213221 162.158. 1121322 161. 2132211 163. ie. 2211213* Scale tone Chord tone 158. 2211213 159. 3221121 I II III IV V VI VII 1 C D E F Gb Ab A b9 C#/Db D#/Eb F F#/Gb G A A#/Bb 9 D E F#/Gb G G#/Ab A#/Bb B D#/Eb F G G#/Ab A B C E F#/Gb G#/Ab A A#/Bb C C#/Db 4 F G A A#/Bb B C#/Db D b5 F#/Gb G#/Ab A#/Bb B C D D#/Eb 5 G A B C C#/Db D#/Eb E +5 G#/Ab A#/Bb C C#/Db D E F 6 A B C#/Db D D#/Eb F F#/Gb b7 A#/Bb C D D#/Eb E F#/Gb G B C#/Db D#/Eb E F G G#/Ab 1 C D E F F#/Gb G#/Ab A b9 C#/Db D#/Eb F F#/Gb G A A#/Bb 9 D E F#/Gb G G#/Ab A#/Bb B +9 D#/Eb F G G#/Ab A B C 3 E F#/Gb G#/Ab A A#/Bb C C#/Db 11 F G A A#/Bb B C#/Db D +11 F#/Gb G#/Ab A#/Bb B C D D#/Eb G A B C C#/Db D#/Eb E b13 G#/Ab A#/Bb C C#/Db D E F 13 A B C#/Db D D#/Eb F F#/Gb b7 A#/Bb C D D#/Eb E F#/Gb G B C#/Db D#/Eb E F G G#/Ab m3 5 *Intervallic structure. 2112132 160.

165. 2121132 167. the number of half-steps (half tones) between notes in the scale. 263 . 2212113 166. 1322121 171. 2212113* Scale tone Chord tone 165. 3221211 I II III IV V VI VII 1 C D E F G Ab A b9 C#/Db D#/Eb F F#/Gb G#/Ab A A#/Bb 9 D E F#/Gb G A A#/Bb B D#/Eb F G G#/Ab A#/Bb B C E F#/Gb G#/Ab A B C C#/Db 4 F G A A#/Bb C C#/Db D b5 F#/Gb G#/Ab A#/Bb B C#/Db D D#/Eb 5 G A B C D D#/Eb E +5 G#/Ab A#/Bb C C#/Db D#/Eb E F 6 A B C#/Db D E F F#/Gb b7 A#/Bb C D D#/Eb F F#/Gb G B C#/Db D#/Eb E F#/Gb G G#/Ab 1 C D E F G G#/Ab A b9 C#/Db D#/Eb F F#/Gb G#/Ab A A#/Bb 9 D E F#/Gb G A A#/Bb B +9 D#/Eb F G G#/Ab A#/Bb B C 3 E F#/Gb G#/Ab A B C C#/Db 11 F G A A#/Bb C C#/Db D +11 F#/Gb G#/Ab A#/Bb B C#/Db D D#/Eb G A B C D D#/Eb E b13 G#/Ab A#/Bb C C#/Db D#/Eb E F 13 A B C#/Db D E F F#/Gb b7 A#/Bb C D D#/Eb F F#/Gb G B C#/Db D#/Eb E F#/Gb G G#/Ab m3 5 *Intervallic structure. 2113221 169. 1132212 170. ie. 1211322 168.

Locrian bb3bb7 176. Ultraphrygian I II III IV V VI VII 1 C D Eb F# G Ab B b9 C#/Db D#/Eb E G G#/Ab A C 9 D E F G#/Ab A A#/Bb C#/Db D#/Eb F F#/Gb A A#/Bb B D E F#/Gb G A#/Bb B C D#/Eb 4 F G G#/Ab B C C#/Db E b5 F#/Gb G#/Ab A C C#/Db D F 5 G A A#/Bb C#/Db D D#/Eb F#/Gb +5 G#/Ab A#/Bb B D D#/Eb E G 6 A B C D#/Eb E F G#/Ab b7 A#/Bb C C#/Db E F F#/Gb A B C#/Db D F F#/Gb G A#/Bb 1 C D D#/Eb F#/Gb G G#/Ab B b9 C#/Db D#/Eb E G G#/Ab A C 9 D E F G#/Ab A A#/Bb C#/Db +9 D#/Eb F F#/Gb A A#/Bb B D 3 E F#/Gb G A#/Bb B C D#/Eb 11 F G G#/Ab B C C#/Db E +11 F#/Gb G#/Ab A C C#/Db D F G A A#/Bb C#/Db D D#/Eb F#/Gb b13 G#/Ab A#/Bb B D D#/Eb E G 13 A B C D#/Eb E F G#/Ab b7 A#/Bb C C#/Db E F F#/Gb A B C#/Db D F F#/Gb G A#/Bb m3 5 *Intervallic structure. Hungarian Minor: 2131131* Scale tone Chord tone 172. Lydian #2#6 178. Double Harmonic Major 177. Orienta 174. the number of half-steps (half tones) between notes in the scale. ie. Ionian #2#5 175.172. 264 . Humngarian Minor 173.

3211311 181. 265 . 2113113 182. ie. 1131132 183. the number of half-steps (half tones) between notes in the scale. 3113211 185. 1321131* Scale tone Chord tone 179.179. 1311321 184. 1321131 180. 1132113 I II III IV V VI VII 1 C Db E F# G Ab B b9 C#/Db D F G G#/Ab A C 9 D D#/Eb F#/Gb G#/Ab A A#/Bb C#/Db D#/Eb E G A A#/Bb B D E F G#/Ab A#/Bb B C D#/Eb 4 F F#/Gb A B C C#/Db E b5 F#/Gb G A#/Bb C C#/Db D F 5 G G#/Ab B C#/Db D D#/Eb F#/Gb +5 G#/Ab A C D D#/Eb E G 6 A A#/Bb C#/Db D#/Eb E F G#/Ab b7 A#/Bb B D E F F#/Gb A B C D#/Eb F F#/Gb G A#/Bb 1 C C#/Db E F#/Gb G G#/Ab B b9 C#/Db D F G G#/Ab A C 9 D D#/Eb F#/Gb G#/Ab A A#/Bb C#/Db +9 D#/Eb E G A A#/Bb B D 3 E F G#/Ab A#/Bb B C D#/Eb 11 F F#/Gb A B C C#/Db E +11 F#/Gb G A#/Bb C C#/Db D F G G#/Ab B C#/Db D D#/Eb F#/Gb b13 G#/Ab A C D D#/Eb E G 13 A A#/Bb C#/Db D#/Eb E F G#/Ab b7 A#/Bb B D E F F#/Gb A B C D#/Eb F F#/Gb G A#/Bb m3 5 *Intervallic structure.

186. the number of half-steps (half tones) between notes in the scale. 1231131* Scale tone Chord tone 186. 3112311 192. 1123113 I II III IV V VI VII 1 C Db Eb F# G Ab B b9 C#/Db D E G G#/Ab A C 9 D D#/Eb F G#/Ab A A#/Bb C#/Db D#/Eb E F#/Gb A A#/Bb B D E F G A#/Bb B C D#/Eb 4 F F#/Gb G#/Ab B C C#/Db E b5 F#/Gb G A C C#/Db D F 5 G G#/Ab A#/Bb C#/Db D D#/Eb F#/Gb +5 G#/Ab A B D D#/Eb E G 6 A A#/Bb C D#/Eb E F G#/Ab b7 A#/Bb B C#/Db E F F#/Gb A B C D F F#/Gb G A#/Bb 1 C C#/Db D#/Eb F#/Gb G G#/Ab B b9 C#/Db D E G G#/Ab A C 9 D D#/Eb F G#/Ab A A#/Bb C#/Db +9 D#/Eb E F#/Gb A A#/Bb B D 3 E F G A#/Bb B C D#/Eb 11 F F#/Gb G#/Ab B C C#/Db E +11 F#/Gb G A C C#/Db D F G G#/Ab A#/Bb C#/Db D D#/Eb F#/Gb b13 G#/Ab A B D D#/Eb E G 13 A A#/Bb C D#/Eb E F G#/Ab b7 A#/Bb B C#/Db E F F#/Gb A B C D F F#/Gb G A#/Bb m3 5 *Intervallic structure. ie. 3113112 189. 266 . 1311231 191. 1131123 190. 2311311 188. 1231131 187.

267 . 1233111 197. ie. 2331111 198. 3311112 199. 1123311 196. 1111233 Scale tone Chord tone 193. 1112331 195. 3111123 I II III IV V VI VII 1 C Db D Eb E F# A b9 C#/Db D D#/Eb E F G A#/Bb 9 D D#/Eb E F F#/Gb G#/Ab B D#/Eb E F F#/Gb G A C E F F#/Gb G G#/Ab A#/Bb C#/Db 4 F F#/Gb G G#/Ab A B D b5 F#/Gb G G#/Ab A A#/Bb C D#/Eb 5 G G#/Ab A A#/Bb B C#/Db E +5 G#/Ab A A#/Bb B C D F 6 A A#/Bb B C C#/Db D#/Eb F#/Gb b7 A#/Bb B C C#/Db D E G B C C#/Db D D#/Eb F G#/Ab 1 C C#/Db D D#/Eb E F#/Gb A b9 C#/Db D D#/Eb E F G A#/Bb 9 D D#/Eb E F F#/Gb G#/Ab B +9 D#/Eb E F F#/Gb G A C 3 E F F#/Gb G G#/Ab A#/Bb C#/Db 11 F F#/Gb G G#/Ab A B D +11 F#/Gb G G#/Ab A A#/Bb C D#/Eb G G#/Ab A A#/Bb B C#/Db E b13 G#/Ab A A#/Bb B C D F 13 A A#/Bb B C C#/Db D#/Eb F#/Gb b7 A#/Bb B C C#/Db D E G B C C#/Db D D#/Eb F G#/Ab m3 5 *Intervallic structure. 1111233 194. the number of half-steps (half tones) between notes in the scale.193.

1113231 202. the number of half-steps (half tones) between notes in the scale. ie. 3231111 205. 1132311 203. 1111323 Scale tone Chord tone 200. 268 . 3111132 I II III IV V VI VII 1 C Db D Eb E G A b9 C#/Db D D#/Eb E F G#/Ab A#/Bb 9 D D#/Eb E F F#/Gb A B D#/Eb E F F#/Gb G A#/Bb C E F F#/Gb G G#/Ab B C#/Db 4 F F#/Gb G G#/Ab A C D b5 F#/Gb G G#/Ab A A#/Bb C#/Db D#/Eb 5 G G#/Ab A A#/Bb B D E +5 G#/Ab A A#/Bb B C D#/Eb F 6 A A#/Bb B C C#/Db E F#/Gb b7 A#/Bb B C C#/Db D F G B C C#/Db D D#/Eb F#/Gb G#/Ab 1 C C#/Db D D#/Eb E G A b9 C#/Db D D#/Eb E F G#/Ab A#/Bb 9 D D#/Eb E F F#/Gb A B +9 D#/Eb E F F#/Gb G A#/Bb C 3 E F F#/Gb G G#/Ab B C#/Db 11 F F#/Gb G G#/Ab A C D +11 F#/Gb G G#/Ab A A#/Bb C#/Db D#/Eb G G#/Ab A A#/Bb B D E b13 G#/Ab A A#/Bb B C D#/Eb F 13 A A#/Bb B C C#/Db E F#/Gb b7 A#/Bb B C C#/Db D F G B C C#/Db D D#/Eb F#/Gb G#/Ab m3 5 *Intervallic structure. 2311113 206. 1111323 201.200. 1323111 204.

3321111 212. 2111133 I II III IV V VI VII 1 C Db D Eb E G Bb b9 C#/Db D D#/Eb E F G#/Ab B 9 D D#/Eb E F F#/Gb A C D#/Eb E F F#/Gb G A#/Bb C#/Db E F F#/Gb G G#/Ab B D 4 F F#/Gb G G#/Ab A C D#/Eb b5 F#/Gb G G#/Ab A A#/Bb C#/Db E 5 G G#/Ab A A#/Bb B D F +5 G#/Ab A A#/Bb B C D#/Eb F#/Gb 6 A A#/Bb B C C#/Db E G b7 A#/Bb B C C#/Db D F G#/Ab B C C#/Db D D#/Eb F#/Gb A 1 C C#/Db D D#/Eb E G A#/Bb b9 C#/Db D D#/Eb E F G#/Ab B 9 D D#/Eb E F F#/Gb A C +9 D#/Eb E F F#/Gb G A#/Bb C#/Db 3 E F F#/Gb G G#/Ab B D 11 F F#/Gb G G#/Ab A C D#/Eb +11 F#/Gb G G#/Ab A A#/Bb C#/Db E G G#/Ab A A#/Bb B D F b13 G#/Ab A A#/Bb B C D#/Eb F#/Gb 13 A A#/Bb B C C#/Db E G b7 A#/Bb B C C#/Db D F G#/Ab B C C#/Db D D#/Eb F#/Gb A m3 5 *Intervallic structure. 1113321 209.207. 1111332 208. 1332111 211. 1111332 Scale tone Chord tone 207. 1133211 210. ie. 3211113 213. 269 . the number of half-steps (half tones) between notes in the scale.

1213311 217. 1112133* Scale tone Chord tone 214. ie. 1121331 216. 270 . 1112133 215. 3311121 220. the number of half-steps (half tones) between notes in the scale.214. 1331112 219. 2133111 218. 3111213 I II III IV V VI VII 1 C Db D Eb F Gb A b9 C#/Db D D#/Eb E F#/Gb A A#/Bb 9 D D#/Eb E F G A#/Bb B D#/Eb E F F#/Gb G#/Ab B C E F F#/Gb G A C C#/Db 4 F F#/Gb G G#/Ab A#/Bb C#/Db D b5 F#/Gb G G#/Ab A B D D#/Eb 5 G G#/Ab A A#/Bb C D#/Eb E +5 G#/Ab A A#/Bb B C#/Db E F 6 A A#/Bb B C D F F#/Gb b7 A#/Bb B C C#/Db D#/Eb F#/Gb G B C C#/Db D E G G#/Ab 1 C C#/Db D D#/Eb F G#/Ab A b9 C#/Db D D#/Eb E F#/Gb A A#/Bb 9 D D#/Eb E F G A#/Bb B +9 D#/Eb E F F#/Gb G#/Ab B C 3 E F F#/Gb G A C C#/Db 11 F F#/Gb G G#/Ab A#/Bb C#/Db D +11 F#/Gb G G#/Ab A B D D#/Eb G G#/Ab A A#/Bb C D#/Eb E b13 G#/Ab A A#/Bb B C#/Db E F 13 A A#/Bb B C D F F#/Gb b7 A#/Bb B C C#/Db D#/Eb F#/Gb G B C C#/Db D E G G#/Ab m3 5 *Intervallic structure.

the number of half-steps (half tones) between notes in the scale. ie. 2313111 225. 3111231 I II III IV V VI VII 1 C Db D Eb F G# A b9 C#/Db D D#/Eb E F#/Gb A A#/Bb 9 D D#/Eb E F G A#/Bb B D#/Eb E F F#/Gb G#/Ab B C E F F#/Gb G A C C#/Db 4 F F#/Gb G G#/Ab A#/Bb C#/Db D b5 F#/Gb G G#/Ab A B D D#/Eb 5 G G#/Ab A A#/Bb C D#/Eb E +5 G#/Ab A A#/Bb B C#/Db E F 6 A A#/Bb B C D F F#/Gb b7 A#/Bb B C C#/Db D#/Eb F#/Gb G B C C#/Db D E G G#/Ab 1 C C#/Db D D#/Eb F G#/Ab A b9 C#/Db D D#/Eb E F#/Gb A A#/Bb 9 D D#/Eb E F G A#/Bb B +9 D#/Eb E F F#/Gb G#/Ab B C 3 E F F#/Gb G A C C#/Db 11 F F#/Gb G G#/Ab A#/Bb C#/Db D +11 F#/Gb G G#/Ab A B D D#/Eb G G#/Ab A A#/Bb C D#/Eb E b13 G#/Ab A A#/Bb B C#/Db E F 13 A A#/Bb B C D F F#/Gb b7 A#/Bb B C C#/Db D#/Eb F#/Gb G B C C#/Db D E G G#/Ab m3 5 *Intervallic structure. 1112313* Scale tone Chord tone 221. 1311123 227. 1231311 224. 1123131 223. 271 . 3131112 226.221. 1112313 222.

1131231 230. the number of half-steps (half tones) between notes in the scale. 3123111 232. ie. 272 . 1113123 229. 2311131 234. 1113123* Scale tone Chord tone 228. 1231113 233. 1312311 231. 3111312 I II III IV V VI VII 1 C Db D Eb F# G A b9 C#/Db D D#/Eb E G G#/Ab A#/Bb 9 D D#/Eb E F G#/Ab A B D#/Eb E F F#/Gb A A#/Bb C E F F#/Gb G A#/Bb B C#/Db 4 F F#/Gb G G#/Ab B C D b5 F#/Gb G G#/Ab A C C#/Db D#/Eb 5 G G#/Ab A A#/Bb C#/Db D E +5 G#/Ab A A#/Bb B D D#/Eb F 6 A A#/Bb B C D#/Eb E F#/Gb b7 A#/Bb B C C#/Db E F G B C C#/Db D F F#/Gb G#/Ab 1 C C#/Db D D#/Eb F#/Gb G A b9 C#/Db D D#/Eb E G G#/Ab A#/Bb 9 D D#/Eb E F G#/Ab A B +9 D#/Eb E F F#/Gb A A#/Bb C 3 E F F#/Gb G A#/Bb B C#/Db 11 F F#/Gb G G#/Ab B C D +11 F#/Gb G G#/Ab A C C#/Db D#/Eb G G#/Ab A A#/Bb C#/Db D E b13 G#/Ab A A#/Bb B D D#/Eb F 13 A A#/Bb B C D#/Eb E F#/Gb b7 A#/Bb B C C#/Db E F G B C C#/Db D F F#/Gb G#/Ab m3 5 *Intervallic structure.228.

1113132* Scale tone Chord tone 235. 3132111 239. 1131321 237. 3211131 241.235. 273 . 1113132 236. ie. 1321113 240. 2111313 I II III IV V VI VII 1 C Db D Eb Gb G Bb b9 C#/Db D D#/Eb E G G#/Ab B 9 D D#/Eb E F G#/Ab A C D#/Eb E F F#/Gb A A#/Bb C#/Db E F F#/Gb G A#/Bb B D 4 F F#/Gb G G#/Ab B C D#/Eb b5 F#/Gb G G#/Ab A C C#/Db E 5 G G#/Ab A A#/Bb C#/Db D F +5 G#/Ab A A#/Bb B D D#/Eb F#/Gb 6 A A#/Bb B C D#/Eb E G b7 A#/Bb B C C#/Db E F G#/Ab B C C#/Db D F F#/Gb A 1 C C#/Db D D#/Eb F#/Gb G A#/Bb b9 C#/Db D D#/Eb E G G#/Ab B 9 D D#/Eb E F G#/Ab A C +9 D#/Eb E F F#/Gb A A#/Bb C#/Db 3 E F F#/Gb G A#/Bb B D 11 F F#/Gb G G#/Ab B C D#/Eb +11 F#/Gb G G#/Ab A C C#/Db E G G#/Ab A A#/Bb C#/Db D F b13 G#/Ab A A#/Bb B D D#/Eb F#/Gb 13 A A#/Bb B C D#/Eb E G b7 A#/Bb B C C#/Db E F G#/Ab B C C#/Db D F F#/Gb A m3 5 *Intervallic structure. the number of half-steps (half tones) between notes in the scale. 1313211 238.

1321311 245. the number of half-steps (half tones) between notes in the scale. 1113213* Scale tone Chord tone 242. ie. 1311132 248. 274 .242. 3213111 246. 1132131 244. 1113213 243. 3111321 I II III IV V VI VII 1 C Db D Eb F# G# A b9 C#/Db D D#/Eb E G A A#/Bb 9 D D#/Eb E F G#/Ab A#/Bb B D#/Eb E F F#/Gb A B C E F F#/Gb G A#/Bb C C#/Db 4 F F#/Gb G G#/Ab B C#/Db D b5 F#/Gb G G#/Ab A C D D#/Eb 5 G G#/Ab A A#/Bb C#/Db D#/Eb E +5 G#/Ab A A#/Bb B D E F 6 A A#/Bb B C D#/Eb F F#/Gb b7 A#/Bb B C C#/Db E F#/Gb G B C C#/Db D F G G#/Ab 1 C C#/Db D D#/Eb F#/Gb G#/Ab A b9 C#/Db D D#/Eb E G A A#/Bb 9 D D#/Eb E F G#/Ab A#/Bb B +9 D#/Eb E F F#/Gb A B C 3 E F F#/Gb G A#/Bb C C#/Db 11 F F#/Gb G G#/Ab B C#/Db D +11 F#/Gb G G#/Ab A C D D#/Eb G G#/Ab A A#/Bb C#/Db D#/Eb E b13 G#/Ab A A#/Bb B D E F 13 A A#/Bb B C D#/Eb F F#/Gb b7 A#/Bb B C C#/Db E F#/Gb G B C C#/Db D F G G#/Ab m3 5 *Intervallic structure. 2131113 247.

ie. 1133121 251. 1113312 250. 275 . the number of half-steps (half tones) between notes in the scale. 1331211 252. 2111331 I II III IV V VI VII 1 C Db D Eb F# A Bb b9 C#/Db D D#/Eb E G A#/Bb B 9 D D#/Eb E F G#/Ab B C D#/Eb E F F#/Gb A C C#/Db E F F#/Gb G A#/Bb C#/Db D 4 F F#/Gb G G#/Ab B D D#/Eb b5 F#/Gb G G#/Ab A C D#/Eb E 5 G G#/Ab A A#/Bb C#/Db E F +5 G#/Ab A A#/Bb B D F F#/Gb 6 A A#/Bb B C D#/Eb F#/Gb G b7 A#/Bb B C C#/Db E G G#/Ab B C C#/Db D F G#/Ab A 1 C C#/Db D D#/Eb F#/Gb A A#/Bb b9 C#/Db D D#/Eb E G A#/Bb B 9 D D#/Eb E F G#/Ab B C +9 D#/Eb E F F#/Gb A C C#/Db 3 E F F#/Gb G A#/Bb C#/Db D 11 F F#/Gb G G#/Ab B D D#/Eb +11 F#/Gb G G#/Ab A C D#/Eb E G G#/Ab A A#/Bb C#/Db E F b13 G#/Ab A A#/Bb B D F F#/Gb 13 A A#/Bb B C D#/Eb F#/Gb G b7 A#/Bb B C C#/Db E G G#/Ab B C C#/Db D F G#/Ab A m3 5 *Intervallic structure. 1113312* Scale tone Chord tone 249. 1211133 255. 3312111 253. 3121113 254.249.

1133112 260. 1211331 258. 1121133 257. 276 . 3112113 I II III IV V VI VII 1 C Db D E F Gb A b9 C#/Db D D#/Eb F F#/Gb G A#/Bb 9 D D#/Eb E F#/Gb G G#/Ab B D#/Eb E F G G#/Ab A C E F F#/Gb G#/Ab A A#/Bb C#/Db 4 F F#/Gb G A A#/Bb B D b5 F#/Gb G G#/Ab A#/Bb B C D#/Eb 5 G G#/Ab A B C C#/Db E +5 G#/Ab A A#/Bb C C#/Db D F 6 A A#/Bb B C#/Db D D#/Eb F#/Gb b7 A#/Bb B C D D#/Eb E G B C C#/Db D#/Eb E F G#/Ab 1 C C#/Db D E F F#/Gb A b9 C#/Db D D#/Eb F F#/Gb G A#/Bb 9 D D#/Eb E F#/Gb G G#/Ab B +9 D#/Eb E F G G#/Ab A C 3 E F F#/Gb G#/Ab A A#/Bb C#/Db 11 F F#/Gb G A A#/Bb B D +11 F#/Gb G G#/Ab A#/Bb B C D#/Eb G G#/Ab A B C C#/Db E b13 G#/Ab A A#/Bb C C#/Db D F 13 A A#/Bb B C#/Db D D#/Eb F#/Gb b7 A#/Bb B C D D#/Eb E G B C C#/Db D#/Eb E F G#/Ab m3 5 *Intervallic structure. the number of half-steps (half tones) between notes in the scale. 1121133* Scale tone Chord tone 256. 2113311 259. 1331121 261. 3311211 262. ie.256.

1121313 267. 277 . ie. the number of half-steps (half tones) between notes in the scale. 3131121* Scale tone Chord tone 263.263. 1311213 265. 1313112 I II III IV V VI VII 1 C Eb E G Ab A B b9 C#/Db E F G#/Ab A A#/Bb C 9 D F F#/Gb A A#/Bb B C#/Db D#/Eb F#/Gb G A#/Bb B C D E G G#/Ab B C C#/Db D#/Eb 4 F G#/Ab A C C#/Db D E b5 F#/Gb A A#/Bb C#/Db D D#/Eb F 5 G A#/Bb B D D#/Eb E F#/Gb +5 G#/Ab B C D#/Eb E F G 6 A C C#/Db E F F#/Gb G#/Ab b7 A#/Bb C#/Db D F F#/Gb G A B D D#/Eb F#/Gb G G#/Ab A#/Bb 1 C D#/Eb E G G#/Ab A B b9 C#/Db E F G#/Ab A A#/Bb C 9 D F F#/Gb A A#/Bb B C#/Db +9 D#/Eb F#/Gb G A#/Bb B C D 3 E G G#/Ab B C C#/Db D#/Eb 11 F G#/Ab A C C#/Db D E +11 F#/Gb A A#/Bb C#/Db D D#/Eb F G A#/Bb B D D#/Eb E F#/Gb b13 G#/Ab B C D#/Eb E F G 13 A C C#/Db E F F#/Gb G#/Ab b7 A#/Bb C#/Db D F F#/Gb G A B D D#/Eb F#/Gb G G#/Ab A#/Bb m3 5 *Intervallic structure. 1213131 268. 3131121 264. 2131311 269. 3112131 266.

1131312 271. 1313121 272. 1131312* Scale tone Chord tone 270. 3121131 275.270. ie. the number of half-steps (half tones) between notes in the scale. 1211313 276. 3131211 273. 2113131 I II III IV V VI VII 1 C Db D F Gb A Bb b9 C#/Db D D#/Eb F#/Gb G A#/Bb B 9 D D#/Eb E G G#/Ab B C D#/Eb E F G#/Ab A C C#/Db E F F#/Gb A A#/Bb C#/Db D 4 F F#/Gb G A#/Bb B D D#/Eb b5 F#/Gb G G#/Ab B C D#/Eb E 5 G G#/Ab A C C#/Db E F +5 G#/Ab A A#/Bb C#/Db D F F#/Gb 6 A A#/Bb B D D#/Eb F#/Gb G b7 A#/Bb B C D#/Eb E G G#/Ab B C C#/Db E F G#/Ab A 1 C C#/Db D F F#/Gb A A#/Bb b9 C#/Db D D#/Eb F#/Gb G A#/Bb B 9 D D#/Eb E G G#/Ab B C +9 D#/Eb E F G#/Ab A C C#/Db 3 E F F#/Gb A A#/Bb C#/Db D 11 F F#/Gb G A#/Bb B D D#/Eb +11 F#/Gb G G#/Ab B C D#/Eb E G G#/Ab A C C#/Db E F b13 G#/Ab A A#/Bb C#/Db D F F#/Gb 13 A A#/Bb B D D#/Eb F#/Gb G b7 A#/Bb B C D#/Eb E G G#/Ab B C C#/Db E F G#/Ab A m3 5 *Intervallic structure. 1312113 274. 278 .

23. 19. 10. 80.3. 60. 54. 41.2. 86. 87. 24. 79. 39. 4. 81. 69. 36. 14.2. 21. 9.3) 32.1. 31. 17. 63. 68.2. 62. 48. 53. Major/Ionian Dorian  Phrygian  Lydian  Mixolydian Aeolian  Locrian Melodic (Jazz) Minor Dorian b2  Lydian #5  Lydian b7  Mixolydian b6 Semilocrian Superlocrian Neapolitan Major Leading Whole Tone Lydian #5b7  Lydian b6b7 Major Locrian Semilocrian b4 Superlocrian bb3 22122212212221 21222122122212 12221221222122 22212212221221 22122122212212 21221222122122 12212221221222 21222212122221 12222121222212 22221212222121 22212122221212 22121222212122 21212222121222 12122221212222 12222211222221 22222112222211 22221122222112 22211222221122 22112222211222 21122222112222 11222221122222 Topology 7. 28. 74. 56. Neapolitan Minor Lydian #6 Mixolydian #5 Hungarian Gypsy Locrian #3 Ionian #2 12221311222131 22213112221311 22131122213112 21311222131122 13112221311222 31122213112221 38. 58. 37. 30. 78. 6. 49.2)  scale incorporates Pentatonic Minor 32232  scale incorporates Pentatonic Lydian 32232 11.2. 65. 2. 71. 52. 33. 82.index of scales Part 1 (generally useful scales) Topology 5. 88. 70. 67. 47. 84. 15. 73. 61.2. 51.1 (2. 76. 85.3) Scale 1. 12.2. 55. 66. 13. Ultralocrian bb3  Harmonic Major Dorian b5 Phrygian b4 Lydian b3 Mixolydian b2 Lydian #2#5 Locrian b7 Harmonic Minor Locrian #6 Ionian Augmented Romanian Phrygian Dominant Lydian #2 Ultralocrian Hungarian Major Superlocrian bb6bb7 Harmonic minor b5 Superlocrian #6 Melodic minor #5 Dorian b2#4 Lydian #3#5 Phrygian #4 Lydian #3 Mixolydian #2  Aeolian #1 Locrian #7 Ionian #6 Dorian #5 Ionian b2 Dorian b1 Phrygian b7 Lydian b6 Mixolydian b5  Aeolian b4 Locrian b3 Lydian b2 Mixolydian b1 Aeolian b7 Locrian b6  Ionian b5  Dorian b4 Phrygian b3 Lydian b3#5 1321212 3212121 2121213 1212132 2121321 1213212 Scala Enigmata 11222131122213 22121312212131 21213122121312 12131221213122 21312212131221 13122121312212 31221213122121 12212131221213 21221312122131 12213121221312 22131212213121 21312122131212 13121221312122 31212213121221 12122131212213 31212123121212 12121231212123 21212312121231 12123121212312 21231212123121 12312121231212 23121212312121 12311221231122 23112212311221 31122123112212 11221231122123 12212311221231 22123112212311 21231122123112 13122211312221 31222113122211 12221131222113 22211312221131 22113122211312 21131222113122 11312221131222 13212211321221 32122113212211 21221132122113 12211321221132 22113212211321 21132122113212 11321221132122 21321212132121 13212121321212 32121213212121 21212132121213 12121321212132 21213212121321 12132121213212 13222111322211 279 .2. 3. 20. 72. 44.1 (1. 18. 50. 46. 45.2.2. Name or structure Pentatonic Minor Pentatonic Major Yo Man Gong Ritusen Pentatonic Lydian 22332 23322 33222 32223 Numeric check 3223232232 2232322323 2323223232 3232232322 2322323223 2223322233 2233222332 2332223322 3322233222 3222332223 Topology 7. 83.2 (1. 16. 7. 59. 26. 42. 35. 27. 22. 57. 34. 77. 40. 25. 8. 29. 43.1. 64.1. 75. 5.

1. 103. 121. 153. 145. 2232111 2321112  3211122 2111223 1211232  2112321  1123212 1232121 2321211 3212112 2121123 1121232 1212321 2123211 1232112 2321121 3211212  2112123  2211213  2112132 1121322 1213221 2132211 1322112 3221121 2212113 2121132  1211322 2113221 1132212 1322121 3221211  22321112232111 23211122321112 32111223211122 21112232111223 12112321211232 21123212112321 11232121123212 12321211232121 23212112321211 32121123212112 21211232121123 11212321121232 12123211212321 21232112123211 12321121232112 23211212321121 32112123211212 21121232112123 22112132211213 21121322112132 11213221121322 12132211213221 21322112132211 13221121322112 32211213221121 22121132212113 21211322121132 12113221211322 21132212113221 11322121132212 13221211322121 32212113221211 Topology 7. 90. 124. 149.3)  scale incorporates Pentatonic Minor 32232  scale incorporates Pentatonic Lydian 32232 172. 150. 165. 185. Hungarian Minor Oriental Ionian #2#5 Locrian bb3bb7 Double Harmonic Major Lydian #2#6 Ultraphrygian 1321131 3211311  2113113 1131132 1311321 3113211 1132113 1231131 21311312131131 13113121311312 31131213113121 11312131131213 13121311312131 31213113121311 12131131213113 13211311321131 32113113211311 21131132113113 11311321131132 13113211311321 31132113113211 11321131132113 12311311231131 280 . 151. 97. 182. 136. 137. 169. 163.2.3. 105. 122. 158. 116. 184. 155.89. 108. 114. 173. 98. 123. 99. 186. 177. 164. 95. 171. 174. 170. 128. 143. 156. 135. 125. 138. 3222111  2221113  2211132 2111322 1113222 1132221 2122311  1223112 2231121 2311212 3112122  1121223 1212231 1231221 2312211 3122112 1221123 2211231 2112312  1123122 1321122 3211221 2112213  1122132 1221321 2213211 2132112 2211123  2111232  1112322 1123221 1232211 2322111 3221112  1222311  2223111  2231112 2311122 3111222 1112223 1122231 2112231 1122312 1223121 2231211 2312112 3121122 1211223 1112232  1122321  1223211 32221113222111 22211132221113 22111322211132 21113222111322 11132221113222 11322211132221 21223112122311 12231121223112 22311212231121 23112122311212 31121223112122 11212231121223 12122311212231 12312211231221 23122112312211 31221123122112 12211231221123 22112312211231 21123122112312 11231221123122 13211221321122 32112213211221 21122132112213 11221321122132 12213211221321 22132112213211 21321122132112 22111232211123 21112322111232 11123221112322 11232211123221 12322111232211 23221112322111 32211123221112 12223111222311 22231112223111 22311122231112 23111222311122 31112223111222 11122231112223 11222311122231 21122312112231 11223121122312 12231211223121 22312112231211 23121122312112 31211223121122 12112231211223 11122321112232 11223211122321 12232111223211 140. 139. 109. 119. 129. 110. 176. 101. 104. 93. 161. 148. 181. 111. 183. 146. 96. 92.3 (1. 134. 117. 115. 166. 100. 144.1. 94. 167. 152. 162. 178. 107. 106. 113. 112. 141. 147. 180. 160. 179. 154. 127. 130. 157. 126. 118. 159. 133. 175. 131. 168.1. 91. 102. 132. 120. 142.

262. 190. 263. 2311311 3113112 1131123 1311231 3112311  1123113 1111233  1112331 1123311 1233111 2331111 3311112 3111123 1111323 1113231 1132311 1323111 3231111 2311113 3111132 1111332 1113321 1133211 1332111 3321111 3211113 2111133 1112133 1121331 1213311 2133111 1331112 3311121 3111213 1112313 1123131 1231311 2313111 3131112 1311123 3111231 1113123 1131231 1312311 3123111 1231113 2311131 3111312 1113132 1131321 1313211 23113112311311 31131123113112 11311231131123 13112311311231 31123113112311 11231131123113 11112331111233 11123311112331 11233111123311 12331111233111 23311112331111 33111123311112 31111233111123 11113231111323 11132311113231 11323111132311 13231111323111 32311113231111 23111132311113 31111323111132 11113321111332 11133211113321 11332111133211 13321111332111 33211113321111 32111133211113 21111332111133 11121331112133 11213311121331 12133111213311 21331112133111 13311121331112 33111213311121 31112133111213 11123131112313 11231311123131 12313111231311 23131112313111 31311123131112 13111231311123 31112313111231 11131231113123 11312311131231 13123111312311 31231113123111 12311131231113 23111312311131 31113123111312 11131321113132 11313211131321 13132111313211 238. 261. 243. 196. 193. 258. 209. 221. 212. 271. 248. 268. 240. 249. 275. 270. 3132111 1321113 3211131 2111313 1113213 1132131 1321311 3213111 2131113 1311132 3111321 1113312 1133121 1331211 3312111 3121113 1211133 2111331 1121133 1211331 2113311 1133112 1331121 3311211 3112113 3131121 1311213 3112131 1121313 1213131 2131311 1313112 1131312 1313121 3131211 1312113 3121131 1211313 2113131 31321113132111 13211131321113 32111313211131 21113132111313 11132131113213 11321311132131 13213111321311 32131113213111 21311132131113 13111321311132 31113213111321 11133121113312 11331211133121 13312111331211 33121113312111 31211133121113 12111331211133 21113312111331 11211331121133 12113311211331 21133112113311 11331121133112 13311211331121 33112113311211 31121133112113 31311213131121 13112131311213 31121313112131 11213131121313 12131311213131 21313112131311 13131121313112 11313121131312 13131211313121 31312113131211 13121131312113 31211313121131 12113131211313 21131312113131 281 . 233. 200. 204. 218. 225. 228. 197. 206. 256. 247. 217. 211. 265. 210. 254. 220. 237. 234. 272. 194. 222. 242. 232. 267. 259. 205. 198. 229. 213. 202. 203. 251. 207. 199. 276.187. 241. 192. 266. 257. 264. 231. 214. 227. 273. 216. 274. 224. 208. 188. 235. 230. 269. 219. 189. 252. 255. 239. 215. 226. 195. 223. 244. 246. 201. 191. 250. 253. 245. 236. 260.

303.4 (1. 335. 312. 352. 297. 310.4) 367. 286. 316. 278. 309.3. 365. 333.3 (1. 359. 306. 314. 339. 342. 282. 299. 360. 336. 350. 341.2. 11244 12441 24411 44112 41124 11424 14241 42411 24114 41142 11442 14421 44211 42114 21144 12144 21441 14412 44121 41214 12414 24141 41412 14124 41241 14142 41421 14214 42141 21414 1124411244 1244112441 2441124411 4411244112 4112441124 1142411424 1424114241 4241142411 2411424114 4114241142 1144211442 1442114421 4421144211 4211442114 2114421144 1214412144 2144121441 1441214412 4412144121 4121441214 1241412414 2414124141 4141241412 1412414124 4124141241 1414214142 4142141421 1421414214 4214142141 2141421414 Topology 5. 285. 317. 329. 332. 356. 280.4) 337. Intervallic structure 12234 22341 23412 34122 41223 12243 22431 24312 43122 31224 12324 23241 32412 24123 41232 12342 23421 34212 42123 21234 12423 24231 42312 23124 31242 12432 24321 43212 32124 21243 13224 32241 22413 24132 41322 13242 32421 24213 42132 21324 13422 34221 42213 22134 21342 Numeric check 1223412234 2234122341 2341223412 3412234122 4122341223 1224312243 2243122431 2431224312 4312243122 3122431224 1232412324 2324123241 3241232412 2412324123 4123241232 1234212342 2342123421 3421234212 4212342123 2123421234 1242312423 2423124231 4231242312 2312423124 3124231242 1243212432 2432124321 4321243212 3212432124 2124321243 1322413224 3224132241 2241322413 2413224132 4132241322 1324213242 3242132421 2421324213 4213242132 2132421324 1342213422 3422134221 4221342213 2213422134 2134221342 322. 362. 327. 346. 311. 366. 348. 289.1. 345. 293.4) Scale 277.1. 315. 287. 281.4. 344. 319. 361.Part 2 (somewhat less useful and in some cases downright useless scales) Topology 5. 334. 323. 353. 292. 355.2 (1. 326. 357. 325. 318. 328. 358. 301. 330. 288. 313. 295. 331. 338. 294. 349. 304. 283.2.3. 340. 305. 321. 320. 351. 290. 324. 347. 368. 343. 284. 302. 364. 300. 279. 291. 308.3. 298. 14223 22314 23142 31422 42231 14232 42321 23214 32142 21423 14322 4322 32214 22143 21432 1422314223 2231422314 2314223142 3142231422 4223142231 1423214232 4232142321 2321423214 3214232142 2142321423 1432214322 4322143221 3221432214 2214322143 2143221432 Topology 5. 296. 354. 307. 11334 13341 1133411334 1334113341 282 .2. 363.

438. 408. 400.2. 371. 426. 422. 454. 403. 424. 413. 384.2 (1. 375.2. 437. 453. 404. 376. 401. 439. 112233 122331 223311 233112 331122 311223 112323 123231 232311 323112 231123 311232  112332 123321 233211 332112 321123 211233  121233 212331 123312 233121 331212 312123 121323 213231 132312 323121 231213 312132 121332 213321 133212 332121 321213 212133 112233112233 122331122331 223311223311 233112233112 331122331122 311223311223 112323112323 123231123231 232311232311 323112323112 231123231123 311232311232 112332112332 123321123321 233211233211 332112332112 321123321123 211233211233 121233121233 212331212331 123312123312 233121233121 331212331212 312123312123 121323121323 213231213231 132312132312 323121323121 231213231213 312132312132 121332121332 213321213321 133212133212 332121332121 321213321213 212133212133 283 . 448. 378. 460. 33411 34113 41133 11343 13431 34311 43113 31134 11433 14331 43311 33114 31143 13134 31341 13413 34131 41313 13143 31431 14313 43131 31314 13314 33141 31413 14133 41331 3341133411 3411334113 4113341133 1134311343 1343113431 3431134311 4311343113 3113431134 1143311433 1433114331 4331143311 3311433114 3114331143 1313413134 3134131341 1341313413 3413134131 4131341313 1314313143 3143131431 1431314313 4313143131 3131431314 1331413314 3314133141 3141331413 1413314133 4133141331 Topology 6. 382. 388. 444. 458. 462. 455. 435. 429. 443. 441. 386. 451. 402.3.2. 383.2. 423. 436.2. 450.3)  scale incorporates Pentatonic Minor 32232  scale incorporates Pentatonic Lydian 32232 427. 420. 407. 391. 457. 449. 419.369. 393. 442. 431. 373. 221232  212322 123222 232221 322212  132222 322221 222213  222132 221322 213222 221232221232 212322212322 123222123222 232221232221 322212322212 132222132222 322221322221 222213222213 222132222132 221322221322 213222213222 Topology 6. 447. 399. 380. 394. 417. 415. 395.2. 452. 428. 461. 385. 374. 122223 222231 222312  223122 231222 312222 223212 232122  321222 212223 122232 222321  223221 232212 322122 221223 212232 122322 222123 122223122223 222231222231 222312222312 223122223122 231222231222 312222312222 223212223212 232122232122 321222321222 212223212223 122232122232 222321222321 223221223221 232212232212 322122322122 221223221223 212232212232 122322122322 222123222123 416. 379. 389. 411. 392. 396. 370. 381.3)  scale incorporates Pentatonic Minor 32232  scale incorporates Pentatonic Lydian 32232 397. 425. 433. 421. 412. 446. 432. 409. 434. 405. 398.1 (1.1. 410. 390. 440. 456. 445. 430. 377. 459. 418. 414. 372. 387. 406.

560. 487. 532. 211323 113232 132321 323211 232113 321132  211332 113322 133221 332211 322113 221133  223113 231132 311322 113223 132231 322311 131223 312231 122313 223131 231312 313122 131232 312321 123213 232131 321312 213123 131322 313221 132213 322131 221313 213132 221331 213312 133122 331221 312213 122133 212313 123132 231321 313212 132123 321231 123123 231231 312312 211323211323 113232113232 132321132321 323211323211 232113232113 321132321132 211332211332 113322113322 133221133221 332211332211 322113322113 221133221133 223113223113 231132231132 311322311322 113223113223 132231132231 322311322311 131223131223 312231312231 122313122313 223131223131 231312231312 313122313122 131232131232 312321312321 123213123213 232131232131 321312321312 213123213123 131322131322 313221313221 132213132213 322131322131 221313221313 213132213132 221331221331 213312213312 133122133122 331221331221 312213312213 122133122133 212313212313 123132123132 231321231321 313212313212 132123132123 321231321231 123123123123 231231231231 312312312312 514. 544. 549. 506. 469. 529. 499. 495. 533. 500. 536. 551. 512. 465. 509. 561. 470. 488. 508. 112224 122241 222411 224112 241122 411222 112242 122421 224211 242112 421122 211224 112422 124221 242211 422112 221124 211242 114222 142221 422211 222114 221142 211422 121224 212241 122412 224121 241212 412122 121242 212421 124212 242121 421212 212124 121422 214221 142212 422121 221214 212142 124122 241221 412212 122124 112224112224 122241122241 222411222411 224112224112 241122241122 411222411222 112242112242 122421122421 224211224211 242112242112 421122421122 211224211224 112422112422 124221124221 242211242211 422112422112 221124221124 211242211242 114222114222 142221142221 422211422211 222114222114 221142221142 211422211422 121224121224 212241212241 122412122412 224121224121 241212241212 412122412122 121242121242 212421212421 124212124212 242121242121 421212421212 212124212124 121422121422 214221214221 142212142212 422121422121 221214221214 212142212142 124122124122 241221241221 412212412212 122124122124 284 . 491. 522. 502. 478. 547. 515. 523. 510. 539. 466. 468. 537.2. 518. 548. 553. 543.3 (1. 496. 505. 526.2. 525. 484. 521. 481. 559. 516. 540. 524. 530. 464. 519. 472. 489. 497. 494.4) 517. 479. 493.463. 542. 535.2. 546. 511. 541. 556. 492. 473. 467. 480. 132132 321321 213213 132132132132 321321321321 213213213213 Topology 6. 471. 476. 550. 534. 562. 520. 486. 475.1. 531. 558. 474. 552. 555. 557. 527. 482. 490. 507. 501. 554. 485. 498. 513. 545. 483. 528. 477. 538. 503. 504.

658. 604. 644. 609. 579. 660. 221241 212412 122142 221421 214212 142122 421221 212214 122214 222141 221412 214122 141222 412221 221241221241 212412212412 122142122142 221421221421 214212214212 142122142122 421221421221 212214212214 122214122214 222141222141 221412221412 214122214122 141222141222 412221412221 Topology 6. 638. 656. 566. 661. 637. 593. 627. 655. 591. 626. 571. 651. 642. 576. 588.1. 653. 657. 649. 572.2. 602. 648. 629. 584. 652. 623. 607. 617. 640.4) 577. 636. 610. 586.4 (1. 625. 594. 616. 628. 633. 641. 615. 565. 608. 578. 585. 573. 590. 619. 569. 211143 112134 121341 213411 134112 341121 411213 112143 121431 214311 143112 431121 311214 112314 123141 231411 314112 141123 411231 112413 124131 241311 413112 131124 311241 113124 131241 312411 124113 241131 411312 113142 131421 314211 142113 421131 211314 113214 132141 321411 214113 141132 411321 113412 134121 341211 412113 121134 211341 114123 141231 211143211143 112134112134 121341121341 213411213411 134112134112 341121341121 411213411213 112143112143 121431121431 214311214311 143112143112 431121431121 311214311214 112314112314 123141123141 231411231411 314112314112 141123141123 411231411231 112413112413 124131124131 241311241311 413112413112 131124131124 311241311241 113124113124 131241131241 312411312411 124113124113 241131241131 411312411312 113142113142 131421131421 314211314211 142113142113 421131421131 211314211314 113214113214 132141132141 321411321411 214113214113 141132141132 411321411321 113412113412 134121134121 341211341211 412113412113 121134121134 211341211341 114123114123 141231141231 285 . 634. 606. 620.563. 621. 564. 613. 574. 647. 646. 598. 595. 611. 622.3. 624. 597. 587. 639. 601. 662. 583. 659. 599. 600. 650. 596. 582. 645. 567. 631. 614. 643. 632. 111234 112341 123411 234111 341112 411123 111243 112431 124311 243111 431112 311124 111324 113241 132411 324111 241113 411132 111342 113421 134211 342111 421113 211134 111423 114231 142311 423111 231114 311142 111432 114321 143211 432111 321114 111234111234 112341112341 123411123411 234111234111 341112341112 411123411123 111243111243 112431112431 124311124311 243111243111 431112431112 311124311124 111324111324 113241113241 132411132411 324111324111 241113241113 411132411132 111342111342 113421113421 134211134211 342111342111 421113421113 211134211134 111423111423 114231114231 142311142311 423111423111 231114231114 311142311142 111432111432 114321114321 143211143211 432111432111 321114321114 612. 603. 570. 630. 589. 654. 568. 618. 581. 605. 592. 575.1. 580. 635.

3. 131313 131313131313 Topology 6. 747. 742. 333111 333111333111 701. 688.4) 733. 738. 131331 131331131331 705. 313311 313311313311 706. 730. 667. 728. 741. 752.1. 727. 731. 720. 750.4.1.1. 718. 745. 331131 331131331131 708. 687.6 (1. 740. 743. 133131 133131133131 711.1. 113331 113331113331 699. 311133 311133311133 703. 696. 692. 331113 331113331113 702.3) 697. 729. 111333 111333111333 698. 734. 746. 680. 131133 131133131133 714. 682.2.663. 744. 721. 670.1. 111144 111441 114411 144111 441111 411114 111414 114141 141411 414111 141114 411141 114114 141141 411411 111144111144 111441111441 114411114411 144111144111 441111441111 411114411114 111414111414 114141114141 141411141411 414111414111 141114141114 411141411141 114114114114 141141141141 411411411411 Topology 6. 735.4) 717. 679. 665.5 (1. 719. Augmented 313131313131 716. 311331 311331311331 715. 736. 668. 673.1. 311313 311313311313 709. 666. 690.2.3. 748. 664. 724.2. 723. 113313 113313113313 710. Whole Tone 222222222222 Topology 7. 684. 686. 671.7 (2. 676. 694. 685. 689. 1111224 1112241 1122411 1224111 2241111 2411112 4111122 1111242 1112421 1124211 1242111 2421111 4211112 2111124 1111422 1114221 1142211 1422111 4221111 2211114 11112241111224 11122411112241 11224111122411 12241111224111 22411112241111 24111122411112 41111224111122 11112421111242 11124211112421 11242111124211 12421111242111 24211112421111 42111124211112 21111242111124 11114221111422 11142211114221 11422111142211 14221111422111 42211114221111 22111142211114 286 . 677. 722. 739.4 (1. 331311 331311331311 712.2. 726.1. 412311 123114 231141 311412 114132 141321 413211 132114 321141 211413 114213 142131 421311 213114 131142 311421 114312 143121 431211 312114 121143 211431 121314 213141 131412 314121 141213 412131 121413 214131 141312 413121 131214 312141 412311412311 123114123114 231141231141 311412311412 114132114132 141321141321 413211413211 132114132114 321141321141 211413211413 114213114213 142131142131 421311421311 213114213114 131142131142 311421311421 114312114312 143121143121 431211431211 312114312114 121143121143 211431211431 121314121314 213141213141 131412131412 314121314121 141213141213 412131412131 121413121413 214131214131 141312141312 413121413121 131214131214 312141312141 Topology 6. 313113 313113313113 713. 675. 691.2. 133311 133311133311 700. 678. 683. 133113 133113133113 707. 695. 672. 725. 669. 113133 113133113133 704.1. 749. 693.2) 732. 674.2. 751. 737. 681.

796. 794. 805. 762. 828. 808. 779. 811. 829. 821. 781. 836. 844. 825. 798. 772.753. 788. 767. 754. 822. 834. 826. 851. 792. 775. 849. 777. 780. 799. 763.3. 757. 800. 783.1. 848. 819. 761. 807. 758. 814. 852. 771. 778. 809.5 (1. 846. 823. 840. 847. 759. 755. 774. 769. 1111134 1111341 1113411 1134111 1341111 3411111 4111113 1111143 1111431 1114311 1143111 1431111 4311111 3111114 1111314 11111341111134 11113411111341 11134111113411 11341111134111 13411111341111 34111113411111 41111134111113 11111431111143 11114311111431 11143111114311 11431111143111 14311111431111 43111114311111 31111143111114 11113141111314 287 .1. 789. 2111142 1112124 1121241 1212411 2124111 1241112 2411121 4111212 1112142 1121421 1214211 2142111 1421112 4211121 2111214 1112214 1122141 1221411 2214111 2141112 1411122 4111221 1112412 1124121 1241211 2412111 4121112 1211124 2111241 1114122 1141221 1412211 4122111 1221114 2211141 2111412 1114212 1142121 1421211 4212111 2121114 1211142 2111421 1121124 1211241 2112411 1124112 1241121 2411211 4112112 1121142 21111422111142 11121241112124 11212411121241 12124111212411 21241112124111 12411121241112 24111212411121 41112124111212 11121421112142 11214211121421 12142111214211 21421112142111 14211121421112 42111214211121 21112142111214 11122141112214 11221411122141 12214111221411 22141112214111 21411122141112 14111221411122 41112214111221 11124121112412 11241211124121 12412111241211 24121112412111 41211124121112 12111241211124 21112412111241 11141221114122 11412211141221 14122111412211 41221114122111 12211141221114 22111412211141 21114122111412 11142121114212 11421211142121 14212111421211 42121114212111 21211142121114 12111421211142 21114212111421 11211241121124 12112411211241 21124112112411 11241121124112 12411211241121 24112112411211 41121124112112 11211421121142 804. 817. 773.4) 838. 827. 812.1. 801. 842. 765. 803. 850. 784. 1211421 2114211 1142112 1421121 4211211 2112114 1121214 1212141 2121411 1214112 2141121 1411212 4112121 1121412 1214121 2141211 1412112 4121121 1211214 2112141 1122114 1221141 2211411 2114112 1141122 1411221 4112211 1141212 1412121 4121211 1212114 2121141 1211412 2114121 12114211211421 21142112114211 11421121142112 14211211421121 42112114211211 21121142112114 11212141121214 12121411212141 21214112121411 12141121214112 21411212141121 14112121411212 41121214112121 11214121121412 12141211214121 21412112141211 14121121412112 41211214121121 12112141211214 21121412112141 11221141122114 12211411221141 22114112211411 21141122114112 11411221141122 14112211411221 41122114112211 11412121141212 14121211412121 41212114121211 12121141212114 21211412121141 12114121211412 21141212114121 Topology 7. 806. 764. 770. 835. 841. 845. 815. 760. 843. 820. 818. 833. 766. 797. 810. 831. 813. 802. 830. 837. 756. 768. 782. 776. 785. 795. 791. 793. 839. 832. 816. 790. 824.1. 786. 787.

854. 873.2. 22112112 2211211222112112 921. 22212111 2221211122212111 912. 21121212 2112121221121212 900. 869.1. 21122211 2112221121122211 925. Be-bop minor 2122112121221121 897.1. 859. 1113141 1131411 1314111 3141111 1411113 4111131 1111413 1114131 1141311 1413111 4131111 1311114 3111141 1113114 1131141 1311411 3114111 1141113 1411131 4111311 1141131 1411311 4113111 1131114 1311141 3111411 1114113 11131411113141 11314111131411 13141111314111 31411113141111 14111131411113 41111314111131 11114131111413 11141311114131 11413111141311 14131111413111 41311114131111 13111141311114 31111413111141 11131141113114 11311411131141 13114111311411 31141113114111 11411131141113 14111311411131 41113114111311 11411311141131 14113111411311 41131114113111 11311141131114 13111411311141 31114113111411 11141131114113 Topology 8. 865. 22121211 2212121122121211 913. 899. Be-bop locrian 1221112212211122 891. 861. 870. 21121221 2112122121121221 884. Be-bop dorian 2111221221112212 11122122 1112212211122122 893. 21211122 2121112221211122 906. 12221121 1222112112221121 927. 21122121 2112212121122121 918. 21221112 2122111221221112 890. 11122221 1112222111122221 940. 12212121 1221212112212121 920. 862. 12221112 1222111212221112 935.1 (1. 11112222 1111222211112222 939. 21112122 2111212221112122 930. 879. 12121122 1212112212121122 915.2. 11212212 1121221211212212 885. 11211222 1121122211211222 923. 857. 11221212 1122121211221212 919. 860. 22221111 2222111122221111 288 . 21212112 2121211221212112 914. 12222111 1222211112222111 942. 22121112 2212111222121112 905. 21212211 2121221121212211 903. 12111222 1211122212111222 907. 872. 12121221 1212122112121221 902. 12122112 1212211212122112 904. 11221221 1122122111221221 895. 888. 864. 12211212 1221121212211212 22112121 2211212122112121 898. 12122211 1212221112122211 933. 875. 11122212 1112221211122212 909.2. 876.1. 12122121 1212212112122121 886. 22111122 2211112222111122 937. 878. 21211221 2121122121211221 916. 22111221 2211122122111221 892. 871. Be-bop dominant 2212211122122111 889. 21211212 2121121221211212 12112122 1211212212112122 882. 883. 22211211 2221121122211211 928.853. 855. 874. 12112212 1211221212112212 917. 11121222 1112122211121222 931. 12221211 1222121112221211 911. 863. 877. 21222111 2122211121222111 934. 21111222 2111122221111222 938. 866. 11222112 1122211211222112 926. 868. 21121122 2112112221121122 922.2) 880. 21112221 2111222121112221 908. 22211121 2221112122211121 936. 11212221 1121222111212221 932. 894. 11212122 1121212211212122 901. 22111212 2211121222111212 929. 21221211 2122121121221211 12212112 1221211212212112 887. 11222211 1122221111222211 941. 867. 12112221 1211222112112221 924. Be-bop major 2212112122121121 881. 856. 12212211 1221221112212211 896. 858. 11222121 1122212111222121 910.

2. 987. 11211123 1121112311211123 1020. 11131212 1113121211131212 1031. 961. 12311211 1231121112311211 1017. 21122112 2112211221122112 946. 11311122 1131112211311122 1012. 990. 997. 986.3) 950. 989. 985. 12121113 1212111312121113 1035. 11212131 12121311 21213111 12131112 21311121 13111212 31112121 11121312 11213121 12131211 21312111 13121112 31211121 12111213 21112131 1121213111212131 1212131112121311 2121311121213111 1213111212131112 2131112121311121 1311121213111212 3111212131112121 1112131211121312 1121312111213121 1213121112131211 2131211121312111 1312111213121112 3121112131211121 1211121312111213 2111213121112131 11122113 1112211311122113 1007. 988.1. 965. 994. 998. 11221113 1122111311221113 1027. 969. 31112211 3111221131112211 1014. 966. 992. 953. 976. 12111231 1211123112111231 1021. 12211311 1221131112211311 1009. 968.2 (1. 22111311 2211131122111311 1029. 22211112 2221111222211112 944. 973. 11123112 1112311211123112 1015.1. 959. 22113111 2211311122113111 1010. 963. 11311221 1131122111311221 1024. 971. 956. 1000. 1004. 977. 13121211 1312121113121211 1033. 21113112 2111311221113112 1030. 31212111 3121211131212111 1034. 1003. 951. 954. 1005. 980. 13112211 1311221113112211 1025. 23112111 2311211123112111 1018. 11221131 1122113111221131 1008. 996. 962. 983. Octatonic 1212121212121212 Topology 8. 12211221 1221122112211221 948. 11312121 1131212111312121 1032. 958. 22112211 2211221122112211 945. 955. 11131122 1113112211131122 1023. 972. 11231121 1123112111231121 1016. 995. 31122111 3112211131122111 1026. 960. 957. 11211213 12112131 21121311 11213112 12131121 21311211 13112112 31121121 11211312 12113121 21131211 11312112 13121121 31211211 12112113 21121131 11212113 12121131 21211311 12113112 21131121 11311212 13112121 31121211 11121123 11211231 12112311 21123111 11231112 12311121 23111211 31112112 11121132 11211321 12113211 21132111 11321112 13211121 32111211 21112113 11121213 1121121311211213 1211213112112131 2112131121121311 1121311211213112 1213112112131121 2131121121311211 1311211213112112 3112112131121121 1121131211211312 1211312112113121 2113121121131211 1131211211312112 1312112113121121 3121121131211211 1211211312112113 2112113121121131 1121211311212113 1212113112121131 2121131121211311 1211311212113112 2113112121131121 1131121211311212 1311212113112121 3112121131121211 1112112311121123 1121123111211231 1211231112112311 2112311121123111 1123111211231112 1231112112311121 2311121123111211 3111211231112112 1112113211121132 1121132111211321 1211321112113211 2113211121132111 1132111211321112 1321112113211121 3211121132111211 2111211321112113 1112121311121213 991. 11221122 1122112211221122 947. 31121112 3112111231121112 1019. 1001. 967. 982. 981. 21211131 2121113121211131 1036.2. 12211131 1221113112211131 1028.1. 974. 999. 978. 970. Diminished 2121212121212121 949. 984. 13111221 1311122113111221 1013. 1006. 21112311 2111231121112311 1022. 979.1.943. 1002. 964. 993. 12111312 1211131212111312 289 . 21131112 2113111221131112 1011. 952. 975.

11132211 1113221111132211 1069. 21111321 2111132121111321 1050. 21211113 2121111321211113 1048.1037. 22311111 2231111122311111 1056. 12111123 1211112312111123 1077. 12231111 1223111112231111 1055. 11232111 1123211111232111 1062. 11231211 1123121111231211 1116. 11112132 1111213211112132 1098. 11113122 1111312211113122 1079. 31221111 3122111131221111 11321121 1132112111321121 1083. 12111132 1211113212111132 1049. 32111121 3211112132111121 1104. 12312111 1231211112312111 1117. 21311112 2131111221311112 1111. 11121321 1112132111121321 1099. 11121231 1112123111121231 1091. 12123111 1212311112123111 1093. 32121111 3212111132121111 1047. 21113211 2111321121113211 1089. 32211111 3221111132211111 1072. 31111221 3111122131111221 1113. 11322111 1132211111322111 1070. 11113221 1111322111113221 1068. 11112123 1111212311112123 1090. 11111232 1111123211111232 1059. 21321111 2132111121321111 1102. 22131111 2213111122131111 1110. 21111231 2111123121111231 1078. 11212311 1121231111212311 1092. 11113212 1111321211113212 1038. 31211112 3121111231211112 1076. 13111122 1311112213111122 1112. 12111321 1211132112111321 1088. 21121113 2112111321121113 1086. 11132121 1113212111132121 1044. 11321211 1132121111321211 1045. 11213211 1121321111213211 1100. 11221311 1122131111221311 1108. 11131221 1113122111131221 1080. 21111123 2111112321111123 1066. 21113121 1043. 32112111 3211211132112111 1085. 22111131 2211113122111131 1041. 11112312 1111231211112312 1114. 11211132 1121113211211132 1087. 13211211 1321121113211211 1084. 12311112 1231111212311112 1095. 21231111 2123111121231111 1094. 23211111 2321111123211111 1064. 23111121 2311112123111121 1096. 23111112 2311111223111112 1057. 11111322 1111132211111322 1067. 32111112 3211111232111112 1065. 11223111 1122311111223111 1054. 11112321 1111232111112321 1060. 21111213 2111121321111213 1105. 2111312121113121 1081. 11112213 1111221311112213 1106. 11122131 1112213111122131 1107. 31111212 3111121231111212 1097. 13211112 1321111213211112 1103. 23121111 2312111123121111 1075. 13212111 1321211113212111 1046. 12132111 1213211112132111 1101. 22111113 2211111322111113 1073. 12213111 1221311112213111 1109. 31111122 3111112231111122 1058. 11112231 1111223111112231 1052. 12211113 1221111312211113 1040. 21111132 2111113221111132 1074. 11312211 1131221111312211 290 . 1039. 13122111 1312211113122111 11132112 1113211211132112 1082. 11122311 1112231111122311 1053. 11111223 1111122311111223 1051. 12321111 1232111112321111 1063. 21111312 2111131221111312 1042. 13221111 1322111113221111 1071. 11123121 1112312111123121 1115. 11123211 1112321111123211 1061.

blank scale and chord forms 291 .

292 .

293 .

Appendix A: I-IV-V cycles of the Pentatonic Minor and its modes 294 .

Plenty of people play that way.e. especially if (like me) you have a tendency to rely entirely too much on one pentatonic scale pattern (i. E7 (I chord) A7 (IV chord) B7 (V chord) E Pentatonic Minor XII XII E7 (I chord) XII A7 (IV chord) B7 (V chord) G Penatatonic Major III III III 295 . There are at least two ways to do this: 1. Memorizing how to cycle through these patterns will open up the full length of the neck for you. you can solo over all three chords of a I-IV-V in E (E7-A7-B7) using only the E pentatonic minor (top-left pattern below). top-left pattern below).I-IV-V (blues) cycle of pentatonic scales in the key of E You can solo over a I-IV-V blues/rock chord progression without leaving the tonic key. you could play A pentatonic minor over the IV chord (A7) and B pentatonic minor over the V chord (B7). Shift the pattern at fret XII to the 5th fret for the A7 chord and to the 7th fret for B7 chord 2. For example.. you can follow the changes and match scales to chords for example. Alternatively. Stay at the 12th fret and play the associated modes of A and B pentatonic minor for the IV and V chords The diagrams below show I-IV-V cycles of the pentatonic minor and its four modes in the key of E.

I-IV- E7 (I chord) A7 (IV chord) B7 (V chord) A Yo V V E7 (I chord) V A7 (IV chord) B7 (V chord) B Man Gong VII VII VII VIII E7 (I chord) A7 (IV chord) B7 (V chord) D Ritusen X X X 296 .

Appendix B: One-note alterations of the Major Scale and its modes 297 .

One-note alterations of the Ionian mode (Major Scale)* Ionian mode (2212221) Ionian b2 (1312221) FT† no. 81 Ionian b7 (2212212) 5° Major Scale Mixolydian mode * Scales plotted across two octaves plus 1st string mirrors 6th string † FT=Fretboard Topologies 298 . 88 Ionian #2 (3112221) 6° Neapolitan Minor Ionian b3 (212221) Melodic Minor Ionian #4 (2221221) 4° Major Scale Lydian mode Ionian b5 (2211321) 5° FT no. 165 Ionian #5 (2213121) 3° Harmonic Minor Ionian Augmented Ionian b6 (2212131) Harmonic Major Ionian #6 (2212311) 6° FT no.

81 Dorian b6 (2122122) 6° Major Scale Aeolian mode Dorian #7 (2122221) Melodic Minor Dorian b1 (3122211) * Scales plotted across two octaves plus 1st string mirrors 6th string † FT=Fretboard Topologies 299 .One-note alterations of the Dorian mode Dorian mode (2122212) Dorian b2 (1222212) 2° Melodic Minor Dorian #3 (2212212) 5° Major Scale Mixolydian mode Dorian b4 (2113212) 6° FT† no. 165 Dorian #4 (2131212) 4° Harmonic Minor Romanian Dorian b5 (2121312) 2° Harmonic Major Dorian #5 (2123112) 7° FT no.

81 Phrygian b5 (1221222) 7° Major Scale Locrian mode Phrygian #6 (1222212) 2° of Melodic Minor Dorian b9 Phrygian b7 (1222113) 3° FT no.One-note alterations of the Phrygian mode* Phrygian mode (1222122) Phrygian #2 (122122) 6° Major Scale Aeolian mode Phrygian b3 (1132122) 7° FT† no. 88 Phrygian #7 (1222131) Neapolitan Minor * Scales plotted across two octaves plus 1st string mirrors 6th string † FT=Fretboard Topologies 300 . 165 Phrygian #3 (2122131) 5° of Harmonic Minor Phrygian Dominant Phrygian b4 (1213122) 3° Harmonic Major Phrygian #4 (1231122) FT no.

165 Lydian #2 (3121221) 6° Harmonic Minor Lydian b3 (2131221) 4° Harmonic Major Lydian #3 (2311221) 2° FT no. 88 Lydian #6 (2221311) 2° Neapolitan Minor Lydian b7 (2221212) 4° Melodic Minor Lydian Dominant * Scales plotted across two octaves plus 1st string mirrors 6th string † FT=Fretboard Topologies 301 . 81 Lydian b4 (2212221) Major Scale Lydian #5 (2222121) 3° Melodic Minor Lydian Augmented Lydian b6 (2221131) 4° FT no.One-note alterations of the Lydian mode* Lydian mode (2221221) Lydian b2 (1321221) FT† no.

One-note alterations of the Mixolydian mode*
Mixolydian mode
(2122122)

Mixolydian b2 (1312212)
5° Harmonic Major

Mixolydian #2 (3112212)
3° FT† no. 81

Mixolydian b3 (2122212)
2° Major Scale
Dorian mode

Mixolydian #4 (2221212)
4° Melodic Minor
Lydian Dominant

Mixolydian b5 (2211312)
5° FT no. 88

Mixolydian #5 (2213112)
3° Neapolitan Minor
Mixolydian Augmented

Mixolydian b6 (2212122)
5° Melodic Minor

Mixolydian #7 (2212221)
Major Scale

Mixolydian b1 (2122131)

* Scales plotted across two octaves plus 1st string mirrors 6th string

FT=Fretboard Topologies

302

One-note alterations of the Aeolian mode*
Aeolian mode (2122122)

Aeolian b2 (1222122)
3° Major Scale
Phrygian mode

Aeolian #3 (2212122)
5° Melodic Minor
Mixolydian b6

Aeolian b4 (2113122)
6° FT† no. 88

Aeolian #4 (2131122)
4° Neapolitan Minor
Hungarian Gypsy

Aeolian b5 (2121222)
6° Melodic Minor
Semilocrian

Aeolian #6 (2122212)
2° Major Scale
Dorian mode

Aeolian b7 (2122113)
3° FT no. 165

Aeolian #7 (2122131)
Harmonic Minor

Aeolian #1 (2122122)

* Scales plotted across two octaves plus 1st string mirrors 6th string

FT=Fretboard Topologies

303

One-note alterations of the Locrian mode*
Locrian mode (1221222)

Locrian #2 (2121222)
6° Melodic Minor
Semilocrian

Locrian b3 (1131222)
7° FT† no. 88

Locrian #3 (1311222)
5° Neapolitan Minor
Locrian Dominant

Locrian b4 (1212222)
7° Melodic Minor
Superlocrian

Locrian #5 (1222122)
3° Major Scale
Phrygian mode

Locrian b6 (1221132)
4° FT no. 165

Locrian #6 (1221312)
2° Harmonic Minor

Locrian b7 (1221213)
7° Harmonic Major

Locrian #7 (1221231)
5° FT no. 81

* Scales plotted across two octaves plus 1st string mirrors 6th string

FT=Fretboard Topologies

304

blank scale and chord forms

305

306

307

Appendix A: I-IV-V cycles of the Pentaonic Minor and its modes 308 .

Plenty of people play that way. you could play A pentatonic minor over the IV chord (A7) and B pentatonic minor over the V chord (B7).e. Alternatively. Shift the pattern at fret XII to the 5th fret for the A7 chord and to the 7th fret for B7 chord 2. Stay at the 12th fret and play the associated modes of A and B pentatonic minor for the IV and V chords The diagrams below show I-IV-V cycles of the pentatonic minor and its four modes in the key of E. you can follow the changes and match scales to chords for example. There are at least two ways to do this: 1. especially if (like me) you have a tendency to rely entirely too much on one pentatonic scale pattern (i.. you can solo over all three chords of a I-IV-V in E (E7-A7-B7) using only the E pentatonic minor (top-left pattern below). For example. Memorizing how to cycle through these patterns will open up the full length of the neck for you. E7 (I chord) A7 (IV chord) B7 (V chord) E Pentatonic Minor XII XII E7 (I chord) XII A7 (IV chord) B7 (V chord) G Penatatonic Major III III III 309 . top-left pattern below).I-IV-V (blues) cycle of pentatonic scales in the key of E You can solo over a I-IV-V blues/rock chord progression without leaving the tonic key.

I-IV- E7 (I chord) A7 (IV chord) B7 (V chord) A Yo V V E7 (I chord) V A7 (IV chord) B7 (V chord) B Man Gong VII VII VII VIII E7 (I chord) A7 (IV chord) B7 (V chord) D Ritusen X X X 310 .

Appendix B: One-note alterations of the Major Scale and its modes 311 .

88 Ionian #2 (3112221) 6° Neapolitan Minor Ionian b3 (212221) Melodic Minor Ionian #4 (2221221) 4° Major Scale Lydian mode Ionian b5 (2211321) 5° FT no. 165 Ionian #5 (2213121) 3° Harmonic Minor Ionian Augmented Ionian b6 (2212131) Harmonic Major Ionian #6 (2212311) 6° FT no. 81 Ionian b7 (2212212) 5° Major Scale Mixolydian mode * Scales plotted across two octaves plus 1st string mirrors 6th string † FT=Fretboard Topologies 312 .One-note alterations of the Ionian mode (Major Scale)* Ionian mode (2212221) Ionian b2 (1312221) FT† no.

One-note alterations of the Dorian mode Dorian mode (2122212) Dorian b2 (1222212) 2° Melodic Minor Dorian #3 (2212212) 5° Major Scale Mixolydian mode Dorian b4 (2113212) 6° FT† no. 165 Dorian #4 (2131212) 4° Harmonic Minor Romanian Dorian b5 (2121312) 2° Harmonic Major Dorian #5 (2123112) 7° FT no. 81 Dorian b6 (2122122) 6° Major Scale Aeolian mode Dorian #7 (2122221) Melodic Minor Dorian b1 (3122211) * Scales plotted across two octaves plus 1st string mirrors 6th string † FT=Fretboard Topologies 313 .

165 Phrygian #3 (2122131) 5° of Harmonic Minor Phrygian Dominant Phrygian b4 (1213122) 3° Harmonic Major Phrygian #4 (1231122) FT no. 88 Phrygian #7 (1222131) Neapolitan Minor * Scales plotted across two octaves plus 1st string mirrors 6th string FT=Fretboard Topologies † 314 .One-note alterations of the Phrygian mode* Phrygian mode (1222122) Phrygian #2 (122122) 6° Major Scale Aeolian mode Phrygian b3 (1132122) 7° FT† no. 81 Phrygian b5 (1221222) 7° Major Scale Locrian mode Phrygian #6 (1222212) 2° of Melodic Minor Dorian b9 Phrygian b7 (1222113) 3° FT no.

81 Lydian b4 (2212221) Major Scale Lydian #5 (2222121) 3° Melodic Minor Lydian Augmented Lydian b6 (2221131) 4° FT no. 88 Lydian #6 (2221311) 2° Neapolitan Minor Lydian b7 (2221212) 4° Melodic Minor Lydian Dominant * Scales plotted across two octaves plus 1st string mirrors 6th string † FT=Fretboard Topologies 315 . 165 Lydian #2 (3121221) 6° Harmonic Minor Lydian b3 (2131221) 4° Harmonic Major Lydian #3 (2311221) 2° FT no.One-note alterations of the Lydian mode* Lydian mode (2221221) Lydian b2 (1321221) FT† no.

One-note alterations of the Mixolydian mode* Mixolydian mode (2122122) Mixolydian b2 (1312212) 5° Harmonic Major Mixolydian #2 (3112212) 3° FT† no. 88 Mixolydian #5 (2213112) 3° Neapolitan Minor Mixolydian Augmented Mixolydian b6 (2212122) 5° Melodic Minor Mixolydian #7 (2212221) Major Scale Mixolydian b1 (2122131) * Scales plotted across two octaves plus 1st string mirrors 6th string † FT=Fretboard Topologies 316 . 81 Mixolydian b3 (2122212) 2° Major Scale Dorian mode Mixolydian #4 (2221212) 4° Melodic Minor Lydian Dominant Mixolydian b5 (2211312) 5° FT no.

One-note alterations of the Aeolian mode* Aeolian mode (2122122) Aeolian b2 (1222122) 3° Major Scale Phrygian mode Aeolian #3 (2212122) 5° Melodic Minor Mixolydian b6 Aeolian b4 (2113122) 6° FT† no. 165 Aeolian #7 (2122131) Harmonic Minor Aeolian #1 (2122122) * Scales plotted across two octaves plus 1st string mirrors 6th string † FT=Fretboard Topologies 317 . 88 Aeolian #4 (2131122) 4° Neapolitan Minor Hungarian Gypsy Aeolian b5 (2121222) 6° Melodic Minor Semilocrian Aeolian #6 (2122212) 2° Major Scale Dorian mode Aeolian b7 (2122113) 3° FT no.

88 Locrian #3 (1311222) 5° Neapolitan Minor Locrian Dominant Locrian b4 (1212222) 7° Melodic Minor Superlocrian Locrian #5 (1222122) 3° Major Scale Phrygian mode Locrian b6 (1221132) 4° FT no. 165 Locrian #6 (1221312) 2° Harmonic Minor Locrian b7 (1221213) 7° Harmonic Major Locrian #7 (1221231) 5° FT no.One-note alterations of the Locrian mode* Locrian mode (1221222) Locrian #2 (2121222) 6° Melodic Minor Semilocrian Locrian b3 (1131222) 7° FT† no. 81 * Scales plotted across two octaves plus 1st string mirrors 6th string † FT=Fretboard Topologies 318 .