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What is Religion?

IEdii'IJar/P ublisher: Ma rk G .E nte nf~ew s: Ma riIk G

IRide f:or Dliime arti,c~e: Nicnoilials Leur AU Mus~c Reviews:: Nicho~al5 Leur

IE) oc Y nrH311i1ta ry Revliiew s: IMark G ILayout and IEdiil:ilillg: Mark 'G,

Typ'os &. 1. nco rrsct Us,e 10 f the Eng lish U.ang lUI ag,e: Mi.3!rk

Any and aU tetters woul~d Ibeapprec~ated.: 381. Lon@, Tre@#C '-Vi,doriii:llYX 77901

- - - - - _.- _. - _.- - .- - - . .- , . - - -- -- -

mYSIIil,ace.CQ·m/ avPIPub~vktolli'~iatx Mia I'll G.<,rJ]lIPp!lIJlliI@lla'hoo.colml>

IN leho,las L. <ro.e~fuQ..eus@c'OJ1JtIgJID~j)m>

One good t~ingl about mu,sic, when it flilts YOIUI, YOIUI feell no pain,. Bob Malilley

Mu,sic is a ~igher revellation than alii wi,sdom and p~ilbsophy,. ludwig va Ii1 Be:e:tlilove:1i1

IFliiie:d liiidl Niielzsdle

Ballrterilng:l:oIC'T'11I ef'air trade 0:1' eqll.llall qua,n'tity ,of glo,ods arlldllolr' servic!es,J'"

If iiintlelll"E!S!lted tl1l ba'rtlelrilJiillgitradil1lg tCII11i adiverttS!elnetl1t spaCle I wi~~~ Iblock lIIP' to $.20' off yeNlu" ,a,dvIe:rti'isanent Ii',aille. Mlen::ha:l1ldi:S!e,.ticketS;, etc; ,al1e' !of .!llterest .. YOIIl.!llIi' IliiIiiIen:h ,al1ld}o:1i' service w~~ lbe, !wlsed tl1l f,l1ee' gi:vealways ~exclliLllldlil1lg the' ,ane or two, tillems,mr per:SiOI1l,a~ IlllIISe 1.

Al!sio .• lbe 01111 th e looil!c:. Olurt il1llal fuillume, issu:e fo.li" ,a f,l1ee' Com ptllat~OIl1 (iDto, be ,given aRaIY with ,eooh isslil e. HowVIlOlilldl you I~~ke, to, ha,ve ,one' or two, :S!oll1!gs,fea!lltlilredtll1 a oomptiat~oll1 (iD indudedMtD,a!l1l tl1liller~/alrtk;lle?

5,(1,011 (iD,s ln 50ClIll' IDiJagialzil1les! PilaIIl1S alre in th'e'~llibfo'li' m'~d-2010 blilt if iii.lI1telE'stea hit me' !w1pa!l1ld we~'I~~ l!let YOlil W ,ol1lMlats go,tl1l'g 'QII1. Mlore il1lf'o· w'i~n lbe pOlsted il1l the Jl1an issue'.

Mu,sic in the aoul can be heard by tha urli\(erse,. lao li.zllJ

Last min ute.submiselons IOn band info,

Contests: IEVIERYOINIIE RJEAD:

BllOodshlOt T.agedy - Foreed in '11117 in l}allasfFt. Worthar,ela" Brutal p'O\Ilrerhou se' 'q u i ntet IOf punishing heoks, brutal :groo\lle's,allOng mth a md,e range IOf metal i nfl uenees, Jan, "'I®i9 released 2: song demo and r'Hoontly shooting video for their song "Lifeless" at Dallas SIOU nd Lab" lit new but experienced band hitting the I}FWaliela"

"1i.IV!I.IVW"mys paoe",elOmlbllOod s hlOttragedy

Se'\IIen lsa he1av-y band from lflineis lior tans IOf Tool, I}eftones, mesh uggah, I SIS"""

If YlOu :g,et a eharreo-drep by and let us knO!l.lV what you think ofeur shlt.; ~"myspaoe'",oomfse\llenthband

IRIlI)lE fOIR. lI)lMIE 2,009 1M eta III Fest

IPort ILava'ca- .A1iII erica n GI FOIiUIiII Sep,telillbeli 12,1J1'I 2.009

W,Ii1:e:n lOne: tI'liJ;i'lillkSfI'biOl!lltIfi ffllllle:1il1 li\ock ,gm)~, YiOl!I(li\e I,eft wii1D1i1: "OOl!lllldl IhflVles'flllildl ''Woll!lllldl IhflVles',fI liiifi,e Ibml!llog liJ,tI ito ,fin ,end! fflli tIi005iOOII;1l .. Selfi;shlly" yiOl!II Iiollil.gl fiOli 1Dli1:eiili Iml!llsiic ito ,oom.e ,flliiiVle ,fI'g!flilil., lilli1:,e SpiilfiitI iOf IDlfilili\elII Lflnoe: .A!blboH, B,eH,eli klilow,n to IIiJ;iis flfi!e:lildISfllildl ffililI5f1S 1D1i1:e: i'nfflllli'blle: Sli1:li'\edl Mflsite: Ii ~n]MIEBAG ID'ARRIELL~, UiVles

- not es j'lO!UI'di ,expoeot it, but ias his sPlirit

W!J!U Idl h,arvle I il;je it. ID i me !lag soent his e ntire lif,e maK in g others lau:QI h with, his siclelSplitli n,g wtticisms, his 100W~ otthe liIiQlh IlJife, his lovle '[If hi is fnien,dIiS ton nu merous to eou nt an,d! above all, 5e,ein,QI that ,ev,eFj'loin,e wastaK,en eare ,of an,dI weill tr,ea,ted!, The peoipll,e he 'en,terh.in,edl retu nn,ed! the f,arvor iandl h, is pOlpiUllanity an,d! poerSOinlia, Qlr,ew, Now IFiv'e j'lealS h,aV1e Qlone I:Iy sinee he w'as take n, fhom lUiS, The Sh,adi!J!w 'OI\I',er IP,ar nte r,a, has diissipated! even Iy ,en,ou:QI h to QI iv,e rest tOI these most closeily il3Jft,eot,edi. Tr ieutes, mernonats,

sh,eiiv,edl ma, tel' ial, h,ono'rs ia, n,dI ia, plac,e in the mlCK pantheon dlidl the ma, n~uiSt ice, if '0 n Iy i n, ia sma, II w'ay. IF'Oir ma, n,y Qlm,u ps ,of indlivi,dlu:als aerose the CO!U ntry an,dI areu ndl the wrorildl, ia, n,eedl tOI poary h,OI mar Qle to' dli me h,a,di to' be mn re cain erete t hsn n,ew cdFs an,dI siQln,artu re Qlu itar rs - ,ev,ery j'lear sin,ce his p.alSlSinr QI th,e IR IDlE. IFO R 101 M IE. ch,ar ity h,as ,oHer,ed! itiS cOlft,ers again

and] ag;ai n in praise 'Olfth"e man, his 1(!V,e 'Olf Qlivin QI dlfdln'il: dlie with him, ian.d] if still iarliv,e h,e W!J!U Idl be stol;jedi to se,e wh,at 'Doth,ers ane dioli ng in h is name, Tlh,e 'IJ:fQlan i.zatiOi n is stno,n,QlelSt in T,ex:a,s, Charity 'Ridies iniV,o.l1Jin,QI malSlSiv,e qJu:andiaries 'of 'M ot.!Jifcycles andi OlJin,certs, all featu rin,QlIU po andl com in,QI bandliS, iar,e literal Iy ,evlei)'W'h,er,e an,dI mOiSt 'often cOiin,cicle w'ith, th e mOl nth, 'Oot his Hirthdlay, AU:QlUiSt 2!(l1'I - wh ich if 'J,'\0IUI I isten to sat,eillite 'Ra,dlio, 'Oil' an,y pr'O'Qlr,eiSSivle muiS ic sta.t iOin, j'llJluAII ;fin,dI th, is diay diu blb,edl, "Do 1M IEBAG IDAY~,

Tlh,e ODin c,ert in !P'Oirt ILaviacia w'as lR,en,e

Oa nturs (T,oin,e-Def Sn,dlz) ,off.erli n,QI tOi !Oi me, th,e COin,cert plr,o' mot,er spoent th,e ,entir,e diary iaotin,QI ias di[l'Dirman" mak in g T Sh irts iarvia.ilabll,e, seein,g thia,t t h,e 'eqJ U ipo me n,t w'as pr,oipoer Iy lo'ardiedl in iandi QlOlardiin,QI Qlu:elSts ia,n,dI bandls into ne ma.i n i n,g th e ,ent ine n iglht in an aot ,of IU n it'{ an,dI iaJllpineciatio n tal th,e poOlwlefl[lf metal. ilh,e onOlwdl was pnei:l,omin,arteily 'J,'\olun,QI an,dl,excitedl tar see th ei I' fniendls sh,ane th,e staQle with 'Doth,er T,exias ban,dls, an,d] Tlh,e artillery 'lJ,f bandls dlidl n,o.t di isa,PlpoOi int - th,ey cam,e fj",o, m ,ev,eryw'her,e in i,e:o::as; 'M ,em'lJir ies in Br,oK'en GI,aiSiS, Shatter,edl Slu n, Stmin Qler than all, DnOlwnTlh,e IF,ear,

liI,e IIb'lJinn 'M il it iar, IFIU II OIJ' n,taot, C'OIU nt Y'OIU I' Deadl, 'R,ome, Sen,dI in th,'e Cavalry, 'Fliedl Waltz, I n,dI isQluiSt, IlJlJ'n,elStar ID niv,e- by an,dI KiliarmOlr,ar all dielScen,dledl'Don th,e Gil IFmlUm an,dI to'o!k cOlmpl,ete COintr,o!1. In w'a'i!S big an,dI sma, II, Dar r,eill h,i8.di iaHededi neaflly ,ev,el)'1oin,e th,er,e in 'Din,e wll3lf 'Oil' t h,e ,o,t h,er. 'M anlY '1J!ldler cOin,cert

,Pa~J'~c1'phr;I. 's .Dim.:ebag.Dm'J':eJ. Qlo'ers h,ad] the pleasu re ,o:f h,arvli n,QI seen IP,anter,a. not 'lJin Iy as i8! m8!~!J!f Ia.!leil liI,eayY

WeiQl h.t, but also ias iar INl,oirth Texae I ndli,e Bandi some tWlenty 'J,'Iears iaQlOl, A sim ilar im pact

COIU Idln't be m,a,d]'e I:Iy more wlell Im,olw'nl !la,n,dIiS, the IR IIDIE. IFO'R IDI M IE IBe n eflt is sim plyar Qlift fj",om the wloll1d1, iaCKn,1J1w'Ied!Qlin g th e stnu:QI giles ,o,t n,ewoo mel's and! I ittle-!h,e8! I'd] ba n,dIiS w'h,IJ',

lil;je IP,ar ntera !lef,OIne them, h,I3JdI soent 'l'Iears in clu tis !lef,oif,e r,ear lizi n,QI the mOlSt nev,o!1 utio n,ary aet th ey cOlul1dl comm it w:as to si mply be th,ems,eiivles, nnd to the Glnea.ts ,of' nocK as th ey serpassed the m, ia, n,dI reaened h iglh,e I' ~andi I dlo mean iii i glh,er) neal ms ths n th"ey ever

ima, Qli ned!, W,e all h,arvle Qlneat m,emOir ies 'of' his playin, g, his ia n.thdl,ffi,eatist iattituidl,e, h isj,OiY and! his dlelSi re to rnflinQl IEVIE'R'YO NilE to' the party, I dlolu bt IP,a. ntera ever iacce;pited! an in,V1it.a.tiOi n to play at someone's Wal;je, and never in, his wildest dlr,eams, in i8i lif:e w'h,er,e he beea me ian 'eqJu:al with the Vlery peo pie w'h,ose postess

hu nQl 'Oin his i:JIedlr,o om w'als, WQIU ~dI he !leil ieve hu nd!r,oos if not th,oluiSan.dIs ![If b.amdls WOIU Idl dI'lJ' Wh'at few h,iarV1e and come togeth,er to he I,ll' the less f:artu nate in, his n,8i me, The man, COIU Idln,'iI: aeeept hi mse If es iar livin QI Glu itaJ leQle nd] but COIU Idl 'em pty his p'o'cl;jets roif iar frien,dl ia,t the dlno'p !(If iar hrat. Tlh,a.t's th e spo irit ,o,t ID imeitJiag, th,afls th,e ,en,erQIY !(If 'R IDoIE. IFO R ID I M IE., If j'IOIIUI go to iar 'R klJe !Ben,eifit in th,e futu ne an,d] betwleen, th,e QllalSISes ,of co!ldI tJ,eer andl Ia.u:glh.ter h,eaJ ia, dieaf:en i n,g dim:n.e ;fill th,e air, dlineot j'lo,u I' atten.t io,n to th,e staQle, th e Sh,a,pe ,o,f ID im,es' !leil,OIV,ed! Dea, n 'M L ,"",'II poar.alyZie ':!Iou,

By::: N ic:hod.a.s Leur

Wnrriurg N 1'\1.er i it! .'m~_

1:he 2nd ArmU'ar Jc!ffle~ ft;l(rmOn .M~.morlC11 a,~"@tJ'f .... LI Fr""~~<o<:j's 98 to 11~\D '11e ,'c<..'""<J! ... c!Dpt ....... "et

'''Wh~ '-"'~d '!;Iff ct:iI.:i r.tllliil~fi::l, ~ ·IJ!Q'I ~fI tr']Qncli 1i:i~iJfh[:r tun~d Lri10 mucn mOJ~ r;:n ~~~n: ·Jr:-!n;-r! I+v! r.'..,lIullClnd hHlpiI!!d .:: .... ~I. rtf.Iii' 1~1iI (ir Jan~5 Fom)(Jnl wHh m~. iiDotI, dJtnks. L I1l!:ip.ln~ 1M ~hl!t iilntJTI"lli: ~

.i,~-I S. rn FiI:J:J li;nhh, r'~~p n'x~~ !.L:J.'{. 1i' .. '~I."fI Tn C:I!1(.'J'.-:-r.

Slop .J.~.ue. h"~ r.:.:t;e.'!'J"r' t:I:..T>ber.i. r,,,~ Lo v ~~~I~r. X-=: ....

. .. .. --- PJ~ ')ul:""_1ul G"''I:'~t C~ n'~'I:'t" -----I

November 14. 2009 • RrN'erslde Multiplex

t-:al CII:i:II-.-1 ~j.I'T1l· ~.h:r .... 5I::11b "'I~:ff

fl'lO!J ........ 0;."1';01; I ... ~ ..... ",;~ .... : ... :n. .... .,.;r ",;n.-I,= ......... t' .. t

Wti1l,eli'1l a loved one pa.ss,e,s away ....

Wh eth,er it be ia. t,amily mem bel' 'Oirial close fnen,dl we'Olften dio someth inQl in rernembranee orthe lif,e th,ey liv,ed!. Wheth,er it be placinQl ~(!I'WelS'Oin ones tom bstone 'Oon their rnirthd!ary 'Of the ian n iv,ersary '1Jlfth,eir poassin,QlIIJ!f dioin atin,QI time ian,d],en,erQIY in, ,dlOiin,QI someth in,QI that persan 10000di, we nev,er w:an.t to ro,rQlet h,o"", th,at person tou:Ch,ed!,ou I' liv,es,

Atth,e i1l.Qle ,o,f29 ~,almes F'Difman !la!S®ed i8;WI3lf learVinQl friendls ian,d] re.m ily bell, in,d], IF,oir ILan,ce T. 1iI,1lr}'les th,e !last 1 S j'lears ,of fMendlSh ipo dlidln't ,en,dI wth, his dieath" Th,er,e iar,e times, ia,lt.er ijj, lovedl'IJ,n,e poaiSiSes th,ey IUiSU ally came to lUiS in i::li dlneam, Wh chi mOoSt peoiple write ,o:ff,as .~uiSt th,a.t. ,ia, dir,eal m, 'Doth,er poeoiple, Ii I;je ILan,ce, tal;je it ias mone th,at~uiSt i1li simpl,e dlneam, 'lIn, th,e

,dlneam, ~,a, mes to,ldI me IOIli th,e ;an n iv,elSary ,of his dieath, he ,dlidln't wiant arl1jllDin,e to be sa.d& th,a.t I h,adl to came IU p with iar pOoSitive Wl8ly'tO Qlet ,everya,n,e tag:eth,er,D!Bein,QI that~ames was in,tol mUiSic :an,dl ia, miQl ;an ima,l IOlvler it was be;frttin,QI to diol ia,

me mlJlnia.i !len,e;frt cooDer! rolf Adioipt-.AJP,et,

Gettin,QI th,e h,eilp '[lno'ca.i bUiSin,eslSeiS, 'oirg;a.n iz:atioins, ian,dI Dan,dIs, same wh,Oll;jn,ew~iames bad in the dialY, ILa.n,ce rnr,oluglh.t th,e frst ben,eM th,e 'R'iv,erskle lOa, m,~lex last 'J,'Iear, 'lL8!st 'J,'Iearls ,ev,en,t waSi8;Wlesoime CiJinlSidierlin,QI it w'as th,e ;filSt ':!lear & I h,adi no idlea. w'llat to'expeot, We h,adi some QlolJ>!:llo,ca.i i:JIandis ias wlell ias an '1J1U,t ,oUOlwn ban,dI mme ~Iary, Tlh,e tu nn '1JIUt was Qloo>d]'[!lIlerall an,d] w·e raised! S2,:~0{1 f,ar A.A p, fj",om th,e ,ev,en,t ias wiell ,as th e silen.t iau:otioin th,at was also h,eik! diu nin,QI th,e coo,cer!, ILast j'lea.rls SPOOOlSOirlS h,adl h eil,pedi mak,e ia, dlr,eam become ia. r,eality,a

IF'oir th is years ,evlent, lLanDe h,as mr,oo:glh.t togeth,er bandls "dioin,atin QI th,eir Qlift '1J:f m uiSic fbir th,e ca,uiSe, a ias weill ias harvle some !loD,thiS set IU p, 'Oin,e bein,QllEuiSYgamer. com, an,di another silen.t i8.u:ctioin. All pr,ooeedliS Qlo, to AAI[), "Th,e f,aot th,at ~,ames waSia, biiQl an ima. IloiVler, th,er,e was nOi d!,U tit diolin,QI it rolf AAI[)", ,w'hen, I th, in K I[If'1an imals in n,eedi'" thatls th,e ;filSt th,at

NOIw, in itlssemn,dI j'lear, lLanDe h,as I:lInolu:glh.t tag:ether iar ceilellJf.atioinr in h,oin,oif 'lJ,f ~ames ag;ain, "'III.!'h,a.t startedi,oftias iar means to get ,o!1dI fj",ien,dIiS together tu nn,ed into m u:dh m'Oine an,dl h,ellpoedi ceilellJfate th,e lif,e,oU.ames Fmman wth mUiSic, f:ood, ,dlninkiS, & h,eilpoin,QI'iJout th,eanimals,a

IFor tli!e' f'lIIl11l Q!IoA lumervievll'witlii, Uim,oe' iii .. , IlHIiay,es",lplei1llse' 'Cli!eiCkOIll r MySpace lpag:efor fill rtIii,er.umrfminillilmio:m'" pg-.2

L- ~

IIi'til....,;:IIIi'·'!I1OO' .. m" l!!4!jhl!o;tl!!!-:tI:IJt:p:.Jli ~1li'.l1:mJ\i; 51 II Fm f1iIF.rt~E ~rl

the old the Worm Sui:ci:de ~li:~ls <gUyS pillay1ed and wiiill!ll! be

CiROSS!ROADS MUSiJ[C - S!IJI. wilth hils band Allmost Elievelll,,, AIIII ofrpil!ayiiinig iiinthe futurez Is: iiis:

Illleturntb!IJI. Oiinder ~!lJl.mpriiiS!e:5 of us Iklllew COli~1lI was a ~Ireat s~n~:er~ hard ,S!cheduilliiing around each peopill,e from alllill areund T,e~asil' just 81111 a round ~I reat musician em d '!lJl.f your sd1eduilies and

Igiiivie us .a run ,down onwh!IJI.·s wr~te[" Mike pretty much dii5ttan~e:5?'

who and <giiivie us ,S!!llIme ord,"eshate~d the who Ie: OUtiilt,. We a 1llllklllew~t was ~Oilll~1 to take a

backqreund meat enthe <guys?~:ettlln~1 Cohn ~IlI, and malkin~1 this stmlll~1 comm~tment.. Pmlily more

We've got quite the arsenal of l"x happen., FeJlilx 0111 drums (aliso of so them we've ever ~Iilven to our

here, albt of old schoolers old skool Vi:ctorila) 1lI0w~n previous bands, I haven't done

iilllvolived 0111 project RfC. mysellf HoustOlll, has been a dose friend arllY of the b~~:~:er tou r'illll ~I 1I~lke M~lke

ScoH Glover aka Free, ISililly Meyer to lBiillllYCilllld Milke,cmd al:ways has and Feliiix, but I dOlll't m·iind the

and Mike Ar~IUlellliez fmmWorm been involved in rnuslc, AIIII just . dr·ilv~llI~ to practices out of tOWrll as

Suiii,()ii,de, COli~1lI Rabke of AlR- freJll1 illito pllace qlUlilte majesti:calilly, il 1101ll~1 as we Ikeep thinlk:illll~1 bi~:~:e["

15/Alllm,ost 1Ellleven, and FeJlilx was the last addition to the band, Hometown ~Ieroes~s ~Ireat, but its

Quilrlitailliia of HoustOIll'SWi~llllIltb!lll' and they Iliked my name whi:chil tlrne to upit to the next level,

IlLJiiv'e and M,eanp'ecliloe", You could had previlouslly done some solo We've alill paid our dues to the

say we make up a heJl1 of a boiliilll~ worlk with", So thats that, scene.jts tlrne to step up the

pot when H comes to w r~t~n ~I" ~Iame and make this ha ppen,

From 1J0p pUrll1k to ha rdeo re, to CiRM - Ifor those that d!IJI.n"t Some vertues wm be at will be

metal, our years of music has kn!llliwthe band, h,ow wouilid IEm'!llI,'sillll Austin, S!Dout Barin

maturedinto someth~IlI~1 that we y'!IJI.U ,de:S!criiibethe bandta HOUStOlll, hopefuilly IfiiitZ!gerallldsiif

alill feell ls someth~IlI~1 ~Ireat, and ,S!!llIme!lJU1e Unkn!llliwntt!IJI. y'our its stillill stallld~n~I",

frililied with momentum, We're alill mUS!I:!L.

excited, and the chemistrvis Its not, O~, or hardcore punk, But CiRM - Now the musiiic you Iguys

damn electric, you wilill defrinitely hea r the roots have Up onlliiineil' diiid YD'U Iguys

there - sjnce we a IIII have them, I recerd alllillthi~,s y'Our,S!eJllf? AIR

th~1lI1k it wilill appeal to Studiiios riiigh"U T,eillill usa bi~t

Alfl./Sha,des Apart/IFal!Detb!IJI. aboutthe re!D!lJl.rdiing prO'!De:S5

IlFal!i}e fa ns, It's Alltematilve, butits f'!lJl.rthiiis •

stilll has an edge, its very Yeah lBilllly Meyer WIlliS AR StlUldiios

elllt~lralllliln~1 wilth a ~lr~Hy sensual and Masterilll~I, so we have ~reat

~Irab, access to ~Din~lilrll a d mppilll ~I tracks on a llIew SOIll~1 easillly", And w~t~1 the power of the Illitemet we CEm em oi II stun ba elk: a III d fo rth I worlk onlt 0111 our OWIll~1lI our OWIll time, and then brilllgi llIew pa rts

~111 to the studio later 0111", coat pg3Z

Haiililiing out of Vli,ctolii~a (and beyond], comes arniililily new band with some 0111" ,schoolleli,swiirth an exlen.siirve ba,ck'gliound iin the m usii:c scene, e.spedalllilly here i~n Vii:ctoli~a. I shot a few questions oveli to 'guiirtmrist Scott fliee and asked hi~m ab~t about the:~1i backnround, the vii:den shoot for thei~1i 'catchy and fun sou ndi~n,g .son'g "Remalns" as weill III asother need to know thi~ nqs a bout IRJIE TU IRN TO CIN n IIER. ,. ,.,. ,. ,. ,.

QRM - How dii,d I~eturntbo Oiin,der 1!D!lJl.meabout iiin formiiing . siin!De you Ig uys Illiiivle .50 fa r apart?

Bililly and Mike put tOt~:ether some musi:c re.cordillll~1 Olver the last 18 months off and on, at Billlly's

reco rdi n ~I stu d io • AIR Stud~,os' , and un der the na me 'Miiinutbe of Angllle'.,. That's pretty much the

precursor of the band, We pg04 alii Iknew Cohn Rablke from

CiRM - You g uysa re r,el~alDiivleilly new a.s a band", but hav1e been around iiin '!llI":ther p,r,ojects for years now. As IRetu rnto OiinderwhClt shmfls havetto

C"Dmiingout ota thriiviing Filoriida M'etall scene, Mendadty briings nlellodiic riiiff.sand ,catdlY teehnlcal neath M'e:tall sound and voca 115 wiitha touch ,of dean voca 115 thrown iin fer 'go:od nI eas u re, After h'iUiing the n1I up, on theiir rliilysp1a'!De: p1age:::

WWW.IlI .. spla !De: .!Donll men da ciityba n d I sen t ,SOFliile 'llIue:,stiions to vDca~iistJ'guiitariist Axell about their sta rt over ten ye:,arsa go ,asw,elill as ta Ilk about new materia II thar'sln the wo,rks. IEnjoy!!!

'CRMI- 1f'i'1i'S1t, ,,"ungli,<fts toli 'geHin 9 ,a :sp,ott 'on tthe 'Cr:a neo M'e1!a II Festt illl: 'Cio'sita Rica.J:ellll UiSabitta ooutt how tthatt 'g ig 'Game ,a!J,outt?'

MEN oocm - Thank you! Welll/IJe had pI,ayed ,a OJiU pie of 'g igs in OJsta Rica last yea r that 'Welle ,a LsOi o~,a nized by Q;a neo Meta I, :SOl basics lIy th ey just extended us ,a n i rtVitation to play there ,ag,ai n. We/!fej v,ew tha nkfu I of eou mej. Wej h ad ,a blast last yea r ,a nd hope to have j ust ,as much fu n this y,ea r.

:CRMI- Now, you 'g LJ¥S have been itog,eltheli music is a lot .a little rnose enerqetic by then.wou ld th en fOilloiw for the next ceu pie of

toli ,a numbeti 'o,f ye':lliS" hav'e :splliltt up toli ,a The ' 0:8. Cgejif-tiUed releeeed is 'q uite ,diffej!fejnt. It rnortthe, We'vej deeded t,o have th e CD mi:llle,d

fuwof thema ndca me bad;;: tt,o Ii'e:l'easea is m O!fej rnelod icendetrneseheeic. Ita leo has by I'egen da ry [lan SwanCi (Edge 'of Sa n ity,

new ,a Ibum iln '08. 'g We: UiS some some r'eg u la r si n gi ng 'Whi ch is eorneth i ng very N ig hti ng,a le, M oontoiwer es well es

bad!!gli'uund ilnlf'o on tthe band and whu':s m~il/IJ fm us. I fi nd the rneteria I to ,alsOi be more plrOid uoe~/engi rieer for OJiunUess of meta I CD's

whu in tihe band. rnatu lie. We've 'gr:Oil/lJn, es persons ,a nd ,as ov'e~ the yea liS). We had ,a cha nee to meet hi m

MEN oocm - J ose FI ores (dru rns) ,a nd I rrusiciene. I've ,a lso lea rned ,a lot ,a bout music last ye,ar whi Ie 'we had our previOlus CD

~g u itar!vO'C<lls) sta rted the band in "94 ,a nd 'Whi le attend i ng eolleqe, We're defin itely mastered in Sw,eden. He is extremely cool en d

'qu ickly i nl!lited Rei Iph iRJoo lig ue:z as our second 'ge,tti ng piche~ ,a bout ou r riffs dtoices ,a nd l/!fie} re ,aC!csoll uteAy s1Joll:!ed to have hi m i rtVolvejd

'guitaris1 and then later Carlocs Cas1illo as our ,aHcmging and I f,eeA lour material is 'ge,tting fm our next C1D.\.M=/1le hoping to ,give him the

Lead VOIG3lis1 an d bassist. At the ti me my VOIG31 bettera nd better, It's .a ~OI much catchier, I tracks in Ma r,ch,. So the a I bu m shou ld be out

duties 1/lJelie strictly ba,dkupcs. Orner EI,e~sg.ar.ay sorneti rnes catch friends .a rid !feA.ative~s shortly .afte~ that 'l/IJe h ope~

was added ,a!found '97 I thinlk as :our neJ/IJ humming ,aio:ng to sorne :of lour tunes, It's very

bassist to ,allow Carlocs to, concentrate ,oln !fe!W8 ro i ng 'When you m n manage to ,get ,a :SOlng :CRMI-TIley :say you I'ea !ill, :sol11etthil1 9 new

voce ls, This l/IJ,aS the lin eu p fur the a Ibu m "For stuek in sorneene's head. Especia Ily lone that is ,each day" to'li me, today i,tt w,as 1fill1d in 9 'om

IDea r Life." technica lIy sti II deeth meta I! what tthe wmrl 'mendacilty' meantt. 'Gi,ve

\.M=j then bridly pa rted lM.ayS. I l/IJ,aS ,a4ed to 'oUIi Ii'eadet1':5 :some iinsig hit i'nito whalt itt

!fe!joi n .a !found 2D 01l as a bassist on oe the ba rid 'CRMI- In li'e:ga ms Ito YOUIi mUisiic" I means, how iilt 'Game to be tih e ba nd name.

deeded to sta IT up ,ag.ai n, Oma r had switched wouldn'tt :say ilts ,eocbi'emel¥ heal.i'Y yeIt to'li ,a nd how dues i,tt fitt intt'o whalt you ,guys ,alt'e

to 'guitar et that point so the lineup I/!JaS the tthe vocalS. Theli'e:':s ,aliott of m,el'odies 'Glieaiting'?'

sa me but Oma r a nd I basicellv traded tthlrlown in ,as weill ,a dean '!foGaII :sttvl'e MEN OOCIT'f - Well'/l.!ej pondered q uite ,a 1/IJh,i le

instruments. We only pI,ayed one ,gig es that tthlrlown in heti'e and ttheli'e" how has about a fitting name flor our band. I rernernber

I in eup en d then bro,~ up .aga i n, It l/!JaSn:'t unti I It'eSponBe been Ito you Ii music ,a nd YOUIi '08: I oolkin g th:rou,g h the d iction ary .a feJ/IJ times

,ar,ou nd late '06, 'or earlv ' 0:7 that J nse a rid I li'e:lease'?' beceuse I l/!Ja nted to ,avoi,d lo:n.g words or a

'/l.!ejlfe ,a ble to 8ta rt ja mm ing ,ag,ai n. Eventu.a Ily M ENDACIT'f - The !fe~sponse has beejn phr.ase .as 'ou r band na me. I IM,anted it to j us1

Oma r j oi ned us ,an d I,at,e~ Carl os. So ,ext!fejmely pocsitive. Wheth e~'/I.!e/re pl.aying be OInej wor,d. Someth:i ng sim pie, to the poi nt,

inte!fe~s1in g Iy enoug h: we're basioa lIy .a II orig i nal locally, r'eg io,nally, lor i ntejmati ona Ily 'l'.I'e .a h/!Jays ,a nd mem or,able. Eventua Ily I s1u mbl,ed upon

mem be~ l/lJith: the 'ei!<lCiejpti on: 'of Iillal ph: who, 'get ,a lot 'of ,a ppl,a use ,and csou'ea ms ,and ,as '/l.!ejll thej word M'end,ac:ity ,a nd I Iknef/IJ it l/!JacS ,a 'g !fe'at

mo¥,ed 'out ,of cstate~ So I'm ba,oc 'on: 'guitar ,and ,as lkind words fr'om fan8 ,ar'ound the'/IJ'mId who, dlQi,Cie fo:r us.

Carl os ics badk 'on: bass. The ,other d iff'e~'en oe is messag'e ucs:. What ~ !fe'ally i nte~'es1i ng is that ,a I ,d id n't 'g roiW up in: FlolJi,da so' mo¥i ng helfe I/!JaS

that I'm ha nd ling mo<s1 of the v'ocal duties lot of people who ,a !fejn:'t oro i na rily into meta I 'q u ite ,a cha nge for me. I remem be~ bei ng

nOiW. (mu ch, less death: meta I) seem to !fe,ally ,get s1u nned ,a oout how ma nipu late ,a nd u nreli,a ble

into lour music. It's not un OOImm on for us to ,a lot ,of peoplel/lJelfe, the tr,affic, the ,gene~,al ,ai r

:CRMI- Aboutt tthat new Ii'e:I'ea:se, ,a :seffi lti,Ued wi n: o""e~ people 1/IJh 0 ,d on:'t I is1en to metal ,at of i nOOInside~ti on, the heat ... I pride myself in

li'eIiease. Doml ,ealilieli :sltulffi ito now, how do lour show8 ,a nd that is someth:i ng thatl/lJe'r,e bei ng ,a n: h ones!: pe~SOIn ,a nd there I/!JaS so

you feell YOUIi muiSi:c has 'elI;(oWed'?' FOIi very pro,u,d ofa nd 'eilIiCitedabout heari ng. much: ,d ishone~1y ,allarou nd me th at I became

tihOSie unaw,alrle'ofwh,o MIENDAJCITY is, ,quite ,angry. So in ,esgejnce,we r,el,ea.sed so,me

how woulid you describe YOUIi music tt'o 'CRMI-J:ellll use ,a oo,m :some 'of the newell' of that .anger .a nd tension with ou r m usi,c. The

:someone 'om ttheli'e:'?' It1Uisi'c you 'glJ¥S have been working loll, Iyri,cs thus talll:Bd ,about there lie-s which ~

MENoocm - The early MendacityW8s prettyan¥sdledul'ed date toli Ith,QSe ito be basically l/lJhat the woro Mendacity means.

s{r,ai'ghtfmw,aro IDeath M,etal. The~e w'e~e so,me li'e:leased on :CD'?' Obviously lour music has cmnged o¥,e~ the

ha ro,ooreand mel 00 ic elemenm but nothi ng M ENIDACIT'f - The promo songs (200:9) 1/IJi II be ye,ars, We ,d id ta Ikabout em ng i ng the name

that lfea lIy siJoo,d out. We welle ,a Iso v,e~ you ng re-!fe'OOIro,ed for this ,a I bu m. So that is ,a 'g oo,d when l/Ire restarted .aga in, but I j us1 ,d id n't feel

,and na We ,at the ti me. Yfile l/lrere ,a II ,a ro,u nd!l5- i nd icato:r of the sou nd that wi II be on the ,a need to. We .aile ,all migi nal membe~s ,a nd

!lei, years old SOl we wro,te Plfetty f,a.s1 ,a nd ,did n't .a Ibum. lBasi:ca Ily it's heavi,e~ tha n our previous I'm pretty su re m,d we ~ept 'g oi ng on with the

really pay mu,ch ,attenti on to stwctu re m CD but 'we sti II ma i nta i n mel 00 ic elemenm ,a nd ban d without b!fe,a!ks, l/Ire',d pro,ba bly so,und

tightness. I s1i II hOiw:ever ,am pr,etty prou.d of .a I ittle bit of reg ul,ar sing i ng . We've 'g ot .a bout very si mi l.ar .anyw,ay. We pro'g IieSsed. Our lyrics

1/IJh:at l/Ire ,amom plished ,at such: ,a y'ou ng ,age_!l2, songs but may OInly haveS. included ,on the have .also ,ch:a ng,ed. Th ey s1i II reflect on: .a lot ,of

Th,e "For IDea r Life" materia I m,d more ,of ,a CD. Some of them ,are qu ite catchy ,and we've tr.ag ic events but ,also try to, ~eep the I is1,ene~

haro,oore flair to it I main:ly only ,oontributed 'gotten.a lot ,of iJOcsitive feedbadk from the few eng,ag,ed ,and s1rong so that they :can:

on: some ,a n;;a ngi ng ,a nd harmo,ni,es on: those ti mes I/!.!'e've played them .at shows, o¥,e~come these life obstacle-s.

tunes si noe they w'e~e mocs11y written ,after I As ,of now we .a lie I oo,lkin g .at reOOlro i ng ,d ru ms con t . pg30

had briefly pa rted with: the ba nd. !',d say the i n Deaejmbe~ ,of this yea r. Gu ita ra nd vo'ca ls pg05

F'IiIOIililI AU5tiilil.r lfX.r bywiilY of tlhl e: l'iltlle:ooiil5tiilll tow IiiI of pt. LiilViilCiiI.r lfX.r S-toliilediil~otiil lhlii1ve: be:e:liilclhIllIlililiiliil'g out lIliIusi:c fOIi ove'li te:1iiI yeliillis. II w,iilsiilMe: to iililte'liVi:e:w dUIIIliIIIIliI,eli Eliiic 'Giillidiiliil bout tlhleilistiillit iiliil pt. LiilviilciiliilS welliil5wlhliilt tlhleili IlIp to IiiIOW.

We:bs ile:www.E.IiiIlysPiil oe:.oolllill!5tolil e:diil kOtiilliiOC Ifs

CROSSROAIO!S M IlllSIfC-S(j, It,elill mea 1110 I!IIIt IillOw Stto li1:e lOla kolta sttalitteodl OUH''iiiol!ll 'g.uv:ssttalitteidl Ol!lllt dlowli1: heali iili1: Pit.. ILava,ca liiighlt?WIiI:eli1: dliidl yiol!ll 'gII!lIYS Ji'lellocatte Ito, AI!IISltiilill?

IERIfCGAR:CEA - "l'ea h we s1ta rte,d! ou.lt in lthe, s lie,epy I'ilil e, ltown of Pm1t lavaca ..... baclk in ]997 ... w~en Vilcrmi!a was lt~e bigl city:) I group consisted off J'ulan Balld!era (lle·ad! guitar) J'oey Collins (rhylthm

and! vo,calls) Kasey Moreno (ba ss) and! trilc Ga rcila (dw ms). J'ula n and!] ili.mJlghlt we were in a band! since ]992. .. (bilgl ild!e'as). We me-It JoeN in 94 and! s,ltamed punc~i'ngl 0iU1t iidie·as .. We., mElt Kasey in 96 ... : was a gu ira r p Ilayer ... b IU.lt was VII i'll ingllto ju m p rilg ~ inion lt~e ba ss, it wmJlldltalke a year before we resemblle.dl anyiliingl dose to an acltua II band. J'u'a nand] had! ja m me,d! willil s,ome, olt~er dudes. and acltuailly pllaye,d! a gigl at ili,e "!Fmlth and! Java" rilghlt lt~ere, in Vidori!a. n was a n a i:ltemaltilVe ad lthalt was s ho m II ilVed.. .. ] bel'ieve it onlly moltilVate,d! UIS ID db om own lt~ingl and glave lUIS lt~e, con:lfidence, to arrange an,d! wrilte om own wnes.

ltime be'To re we wou lid p 18Y in Vido ri!a aglaln.

] IlilVed! in San AnIDnio for abou,lt a year w~en ] ca!!.Jlghlt word ililalt J!!.Jlan and! IKa sey were malkingl pllans to move, ID Aus,ltin, .. ] ~Iad! fu m i'lly lthere so lt~e move was easy fm me so J!!.Jan,. Kasey and il were 21111 in AlUIsitin. it was on lt~e, ltip off our lton,glUlE!s biU1t wej,ulst coul'd'nl say it" we wem busy(Kasey and n partyingl and! c~edingl o iU1t lt~e Iboca II s,eene, .. (he Iki'lll lt~ree and!

]n 98. Jloe,y .. J ulan and! ] g ra dUlate,d! and! p ilsto II gil ip p u m p were; a co u p lie of gmu ps

Joe,y was movinglID norildla. Kasey was we wouJldlfreq,uelilltlly see) alllt~e peoplle

lt~e, naltmall one ID sltep ilillto ili,e, fronlt man and! evenlts seemed!ID be Ileadingi up ID a positi:onl.We now juslt need a bass pllayer. certain poilillt ... bult we had! no bass

IKaSEW had! a bUld'dly fmm band! dass pllayer. ] s,ltarte,d m,alkinglltrips baclk ~.ome,

na med! Adrilan Ga rcia. IHle was a g u ira rand! wou l'dl 5 pend!ltil me with 0 ur boy]. 181:00 d 1'lUIsit .. ili is so ngl is abo iU1t 2. yelars

p llayer as. weill b!!.J.lt we lt~re,w a ba ss alt ~ I'm Ariia n... aflte,r a I:olt off' ps¥c~e,d!el'i:c olldl b!!.Jt never IIE!CO IIdied. [Kind! off' ~Ias a

and he, ltoolk it in stllide,. OlVer ilile, neG:<lt lt~inlkingl ... ~e, seemed to unde'ffi.ltand ~ow w~alt is 21111 iliils. lki'III'inglfm lt~eme,. li~ils

cou p l!e: of ye:a rs., we p llaye,d! pa miles and! easy lt~e move: ID AlUIstin wou lid be, fu r ~ il m s.ongl was written b efo re, li~e, Swo rd

q!!.J incileneras.We ha dlto ca nee II one show ( and! il ili inlk he sts nds by ililalt d eeis i:on relleasedlt~eir d!eb!!.Jlt alb!!.J m.We were

dlUle tc ili ed"act lthalt my a pa mmelillt was lti III lt~ is dlay) ... so by !Feb 2.002.. ... we aetua Illy w lIiltingl lt~e rins w~enllt~ey sti'llll

ra ild!e,dI and! Ke , ]" and fu u r of ou r frile,nd s wem in Ausltin and slchedu l!e,d!lto reco rd! a re~ea rsed dbw n tha ha III fro m us. Ikuldbs

were lt~ rown inja illl fo r possess i:on of d!emo alt "li~e 18 ackro 0 m" by om frile,nd lto ili.ose d!!.Jldias and what lt~ey ~ave

marilj.uana. Over 21111 .. ilile Ilaw found! aboult S~lane, Patton. our firslt gilgl was alt ROOM aocompl'ilshed.

on ou nCB a i:IDglet~er and it mad!e lthe no (r. il.p.) and! ili ings sta mool mowba lI'ingl 2.. ]s (li~ey M ilg ~t be) IRo bolts •.. AI:olt of

pa pe,r. 'ccsn a rreslts 6 te,ens in dr!!.Jgl afie,r ililalt we b eGa me ili e band!lthalt guns I'ing er - d8 rlk IDwer and ililat bo olk

stingi' whalt aj:olke,. ]n a ltown lthalt everyone has ~e·ard! oLbiU1t ~Ias nolt seen ]984 was goingl on wilth iliils songl. Maybe,

smalll ... eNerybodiles s~it stinlks. 'Very perform. we were Ilazy pmmolters ..... ilf a ye·ar olld! songl ... but fuirlly nEW it talkes a

~lUImi'l'iialting .. bu.1t yel comi:call i'n re;gard!s. you diidlnfllt hangl ou.lt m glt dwnlk willi, I:ong ltiime fOil sIDnedlalkolta lto :lfinish a

ID lt~e M ilclke,y M OUlse, Ilaw lthalt exilsts in lUIS •.. yO!!.J1 P mba b Ily ha d!Iil.O iidlea we; were s.ong' ... a nd!lt~en ilL ils. rea Illy nevell

lt~ese liex:as cow IDW filS. P llayingl. 1fin is ~ed!. lt~ils so ngl ils up bealt and! il bell ieve it mue·rs some:iliingl orilginal in lt~is sea of co olk ie m.o nster me:1ta II.

In ]997 we were offilcilall ... we ~iad! a

werejammin,gl ili,e ffirs,lt album from: Down and 'stona ili,e crow" was lt~e ltraclk lthalt ran ilimug~, om veins. how we; wound! up with sIDnedlalkota is. still a mystery to me... b!!.Jlt it was be·fu re any dll!!.JglS in a mcrealti:onlall sense... and! il bel ileNe it just spawned! fmm iliialt ltraclk "stone lt~e

crow'.

li~e noo cou p lie of yea rs. we were onlly l'ilVingl !!.Jp lto om rep!!.Jltalti:on as a s.IDner band ... andj.ulst pllayingl shows .... nD Ilea II goalls inl ViIBW. ]n 2000 ... ] ~Iad! move,d!lto San AnID n iD lto get O!!.J.lt of ili,e: poll ilce

ra dla II. ] bel'ile;lVe om Ilas.lt s~ow was. 1Hi3lllbween 99 alt Sun ValileN .. wilt~,\!\Ibrm:

Su ilciidle, ..... !F'mnltl'ine, ... a nd! a co up lie olt~e·rs ] ca nit re·m e·m be·lI. ]It wou lid! be, a pg06

CRM-lf,elllll!lisa bilttal1lol!ltt Ithe band

""B,lieediingllllllildieli tth,e Sl!In"" ttelllll!ll:sabiitt .a bOl!lltt tthatt, when illt eame outt,Siongis liiisttin,g~. liIe~OOlildiili1l,g~. 'ett,c

lEG - Miter J'!!.Ja n I e·fIt ... we needed! a 1fresh

re£ordingllthalt was lUIS .... we, worlked on so m.e; oltll s.ong s ... ma die, a fe,w cha ngles a nd were rea dly'. ] m:el lt~ is g iU¥ lillavils Bonnier iliwulgh a 1frilend! o1f mine and! realily I'i'lkool w~at ~e ~ad! dbne for olt~er bands. we re,cmdledl willil ~im in May o1f

lt~ is year and! rellea sed! ili e; tIP in J'une.We walillte,dilto db om ~eavile·1I songs and rellease lt~e ep willil a ili,eme lthalt said we, eoutd tear ilL up. we, are; vellY pmud oH~is recordingl. it has four tracks ...

mern,b,elisand wlilJO 1II!I!ay:s whalt? 3. ]s Beneaili,lt~e !Fa die .... We didn't even

lEG - li~e band! me·mbe·rs are; ili,e nlame lt~e baclk lti'llll we; were dbne

same; ... minus J'Ulanl. ~e; moved! lt~ North recordingl. BeJore ilL was silmplly ltitllool 8

camllinla in 20008 ID s!!.Jpport ~ils wife alt co mit. :) nis s,ongllto !!.JIS offers. a wide

~er edllY alt Dulke unilVersity. ~e ils grealtlly range. Kits hardlcore and melbdic. .. WiUfliU1t missed we have sin:ce ili,en moved on a glettingl inID ani'!{ power me:ltall or any1t~ingl.

a iliree pile,oo. Sh.ort and! s.we,e:1t...bone cms~ingl.

Gont.pg29

1'D'tG 1'D'tG 1'D'tG 1'D'tG 1'D'tG 1'D'tG 1'D'tG 1'D'tG

1'D'm 1'D'tG 1'D'tG 1{i'tG 1{i'tG 1 {i'H3 1'D'H3

1'D'H3 1'D'H3 1'D'H3 1'D'H3 1'D'H3 1'D'H3 1'D'H3 1'D'H3 1'D'H3 1'D'H3 1'D't200 1'D't200 1'D't200 1'D'/200 1'D'/200 1'00/20< 1'00/20< 1'00/20<

1'00/20< 1'00127 1'00127 1'D't:27

1'D't:27 1'D't:27

1'D't:27 1'D't:27 1'D't:27 1'D't:27 1'D't:27 1'D't27 1'D't27 1'D't:27 1'D't:27

1 {i'127 1'D'127

1'00127 1'00127 1113 1113 1113

Arch IE ne my H lessthefall

H mise The Hand lmrnortal

Fear F,acto'FY

In nale IExh,al,e FbediempHo'n

P,a radi ise Lost

R,a,unchrY R,arunchry

The Jes UiS Lizard The Jes UiS Lizard The Jes UiS Lizard LivinQl H'ell S,ulitUl,die

The Destro Gr,arV,e R,oboboer Kin QI [10 i,a, rno n,di Kin QI [10 i,a, rno nd Lynch, M,oo. Mardlulk Nlarnia

S ke let,on ..... itch, Thiee

Those Wh,o, Lie Hen'eat h R,a m mste in

00' nrV,erQle

G ..... 'en Sta,ey Bi'el ph e QlOf

FUI M,an,chrul

M ,ur boid An,Qi,el Sc,ar Sy m metry

Th 1Wry u,f a lD<ead! man

VIA

3 W,eez,er

3G Cr,azyflSts

Bridie VIA

S,arvio U rs SuHacatioH

Cr,eedi R,IE,~I,

Slayer

F,o,o, F iQl hters Nlirvana

NEW CD, Rellle,ases

This isa list ,of' CDI'Is tba,i will be Zilarilarble so'on., P'lea,se ,check balnd w,ebsi'ile ,or doal G oo'glle :sealr'ch ro,r mo,r,e inf,o,rmai:ion r,ela,iled '10 r,elea,se diailes., Dlailes,alr,e subje,d:ilo 'chan,g:e., Noi: 'c,omple,ile list:!'

R'oiQ,t 'OifAIlIEvil Witn'ess Desperate L ivin QI All Shall Fall

H atef les R'e- Rie lease eu IY Me AIiv1e

Sn ,o ...... fall 'o,n J UI,diQl me nt \DIay Faith \DI ividi'es Us, [Io'eat hUn ites us

Ocmfu;si'OH Bi,arY R'e-R'eleais'e Velv,et Muise R,e-R'e lease [I'm ... n R'er'e lease

Gu'at R'er'el,eaise

Liar R'er'e lease

OboliviOin

P'OIiso-n,edl Popuila,tion: The OiJ,mplete Oolleetio,n, (1987- 1!994)

H ar rno nry 'Olf ID isomdi lnner Sanetulm Gr,ar¥ey,ardi R'e-R'e lease

The Spidier's Lullaby Rie-R'el,ease S rnoke And! 1;1 i rrors

WiO' rrn ..... io,odi

Oo,u rse Of A G'en'eraHo,n Hr'eath inQl The F ire

He QlQla rs

An, AWial;jen inQl

Liebe ist Fur AII,e ID,a, Axe To Faill

AID< i,al,o'Qlul,e

WiarlpurQlis Rites H,exeniwiahn SiQln,s Of Infinit'e PUr ..... ier

Bi lessed Ar'e T'hr'e Sick Rie-R,el,eaise Dar k M atter ID i me nsio ns

Scars ,& SOl Ui'J,en irs (Special

IEdlit io-n)

Sal' .... V I S,o-u ndltrack R'evisiunis

Rad1 itul,die

U ndern eath A Nlmth'em Sky IOVID<

Tsar Homba

Liv,e ,at the Olympia, WiO' rldl Pai n,te,di H InOidl Gr'eatest Hits

H leac h: lD<,el u,:o:!e IE,di it iOi n,

Compiled ,oft various w'ebsitle.s.,

1113 1113 1113 1113 1113 1113 11/11(1' 11/11(1' 11/1 '00 11/1 '00

N'irviana

Wie Ca me As Rio, ma niS Ge n itortu rers Hypoerisy

N'ile

N'OI etu mail Fear American Me Katato,nia

Bo'n J'ovi

Thr'e Killers

Liv,e at R,ea,diinQl CIDtIDV[Io To Plant ASe'edi

H lac kneart R,ev,OI luf io,n

A Taste Of IExtr'e me [10 ivi n ity

Th ose W h,OI m The G'odls IDe test M'etal Of Honor

Sio.'erian NliQlhtmar,e Machine NI i Qlht is the Me-w IDary

T'he Circle

Liv,e Fr'elm the R'o,yaIAlo.'ert Hall IDVID

Liv,e at the 02 CID/IDV[Io Hello H urr ieane

ID'eathr less

A mel nQl The Liv inQl C[I~DViD R'eR,ele,a,se

Outbreak

Q UISi ntcs Possu nt ,a,di Satanitatem Trahunt

Tribu nal R'eoordis 1 no: "!Nie Gokh,a Oo,v,er'edi"

This Is Wiar

Elernents Pt 1 R'e-R'ele,aise Elernents Pt 2 R'e-R'ele,aise Time To Hum

Y;OiUI W'er'en't There; A H ist,o,ry 'of

ChioaQlo Pun,k 1!9T7-S4IOVID<

Gr,arV,e-wmm lD<iatmlical FiQlur,es

H,atf'o,r,di III: Win,ter So,nQls

P'e I lean W hat Wie All 00 me Tel NI,eedi

T'he R'edl Cho,r,di F'edi ThmuIQlh, Th,'e T'eeth M,achdne

Th e R'edl Shm'e U neo nseeratea S peeial Edition

Bi,etW'eenr T he Bu r iedi '& Me The Gr'ea,t M isdli reet

P'e I lean W hat Wie All 00 me Tel NI,eedi

Pyr,amidls With Mar,dlj,ar :sit

U:2 Th e U nf(lf Qletta, ble F ire:

R'e mestered

Awe lerated Liv in,QI

The Cioise OfAChapt,er: Liv,e In Q ueb,ec City

FuliCircle

11/11(1' 11/11(1' 11/11(1' 11/11(1'

Ki nQls of Len n Sw itchf,o,ut

Th ro ...... d1o-wnr Anthr,ax

11/11(1' Outbreak

11/11 Gm Qlom,th

11/1 7 Var inus Artists

11124 30 Seoom:lls to Mars

1 2.1'1 Strat'oliariuiS

1 2.1'1 Strat'oliariuiS

1 i26 TakinQllDa ..... n

Riev,o,lutio,n is an, Austin basedlbandi after lEx-Un locosin,Qler J'iJ'ey Frank "Frankie" SalviaQlQlio and rban i, me rnbers 'OIfSI,alJ,es 'o,n IDa, pe

, in, 21Q{1<5, th ey l'eleasedi ,a, Tr.r'E~r"aCK setf:.r,eleasedl,ep in,clu:dlin,QI '1Cal.'e and "Rise", th ey h ar¥e ,a,

, ,in edltlAaruH !Jewis' m,ome nt Uin 'Let ,mSa6:lest SUn,QI,m and "Th e Lon ely IY well wMtten"m In 2(1(17 the band "I r,!eoollFdj:~dl sElV,elilll tracks perf'ClFmedi st th e - ma.r-n m »sh up in flint, M ich iQlaH and r'f!lrP.la~~p.!rI a fi}u rsung! od M eh in,c]u:d1edl

<1\.U'1r,,, ,p,,", ~Bite My io,n,Qlu'e, m ~B:lister and , and m Sal.'ior,m,m Ane-w Riev,ulutiun

a wurldt .... tle dieal with Koch R ecor'~ in late 1(1(17 and released th eir TIrst h albulm, ~Rise,m Qlenerally upliftin,QI, KH1 .... i&dlthinkinQlIEmph,atic meta!

son QI- fu lin ess and the r dlissamn,oe blen;dl well torgeth er, ,O';"er ,all Anth em ic v'eFY pasitive, H 'ealJ'f as hell, proes to th e mxer.

GOial~e[5:o:lC MO)C • 00 (Rella p5:,e) and luose, th ese :sunQls are v'eFY inspired oompar,edl to th esou nd th ey th eir late mrs h ;3lfadialy', Very sClr,ea,mo inispir,edl, th ey r,einv,entedi

brilliantly, The Kanisas City

'01Utfit has a 1i.';!;3lfs been iJf'on e tel massse re.u:dS, but perh aps

th e miSe Iv,es CiJ'alesoe beoalJS>e mus~ brin,gs ,everythin,QI full crcle, check "N'e-w VnidS in 0 n es Riesolv,e, 'Th e

ya1UI wont dienrY" an;di 'Ely 'o'J],at we

pg07

Ev'e'li 9'0 to ,iiilSIi1IO'Wiiilliid li1Ieliiilliiiil b<iiilliild f;oli tli1le: 1fiili5t tiime:iiilliildwoliildeli wli1ly you li1Iiiild liI't li1IeliiillCd of tli1lelilil plii'oli?WliIe:1iiI SoullUy CiiilNe UIICOU,g h VktOlii'iiil ,eliiilliliieli tMs yeliiilli tli1l e:y DICO u'g Ii1Itiiillioliil 'giiil fiiilililiy liiIe:w b<iiilliiI,d to tlile: :SiCle:lile:,r IIliiIcil,e:. I t.iiililkeid willi1lsiiliil'geli Rklili'e:

CiiilViiillie: liiiiliiil b<iliiilfte: Ii tli1l e: :sli1lowiiilliild Iliiilte'IiSie:liltiiil Je:w (jIl!I estiio IiiIsiiiliioliil9 ,iiilfte:1i tli1le:y fIIiiI iisli1led tli1leiili IllIS ,iiilliild Elnopeliiilliil tOUIi. 8e:sulie: tocli1l ed, 0 l!It tli1le:ili IiiIe:W lie:lieliiilSie:,r "'lfli1le:

Sl1iiilu,g liIte'Ii'"iiilliidcli1led, out tli1leili piiil'ge: fOIi NOlie: ii IiiIf,o •••

'CRM- Le:f"s jump I;'ig hit into itt ,and la Ik ,a bout yQUI;' debut

,allbu ml tihalt YOUI;' Il'e:CJQm in g

nQW, felll us Ithe name QiT itt. ISQl11e lsong Itiltilies, wh,o'is ll'e:(Joming iltt., ll'el'easing illtand the whol'e ni'ne yams?'

Ri:dl ie :Contalier:a-\lIk11 the

~eOJ'r,di ng is ,d one a nd the release date fOir the U.5. is set fOir October 2,Oth 2,00.9 on I -Saream reGords. It "".!'i II hit the s1~eets in Europe OIn Novembe~ 2nd 200.9. The album is 'C<llled "The Siaughte~~ 'which I fucking IOIlle. It spea~s f'o" itself its how llI.Ie fe,el right nOil1lJ we w,ant tOi kill everyone (m eta phmica lIy) ,a nd ,after 2.4 y,eaU8 OIf w,aiti n g tOi put out ,a n ,a Ibu m! I'm ve~ 'eJ<:icited! Afte,r ,a II this work llI.Ie have put into this band and for it to be paying off now its kick ,ass. The

,a Ibu m is rea lIy heavy a nd it ,sound,s '9:1 brutal ,and cfJisp, i..!O'g,an rul,e~s. Some ,son gs on it ,are nothing to fe,ar, Rage, And the End Iille~su It to name a feJIIJ. The al bum is e'Ve~hi n g I ,cou I,d have asik1ed f,or ,and I ,can'tw,ait f,or pe,ople to jam it.

'CRM- 'IQUI;' new ll'el'ease, ,as wellll ,alS till,e IEP' you ll'el'eased,

pg08

meet him you're just fucking

p!J rriped to see her reection or parent teacher night he's 'great f,or. We ere music brothers as well as fsther and son that's ,all we talk ebout

:CRMI- "tQU juslt 'Game back iTliom ,a big US and IEUli'Qpean tQUI;', how wal§ Ithaltexperi:en,ce? Beslt and WOIi'SIt?

Richi:e ,caval'era- The lest relllJ yea liE have been ,err,azy. TOI .g.et to

,aboult Ithe Itrialis and :5epullltur:a ,and Ithe iTQl;'lnaitiQn .oiT' tour the won,d 'lAiith your band is

Itrilbull'altiQl1s .of life ,a I1d you've :5oulITl¥?' sornethi ng specie I and touri n g with

had lSOHl.e pti'eIttty lIoug h Ri:chi:e 'Cinta I'er:a- It's !kick ass 50ulfly to see them every nig ht

,eocperi:enGes 'glllQwill1 g up" how he's ,a I,egend in this business ,a n d end be on a tOlur that ,g CIe~S 'SOl

do. you feell being iln ,a ban4 ,a !killer father. Sepul was very smooth its farnilv man, what is

wl;'i,tiiln g l¥riGSj, ,etc. ha:s broug hit eh itty because they llI.Iere on the more i rnporta nt tha n that.~,11 OIn

ito' whell'e you ,all'e today?' brink 'of be,ing the bi.g.gecs1 meta I the us tou r we d id was 'g a ad IMe

Ri:dl,ie Conta I'er:a- Oh fQilr su re band in theworl,d ,a nd fQilr that to,'Mere r'ea,dy to tou r the s-tates end

Writi n g lvrics is ,a kick ass feel i ng be teken ,aw,ay by very 'g oed sta Ike our da im. The tourwas nuts

you can say what ever yQlu feel frien ds end even ta mi Iy w,as bu ry you r dead bass player took

,a nd need to ,get off yo,ur dtest, l:a tOlugh! After ,a II that work it rea lIy the bigge~s1 shit ever and showed

its no se,err,et how fu doed and c~z:y opens your ,eye~s to the rea I ity of It to ,a II sickshit ha ,a nd to 'w,alk

my life has been but that's what I ife, It took us time to ,get overthe into Bu I ga ria for the fi ~1 ti me-ever

malkie~s me, I learn frorn it and ,get split for sure, But the bejgin.ning of and des11iD1Y 4000 people IMaS the

s1~Q1nger and al'9:I srnarter from it Sou Ifly was big for ou dam i Iy it shit. cant lM,alt to hit the roads

all. I love be,ing ina band thi,swas ,sho'IIJ,ed that with ,good people m.llth bands that I arn fansand

my ,gQlal si nee I ca me 'OIUt the ,a ~u nd yQlu 'g reat thi ng's ca n mme friends With we~e ~ady te

sho.ot 2.4 yearn ,ago. This isn't out of tr.agejdy. And max is !kill,e~ 8I,aughte~.

somethi ng I j ust decided to do he is ,ahMaYS there but he elso lets

'CRMI- "tQU Il'e:CJenltl¥sig ned ito. because max is my fether music is you I we yo,ur life a nd do thing on

lif . h "I" yoUI;' m,OITlS ma nagemel1tt

~YI ·'te. Whit. OI~ It tifet·hwouldh. hI ave your 0l'~,wthi~~ I re~spect. I feel I buisilne::5l5 (Oasis). I till,ill1lli:: illt~s

",ee~, "'o,ug ,e~ I!Uge,~ug r, . ve~ U'C"'y. 0 nave oeena meta ,gli'eaUhaUhis iiS basiGalll¥a

thi nk It s re,ally th e same fm the fa n hOlm. birth.artdq row uperou nd fill11lil¥affa il;' willth th e music.

rest of the wmld IlI.Ieall have, songs metal and when you tum ]01 max bands, how havelthese Ilffie

thatwe tu rn to fOir eernfort or becomes you r father It lMaS v,e~ 'experienl2eS been iTQI;' you ,all?'

a ng,e~ or what e'Ve~ it is music is eu rrea I. Richi:e 'cav,al'er,a- I WQlU Id n't have,

ti melees, And I thi nk as long ,as it ,a nil" ether lMay yo'u ,a Iw,ays hear

musicians ooep it from the heart it 'CRM- N.oW .one Ithill1g I 'gQIt to, about bands not be,ing happy with

wi II be lire that ro,rever. :say wi'lth lseeilnQ M1ax is Ithalt he rna na gement or 'ge,tti ng 'SGIr,eJM,ed liOQ'ks ISO' melliow when he's 'on over m even robbed, Having yo,ur

iSla ge and I heal;' pie;l;'sol1alll¥ ta mi Iy i nl!loivejd saves ,a lot of

he'ls ,eoc\tli'elllel¥ down ito. eadll. problems ,also having ,a chanoe to Ri:chi:e 'Cinta I'er:a- '(:a he is thevIJOIrk with on e ,of the best

rnest re,la)ll8Jd person I've ever managern that there isVl.!as an

knoiwn he, is kick ass when yo'u 'g 0 offer I lMaS not 'g oi n g to pass up..

on date~sand bring your ,girl tOi cont. pg30

-~--~--'

CRMI- Now,a l'oltoiT peopiie,

me. wh o heam .of you 'g U¥S iTQI;' the iTi'I;'.5It tiill11.e .on toUI;', pli'Obabl¥ did n'lt llleall~ you WeII'e M1ax'is (S!OULIFL "t) Isiteplson. How was i,lt 'gli'O,wing up willth IthiiS ,guy

playe r. We Just pi aye dI a show VIlith a fTie n dI of ours filling in. We· are currently auditioningl people an dI hop,e to hit th e sla.gle fu II fo rce with a perman ent fifth m emb,e r ve ry soc n.

8eriosia, Negitive 2:6,3, E.moface the Embers, Reverent, Fair To M Idllandl, Neverset, Slow Ro,sevelt, there are so many more ...

WITH THE,SE, WQ,RDS

3, .. 'lI':mJr IIiIm0S.t reoe.llt r,ell:ea:sJe \,"li1:S;iI: 4isJoII'g IEP jI1olu"\!1e IPII[J.jI1tHI .an,1II .a1l1jlthiung IIiI1,eGinor.ai:J!i:e

"'}h,e S,oten,oe of" Los,s;" IPut ,out Iun ",®,S,. !-lIlow a'bout .a1l1jl' of" t h'eGilml?

has; th,e r,eslfmnsJe Ibee.n 10 thosJe 'liu lI'es;? -m;elllill

..... .are a &Ie piece 'fenJalefKne:t1 usa'iJiiit about th.at r,e:I:easJe., r,eoonlliin'g, 1I11jI'liuca'ii Jusilun: We 11th e t\ri.I'o th at stan dI 0 ut mo re are

,mil-lea¥y Pop-Punk" 00nd1 basedl ,cUt 11]1[100:., 'etc ... IIIII'iikieiII me arW,I\ock: f'or Iflt" the Taproot show we dlidl here in Dallas, it was a

o.f DallasHlat bIen::fs .abio.f goodlline up and all our fans showedl up it VI.!'a.S

Soii' . . .. ' andl M' .. taiD0r0.. ..""h.l!.::..c- •.. to J,es:s!i!: I ts actu ally a T so ngl EP Th e res po ns e a hu gle sh ow fo r us an dI we I!::ille dI it!'!' 8e co ndl

eaRn· . . .e . "'" e ..... L.f-..:> 1111 .•.• to. th is al bu m has not bee n sho rt of in ere dlib,1 e. th e Warp,e dI To u r th at we glot th e privi lege jo in

Ul.erea"eadiy~.t ~.Th.e We've ridldlen on our highest career highs so-tar on to this year was amazingl(we rockedlthat

bNo .sorgsUl.ey- have Lp ,onlUl.a- wi~ these tracks. We as a b,an dI die d dledl to sh it ton!' h a) . .on e o~ m!!i' perso n al fa vo rites is

MySpa.re ~e .~ a youlgl tab a h ugle step, and glo In a ~rectlon th at most ?n e we pi aye dI at Skillman street Pub It w~s

b--. ....... 'I ...•. .;!Ih .• , b~.~.. • . ·Th .....• ,b.".JL...,. local barrds dlldln t dlare tread He went Into. a Just a reg,ular show nothlngl special It wa.sJ,ust

UCiIIIlU WIIUlII no;:;a IIlICIL 1'.,'III1:s'. .e WlllUIII;:; h ig h er dIo liar studli 00 VIlith G ramm!!i' ElVl.l'ardi th e way we playe dI. Th e amou nt of en e rgly we

baldl respon::tedltoUl.e '[JJ:e9ti0n5 winningl producer E.Mc Deleglardl andl we put carrled through the set.

5JI31.L enjoy.. everythingl we hadl into this album It was our

. first taste of what it's really like in the bigl time. Jakie!: We playedl the Dallas dlate ofWarpoedi

Ou r musi c chan g edl wh il e o,ei n gl reco rdledl, Iyri es Tour th is year, an dI th at VI.!'a.s a dlream come tru e. chan gledl wh il e in the vo cal tooth. I th ink we al I A ran dIom memo ry from a s how was wh e n i exp,eriencedl every emotion p,ossible recordlingl brooke my g,uitar. I glot the bright idlea to. toss my

bacaus e the Iyri cs an dI eve ryth i ng about gu itar, an dI as i dlidl the strap came off an dli

8cie n ce is so rElVl.l' an dI perso n al, in my opi ni 0 n loohdl nve rjust in time to see my g,u itar Ian dI

comes through immensely. right on the headl3tock. I cried a little.

ChedcUl:eflll ,oot at ~.myspare.~ wilhdla'Mlress

1" Ok, fiiirs,tll;ets; 'g'et the II:msmcs; O\!1er \,".liiJ1:h, who"'s; who Iii n the Ibil.II'lIIilnill II 'WI II;on 'g nas Wiith I h,e,sJe W'or,ilIs Illeie.n 10g,et her?

Jak!e::: The artwork wa.S createdl by a local tattooS,,, Ih'e Ipllmse"'W',iitll Iheoo: Wor,ds;" IUS; a:

artist. The recordingl process was really fun, IPowe:rf,ulll s.ta.1e:IiIm,e.nt lun on liitsJelllf, who 'CMm,e

andl reall y h ardl at th e same time. Th e prodlu cer IUIP \,".liit h th,e nam,e of th,e Iban ,III? An 1jI'

Justiin:: Well, we've glot M i chaal Von dlru rns, rea.lly push e dI us to. make the best al b,um th at s!i:g IIliifiiican,m for J!lOIU rseilif an,d th,e Iban,1II liin

my sis Jessi is th e vo< cal ist, J aJl::e is pi ayi n gl we co u I dI. He wa.S th e fi rst 0 ne th at we wo rked 'g,e,n.em'll?

g,uitar al on gl w.ith mys elf, and cu rre I')tly with that wasn't afrai dI to. tell us if sorneth i ngl

search i ngl to findl th e ri g ht fit on bassg.u itar. Th e I') ee dledl to. ch an ge.

ban dl3 cu rrent Ii n e up h as bee nglo in gl sfro n gl sil')ce i think right around Decof20U7.

1l;~'ucha!e!l!:.It was oMginally a misheard Thursday lyric butl oon't really want to. take away from an y bod¥,s p,e ts on al asscciati on byg illi ngl it a me·an il') gl. A.I otot pe·opl e th ink th at we are a Christian bal')dI, but wE!re not. Tbose three M'i:cha!e!l!: We're p.l an n in gl to din an am ustl c wordl3 in ess en ce mean wh aleve r th ey do< to album, just th e fo IJ rof us at th e e ndlof th e year. yOIJ. Nno,ocly's wmn gl an cI eve rybo<o¥'s ri ght.

.11'.11 be a wh 01 e n evil s idle of th e ban eI, an dl '!JiIe're

h op,i I')gl to. have a I') evil CD sometime next year.

4 .. An 1jI' vJ1ard on f'Utill re lIilU.lSmC fFO!m, W,iith "ill".h'esJe W'ards?

,

2: .. ~Iow, 1jIIOIU <!)IUlfS hav'e IheeIll10!!!I,eth,elr.siUn,oe: '1M tW as:sium!e:~ an,iII Iii k:D1(~# ,of one of th,e

f,ou rI,iIllii rI,g IliI1ieim'lle,1]] 11:e:avlin,g, HJas t lIe:r,e: IheiE:';,n

all1jl' ,oth,erilliin,e IUIP

,chang,e.ssiiin,oe

JakJei: Yeah, actually J,ust lost

we 5 .. filJl'WI., f,or th (ISle t h.at hav,e:n"t ~HMr,d of 1jI"ou <!)IU1jI'S Ihelf,or-e., how VJ1oull;iII jI10lU ,d,ElSICliilhe 1jI',our ImusmC?

Jes.siii: .I' ms ure anybo<oy in the musi c bus in ess WOIJ lei .I ove to. ans\i'ile r th at QiJ estion with a

.stu roy anSVile r, but anyon e wh 00'13 in th e business knor!lllS that it's near irnp,ossible. The only thingl that's certair:l is our future will holdl exactl y wh atom pa.st has, a p,assi on for what we do. anel th e p,eop I e th at it reach es .

Jakiei: We're kin cI of heavy pop pu nk.

M'i:c.hae!l!: Pi ctu re ifTh e Us edl an cI story of the Year rape eI M allY star. We woul dI be th at bastard chi I dl.

,~ .. CiOiIillIIUII'g out of [)!a!1111a.s" how lils; th,e IIiIm:nJsmc .sloone IUIP tliler,e:? An1jl' 'g,ood liJlan'iIls w!e lII'eeilll10 deck out?

TrJe5cieri'oo Clf" wss CD

Il;m:chtte:IU: .I Inve a .I otof th e local oondl3 from when .I wa.sgro<Vl.iingl up. Hagfis h, Cou rse of Ernp,i re,Sti n k Bugl, Slow Rosevelt. .IfyolJ cal') findl the i r stuffo I') tn e .inte rn et irs really worth checlkingl out.

Jlus;1u III::: I have alwa.ys .I oved th e scen e .i n Dallas th e re are so many diffe re nt styl es of m.Llsi c. Th e s DB n e has been through a ·Iot.in the last fevil years, out m nti n ues to. bou n ce back cause of avresome fans,

frie n dl3, an cI OBn dl3. Some of my personal favoMlegroups are

pg09

lfBS iiisa Texas based Sttr,eett Punk Hand by w.ay IOf OhiiilO. Haviiing ca ug htttth eiii rttu n e:s onrh eiiir myspa'!De pa'ge: (www.myspa.!De •• !DGm/fbs)lde:~iidedtbG.ge:t iiin '()G ntt.a,ctt wiiitthtt hema nd sendthema flew 'q u e:siIDiilOns. W'iiitth m usi:etthatt briiing.s baekth e IOllld s~h 0.0.111 days IOf Th e IExplllGiiitbeda nd '68H buttwiiittha mGr,e: pGsiiiIDiivle:" shalllill W,e: say Ch riiisiIDiia n pe:rspecttiiivle: •••••••

BA1'.I""D:

Josh-G~~ltiHJVOX Olk:~.-G~rult[wfJHG V Natte- B<W5s/V:ox

Amiu.rn:ew -Df~msJBG V

AYP.ziiin,e- Okl ifiiir.st .and feremost, tellllil us the abeut the mOiV'e ifn!nlll Ohiio, to,lX.W.as thii.s DlIOire per.5iona'll OIr

cha nge oif diir,ediion ifOir ms?

]IOS'hil-:1iiIiI111iiIiI1iiIiI111iiIiI1 ,a II'i:JtiIDlle, ,0f'bolDhi, adiblUa Illy. siril,ce fa'lll .of '0.5 we ve warned ID 11iiIiI,0ve, mill ~'II'O IiiIiII Ohii:o.we sta rred ID I!JI rniril£lla I~ot 11iiIiI,0 rea riirilllr.3 re'lly ewell IP'layedll our IhioliililleIDw.m, Ile,lta'lbrill2< .arill~hilere elise lim Cihii:o.Wewere IrileVell ~~~. lhio IiiIiIle eril,ol!Jllg)hi, ID IP lay a rilrill'II'!lhierill we d ildacwl!JIEl'll1y IP lay IlbC8'IIIy, li:t:was lhia lid

100· glI8It Ipeo,pll~a fin IOUJ r s'hlo-ws,. Ii]: g,eiBmBd II ii'lke~ Ili"iIrO 10 ~e~ G3 rool. 'We g,t3 moo ==::::0

II~oo'lkiirill£llall,ol!.md arild lla'lke Irilo1tice ,of IP'laceswhie,rewewe;re rilbirill£ll rea'lIly we'lllas a bEl rilril. iIilhi,e dtiii:ca£l 0, IP'i:JtiIDsbl!JllI£lhi,a lIe:asa rild 21'111 ,of i1iexas wem allliVays rea'lIly £IreBlt s'hiows. Uillese IP'laces welle also Ipllaces lDhialt lhiarill aliilildZiril£l'lliililimlisltmiles i'iI,alt we, welle, £Ie,W!Jiril£l' ffe,dalt'll'!lhii'IE o.mlDhie lroad.4 yealfS Illalte·1I i'iI,e, 1tillliililiriii£lIWas Irnilg) hit a riirillwe, IliiIiIla dE, lthie, IliiIiIove, ID i1i8l:<as. We, lhiave, am aweso IiiIiIle f.3llii1i1i'lly lhielle, lDhialt SlUp po marilril eriliOOl!Jllla£le us to riI~o 'II'!lhialtwe, rilb. IIiU91E AII8QiVIiE! CWWW.lliiIiIlys.paoe •. coliiIiI~milseaiboveliililirilils.ltIfies)

AYPiiin'e- So,woulld you .say the AYPiiine- H·OiW h asTexas been

.olliio, Punk s'!Deneiis ba.5iic.alllly ifo,r the band? i1i've nOlfiic'e you've AYP.iiine- Dy the fiime tlliis

non-'exiistent? N'e thereanv been p,llayiing .some sheW'siiniint'eriViiewiisiin p,riint release YOlu

bands ifronl there thatar'eandarOlundlllexas. ,guyswiilill have 'goneOlverseas

worth m'enfiioniing? Jlosh - AlllblUt 3 m 01U1l ]5 lt01U1l has came; two tiimes tbls ye,ar~ I woulld

Jlosh - No ills e.xils1tent,. bm we welfe on 1tlh,e lt~mlUlgh lieocas. lEvellY singlle; ltime we've fiigur'e you ,guys have a p,r'etty

11021 d tomingl roo much to p lay t~e s~ow s ~,ad a mazingl s~ows, so me off om bes1t 'go:od ifolillocwiingiin IEng II.a nda nd

a1t ~,ome;. lihere,s aliso dicks too, ewer s~ows and ~,ave madE alton oHllilends such. lII'ellll us about pasta

scene has t~em, so wha1t ewell. rdlla1t~e'lI lt~mlUig~, OIU.t lie'.Xas.

futu re to!Uriing you ,guys have be, mad wamriOifs lthen be, a ~ome.rownl

k k Ily II, ~ ..II k AY P ... S t IIII 1- t E ... done OIverseas.

neroes, lilll,E!: on .... plUnrc;;. lWIam.J tilialt comes . J Zllne- .0' e nlI·e .auOlU nc

.. ..II .. k "" k ~.. ~ Jb·s ~, -'Wow,. are y. 01lJ1 ~. IIO~.· hss iizin ".' I ro 1lJ.s?

to mmu IIllglllt 01111 tille 1WIa1t 11.s ILeglWlone. beiing shOl~ diid YOlu s.ay SO'nlI'e Ie" Ie" '"

glle·a1t band, glle8lt gIUYS.. IJow'er class brats shOit hlmand ActlU8l1ly lIighlt mw we, onlly ~,ave; 1tlh,E!: one

ovellsea s tom to lt~e; IlJ IK Ap lIi'll ] -B. We; aile

'!lJallllpllete contrel 'go,tout of wOlilkingl on dbingl some1t~ingl in western,

oi)ntroll?~! ~) IEJ!..JIfope in t~e fa 1111,. bm we/lll see how trlalt

Rise Abolve Miiniistries.What

Jlosh - ] dbn't: Iklnow muc~. Na1te .&J wenlt rums OIU.lt, bm tha on,e, in Aplli'll wiHl be,1tlh,e

raakes them stand eutand to 1tlhe; s~ow&.] wasn't: 1tlh,ere I~ong enolUlgh fllIs1t ltiime; om off tha straltes for 1U.s. C3n,ada

'cater to YOIurs spiiriltuall needs? to wallk frcrn one side, oH~e, dlUb to 1tlh,e, and Me.xim Ikeep Iknoclking bm ills ~alld to

Jlos h - IR i,se Above is bas ica Illy a c~mch 0 ms ide liD IUnge&. a hlUgle flls;lt1filg hl b mike wo1i1k 1t~ ingls. 0 m w ilth most off 1tlh,e

ma dE IUp off 1tlh,e, ~,e·II'i:ons off 1t~e Sa nom. I'm a ma gne1t fo If tro IU b IE I'ile, 1tlh is a1t pm mo1teifS.'!Ne; a lie mo lie Iknown in 1tlh,e, IlJ IK

Anro n io co IUntell CIU i:1tmH. P IUn Ik rockers, s ~ows&. ] Ila d a ba d ffeel'ingl go ingl inro 1tlh,a1t ] ~Iad E£l::pec1te,di. li~e'lIe, ~,ave been

slkinheads, greasells, psyc~os, lt~e show, so Na1te&.] spl'ilt ealilly. li~ere al~o1t off IlJIK band's warm:ingl to PIlJ.1t on s~ows

meilla I ~e·ad's, lt~ lIa S~e-IIS.,. slka1tells, yOIUl was so me Ikind of' flighlt lt~alt bro Ike, OlUt and ge,1t on 1tlh,e; s ~ows we ~ave, bo oked

na me i:t:. So mEone; a1t lRils.e Ab ove; has a w ilth ~ im&. ano1tlh e'lI glUry ab out tha g!U¥s. be,C8lUse, 1tlh,e,y are ffa riS. and wa rm: ro play

s1tOIfY ro 1telll YOIlJI abom i:t:. Evewones gilill gming ~ilL w~i'lle strand'ingl noo lto wi1tlh, lUIS. We aile mailly e.xcilted abom

s1tollies aile; na:z:ynlU.1ts. and my bacikgllOlUnd (gIUYS,. dbn't: gle1t pissed w~en yo lUll gill II going ro lt~e 1lJ1K. IREAllY IEXCnIED!

fills in j.IUS,1t fine 1t~elfe. IFHS andlRilse; Above gle1ts 1t~lIas~ed becallJlse; s~es dense aile on 1tlh,E!: s,ame page,. ewew single page. enollJlgh lto s,lland ne.x1t ro a mosh pilL)

Afte'lI lt~alt ]'m no1t ltoo sme',bm i' db Iknow cont . 0034 lthalt i:lts s,ru p idl I a me.

AYPiiin 'e- lIfellll usa bilt a bout

ro.10

AYPziine- NOIW Ilets 'get to th 'e r'ellea.ses YOlu ,guys have put OIU~ you have two, LP"s IUJW'", frOlnll

It's ,<lI1 r<llire! tr,el<llrt to 'hielar<llinid:5iee! m,em<llll,es in 211 b<llillid~

wnethie'r mro~nting the! gPo<up or pl<lliyi:ngOlirli instpume:nt. It's another thi:ng when }!IOiU hOlf\i!le! ,00inl <lI11I-girl Punk b<llind ,C!oming mr'O!mJ }!IOiur oWlIlIniock 10m th,e! wo<o<d:s. lH<lIiVi'ng :be.en to'getnier less tnl2IJ:n a }!Iel<llir THE (HElmY BOM BmS .<liipe!pl,<lIiyingsh,ows inlOlind around Vi'c.to<ri,OII :nlow. HelOlir ,00ire ,211 m,ew VliUrdis from Dmmme'rJKe'ybO<OIirdis NI,e!1 on wh,OIrt the! BO!mibe'rs ,<lIiPe up to .....

1. I wo<uldhlOif\i!le! to' SOliY this is the! mirst I helOlir ol<llirll '<lIIII-girl bOlind mmmnier,e! in Vidmi,OII, tell us a bit <lI:bo<ut tnie! b<llinld~ who's wn,o<llirlid who does wnl<llrt?

AUla SiUlgS Ul ptays keys, Brela ptays bass, Steph,aUlie ptays guitar, l.lz ptays keyooard and drums, and Mell ptays drums and keys

~:tauUldry, trashy, ,attiludesy, feels goodsy punk reckand roll

5. You guys 'hIOlIli!e! a m,evIi S'hOVllS IUnde'r }!Io<ur :b,e!lt,. 'how 'hIOiIS the ,e:x:pe1ri,e1ooe! been in pi <lIlying out, hows n~5pOinI5e! :be.en?

The e'Xperi'eUlc:e has be eUl awesom e wilh ,a gre,at response from others, especially tile l,adi'es! Wego oat, haveseme drtn ks, pltay som e mol tun eS,a Ul d have, ,a oLast ha UlgiUlg out wilh good pe ople!

2 .• You gi'rls Just got to'ge.:hier less then a yelOlirOigo I beli',ellJ1e, how did }!IOU glUyS ,mmle! tOig!etnier in mormingOiI b<llind? Any om YOlIIi in other b<llindis or prO'Jeds to mentionOl:bo<ut?

AUla, who lias UlO experi'eUlLe prlayiUlg OIr SiUlgiUlg, waUlted to startan ,all-girl bsndandappreeched me iUl necemoer 'oS

beca use I've pll.aye d music: for q ui'te sosn e tim e. 5 ~e sske d me ,6. nlO<w Me!II,. }!IOU d:o d:o<u'M,e! duty 1lIihie1nl you pi Oily out :5inC!e! ¥oiU

to get~ome gi'ds toget~er, w~kh proved to be' a task! WeSh,OIlr,e! ~~e! st<llg'e! withl YiOur otherband Teedc Fuse, is it hard ,alll.dlitimliedseveralladie:s w~o dldn't work out for o rile reason spr,eIOl,dmg y!ourselm lbehli'eenl the! MO?

Oil' a IiIlOt~ er, BllIt, I tfilillally got somesohd players. We've be,eril p:ray:irilg 4 setsiu Olill eliliTght Olill drums ~ard~ @ Puleezel p:raY:lrilg Irveslril ce th eend of Mard .elillj:oyp:l.aYirilg gl'Bat III llISI c Wlt~ my ~llI501a nd a nd h'ierildl.s,.

'1.JI't"- '" n,

WOlll .. lJ ril U ilav,e' 'It a lilly otu iler way.

Step~ p~laye d keyboard a rild Ip~l.aye dl ba 55 tog.et~ er Tril th e Alcu~dic Helltones, Before tMs proijed, Step~ had very little expe:rTeIillGep~layirilg ~Ttar. I am cllIrreriltlyp:layilillg dmmsilill Toxic F use. Breap~laye dl OIi3SS fnseveral punk proiIects as 'WelL (jz p~layedl tambourine and sarilg bac:klllp iril {;llIstO pan, S~e had noexpe:rleril ce plaYlliIlg keys a rile] jllls ted j:a m m e d Oril drums Wit ~ r.rl ends,

3,. No~ 'lTor those ulleirliligl"lrteirlied to ihIOlj\ille! ihel<lllrd: The ,dhierry Bombe1r.s, tellus Wni<llrt you sound Ii'k!e'.

R,allllillc~y, trashy,attitllldle~sy, feels goodlsyp'llIliIlk rockand roll.

7. 'lellus :011 bit :<lIibout ~hie! musicscene in and around T)(,. 'COIinl YiOU giVle! IUS SOlmle! IheIOl,c!~UiJll on SiO!mIe! b<llirlidls your digging <lilt the! momeinrt?

Hmm, welll amnet too sure about arilysl32'rile. Wep;[ay iriloars where t~e crowd is mixed, I pretty mlllc~p~l.ay wit~ friends because I don't warilt arilY drama.

8. .. ViJ:hI<lllt does ~nie! future hold fer the! Bombers?

,4 .• No~ YiOU gals dio :211 mi'x ompl.OIrying 'lDVle'rs :<lIind origin<lllis .. Tell WeIT .... flma, Step~arild I are wrifilillg mlll.sic. We haveerilolllg~ us 211 bit :aibout both, ibainds:},ooVlers<llilrld :OIibaut your own tunies.~O'rilgs toplay two> sets, and the-song list is, :s,teadiTy growlng. _::----------.,~~ ...... "":iii=-~~~~~~~~~~~""!We arep~layirilg every other Fr'idlay for the rest n- 'i t~ e ye1ar. We wa IiIl t to ~ave mercha rild lse record very seen. Aifter we' record, we

n to> plllt~ometMrilg out on virilyL

. are all ~avirilga hlast, and 'We ~ope to I:;'",,·~!I'.-~ others to pick up an Instrument and

a ba rild! It's a lot of hard wOirk,out it Is 'I .. ' worth it!

Join the (heny 1301mb Squad lI'OI[)AY.!'!: www.mysp.ace.com/

te xasc Ihelr"lrybom be rs

pg.ll

Doc:umen:tary IR.eviews

~II,.,· ... "..,.:, 1- M'iichaell Moolr:e-www.miich.aellmo:or:e.:colm/.sii:ckoll

lMasn't too impressed "'lith the Michael Moore film that first Game out ri'ght after 9!:U Galled F:ahrenheit 9/U. I nd it to 0 virtd ietive an d Bush bashin g, which I'm a II for, it's just he made it seem too pe~,sona I. It w,as a 'go,OO 1m that lead ",.r,ay to other people Pfi"oducing fi I rns end d aClJ menta ries that provide stroonger substa nee and

i n.furmati on tha n what M oo,~e Pfi"'ovi,ded. Here, in. "Sid\m", M oo,~e does ,a ,go 00 job in. sh owi n g how the hea lth care worliB in the United States, IProvidi n g i ntervie'A!S'Mith va riOlus people on both sides of the fence, f~m exhea lth care Pfi"oife~ssionals to patien oes and thei r fa mi I ies, hig hli'g hti ng some stron g ernoti ana I stories that are pushed aside for profits in these eompenies, Mo Olre heads over to ca nada, FIl:.3 nee', ,as 'Mel I as Cuba that sh OIW a ifferent side of the hea lth ,mre sy;1em. Even. th aug h the Socia list rn odel for health Ga Ire seems to'MQlr\i:: in. other

. it seems people are too, stuck on. the n,e'g,ative aspects of 'socia lisrn, ',Mh,i,ch for me, d oesn't differ t:o 01

rn uch f~m th e d ictatorehip we seem to have in. this eountrv now,aday.s. Anl(way, "si,dk!o" 'g oes after the hea lth

Ire s'\".stemwith 'g usto, prol\li ng ,a point that big business is big businesswitheut stepping on ,a jie'M toes arid not ring about I ives in. th e pro'(ESS. If y'ou have ,a hea lth 'care pia n but haven't needed t:OI use it (f:OIrtu nately) you mig ht l/,.r.:mt to che,cIk this fi I rn out ,a nd see how ether people had to deel with this i nd us1ry. If you d on.'t have

hea lth cere you w,ant to chedc it out ,as'Mell, it will sho'M you it isn't ,as 'g oo·d es havi ng hea lth care in. 'genell:.3l.

, the r,age ha pperi ng now dee I ing,Alith hea lth care Ireform this mi g ht show you ,a d ifferent side te thi ngs.

just my pOlint of view.

Wo:uIJd ]esus Buy- Rob VanAllk'elll,ade- wwjbrn01vii'e.:cornl

is a pretty funny decurnenterv on. the whOile Chris1mas season fiasco of ,eo,niS!J rripti on ,a nd the downf,a II of ritua I ity . The Church of Stoop Shooppi ngand Revelfent Bi lIy is hig hi ig hted in. this fi I min shoVl.li ng the stu pid ity of Chris1mas season, which I a Iw,ays have ,a'gr'eed with. Rev Billy is a fiarn 00ya nt 'g uy Pfi"'eachi ng a bout the si ns of i ng a nd sh.o'A!S them preachi ng to the masses at rna lis arid dept. S{o'ife-S •. Solme of it is pretty dam n fu n.nl(,

in. truth, they have a poi n.t. It's fu nnl( h ow they 'gOi out and cia i rn M i,dk!ey M ouse is the Antichris1 and have Mi,dk!ey on a erucifix. Some people would not lire this yet, the truth is, is lMe care mere about sh.oopping and ~1ItifIl'lfool buyi ng thi ngs that have no rneeni ng Il:.3the~ the n somethi ng more on. a spi ritua I context. I'm not one that ceres

Ch ristie n.ity i n ,gene~,al, 'which I won't 'g 0 i nto here, but the fact is, in some aspects of the wodd, we have 1051 ,a spi ritua lessence with in. th e world. EVen. th aug h Iillev. Bi lIy end his preachi ng efthe 'Shopoca Iypse' is fun.ny

it is ,a Iso mea ni ngfu I in. itself. It 'g res into the wh ole credit cerd i ndus1ry of how people ol\lempent with out even.

i nki ng ,a bout it ,a II. I'm not is!J re :CQInse~\lative Chrisha ns will ,a ppreci,ate this w:ork here, si nee it ,a lso pOilks fu n at whOile fanaticism of pr'eachi ng but it has si ncerity. It ends with these 'g uys :g oing to Disneyi,a nd Iillesortan d performing their choir while the Chris1mas perade is on its way. IRart performance art, part activism, pari: arti"",",",,,,,.n,,,, rnerisrn, a II fun and truthfu I. It sucks they have to ,get thmwn in ja i I a I most ev,e~y ti me they do this .

. Fa b lied IEnerniie,s:- ],aSO:l1 D'erllla,5- fa b~'edene giies.o)11ll1

I rerrrernber when. I fi 51 heard of the attadcs on that 9!:H/O] rn omin g, arid without an.yone sayi ng th is, I "M,as

. nki ng Bin laden. was behi nd it, y,eI:, I w,as wonde~i ng whl( I tholug ht this in. the fi 51 place. What I d id remember in. the months lead i n g up tal '9lH there was rna nl( news reports that dee It with Bi n Laden, so I cou ld say it

in gra ined in my thOlughts that this is whOi cou ld have done it. Yet, as veam went by arid with out the ,flnl\lF!,m,nn"""t actua Ily :catchi ng hi rn end then 'g Olin g into IIl:.3 q, I knew sernethi ng w,as a miss in this 'whOile "Ma ron

I 'II' This is ,a pre,tty i nrerested do ClJ rnenterv on the dee Ii ngs :011' Osama Bi n laden, the 9/H Attacl\B, ,a nd the State.s GOIVe~nme'nt. Thies fi I rn 'g oes i nto the 'g o",'e~nme'nts i nl!l'oliv'eme'nt with the Bi n taden f,a mi Iy as lMe,11 as suspected h ij,adk!e~s i nl!loivement with FBI ,a nd CIA i nrolrm,antiS. OJ",'e~ ups by 9/lili OJmmis.si Oln, mil ita ry stand I ,and tll:.3ining 'e£lIle~~es on the day of the ,atta,cIks, Sha,dOiW ,go""e~nments, the des1ruction ofWmid Tll:.3de

I Bu il ding 7, ,a nd mOire. The funnies1 thing ,deal i ng with bu i I,di ng 7 was th e BOC news ,a nchor ta Ikin g ,about ,ooHap.se of the bu i I ding, showi ng ,a I ive feed 1011' ,a reporter ,and the bu i I ding is visible in the ba,clkgrou nd. Then f'ee,d is ,d isrupt'e,da nd 'ClJt off theai r hefOiIre the .a,ctu,a I bu i Id i ng fell. This isa ,goo·d ,do cumentary,a Ion g with the men.ti OIne,d he~e, that dea I with ,Mh:at some peOlpje :c;onside~ ':c;olnspiracy thoolri,es.' '(et, it's funny to state

escl if thei r is actu,a I pr:oof of these thi n gs ,gOli ng :on. I'm not sayi ng I bel ieve in the whole sys{em of th e ,ni"1l""",m,nn",·"t d i,d esomel:hi ng, yet I m n esay I I!::noiw they know mOire that ,Mh:at they ,are tell i ng the Ameri:c;a n people.

k'e U Pi ca I1I1 - 2.0m~- http:::llwww. youtube.:colrn lw,alch?v=qX:~qOaZrnCFM

is ,a 'COImpi I,ati OIn fr:om v,ariOlus ,do'cumentari,es from the paest f,elM yea rn th:at ,deal with '9'/li ], Gentll:.3l Banik ,an d Fed,e~al ~e~" FIre,emasons/Illuminati, 'Vi;brldWar ll, 2. and Vietnam War, the w,ar on te~roli; RfID Chips,

6ducati on, NelMS and M,ed i,a OJrpOlll:.3tiOln;.s, The NewWOIirl,d Or,der, ,a nd mOiIre'. Th is is one of the bes1 d ocumentari,es the~e si nce it hig hi ights oth.er ,do cumentari,es on the~se su bj,e,cts yet it ,d oesn't 'gOi into detai I ,as mu ch ,as from sou roes it is ,de,rived f~m. For Ulat YO'u 'W:ou I,d hav'e tal 'g 0 ,a nd find the~se' :othe~ do'ClJ mentarie~s ,a ndwatch them

""" '.-c<"",Ir. • Some :of the do:cumentaries fe,atu Ired ,a Ire' I is-ted below. If you haven't 8e,en ,a n¥ ,do:ClJ menta rie-s dea ling v,ariOlus 'COInspi ll:.3Q,es that ,a Ire' out thelre' this is one :011' the one~s to w,atch. '(ou ,don't have tOi bel ieve ,any of it nd you :m n ta re it ,as ,a 'g ri n :of sa It, y,eI:, its esomethi ng tal ope,n you r ,ey,es tal.

Endg,ame:: BI uepri nt fur Globa I Enslave,men.t",Zeitgeis1, MonopOiIy Men, Tumi ng of the Tide~ The ca pita lis1 OJnspi 1l:.3:c:y, I Ilu m in:ati \obl ], The Oird,e~ of !Death, L:OOlse ella nge 2nd 6:d iti OIn, ,a nd America:: Frolm FIre,ed am to F:8scism

IFOR MORIE I NIFORMAlilON ON li)OClUIMIENliAR1ES-·_·_·_- Ii):O A GO OGlE SEAR:CIHI~ 1i):l!Ih~~

pg.lZ

Hai~lliiin>g ,oul of "f,e~as l!Domes o.llla,ck M,etalllillers NillN"fH IKillNG IDOM .W'iiitha 5!0 undlhal i()ompriiises ofa miiixlur,e of l!Dompl~,e~ and brulalll bllla,sl bealswiiilh meillodii,c riiiffs and IHU shiii n>g v,oc,al~s N illN"fH IKillNGIDOM i~s a band Ihal ,shouilid be on any radar ofa fan of extreme mU5:ii(:. Check jthem oul onlh,eiiir MySpalc'e P'a>ge for musiiic and further iiinf,o.

www.mlys.palc:e.c:o ml niinth kiingldloml

.3. I l;'leadsolt1.ewhet'e that the hand

orig inatted out .oil Haw,a iii ,a nd then mov,ed toJ:eocas,and had ,a namechanne, Al11bllMdon: 'res, the ba nd sta rted out in H.aw.aii l/IJith rnvselfand Jamey (Asmooeus) 'Wooten.

It is ,aLso 'whe~e I met Ci iw,olho'one,ihi when he was stationed th ere in the M,ari nes,

Ci iw'ohC!'Onefhi is IQri'gi na liy from H ouston, TX. 'We lM'e~e both seri ous about rnaki ng extreme music end we~e wi II ing to malke sacrifices to

Jason from N,ebulos{ PIr'OOU,C±iOlns did a ,great job. '\l!ieare pleasedwith how it turned out - it's bevond standard, We knew he W<QIul,d deliver a n u northod ooc sou nd flOr a black meta I

ba nd as we ourselves are u northedeee in what we dol Ifl/IJe ,dol work with J,ason in the future, it'li nOI d ou bt be a 'g reat e)(pe~ienoe. We learned .a lot throug h this process a nd we bok fOM,ar,d to ,applying what we've learned to malke IOU r next a I bu m even bett,e~! 'Cili,wOhooneiihil: Not ,olnlywas recorr,di ng the

a I bu ma ,challenge; but,wnti ng the material,

,a nd prepa n ng for the stud i 0 prorved to be equa Ily challeng i F1Q.\l!ie had to send th e songs to, each other with, mid i prog..:i rns, there we~e ,a lot IQf on the phone discussi OIns ebout what w,e,a~,thinlking (musically,and lyrically), whe~,ewe want ro ,gClwithdiffe~,nt pg .13

pg.14

1)01 consider myse,1f ,a Satan ist, UCIT,F'JCI,"'"l, !Rag,an, or ,anything elge~ my OiAI'nI u nderstand ing of 'AIh at are, differs hig hly to a nether

I based on lheway the vi,eJlIJ 'Arodd. So< FlOI matter MW

i led Iexplai n my beliefs, how perceive me, based on how u ndereta n d the world, aetna Ily redef nes as perceived by othe~s. OIK, I'm 'getti ng 1,,","~~II",r1 ,away, ,sorry, does this ,ani9Ar'e~ yQlur

'9Jlngs! riffs, arid when is enQlug h enough. Once the ,songslllJelie eempleted, we made d i,dk tr,ads, ,a nd scratch tll:.3'dks, then I had to leam '9Jlngs to the scu,atch traeks. Even' i a II this plrepa ration, thereveere tiArO i nsta noes 'AIh,e~'e 'Me, ended up

,changing what the drums we,re, dOling.. band ,groiw, for sev,en plus ve,am, and we, ,are,

But, my 0.1 gges1 headache 'A!aS bela no ng my j ust now be,mmi ng wh.o w,e have, visi oned

persona I. life, wmik, end reoordl n g ... I 10& ,a lot beaom ing, I'm 'eil<icite,d to see the next mu ple of sleep I n that tl me period. of ve,am, bees use, I thi nk 'Me are a II j ust now beeorn ing the musicians that we w,a nt to become, of eourse, who< 'Me become is

desti ned to eVOIlve ,as we,ll. 'We a re, not people In settle (,all pu ns intended).

Al11Ibllwidon: I'm 'g lad you observed the '9 as bei ng si'gnifi,ca nt, We def nitelv w,ante,d '9 tOi be, in the name, It's quitea iJOiw,eml number, It's odd MW it just fit in with our ideals end

bel iefs, Li li:1e it was fate!

I AI11IJ,n~/iIlIOl'I': We, OJIU Id I ite~,ally write, ,awh.QJle, bOOik on what N.IK. is to us. Which iswh¥ w,e, 18G>lDlfe"-ss it throug h our music and lyrics end it rids up be,ing a mnCBpt.

I ,agreJewith Oiw,6ha'one,ihi. I don't think you label our spiritua] belief. It's mo,re,ofa birtation of all those th i ngs. J ust bits a nd pieces not ,any on e rei i'g ion. I think if one

to believe in a ,god, it ,alre,ady has a

name- "Netu re", It has the pc!iwe,r to create

rid ,de"-s1rolY. It can be said the devi I is ,god a nd od is the devi I. One in the sa me,we as

u rna ns iJOcsses both positive end neg,ative

as we we~e created by that same entity. iAl'Qlrld and the universe could not exist .out opposites. Some people ,ca II it 'g ood nd evil, positive and neJgative, rneleand

Ie ,a nd 'so 'on. It is a u niversa I ba la nCB. , ,/\Iith.out the ,other,; n othi ng ccu ld eeest,

6,. 'GiWe us some 1though1tand id'eo,I'ogy behillm 1the name, The Nin1th Kilngdomand how il1t fffis iln wil1th your l11usi:calm I¥ries,? Oi,wohoone:ihil: ks for the na me, it is a

cella boreti oln of ,our spi ritua I beli,efu, h.OiW we view eerta i n thi ngs in this 'MO,rld, what it is tha we, 'A!a nt to say in Qur music, eerta i n aspects of ert (visua I, a nd written w,or,d), ,a ndwh:at pushes oertei n buttons fm us ernoti one 11y, 'so we, ca n ta pinto it when we, feel a loss of passion. I think when we feel Hat, we have a way of pushin g those buttons with eech othe~ at th e ri'ght ti rnes thQlug h. HOiW does that tie in rnusica lIy, ,a nd Iyrica lIy ... w'ell, we just ta li:1e ,a n ides, story, ,and/or em oti on that we feel, an d el,aooll:.3te on it .. Somehow, 'Ne end up 'getting 'so man¥ idees, that it's herd to Ilreep it to one 'song, '9J1 'we, end up pu rnu in g ,a eoncept fOirmat. We're a I ready reJi ni ng ideas fur the next "full length" releese, I don't Ikn.ow if yQlu we,1fe boki ng fair specfic ,a n'swe~s 'm deta i ls ebout it, 'we, believe in the 'oD.se'rv'e.ru perspective, SCI I don't like dictating 'Arhat one may think or taike ,a'A!aY from QU r visua I, ,a udi or written expressions, N ow if 'someone has ,a specific question, we may redirect them if they're off the path.

RWoul!d you 'Gonsider your ~sp,irittua II pa1th of1!h:a1t beilng S:lt!anism, Lu:drferian" Ragan i'n nature, or one who 'GaJrles no1t ito use

I abets mr one's own bellid.s? Oil:w6huone:ihil: I ca n't speak fur 'ev'e~,one, in the ban d, as we ,a II have our own UAI"ists on pertio, lar bel ief systems, but.; I th i nk ,a n

i ntell igent i nd ivid uel m n ta Ikle ,alA!aY different attributes from ell rel ig ions. They ,a II have '90mething pesitive to 1Qrffi=,r "in the, hands IQf,an i ntell iQ'ent pe,mon", as there ,a re, some thi n gs that can be twis1,ejd, and ,exploited to achieve a n ,a lternate ,a gend,a. LiikeJAI"i,se, each rel ig ion, if i nte~p~te,d frorn ,a n outside.JJ, ,ca n be '9een as havin g ,a lot lOll' aspects fou rid to be rid icu I ous, 5'0 my persona I point IQfvie!lAl", is to leern frorn ,all, ta~e in the 'g o,od , undeli'Stand the ba,d, ,and r,ea lig n 'On es ,self to better the i mmed i,ate"MO,n,d

,a ro,und 'On.es ,self, ,a nd, to i ncl ude hi m/he.JJ in ,a

7.lFor me;. 1thee name N ilnth Kin gdoml desi re,d pe,rpe,tua I motion. I fal~et whe.JJe I

Il'epnlSen1ts1the ,end, 1the ,rnmpiieltion of r,ea,d it, but, I remembe~ r,ea,ding ,someJAI"he.JJe

onesjoum,elV in lirfe/dea1thlcvdes. M1aJW that the wom Satani,st, in its IQrigin, 'A!aS 1tr,ad itti'Ol1iS have: 1the numbetr nil1 e meant to descui be,d ,a pe,mon IAlh.Q1 ,d i,d not 1l'ep1i"e5e11lti'l1g 1the ,rnl11p,I'e:ted t!a~sk A basic flO I I QilAI" the church "wm,d fm'MOlro ", ,a n d,

'gr:a 1m fill1alie of i,1t ,a III. without 'q ue"-s1i on. By this definiti Q1n, the.JJe ,a re,

Oi,wohoone:ihil: A 'gll:.3 nd fi na Ie lOll' it ,a II? m ,a n ,a lot JOt Sata nis1 in the'MOlrld tod,ay. By the

end ,of ,a n ,a ge, to ready IOU r:seAv,es for ,a neJAr w,ay, that is not my defi nition 101' ,a satanis1. A

,ag,e~ It ,oou I,d repre"-sent. th~ ,e.n d, p~~ha ps... sata nis1 to me, puts ,se,1f be.fme ,a II othem (i n ,a

perna IE the end lOll' Ch.n'~1Ia nlty s I n~luenoe~ nutshell). What lMe, I,a be,1 ou melve"-s, ,depe,nds

!Death JOt the Il(j ng ... JOt Iki ngs, but With these '901'e,1y 'on what we, bel i'ev'e to be true, 'so if I

iJOcs.sible ending's, I,eav,es oPiJO,rtunity flQr things

to ,oome~ 'The [lalArni ng" lOll' :somethi ng ne"AI". So I've ,ailA!a)lS felt that Ninth lKing,dom r,epre"-se,nts ne"Ar things to ,oome~ ,and to o:m.que~ ,as in

,deJal i ng with the re,al ity lOll' I ife, there, ,are

,a Iw,ays 'goi ng to be thi ngs that 'Are have, tOi overoome in lif,e~ spiritually ,and ph¥sically,,and ,a Iways me,nta Ily. YOIU ,are rig ht th.o,ugh, it ,do:es repr,esent '9Jmething 'oompl,eted, YOIU ,should ,alw,ays follow thro,ugh to completion, nev'e.JJ

'g ive up on yourseM, nev'e.JJ stop I'ea mi ng ,a OOIUt yo,ur:se,lf, "Divi nati on 1011' Self" is ,a OOIUt taki ng ptri,de in youmelf"AIh.o you ,ar'e"AIh:at YOU'\fe been through, IAlh.o you will beoome, ,and 'wh:at YOIU have to fight flQr. Mor'eove~ the s1ar that lll.le have ,a,dop.ted, on the cd's OJ¥e.JJ banne~s,

,a [so re,p~ents the leami ng ,about ones self. Eve~hi ng falls to'gethe~ th e fu rthe.JJ lll.le ,go, as long ,as w,e s1ay true tOI who, '!Iire ,ar,e, ,an d wh at '1I.Ie be,1 ieve, I thi nk the whalle lOll' "N i nth lKing,do,m" will natu Il:.3IIy evolve i ntol somel:hi ng ml ,oolmple:x, that it cannot be planned, lOr even ,mntro,lled, it's jus1 mmething that be,mmes what it is, be'Gause we ,are what it is, ,as '1I.Ie ,mniEta ntly 'gfJ"lOW, so it sha II 'g mw. I've seen this

Wha1t ~5huVlS, bands have: you ~5haJred ~5Itage wil1th ,a nd ,any memor,ablie ~5how:5 ;~51tidou1t'?'

Al1nblillllid'(ln: We, play,edi/\lith rna n¥ ,g reat bands from ell ov,e~, lite'Il:.3IIy;~ national, local,

ut IQf toiwn ,and out IQfstate ba nds. !t'cs ,a ilA!aYs n h.onor ,and pl'easure to shar,e the s1age with bands of,extre,me metal, he it bladk, death, rind, thr,ash etc. becau,se it r,ea Ily ta lk1e~s ,a

in dejdication to beAieve in what YOlu're oing ,and ikleJep foou,seJd ,on it. EVen if it isn't

, pOlpul,ar ch.oioe~ it's,a ,oommon choi,CB "Me,

II made, We plave,d thro,u'ghQlut "f:eilIlaS ,and reas in uou icsia na. On e memor,able shQilAl" that out for me w,as in Abi lene. I thi nk the 'A!aS csuppose to be in San A.n.gelo but it ot moved to Abi lene. It w,as ou r firs1 time

,a nd it'A!as ,a sma II tOiAl"n, 'so I rea lIy

i,d n't th i nk ,anyone WQlU Id sh.ow u Po.. but they id!

he Sh.OiW w,as 'g oing 'gr,eat, the ,cuow,d w,as ecstaltlilc ,an.d rlQ!lrudy flQr the previous ba nds.We 'g ot on stage ,a nd everyone'A!aS sitti ng own. I hear,d ,a feiAl" 'g igg I,es ,and j oikle"-s

mongcs1 the'mselve.s. They though.t we we.JJ'e ,a olice with ,olur (Drpc~ pa i nt, I'm 'gu'eS-sing. As

I ,as the i nt~ swpped ,a nd lll.le Iki,dk in, the rushed up to the stage ,a nd!lirent u,az:y!! ! ThatiAl",as ,awe~me ,a n d very

i ng to li:1eep ,doi ng what we're doi ng. .,ni'i,um,II ......... "I ... 'lhil: Theile is lOne show that &id:;s ut fur me, I fell a n d tOile my Med ia I OJllate.JJal Lig.ament (Mel) in my ri ght !knee the day hefolle. I w,ent on stage on crut,checs, I coul,dn't u'se my right f,ootat a II, but, I had been p:sy,ched fair this sh.ow flQJi" so long ... thelle w,as n OiW w,ay I w,as ,go,i ng to ,canoeI.So, I pl,ayed wh.ode :set not be,in g ,able to u,se my rig h.t ,at ,all. Now I ,don't knoiw hOiw ,drunk mime

the.~ people may h ave been, but they

to me that th ey thought I was pl.ayi ng

cont.pg33

T(I'XK !FUSE - Punk has been the biggest influenae in my life hands down •.. ilii!\:ls about ll] yliS olda nd ,got into punk ina relll.f d ifferent Iii!\:IYS all at once •• an older cousin turned me AYP2:ine- I rec,en,Hiv heard your ,rover of onto misfits .. sl':;ateb08roing ma'gs (thra-sher)

,Crimson ,and 'CI'over. which I thought turned me onto almost ,everything else

sou nd ed PIi',elttyg 000, my lave vellSi,on has i ncl u,di ng the ,germs an d d ead hays (tlA? <Of my

to he the J'o,an l'ef one yeallS baclir,. how all ti me fsve punk ban ds) .. ,a nd then friends I

did 1ihat song ,get p,idC:,ed to ,rover?' met sikabeh08rolng we.r'e ,mn!S-tantly turnmg .me

on to a II d ifferenr types ,af punk band,s! m USI(' ....

TOXIC FUSE - iii i:<Bd that v,ersi on too .• hut my i did n't rea Ily pi& up 'g uita r u nti I i w,as ,a bout fuve is the liommy Ja rnes ori,g i na I, i th a,ug ht it ] S a nd did n't even '1,iili3 nt to play in ba nds

soun d ed rea Ily psych a nd just I ilked it .• pi us i u nti I i was a n;Qiun d ]B ,or 19 .. aft,e.r leami ng

thouaht the Iyrim were prettv 00011.. how to wribe songs and ,arn:ange them, then i

AYP2:in.e- YougU¥S seem to play 'Quiirea started feelim like this wassamething i .

mit oulta1i lfianeJllii's (R:IP)"arw otheli pla(E5 eould do, •.. , st.an~expresslng same.feellngs

you've 'gU¥s played ,at? How wouM you I w,as hol,dl~. badk ',0r down de,eplnslde and

describe the soene here in Vidori'a?' then I ,guess I Just knew that I'd IlI.fi3nna '?Qi this f,orever .. my d,a',c,e In styles of music has cha nged,f,g IUllI.fn ,av'er th e yea I'S ('g,ar.age .. ro.au., psych, folk, trash) but punk has ,alw,ays been the fu,und,ation, the one

oonsta nt •• it's more L(J,f ,a n attitude 001' lifestyle full' me n:ather th,a n just some trite ,defi niti on of music or klshi on ...

Oere iis s,ma.U ]iltile iin1terview l1.'ii1tn a, long sbndiing Punk, Psycho-Punk, Tr a.s,l!t Rock, Shoegaze bandfrom Vidoria, TOXIC ruSE, which have been pbying around town~(u many yean., For more iinfo ,check. ou1t their NlySpa!ce page '@ \V"!oVw_ID.VSp,1roe_comt toxicfl!J!se

AYP2:ine - So fili.5ltand fOretl1OSf,., felll me aboult the rolil11attionofliOXI!C !FUSE, didn't th,i;s 'aJl11eout oiFthe ,ashes ofThe Alcohollit HeJll,lones?' T:eJlII us ,ahoult that.

roXI,C FUSE - yes.. Toxic Fuse is/was one of the si n gers/,gu ita rists from the Alcohol ic Helltones •• i (to(l{i,c fuse) started my 810110 band in 2006 ..

AYP2:in.e- No,w, I~e:ts 'g,ef to, the memheliS of'the ba nd, wh,o does wh,a1i end have ,any of' you 'gU¥s been iin pli'eM:ous bands?'

TOXI!C FUSE -, toxi c fuse plays ,g uita I' ,a nd sings ... rvlellisa plays drums, Dave Dagger pl.ays bass and Dave "crimson" Sul,ak pl,ays ,guitar..

AYP2:ine- FOIi those tha1i haven't heaed of you 'gU¥S. pliease describe YOUIi mUl5i'c to th,enl. Ailsa". wh,a1i wouM you consid er

inS uenoes in YOUIi Ilife", l11U15iGallll{ and wOIiMI¥?'

TOxr,c FUSIE - I "!Ie heard the term ":Shitgaze"' •. I 'd say ,a mix of eh ae'gaze, trash rodk, and ,gan:agewith some p<sy,ch thrown. in. fur ,good measure ... irfluenees f,ar me are pretty much "punk", iridie music/film, subcultures, ,drug culture, etc.

of rvl i II,iili3 ukee best light.. a loah oli c Hellton es was ,a pa rt of my I ife that is over n 0'1I.f, we 'I""e.re a r'eally ,gaod band hut I've rnoved on in man¥ differert ways n01l1l.f and i ean never ,go bade .. nor do i '11I.f,ant too.

AYP~zine- Beilng into PUnlir,. I woul'd :say

" you have some rorm of d is:satisfadtion wi,th the wOIiM in one ro,nlli or ,ano1!heli, wha1i woul~d be YOUIi m'gg'es1t issue d,ealling wiith the 'CUlili"el1lt :s"fate of ,aflla i'rs j'n th,e world?'

T'OXIC ruSE - Li ~ most peopl e I'm si elk of corporate ,greed and sold out politics .• i thin.k there's man.y obvious faults in. this world, especia Ily the west, but l/ile ,0:::3 na II ,d 00 thi ngs to ma~a difference .• it starts by just treetinq people the way you'd w,ant too be treated .. the ,g 01 d en ru I e so to speak., 'I""e (lOU Id fix ,al at oof our problems by just using some common sense... but i rea lIy h ate to see people hu rtirtg oOr being talken. ,adv,anta'ge oof:. thats all i have to say ,a OOIUt that ..

A YPziil1e-What other iinlf:orma1iion woul:d be h,ellplfull iin l'eJtting the readiing publlit 1m owo,f TOXIiC !FUSE?'

T'OXIiC !FUSE - VlJe pl,ay elet in Victoria, come

AYpzjine- I Ii~ntll{ saw the Punk che,dk us out .. PI,anni ng on. releasi ng some

dornmen,tary "PUnk AHi,tude" wiltch namrdingsl/ile've beenlll.for!king on since the

:sh,Qiws the marI¥ :sides of Punk musi,c beginning otthis summer (hopefully eut by

r:angilng from The New YoliI!!: DolllS 10 The the end of the year) .• you can chedk out our Ramones to, E.xpI!oi,fed and thliough todays mvspace to see what 'w,e're up to, it's updated

HamcoFe: movement. How has Punk pretty reguJ.any ...

musi:c inSluenGeld you ~n YO,UIi Ilife. Wh a1i

woul:d you :sayw,a:s the defiiniing moment AYPziine- Arw fiinall words?'

in YOUIi lite you wa nfed to, play thiS stvl'e of 111IusiC?'

TOIXI:'C RJ5E -, Than.1ks fu,r the i nterest in. Toxic Fuse •. 'g 00 diu elk and a II the best to' everyone out there with a 'gaod heart .. keep lOn fighting the ,good fight •.

AII:so' Check out their VouTu be v'ids@'

www .. y'o,u'tube,.,e'omltoxkfu:se

AYP'ziine- SiinGel fhiis band 1T'O'..5e fi1'omlthe AJ'roholli"c Hell'tones, w,oukl you say YO'UIl' sltiilllallJoholli'csali'e sli:ililia HeJIHtone?' On that note what i;s YOUIi fave beer?' (And don't :say free!)

liOXIC FUSE - Ou r f I'St ~horw w,as at ,an ert shaw in Oorpus Chris-ti at Equ,al Eye.z.. that 'I,iili3S neally ,o00,1 •• we've a lso pl,ay,ed =w in AJ.Jst:i n at lEla roel ona, that 'I,iili3S ,a Iso ,a r'ea Ily ,00 01 show." 'We pJ.ayed the li~n. in. Oorpus

Christi •• other th,a n that i thi nlk we've just pr,etty much pl,ay,ed Ranelli's, ,and i ,guess i li~ it there o.k.. I've Ikno~.!I.!Il' the OO1NTl,e.r fu'r ,a long time, Aloohodic HelltOine-s u:8e,d tOi pl,ay there alotand theytr'eat us pretty ,good .. we ,get !kinda shitty ,drunk sometimes .and they put up 'Iti.!ith us ,a nd 'we .even ,get pa i d to ":a ct natur,ally" •. h,ah,a .. .can't r,eally say much ,ahout TOX~C !FUSE - H,a ha .•. yeah IT,ee beer has th,e scen.e in Vi,d:oori.a ..• we feally don't belong ,abAl,ays ooen the he-st. ,and this is where

to the punk or met.a I or rodk SQen e here, we're mrn;t people 'g ive me puzzled loolks but

pr,etty mu,ch, the lOnly band ,dalng thiS typ,e lOf Milw,aukee best light is my beer oofchaio~

musi,c 'SCI 'w,e're pretty much ,a lone ... I ',d say ,and y,es I'm sti II very much ,a n ,a Imhol i<c::, .• i

th,e meta I scen.e ,a nd ro,dk saeme here ,a Ire ,also, I ike bud I i'ght, madelo ,espe,cia I, ,OOO'I'S

,getting better thOiugh, SOl maybe someday the light, miche,laband othem but i ,drink Al..:OT

South ICen'lral'Texas IConc:erl Da'les

Show.s i~n and around Houston, Corpus C:hlri~.sti~, San Anloni~o, Austi~n, and a 11111 poi~nt.s i~n between. IDates, locations, lli~ne-upl.s are suhject to chanqe,

O:mtac:t clu bs for m 0 ra info 0 n u pcom i ngl sh 0'0\\5, Ev,e'~"'Yone [l'ie~s I n Uta h '\.;Iao,do 01 ,Glow Slku lis

The' Iilleque~ste,d The -r;aacste'~

Lay In Ruin;s

c:hristi.a n Gente.Jr Fi re,fl ig ht Illle'medy [lrive Abandon

Tears of a Tita n SidkSanctua ry Ete'rrna I [)lam netien

AUSTIN

H!30 - OJnar,ete' street

Me'g,adeth

Machi ne Head

Su icde Si lenee AJr,rnnium

10/23 - Illle,d EYe Fly EvoienOi

Mm;1ly !Dead

Soundfieldl1!/:l - Emo's

The Leprecha un Theory Pel icen

touder Shrine Blaclk OJblM3

Stmclk By Lightning lW24 - The 'Weldi ng

Shop Pub

[lie Among Heroes Ellueal

2lf1 - Emo's Ram i 1"1 For,o=, S Br'eathe ca ,"oli ne Gash, Gash, Ste,ph,en J.e.Jrza Ik Fight Rair

U!U - Illle,d Eye Fly Pocse:y Chapel

Flush

]0/30 - Ayers Event Genter

Mob Rule~

IDem on Angel

rirugy

U!H - Illle,d EYe' Fly F~m Out Of The 'Woo,ds

Eli 0100"1 Sti letto Isle Of White Vehicle

Jl2/ll - OJncr,e,te,stre,et Talki ng Bacik Sun day

A.l1 Amenm n 1llle1'ects A.nberlin

11!/5 - Erne's Attaclk Attaclk!

I Set My Friends on

12/2 _. ::mol's Slkinny Pu ppy

10/31 - Z.e.Jro's c:hase Lan g !Beach Avenue llllo,dkzell'S !Dead

SikySCIM3 perberdon

Fire,

Miss May I

Our Last Night The 0J,IOlr Marale

12/2 - Headhunters SOire' uocsers

Sliclk ,46,

The Railure~s

:1l2/ll2 - Z.e.Jro's

Iillemai ni ng A.n,anym ous Halliday Suicides

Vaste E\u ria I

1W24 - Illle,d EYe Fly lPh,oen ix J,a,cik;Son Saraps Of Life !Devol,a

Po,irelM3

Hard Line Race

U!B - Tro,ph,y's StOlne,da Ikzo.ta

1l0/31 - spanky's [lie Am ang Heroes IK:illamalM3

111!/5 - Iilled EYe' Fly The Bad Notes

]J!/]3 - Aus1in City Musi,c Hall MasiJooan

[lethlkblk

OJnI!l,e.Jr'ge

High On Fi~

112/3 - Headhunters RaZ!aIr'Ali~

Sliclk ,46,

The Ra ilers

12/ll6 - OJncr,ete

The Periwi nkle str,ee,t

"FeilGBS hate ma{:hi ne The devil 'Wea ~ PIi;ada

A.l1 That Iillema i ns 1l0/31 - Hause <Of llllo,cIk .stOiry of the 'rea r

Z!ombie Prom S Haste the [lay

Time' IPila'u. Hebe

IDJ Jahnny H otrn ~

112/:115 - La .Z!ona lillo8a Und'e.Jr'oath

Eme.JrY

Aug ust E\u rns R.'ed

1l0/26 - Em o,'s stri~e AAIY'AI'he.Jre Pollar !Bear Club en me i nste.JreOI Ruiner

111!/Ei - Iilled EYe' Fly The Banner 'rea r IKleJd "Feam Go

A.n.bd ate Fior I ronII' Be,nny Vs. The Be,as1

U/]4! - Emo's Ensirerum Hypocr~

50: IDeo

Eli,a'cIkg uerd

12/2] - The Si ng i ng Odeurn

Mifici,al Friend

112/11S, - IKleJd 7 At All 0:!s1 Jcm Be,net

uno - The Singing I""ettle Odeu m

HOIU r ,af the,\Ji;blf

2!s/2mo - House ,all' Iillocik

Nile,

llW26 - Emo,'s E\IM3 rid NeJAI' Thrice

The Bui ldersan d the E\utche~

1lfEi - The lRairlar una - Emo's

Toxic Fucse, The c:herrry The Get Up !Kids

Bombe.rs If;;;evi n lDe'Vi ne

112/19 -Illlejd 7 Sti r the Si len 00 IK:illing in Apath¥ Carnide

U!H - The Singing t<;;ettle Odeu m

Run With the l-lunted

Imm oiati an

lKrrisiun

Abigail Williams [l,"eaming !Dea,d

11l!7 - [)oi Ity [lIDg B-ar Snake Sikin Prricson E\utche'fwhite

Velvet Bricik

U!2.01-·21 - Emo's [li,as IDe lDe~s1rruo:i an Fe~1

Pinata Prrote~s1 Rayos X The'rOlung POlirlkzen,a

The B~t NoSla'gan

Las Mar'gantoo lDe~slillna,cid os

U!1l2 - H ouse of Illlo,di::

Upan a Burning Ba'dy American Me

MOllat,al)l Sal uti an

1l0!2:9' - Illle,d Eye Fly Man Made Brmdcas1i ng [lisciples Of SOlUnd So Rar GJne

The, OJiumnis1 Fire·wate.Jr Prophets

3/1l7-21l!2Dll 0 Sxsw

l!Ell CAIMIPO

una. - Muldoan's Salaon

U!B - House of llllo,cIk Vallejo

l':ioffin IKats Hell City!Ki ngs mo~TM

111l!7 - Erne's

The White Tie Affair Ev,e.JrY Avenue Ste,rejO Sikyl i ne

Ru nner Runne.Jr

COIRPUS CHIRISTI

1l0/23 -Z!e~'s Be,roool

Rislk It All

HOUSTON

]0!23 Java Junction Ev,e.JrYthing Ralls [larrlk

1l0/30 - Illle,d Eye Fly ste'gacsa urus Li ps Trash¥&. The !Kid Matche~s FOir Mem cries The Singe

E\u mi ng Witches

111l!7-,S, -\.Materla'o IRa rrIk - Fun Fu n Fe-s1 7 Seconds Br'aadcas1

OJalesce

OJlicseum

O:!OI!Kids

[lRI

[lamig

Ra.ce to Ra.ce Gonlla Biscuits IKleJd Sparrow Street [logs

The Jesus Li:za rd Torche

Off With Their Heads 'rauth Brigade ,&.mare!!!!

U!B - .Z!.e.Jro's Beg Fim Life AA,tag onist

\lIIa11k the G~ve.s Ma)ola Ove.r Eyes

1l0/2.4! - .Z!e~'cs Be'roool

]0/2.3 - Me.Jridia n IKMFDM

U/2.:11 - IKleJd 7 Within Chaol8 By AnII' Mean;s N,eces.sa ry OJume of Ruin

[li e Am ang Hero:es Lug

Iron M au ntai n EtemityWlIl Rail

]0!30 - Emo's 1ille1lOiti ng OJcikB Jim li®se

Eli a'Al'nl cad

Left Spi ne [llown

II 0/2S - OJnar,ete Str,eet

Saving t..bel

Illle,d

Pop evil

Taddy Politer

1lll!22 - Stubbcs AFI

Galloiws

]0!3:11 - ~rnide' Lo,unge,

White Rhin 0

Son of Fire Amen,can Sharrn

1lll!2.7 - !Krush Ember

1lll!2B - IKleJd 7 Marduik Nach.tmys1i u m Averse Sen 1M3

]0/311 - Illle,d EYe Fly B¥ Amy M,ea ns Ne,o=~ssarry HatchetlMarlk Heederusher

II 0/28. - E\rr,eJAI'S1Ier Street Iee House FlM3ming H.anl,ey

U!26 Ze.w's Outbreek Soul OJntroll GJllden Age [larlkzer [lays

1lll!9 -Iilled 7

H au r of the '\/I;btlf Vinamudeh

The Stam pede

M,e.Jrnmaclk Mantic Ritual

1l0/30 - .Z!ero,'s EterrnityWlIl Rail 1lll!2:9' - IKleJd 7 pg. 16 Awaiting Oblivion

]0/3:11 - Shore,line

U!:W -Iilled Eye Fly

illS

li Of24- M,e"id ia n

A Whilhelm Sueam Livi ng With Li 0I1'1S

liOf24- J.e,t uOlunge She O;;aves

li Of25- Me"id ia n Java Jazz

The Wedd i ng 1PIr1Q~edt: 8,6 Showb~ead Chi Idren UI:::3· Yearling

li Of27- Me"id ia n GWen Stacy

Ice Nine' !Kills uoveH,ateH'eUI Str,ay From the P,ath

i Of3 01- M,e"id ia n Thee Armada The Finali!>!:

Mecha nica I BGY

[lrive" F

[limn OJrns Am ber lRa·cifie

liOf3·1- Smut Bar Erase the Virus IDented

li2.'Gauge

liOf3·1- '\lI;!alters IOn 'wash.

Temple of 'WJi;ath The Bur,den

liOf31- Ve"isOin Wireless Theatre Br,and NeMJ

Triee

liOf31-lioi,ans

TOluehi ng the t..brol ute Heavy As T8ilGa8 Chrome 44

Sou lbnu nd

UIli-\lI;!a ~houre The Maine

!Boys Lik Girls OJb!-a 5ta Ii:Shi P

A lillmJret ID the Moon Vema Emerr;ge

li 112- The Cia ri on at BrazoiSport O:IlIege

Fi re.fl ig ht

Iillemedy [lrive Abandon

U/3-· M'ere,di,an Sparrn the Iillescue Hit the Lights Firewmds

Irival

There Fior TOimorrGw

U/4- JavaJaz:z:

Attadk A1:itad:!

I5e,t My Friends Ion Fire;

Miss May I

Our Lam Night The OJlbr M or,ale

U/5- Fu man ehu ASG

Its casual

\lI;!ash.

E'vi I Inca mate +++

H/li4- Monster U/6- HOIw;e, 101' IBI ues Enerr;gy Femiva I

The lJsed Die Among Heroes

1 U6- OJntinenta I Club

\lallejo

U/6- verison 'Wirele~ss Theatre, Third Eye, BI i nd

U/6- Meredian The White' Tie Affuir E\re"Y Av€mue Stereo Sikyline Runne" Ru nne"

U/7- The Pitt Unde,r Nothing

] U7- Ja\IaJ,a:z:z:

M,e"i,d is n

Be,f"o~ There '\lI;!as 1illo\Salyn

Upon A Buming Bo,dy Am,e"i,ca n Me

ThrlClug h the f,a lien Sikysa;a peli'CiJIu~ge Sleeps

In the Storm At calvary

un 01- Smut Bar iRol'Me'Ii'm,an 50001 'wI TM

u/U- Ve"ison Wir'eless Theatre IillohZiombie NelkliiOma ntbc captain Clegg®.. the N ig ht Q-eatu res

U/U- M,eridian Munieiple\!Vam,e GJ'aul!Jhore Phobia

cal,dron

un 2- Ve"ison Wirdess Thea re Mamodon [le,thlklolk OJnve",ge Hi'ghOn Fire

un 3- JavaJaz:z:

M,e"i,d ia n En<Sife"um Hypou~y

Ex IDeo Bla,rngu.ard \lI;!averly Hills T~ntVirus

U/]3- M,eridian MarGy lPI,ay,grou nd Mar,got

While 't'iOIU 'Were; Gone The Rj,de HOlme

H/li9- Meridian Hetebreed cannibalOJrpse Unearth

!Born IQf 100i ris Hate Eiterna I

li 1,1201- '\lI;!a lters on '\lI;!ash.

The Buii<:len

li ],1201- Me~di,a n Norma Jean

The Chariot Arsonil>t:s ,Get All th e Girls

Sikysaa pe'li:S\!Va Ilk Among Us

Blues

The Misfits

M olo,tov Gb,mpliiOm ise

U/2,8,- Meridian For,ever the Sielk1e4 !Kids

Mi,9I: vs iRo:e,t Sing It toud

My favmite, H ig hiway

1 :li/3 01 .- H ouse 1011' Blues

Ta Iki ng Bacik Su nday All Am,e"ican re!jeam Anbe"lin

12/5- lio¥,ota Ce41'be" !K~

Buclkeherry

] 2/6,- The White Sw,an AIDS !Benefit OJmatooeand Half IOOtar,dejd

U/2li- Jav,a Junction Trivium OJmatooe a nd Ha If Illletar,ded

IVlOry C'asI: ++

li l/2li- FitZige~ Ids Wi ndoor Drive

The C::IrlI!.laS '\lI;!aiti ng The 7:l's

n,l2li- The White S!I!J,an

Of Ruin

n,l2li- Meridian callitel

This lPIroviden~ The Sum merSet The [larr,es

n,l2li- \le"is:!In, Wireless

AFI

Gallm'!IiS

n,l2li- The !Berry Gente"

!Decy-Fer iDown,

n.l22- Meridian Thr'OI,/!Jd own

Bury '(OIur !Dead Fior To,day AiJacabb

Thly Wi II Be lDo,ne Ethereal

U.I27- Meridian Ramily FiOilUe 5 Br,eathe carol ine cash cash Ste'phe,n J.erZB Ik Fight Rair

12/7- Smut Bar \lade"

IDecrepit Eli rith,

Sua~ will Write Apaca Iypse AcIiiO\SS the SIky

Auguary

'\lI;!arbringer

The Amenta

1l2/U- JavaJ,az:z:

Wind,s lof Plag ue Stielk jD 't'iOlur Gu ns Sleeping Gi,ants Oeeano

Be.fore; There 'was 1illo\Salyn

1l2/] 2- Meridian Nitzer Ebb

1l2/]3- Meredia n Sa08in.

EYeAlaslka

ros

I nnerpa ritysyste,m

12/1l6 .- \le"ison 'Wireless Th eatre Unde~ath Emery

Agust BUl1niS Iilled

1l2/1l7- Meridian H,a'Aithom Hei g hts J uet Surre'llde" Anarbor

Monty Are; I Nightbeam

\lI;!ashington lOf2S-SooLil: Bar

At All 0:!8t, Jon. Bemet F~ mi ng Ha nley 1PIr1Q~edt: H

li2/li9-TM

Anti -,Chri,st M,ass XII Fem

TBA

li2/26- TheMe"idian. Ang uieh in. Bo:i le, Pinhea,d

U23- '\lI;!alte,,'s on. '\lI;!ash.

Go,d less Ri<Si n g NOO08ns

TBA

U23- '\lI;!a re,house Pinhed

IP'T ,. lLAVACA U/2,8,-TM

IpiT,.

O'fCONNIEIR.

U/7- Jo<Sie's cantina Adan. [lavila

li/30/]Qi- JOiSie's cantina

Adan. [lavila

SAN

ANTONIO

li Of23 = OJn.mro ia l.uthera n. Ch,urch Leeland

li Of23-Z!ombies !Kin. 101' cai n. iRolwci,e"burn. [le,ad po 01 Specoban.

li Of23- Ten EI'8V08n. Holy R!oll i ngem pire The Ghod Tli<loos

We teave at Midn.ight

liOf24- Josabi's 1PIr1O~,edt: i nd ependenee Tour

Blooo Engine,

In. The Tre,neh EYes to the Bli nd

i Of24- liop Dead Gente'r

Raise Fla'g

Tel'1Si on. Spea Ik Tr.ansolnder

lOf27- SmLil: Bar Savi ng Ab,el

Illled

iRo:pEvil

-r:addy Polliter

lOf29- Sunse,t Station. .A.l1 Time I..!oIW

We The !Ki ngs

Hey MOinday

Friday Nig ht Boys

lOf3Q1- Bonds 00.7 Scumby'

Irnmessed in. Hatred [lie My [la rli ng Human. Language

] Of3 Qi-Z!ombie~ [lir,giri

Mallityrhead Man-6stem 1011' TSavCl Evi I Gb,me Evi I Go

1 Of3 0.- Li mel ig ht IDe UOiS M uertes

lOf3li- Bonds 00.7 Eye;: !Of Hatred IPyrotyp,e

Sha II OIII!J Grave,

lOf3li- White, Iillabbit Sparrn The Iilleseue Hit The Ligh1E

The~ For Tomormw Fi ~'l!JQrIks

I Rival

lOf3li-Z!ombies

Hall OIween.Ziom bie Fiem The Eid ge Ann. IRa liity The Ja r 101' FI ies

lOf3li- Clielk's Live Tensi on. Spealk

U/]- Tri-Poi rtt Fi~flight Iillemedy [lrive Abandon

1li/5 .- Smut Bar LJOlle ,at '\lI;!ar Vallejo

1li/6- White Iillabbit Attaclk Atitaelk

I Set My Friends lOin. Fi~

Miss May I

Our Lam Night The OJllm M orale

lili/6 .- '\lI;!a re,hous6 Music \le,nue

M oonspell

Boolk IOf Blaclk Ealiith 5e'GI",eDS ,of the MODn. [livine He",es-y

liOf24- White Iillabbit 12/]9 .- Supe" Hs PIlY Sou Ifly

Fun.lalld

4/2D/liO- TBA

]"' h' H ""'I [livide ,®.. OJnquer

"'1'- olum 0, b ues

IPIrlOng

cattle IDeca pitati on.

lili/27- Gear,ge Br,own. M OllOitov GtlmpliiOm ire

OJn.vention ,aente" OJmatose ,and Half

Supe"chiclk re,tarded

1[2/19·- '\lI;!alters on

li Of24- Soho Embe41 Ul'1Sporen.

PU.17

South 'Texas IConc:ert Da'tes

Un-Sohol Ember

Ey,es Bum EI'edri,c

111!/7- Ten deven lPIr'e'!.ia i I Withi n

The cerd ina I Hea Ith

- U/9- White Iillabbit The White Tie Affair Every Avenue

Ste~~o Skyl i ght

IK:.u nne,r Runne41

12/]4- White Iilla bbit

I See sta ['S

111/2]- Su Il§et Stati on We came as Rioma ns

IDashhoo m Of M iee en d Men

OJnfe-ssi ona I Blrloo,dw,ay

N,eJAI' Fiou nd ,Glory Never Shout Ne'\fer Single File

Hate Eitema I

1 l1/2D- Bond's 0017 Pinhea,d, Anguish in E'xile, Blasphemous, Yiolur OJffi n Is '\lila iti ng, Septiva H, Vilegion

U/2]-The '\lIlarehouse

Flax, Pi nhead, Bu mt F:ace Jadk, the Silence, SurrealiSl'Tl, Anguish, in E'xile

n/2]- White Iilla bbit Norma Je,an

The Chariot

A=ni,~s Ge,t All the Girls

]1!/9- Sunset Station u/2A!- JQlSEibi's Third EYe Blind OJunt '(our [le,ad

]1!/111l-, The White Iillabbit

If;;loffin 1K:a1;s

The [liemente['S 51 idk IDi,d1:1ens Sa ndw,orms

Hell bou rid Herse

]1!/ll3- Bonds 00i7 6den Burning

]1!/ll3- White Iillabbit Upon a Bu mi ng 18m:!y Ame4lican Me

Molo,tov Solution

]1!/114-<15- Iillock 18Ql1:ibom ,Goregmwlem Ball

46 Bands including Irn pu Ire ID lDe'!tour IDiminished

Lying In Sick Chi ldren

111!/115- Ten Elev,en IRciiwerTrip Creatur,e~

IK:.u n 'With the H unted

111!/11 6- '\lIlareMuse Eluveitie

18elphegor

.Alestmm !Kivimeman

IDruidi

Vreid

111!/ll7- White Iillabbit Insane Clown !Rosse Hed PE

U/27- White Iilla bbit Fior,ever the Si,dkesI: !Kids

The IOOcIi:1e,t Summer Sing It toud

My f,a\liOrite H ighiway Ariitist \IS ~oet

111/2,8,- White Iilla bbit F:a m ily Fiome 5 Breathe cariDI i ne cash cash

Ste,phen Jerzadk Fight F:'Elir

1 11/2,8,- ~ock Ba,1:ibom Club

SIKA IS D6J!;,!D liOUR: '\tOO,dOD GloaAl' sku lis The Tooste,m River,c:ity Allsta Ii:S Eicho Squad

12/2- Su nset Stati oln Ta Iki ng Badk Su nday All America n IillejeC±s Anberlin

12/3- The, White, Iillabbit

The SI,aclkers

River City All sta Ii:S Bandulus

12/4- The White, Iillabbit

The veliiOlnicas

The Amenta

]2/ll2- White Iillabbit Winds of Plague Stick ID '(our Guns Sleepi ng Giant Oceano

Ci rele lOf OJnte,mpt

] 2/ll3- Smut Bar Ember

Eyes Bu m Eledbric

Saosin POlS

Inne41 !Rarity System Eye Ala,slk;a

12/26- Ten Beven N 01: th e Govemment

ll/9- Ten Eleven Exmoritus

11/24- Ten Eleven HOD

Go,d less Risin g

2/2.0/11 Qi- Iillo,dk Bo,1:ibom

IDRI

SIEGUIN

11 ll/113- Spo,m; '~ PinHed

!Ra'eg,an

Sever The Silenae Burnt F:'EI,oe Jack Ang u ish In EXi Ie

10/23- IDIQwntCJwn • a,Grili The Che4lrybombe4ls

Interment M,elora Cunthamme41 I IDeal Su ic:ide Mutation Leviathan

11!/2.0- lDiowntGi'AI'n bar Lying To sick Cih,ildren Grill

Fure ]2/U- The FiQlrum

Cih,e-rry Bombers Bi1:iber Pill

1 0/24- Hell-.:I-~\!'Ik,en Headbange-r's BallRive-rside OJmplex Everytthi ng F:'EI lis IDlark Irn pulse ID dev,ou r Acalvaria

Ba ring Teeth

The Nephilim Terror AiJ¥ssus lDiae,da Ius Dim i nished

Lyi ng to Sick Cih,ild ~,n

12/6,- Scout Bar

"I '\tade41

IDaytbon F:'EI rru Y "'- it .",' .... h lL,n::,orepl ElI"L I

, SUOCESS 'Will 'Write

111!/2D- Sunret Station Apom Iypse Across the

Hatebreed, Siky

canni bal OJrpse ~ ->. , a"'. "

UI .... h MUgU ".l

Fie,a" IL I '" ,', ,', ,'\lIlarbri nger

Balm of 1001W, PU.lB

:11!/Z8,- lDiowntGi'AI'n E1&G

Bitter Pill

]2/119- Lulil:aq's IDavila

110/30- IDlowntCJwn • &.Grill Bitter Pill

:12/4- !Downtown bar Grill

, Fure, Th e Cherry Veer Union

BOimbe4ls [lIo'MnI F~m Up

was raised into bandls like Danzigl, Gannib,al Corpse, 8:1 ayer, Ve n om, Iron M a.i die n and eve n

earl y M ay hem. I wa.nte dI to see mo ra heavy, RMI- ~ 'fNI" j!1Qlu"\!1e Iheien lun a Iban ,d er W,I\Q

extreme, b-rutal musi e bas icall yin Vi eto M a. \!Ier th,e y,ears;, an y t hOI!l'g ht oOf ,d'Qlung ttm,t

LUCi!::y me, one or my glondllrlendiS WillOW was er noOt?

alreadly bookingl heavier stuff lil!::e Pro-Pain, [)MK- yea ... i mean .. thats atllilays the plan. l'iln

Piss in g Raze rs, Wi II to U ve, e ct. I th in I!:: he eve n in th e 111.1'0 rl!::s Vl.!ith JT Can 00 ex bass 8:ra,z.e n Altar. RMI- What's iunsiQr,e f'Qr th,e f'lIinne f,or

had H ateiJree dI an dI 8,lood fo r 8100dl oool!::e dI his dlrumme r m 00'3 more of a pu n I!:: ro ell:: lDeathlliTm:eta'l]kitd Pr,odll!l,c1itQ nsJ

here but fell through. dlrummer but has traininq himselffor blad [)MK - Well I'llill buyingl my own full pa system

An yvlJay .. he sh owe dI me the ropes and even metal dlrumm in gl. and th is oth e r g,uy i really an dish ou ld h ave it by th e ti me th e s how comes.

helpedl with the first few shOl.!'ll'3 in gg,. With his dlon't know well that supp,osedly shredls on the I srtould have had one year.s agln. I'm glonna

h el p I wa,S able to mal!::e th e majio r con n e ctio ns 0.1 acl!::ldIeath metal riffs. HopefiJ lIy yo u'li see a I!::eep 00 i ngls hows .. glo nn a 111.1'0 rk alot Vl.!ith

that I have. Thanks Willow you fagglot!' nsna ... i new tdacl!::Jdleath meta.! rise up in 2'01-0 in the Riversidle. Lonl!:: out tor major metal tours this

love that dludle. lctcrla undlergroundl scene. .1 Victoria

has ,all'6adly !¥I,t th e mast 'o.f ,ev,eryth in,g ,exoept bass drUI m andi neck sn.app in,QI

un likely n.a,tioe, ,a #122 'on th.e len,glth.en in,QI th.e h.u man snere? Oo-n.ten.t is an

B: ilitlOardi Ch.art, ,andi ,a stea'dif attention span, mju;st fud up ,afierthou:Qlh.t, ,diestru.ction is th.e '

mand ro-r tours, Their n.ewest ..... th Bja-rk, yau oan fin,di many f,acus, ,andi SCI l'elat iI,ely sh.a,rt

Itlu m, ," It's AJI Happen in.g!" son,QIS by th.e Sh r<evepa,rt two m th r'ee 'an h.er'e mi Qlh.t be

:oft!:tllII,dla1esrl{t, mask Kl)'Sta Camemn upstarts at h.ame ith: f,ans 'of lon,g ,en.a,u:Qlh: to tie Rin,glton.es.

by l'eServin,QI h.er sin,Qlin,QI ¥!J,ioe Frank Zappa, ,as ell ,as (Th.e uanQlest: 1 :49) Each: sang

f,a.r th.e c:h.a,ru>ses, th.eir mn.tem pa.raries A.rc:h iteets, ,a,n th is \MIofk ,a,fart is ,a, triu mph,

m u ~ if,are(]] appmach: to th.e Bespisedi loon, As Hlaadi Runs in self ooo.tml, n.a, 'Din.e n.at ,ain ,a

al'e ,as spastic and! B-Iack, Ha-rse th.e B<a.n,di ,andi th.air,l3JZin.e dlrip c:a.n sta.n,di still

Qlardieas they'di pr,efer. 00 Clean 0, ,an.di th.e Gh.ost Ins idie, h.earin,QI th is. I ..... sh: I oou ldi s;3lf

can hear J,azz, ;:: -Hit Qlame ..... hom th.ey ,ar,e ta,urin,QI ..... ith: in th.eir soo,QIS r,efiect th.e social,

m u;sic, ,eb m, Qloth: mck, fu n k, ,a, lEu r,a-pe. pa-l itieal, sexual, m ,emn am ie

oo,u n.1ryj in,Qlle an.d, 1Q,h: yeah:, issu:es h.a, mperin QI th.e \MI,r1di,

M ,eta.! too. If ya-UI can g:et ,ar'a-u n,d th.e son.QI tit les ar'e ,as sa,cial

tit les, th.eirs in,cl'6dlitlle ] 1il,5ie,cttW,ana lJIe - mnscen,oeas it g:ets, bru.tality

in ther,e, I if<e "lastes lif<e ""Wolil!dI is ,ev,eryth in,g. Insect lfiIarfar'e is

Biaoool~ , 'b lack ,~eDI Exlteli mli'lilI,attiio Iil u th.e weapon ,a,Qlainst iJf,et,en.tiou;s

I is ,en.tir,ely,electl'!Jinic, I:!rf Th Is' k' dl .. Pr,oQlI'!JICK ,and bands wth

..... If YOUII'.(!l;I",e meta.l, ,or. h·e v';:c:at·~~e ·!n'di,a: m.lSSth In QI'I' psy. c:h a-lo'Qlica.! ppoblerns

I th J t er'e, "u ...... ,"-' can, ,enlY .e pi e h" t th d1 h I

(!)i,e .e .apan.ese mas ,ery dirilin,QI Qlu itar, th.e insidiia-u;s ..... ~ln,QI 'au .e ,emon .0 e.

[)IMI K Prod", i1Iias Ibee,1I 'ChlllrnlUII,g .out s:hoOw after .s:h 'fNI h,er,e lun V!fidQliu<I: fer 11®I,ears: n'fNI", i1I,er,e aoo a f,evl

'lllill,es,1ii;QII S: and allsv",I1ers: v,liiJth 1E\!i~II] RJudte '~~!Qt ,;]: kii:d all1j!"lliTm:or,e"" Gi.a:m:eiZ: a'!}oll t th,es:h 'fNIS h,e"sltlliun ,glun 'g ,d 'fNln, r'l!I n n liin,g a '!!IoOoOd .S:h'WI, an,d th,e V!fidoriia:

Sloone",.",,,

CRM- So hoOW II:QII,g has: Ji)EM,thlm:eta'l]kitd

PFodllJoc1iii,ons: ibe,e,n .ooNun'g ,extr,em,e Im'lls!Uc IIIIP liill IPFO!m:Q1iiin,gs:ho1tJs:?

f'QrV!fic1Qliua:? [)MK- P'rnmotingl sucks dludle .. its ajiob in its

[)IMI K- lstarte dI actu ally in gog: so i th i n I!:: its bae n elf. Yo u h ave tOo .stay 0 n top of it, at I eastJ

a glondl te n years. . dlays a weel!:: u nti I th e clay of th e sh ow th 0 ug h.

I. .. th at is if you want a glood tu rn 0 ut. 8:ut

C RM- i1Ilow and why ,dli,d YOII start I!:miill'glii lI'g . e wo rst. .. is .stayi n gl 0 n to p of th e

Iba.n,ds: ,doOwn? ettea.m ... an dI its h ard be caus e I can 0 nl y

[)IMIK-I wa,s gloingl to local shows at the age of hnpe that they 00' thejnb Ive askedl of them. My

12 and there wa,s only this punl!::Jgrungleladdi man Daniel Nava mOo runs the ST usually

ro cl!::linnetall i c scene. It was fu n an dI coo I see in gl on to p of th in gs .. 8:ut h es outta h ig h

ban dl3 Ii I!::e Pu rple Kush, Re dI Orangle, AI i e n now so I have 4l new cadets who wi II

Na1ion, WormSuicidle, Enlightingl Rod, ect. but I . his place. 2 girls,2 bnys. It'll be hard! to fill

Daniels shoes but will see how itworl!::s out.

CRM ·-Iei]]] I!Js:aibQut .sIO!m:e oOf th,e ibu,ds: that 'QIII"\!1e Ibmll 'g ht ,dOWII 'Q\!Ier th,e ,EM,r.S:? [)IMIK- Six Feet Undler The Redl Chord!, 8:ury

Yo u r Dea.dI, Unearth, Ori gin, Aboys rnal Dawn, FmmAutumn to Ashes, [Anglels [Plagues, All Out War, It Dies Today, Skare Tac1ic, Soilent Green, Misery Indlex, War From a Harlots Mouth, Animosity, Born From Pain, Emplnyer

RMI- lel]]]ua'lJiii1:a'bollt t h,e Viiic1miu<I:sloone ,di1:Y·s:,. wOIIII:d YOIlSi1:y that lit ,oom:EM]: nod 'g,oes:, Ihan,d anod atte,nodan,oe V,liuse" oO\!Ier , .' ,ears:" Any Iball ,ds: oOn th,e radar .SIQ to.

[)MK- The Victoria scene is nl!::. its like a roller coaste r th 0 ug h. Yo u neve r I!::n ow if p,enple wi II hof!ll.l' up. i mys elf pro-mote th e hell 0 utta all my hows. Sn when p,eople dlon't show .. its a real

o

,.,.NI.' ~I

IWlJlesUedla bea Ii\OIillOe: ~]tt'5 AIIII !HI,a ppelill ilil.gl U

2U09 (M'etta II 13,I!adie:)., I want tal g:et th.e lQ,tiliia-u;s lQut of th.e w;3lf. Th.ey ,dio not h.al¥e t .... o sin g:ers th,a,t oome in ,a,t 'adldl

ti mes, th,ey ,af'e in f,act th,e same pe~o;n. T'h is twlo 'l'ear 'o,1dI 91r'OoU p

let dlo>1ll.!ri. Its about the

s arne as it was 100 years agio. If your in a bsnd that everyone likes p,eopleshow up, then

I eave afte r th at band

pi ays. 8u cl!::s.. but its th e way it is.

I I I'

th,esoe,n,e:? [)I M K- M an its reall y i mp'o rtsnt , have l!::idl3 in school helpingl out. The reason b'einglthat a majioMty of the scene are High

e rs. I have 0' street tesmers all togeth e r. rls, Seth, Dani e I, Me II is a, An glel, Kristen ... ey are DM K street team.

RMI- NloOw ,00111 ha:\!Ie an Oct,s:h 'WI ,oomiun '!!I IP afterthlus IplulH:J!I]lfici1tli'on v,Ii[[]]lbe lBil:eaSB,d, tel]]] :a'H:J;ollt thoOsle Iha.nods: an,d wh,ere are th'e1jf

:1 II"

[)MK- All the ba.ndl3 are fromTX ..

Houston, Austi n, DaJ I as ,San Marcos .san lo.Laredo - Ninth Kin gloom, Demontuary, Fu II Contact, Eve ryth in g Falls Darl!::, Impulse to Devour, Acalva.ria, The Ne·philimterror, baringl

, Abyss us Dai edlalus, Lyi ngl to Sick

IIdiren

RMI- Ihan k:s Rlfichlte for th,e liin mrvltEW"l, ythlii ng ,eillse te a,dod?

[)MK- Sup'port the Victoria undlergroundl

ce n e!.!' Spread th e 111.1'0 rdl!.!' Th an ks Mark. Hail !.I'

o

pg 19

Her,e'.s ,a 'q uiii,ck iiinlerviiiewwiiiththe ,guy.s iiin D]J[VIDIE Sr., CONQUIEIR" a 111'oca III band out of P't. llava,cathata retryiiinglo ma kea nil me ferth emS!eillv'e:s (a.swiilt ha ny

ba nd ~) Bes u r,ett!IJI. cheek eutth eiii r MySpa'liJe Pa'ge fer mor'e iiinf'o,,,tunesil' and .sh ow dattes.

www .. mysp.a.c:e ... com I hay ma kersan dc:urbstom p's

CRM- How liolil'g li1I(lIs IHviide:& OOliiH:jlueli be:e:1iiI !!..Jndierstarid Ui,at. We gliive ilt everyt~ilnglwe've g:oot, and

togetheli ,(lIliiIdwho'swli1Io iiliil tli1le: b(llliild'?' ~,ave a bllast dbingl ilt" IEveri il1fwe diDn'1t ~ ave a top, ri.o1tC~,

lDiivide&, Conq,lU:er ~as been a band nOiw fm about a year" perfmmance,we always Ikeep our aud'i:erice interested"

We alii used to be iln bands befme this. 3 of om We're allways dbwn to. db s,hoiws,,, Allways" =)

CRM-W'Ii1I(lIt(llIie:SOIl'liil,e: o()ifJ' you Ii iililfllue:IiiICle:s'? SOIl'liil,e: f(llv'e b(llliilds II iisteliil iilil 'g to Ii iigli1lt liiI'OW'?

As]'ve stated previ:olUislly,we alill ~,ave aw ide vari:e1ty of inlfJ:uerices" Any1thingl from lKirilgis Df leon to. Job !Fm A COiWbDY" !Ryan's mo,re ilntD bands suc~ as lKilri,gls of leDn, At The IDriive-]n, arid The Miars VDllta" MDmDe"s into. CRM- lfelill 1l'IiiI,e: ,(lIbol!lt tlile:sClelile: iiliil pt. !L(lIv(lIc(lI,wli1Iy bands I'illke 1P'llayradi:olPlllay, lEmery, T~rice, T~msday, and do you fe:e,11 tli1le'lie: its Il'IiiIOIi,e: support f'OIi b(llliilds tli1l e: lie: mOore" Zach Iliistens 1to,Fwrestledlabearonce, T~e C~,ari:Dt,

tli1leliil tli1lelie its iilil Viiclolii'(lI,? rN~Drma Jeari, and ot~,ers SUC~, as t~,at" JllUiStiril IDves bands

We're reallry not associ!a1tedwilth the scene here ilril IPL Ili'lke lU'nearth, IDa rlkest !Hlom, lDevilil IDrilver, and m lU:ch

T~,ey've Iki'nd Df sh!!..J rined !!..JiS out. We realily j'!!..JiSt Ikeep to. mOore" Me, ]' m maj:mlry iiri1f11!!..J:enced by !Bllac Ik liigM !Bums"

omsellves,,] t~ilrilk the reason fm that is cause om [SiiS, Carini'ball Corpse, The lD'illll'ing!er t:s,cape IPllan, !HIe :Ks

SOlUlri.dl, and om style Df pllayingl iiS very d'il1f1ferent from the leg:end, Staple, and mlU:c h m lU:d mDre!~ And of course,

rest of the ba nds arolUnd,w~i:ch consiists mDstlly Df we can alii agree on AlUiShi!an lDeat~, Mac~ine a rid

iHlardtme bands", To, be honest,] don'1t t~irillkwe realilry lDet~lklblk!~ loll"

feell so mlU:c~, SIU pport fliDm our town, but mOISoUy from om frilendls and tamilily and everyone ells,ewhD toolk the till1ll.e out to. Iliisten to om m!!..Jis,i:c and give !!..JiS a c~,ance and j,udig:e lUiS based on t~at, Ifat~,er t~,an om p,eIfSDri,alli;i om re putati:on,

members {JlUis,tin Mmalies, J'lUstin O.sbom, and lRyari Salldiva r)were from ari ilnd i:e rod glrolUlP cal lied SIEIE ,{,(W TOM 0 IRIR;,OW" And the Dther 2. {Zach Gon!alies and Miysellf) were from a metalicme gro!!..Jp callad CIUTO!F1F MiWWAY"

CRM- lfelill us ,(lIbii(llbout YOl!lIiSOUlild, fOIi tli1lose tli1l(llt liI(l1v'e:IiiI't li1Ie:(lIli'\d of you 'guys.

We realilry dion'1t ~,ave a diistinctiive sound to. be exact" !But we alii I'iisten andlDve pllayingl alii types of rock music,,] guess the best way to. diescribe is IProgressilve Mi eta 11., !But wilth albt of IExperilmentall eliements, aswelill as !Hlardicore, ]nd'ile, andlPlUrillk rock. So. yeah, t~,at's a difficult one blU,t hDpeflUlllry] hilt the ha mmer on the ri,ailll"

CRM- lfelill l!Issoll'liil,e:tli1liilil'g(llbout tli1le: b(lllild th,(lIt IiiIO oliile: klilow of [(liS ofOcl.)

IlJImmm, sDmet~ingl no. one IknQiws?' Wellll, we allillilike to. b!!..Jist each ot~,er's bailis alii the till1ll.e" Andt~ere are those "'gay'" mDments, ~,a ~,a, blUlt diDn'1t womy, we're alill in relati:ori,s~ilpIS, ~,a~,a~,a~,aha ,,] guess t~at's abDIUI ilt" T~,at one"s Ikiind of ha rd to. ari,swer, ~,a~,a" SDrry"

CRM - lfli1l,(lIliiIks {'Oli tli1le: iiliille:liViie:w ,(lIIiIY II(lIstwoli'\ds'? Weill hope t~,at covers everythingl" Thanks fm t~iiS,,] ~,a d albt Df flUri"~ Alii tha best"

CRM- AIiiIY P 1I(lIIiiIS f,o Ii lie:lie:(lIsiiliilg som,e:tli1l iiliil g iiliil tli1l e futulie: '?

ArolUnd October, we pllan on heading! Dver to. The lDilamond!Fac1to,ry iln AlUistiln, TX to. record a 5-rraclk IElPwilth om frileri.dl Tlfaviis,w~ 00 has recorded such acts as IlJIpon A !Buming Body, The Cabaret, Stonedlalkota, and Andrea Gail, So. be on the Iloolkout for iliat,,]'I111 !keep everyone posted on that"

CRM-WIi1I(lIt ,(lIbout slilows,(lIliiIytli1l iililg YOl!l 'C(lI1iiI ll'IiiI,e:liilti'ooliil '?'

] t~ilrilk ili,e mOist rewa rd'ilng t~,ingl abDlUlt being! ID&C ils ili,e wsh ari d energrywe brilngl whenever we perform Ilive" n's a realltreat to. be apart o,f t~iiS project. Arid wherilever yo lUI see lUiS pllay I'ilve, you'lll pg.20

Vid(1(rill "Fuek ¥[11Il" Meta:~ [IlCHigb! ,cd' by ,[IIu:r thosle kWds:? lEiUth,er th'e1I l!:J;eoO!mle anoth,er

:sI1I.ger!Lorl! ih:ex!l.dlyrigb:t" We pb.y '!lib!lt '!>e slon::iu[J'11 Fo!botsll:Ir>eilld iung tnesame iii'g neraaee

'!>!Lo:tl'eg!Lrd[Les;sif y,[11IlIilii.e:it ,Olr :IJJ[IIi" \Ve playa t,o t helir own kJi:ds: or the 'ChIUII:d Fe:j:ec1s; the

~Hiety fl'OIM tb:rm fast pareto chill SID'!> ~1!JII:goS:" IPFOg m:mliTmiu n'!1I all ,d .slpend.s;[J: w,[J:s1e,d II'iif,e

No f!l:g :so: . [IIugb:" \Ve'[leILOIt ~goio:g . fiiind liin'g th'eiiir own 'Wilflj" I tm,f's wh'ere 111'lml at,

;!ID.OIul b(1(g .hmdlsmd! '!>.b;!lt ,01111: :gi: : • is d!i:d! Hlilhaha: IF r'eethliin k:lun'gliiS:rI't 'tMS.J\'" lEV1eryt hliin 'g's;

y,es;te:m!lY!I:orl! :shit like that, W,e'[le the type ,cd' ,a'!ltlmjS: ,ea:s!ter.~llIs1 '!11 ,oun '!11 ,a'l:o rI'!1I lO'"Jiith the

lm:nd! tb:!Itif y,(IIu '!>!I:o]);a ~gOl ;md! get ina cirCLe pH h,er,d,,,

;![Dd! Jll:Sit .kill ~(1(me:OllLe ,or cb:illmd!j!lM fbe:n '!>e"re

r,OIllr borl!" 4 .. ~{l. metl!~:i:Cl11J ahi& abClllhvm~ yUU Sitl!!! abClllt. y{ru

lmm,v tyr:irn] OCl11J~~ MI,iI atm.

'GARY'-WEILL ][ CAI);,I IHI 01);,1 ESlilLY' SAil"

liIHlAliWE. ARE. 1);,I0li lilHlE. WPKAILGARiI"-WE S:][I);,IG AB,QlllIli Al);,lliJB,HR BAI);,III)'. SAY'][NG "lilHlE MOREY'OIlll REVEREI);,III)' ]][M ]ONES~~

II)'R][I);,IK.,. lilHlE B,EliliERWIE SOIlllI);,lII)'" AI);,III)' snrr ILUU liIHlAli., ][ B,EUEVE][I);,I IHIAVII);,I G FIllII);,I, aur ][ ILUUWIHIE 1);,1 PEOPILE ACCEPli A FORM Of Y'!IJIouG!IJIoUa 1Il!lJlov'e bandsthatare 1HI0I);,IESliY', 1);,I0li fOOUI);,IG faiiithfulll.theiiir beiliiefs. Take liIHlEMSEILVES, UKE BUll E BAILILHtS:

ll.'" 'fi-S' k CI "illd f AI);,III)' SIllI CIHI., MY' II)'RIllI M M][I);,I G ]S SO

,., yillng 1I!:!IJIo ,:I:C.. .,n ,r,e". 0 II)UHRENli lilHlAli EVERY'BOHY',

Illns:tan!De... They ,don·t <glllVlea PEOPILE][I);,I lilHlIS liOWI);,I,. 1L00KAli ME fu eka bout p!IJIollliiitiiics: n!lJlo r r,elliiig iii!lJlo n AS SORli OF AI);,I][I);,I IEXP!ER][ IEI);,I CEI[»

a ndt heiiir s!ltra iiig ht up about iiit. II)'RIllI M M E.R.,WIHIEI);,I ]1);,1 liRlllIlilHl, I IHIAVE. Just ,S!eeG!IJIor,e ( ..•• ,siiinoer) ata B,HI);,I PlAiI":][I);,IG !FOR A ILOI);,IG HME.

:=:II,,' .. EVE.I);,I B,HORE lilHlESE fAGS WERE

1~'!llIcalll sh!lJlow scream lin 'g ouii BORN .. ][ AM AS: GOOII)' AS 'T'WANli

""11F**k Jesus'. Y,eah, iii!lt's harsh liO BE.. ANII)' Mil" BANII)' :ES CO OIL wnlHl but iiitt's funny Icomiiing fr'!llIm TI ANII)' MY' FANS ILIKIEH .. SOlilHllERE thiiis 'g uy.W.atdliiin ~the5!e Iguys TIES"

g riiin d out 0 n stalge ".iiis fu na 1115!!llI .• GOF9<- Hi9<1I\!¥, f1ls1, 1!Ji1l rllus:hlUII 'g, f.1I£;1, h'9<1I\!¥, Be sur,e. getttlus band fo l!Fuckiun" Mleta'II ..

your nex:t Bar Miiiltzva h

3 .. ~{l •.. wna. iis ~~. '~hru iis adm]]y tym!I!~(1 sid cll~M!etl!? i\nil ,'\;hy iil; H1ill:?

C:he:ck outthe:i~ Ii Ipia ge: ,B't

www .. lmysIPiBce:.co.lm/llyi~ng·GARY.-.lLliSCESFRH.II)OM .. N.o

t - k I!-'·l~~l· MAliliE.R IHIOW OILII)' Y'01lll ARE. ]IllISli A

I OSI~ C, C ~ III1 ~ u lie:n RIEASONAB,H FIL.oW OF li IHIO u GlHlli

AI);,III)' OP'][1);,I101);,lli1HlAli NOBOOY'

L le~s rtarl:~hi.il; ,!iffw:il:h~h~ bal~i~. who's woo ~l"I~h~ SIHIOIlllILII)' liAKE AWAY' fROMiI"OIlll •.

b;an,iI MId h~v ]01lil! yuu ~y~~ h~'im j;aJnml.m? N OlflHllN GES CR1UCAU ~ ~

John - >(iu:i:t!l:r

J,cil1o -10. my >Clpi:o:~(1(O. '!>edl!Ll'e l}il.tgtCl sick

cb:i:ld!l'en., I 03:n"t fb:ink,o:f wi1C1.b;!l.So:"t .b;m

a PIJO ble:mi:o. th"'r Hif~

wbere ~alm.eo:oe lied!

GARY'-S][N CE A PR1L.,.G.oli liO GE.liIHlE R y'OIllmd! ~a:i:d! it wa;s; B",Y' CIHIAN Cit... ~go:i:ng ,ta. bea:Lri:gbt

wben. it w~o:'t" LCI,cik

Gor,e- Gary 1IIIirV1es;aicross; t h,e .s,tr,eet fmmll!illJe at church, Tiley

and h,e's; a'!ltlia:ys .Iiammiiin'" v.liiith thlus; 'g IllY an,d plJe3.ch ![Dd! pr!).}' that

that 'g IllY and th'e¥"r,e a'I~IiI:Ys n,oo,diiin'g a 'ffii'e:rythio:g isgo[l.tg 'tCl

lJ1O'Ci1:II'iist, Gar}' ,can:e one rlli:g ht to the De ,o.k!l.Skmga;s;,

MI<J:J(Jmnlllls; 1iirtty bar wh,er,e III Viii,S; v,I\ockJiirl 'g at th,e Delie-re io.tb:i:s fLo!Lti:logl~+.'

1irm:e<l.rld we taJIk!e,d .a'bOiIl t IIiTm,e tryull 'g Oillt ,ad." B:llti:o.3du:!ilil}, ,.,,,,,,\,,,.,,,,,

s!un'g IUrl'g f,or tllrml ,<Iud Joh n, I~ we,nt t he next we' re .be:re!Lorl! we"re

,day.., I hat W,<lS ,ea~l~ 10 IliImtd AIPlirL J Ii) ,got lO'".liiith made 'tCl ~uffer" IIlIS Iii n Im'i:!1I AiIll'!1Il!Is1 after .ge,emn'g us; olpe,n ter Pun h,e,d." We"\!Ie hald a f'eJi!"J 01h,er IIiTm:eim'bers; as wellllll, bllt th,ey dltdn"1 wock: for V1alii'O!IIS; FeiI,Slons:. Ih,e IlliulI,e:IIIP we ha\!1e IIOW iUS;Sloil'td"

'G!I:rv - ili)im~ 'Gall'; - 'I,ilrn;

Gore- Mlost of us IPe:o:pll:e VIeFe

IbFOiIl '!iI ht IUIP k:rlovoIiiinga'bO!llIt God

":"-'''''-'':7''-~~:,;c::.~~~~~~~~~~~ ,arid 'go\!1ernlm.e,rlt C:h li:I:d Fe,n are

IPFOg m:mm:ed 10 Ibeil'te\!1es:hlirt ney ,are Illite!ll10." An ,d what ha:ilipe,ns t,o

J,o.l1o - '~e mast £<i:lIg!l.bOlllteO'e:rytb:i:ng that has b:r.!li:nw~bd people, oalr['upt~oo. In diiffe[lent thil.tgsmd! the wmo:gs '1b:!Ll peopLe d!CI 'tCl u~md! >!JItl1e:rs. Al~OIaDOIu:t p:mhLems witb. ,~is'~enoe""

'Gor,e- n,e Iliyliuca'll ,00n1e,nt v<l.lii:es fmml an1uITelllltglto rI to .utii~g OV19<mlilm:e,nt toutu-

,001llJ19< n1itonallllO'"oIiiisld,O!m" III wliite IIiTm:os1 of th,e IliyliiICS:, Itmt lO'"le ,a'ill haV1e Iii rllPU t as to what we want to IPII t 'OiU t th,eFe" III ha\!1e ha,d .sIO!m:9< II'iif,e 'eJ<Ipeliterl,Oes that haV1e II:eft Im:e \!1<1iCi1:rlt of a thr,esh,oil:d f,orth,e blllUls;hliit that runs; arid r'Uluns pe'o:P!I:e'''s; 1IIIirV1es:" IFuck: NI" i{oFe[J,,, IFlu,ck: J,e.SiUS:" IFuck: Ibmun rlllllm'blulI'g IliIlIed lum1uolI", .Sta:y,[J:w,[J:J!' froml the R" 111f"s; ,a'lIlllJilllllls:hliit." Wilkie t h,e f,u,ck:

IUIP. Ihat"s; 0111 r Im,es:s <llge "

m'Oolursle" w9<1I'lislO haV19<SIOrl'!1IS; ,1I'bOiUt tru\!iu<J'11 nonslensle II'uk!e h IllIlmians; ,dli:Plpe,d lun ill iJllllmi<l.n

I; IllaII,d ,e<l,ren arid falg,g,ot IPOSlers: that 'g,et Ipeo:P!l:e fiiiFe!1llulIs1,e[Jld ,ofthrov,liun,g ,down and oth,erSiudl nOIlSJenSle", !Breaks; IIIIP th,e IIiIm:OOIlOtO nJ!' of belfln'!1I 011'9< of t hosle ib[JII>ds; v.liiith <I: IliIlIes:sal!1l,e", !Bands II'iikie that '!1I'et IboIiUrI'!1I." Ca:llI.sle liin IIiImIY off tlrme:, Ili'iml ,!11 r'llI n k!er than shliit a.rI'd III h.a\!1e f1un .. 111 ,don"t s!iil amlln,d Ibli~chun,g a'bQllt ,godud ,goV1emlillle,nta'lll ,daj!', l!Fuck: that

J,o.l1o - I d!o:n't .1m0i'i> igo were 'Gall'e~:orl! 'G!I.ry~ell me 'togo hahaha

D!cm't yOUi jLliSIt: l,c''Ii''e a ban,dl thlOlJlt: gelt:s th;e CI'\Ci'l,'i,il1di m,c'vj n'? i1iak!e FULL O)HiliA:cr flc,r i nista nee, Wilth,lt.h;e1 r f <lislt: paoe Hanil!ocl'\efilihr<lish, i nHLI:enoedl rnusi e, yo 1.11 hav'e n,c, r'e<I!son 'ltIc, b,eslt:a n,d~ n,g still H,efie's a ,talk with, th;e ba n,di ab'c'L1llt:lt.h,e m,L1isicscen,e i n, Lal'\ed!o~ ,It.h;e1 rsplit: 'CD an,dl ,olt.h;er n,eedl-tio-knc:wli'i/ iltlems abc'L1It: FULL 'C'O'HiliACiIi

www~ rnyspace.corn Iful~lki()nta!ct

CM- So Uefs :s1talii ofl!' wiiltlh !the lLali'eoosc,em,e, wth,a1ts 1tIh,e best ,alilidl WCl~1t !palii 011' 1tIh,e scem,e, ,aliliV' baOOls to Ue1t !!JIS klilQiW ,aoo!!J1tl'

IIFII!JIILIL OOINnr!ACiIi- 'CUr scene dlovm Itrere its an ,a IbiJg oomebac k, We'~e lii.nlally havinJg ven:uestl~at. are l,eU.in~titte IUln,de~'glfaund scene Ih:ave sitlows ,all aver L~wo. FUawl,e:sli Vi'et.my, Dead AJ.bat.mss <lind Title Redl A1,ert ,are two Iba:ndt til1at. a~e m,akin:g ,a I.ot. otlln:oilSJe ,alii. OV~· Te;o:;ars.

CM- YO!!J"ve Ipilay'edl Victoni1a6t: IP1t. lLa¥,aca q!!Jiitte ,ill ibiilt, !how Ih,as 1tlho:~e !tOWliliS Ibeeml1t JiTea1tiililg ycl!!J1 g!!Jys'? IIFII!JIILIL OOiNlIA!CiIi- Baotlh tow,niS Ihave b'€lat.ed IUS g~'€Iat.! Wev.e m.ade so m,a:nry tl~i)Bn,dlst!hat. POrt Lavaca and Vi',ctmia its om home ,aw,ay 1imm nome, A!nry time ·tltley Ineed IUS to IPUay we In:evertihiiln:k twi,ce about it.

CM- ilieUI. IU> ,a'OOLJt. WMe olititte other Ipj,a,ce.s yau've Ipl,ayed, yau went out. recenlU'.y (,ailS wlttenl IPul~.isittedl) ,aln:dI touredl witlh Gr,ave Rllblbe~, Itlow has the ~oad e};!pe~i)Bn(e?

IIFII!JIILIL OOINnr!A'CiIi- Tlhits yearts earst. coast tour wars good. We had lhi~h ,a:n:d llow lpoinlt.stihits year Ibut tihat's ID1pectedi an taur. We gm: to Iplay dt.i6 Wflve In:ever Ibeen tlh~ou~~ ,a:n:dI wenlt. ba,c k to some st.1l\piS Wflve m,ade in titre ]past. All. in ,am iit. w,as ,a:n inlt.~-est.in:g ID1pe~i'!;m.,ce tlhits year.

CM- Ge1t1tiimg !to1t!he bamidl ii1t~e~ll, wth:o's woo ,alilidl Ih:ow lomg ycl!!J1 beelill !toge1tlh:erc?

IIFII!JIILIL OOiNlIA'CiIi .- Om cmrenlt. line I~p caniliist, otl Bo~ie ani voc,ails, Rlen:e Banaz,a ani ~uiit,ar, Hledorr Ilb~l<l anr ~uiita~; [ka:nnry La:urel. ani Iba&s, ,a:nrd Leo :5]~'v<l ani dlmms. We jlust cell€lbr,ated our 1 I] yearr ,a:nnffwersa~ytihits Ip.arst [!<e,celirlber.

CM ilieU !!JIS ,aoCl!!J.1t Y'Cl!!Jr ,dniscogll<lpmy, yo!!Jl Ih,a¥e ,[lS!pUi1t ICIi) wiiltlh, lHIeaJi'1Dli'ealk Kiidl ,alilidl ,ill few <dielnno:!O. \!'!i1he1il1 wiiU Iil:ew Imill!teniia~

pg.22

be Ji1eadV!'

IIFII!JIILIL OOINnr!ACiIi- Y-es we lt1ave ,a s:pliiit on (J,wunrd! NJ Paun.dI Records wiltlh H'eartloceak IKi:dI tmm Germalnl{ tlha't. came aut. inl2flQ7. Oun;ew liiu~1 lenlgtlh its ItlolPeliiuH'y mMin~ aut. Iby tlhe end atl tlhits yea~; We ,are ,ailso wo~'kin~ anr In'ew m,at.e~iial lim' ,a:nr ll.\pcom]lnlg EP li'Of next )lBar.

CM·- lHIow did S1tiillooml ~eoClli'd5 get wiilOl ,at yCl!!JI RMi' 1t1h:e ,coon:p'.? \!VIh,a1t <It>o!!J1t Gli'o!!J 001 Iill IPo!!J 1Ol?

IIFII!JIILIL OOINnr!ACiIi- J\alIlleY J!acsta tlram H'at.€lb~'€'€Id messaged IUS irti we wa:nlted to get. an title cOlll'\pil,at.ian ,atlter we had giwenr IhiM our ,demo <I ye~' ea~li:er. Groun.d NI FliJuln:d its <I

small! inld€1penrdenlt. I,albe! tlram

Houstnn tJh:a't. reliBars.ed Grave

Rlltlberts Hell To Ray and ere ~eII.ear!;in:g 'lIP (Ollllinig Iba:n,dls 1imM ,aUI ov~' Texas.

CM- lIFo r 1t1h:CI:~ 1tIh,ilI1t whaV',emi'1t iheali'dl ,oil Y'Cl!!J1 g!!J'V5 dese ni'be ycl!!Jr ~!!J ii1d\l:s1tyUe.

IIFII!JIILIL OOiNlIA!CiIi We mix ev~ytlhinlg tlmM deatlh and thrash metal to speed met,a] ,a:n:dI IhardCo~e. You c,a:nr Itlear our otl om inrtituen(es in eve~ san:g we IPIUt. out.

CM 1HI,0iW Ih,as 1t1h:e 'eoom:armrlic ~iilt!!JI[l1tiiolill ,e1l1lec1t ycl!!J1 g!!JV5 ,as ,ill bamidl ,alil'd\l'Qtj' Ipeli':~lillan'y!'

IIFII!JIILIL OOitNrr!A'CiIi- it real~ Ih:ars;nrt.lhit. IUS tlt1at. Ihard!. Our ciity jlust recenlU'y Ih1Ld tltte I.owe.st IUn.emlPllJymenit r,ate inl ,a lit:mlg tiMe. It. keelp5 gmwin:g ev~y ye~ ,a:n:dl jabs ,a~e lbein'g ue.at.edl ,all me~. We saw ilt. lhiit. hard! inr our eaest. coast. tou~ we jlust ,dlid. We k€1pt talkin:g to lpe1J\pl.e ,a't our sitlows ani Itlowtitte)"ve I.ost.titteir jabs ,a:n:d Itlow 11's gettin-g !harder to liinld ,a new an:e.s. We wisih alii. title lbest. otl Ilue k t.o eve~yan:e e1ili'€lcted Ibytlrnts.

CM- li)ea~iimg wiiltlh 1t1il:es1ta!te ,oil 1t1h,e US ,aOOI 1t1h,e worUdl, Iil:ow do ycl!!J1 !iee 1tlhiililgs s:Ih,a;p<i'lilg !liP' iilill 1t1h.e 1il,e.J(1t f,ew ye.aiiS!'

IIFII!JIILIL OOiNIIACiIi- it.'s goin:g to lbe ,a \'lihiil.e lbe1imetlhinlgs get Iba(k to In.mm,aIi ,amuln,d Itle~-e. Tltte ecan.omi'(

c~itsits Ih:ars not an ~ lhit IUS Ibut. iit's e1ili'€'Cts Ih:acs lbeelnr li-eUt ,allover title wo~ldI. We've seen iit. wiltlh our In:eii§ttoolf's inr Mexi:oo \'littere tilte peso keeps goin~ up, Hqpe1iul~'y tn title next ooulpli.e ali yea~ tlrn.nJgS will si~a;pe 'lIP ,a:ndtihiilflgs wil~. get gilin~ ,ag1L]lnl. Our InlaHanl canrt. make iit. ,a:nry WOIf':Se than iit ,alreadl~' its. O1r can it?

CM·- IL iiviililg on 1tlhe lboarolerm MeJ<:.i]oo, Iil,QiW ,db y'Cl!!JI~ee 1t!he !Oiilt!!Jl[L1ti1oml wiiltlil, lkiidlilla;p,piililg!O, IrTIlI!!J Ji1ders, ete, de.a[iililg wiiltlil, 1t1h:e dlr!!Jg ~alilg~ li)o YCl!!J1 ree~ 1t1h:e II!JIS lac Iks iilill ,ooa[iililg wiiltlh,~!!Jclil, IPJi1o!o~ms'?

IIFII!JIILIL OOiNiiACiIi- Our 'guiilar Ipl,ayer He.ctar libarr,a U.iwe.s inr N~uevo Laredo. Ever since he joinredltlhe Iba:n:d we !have been IPUayin:g ,a !.ot. IMO re sittOW5 in Mexi·co. Hie k€1Pt. telll.in:g IUS· Clanlt. lbe~'[-eve \'li~at. )uLfv:e read inr the papers," Irs Ih:ard to i'gn;ore title IllledJila Itle~e e.5ipeciI1lU~ \'<itlenl iit.'s on limnlt pege ,a!ltltle ttme, A I,ot otl Laredoila:nts <lrre <l1ir<li'd to cross mtn lIl,exi'co at. Inff~ht and a ll[)t o1itittem say ll's salie. Title viulien(e ,a:nd kiid'n!a;~pinlgs Ih:ave !ha;~pelned. Wltto ,a~e tittey caMmiittinlgtJtl6e ,a'tmcit.i-e.s too ilS some \'lihat otl ,a d€lbate here, lIl.o:st. lPf'1l\ple say it.'s IP€I1l\plie inwcl'ved <md 'Iffy li-ew say otlh:e~'WilSJe. The an~'y w,ay title U1.:5. will. get inwo~'vedl ilS \'litten saMetlhinlg m,aj ar ~'€Ia~~.y !ha;~pelnl5 an o~ siide. Tltte viuli.en,ce its tltt~e. Wltlo ,~e tltte~' ta~'gain:g? Is ilt sali-e? We m,ay Inever know.

CM- lHIow '00 y'Cl!!J~ee 1t1h:e iifil,!terme1t lh:eJPiililgflhiililidleniililg ,[I baOOI !O!!Jclh, ,CiS yo!!J r.~~ll iilill ;ge1t1tiililg ycl!!Jr 1rTIlI!!JI~ilc 'Cl!!J.1t!'

IIFII!JIILIL OOINnr!AICiIi- Titre inlt€1f1net Ihars Ittel;ped IUS get ou~· mIUilii'( ,a:nd In!alMe aut tltte~e. It Ihas giwen ,a wide ~nlge ,a:udlielflce tlram ,allover tltte w~ldI. At tltte sa:Me tiMe wl1lh IMOd:e~in t.eclh:noliogy a:ny Ibaln,d ,can reoord witlh ,a <OOlll'\plUt.er. Beca:use 01i tlhilS yau c,a:n g€t. lost. out.tittere witlh tloolus:a:n~ 'llpani tltlousa:n:dls otl Iba:n:dls caMin:g out. eve~yd1ay.

CM·- lif 1t !heli'e was 1t1h:e !!J.l1tima1te s:1how, !to!!JlI', 'iT,es1tii¥,al !to play wlhatl wthoiwiiltlh, 'Wfh:am WO!!J ldl iilt lbe?

IIFII!JIILIL OONIIACiIi- .A!nry met,a! li-estirv,aIi

113. Amy li'eoem1t lrTIl;elmtoll',;:bUe S:1il:0iWS 1tIil,a1t :s1tiick 'Cl!!JH

IIFII!JIILIL OONrr!ACiIi- Om 10 yeM ,a:n:nffwe~a~ sit'taw w,ars iilnt.en6e. We Ihad ,a llat. IpeGlpje come daw,n limm ,alii ov~' Texas ,a:n.dI aut. otl stat.e. Beer ,a:n.dI sweat. ever,rv.ihere.

CIRM- 'I,!'!{lh,a1t do VCl!!J1 1tlhiilillkm 1tlhe ¥,aoo!!J1S ~elilJi1es ,m lh,anlboJi1e 0!!J1t 1tlMeli'e ~mte1talCOIl'e, IPOiP' IP!!J Iilk, ~1traiiglh,1ted!ge, Clilliii!01tii,alill5iOeme, etc?} \!VIh,a1t ,aoo!!Jt 1t!he !!JlilidletrgliTO!!J 001 ~eme iilill g8'1il:E!:II',aU?

IIFII!JIILIL OOiNlIA'CiIi- To IUS iit~ ,all lUn.de~oun,dI mlusic. You can Ibreak it. inlto dJiiili-erenlt. c,at.egmies ,a:ndl t!hmw eve~y !name inthe ,dli:dil[ma~y Ibut. iit.'s ,all title same, A11.tJtle.s.e ,cat.egooi-e.s are ~eallly d;oiiln'g its dliMdlin'g title scene. It sitloul,d'nrt. Ibe tihat. way.

CM- Back to yo!!Jr 1rTIlI!!Jlsiic, !teU !!JIS ,ilbii1t ,ilbo!!J.1t 1tlhe Uyliit,a~c,om1tem.1t!' IIFII!JIILIL OOINnr!ACiIi- Our Iyn'es a~-e mainl~Y IP~51ln:al experiences ,a:nd ve~y li-ew socilail. is'S!ue5. We tr,' to lalk about both siide; our I.iwes.

CM \!VIh,a1t~omg (lrTIlI!!Jsiic wii~e/lYliiic wiSe} WO!!J Udl ycl!!J say ,de1Tiilil:e.s wtho ,alilidl 'Wfh,a1t IIF!!JU Gcm1tac1t iis ,ilbo!!J1t!'

IIFII!JIILIL iQOINnr!A'CiIi Ven'ge.a:n.,ce

U:n'oolUn:di sa'ys iit all.

CIRM- WIha1t does 1t1il:e f!!J1t!!J Ji1e IhoUdl tm IIF!!J I I OOIil.1tacH

IIFII!JIILIL OOiNlIA'CiIi- We Ipl"m to ~elie.arse Olur liiul~. I,en'gtlh ([I ,a:n:dI work ani getting Iba'ck inlt.otitte studlio to ~elie.arse ani EP In:ext yeM. We ,are ,a'ilso goin:g to lbe ~e ~€'Cm,dlin:g our liii~t delMO we dJild 1 (I yea:rts ,ago. PIlUS IPut tlhmw inl ,a cmer toO Ibe ~elie.arsed vilnl{l Inext. ye~. A.Jt:o we will. lbe Ipl,al"in-g ,alii overr Texars limm tilte Ip.a:n Ih:a:n:dllie to tltte v,alil.ey ,a:nd limm EI. F\'aoo to H!tJustanl.

CM·- Amy 1fiilillal worols'?

IIFII!JIILIL OOiNiiACiIi- Tlha:nk )UU so muclh to eve~an:e in Victooila ,a:n,di POrt. Lav.a,c,a wtlo have caMe out. to o~' sitlows ,a:nd Ihave sitlowed IUS Sl.II~port. since dlay an;e. We will. :s.:ee you "gillY'S ve~ soon.

iIi found thiis band one day whiille triip'piing through 5Io,rn,e MySp,ae,e paqes, ifriip'piingii,sa n

u nderstate nile ntwhen Il'iisfiing to, t hls extreme M'etall band wiith pls;ydle,delliie U nderton es, HMif briings toqether nllUsii,e for the miind and ,50ull ••• iin ,a raeta II ,sort of w,ay. iii w,as able to, ,s:lm:ot ,5Io'rn'e 'que.stiio:l1sli)lver to the band dea Iliingwiith

ha I1I1 uei noge niies~ spiiriitua II '!iJo:l151eiiousneS:.5~a nd m uslc, ca n't fl!u'get the Ell us:iie!!!

the emer'gence ,a rid evol uti an of the transoendental object 'lIJhich ,a'M3it~ us et the en ddt i me lead i ng to the tra nscenrienee 1011' rna n to 'g ad.

'CRMI- NIoW, telll us ,a bnt ,abo.utt yo.UIi toUIi :song demo. tthatt':s

ava ilia bl'e floli fli'eie dlownlioad '?' Itt w,a:s lrIelieased Ilate I a:stt yea Ii liightt?' I:s ttheli'ei Wo.lik Ional'll\flthill1g new 'CJo.l11 ill1 g up'?'

DNIT- !Ri'ght now we are lMOIriking iQIn ne'M music f,"OIr our upcorning elburn a nd a re c~ea rchi ng for .a record

deal ... until then 'Me 'Mill oonti nue to open fOIl" tiQIuring bands and pl,ay some r,eg i ona I shows. We have 4i sOin gs, eng i neered by rnern bess Miik,e Sarikis1Gn arid Tornrnv [le,ciker iQIf the band Spine~~hank in 2,00:8, currentlv up iQIn iQIur rnvspace pa'ge and available for free ,downIOlad •..

eRMI- Lett':s 'g,ett tthe ba:siCJs Ioutt 'of tthe w,ay 1filIiStt:." who.'s who. iln nMIT ,a nd ho.W lio.n g has tthe ba nd been tt,o·gettheli'?

DMIT- IDMT w,as born on M,arch 1011' 2.0:0:9' after many y,eam 1011' auditions to find the ri,g~t singer arid dru rnrner, Stane,d by the VISI an broth em AI ista r V a n d [lave V, they ,00l1l,abOlllQted musically to come up with .a c~OIU rtd ,a rtd idea to set t hem a part from typical nelwer ,gene~.atian 1011' metal bands. A c~OIU rtd i nfl ueneed by a ltered states IQiI'

coneci ousne~S's,with the 'e'ne'r'g ies cha n neled from the realm 1011' the ,gods ,&, ,goddess themselves, Which lead te the collaboratien 1011' Jamie !Rubel iQIn vocals to', lead the drive. the ne'M evolution and par.a,digm 1011' music ,& hu rna n existence. N i,ck Su q uett j ali ned Ion drums to drive the force into motion and add the final dimension to iQIur seund ...

eRMI- Nlow Ion YIoUIi Miy Spa'Ge pag'e you mentti:oned you Ii UiSe: 'of' psydl,o.tlio.P,i:cs ,a:s wdll ,a:s ,asttli,all p,m'}ectti:o.l1 in ,rneattill1 g you Ii musi:c. Hlow ,U I!d you :say tthose ttWo., ,a:s w,elill ,as

, l11,eal1l5 'of 'ita p,pill1 g into. tthatt unii\fersall,el1,eIi"gY/' iis bel1,e1fiidallfloli tthe humlan psydl,e iln ,rneattill1g Iol1e'iS .own li'eialliltty'?

UNIT- 'We ce n iQInly spea ik ,of ou r @Mn

, end those taught by shernanic

masters such as Terence MclKjenna .We ,ea n honestlv say that it has opened the doers IQiI' peroeptian pr,eviOlusly unkno'".',1n to have

, . On oe t hese ,da'Olrs were operi,

mag ice I rnvst ice I wiQIrlds a nd experien oes have u nfolded revea ling i nlSig hts ,a n d

. ',., reness '0'11' cosrn ic existence, provid i ng mfluenoe and passion in our music ,and life, Na,oo:dy can teech y,o:u the

, ' natu re 1011' rea I ity. It is eornethi n'g you must experience for vourself, Fior us it is not matter 1011' sea rchi ng flOr t he truth, but

, 'ng the truth. We w,ant everyiQIn:e to do IQilMn ~~~earoh .and r,ead the repOirts iQIf o:c:tom, scientists, shama ns ,and Iother

. ur,e~'s '0'11' the mind. ~ea,d the !reports

DMIT- After y,eam ,of ~~~earoh, se,lf myshcal ,experienoes, ,and the ucse ,ail'

rdl'ec:tian ,and the uc~e '0'11' 'enthe'a'g'e'n.i,c :CRMI- NIoW" mOISt pieo.P;lie: lrlealiliv dlon'tt hallucina'gen.ic pl,an.ts .and chemicals. The~e

ha II U'CI n a'g'e'ns, with the h el p '0'11' AI ista r's li'eillafe heavy ,eocitlrleme l11usk wilth is ,a n ,a bu nda noe of i n.f,"OIrma ti OIn w,a iti ng tOi

spirritu.al pr,adio6 of shaman.ism, we f,eel ISpiliiittuall 'CCo.l1iso:ousne:ss Ioli human be tappe,d into iQIn. Gaa,gle, 'r\a,uTube ,and

DMT :ca.n. pacs:sibly be ,a ,g,ate'M,ay to par,allel ,aw,alrleness ,and tthelrle ,alrle ,a hal1dful .of other webcsite~s. We .aL~o have c~OIme

d I men,SI OIn,s ,a nd ,a Iter,e,d s-tate~s oil' ba I1drS lout tthell'e tthatt ,alrle: dloiln g just i n.f,"OIrmati OIn pacs-te,d iQIn. the ucse '0'11' ID MT on.

00' n'~cl' ~u ~n IDMT ' h ' I h' h tthatt:., brid g ill1 g tthe 'g, a p, b-+·'", eell,' ml"C'I-','C r website@m",s"'a,oe.oa.,lm'!,d, m' tV'I'''~I' a· ,In,. It

',I '" U' c~ ,e~S's. ' IS ,a ,c emlG3 w ,IC, is ""~ ... ' ~ , I-' -~

prod u oed in. our br.ai n in. the pi n ea I 'g I,a nd , ,a nd ISp,illiilttua Ilil1ty. Ho'w iiS [Ii MT ,cli'eiatting is ,a very pOiw·e~u I chem ioa I ,a nd shOlu I,d nat

which IS ,assa'ci,ated wi th the 3rd eye in. ,aw,a lrIelleSSflo1i ttheilli Iliis'ltenelis'?' be use,d for recr,eat i on. odOir the brag g i ng

,e~~a,teric ~,Ii'gion,s. Scienoe has proven., with [liMIT- Macst pe'OIple, f,e,eA that they ,are livin.'g nghts to cI.aim lone has dOine it. It shalul,d be

the help oil' Dr. !Rick Str,acs<~,an .and his their :own. visian of r,e,ality, but what ics r,e,ally . Ike'nwith ~N'e~'noe ,and with ,a cshaman.i,c

r'e-ge,a rch and d a'cu m entat i an ,ail' experien oes ha ppen.1 ng IS that t he~e ,a re ,ar,chetyp.e~s that Int,e'n.t, u nde'r the' 'g u ida n oe ,of ,a csha ma n i,c

I n. hiS ba oik DMT: The S pi rit Mol e,cu I e, th at ,a re pu II i ng pe~alple to ,oena i n ,d i r,ecti OInlS. We 11",,,<,",,"'h.,,,-

DMT is pr'a d u oe~d at bi rt h, d e,ath and d u ri n g f,e,el that ,a new ,a rchetype is bei ng bOirn.

nea r ,deat h e:xperi en oes. It is a Iso bel ielled throug h ,extreme fOirms oil' m us i:c ,and - Nlow lone .of' YOUIi bl'o grS you had ,a

to be pmduoe,d during !REM sl,e,ep ,and is the ener'gy, ,a mU8i,c dir,e,c:te,d to ,a specific . I' I ia ,enbv tthat ,cco.\feli'eid

~SOlU me '0'11' yiQIu r vivi,d ,d rea ms ,a nd advent u r,es ta r'get,e,d ,aud lenoe r,ea,dy to hea r the " I1csCJendenlE tthlrlo.ug h lta riious

In. dreaml,and. DMT is .aL~o uc~ed by shaman,s me.S'sage from the other, which is w,aiting tOi Ii'eilli'gio:l1is ,and rSpilliilttual p,atths'?' lFilllStt:.,

in. ,a pl,ant b~,w mll,e,d ,ay.ahu.asoa. This is ,a e~ne~,ge. lS.ands lilke Soulfly, "j";oOlI!Pe~;ect I YIoU l11entti'o.n ,abo.utt YOUIi .own

'OOim bi nati an of ,a pl,a nt ,a nd vi ne. On e 0 rcle, Serj T:a nba n .a nd ot hem .a re ta ppi ng , I;, ! II vi:ew'?' Semnd, W hatt ,a II'e: yo.UIi

,oanta i n.i ng IDMT, ,a nd th e ,ather ,a n. MAO Into thiS ,a Iter,e,d state of ,oo:n,~ci OIusne~S's ,a nd :, h11s loll tt he v,alii:ous

i nhi b itm Ha rm i ne!H.arma line. With this pa IIQ lIel eXls1enoe ,a np.d JI.ivZ' i3ng the me~s<sa.ge' ~ '''''''';.,.;i,'h;! 1l/lrIeli:g i:ous patths lout tthelrle'?

:::I UNIT-We, f,e,eA sha ma nism, the Iolde~s1

one can undelrtalkle a voyage deep into the eu bconsci OIUS mind a nd pa ra llel wiQIrlds, VISI~In,g .a ncient teechers, epi rits, 'g ods, deities, .a n d .a cest '0'11' assorted oreetu res bevon d eu II I{IJ i I dest i ma'Q i nati ones. IDMT the band is here to, ereate ,aw,areness of this pa IIQ llel d i rnensi an en d he I p th e wiQlrld shift into this new pa rad i,g rn of eeestenee .•.

:CRMI- Fo.li tthose un'lfamiilliiali wiitth YIoU ba I1d ho.W wloul!d you de:scritbe YOUIi mIUisic'?'

nMIT- A brutal blasti ng force ,and explosion 'ail' metal end 'e'ner,QY inrlueneed bvaltered s-tates of consci ousness ••• ,a n experience that must be felt as weAl as heard, with ,a me~S'sage from the, et her wiQIrl,ds a n d i nsig hts

:CRMI- NIoW, frhe name OMIT, floli ttho,se Into the future state of ,oon,scialusne~s<s arid

tthatt dlon'tt kno.w iiS Oill11etthrylitlr!{p'ltamilne. human. existence, OJlmbin.ing priQIphe,c:v from ,a psvchedelli:c ha 1lllu:cilno g:eni:c d liug. 'Gii,\fe the ,a ncient pest ,as well ,as messag'ecs

IoUIi lrleadell'S ,a biltt .of i'nflo deallill1 g wiltt h 'g.ather'e,d hom experien ees wh i le iQIn. DMT tthatt ,as welill ,arS ho.W did tthe name ,m,me IPsiI a'c:ybi n MushroOlms, LSD, Salvi.a '

ttlo beYlouli band name'?'I Ili'I~e ho.W you Divinmum, Peyote ,and other sacr,e,d

used .. Oilmel1isi:o.na II MI uisi:c Th,eW<l py" ,as chem i'oa Is! pl,a nts sa ncti 0 Ile,d by ov'e~

wellll.li 0 Or, 00 Or years of sha ma n.ic USie.

T'he

T'ex.as

This issue 'W',e are feafuri nga ~e'W' Texans thai ~no'W' ho'W' to represent their scenes in one torm or anothe L. Illf you Elfie representi ngT,exas Roc~., Meta II.,

Hardcore, Punk, etc and you 'W'anna be Ilisted in a future issue alill you have 101

do is hit us up, and telill us whats ,going on.

Bativ,e Bois,e T',e.xas

:www .. [.Lat.ive-noise .. net.

Here's a. 'glr,e,Cllt ~ o>d~cClls;tJ radi 0>

~mlg ram ~eat IUlr~ ngl a va r~ety Df Texas MeEClI.l1 bCll.rlldis thE'll.fs r,elle:asBd! each week. Each ep~sode dDck~rllg

~ IIlI around SO m~ IIlIS, ~mrv~di IIllgl mus~ c and! some ~lilIfD on ~rCllndis ~eatmed. lh,e mCll~or~ty of ~ClIndls ~eatmed are ~1Il1 tn:e MeEClI.l1 g:ene W~U'l1 some MeEClI.~cme, BeaU'll Meta~, arid Dth:er s~m~llm ad: ~e~rilgl repleSeril~ed. Hosted ~iy Ryan DClIni,ells, Na.t~ve,. NOI~Sie is a r,ealilly 'glf,eat ~'IIClioe to cn:eck DUt Texas ~Hnds. At th,e~ r w'e:~!s~~e, www. nCll.t~ ve:- nDilse. ri:et, YD lUI CClI.1Il1 Ims~e n to ~HS~ ~OdCClls:ts, c h:eck out ~Hnd! ~~cs, and chl,ecl\ Dut UI,e Bod~SqlIUIClIdI, whil chi ~e:a.tmedl some 'glr,e,Cll.t IIOOk~lIlrgl modells from around Texas.

n MIT ·!Contt ..•..• pg.24

F,e'Cll.tur~ rilgl H.l111 t h~ rilglS MeEClI.l1 and 21.1111 thillillgiS Texas, LD ri:e, Stm Me,tall

Ma'glClJz~rJlre is an Dnll~ ne w,ehzilll:e The Edge MagICllz~lIl:e has ~een a

~eatu ri rilg ~ n~erv~ews, reviews, ~mt Df th:e Texas rn IUIS~ c see lIl:e fm

conoert r,evi,ews arid more from H.llongl nrne IilIOW. The Edg:e ~eE'lltmes

~Hndis mCll.~lilIlly ilril and! mDlUlrildilexas mlUls~c fmm ~1Il1 arid arourid th:e

as w,ellllClis a~~t from DUEsildie t h:e wmIJd!, ~ nclllUldm rilgl ~ n~e,N~ews wilt hi

'glreCliI s~ClI.~e. Tbe SepUlOd ~sslU:e IIDCClI.l1 Hndl nCllt~onCll.l1 ads. Also

~eatmes WnHIIIN .. CHAOS, . . ~lilIcllud~ngl music. ShDW DVD

EUMEHIIA, VOUGAN, WELLBORN r,ev~,ews Hndl ,e~e,rythl~~gl YDlUi'di fiirild ROAD and! BIILL HALE. Eachl ~sslU:e, ~1Il1 a reg~lllm mCll!gCllz~ri:e,. D~s~r~~'med

comes 01 ut ~'~-month~y. Check Dm fr,ee ~ n AlUls~~ n S sn Anto ni 01 and!

th:e wret~ls~te H.t . ~ oi nEs ii n ~ e~,e.e,n th:e Edg:e COfVie rs

www.IIDri:esEmmet.ClI.llmCllglaJzlllll:e.cDm ,e'\le,~ythilngl YDIUI need to knDw Dn a andl th,e~r MySpHoe pH.g:eCll.t modh~y basis. Gh:eck th:em DUt at

www . ft h2BG g'e!mCll!(JClIz~ rile,. COim arid 'WWW.mryspace,comft::.;'Jedgema:galZine

:Lone Star' .Metal E-' .Maga.zine

_w .. 10I'!l.e s ta.rm.eta.Lrn,ag.a:2 Lne, Clom

rei i'g i Ornr Ikn ownr to rna n, holds the lkJey to sormethi nr·g not onrly stra nger the nr'llJe suppose, but str.ang·e~ than ",'.re aN suppoee. All reli'giarns touch onr the truth,

bu t have .a d istorted peroepti on a ttached to t hem 'With th ei r Oiwnr IJU les .a nd byl.aIMs. It is up to the individual to decide 'IMhat or who they wOlJship. We wonr't judge others or denounce them their right to warrship the

.g o,df.g o,dde~~s ('s) of thei r choice, Everyon e a nd ev.e~h i ng is i ntereormeeted to each

ot her by a n i rwisi ble field/force which influences us all beyond conscious

r·e'oo'g nriti am. 'We ·a re ·a n i nrfi rute

coneci ousness tern poreri Iy cast d Oiwnr i n this rneterial realm tar learn the lessons req u i red to adva nee ou IJ level ,of consciousness ... We choose not to follOiw.a path, but create our ownr path arid leave a trail tor follOiw.

~he Edge .Magaz,.ine .WWW •. t.beedgemag.a:zine .. coIlil(/

.aboutt you!!" l¥!!"icall.conitentt'?·Whatt itopi·cs do you 'gury:5 :Sill1g .aboutI'?·

D MIT- Ou r csorngs tor uch onr vari OrUS eu bjects such as the internal battle of 'goo,d ViS. egol evi I i n Betr.ay;a I of Oreati am .a nd N·e,oe~ssary Evil, the treneoendent nature of reelitv in Tranecendenee, the .Qarming pa~·digm shift

i n 2.01:li 2. i n ou r 8Ornr·g The Ameri·ca n

Evol ut i am .a rid csarng 1l3,'lIJe .aLso to uch onr deeth .a nd I ocsi n g .a 10001·e,d one i nr cSOrngs such .as Inr Go,d',s Ha rids end (still unnamed Song ]7) ...

'e R MI- MI·entti:on :5OH1.e 'o,tT tthe :511.0'""":5 you 'gUryS have pl'ayed arrd .al1ry1thilng rnernoea bl'e .a boutt .a I1rY otT tthemr'?'

nMIT- Every shOll\!" is memorable in its Oiwnr right. We are eonstentlv rneeti ng new peoplewhn resonatewit h ou r music .a nd rnessa ge, .a rid IMe I Gorlk fOPAI".a rd tor the rna nil' adventu res tha t I.ay before use i nr thisiMOrJ.d a nd beyond ...

CDming out off San AntoniiD comes ,a come find U8 ". 'We also pod,ed

band tthat h,a:stthis TOOL insp,ilre.d reellltD thealburn IOn iTUNESf:or funs: tth.eml yet willth.a :slli'ghlltl¥ .edgi.el',. heaviell' iQ!utsideSanAntonio.

:sDund. On Ilist.enill1g to the tI'.aclils ·o,ft·

ttheiil' Miy:Sp'aGe pg www. m'l!!Spa~.'ooml 'CRMI- NDW, ,ali"e you ,gUiYS iinneI'V,oid- youget ,a f'eell f:ol' tthat wDll't!l:i'ng on new materia II p,SV'chedelli'c miind tl'i'p' iinfteriwiined wiith nDw,.'giMe us infu· on that'?·

50ft ,a I1.d hal'sh va ca lis thli"Oug hout. ¥e8, we areworki ng ,an new

Mlusi:c ta Ilre;s; the Iliisrenel' on ,a riid,e rnetena I. Our col d vocalist Andy

,combiiniing Ili'g hltell' ItDnes ,a I1d bl'iing iin 9 iin Hores had. ,a d iff:e .. ent ,oo'n cept

tth h .', ..,..~' I" .",,' .. ,. ' , ,on ,o,ur new stuff ,and '!t\f€mt

.eeaVl.e.1' p. al'tts lin .• ,01' ,c a 1'11".:catlo,n. I .. 00' t h' -..... -, . ..JI.

h tt ,., .. ,a . u IS cown 'w,ay. We PI'l.l:",ed

5 .00' OV'eII' som.e 'q uestl:Dns to tth.e ba nd . J'" 'h' .' ct II' . b ht

bo . th . .. .. up .. 11M ° ,a' u,a y mug

,<'I utt t elll' mUSI:e, ~h.e :5C,e~e in S.A. something different that our I ,

And 'o,tthel' need Ito' kno'w tthlll1gs.......... vocalist 'w,asn't able to do, A lot

iQIff:eelings, 'emotions, arrd CRMI .- HliSt, I have to say I Ilik.e tile name hatred is rea Ily beeorn i ng ·a bi g

of the band, INNIERViOiID. How did the factor in what we.alffi clffiating

name ,come ,a bout ,and how does iit fHt i"n now. If you lil!<;e what you hear

wiitth the music you 'gUl'{:S pllay. nO'IM, then you 'IMII ,definitely

'Well Aar,;on was ~tting onthis name for .allMhile. en~o¥ the new mate .. ial. studiOi

'We tri ed thi nkin g of different na rnes but th at date isn't even a factor to us

one just studk 'with us. It seemed night ri'ght now, HOWEVER, 'IN,e, will

beea use 'we havea lot of persona I thi n gs 'g oi n g I!<;eep everyone inf:ormed ·as

on in IOU r I iv'e8 an d it's just a eorista nt cycle ,soon as it is.

th at just won't leave, Our m usic is pr,etty much the same way. 'We put our personal prochl ems i nto ou r music but try to creete it in artistic ways.

'CRMI ,- N ow ,a boutt the tti,ttI'e "'WHth H.are 'Co·mes Sa I'an~", Itt :seems you'guiy5 were 'goilng foil' that yi'n-y.ang

'CRMI ,- Aboutt YOUI' music" f:ol' tthose who'v,e conoept of noft having one neJU"eII' heali'\d of you ,gu~, how w'ou I!d YOU w'i'tthout the otthell'.

desonbe iitt?' 'rIou prettv much nailed it.

Well f;or sta rters, it is oamplex tn try to put us When there's ,a beg i nni n g, there is ,a n erd, If

Into a eertsi n ,genr,e. We Ii If.re to ,eocpeni ment you ,a ctua Ily I isten to the 'INh ode al bum non-

with d ifferent tvpes of m usi c styi'e8 .. ~ have stop, you wi II notice th at 'llIJIe put the storrn

people that tell us we so,und Ii If.re lDOL, before the eel m. Hate = Bal,a nee,

Mu.cI\li3Yn.e, pretty rnucha lot of ,different

ban ds that kin d of freak us out too whel!'e we . are like, "reali'll"??? So basically lilf.re we .alw.ays say, "'rIou tell us 'INh:at you think'"

'CRMI ,-who':s who iln the band .and how lo·ng has tthis Iliine up, been ,ali"O·und?· whatt happened to YO·UI' ok:! singell'?'

Aaron Caoo _. ,guitar

M.arti n Gu:zm,an -, bass

Michael Herrera _ . drums/percussion J P Guti,em~z -, va ca Is

The band itself beg.an ebout 4 y'eall'S .a·go 'IMth it's 'o'rig i na I I ine-u p, sinoe then 'IMe sa'w the deperture of our IOI-d bassist, Adam, arid added M,artin to the mix about ,a year 1/2,a·go. r-1,artin has added ,a lot ofoomplexity in lOur writing 'which is 'INhat 'INe "M,e .. e looking for. JP joined the ,gliiQIUP bad!< in rebru.any of 2009' and

needless to say, fit right in. We have the 'CRMI- NQcw. ,comiing ,outt ,oiTSan Armonio·.

mixture ofthe right ingr.edients. The old ~nger ttheli'e seems to be ,a P'Ii'e1ify ,god mdall han estly ,oou I d n at be tmsted. We tri ed tel put 5rel1e tthe~ ,an¥ ba nds we: 5h ouk:! he up with it a,s much ,as possi bl e but it was j u.st dledic:in gout?·

hurtl n g the ba ndespeoci,a lIy thr,ou g h th.e Doctur,a, Angeniki II, wol!<;ey, Be.f,one The

Il'e!oo,rding sessions. It leached that point tel Bloodshed, Septilta .and P.arish The Land.

whel!'e '!Me just had to ,say bye.

'CRMI- M'enti:on :som,e ,a bout tthe: :shows

CRMI .- On YOUI' MVSpa~ pa ge fu,eIi"es yourv,e played,. bands you've share;d the

menttion of ,a 'CD outt ,call'ed "Wilfu, Hate sl!age: wilth ,as w'elll.as ,anything

Comes Balan~" 'GNe us som.e infu, ·on tha ; memor:ablie fu'alts happened?'

li'el'ease. Who .and wheli"e re<!oroed, :songs, .s.·We have shared the st.age 'with quite.a few li'el'eased, wheli'e ,av,aillable, ,etc?· natio,nal .acts such as \blbeat, lBleed the Sky; Thealbum took .about.a year.and h.alfto finish. Dope, Prime.r SS, Supe, Dam, The Hunger,

We r,eoor,ded with J.a'9:1n1 SeJNeIl ,at N.ebuloot slkindr,ed .and F:aCB Cage. Well, bejng that San

~,ooming Studio located in A.ustin. Th,is is our Antonio! is.a metal scene ,and 'llIJIe ,don't .oonsi· ,'CRMI- Thanks fu·1' tthe i'nttentiew;,. ,aW{ fin.all

fi lISt fu II le'n gth ,a I bu m th,at we t,o ok 'au r ti me ourselves ". r-l ETAL "',we 'wel!'e put on .a bill that til ou ghtls?'

,creati n g. The.a I bu m is llhr I o'ngwith II 0' tr,adks. w,as ,all meta IliYith shri·ekin g ,gu itam, '9010<s in Th.anlks fur y,our interest, 1'-1a rIk. 1101 ,everyon.e

Thel!'e w,as never ,a r,;e,I'ea:se date fur this .a I bu m, .every measur,e, the who,l'e cr.wrlks. 'We ,get on else, I!<;eep .all eye~s ,a nd ,eam open f:or Th e \ibi,d

we just pretty much pull.ed th,em out ,at our it's to.tally diff:er·ent. 'Wh.at ·w.as .aw'esome .about .and ,support 1000ai music

sholA!S ,an d sa id '" here th.ey ,al!'e, you wa nt lOne, it is th:at we had bikers.a nd ha moore meta I tel th e fu lIe-s-t

,CRMI- A1iong wiltth tthat and some of the song tilttl'es and l¥I'ics I can make outt, you gU¥S deall wilth spilriltuallcol1i5CioU<5JI,ess thl'ough YOUI' music. "]:elll us .ahilt .aboult liyricall.contenlt .as w·ellll.a:s V'OUI' tthou ghts dealling wiilth spil'iifiJ'alli'ltyand human ,~oflSdousness?'

A.s fares lyrics ,go, w,e talk about eve!Y"thing that's .going on in theworld today that people don't want to talk ebcut, just like ,any other band does. The differenee, everyone has

their own opinions abeut things just lilf.re '!Me do,

·1 us to mere. Same Ing in

(biipus. Big time metal scene. After our set, we had pecpl e corn in g up to us sayin g '" to hav,e 'if8'11 eorne and do what 'if8'11 just did, that '!NaS .alllJlssome ". That made us feel lik·e we aoeorn pi ished sornethi n g bi'g a nd made us feel really 'gr.ateful •

1- So;, 'gNe us YOUI' input on the realiltv

the worM, ,good" bad, ugl¥. What do I see ,as the rn os1t tl'oubliing i,ssue ""I1""'''"'''',i1t ; ..... fuocs?'

II it is INh,at it is. Good, ba d, ugly, tol ma ny

. I ngs to' mention about there 3 topics, OnCB start on them, it is hard tel step, Now

! That IOn the othe .. hand is thee mast

in g issue, Thev make these

bii;a i FllNashi n g cornrne .. cia ls about a nmy, marines lOr ·wh.-atevoS.r the case may be, .and mention how y,ou Ga n better YOlur liFe

Gar,;eoer. They show you these y,oung adults .and this and that, Thais a bunch of bull. they fuil tiQ! shorw you is .all the

yaung ,adults suff'ening in pain.at the V.A Hospita Is with a mputated body pa rts .a nd 00 'on. Its lilke the ,gove.rnment ,doe~sn't ,cal!'e but hey, 'INh,at eGa n lMe do ni g ht. That the .. e is

ba~ ca lly the bad, ugly, ,an d tr'ou bl i ng issue humanity fu,oe.s .all in ,one.

Submnoci ously espeaki ng, 'we su ppress .eve.rything that we wer·e t.aught, nat having a moment to, release, With what we 'Wnite and talk abeut is lOur own espinitu.al ,guidance,

'CRMI- Besid,es wOl'kiing 'on new mattell'iall whatt does tthe fultuli'e hok:! f:ol' Innervoid?' Th.e future, w'ell there n;eally is nOi telling. 'We hol,d no p.sychic,ability but we ,al!'e detenmined to, ,oontinue to progress with lOur music ,and bring something tol yo,ur 'eall'S that people ,can nelatewith.

pg.25

1 .. Fiilistt on 'gliivle I!IIS so me bac kiglliOl!lllild on Ul ,e balil dalild wlilo's wlil,o iilill tthe balild?' John M ichael lPieICeZ is 'o,ur lead voea I iste i1dalooadds in same 'g uita r. Jmu.a n Bruwn 'QIJ "JE\" sar·eams. Iil1ene lP.al.acius is 'Om lead .g uita rist, Hel pi rig him 'Out i Zad!:: OJrinwell "'O:!,m" on rhl{thrn ,guitar. Chins N,i3\!!a ITO plays drums. Last hut ,oertainly nat least is Joseph GoniZ8les p,l.ays hass.We've.a1l been p,layi ng togetherasa ba nd FQIJ about .a year but JB ,ea me into the pietu re .a bout ' three months .ago. Vile stay p,ositive with 'o.m music because there's enou'gh neg.ativity 'aut in the wo.n,d alrea,dy.

rn.\lIk're .01 II in. high ,and sinee there's not uch to do. in. Victon.a, we to fi rtd w.ays to have fun. but g;ay 'Out eftrouble.

, messa'ge .acrolSS, e'\Jen i ou rr .a'gg ressiv·e sou rid, the yo.ungerr 'gen.er.ation. 'a little rnore cha lIen.gi ng 'get the 'ol,derr p,eaple to believe in 'whatwe're ,dOling nd believing it's all fm

s .. Now, YOI!II,gll!llysalile iililiy Iillew tto ttbe I5iClelilll,e ... bavle yoOl!Il 'gll!ll,!{S

2,. FoOli nose ttbatt liI,av'e n'tt h,ealildi of SIEMPIHI] M 's CRY, 'gliivle I!Ilsan iidlea of wbatt YoOl!II 'g.l!liVS sOl!lllild Iliikie?' We Ii Ikie to thin.k w'e have our 'Own. u nique sou nd.We do h£Jiw'e\ler have ,a let 'Of i n.fl ueroes that :show in. IOU rr , music. In.fl uertoes such as The [l1e:\liIWea rn IFta da, A [lay To Illlemember, and Silve~1ein. :shOlliii' in. 'Our

music. pg.26

ali: IIFaiilt h

Falili1ii'lly Ch urch's

Falllill IlFe:s~Ndlll

6· .. YoOl!I ,gu,\{S havle .a

.' ttliacks on yoOl!llli 1""''''''<0""',.,,,,, .. p'alg:e:, w hatt .alCe tt liI,elile 0 Iill

I. I ,aCII) liIeliea5ie? eurrentiylAlll"iti ng a lot rnaterial .andlAlh,en we're ,getti n.g those ,dQiwn

, ,II be IU,Qlking to reeorda II lengtha:l.

MOlCe ]nfoatt www.mliliVSp.aoe.loo mil selia p1h imr5ic Ii'!{

F.A1J_1 NG; MP'"09 (Tooth ,&. N.aiil~ \/iery hau nti n g g(mgs by

C hristian chart tl}!]pers Fallin,QI Up, (named !h.e ll'ISJelWies .a,fter !h.e filSt ~o:n,g they ruloi:'e whioh lierers to h.M i mperflect peo:ple

, but h.[!W~ufficen.t the grace

is to mmpe~at'e rolF it. o ne woo'ld!n't kn.Ol ..... , mo<st.of th eir !]Fiaise;..;ai med! lyres are misiS,k;edI in the eoneept th.ey ..... rNle f;or 'Fangs, makin,g.an

.oth.erw·se inaeeessib le allJu m fiJ:r the fie. ... more ID:pen to is, w["er au:;j]ien,ce and! better reception by the pu blic. lve

.a},o,Isl'jS Ia.v,ed! ban,dS; fi',o:m the pa.cific n,orth;'""est, th,eir S!:mgs r·eflect more 'Bria.n Wi~'D·n th,an Lin k in P,a.!'k or lrieu bus d\nn't let

dia,1t cO<fililIJ<a.ris,OIls, roo!1 YUUI iSS, 'fO,UI wont is,dldl th,em .u IJ<. The gu itar and d!ru WIS, are ilette:r, jlF<Olgr.a, flfIf'I1I in,g is, better, th e

Slinging is, bette:r, atl1ilos,p:h.e:r,e breathes and lifis, '1',001. Th.ey 1'IiIi3J'I dlQ,o·rrn th.e, rrse w,es, to a

SIIifIa.1i ,au:diie,n,ce, if th ey ·m,n.tin.ue, plla.'1in,g seeu lar n iglh.tclu tis', I woold! sayth,e s,ame abouta satan e band if th.ey IJ<sndle:red tOI on Iy th.e h.ardlest ,and di3rkiest iand! mo& G PS 'eqJu ip, to find!

th.e:ir Sh.DWS,_ F.a.lling U p are Qlo,o.d!, dla.n't reed into it, just

'e:njoy it. But be aure to d!el'flan,d! th.eflfl if YOUI 'l'is,it th,e I'IiI ,nn line.

If interested in ile:in,g in ia f,utu re is&le5, s,e:n.d!jlF<O,rrn,(l paeks (00\ I i nf:o) tOI3.&01 L'D·n.eJr.ele #C,

Vclo-r ia,TX 77'9'01 . Th is, guaran.te:es, that 'jI00 willile, reatu I7ed in. ,o.n.e f:orlifl ,Of 'oth.Elf in th.e next fiJ,1I0W'i'1,g issu e. Hit fIiIe

IU p ,011, MySp<ace as fi"ie:nm.

P u'lJilica.tioHI will be r'e:le:as,ed th,e 21stoUlan" March, May, JUI~_ 3.6 pa,Qle.s. @~OD·O CQP ies, lDis.triilute>dl in Vcloria., H ous,to·n, A.ust in, San AIl.to·n io, and Onrp<us, Ch ris,ti.

5:p<eoial Oct. issue will h.ali'e fTIlOf,e, p<aQles, andl mnre content.

But th.afs in th.e flutu re,

Cheek IililYs'p<ace paQle WNW: ITh'space. com! ayozine vi::toriatx s,o,nn. f:or dlistriilutia·n. p ek IU p<

p<o.in.ts, in, 'each, city. List will be in cludled in Jan issue,

'Good piit-:sI1i1il HilII1'1ii1 ii 1iiI'!:!! HiI,usi:c li1Ie'lie:. 8'i1iISieid out of Si1iIliI Aliiltoliiliio,r

EVE R.YliH]I N 'G: FAllS DAR.K DliiiliilgS to the:

ta blle:Sloml,e: bli uti1illli1illiil,(]l '!:!! Ii iiliil,(]l ii 1iiI'!:!! II)Bi1iItli1l-(]Olie styl:e: lI'IiiI,us:i:c. Heli1ilVY Oliil tli1le blieli1ilkdowliIsi1iIliI,d SlClieli1illl'liil i' 1iiI'!:!! ,i1iIliiI,(]I li1Ieli1ilVY voci1iIlis. Tli1Ie:5ie: '!:!! uysi1iIlie: llook iiliil g to tou Ii ii IiiI II'IiiI iid 2:0 U]li1iIliiI,(]I tli1l ey d e:Sle: liV'e to be heli1il m. Mi1iIybe tli1le:y sh'oulld get sii!:!!liiIedi1ils we:III:!:!:!

menttiiona biittabol!ltt botth., Wlil:en wiililinew Iilillalte:liiiaII be ava i'l!a ble: ol!llttsiidie of ttlill,e

on lii'ne 'OOlililllililll!llniity.,

A:: We aetuallv ne\H~~ released the, a lbu m YOlU a ~ spe,alking of. There lAlaS su ppooed to be a release

Ga lled "Dawn 011' lDiarlkne~ss" a fe!W ye,ars ba,e:!:. Soon after ream·,di ng is when EFD fi ria lIyg ot pieced ,all

the w,ay to'g,ethe~ and lAiTote arnazi ng new materia I. 'We

persona Ily let the releese flop. Now as fur the neiAl" materiel, It is a n EP called "Up In IDem GulE"with 5 verry ,goo,d tracks on there. It 'Ali II

M 05T LIKELY be releesed on CDR's to everyone that wants one

a nd SOlid onl i ne m itunes, If a label

iseve~willing to mall:ze.an

. i nl!les1ment with us we welcOime it

Q: fiilistt" II 'glOtt Ito say Ii Ilii k!e ' hu nt fora seoon d 'g u Itar pl,aye~with VERY 'alpena ITllS. Then you

ttlill,e na me of ttlil:,e band~ IilIOW 'was nght there, Jon p~ctlOes would finally see EFD ina &'01if78'

d iid ttlillatt 'OOlilillea bOI!lltt?' [I'iidl Cli nt, al ongiAiith Tim my he lMaSacSS eff ,a nd has 'g et toa level. . I

c: d of' thi '-- d He I· ~ a ' rn an,y. 'a .. ther 'g u ita r '"'I.a'.'" ,m are nea r YO'U.

"t01!l1 'g,I!IYs 'giO ttlililrol!llgilill ,a liiistt rouru er , . I~ oane, ' ~" "... '.-

drum mer th at has been pl,ayi n 9 f,or ' H. e .'iMaS .the last .need.ed piece to ".,.. () ttlil tt tt. ··1iI tt dl

iOf Iill,alilil,es liik,e ,e\!le:1i'\f Ottlil:e:liabout ]01 years and dales veq well putting to'gether the '-l'. "Iilh~: II:' ~io"e".,~ I la.' , 0

ba Iild d oe.5,a ndl fOl!lllild lAiith his craft. We l/l,[IOU ld deseri be I F~,""",rl"h,'i" 11"1 Falls [larlk puzzle. As y01!I1 tt IIlln;, 0 I ~OCI!a.,

:510 me:tt liI,i'Iil,'gl tt batt fiitts y01!l1i hi m as a n ,extif78,mely ta lented . . p cha ng'e9iMe' havewent ne1twolikl ngsllttHs lilrk!e

:stylie?: ind ivid ue I whOi has the heart a nd h a lot but we a if78'n't 'g oi ng to f,a,oe:book" Iilillyspa,oe, ,e:ltc.,

A:: The name of the band Game desi re to nev,e~ 'g ive upon malking that. The band has been IHllOw ba 5 iitt lil:el'p,ed y01!I1 ,as ,a

a OOIUt when lMe' lMeif78' 'g oi ng to 'au r d reern his job. Seoond Iy , rolr a OOIUt 5:-6 yea m. ba ndi?: AUIY IiIli'ndlli,a lilI'oe,s~'

if78'cmd ,a dernc ebout 3 vea rs ,a gal if there's Tim my, he' is the bass A:: We beA ieve the, internet is the

I rernernbes 'OOlrHlctly. The PIf78'Vi eus pl,aye~ 'of this be nd. Ti mmy ectuel best to 011 for ,a band te this day.

name lMaS "Mentally out of FO'cus'" piclked up bass at ,a band practice Myspao~ has ,giv,en eve,rry band the

bees use th e ba nd has been aroun d I ilicell 01 years ,ago< when hi m ,a nd cha nee to ,get notieed if they use

fm ebout 5-6, years. lIE ,a na me Cli nt we~ fig uri ng out that rnusic the tool correctly. I only see UMO

that corn plernents ou r verry u ni que lMaS there ,ea II i ng • Wew,ou ld hi nd ~ nees, One is that alot of

stvleand lyrics. describe Timmy ,as the main bands ,get signed IQIff,of pulling off

promoter, and business ,guy. He is theoorsect look We don't lMantto

Q': Abol!lltt tt battstylie". yOI!II ,aLso a verry much needed asset tQJ be, rernern bered that way. We wa nt

'00 Iililibii nea Iilill iOOt I!llli"\e of [Ilea ttlil, the bs nd ,a nd has the blgges1 DO bea Imund fur a res Ily lOin 9 ti me

stylie voca lis wiittlil15iO Iilil,e desi re in the world to ~ pa rt of • umi ng Eio,dy •. ,. Blo;c!d Of Ou I" playi ng music flf'Olm OUR hearts,

1). ... ' " dl. .',", Ie. this l"1\"oIJeC±. Then there's Matt the not p,'--t '~'ome'--dy '''=n'''' to heac

111,e:avy lHIa Ii"\, 'OOIi"\e: lillllll.~. 1I'~'1i vooa~~~1. He jo,i ned the baridefter ies, Bl"otherhCiO'd, Si lenoe The .", . ,.lld. ~'... 'iXl' .•.. ""U '.'" , ":' . ,~".

ttlil'05ie.,1!I11il k liliOWIili Ito., tthe., ,1iJ,!a Iil,d,~. rrreeti ng Tim my.. in hig h school, essenger, Years of Iilled Slkie.:s, Semnd IS I pe~sQJnally thl nlk .Its

d I). ttl). tt . r Drrive By,.,. E'"'imethiusf .• ·.FleW pOOl. Sible to be a e:xt~mely bght,

,e5iCIi 1!!I!e y01!I1 1ililll!llSliC WII.' 11110 I!II,' Cli nt had fa ith, in him end i rwited ... ~ d tal nt d '- d '- t d t

., I). d' I). the". sholw r,ea I an, '. e' ,e" L!an, L!U YO'U' on

I!IlSmgl tt~ll,e WOIi"\ !S- ueavy, him DOl ,a p~,C±i,oe whelf7e IMe we~,e '. t ed be

IFnl'liF"nn,,,,.) 'ge sign: " " 'eauseyoJUr ,

bli uta II, 'glliii Iildiii Iillg~a Iildl Iililieta Ii.. bl olVl.!"n,away with his perf'orma neE. ': If we missed YO' .. ,Iur name we plays/friend ,oou nts online ,a if78,n t

A:: We IMOU I,d defi nitely desori be We IAI"QJU I,d say we: thi nlk Matt is one' ", in ,a hu rr-.' ,d Olin 9 this high 'en olug h, but thats J us1 ,a n

our mucsic ,as u niq ue deathoore. I n ,of the molS!: ta lented Iyricis1 in the . " •

the ,es rly s'tage..s ,as ,a ba ndwe ,genre a nd has ,oome ,alQJng lMay tol nt,"'l:"VI"'W a nd we ,alf7e ve~ SQJrry, I 'Opinion.

d . I i Ire wea If7e ro'lf'getti ng

w'e~e ve~ i nft uenoed by bands sound I ilice he ,dales to ay. M,att ~

such as Lam b of Goo, Metall i,ea, ,alcso ,a verry ded imti on musici,an

,a nd sI i plknot. As time went on our that wants DOl malice this ,a I ivi n g.

music matu If7ed pr,acti,~ by .Afbe~ Matt ,a long ,came JOley the

practi~. Whi Ie Il:zee'ping the.~ 'old bad 'gu ita rris1. Jo ey ics pr'obably 'one 11i"\11!I!e,a5ie:

i nft uenoes in mind w'e have ,of the bes1 thi ngs that E'VER

,decided tQJ switch up the 9ame ,an d ha pp,ened tQJ this ba n.d. Jo ey lives

thmw 80m e rea lIy pO'M,eriu I next ,d oolr to< eli nt ,a nd used DO

blf7eaW O'/IJnS ,a nd use mid IiQ nge the rue:!:us mm ing out ,of Cli nbs

vO'ca ls flf'Olm ti me, DO ti me. By ,dOli ng 'ga ~ ge,. WeAl one day JOley de6de,d

this w!e lru,e~e able tal Cif78,ate a ve~ tol pi,e:!: up a 'gu itar and he natural 'sea rry, m inm music tone whi Ie ,got bette~ ,eve,uv si ngle day. CI i nt il:ze,eping it ,catchy with fun riffs. Its invite,d him to band pr.acti,(E' and

csomethi ng u ni q ue that w,e fe,el he le,ame,d hOiw tOi play 'g u itar ,Alith

ev,eqoody mu Id ,get intO<. EFD ,an d aga in be,ca me one ,of the

mo'st talented membe,m,of the ba nd. JOley writes Bl)i"!a. of th e riffs in the band ,along with the ve~bal infl uen(E~S of the res1 ,of the ,guys ,an d he has the has the j Ucst ,as much heart ,and desi If7e ,as th e res1 ,of the ba nd. Las1 but not l,ess1 the~ is the cseJoolnd ,guitar pl,ayer, JOIn. JOIn w,as JOleys be~s1 fl"iend in high schoOiI ,and 'when EFD lMe,nt ,on

Che'ck :them ou:t a:t

W·WW,. my.sp'a'ce",'com I everyt h ~n,gfallllll.sda rk

Q: lUett':s ,gl,e:tt ttlO tthe ba Iild~ WliliO"S wliliOalildi wlilo's; mot[? lHIow 110 Iillgl bas tt he ba Iild

bee Iil Ito"giett heli?: [I'ldi yOI!I ,gI!llYS ,glO tthol!llglhalillY liinel!lp ,cba ngies i'n tt lil:e lII,a:stt?

A:: This is 'gOli ng to< he ,a fu none. LeIE s{a rt off'with the ,drum mer

To ag ree with a vi ew ~)oi nt oth e r th an yo u r own is not a truth of

u ndle rstandli ngl an dl Vl.!isdlom. To taks h ee dl in th e idleal iza1i 0 n and

less ons of past gle ne ran ens is to dle Ive with i nones own psych e to accept 0 r dlsag ree with be I iefs th at are set fo rth. Yo u can taka what is said as nothingl more than a grain of salt. Only you can cnme away Vl.!ith what is tru e to yo u r own exp,e ri en ca in th is life.

'''RieHgion has to do _th Jeeling,a<ctin'g, and living; not mer,ely with thinking. Thinking is mor,e·,dose·ly r,elated to the material liJe and should be in the main, bu t not alt.oge·the· r, dom i natad by reaserrand the facts ,of selen '00' and, in its non material reaches toward the spiritual realms, by truth. No matter how illusory and erronaeus one"s theolo'gy, one's r,eli'gion may be wholly' 'g,enuineand ,e''IJ1erlastingly true," - The U rantia Book

Religion, in its truest undlerstandlngl, is the revelations (truths) of personal experiences andlthe existence offaith, that comes forth from th os e pe rso nal andll ive dl exp,e Men eas. F a.ith can be see n as the

expe ri en cas of s pi ritual u ndle rstandi ngl, val u es, an dl attrjbutes with in life livedl. For some, these p,ersonal livedl exp,eriences are seen as

'spi ritu al ity' an dl the wo rdl're I ig ion' takes on th e dlogmati c an dI eglotisti cal idaas of those who blindlly ignore the exp,eMences of their fellow human bei n gs. Be Ii ef in God! andl F a.ith in God! are tVIlo dliffe ra nt th i n gs; 8:e Ii ef is the acceptance of teachings that have been passedl dIoi!il.l'n through generations; Faith ls the action onnowingl Godl andlseruingl human-

I!::i ndl th ro u gh th ose teachi n gs th at you b<eI i eve in.

Th e essen ce of re I ig i ous (0 r i!iI.I'h at I care to te mill 'spi ritual ity') evo luti 0 n starts an dl co ntin u es from th e fi rst wanti ngl of seel!::i n g that whi ch 0 ne temns one's 'Higher P'ower' (a.l!::.a. GOd). To use the term Higher P'oi!il.l'er is .Just a way of dles cM bin gl th e i ndles cribabl e.Some use th e i!iI.I'ordls 'God!', 'Heavenly Father', M otherlFather Divinity, Goddless, etc. to' satisfy an dl pe rso nal ize th e i r Truth (s). To stri I!::e dlown andl dle ny an oth e r p,ersons aspect of.spiMtual undlerstandling is in essence not honoringl th e truths of yo u r own se If. To dlisag ree with anoth e r's view of real ity is not h armful if yo u dlo not dlen y th em from th ei r own live dl exp,e ri en ces. Harm comes into play when you only care to shoi!il.l' your Truth(s) andl are readiy to I!::n 0 cl!:: dlown oth e rs un less th e i!iI.I'ordls are exact I y hoi!il.l' yo u wish to hear th em.

Everyone is on a Q/Jestfor God, whether you i!iI.I'ant to dlefine it as

'spi ritu al e nl i ghte nment: ICh rist co ns cio us ness: 'I!::n oVl.!i n gl God: 'h avin gl faith: etc. Truth comes fo rth i!iI.I'ithi n a p,e rs on whe n th e ti me is ri ght andl the situation presents itself. You can not force another to believe in this religion orthat religion, nor can you presentfear andl hatredl in get1ing across Love, that which is Godl. Any religion that represents love with any form of fear is not a re I ig i on. The i r re I ig i on may dle rive fmm

teachi n gs on lo",e but th ei r dlo gmas an dI th ei r 00 ctri n es hi die the Truth.

No religious (spiritual) gromh is Vl.!ithoutthe inner turmoils ofemo1ional co n~ i ct, not i!iI.I'ithstan dlin gl th e co nfli cts of th e 0 uts i dle i!iI.I'O 11 dI aro un dI yo u. 8:ut from all this inner andl outer turmoil lies groi!ll.l1h. Growth is personal, th os e exp,e rie n ces are p,e rs 0 nal. To be abl e to express th is p,e rs on ality is to be at s ervi ce to oth e rs th at are go i ngl th ro ugh tu rm.oi Is th at th ey may b,e try in gl to cope with. Hpi Mtu ality {an dll dlo mean tru e rei i g io n) is in the evidlence of human exp,enence.

P9".28

"The ,e'I,I1erlasting eenfllet betwee·n the world-r,e·li,gions - '[h rlstlani ty, J udalsm, Brah man is m, Pagan i sm, Buddhism, proceeds from this one source: Truth is known butto the Jew; the rest, unwilling to lIVithdfaW the veil from theirown hearts, imagine it Minding the ,eye·s of thei r ne·i'g h her," - H. P: Blavat:sky - lsi s U n'llle·il,ed Vol. 1

I n see in gl rei i gi 0 n u ndle r th e prete nse of a dlo cto ra-stru ctu re&: bfi cl!:: and mo rtar establ is hme nt, re I i gi 0 n loses a bwadlsi ght of what it is fo r,

un ifyi ng hu manity an dl u ni ve rs al love an dl tVIlists it to a n arroi!il.l' (mi ndle dl) vi ew th at it is to co rre ct 'u n be I ieve rs' from th ei r own i gn oran ea andl misconceivedl notions. It can b,eseen on an indlviduallevel as well as a 'imicrocnsm' Vl.!ithin a worldl religion, where it is seen with the attitude of "I'm right, your wrongl (includlingl at times "your goingl to hell!:").

The foundlers, prophets, andl first messengers of religions of longl p,ast possibly wouldln't recognize their teachingls if but for those few who repres e nt th ems el ves in the U g ht and Love from whi ch it t ru I y came. Th ey wo u Idl see more from th os e th at cl aim they are be Ii eve rs, th os e th at cl ai m they are tru e fo II owe rs, an dl those th at cI aim 'th ey are ri ght', an dis ee th at th at ve ll, th at bl i ndle r call e dI ig n 0 ran ce is really app,are nt. Yet, for th ose th at 'cl ai m', th at ve i I is on Iy see n cove rin gl th oe e othe rs th attn ey are wanti n gl to co rre et, an dI not the i r oi!il.l'n.

Th e tutu ra of ra Ii g i on (th e tru e s ens e of spi ntu ality) VI.!i II on Iy g row with in each oth e r by i nte g ratio n. Each gle ne ratl on g roi!i1.1'3 mo re accustom to

th e g rowin gl 0 ute r worl dl macro COIsm th at Ii es with i n th e ir in dlivi dlual

mi rrn r.of;; m (Jf lifE· Th E I nfmm;;:lti (J n AglE gi VEf;; th if;; glEn E ratin n ;;:In rI ;;:Iii

th at to lIow a I argle r v'i ew of what life is all abo ut. To sh e ~e r an dI prote ct on e from harm, is 0 n e thi n gl b,ut to bolin dlly re ruse th e in Q,u is itive th 0 u ghts and feelings of one, because they what to learn and grow can be fatal, an dl can have th e reve rs e effe ct. Yet, th is reve rse effe et, as well as all th at n eglative I y is put fo rth by th os e that dlon't aetu al Iy I!::n ow th ey are

00 i ng it, mig ht, an dI probably is, I eadi ngl th em towardS an

un die rstan dlin gl of hop'e an dli ove. Just not th e way th e othe rs wis h to see it.

Wh en 0 n e tu rns th ei r head away from 0 n e re I i gi 0 n an dli ooks towardS another, they are not runningl away from God but runningl away from those io II owe rs', those people that feel their om soul is atstasa if they 00' not try andl correct those unbelievers. 8:ut when comfort is actually an dI tru Iy fo u ndl in a be Ii ef system, wheth e r it b,e anoth e r re Ii g io n altoglethe r or a dlffe re nt se ct, dle n om in atio n, 0 r 'vi eVIl' with in th e re I ig i on th ey fi rst startedl out in, they the n I earn th at on e must fo rg ive th os e th at we re dloi n gl h arm, eve n wh en th ey dli dIn't I!::n ow wh at th ey we re dlo in gl. When integrations occu r, it wori!::s in how one indlividlual acts andl reacts towardS oth e rs of dliffe re nt vi ei!i1.1'3 andl th 0 u ghts. Wh e n yo u are able to liste n to' an othe r, wh eth e r you may bel i e",e th em 0 r not, yo u are att! e to let the other live their Truth. If andl when you react to certa.in statements or th ou g hts you may not readli Iy ag ree Vl.!ith you are th en statin gl yo u r Truth. Yet, if you glet upset, glet angry, become argumentative, you Vl.!ill sh ow, to th e oth e r p,erso n, th at that is also you r Truth. If yo u r Truth is ba.sedl upon your belief in a Higher P'ower andl your negativity glets the best of you, then that isshoVl.!ingl otherstha.t that is howyou see God.

Th e re is on Iy 0 ne way to God, an dI th at is th e p,e rs on al Ii ve dI exp,e rie n ce of dloi n gl yo u r Hi g he.st goo dI towardS th e situ atio ns yo u are pres e me dI Vl.!ith through your life. The teachings andllife of Jesus show j;ust that.

Hu man ity, th ro u gh th e means of i ndlivi dlu aJ parti cipati on, must live towardS a loftier gloal. The gloals are dlfferent yet the same, andl are only obtainedl by the choices one mal!::es. The choices can be seen as only glood or badl, right or wrongl, ofspiritua.l growth or material ga.in. It isn't up to other indlividluals to Judlge another p·ersons choice on ma.tters of such, it is upto other indlvidluals, actually all indlviduals, to help one pro'gress on the path that is being walkedl, no matter what path that is they wa.ll!::.

""As I ha'llle· I,o'llled y'ou, so yloualso s hou Id 10'llle· one· another. This is how all lIVill knO!l.lV that you ar,e my d is,d pl,e's.' " The· '[h ri st. - Jo h n 13: J4 -35' - The H ,oly Book offhristianity

CRM- M,e:nttiiolill :5iOlilil,e: ,of tthe 1iI,lla,oe.5

ylO I!II ,gl uys ba\i!le lit Ilaved Any memoli,able shows (besttjwolisO?:

lEG -We, have pliayed many places im, Aus1i:in ... frcrn liarge vem.Jes that are ]500. ca padlty to II imB ho lies in the 'l1li'21111. even so l1Ile p i£za jo irn.ts. ~ched:: out the p ilzza

c ireu it) .V\I1he·n we flrs1i: moved here ... the 18 ackroo m was 0 m spot ], rel1lle I1Ilb 121" throwingl IUp riigh1t be1iore, we, ge.t on

stage ... watrning girll flights, in be,1tl.!veen sets. lhat pl!ace wOlUlld be om V\I1his key-AGo -Go iff we, were, Motlley ewe. lh osa were, the diays,. 0 lid! em lUi;;! h to know

CRM-B,ei'lillg ba5ie:dI i'n Al!liStti'n now, better ... blUt still YOlUngl em:wgh not to gilVe

UelCe ii5a 1iI,I!antthlOli,a ,of Iililll!liSiic Ito be a dial1lln. We, were glood! frie·nd!s with mos1i:

healCd, ;can ylOl!II Iilille nUona hiltt IOn51Ome of the s1ta1flf(s,lti'111 a 1"12,) a nd havingl a g'oo d!

,of tthe balilldiS ylOl!II knlOw ,of? till1lle was, the e8s.y pam. ] miss ili,at pliace.

CRM-'iI"IOI!II''IJ1e IiJ'llay'e:dI b,a,ck dlownhe:lCe: lEG - Un AlUs,tin .. the, meta II glemm has a bilt Om best show ... as far as emorl1llity .. was,

in Viicttoliiiaaf,ew ttiilililles, how wOl!lllldl of everythingl. lhe Sword!!!! olUr friends the !HIelll '1e8h show in Vilctorila. lhere was

YOI!II lialte ttltJ:esoenes dlownhelCe i'n I8rimk off Disas1ter ... Doom a se8 m penplle. we gnt a dip offVinmile,

V'C!PUL?: 1Hl1O:W ba5 Al!li5ttin been Ito ylOl!Il Silrelill. .. llUlgl ... l8eyond! Gnds and! PalUll himselffjaml1llingl OlUt on ili,e sild!e: off

'g,I!IIY5? El1Ilpires ... IREND .. DEMONID .. fl! A gnnd! the s1taglf! ••• horns in the, air. '1nlUl can't bILlY

lEG -We sta me,d co m in,gl back ho me, a nd act to see here WOIU lid be l8y Amy Me'ans, that kind m s,ruff[ 0 me m o ur wms1i: WOIU lid!

pliayingl in I'ile, 0.3 amd 04. l am mot very Ne,cessary. Um,the, rock re'allm ... our hiemds be, at 18 lU1ffia Ib l8i'lIliards,. we, hadto pllay

fa 1111 i'll ia I" w iltlh, the "scene" in either 1tow n... M am iffes1to· ... ili,e liate g re81t le8S 18 agl! ! ! ! ... A w iltlh,OILl,t J ILIa n. Ad'ffilan gd there lIilg h1t

blLl,t il do know that there is a s,ceme,. top act imltown is and h,as bEen a band be1iom sh.ow1til1lle and l1Ile and lKase,y were

lhere are more bands on Pnm lavaca caliledlf-l:()NIK"i'. lhe Ilis,t gloes on and oml Ibad!2,d.We wolldl both forgle1t the songl a1t

that] wOlUldl have evell imagined. ]1t was lhere are a ue,w lilIames that il wi'llinot the same time .... biU1t we wOIUJld go irn.1to

slim pilckins back in om diay. 1he, bilgl road memi:on ... blU,t il db fee·llthat ili,ey are,. the same songltogle1theff. lhere were

shows we h,ave, pllayed in Vi:cto rila (!HIe III rea d¥ to be, p i:cke,d ILl p by so 111112, kind m p eop lie i m ili,e crow d passed 0 m d'rlUmk

'1ea h-lhe M isflts,-DilV ine, !Heres.y) h,as Ilab ell. 1h ere is a I!ot cfta l!em here in a nd1to top ilt a II off,. IKa sey ma m,ages to

shown IUS ili,at there am d!eflnitelly peoplle, AIUIs1tin .. blLl,t ili,ere are, aliso a I!ot m "fI'III!ells" gle1t Ibcike,d in ili,e elleva1tor wiltlh, some,

Who are hlUngry for mlUlsi:c. ] homes1t11y you cOlUldl s,ay. AIUIs1i:in re8111y does gilVe hiend~s m oms from !Brink .... till I 5 in the,

haven't: h,ad the time to go dbwnthere AN'10NE a shot So anyltime yOIUl come, momimgl. lhefire dept. hadto come plUlll

and ch,e,ck out shows b iU1t a III the, across, so 111112, dlUd E!, that is a III h ilg h and them OlUt, that was ili,e 113 s1t till1lle we,

promotil:ms] see goingl om dbwnthe']H miighty causa he can get gigls in pllayedthe·lle. lirve,andle8m.

teliis me ili,aHhey am mot pliayingl arolLlnd. AILIIs1tin ..... consider the somce:) ]VVolLlldl

18 ilgl acts ... b ilgl crow ds ... ma ins1i:re8 m and Ibve to mentio n 21111 ili,e friends we jla m

IUnd!2rgromd. ] hope ilt omlly gets bette·ff wilth ... ltmt ili,a1t ils a Ilongl Ilist. We have

and b ette·ff. be,en he· 1112, I!ongl emo lUg h 1to ga in ili,e, resped of the dlLlb owners as llocall mILliS iiciia filS and we are pro IUd of that. Stonediakota ils and h,as beem

a I:ways, ..•.. S10N EDAIKD1A.

s1i:song II i;i., 'i;iill, 12,.

songl was originlailly wrilt1ten im, lile ]997, lKylUss and lhe QlUeens were a bilgl

freakingl old sehoo], lhe, omlly major imui:uence,.We h,ave, been cOl1llpared1to

thin gs Hlat have cha ngledl are the Ilyrilcs ma my g ro ILIpS SlUCh as CO C. . .s1Ll i:cildla II

(wh,en you are, ] 7 •.. what the, helll have: lend!encies . .sepILl Iltma .. .sys1i:em ... biU1t il

you got to talk about anyway?) 1hils songl think we are realily bringingl s,ol1lleiliingl

1totalily has Pamtera in the vein. it has milginal11to the taM:!;. Don't: ask me what il

me;ver be,en re,cordedl and we,.ue·i:t that iliils he'ar ... be,calLlse; it sOlLlnd's I'ile eveffylthingl

is a songlthat h,as always. said who we; to l1Ile. J'IUSt e~ed he'aiVY

aile and! what we db. it s,tamed om as a mellod'i:c ... s,ol1lle.1times, thrash ..... and!

tri'blLlte; to me,talll1lllLlSilc and! has rurrne;d amilWiliate; Ilyrilcs,. ili,e meOO!: alblUm we; wi'llll

irn.ID a tri'b lU,te to a d!ead I ilza rd lila med e~ I!o re more new territo ry ... that is a

Seven. may he ffes1i: in pe'ace. AbolU,t 8 of pmmise. Sorry ... no dlanCEl rock over ILlS wa1tche,d!th is II i2:a lid! d'ile; a s we; ca ressed hem.

him to sl!eep orne; might before a show, can't make that shit IUp. Alii in alll .. we aile vew p rowdl off the mcmd'ingl and! are pffeparingl1to record a ulUlll al'lUl1Il soon.

CRM- So, flOliallll Uose ttbatt ba'lJ1e yett to heali Stoneodlakotta, ltelllll!l15aliJ;ol!lltt YOl!ll1i5iOI!I ndl ,alil dI Iililll!li5 iic.,

lEG - ]1t has ta ken IUS a IIlth is time to flm,allly come, imo om own sOlUmd Im, ili,eCRM-SO· tt,elllll!li5abiittalilOl!lltt tthii5 ne:w be,ginmingl it was 21111 Me,ta III i:ca , Sabba1th, filii IIII ,albl!llilill ylOl!II 'g,I!IIYS wiililibe lCe;oolCdlilillgl Pamtera, SeplLli:rura and Marnine;5ioolil'. AIilIY tt,entattii\i!le lCelie:a5ie dlate5,e:tt.

Dead! ..... 1D0wn ... ed.We usedl1to pllay a M,enttiilOn :whelCe iltt :wiilill be lCe;oolCd!ed~

medlley that comsils1i:s m ].mn Man . .sweet5iOnlgiS ,on iltt,. 'etc.

le'a1T...War P'ilgs ... P'aramoidl ... lDa mage lEG - As Uaff as the; mEW alblUm goes ... we

]nc ... .seek am d! lDes1i:roy ... 1F0m have so me, wriltingl a nd! so me; dlUstingl off

Horseman ... andV\l1hipllash. Nowadiays •..... to db, we arecomflld!e·m that we wi'lll

we, keep the Sabbath, lfOots.(of comseo. ... a mand a1t the, Dilal1llond!lFactollY wilth Travils

again. !Hie: mad!e; it pre,tty easy fur ILIIS to express 0 IUffsellves a nd mot have ili,e

E I1IlP I Dye II ••• EI1Il p lloyee vi be, gloingl on. lhe·re; willi d!e·fln iltelly be, 1111.0 re, heavy tlUnes on the alburn ... indlLld'ingl some more expe·rimemtall add'iltions. SOl1lle s,ongls that om 1fa ns m ilght kmw of wi'lll

be.JCAlRllJIS .. T!HE !HAlE .. we milgh1t record IFO IR lHUS 18 USS om:CEl agla in. It wi'lll be; an epic alblUm wilth a broad scope m sound, Hopefulilly some1thingluoff eNew kimd! off he8VY l'ils1tem,er.

CR M-Wbatt do·es; tt he hi1tl!lllCe hiO IldiflOli tthe band?

lEG - As far as. the; flU.rure goes •..... we pllanto re,cmd aglaiml ... and! PIU,t olUrse·lWes in pllace, uor a Ilabel11to pi:ck IUS IUp with minimall e1fI'om.We; are wmkinglto h,ave, om own l1Ilerrn, transpoma1ti:on and gear in II ine; so when that time co l1Iles .. they j.IUS,t need 1to g ilVe lUIS tom S,lUp po m and! prol1lloti:ons. as rmHsilcians •.. we are

stea d'i'lly g mwin.gl a md! wi'lll comtinJ!.Jle, 1to ti'lll the end m om dlays. ]1t has been an homm to p liay with SILl:rn, min ds ... a nd! il pers,orna Illy wOlUldlmot trad!e; it for anythingl.

pg29

] wOlUltil say om earlly Ilyri:caII wri:ttings had whelCealilid wlillo lCe,oolCdiedi ii1talildl wiilll ii1t

a Iill a ng riler ton e. 11ley deallt a lim w ilth be5ielf-lCeliea5iedi liiike 1t he • USa I lil!l!llIilill?

deceilt and anger. Om IilEwer IlyrilC5. are a MENDAOn' -111,12, promo 2.009

Ilirtile more, me 1121 nchoI'i:c. Dealingl more re,cordings are, adtlU8111y just ti\emo

w ilth pers,olillall ibss, sa dness and 1tlle mco rdings of om !!J peo m ingl a lib !!J m. ]

strugglles off everytiay I'iffe,. lH~owever 1t1le; mcorti\ed1tllem and milxe,d 1them myself

Ilyri:cs aren't: realily me:anHo depress 1tlle, on a Ilaptop. ] gIUE,SS yo lUI a:)l!Jlldi say it was

Ilis,1telill=r Ibm ra1tller eng8gle 1tllem and Q,!!Ji:tte liow 1b!!Jltigle1t Ibm 1tlley enti\ed !!Jp

CRM- COIililI i'liligi OI!ll1t of IFlloliiidla, whiiclil, em pow er 1tllem and sll ow 1tllem 1tha1t 1tlley so !!Jlilltiingl pre,tty go od so we tiEicilti\e,d to

5ieems tto haV1ea Iia ICg:ea lilil.olm1t of are, 1il01t alb IilB and can gle1t 1tllro!!Jg 11, i:tt. rei ea sa 1tllem as a promo CD so trIlla1t we/ti

II)ea1th M,etall balilds filCOlilill1the pas1t, Ibe albl\e, to pll8Y IilEW s,ong1s a1t sllows and

'gliiV1e l!IiS5iOIililI'e i'lilIlimtt Olill tth,e5ioelill,e OV1eli CRM- Now, wha1tabol!ll1tslillows .and also to sllow om IilEW I'isteners trIlle; Iillew

tthelile .. IH1IY flCesh new balildl5 we 1tOI!lIIiS y01!I1 'g11!lV5 haV1e dlolill,e i'lill 1the directi:olil we're g0ingl in. 11le otrller

51i1ol!llid ,check ouB' liI,astt. IH11ytthiilillgi melilillolialil,lie ttospeak re'ason was tc Ibe alblle to have a frEe CD

MENDACH"l - lIlem is qlUi:tte a Ib1t m of? to giive, to peDplle wllo can't: afford to b!!Jry

me1tallbands down Ilem blU,1t ] 1find 1tlla1t MENID'ACln' - I'd S8Y cur Ilast vilsj:tt in a flU I II CID'.We Iknow 1the em nomic 1times

most of trIl,e·m tib n't: realily s1trive fu r Cos1ta !R ilca was a b Ilast. Ai:1tholUlgll tha 1fiIlS,1t are to lUg 11, b 1U,1t we wam 1tllose, w 110 elilj'oy

proffe6Siolilal'ilsm 011 offer any1tllingl IilEW Iilighl gilgl was smalllEr, i:tt was oollemelly our mlUlsi:c 1to a1t 1\e'as,1t have, some.1tllingl1to

m!!JsilC8llly. ]tj,!!Js,1t seems a lio1t m1tll,em f!!Jn ffor !!JS. ] remembell 1tlle Craneo Me1ta11 mmemlber IUS !by.

tibn't: realily 1talke i:tt seri:olUlslly anti pm l'iHlle peoplle,j,lUIs1t Illangingl IUS drilillks cons1tan1t11y We, do howevell intend to re,-rBcolid 1tIlBse, to IilO e·ffu m in1to 1tlleir w Ii:ttingl, 1their a nd we, were a I'itllle, 1tipsy by 1tlle 1time we so ngs as weill as otrller so ngls and rellea SB rehe.ars ilillgl, 0 II trIlle·ir recordings and s1ta ge 11 it 1tlle s1tage. 18 !!J,1t 1the IleSp ons.e was grea1t 1tllem next: yea II. 111 e tl'ru ms. w ill be

presence. Gramed ] Iknow ifs 1il01t an and trIl,eN Ikept as Ikingl for mom songs. mcorti\ed in Deicember a1t 11le; 1D'lUngleon.

easy tas Ik and one 1tha1t we aliso stlflUglg IE, co ns1ta mlly.We 1tholUlgllt we were g:OIilIila lH~opeff!!J Illy wi:tth Jeremy D!!J1b 0 is wll,o

witrlll some.1times bm ] ffee·lI1tha1t in gelilerall pl8Y a Ilallhom se1t or so and ended !!Jp adt!!J8111y engineemd 01U1i ffirs,1t ever ti\emo

trIl,e, qIU81'i:Jty off SOIU1th IFlblliidia bands colUlld pl8YinglTor aborn alilhom or more. And alildflUlllllengtrlll CD ye'ars ago. rill prolbablly

be, a l'iHlle bette·lI. lIla1t said rill Iilame 3 we had pl\emy of elilerg¥ alltholUlgh Iby trIl,e 1traclk 1tlle g!!Ji:ttars. anti vocals myself a1t mlY b8nds 1tha1t I'm pe rso lila I ffrie·nds witrll and end my voica did gle1t a Ilitlle Iloallse. And Ilome. Dan s'walilo wi'llilbe, in cll,argle, oUIle;

elilijoy playingl witrlll or seeingl I'ive: A1t . 'I off course 1t1le; Iililghl wasn't: e,velill over milxingl and masteringl process alilld we'll

witrlll God, lKallaikail, and l8ellolldlllle; !R!!Jins. when trIle sllow ended. lIle ticos and Ilopefulilly have alll1tlle tracks lIe·atily TOil

CIle£1k 1tllem 0!!J,1t everyone,! ticas were so hospi:ttablle and 1toolk IUS Ibar Ilim by Mallclli. ]'d say we'lie Ibolkingl a1t a

hopping and mati\e, sura we, iliad a g:ooti Springl or ealilly SlUmmer lIellease'. Kit

CRM- 'Gi'V1e l!IiSSOme i'lillil!u1t Olill liYlii'call 1tilme and we sura dildl! ti\e·1fini:ttelly won't be se·lff-1ti:ttlled :)

,oontten1t fOIi yo 1!l11i5iO IillgiS? Alil Y 'OOIililI rn,o IilI 11121 Iillks! CIl,alllles Axel Eikentilallil

tthelilille5ieielill tthlCol!Illgh tth,e,ml'?'

CRM- Alilol!ll1t YOI!llIi IililI051t lCeoelill1t Iililll!lisiic a Iildla 1t,entta1ti'V1e lCeliea5ie fOIi 1th'elilil~

it. We a II have d iffe~ent m usica I bEH:i: rounds. SOl it bri ngs a kick ass blend into our music. YQlU 'AI'ill know soon ...

·GOlilltt"" .. "" .. "" .. " ..

'CRMI-Wi1a1t pia 115 a II'e theli"e for toulI'ill1gaiftell' tih i,s lI'eIiease? We:'d be initenlStted in havil1 g you 'g IJ¥5 ba·d!: down heli"e in Vidoll'ia :some:day in tihe: ifutul;'le.

Richie (:'a'l/.al'er:a-'iNe a~e pl.a nni ng on a U.S. tou r late~ this yea nve 'VI.!a nt to be .a ve~ busy band .a nd tou r nan slop if the~e is a shaw we 'Alill play it..

'CRMI- 'GlrIowilng up youive: been .all'Oul1d I11lUsic., bands, .. and such. 0.0 you think i,t w.as just l1a1tulI'.allf'oll' you Ito be in.a ba nd youlI'5ellT?·W.as thell'e .anythin g ·elSe you lM'a ntted to make.a run .att'?·

Ri:dl,ie C<nr.:Ilietr:a- I've 10ille,d music si nee Iwa's bern, si ng i ng SOlD when I IA!aS 3 I lewe music and ev·e.Ji]{1:hirlg ebout iLl w,as bOim in the fi ~t I ive metal bar in AZ that my mom 'Owned in1l9!85 ca lied the bootleg ger ban ds I ili:Je flotsam ,a rid jetsam , iPoi'9Jn sacred Iilleich rocL=jd it. That's I/Orere it ,a II rea Ily ~a rted sleepi ng on pood ta bles ,a nd be,i ng

'g reetejd b¥ Iillob Ha If'OlI,dat 2 day:s 'Old in the ball its in my bl 000. I 'A!aS on the, iQove,r of.atrophy violemt b¥ natulle .album .and ,di,d .atllO when max G3 me i nbo my I ife it 1/IJ.as what I nejeded tOi ,get pushed in the right way and ,getei!{jJooed in I i ~ Na i Ibomb or playing 'gu itar with Sepul 'Or singing 'liJallk with lP.ante~.a. .... Without music lifevilould suclk. .. 5CI there w.as n 01 baclk up pl.an if it ,d ae~sn't IAl'mk I wou I·d Ii ll:1e to be .a tru.ck ,drive,r.

'CRMI- NO'w, l'ett'S ,get to the band iltsellf!r' who's who and how l'ol1g has Il1ciJre been to'getihell'?' AlSo, :some ilnflluel1lJe?'

Richie ,eav.al'er:a- We have be,en together si FlOe 2.004 .and writi ng .a nd sq ueezi ng in.a tou r he~e or the~e just to SMW people this is f,or ~eal. Th,e ban d is a mi)o1ed bun ch that I fou nd f~oml,(lJClrd 'Of mOluth a nd such. You have .2ak Sofa Iy on d rums I '\.re Ikn.own hi m for I ili:Je Ei yea liS now .and .ahA!aYs w.anted to j.am'Alith him ve~ sick ,drumme~ with.a lot 'Oil' ,diff·e~ent style~s he's.a ki Iler he j oi ned incite in 2D 0 7. Then on Bass you nave, Lu is M.ach ad 01 he is M i·cha·el Jadk~9Jn in hid i ng he,was br'oug ht to me, by ·a fn'e,nd fir'om ·a ooar,de,r town ,call·ed IDolug I.as AZ He ,sh,a'l!Je,d up ,at my house with ,a bass ,and w,as SOl sick I couldn't let him ,go he w,as just sI,am mi n g his bass not even playi ng the songs rig ht he just 1u0li:Jed 'so bclk ,ass .. An d Fi n ally you have [lis on Guita r I met him 'On my.spao=, ,actua 11'1' ,and ,afbe~ ,a few wee~ ,of ta Ilki ng he fi.eJAI' 'Out fir'Om New Jemey to tliY out .a nd neve~ 1l!Je,nt home, .. He ru lejd he, neve,r playejd I ive before 'CRMI- 100 the :5Ubjedt ·0·1T mus:ic ·a nd '0'111 wOlI'kll:y l11alttteli:5j. 11O'w do· or r·eoor,dejd or wliTote bef,'ore. But he .endejd up writi ng a II the music on you :see tihe :statte: olT the wOlI'kI these days?' What dO' you :see ,a:s this a Ibum he is a 'g 00 'On the 'gu ita Lwatch 'Out.. 'ofi=,1iY random creati on the big gest ·challl'el1ges hUl11aniltty fao:~s in the 'lCol11ilng yea liS?'

but its '1iJ'Iorik1ejd. The ,9Jlund is ve~ metal but has strong meludie~s into Ri:dl,ie C<nr.:Ilietr:a- 20dl2weli'e ,all ,done with '9:1 we should en~o¥ eveliY

pg30 day ti II then ....

<CRMI- So how's the :sGene 'o\l'et!' tiheli"e iln Ar~ona?' Anrv bands we: :shoukl dl.e:d!: 'out?'·

Ri:dllie c<nr.:Ilietr:a- I don't 1kn.000AI' the ,so=,ne is ve~ ,dead in AZ We try shOiws he~e but I woul·d Ii:.3ther be 'On tour than is AZ playing ... It IAliIi ,oome .ar'Ou nd.

<CRMI- I(}ult:s:ide O'f I11U:si:C, .any 'other inrell'eSts (books,. movi'e:5j. :spoli'ts, .. etc)?·

Ri:dllie C<nr.:Ilietr:a- I d i.g sporn .and polke~ and dri nlki ng heer. . .I 'm just h e~e to party. ...

AYP'ziiliile:- "F'iigli1lt B.e:f,olie:

SUIiIi,e: IiiId e: r" C II}Wi1ilS Ii'e: l~eli1ilSieid ii IiiI "Il}I7i1i11ii1d liIi1i1s 'gotte:1iI ,i1iIlot 011 ,good! pliess fliOll'liil1 w li1Ii1iIt I[ 'v'e: lie:i1iId. lie: III u' i1iIbili1ilbout tli1le lie:oolidiiliilg pliooe:5S 'lFOIi tli1li1ilt, IIYliiici1iIllooliilte:liilt,i1iIliild oveli i1iIlll fe:e: I'ii liiI'gSi1iI bou t t li1Ii1iIt liel~eli1il:Sie. Josll: -We've gotten a handf!!..Jllou bad revile,ws too. Mostrlly urom 1the s1t1!.JC1k up, we're 21111 fa Ike me,1ta11 and xhardcmE£( and wha1tever else, is gioi'ngl1to sell cds to Ikiid's righ1t now be,G3iUSe ilLs ilie1fliavm oHhe mon1tll:, Clhrilstian revilEws. Om2: revilEwer to lid us to strop drag1g ingl pu n Ikmclks dEB dI C3 rcass a rou nd an.dl1tha1t no one s ho!!..J lid ever I ilstenl to a band who's ria me is 1the 1tiitlle off ili,e album andl1the 1titlle, off 1the, fI'rs1t track, YO IU IR lI'lHE IBE 5l1' IH M MA:GAZJNE! ] uei:1t 1the a IIbJ u m was r!!..Js hed. I'm no1t gio ingl 1to go in1to dir1ty liaund'ry de1tai'lls bl!.J1t il wouldl hl2fVe,1talken anillh,er weelk or so wilLll: it and maybe, even pu,1t on a fe,w more 1traclks. lReicorti'in,gl it was less, ililan a weelk be£a!!..Jse we hladl a III b I!.J1t one so ngl

flni,shed befure we even wern in1to 1the ....'.. ... ' , . '., .,' ,

strw::l'io. lyrilcal cornen1t - we, C3111 it how we, AYPZIIlile: - Wli1Ii1iIt II v'e: IIIkeidi1ilbout

see it. We write abo!!..J1t Ilile E£(periences,. iliings we, go 1througll: and wha1t om frile·nds 1telll us wha1t ili,ey are d!e'al'ingl with. Kits eBsiler for somEonE who ils l'ilstenin,gI1to 1the album 1to relia1te 1too.

,co,n t.. .... "The:y Hi1iIte:

You" to "Fiig Ii1It B·e:f,o lie:

SUIiIi'e: IiiId e r" you guys we:lilt tli1lliol!lg Ii1I I'iiliile:u p chi1illiil'ges" ll'IiiI,eliiltiioliil thi1ilti1ilDil.

JO·sll: - Yep .... I'inE up chlanges. lBasiG3l1ly, so me g i!1¥S are b u i'lld1to be mad diogs and some aren't:. ] IkmJw 21111 bl!.J1t one, of 1the olldl me m bers reB Illy, re'a Illy weill (Cha rl'ile'" ,,1the bassils1t on "lhey Ha1te YO!!..J" has been my bes1t hiendlffoll ]6 ye'alls). ] IkmJw ilila1t ili,ey alilliove malkingl musilc and pllayingl m!!..J·silc. Alii bl!.J1t one is still inlvollvedl in

mus ilc one way or anillh,er. We, to ur a Ib1t and its pre1t1ty d!ema nti'ingl 0 n yom personaillilve. lalkingl ofHmm jobs tofour 2.-8 we,eiks doesn't al:ways,

work:.. .especilaIlly when you have: a fu mi'lly to support or yom 1tryingl1to go to school, E'vewo na ilila1t hlas p Ilayed step dow n so !FIBS could move fmll!.l'ard. Challl'ie hlas beicome, more of shladow members of !FIBS,helpingl wiltll: songl wrilLingl.

AYPziiliile:-W'ow"SiO H M Mi1iIgi1ilziiliile: 'gi1ilV,e: y'(l'U gl!lysi1il Clii1ilPPY lie:vi'e:w" gue:ss the,iili NOlie iilil to tli1l e: Meti1illbolie:1 A II. styl~e:s ,i1iIIiiIO liiIoti1illll iiliilto tli1le S-tli,e:e:t P' l!IliI kSioe:1iI e:. B.e:siid e:s tli1le: lievi:e(ws (gooo Oli bi1ild) do yo U lieli1illllYSie:eiiliil g il N'i1iItteli?' As lioliil'gi1ilS you liov'e:

you Ii m usi:c iis il blii'IiiI'gs bi1ilck tli1le: 0iiiIYswhe:1iI II hi1ild Exp lo.j'tedi1illiild 'GB H Oliil Il'IiiIly ta pel pi i1iIye'li fWi1ilY Di1iIckwli1le:IiiI}. How do YOl!l Sie:e: t IiiI e: P' UIiiI k :50e:1iiI e: tliil e:5ie: di1ilYs oOIl'liil,pi1illieid to tliil e:ei1illillY yeli1illiS?

Eye of ili,e, lI'ilger - Su ru illm II 867-5309(Jenny) -lommy liu,fu:me

iF'ree, IB ird - lYri nard Slkyn na rd

'!;!\!'a1tcll: Yom lBaclk -Coclk Spa mer

Jlo hn ny IB Go ode - CIh!!..JC1k lBerry

Ace of Spades - M oto rheB dI

]'lllliF,11y Away -1trad'iti:onlall hymn

Wow, we, have enoug h mvers to do a whole, cover album .... hmmm

wliili1ilt YOl!lli ooiilil'g, youli IiiIOt gOliilliili1il p,l~eli1ilSie: 'e:Ye: li'\f0liil e:.

Jlosll: - ] mulldl go on andl on abou1t wll:y andl how it gill in1to IH M and h.ow mucll: andl why il d'ild'n't: warn it to gn 1there,. IBI!.J1t ill Ileave it alb ne. [l'oes it a1f1fBd: !!..JS 011 1the album salles! No, no1t a1t 21111.

AYPziilile- Is FBS Iie:OOIiOiiliil'g i1iIliilytli1l iilil'gi1ilt tli1le: ll'IiiIom,eliil t?Wli1Ieliil willilliile:w ll'IiiI'i1iItelii'i1illl be:i1iIvi1iIiIIi1iIMe:? Wilill y'ol!l ,guys be liel~eli1ilsiiliil'g iit tliilliiou g IiiI Wouliild ed R.e:oo IIIds?

Jlos Il: - Yes we, are li"e,coli"ti'ingl If ig h1t nDW.

AYP'ziiliile:- Te,111 USi1iIDOl!lt the: liIeiW We are rel\e'asingl om new stru1f1f' on 7", so

iff you dbn't have a reicord pllayer, gle1t Ili1iI bell,wiilill il De stlii'cUy iilil the:

one. We are, dbingl1three: nEW songs and a Pl!IliI k" Oli Cliilliiisti1i1illiil :Sioe:liiles?Willll m!!..Jlch aslkedlfor cover. We sho!!..Jld hl2fVe ilL y<ou be: d<oiiliil'g EP's Oli fl!llill availlable JuneJJ'ully'09. No, Wound\e,dI wi'lll liel~eli1ilSie:s? AIiiIY Ii eleliilSie:s you Ci1iIliI no1t have anylthingl te db willi this rel\e'ase.speli1il ki1ilbol!lt?

We am s1tarltingl a Ilabel1to rel\e'ase iliiis ou,1t Jlosh - rill have,1to db a 1foll~ow up on 1the; on and we; wi'lll be; lIel!e'asingl oilier brillh,er labelllia1ter. Kits a crazy iidea 1tha1t I've been bands s,1t!!..J1f1f 01!.J1t on ilL too, 1throwing aroundl fur sometime, andl il have alb1t of support and encomagemem db db it. so hit me baclk a1flte·r we gle1t 1things mll'ingl andl we'lll spi'llll alll1the beBns.

AYP.ziilile:- li1iIllwi1iIYs thou,gliilt 7" (P's (Ii,e:oollids iiliil 'ge:liile'lii1illl) 'gi1ilv'e:i1iI NOlie: IllIliiIde:lCg lCoUliild 11e:e:1 to ,i1iI bi1illiild si'liIoe: ae.t m'i1iIliilY peiopl~e: :5tillllliili1ilv,e: AYPziiliile-Oliile o1f Il'IiiIly fi1ilv,oliiite

tUliliilti1il bl~esi1ilIiilYIl'liil:olie:. Sowliili1ilt's tlii1ilcks li1Ii1iIs to be: "YOlll Ci1iIliI't H iide:"

tliileooYeIi tl!llile y'ou guys wilill be IiiIOt oliilliy 11:OIi tliile: ll'IiiIusiic but

oOYe: liii liiI'g? IIY lii:ci1iIIIIIY"w IiiI i:cliil II Sie:ei1ilS bi1ilsi:ci1iIlllY

Jlos h - ] ag Ifee,. ] Ibve lfeiCO Ifds! !! So rn:eooIiil1lli,oliilt iiliil 'g Y'o l!Ili OWIiiI pel IiSiOliili1ill1

. s,1to1Ie; my cds a few years. agiO iis:suesi1illiilo oeli1illiiliil'gwilh tli1le:m,.

andl il d!eiciid!e:dl1tha1t wha1t my chlan:cE!; to ge:1t Y<Ol!Ili otliil e IiSiO liI'gs d eli1illlw il h

into my reco rd co II eic:iI!:on. ] j,us,1t gill a ..siill'liill illi1illi tli1l iilil'gs" bONI pel IiSiOliili1ill1 nEW. reco r~1 p Ilayer ~1,1th a ~ISIB po rt so 115tU ff to II il1fe: i' IiiI g eliil e lii1illl. How do

can b us.1t 1the rern~d~, .1to fll.les on ~ my y<ouSie:e Y<Ol!Ili m l!Isi:c (i1iIliily mns i:c)

computelf OIR s,tralgh1t to IPod.l. 1H.0pe,you .... . .... ~·II. . ~'. . .1

.. ' ...ll . _...ll.· .'. Ile"'-. I 11k . ..... "'1t..i1iI.Si1il Wi1iIY 011 lie ,eli1il:Sie: IIOIi pe:op e:s

eniJoyeu my uuS.]Ieh .. lldce'. I WIle ,cover ... I,' S . bll .... '. II"'f 7'

one 1tha1t we, have be,e·n doingl fur a I~ongl plC~" ,e:Il'IiiI,S 1,.1iiI lie:",

1time now so, il yo u Iknow ili,e s ongls we' Jlos h ,- Je:SUISIIS 0 m ,~e.llease; 1Tr? mom

evell covered! you m ilgh1t j,!!..Js1t gUESS lIilg hl. P r.o b I~ms. "!i.e, a ren 1t b e1t1ter ilila~, Y?UI,. we

IBI!.J1t heres a Ilils1t of wha1t ilL coulld be;. il s1il11l1 de'all .wl,1ths,1t!!..J1f1f~~o. Our Ilyncs],ust '.

Iknow ilLs, a broad s1tretch ill artis,1t. 1te.I.II~ s1t?lfIes abo~1t ililrl,g,s we,have deB~

w 11th. lhey allen 1t preachy and we a ren 1t

go in,gl1to ge1t upon s1ta ge andl1telll yo u 1tha1t yO!!..JI needl Jesus. "YO!!..JI C3n1t IH iide" iis, s1tory abol!.J1t my bro1ther,.(mos,1t m ;. ,. ' so ngls 01f1f of "lhey lHa1te Yo u" ndl "iF'ight lBefore Smrend\er" are

a nd its s.Jtra ilgh1t up 1tell ingl him

;., .; he has 1to s,1top Ifi!.Jnningl from s problems and! deall with hiis

I II ns.

ypz iilil e:- NOw, ] kliil ow you 'llIYs dOliil't liike to be Ili1iIbelis Cliilliii5ti'·i1iIliiI P'UIiiI k bi1illiilo but

'I e: lii1il OOl!l pl~e: 011

Iiilliii5ti'i1illiils p Ili1iIyiiliil gSioN,e

, ood ol~e: St lie:et PUIii k.Wliili1iIt m,e: fiiIi5t" the: N,USi:c 'Oli tliile: ll'iiliil'g? cont. pg34 pg. 31

RETURN TO CINDER cont .. " ... ".,'

ORM - Nnw ,tt<eillill usabiiltt

abeutthese nther bandsf can knork these 'bNo out prolilly you <gUyS ar'e ,cunentilly together, 811111 of the glUYS have real a,ctDiivie iiin. S!!lImelliime:sl jobs, real th~ngis to tend too, and <get confused onwho'.s im~ortcmt I~fe th~ngls to manage d(]!.iiin<gwhat wiiilhwh(]!.m? allorl@ w~th the band, In reglands to C(]!.ulll,d you menlliion nlow art worlk, I aliso do Grap~li:c Ed~tilngl

defunct bands? for an onlme publli:catt~on called

Co Ilin' s AR-15ils sfi III BIUl syG a m e [;, com .,' G ra ~hi:c A 1ft has

jammingl quite a bit rlIOW, allways been a passion of rnlne, other t~lan that the rest of espeCiia lilly old skool poster a rt, I

lUIS a re just do~ngl RiliC dilgl the glri~Uy to m up rag:g:ed

We'llll hilt the road next style, so w~th an on hand desi:gn

yea r~il th~nlk we'lll be ready, team, pilus Bililly Meyer's studio, dits about damn tlrne, we are a one stop production shop, handll~ngl most alii of om

aRM - S(]!. h loW didth e po ste rlCD II avo uts a n d reco rd~ n gl

name IReturntt<(]!. Oiinder ,come on om own .. DN has been jn alii of

I haven't beenin t~le studio realilly about? ou r system since the 90's, andit

~n quite a wh~lie, soi fellt a bit Wellll, after I stopped pllayilrl@~n hasjt's place when you start out"

unrehearsed at first, but once the Madagla~n Sailnts. wilth Loveletter's Gettt~rllgi yom product to a Ilarg:er finished project came OlUlt on somefirn Lara, I did some solo wrWngl audierllceils where the hi:clky

of those songlsil was damn for a bit under RTC Some of the business cornesjn. Luclkilly we

amazed" lFe'llt 'glmat, and Colll~n's matelr~alll stemmed from ~IOW I~t feilit have some 'glmat co,ntaclts liln

vocals all:ways slUllr~'rilse me, J'rn to ,get a n~tmned II!euelr, 1111~lke from Texas, so liloolk for lUIS havl~r'I,gl a

1IIIilke damn "I~ cod!d and woull!d of someone you cared about head start Drll that end of the dealli.

never tholUl,ght of dDlingl that (amon'!]lst o~lellf heartbreak Welllll, one step at a t~me anyhow."

thelre", totalilly makes th~s ~'mjed tlra,g:edli:es hah)." An d what Ik!~nd of

new and lUln~'mdktabl!e, lin a 'glmat ~Iace that mactlion co,ull!d ~lUlt ORM-What does the future

way" someone, emot~onallllly." U could holl!d for IReturntt<o Oiinder?

mallillywilfedic a person, but I~t coull!d Thlils is our tlime, I~twont stop here

aliso set afllamle alny fe,ell~rll,gls II!eft liln V~ctolr~a."We have a lot of

WI~t~1 whomevel[, Basi:calilly IretUIm oolllllabDlifated tall!ent I~n ~'mjed RTC,

you to ash, from where you and we are on a rli:de thalt wl~111111

sti:allfted", , lit was ~'mtty linstant make people remember how Ilon,gl

that Sender became Oilnder and we've been dOI~n,gl t~llilS, and st~111111

there ya ,go, blr~n,gl some ,glreat a,g:gllressTve rnasic to the stag:e"

ORM- YIoU ,guys havea musfc viiideothat was recorded iiin Aug. T'elllill us abiiitaboul that, who's doiiin<gthe viide!oand what .5!0ng iiis iiit for?

The RemaJ~ns video wals shot by Scott Harkey lirll Vli:c:tolrlia, We shot

ORM- Besidesthe mus!ii€: YIoU at 3 dilffellfent Illocat~ons, l~tS very

have onilliii newii:llilither,e bea

odd .to me dOlingl thli s ty~'e of . III f c·' IT'll .. '.'

-." ... - ,- '. '-' . . r,e ea.5!e lora·. ILl' .anytllme iiintt<erviiew, 1II0lokiiing florw.ardtt<o

media that Ilisn t ]lUlSt a 1IIIIIve show . "). ·t h'·' 11111111'·' . I~

.. . . .' . .. . . . '. .5!00n.. ,ea'IIIC ling va IllVe .5!00n ..

shoot" ill mea n you ~'lllay YOUIf so n'gl.. ...11 ~- LL. .. t:. LL.

III-ik 0.0 ...... . . t:.~111 '. LL.' d- . W. e a. 1.lre.wolllltl..llln,g.l.o.n bile.: r.lest.' 0. 'II t.'II"I.le

II, e!Q . tllmles on IIIII rn tlille e' IlltOl1f ~'LL. d

'.'-" . d . ·Ik. '.... III ••.. k songs IIOlr bile Ire,CO'IIf,' rlIOW, w.e are

cuts III ~ lUl~' a n,: mt a e~ yo lUI 00, sch ed lUIII!ed fo r mco'lrd~ n'gl Iii n rmd

,g.ood ns ho.w II 'gllUless lilt. w. mlk.,. s, T.~le 0'. If, b os .. III·. '" 11,._. 11'''1k

.. ..' .. - 'Oto,elr "::J, OOK:::li, 111,e we: are life

Illast day of the shoot was 1IIIIIve .• and., III '. - . d. '.. ·1111 tLL... 1M

a yll n'gl 'ow rll a " UII e so n'gls . '.' 0 re

do neat t the Dow n Tow n lBa r&.. ,glirlilllill .... k t:... b ·t· ·tLL.. . . d ' . d. '"*. '.'

_ . ,. . WOIIf, IlorlUlsr "lUlli II II lie en' ~'ro, lUlu,,-

lin. Texas, ill haven t seen any of the"111111 b ..)11 . d If, LL.

.. .... .. ... . .. ... ' WII"e ueanelr an' ,,,-ouglnel[,,

dilJIP'S yet but III ~Io~e he shaves a .

few yea rs off lUIS I~ n the pro cess ORM- D,esiiid es m usiii,cW' hat

h a h a, We are ,go I~n,gl to use Iii t I~ n oth er iiitt<ems of iii nrerested do

ou r press ~,acka,g:e fD r booikJin,gl you ,guys do? If,elllill us what

and such at SXSW, ~!lllUIs odlline lilt'11i1 Busygal1liler.'lDonl iiisabout?

,gilve: new 1IIIisteners some lilrlISli:gl~lt on aRM- T,ellill usabit about the w~latwelre dOI~rll,gl.,.artworkl.'ve .5!eren wiiith .5!0me

ORM- Than ks SIDott ferthe

IBe Sure to. check tjhelm

o.ul: t@ www.,lmyslpace.,colm/

Ip,lleasereturnl:odinder

pg32

Oi,w,6hooneih.il: In no pa rticu la r orner... ]. IDeath - "Human", 2 .. '(:e~s - "fragile", 3.

Em peror - '\A.nth ems to the Welki n at Dusk", 4. Emperor - "Prometheusa Th e Discipl i ne of Fire end !Demi,se", and S.\fIIatchir:ower - "OJlntroll Denried" oflMhich I try my hardest to i'gnollfe' the ,singing. Five ed's ere not 'e'nolu'gh to express my i nrfl uenees, but, th is is the best I {Druid do. The fins1 ,ojlM.aSeasy "Death - Human', that is the pinnacle of melM.anting to play d ru rns, I sti II remember hea ring it for the first time. I boug ht it at Sound ~voll ution ,

j us1wecekg after buyi ng "Chi,dk O:lrea's Electric Eland - Inside Out", I couldn't ,get .over how OJrlOITU I the d ru mSll\l'8re. I sti II put that ,oj in ,andenrjolY it as much as the fins1 time I heard it.

AmwlWidQon: WOiW that's toug h! I I ike ,difFerent bands and albums for diffelfe,nt n;easons. I'll say what comes off the top of my head. lronr Ma idene Seventh Son Of A Seventh Son, Meg,adeth:: Rus1 In Peace, Testa merit:

The Lega,cy, Emperol'":: Anthems to the Welki n at Dusk, lhsa hnr:: The Adv,ersa ry. !Don't asl):: me to put nu m bers onr it ,oae: they're a II bad ,ass! They're a II nu rnber ones, but it do esn't end there, ]4. Besides the music., ,aW{ otheti' iinlt_sIt the band m.etHlbetts h,ave, ,side

ba nds, irlead ing,etc'?CiliiW6hooneiihil: I've

,a Iw,ays been i ntri'g ued by ert, I do a II the ,mmputer ert for the band, with the e:>roeptionr 'of 'Olur "'Where no IKi 11. gs ••• " cd 'oove'r, I pla nr to sta rt pa i nti ng soon, end, I I'o",'e'shmt stcries

ie, H. P. Lo",ec~ft

ArnwlWidQon:Orpheus Has two side pro~'ects Sa rtol~,aus ,a black metal expesi menta I proljejci

1]. 'Gomilng om oliJ:exas, 'gw'e UiS :so,me ,a nd La rv,ae, ,a mrn;e, 'experi menta I pro~,ect with

ilnpm .on otheti' n ott,e;wo,liIth¥ ,eJdJireme: bands ,a buddy of h~s. Vetis pl.ays with Erebus,

.out th.et1'e'?' frolnted by oOur ,ex-voo8 list, As fOl'" myself I

AmwIWidQon:\NtJJIM, there ere ma rty, especia Ily ,a h.!\fays lM.a nted to do a classies 1/ poil.i\fer meta I in Houston, J ust off the top of my head. Gate~s type 0011' projed. Of cou me fi nd i ng ,a 'g reat

Of Enoch, Acalva ria, Adu rnus, Gol,gotha, ,singer rna Ie or female wou ld be the hardest

I nsidious [lecon;e,pa ncy, OJn dernned and 'so pa rt, I elso wa nt to do ,anr ,aoous1ic neJw ,age

ma 11.11' mOl'",e~ There r,ea Ily is ,anr ,ar,s;:ma I ,of fla menoojci.assioal pro1ject ,aslll'[eli. I've 'go<t

,amazi ng ba nds inr the -r:e,xas u nder'g round. va rious m usic!riffu that donr't qu ite fit Ninth !King,dom's s1yle • .onrly ti mewi II tell if I ev,er follow through with it.

Gont .....

dou ble bass, ,a 11. d d id nr't bel ieve that I did n't use my rig ht foot, 'so ye,ah, it w,as ,a OJol f'eeAing. I ,guess I still ,got my M,arine, me,ntality. heh, I really just en~o¥ playing, ,sal if I ,get the opportu nrity, I will.

10. Besides th e "Where No. Kin gs .. "CD what ,otthell' maiteri!all do you have

,availl'a We. I:s there wod:s .on th e way fo.Il' new materiali'?

AmwlWidQon: '(:es,IMe' have a demo out '08 lled "The DalMnring" - it has our older sorngs on it induding the 'OI'"i'ginraI vemionr of The Last

J udg merit. No<t ell of our older son gs, but a select few of them. 'We ere ,al r'ea,dy wOI'"Iki ng onr n8!l\I' materia I whi le sirn u Ita neously rel.!\f'OI'"Iki ng

a nd fi nrishi ng the u nrfi niched older 'songs. We, pia nr on releesi ng ou r older music on a specie I release, but we don't have date, whenr we will finish it. Ri'ght nQiWIMe/r'e focusing 'on pushing ~Where No !Ki nrgs Sha II Iilloa m. ~

12. What are YOUII' views dea lilng Wiltth, the realilttyoiT lirfu'? What do y,ou.seeas the beslt ,and woli'Slt h.un1i:1ni,tty has tootffiet;'? Cii,w,6hQooneihi: IDealingllllith the n;eality oaf life?' Hmm, I don't seje ,a ,choli,o=, r'eally, life is ,as rea I ,as it 'gets, rig ht? I 'g ue~ss if onre were to choose, not to ,dea 1,lIlith it, they ,e,ither <comm it suici,de, or .goo c~:zy. I Ii Ik1eI/IJho I ,a m, ,all. d how I vie!lM the w'OI'"I,d, .a lOot oflMhD I .am w.as shaped by things inr th~s w,ol'"lod th,at I ,agreellllith, ,along with thi 11. gs th,at I wa nt toO ,go ,ag,ai n,s1 ,a nd fig ht toO des1ro¥, without which I would not h,ave ,aoquir,ed ,a pa,ssionr fm. So I'm ,glad I have

thi ngs to hate, despise, ,a nd de~si re toO

,a nnri hi late! These ,are ,all pa,ssion,s that ,drive me, for.all these things, I bec08me who I ,am. So the be~s!: thing humanity has toO orffe,r me - is me;. ,and, the wor,s!: would be - to denry me. AmwlWidQon: I f,a,o=, wh,atev,er life thro'MS ,at me. lllili II mrnquer ,and des1roIY whatev,er problems <come my w.ay. It's the only I.i\[,ay. One '08 nr'tll\l'Uss out .a nrd ru 11.1 ,alM.aY from I ife. If you do it'll be you r ownr demise. Look not toO fai lure but t,o vict'OI'"y!

The w'01~1 Humanrity has to 'off'6I" is ,de~s1rorying oumelv,es ,and thel/IJ'ol'"l,d for ridiculoOus reaSOlniS.

The best humanrity has to off,er is yet to be, seen,

1.3. Gi,\fe: me: YOUII' tQop 5allbunlS olf'a III time.

B,IiUJlliAL liRllJllilHl - ~E\!Ioll:u1ton Ihrou'gh

Rie\!lollu1tO n"

Bru.ta.i Truth: ~,eat to hear n,eM' music fro m omta.i truth, Th iIS iIS one rO,f the best rO,f nan n,y L ilfiiers sidle pFrOijectS, wheh some ma,y h,alJ,e r,ememberedi, (hint, StmmtruopelS u,m,eathr, and lest not fuf~ Nuclear

,o,ssault), his oomj}a,~,es,arso mUI~i fuioetedl.an,dl

versati le, find homes in L,eth,arg1Y, N:u:clear ,o,ssau~, lDama,g:edi, Venomo us eoneeet, Su laeo, i\alibus, Wint,er and lGta,1 Fu:ckin.g IOestruetion. Th iIS iIS their filSt ,a.ibu m in {l'fer 12 yealS. ~ tearsat the ears ,aM m,an,a.Qledi to ..... n ,al G u lness 'MHld1 r'eooi'dl ,aiwaHll t:or

shortest vidleo. See k 'out the 'excellent traess,

th r,ou:gjll R'e/'oM imf, "Deta.ch,edi', ~Lif:el" and '''Grind! Fidle Iiri'. Wow: ~ me I1s lnto ,a, Qlrin,dioof,e SQ'U nd wi1h, 'every .dJetach,ed1 atonal ,ett:eot Imown, mix'edi wthr

the i ntense ,dirul mm in,Ql 'of R lehard Hoak and the time less 'o,ldI schOQoI 1h rash so,un,d] Li IfiielS bass i:lfin,g)S, if 'f!J'UI usten to th s ya,ur ears w:mt stap rin,gin,gla,n,Ql ,en,o,u:Qlhr to make ,ar calm ,on your bru,kien car spea.fiiers, I:!ut be my Qluest - pl1l1f it la'Uidias palSiSible.

In shrst, if Mot,orh.eadl can kill YJJu r NI,eigh boIS lai .... n, B:rutal Tru1h cansu m mOon centipedes to bu rmw u n,dier the house till it sin fis.

15. Thanks iTolI' the ilntetrview. AW{ 1filnall WOJrlds that weren't mentiQoned'?' Oi,w,6hooneihil: rd ljk,fo·1:l=Jk yow .em yow:r 811pporf, I tnJ.y :appeciale ·th:Girl that yowfook thet:irne, :;m(iJ e1furt to ~ Ninih K.i::n~ to~ pec.p1= who 'I'>\lliWJ.iil ne;rer m'Oe he3f1i! oJ' ua. 'IRA...NXS EiROI1ffiR!

; i m,e tto "L :u"nl:ly:e (N.a pal'ml Reoolids)

who 'e1i'er ..... oMeredi whlf yaul .dJOon't see T'h.e c.;","m,iin lin, '''.andl Rarmmst,ein t,ourin,QI tog:ether sh,ouldl

h alJ'e ,a, lilSt,en to M i ndl o.~. It fu !fills ,evel}'th in,QI

I\r'e h.a'pedl was Qlo,in QI ,a,n in music, .andll,ealJ'e it to th.e to kn.aw haw to< r,ack. ih.e ilF,mlluction iIS

th.e h,armonries tty' h ighl .an,dl1h.e QlU itar mal fiies 'lilyidle seem lifiie he's g:ot ,ar Ii mj}. I want,eodl to j}oin.t 'il'Ut th,a.t nat ,ar word! ,ofth.e tyrCsiutt,er.anoes .ar,e QlI'!JW Iedlfscr,ea, moo m ,ath,elWise in,dleciph.elii3.ble. nidi cea.n .and ..... ell tr.ain.edl Y!Jrcas.a1l I'!J'U n,dI. pg33

1tDI!.H"e,dV!l:i:mlhi, 11F111a1t;fu o1t 5 (5 eB ~Iy eB mlly 'Om Ca lrE!a'llly lib lIligjl fuii,iiiliLe, a go), ililhi e, la Sit IIHI 'Ope"

uOlilltt........... ]Dshi, dhims.IDllamllPl!.mik, 1thia1t IlFii:gjM W;o IDile, OCO.amlil lDhie,re lhiave beem a

is :mIhi,e sm pidles,1t Iililll gllil lhiave ever lhiea rd. lhi,alllillluljj II. 'Of ba IIlds lDhia1t lhiave db.lIle 3-5

lIFO' liiiIiIle, lilwasll'ilstelill lill alilid IP'llaylillligjl IlPm~ ik dia1tes.w ilDhi, IIjjS mill lDhie I~adlirnll lDhiBi ra reas

lrocik II DlIligjl be,ro re, Iii beC3 iiiIiIle, a belllieMe,r. 1tDO. ilie.xas. ba mllls, we're IP'llayed SD iiiIiIle

\!\i\I1ilyalillil,e s,mpidllllabeJl's? "'iiiIiIiiiIiIlliiiIiIiiiIiIle,ehi,. s'hiowswi:mlhi, ILDwe,r Ollas.s.llBr2i1ts&.Iil,e, IlKirll!.JlliiiIiIl

IMiiiIiIlliiiIiI8e;hil,.liiiIiIiiiIiIlliiiIiIle,ehi, .. m dbm'1i: Illi'ike lDhiBiiiIiIl lIB IjjiiiIiIIS •..• OOD is fl~iiiIiIl Sam AJI1i.1illl1iio sc iii

beamse lDhiByare IPD'I'ifui,ca'll <Or fIJru,archio <Or gm2S.s. lDhie,y iQDljjlll:lt as iliX ballldls1tDO.

bBC2Il!.!Ise lDhieyare ID~.¥ <Or GDlilic <Or gl!.!l.1tIter "'Iil,ese balilds are, 'DIIlIIIFIIBS' 1illp flmiiEmid~s.II'iISit. ''0 r beC3ljjse, lil,eN are, Ohi mis,fuilams". iliha1t lis lDhie s.IDljjpi:dES,1t lilil1iigl .: ~~. lilts gD mill,iiilil.iij sic lDhiel1il iiks g'O'Od liiiIiIlliijsiic s.IDDP be;illligi a INaiii ab'OIjj.1t lDhiilllglS and gwnw IIjjP.! ililhi,e, IlPmii'ik lrocik scel1ie lils1thie mil'lly ''Olilewhio lis .. absD'I:me'lly lhia rd lI1i,'OsBda'bD m s,p'l'iltilDilllgl liij P lil,e·iiiIiIse:llves by 'DIIl'11y II'illlkiilllQjI 'Dille, rorliiilill ,'Of Ipmii'lkiwncik. Way 1ill s,lTIilllll be, in liiiIiIlli:ddl 12, SChi.Do'll ....

AYPiiiliile- Y,e;tillIiI.r glCDWiiiliilg l!IP' I

IiiI e:V'BIi l!IliI 0 e;listDDd th e:w 1IiI0II~e: '1ltilbeillii'liiIg' f'DIIi IiIiiIll!Isii:c.r fOIi liIiiI,e iif iiit w.tiI:5 he:'ffVY.r f.tilst, .tilb,li.tilsiiiv·e: {wlliletllile'li He.r 8111ti1ck Mle:ttil'll.r Pl!IliiIlk# I IiiIOl!lst liiiitillll.r,et,e} I Wtil5ti1 bil e to get iiiliil to iiit f011i tllil e 1iIiiI05t p<tiI rt. I'v·e 1iiI0ti:ced tbat tllil e Ch liiii5tJiitillii

IIJJ IiiIO ellCg 1i0l!lIiilO§ice:1iiI e IliltiI:s m til 0 e:tiI IiiltilliIiiI e f,olli iiitSieillfwiiit htil'liot of IIi,etil'lliy 'gODO btillilos. I htilvle f,liii:e IiiIOS that caa't g e:t ov,e.1i ,ce>littilii iii btilliilo:5

be:ii liiI'g ch liiii5tJiitilliil.

]'Ds'hi,- ':le:ahi". 1thi,em area few gDDdl balllid~s 'DIjj,1t Iil,ere,.allld liiililom 1illlbe lhie:ardl. INo1t 1tD IPilcik on y'Dljjr f,milel1id Ibiij1t IiI Iii were,1to II'iISitelill 1ill a balilid alild lDhieN caiiilile, a1t y,DiijIWilil, BIlery1DhiilllQjI lDhia1t lil,eN II'ilVe, ror,.whi,YWDljjldl yo iijl IIIlD1t II'ilste'l1il1to Iil'BiiiIiIi? .~. liiiIiIleal1il, 9 'Diij.1t <Off iIl0 "satanic" balilds arejl!.Js,1t "s.a1talllilc" be&3l!.!1se lilt 'Diel1iid~s IpeDp lealilid lilt sBII~s lDhie;ir iiiIiI.I!.!IISiIC. QiijeEn!!! 'Dme ,'Of lDhie greatest IroCika mcJI'r'D'111 ba IIlds. eve,r. B'Hdld'ie, 1M BrGljj IfY was open Ily gl;aya IIld s.ID1!.J:dk 1ill hilS gl!.J illS abDIjj.ltlik. m :resped 1il,2i1t al1id Qiijeelils

a'ib Ijj iiiIiIl "INews ,'Of lDhie '\No mid", lilS 'Dillie, ,'Of liiiIiIlY 21'111 fuiiiilille 1illp iIl0a'IbiijmiS BIlBr .. "'''''''Silll@S,.shi,8Br lhii8t3n altiItacik!!! ..•.

~1ts. gOil1iigl baclk Iljjl1iidE,rgmljjlllidalild ym.Jlare see,iIllQjlwhio's. lim lik ro r re:all alildwhiowas Ii 1111 lik be,caljjlse lDhil2,y ~'D Ijjl1iid a ba IIldwagD 11i1. m1ts. cydle lils Iljjp .aglaillllal1id lib. g'Oil1iigjl1to bea ~,res'hi, slta n. m lDhiiril'lk .~.a IIlS,WBr~ y'DIjj r (ljiijles,lTIi:D mlbe1tilte,r lim #" 8.

AYPiiiliile- If,e·11111 l!ISabDl!It SDm,e of tllile: btilliioS YOl!l 'g l!Iys lliltilvle: tDl!Illi,eidl pil!tily,eid wiiitllil. Wlliltilt .abDl!It ·§iD •. e: lfextils btilliil oS.rtilliilY 'gODO olile:s YOl!l l'iil~e? ]'Ds'hi,-We've

pg.34

TlHEY HATE' · ... ou - JUNE' ;mms:

AYP.iiiliile- 1l\I0w IIi,e'til'lliiity of II'iif,e# 1IiI0'w 00 YOl!l§iele: tllilewodd the:Sie: otilys? Do y'Dl!I gl!lYs IliltilvetilliilY pDII'iiti:ctil'll

iii IiiItBIi,e:sl:s?'W htil too yo l!I :Siele:tilS Oliil,e of tllile lbiiig'ge:5t iiissl!les ftildiliilg IIiIl!I.:tilliliiity?

]'oshi,- ..... lhl.DmeslDlly? 'il\D iijl re'a'lllyw;:mlt liiiIiIle, to a I1is,we,r 1il,a1t?f,111 ilke,ep lik Shi,D It. [1ts a SilClkwD mild, silclk silclk silclk. m db 1Il1'1i: 1ta Ilk IPo'l'i:tbi,CS., BIlell. IIPB~:D d. INe.x1t (lj.l!.Jles,lTIi:D m. •

AYP.iiiliile- I' 0 lIiI·tilvle tDtilglmewiiitllil ylDl!I Oliil tllile wodd b,e:iiliilgsii:ck bl!lt I a'iiso lliltilve tD5ieJe: iiittil5 g lliowiii IiiIg tDWtilliOtil blliiiig IIiItelli 'ClDIiilSidiD l!I51ii1 ess. P l!Ittiiliil gtil5iiid e poilliiitJi:cstilliil 0 ,cedtili'liiI IIi,ell'iigiiD l!IS olCgtilliiliiztiltJiio 1i15., w htil I:s be:e:1iiI yDl!Il1i lliltillide:st wa'lllk yo l!I 'vie: lliltilo to ,e:liilol!lli,e:tilliild ho'w Ililtil5 iiit liIiiI:tilde: YOl!l stlCDliiIge'li iiilil y'Dl!Illi IIi'Btilll'iity?

]'oshi,- m lhiave a vew d'm:gjladldidilve pa Sit alildia d'milll'lkiilllQj IprIDb'I!e:liiiIiIl lDhia1til dEa'llwilDhi, e,vewdlay. S1DwnriiigiEW?~1t hasm't. IMy failDhi, liriil ]leS,iijS lilswm:a1t Ilkee,ps liiiIiIli2; s.ID~ lIligjl.~.a iiiIiIl Ibm a liiiIiIlalll,. ]e:SI!.JIS lis G:Ddl, lrue says. so.

AYP.iiiliile:- 'Gle:ttJiiliilg tOo tllile IIiIBtilirt off ylDl!Il1i IiIiiIll!Isik.r lIiY,liii:ctil'llliYr WhtiltSiDliiIg do Yol!l .,e:e:111 deifiiililes wllilo tllile: baliild iiis?

]'oshi,- lIFO' liiilile lib "laSit IMam Stariiid'illligl" .• ~ lDh1irillk earn, SDIIlQjI lhiasliks owm :fuca <Off I!RIBS Ibm j:I!.JlSit 1to gir.re a chie,es.eallls,wer, "a'1I1 iii walillt 1ill db,lilS I~cik alildl m'lll".

AYP.iiiliile:- AII'liiiig ht ]osllil.r I 'g l!Ie:ss tlliltil twiiillll be iiit fOIi IiiI ow. lflliltillillks a'ilot fOIi tllile iiiliilte:lliVi'ewtilliid 1IiI0pe tOo be:tilltJIl~e tD§ie:e: YOl!l g l!IY5§iDDIii. ]'oshi,- INo, lDm:a 1Il'lk yo iijl.~ltwas liiiIiI,Y IP'lle8s,me;.We ShiD Ijj Idl db lil .agaim

SD iiiIiI e,fuiiiilille;. Ilel liiiIiIle IIkiIllDW lif lDhi em lils amylDhiillligl we cam db lt~ lhile;I'p.

(;alillows- ~GlCey H,lfiitflilill~ ·08 (Walilli1ieli HI1C05 • .)

IE n.gllish pu n k Qlnou 11 Gsdlows beQl8n, to Qlet nut be atter ;81 q]U CK siQln in.QI to ,epita,ph in the UI IS and ;81

su i)s,ei:ilu:en! siQln in.QI tOi W.3.m er, h.eftin.QI the m some million pOiunds. Tlh.eysoiunclli~e r.aw[lan,ziQl wthl mOi!'e 1R,e:fuiSedl th no. ... n in. Qlnea! rrusle tal cu:e up at ;al s1r.ang:e bar, es it seems to ft in wth h.edioin istic cI~rn.u:ch @f1j. 'v\J,ca.list fran k: e~.nt@f' is lo!ft~n pem misJtic about G!allu .... s rutune, sta.tin.QI'(l1;I"er ;and!'O¥ler that Tattoo art will :always be h is lire, :andl that Gallows;as ;al wh.OIe, may h,alvle ;SI lim itee! lif·e.spa.n, but aoomdiin.gJ to the m.ns ','.1'1.01 S1M' them play the ,entinety otvans ws.rpedi IDiU r, th.ey m.ay Ire arou n.dI ;al lut IOin.g:er, if not ;:31 ou ~ aet, lh.en;:3I majoir snakeu l1'OIUh.e 00 mf'Oirt pu n k has miU ncI in its socia.! ooml1laoen.cy.

],ob flolia 'uowboy- ~lih!lili1latiiiolli1l~ CD'

·09 (Metall H,I!adle)

HI.alvlin,QI rle\3,ch.edI #54 'an B'illbOSJdS tOiP 1 OQ, ;SI pla,oe f·e. ... Dea.th 'M eta.! ban,dis 'Oin 'M eta.!IEna,e!e R'eoOfdS fnd] th e rrseiw,es, th.ey¥,e rlema.in.edi,e:Wle meily busy with

tOiU rs laical I ;an,dl ;a.l:!lrllJ'a,e!. Tlh.ese Glendlalle, Ar,iZlonal mu;s,icia.ns h,a,v,e lreen ;aJllJiU n.dI ;al rleila.tw,eily sh.Drt ti me

tmt haV1e f7eileaiSed!m.e IEIP :andl n.ow t .... ,1]1 stud! io

;81 IlJIu ms With "iRuin'atioinf AJ GII.1ISlSman ,o·fIDIESIPISIEID ICONI :and] JI·o!hn Rioejoinedi in, time mirth.e newallJlum :andl h,av,e tJir,oiu:glhI ;a, h.u:g:e in.teniSiIy tOi ~ IFAC th.eir first :altm m 'Oin Iy h in.tedi :at. 'IOoinstitui ional 'M.astu FlOOjj.Oinf

;andl 'tJo:ros ,of Ch,a.olS'" bein.gJ my f.l3lo'1arlite, th.e title tr.a.ck tak in,QI it diown. ;S, notch mm in,QI ;across ;ss no (limy. An ,exoeillen! r,eileaiSe, f.antaiSt C oO¥,er art to'o, f:ans ,oUh.e

,oM sCh.aa!1 can IUse th S ;as;8i saf·e pi3iSsa.g:e into modiem m u;s,c with.out see min.QI to o'eag:er tOi dlr,o. ... n, jo!bf·araool .... bay is ;a g:!Jl!Jdl pla.oe tOI start.

GioFe- {)illlrfiiirsts:iH~#,. whlueh V"li1:S: UHl, 5th 1im,e wefia:m'm,e,d 1o!!),et her" wm;: at Z!eFQ"s: hanl Rock CII:llIlb liin COrliJilllS ChIiUS1iU, IX lun MI<l1j!" \I'IlI'le ha!d ]s!on,!!)s;, III ,dltd n't know the II~ lives and we s1!QI:e th,e s:h 'fNJ", PiII<ljlie,d th,e SllIlm'm,erIFiiiFes,1!omilills:how liin JlllIn,e at S,lllIn

'. R<lnd h,er,e lun \liiic.toliu<lud liin AU!!)lI!JSt th,e Riif!.i1ersii:d,e M'IlIIIJ1julilWex. We:I'r,e Ibook!u n,!!)

,,' •. ,s:h'fNJS an,d afe Ipllla:jliu n!!) th,e H!EM!dlban ,!!),er'ls Balill at t h,e ~u\!1ers!td,e M'IlIIIJ1j(pll:ex , Oc1o!ber .2:4th and }h,e Go r,e,!!) FOV".liIer'IS: B-a'~11I N!O\!1eim'ber lun San An 1oniio at III'e R'oek 18i0ttornml ,dl:llIlb" S,o far V"re'\!Ie Ipll'ajlie,d V".liiith afe pmn h,e,d, S!1lI mea'l'iis!ml, An 1!!)IIlIIUS h Illn IExli:I:e" IBilood RJoots:, [)IIFIE, Le\!iuathan, Bern lirlj! WlilIIIFa~lll,

M'llIta,1to n (ion ta!!!)ltoIUS: (iorr'llIlptto n ,s,tron!!),erIhan AliI!.

. - Out ,of VictOlf.ia, I dio:n'lt .know!lbt ,of

: .here, but tile enes 1 diOi .1ill000,ihey'lre pretty Jll)FF is one lof them, Tbey'lre!l b!ludito IreI)olgo:izie." Om ~inger is inlese with tbem" And! there c,mil mere ,of!lmeU(]IW jam bmd!

metal but fu.ckiHoe!l.chhis m"Om

. - HopefuUy we C!l:O £!t!l:ril'ecrnl'dii:llgreal

BIUi lilre eoe:rytb:i:ng else" maogy t!ilk;s:mdi !li:o."t :goi that, I!:UiM :S!()(I(D. .M w,e ~lIlliu;arelb:!Il then d!efi:oHety w,e wILlreco:l'di!lod "KUlA win lie ~lp:re!ld liI<ie!l riclrness;,

$~" 1 bands a-:-. aU ages

·:·~4J byob w/i.d.

itedtulllllid:dle: - .. B,ig , l" en

IEv,ery type ,a,1 rare and ,en,d!ang:er,erl] house beat has been ,~ploited! and abused at the h.ands iQf R,ectUi mic:i(je. IEv,ery, I tell YOUL ~':s the i3r,etty Hate r",a.ch in e of rem rn earts at an eleetron ies eom parw warehouse. Hilarity abou n,dls trom 1e'J,ery ,diir,ectiain. ld plary it IDf trends wh.en th8¥ stop two Th is s the n.ew ta,ce ~or is that Gap in,g: Pissh.a.le?) l(lftheir

pawntg:of,eJCyl:ler g:rin.(j i'eV'Oolution. Th is release featu res m;'3rin,g: sounds, a pi QI, rhlyth mic flatu lenee, 'eV"'6r'f note inl the SlOoU 00 speetru m bein,g pierced! try the Si:IIu:eaJs and sh u)~ers ora su j)diu:edi woman, and a (jrilL The mast cu rious 'iJ't' these son,QlS are, '"Pam

I n.terlu)die", a title whJch oonfoo nds the t stener and ?It,~~.,!~ bears asun g:, "ifthat was pamOlg]r.aph~, what fne fuck

t\ was I h.earing: th.e rest otthe time? My mamin,gi:la,oOon

dOoing: a f,e. ... verses with ,ar dru m mach lne beaten tw a ,dii Ido? Ami what about the other title, '"My Piss is ,al Spermllan I;;"? theres ,ar mo ment 1(If pause ..... hen'l'Ooul oOonsklier sacomasoeh istic i mpu tses to be u,utg:o-in,g]1y

entertan in,g], but willy is .HIS ass the spermean It?

Wh at about ,ar II those women;? AI'e th.ey busy ..... ith the pigl? H 'ow ,d!i(j th,8¥ in,oorporate the ,dirilla.mI leali,e the artist holdin,g] th e g:a'OdS? Moarybe the pru1Qiliai mmer s r'ea.lly ,al mE and her tan.taiSY to dirill ,al pig: and r'ecmdi

its diea,th th r'!lJ,,,,sl kosher stylel is g:etiin,g: mOf'e and more dliffcu ~ ,as she trips thr'Oou:g:h dim m patterns try ,a.ccidient. I near 'early ~ ml:I! lo'o'PSI pu n KI th r,ash ,and! dance, but the moan in Qi and scree min,g: stl3lf the

SIll me. Id tie di sappa'in.ted! to ,d!isoew,er the samples ..... ere from actual pam films ,and! not iJfivate l'eoor,d!in,QlSI as .afllJl'Oon.e so sex 'a,llsessedi to r'eGOoI'di so meth ing: Ii ke th is wOoulfln't h,arv,e .amy shame in r:ev,ealin,QI th e rrseves to their ,a.,diarin,g: pu ble. I lov,ed! it,

,and! ..... iII eontinue to listen to it pg. 35

CRIMI Publl'iicat'iion 380:1, Ilone Tree:ftC Viid:or'iia, TX '7'790:1,

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