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from Foo Fighters - Greatest Hits

All My Life
Words and Music by Foo Fighters
G5

134

Intro
Moderately fast Rock q = 168

µ(G5)

End Rhy. Fig. 1
  Rhy. Fig. 1
                                    
                       
Gtr. 1 (dist.)

mf

P.M.


5
3


 

All

my

life

5
3

5
3

5
3

Gtr. 1: w/ Rhy. Fig. 1 (3 ¾ times)

 


 
All


 

 
 
see


 

night

long

I

me

with

the

get - ting

5
3

5
3

5
3

5
3

-

dream

of the

5
3


thing.

-

5
3

5
3

5
3

day.

to

the

leads to

When

prize

   

at


feel - ing

that

I

feel

the

most,

Interlude
Gm



the


 
 


end of

tak - en

feel

5
3

5
3

P.M.

5
3

5
3

Harm.

4
4



 





3
5
5
3

3
5
5
3

3
5
5
3

3
5
5
3

3
5
5
3

f

0

  
 
noth

the

-


ing.

Noth -

rope.

Leaves

it

come

to

life

when

I



5
3

a - way.



5
3


      

Gtrs. 1 & 2
(dist.)


5
3

       

 

it comes a - round, and it’s


5
3

nev - er

-

er

5
3

 

close,

clos

5
3

 

       


 

5
3

    
 

ghost.

5
3

thing nev - er comes,

5
3

    

Some

       

 
  

your

Gtr. 1

5
3


but I’m

   

5
3

    

 

ing sat - is - fies

5
3

I’ve been search - ing for some


     
-

5
3


Am






 



 
  





0

3
5
5
3

3
5
5
3

3
5
5
3

5
7
7
5

5
7
7
5

5
7
7
5

0

© 2002 EMI VIRGIN SONGS, INC., M.J. TWELVE MUSIC, FLYING EARFORM MUSIC, LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC
All Rights for M.J. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS, INC.
All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.
All Rights Reserved International Copyright Secured Used by Permission

1

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Gm


  

Bbm




 



 

3
5
5
3

3
5
5
3

3
5
5
3

3
5
5
3

5
7
7
5

0


 

   

0

3
5
5
3

Am


  

3
5
5
3

3
5
5
3


 
 







6
8
8
6

6
8
8
6

6
8
8
6

6
8
8
6

3
5
5
3

0




 

 
 

3
5
5
3

3
5
5
3

3
5
5
3

0

Gm



  
 











 





3
5
5
3

3
5
5
3

5
7
7
5

5
7
7
5

5
7
7
5

5
7
7
5

3
5
5
3

3
5
5
3

3
5
5
3

3
5
5
3

0


0


3
5
5
3

0

Bbm



 

0

Gm





 



 
 





3
5
5
3

3
5
5
3

3
5
5
3

6
8
8
6

6
8
8
6

6
8
8
6

0

Verse



   

µ(Gm)

1. Calm
2. Will



 
don’t
a

down,
find

I

 Rhy. Fig. 2

     

  

P.M.
P.M.

3

you
re
be - liev - er,


3

3

 


3

Bbm

3

 

   
 
  

P.M.

3

3
3

2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

3

3

6
8
8
6

6
8
8
6



3

µ(Gm)



 

5
7
7
5





6
8
8
6

  

 

  
P.M.

it
to

a
de

 

-

3

3



del - i - cate
one who be -

  
P.M.

3

 

wrist.
lieves,



P.M.

3

3

3

3

3

3



 

Am

twist,
ceive



P.M.

3
3

P.M.

  

3
3



 
5
7
7
5

give
one

5
7
7
5




5
7
7
5

3

P.M.

6
8
8
6



 

You’ve such
a
an - oth - er

And
if
I
an - oth - er


 

µ(Gm)

   
 
 
  

P.M.

3

Am

sist.

3

3

P.M.

3

3

  

  
P.M.

3
3

3
3

3

3


 





5
7
7
5

5
7
7
5

5
7
7
5

Gtrs. 1 & 2: w/ Rhy. Fig. 2




µ(Gm)

 

some - thing to
o - ver and







I

 

  
P.M.

3

3

there
er

µ(Gm)

An
and


  


-

-

er
you

rea
let

-


  

up
my
noth - ing


 

oth
if

Gtrs. 1 & 2

  
P.M.

3

 

3

3

3

to
and

give
if

me
you

son
me

to
in

  

6
8
8
6

3

find
get


just
o -

6
8
8
6

some - thing in
an - y
clos -

6
8
8
6

what
pen

I
up

need?
wide,

Gtr. 2 tacet

Am

One
On

by
and

one
on

Gtr. 1

 
 

µ(Gm)


one
on

mf

 

bleed,
side

-

I
I

Bbm

by
and

one
on

hid
I

2nd time, Gtrs. 2 & 3: w/ Fill 1


hid - den
I
got

 

up
my
noth - ing



  
  





5
3

5
3

5
3

5
3

P.M.

P.M.

3
3

µ(Gm)

sleeve.
hide.

to

3
3

Will
If

    
  
  

P.M.

3

Am

grip.
knees?

3

3

    

µ(Gm)

3

my
my


3

 



 

lose
on

P.M.

3


   

 

End Rhy. Fig. 2

P.M.

5
7
7
5

hold
when
o - ver down

Bbm

to


-

den
got

sleeve.
hide.



  
  

3
5
3

3

5
3

5
3

5
3

Fill 1


 

Gtrs. 2 & 3




P.M.



3
1

5
3

5
3

f

5
3

5
3

5
3


 
Harm.

4
4

3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

No warranty of accuracy or useability is implied or claimed.      End Rhy.For educational use only . 1 & 2: w/ Rhy. Fig.   Eb/G Eh. Rhy.ning me                                                   0 1 0 2 3 0 0 1 0 2 3 0 0 1 0 2 3 0 0 1 0 2 3 0 0 1 0 2 3 0 0 1 0 2 3 0 0 1 0 2 3 0 1 1 2 3 3 1 1 1 2 3 3 1 1 1 2 3 3 1 1 1 2 3 3 1 1 1 2 3 3 1 1 1 2 3 3 1 1 1 2 3 3 1 Gtrs.                         3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3         C/E   F  Way keep pin .    Eb  Bb A  . 3 Gtrs.         6 6 7 8 8 6    I love    0 0 0 0 0 0         it but I hate the taste. -   Bb ning me down. G5       I    love it but I                                                                      3 4 3 5 6 3 3 4 3 5 6 3 3 4 3 5 6 3 3 4 3 5 6 3 3 4 3 5 6 3 3 4 3 5 6 3 3 4 3 5 6 3 3 4 3 5 6 3 3 4 3 5 6 3 3 4 3 5 6 3 3 4 3 5 6 3 3 4 3 5 6 3 3 4 3 5 6 3 3 4 3 5 6 3 3 4 3 5 6 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3   f    hate the taste.not for sale or trade.Chorus Eb/G     Eh. 1 & 2          don’t let it go to waste. Fig.                   6 6 7 8 8 6 6 6 7 8 8 6 6 6 7 8 8 6 6 6 7 8 8 6 6 6 7 8 8 6 8 8 8 6 G5        don’t let it go to waste. Fig. 3            T o Coda C/E F   Way keep pin    4 Digital Conversion © 2011 Sorgdal . 3 Bb Eb    Bb A  down.

3 3. 1               5 3 5 3 5 3 P.3 3. Rhy. 1: w/ Rhy.  nev -  µ(G5)      All my life I’ve been searching for some thing. Fill 1 Gtr.For educational use only . Noth - ing      clos - er to the prize        sat . 5 3 5 3   5 Digital Conversion © 2011 Sorgdal . Some              er leads to noth - ing. 1 (1 ¾ times) Gtrs.    15ma     Gtr. No warranty of accuracy or useability is implied or claimed.     comes. Fig.3 3.er  get . 1 & 2 3 5 5 3 3 5 5 3 3 5 5 3 0                    3 5 5 3 3 5 5 3 3 5 5 3 3 5 5 3 3 5 5 3 0 0                                           5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 3 5 5 3 3 5 5 3 3 5 5 3 3 5 5 3 3 5 5 3 3 5 5 3 3 5 5 3 0 0 0              6 8 8 6 6 8 8 6 6 8 8 6   Bridge Gtr. 1: w/ Rhy.ting   close.      f * 3.3 3.3 3.fies but I’m       at the end of the rope. . Fig. 1: w/ Rhy.3 3.M. 1 (2 times) Gtr.3 3.)           Gtrs.Gm           Am Gm     Bbm  (Oh. 2 tacet µ(G5)        -        thing nev . Fill 1   Fill 2 Gtrs. 2 & 3   Harm.3 * Harmonic located three tenths the distance between 3rd & 4th frets.not for sale or trade.3 3.is .3 3. 2 & 3: w/ Fill 2 (8 times) Gtr.3 3.3 3.

Done.   and I’m  one.Gtr. 2 & 3: w/ Rhy. Then I’m    done and I’m      one. 3             I dream  of the day.        see your     when I    life          one.   Digital Conversion © 2011 Sorgdal . 2                                                                                          3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 End Rhy.  done              done      one. Fig. feel   Done.not for sale or trade. Move strumming hand up and down length of strings to produce ascending and descending harmonic pitches. Fig. 4             1 3 4   and it’s  1 Gtr.For educational use only . 4A  3 4 Rhy.round.       on to the next           on to the next   one. I    feel the  done.en a . . 1: w/ Rhy.  Done.      When  it comes a .   Done. Fig.way.H. 4A      Gtr.  most. done       and I’m on to the next   Done. 1 (5 ¾ times)    G5  All night  long Rhy. 3 3 0 0 X 3  *To produce harmonics while strumming.   Done. Fig.ing that      done.           Gtrs.          6          ghost. it come to    done and I’m on to the next and I’m on to the next on to the next one. Leaves End Rhy.  tak . 4       3 3 0 0 X 3 3 3 0 0 X 3 * P. Figs. use all downstrokes and tilt right hand slightly so that edge of thumb brushes against strings. Fig. No warranty of accuracy or useability is implied or claimed. 4 & 4A (4 ¾ times) me with the feel .

4 4 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3                 5 5 3 5 5 3 5 5 3       *P. 3 tacet G5 Rhy. Fill 2 Gtr. al Coda  next. 1 & 2: w/ Rhy.  Harm. 5  Done. to the next one. . 5                                                                      Gtrs. 5 End Rhy.       I’m done and I’m  Gtrs. Fig.              3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 3 3 0 0 X 3 Rhy.M. 1 & 2     f 5 5 3  5 5 3 5 5 3 5 5 3  5 5 3 5 5 3 Gtrs. 1 & 2: w/ Rhy. Fig. 3 3 3 5 5 3    Harm. Fill 3 Gtr. Fig.    done.H.  done. Fills 2 & 3         on  1 to    the next. 1 3 4 3 4 4 4 Gtr. 5 5 3 5 5 3   I’m done  5 5 3 5 5 3 5 5 3   and I’m 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3   5 5 3          on Done.S. 1         P.       done      and I’m  Gtr. No warranty of accuracy or useability is implied or claimed. Gtrs. to the next one.                                                         on to the D.not for sale or trade.For educational use only . 1 & 2 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 Rhy. 2 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 4 4 *See footnote on previous page. 7 Digital Conversion © 2011 Sorgdal . 3          on Done. to the next one.    5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3          on Done. 5 5 3           on Done.     I’m done and I’m to the next one.

  1 14 11 13 13 16 16 13 15 15 done  and I’m            on next. 1 & 2                                   (Oh.  to the                    1        1 1 14 14 15 15 16 16 17 17    1 14 13 Digital Conversion © 2011 Sorgdal .)        Gtr. 3    1   13 11 15 13 Outro                     1      on  to the next     Done.not for sale or trade. 1              I’m    1 15    1 13 6 9    13           11 Done.    1                      . Coda G5 Gtrs. 11 8   1 1 8 11              done.For educational use only . No warranty of accuracy or useability is implied or claimed.      one.

Hey Gtrs. No warranty of accuracy or useability is implied or claimed. All Rights Reserved International Copyright Secured Used by Permission   - side side 1 Digital Conversion © 2011 Sorgdal . 1 & 2: w/ Riffs A & A1   7 X 4                4 7 X 4   you go in no F#5     - there? where.J. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP..J.    stuck right out be © 2002 EMI VIRGIN SONGS. LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M. FLYING EARFORM MUSIC.) Intro Moderately fast Rock q = 144 *G5     Riff A1                                13 X 10 13 X 10 f  11 X 8 Gtr.)   are don’t 7 X 4    1. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS.For educational use only . TWELVE MUSIC. .by blue. INC.) I’m I’m you.     F#5                      End Riff A1         11 X 8 11 X 8 11 X 8 11 X 8 11 X 8 11 X 8 11 X 8 11 X 8 4 4 4 4 4 4 4 4 4 4 4 4 G5  7 X 4 F#5  7 X 4      (Ba .   (Don’tgo  no -   where. 2 (dist.not for sale or trade. INC. 1 (dist.Low Words and Music by Foo Fighters Drop D tuning: (low to high) D-A-D-G-B-E Gtr.)     11 X 8 11 X 8 11 X 8 11 X 8 11 X 8 11 X 8 11 X 8 13 X 10 13 X 10 13 X 10 13 X 10 13 X 10  Riff A               f  5 5 5 5 5 5 5 5 5 5 5 5 5 5 *Chord symbols reflect implied harmony. M. 1 & 2: w/ Riffs A & A1 (4 times) G5 7 X 4 End Riff A Verse      7 X 4 4 Gtrs.

where. -    -  You be        F#5   - We Me could and    an .G5            you.For educational use only .)  use you   like side -  F#5   my         (Go . Gtr.     pass -  er   - by. oo. Riff B                                                 5 5 5 5 5  5 5 5 5 5 5 5 5 5 5 5      I’ll be your 5 5 5 5 Bb5         F#5 one an .ing no oo. oo. G5     G5              er. (Me and you. No warranty of accuracy or useability is implied or claimed.oth .er I’m right be where.not for sale or trade. 1 F#5 oo.oth go . 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 4 . you.)      5 5 5 5 5 5 5 5 5 5 5    new 5 4  4 4 4 4 4 4 4 4 4 4 4 4 4 4      one to pass                                                 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 2 Digital Conversion © 2011 Sorgdal .ing no   Pre-Chorus G5         you. you.

Fill 1 Chorus Eb5 End Rhy. 1: w/ Riff B 2nd & 3rd times. Fig. 1 & 2: w/ Riffs A & A1 G5             F#5      oo. Oo.ing you as  Rhy.      Gtr.ing on    tight. Fill 1         low as you go. . C5  2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 Gtrs.   End Riff B              2 2 2 2 2 2 2 2 2 2 2 2 2               2 0 2 1st time.For educational use only . 1    Tak . 1 & 2 Rhy.) G5    Screws in -          side 2 2 2   F#5   turn so 2  2 2  2 2  2 2  2 4    turn . 2. Gtr.not for sale or trade.   I’m    hang . Ba   - by  blue. Bb5             you. 1                                2  1 1 1 X X X X 1 1 1               10 10 10 X X X X 10 10 10 X X X X 10 10 10 3 Digital Conversion © 2011 Sorgdal . No warranty of accuracy or useability is implied or claimed. 1: w/ Riff B (1st 7 meas. Gtr. Interlude Gtrs.ing on T o Coda E5               you. Fig. 1 1 1 1 X X X X    as End Rhy. 2.  1.E5         through.

1 (3 times) Gtr. Rhy. Fig.   you   go.  Coda Chorus Gtrs.Gtrs. 1 & 2: w/ Rhy.       F#5 D. 1: w/ Rhy. al Coda    oo. 2     3 3 3 3 3 3 Interlude *Gtr.S.     low as  -   you    (Low as           ing go.    low as you    1 1 1 X X X   Tak . Fig.ing             Eb5 you         low you as as C5     go. Fig.not for sale or trade. as Low  C5 you C5      as       Tak low    C5 you Eb5   low    low as    as C5   go. 1 & 2: w/ Rhy. Fig. 1 w/ Phase shifter (next 8 meas. as you    Low as    as you          Tak     go. 2 Eb5       you   go.)   . as C5    F5   go. 2          X 1 1 1 X X X X 1 1 1             10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 X X X End Rhy. As you go. 1 & 2: w/ Rhy.) G5      F#5     oo. you as       as Gtrs.    F5  go.   go. 1 (2 times) Eb5      low as Eb5 C5      you   go.For educational use only . 1 & 2: w/ Riffs A & A1 (2 times) G5                  Oo. Fill 1    Eb5 Eb5           - ing you as low      4 Digital Conversion © 2011 Sorgdal . Fig. *Gtr. No warranty of accuracy or useability is implied or claimed.

not for sale or trade.For educational use only . No warranty of accuracy or useability is implied or claimed. .) 4 4 4 4 4  4 4 4 4  4 4 8 10 11 8 10 8         14 X 12  10 X 8 17 X 15 15 X 13       3 4 4  7   5  End Riff C1  End Riff C2  End Riff C                                                 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 8 10 11 10 8 10 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 2 4 5 Digital Conversion © 2011 Sorgdal . 3 (dist.  Riff C                                               f 5 5 5 5 5 F5     5 5 5 5 5         5  5 5 5      As low as 14 X 12      8 10 11 10 8       you     10   4 4 4 4 4 E5      go. 1  (Low as    Gtr. 2         you     go.) Riff C2 mf   Gtr.Guitar Solo G5      F#5                 12 X 10 12 X 10 14 X 12 15 X 13 15 X 13                  5 5 7 7 7 Riff C1 Gtr.

3 4   oo.        (Low as you Gtrs. 2 & 3: w/ Riffs C. 4 tacet G5                Oo.   Gtr.3 4 4 C A A A F# F# . 2. 2.  3 * 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 4 3 3 3 4 3 3 3 4 3 3 3 4 3 3 3 4 3 3 3 4 3 3 3 4 *Vol.6 3. 1           5 5 5 5 5     Gtr. No warranty of accuracy or useability is implied or claimed.3 3. C1 & C2   Gm          Gtr. 5 5 5  5       ** 3. Riff D w/ phase shifter               5 5  4 C A A A F# F# *Harmonic located six tenths the distance between 2nd & 3rd frets.3 3.For educational use only .)            3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 5 5 5         3 5 5 5 5 5 5 5 5 5   3 5 5 5 5 5 5 5 5 5 Interlude Gtr.not for sale or trade.3 3.6 Pitches: 6 Digital Conversion © 2011 Sorgdal . 5 5 5 5  5 5 5  End Riff D  End Riff D1 5       Harm. swells Bb/F          3    3            Low as you   3  C/E    go.       3   As     3            low    as   you  3    go. 2 5 Riff D1 * Harm. 1. **Harmonic located three tenths the distance between 3rd & 4th frets.)     3       3 D(#5)/F#     go.3 3. 4 (dist.

Low      you             low     Tak . go. go.ing go.       Tak             5 5 5 5 5 5 5 5 5 5          Harm. Gtrs. As low as you go.3 4 4 C A A A F# F#   -    ing you as    17       17 Chorus Gtrs.         oo. No warranty of accuracy or useability is implied or claimed.ing C5            as low         as you   as you as      you Tak .      C5      as      go. Fig.      oo.3 3. 1 & 2: w/ Riffs D & D1 (4 times) G5               Oo. 1 & 2: w/ Rhy. 1 & 2: w/ Rhy.3 3.      low C5 Eb5  you as     as Eb5 you      Eb5  go.ing you go. Low as as   go.not for sale or trade. (Low as Eb5  go. Pitches: 2.) Outro Gtrs.      as    F5 as   go.   oo. . C5 as low   Eb5       go.       oo.6 3.For educational use only . 2 Eb5 you     go. 7 Digital Conversion © 2011 Sorgdal . 1 (7 times) Eb5      low as you Eb5      low C5       you C5 low         you              as you low as as you C5                    C5 as you Tak .          oo.    oo. Fig.

TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS.) Riff A1         End Riff A1             9     Gtr. INC. 3 (fuzz) divisi f  Gtr. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. 2 (dist. 2 Harm. All Rights Reserved International Copyright Secured Used by Permission 3 3 5 3 0 1 Digital Conversion © 2011 Sorgdal . 4 (dist.For educational use only . INC. 1 Riff A (slight dist.. . 1 5 5 7 Gtr. Gtr. Am    Gtr. FLYING EARFORM MUSIC.) 0 7          0  1/4 1/4 0    5 5 7   7 0  5 5 7 0 0 7 0 7 0 7 0 5 5 7 5 5 5 7 5 3 3 5 3 © 2002 EMI VIRGIN SONGS. TWELVE MUSIC.Have It All Words and Music by Foo Fighters Intro Moderately fast Rock q = 162 * C5add#4 Gtr. M. 2 9 10 9 9 10 9 9 10 9 9 10 9 9 10 9 9 10 9 9 10        mf 9 7 0 9 7 0 *Chord symbols reflect implied harmony. LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M.J.J. No warranty of accuracy or useability is implied or claimed.not for sale or trade.  Am7  5 7 D        5 7 5 5 7 7   7 7 7 7     7 7 7 7 7   C     5 5 5 5 5            5 5 5 5 5  0       f 1/4 0    0 0 7          Gtr.) End Riff A                                mf w/ chorus  4 let ring 5 5 4 4 4 5 5 4 5 5 4 4 4 5 5 4 4 5 5 4 4 5 5 4 4 5 5 4 5 5 7 5 5 4 5 5 7  Harm. 3 Am 8 5 7 5 7           5 7 5 7 5 7 5 7 5 7 5 7 5 7 Gtr.

For educational use only . 1 Rhy.not for sale or trade. 3 8 5 7 8 5 7 8 5 7 8 5 7 8 5 7 8 5 7 8 5 7 8 5 7      5 7 5 7 8 5 7 5 5 7 5 5 7 5 5 5 7 5 D 3 3 5 3 0 C     7 End Riff B 7     7 7 7  7 7 7 7 7  5 3        5 5 5 5 5 5 5 5 7 5 8 6 D Eb      End Rhy. Fill 1 f 5 3            0 2 Digital Conversion © 2011 Sorgdal .Am Am7 Am         Rhy. No warranty of accuracy or useability is implied or claimed. 2 tacet Am7                                 Gtr. Fig. Fig. 0 0 7       1/4 1/4 8 6    Gtr. 2 8 8 8 5 7 8 5 7 8 5 7 Gtr. Fig. 2 7 7 7 8 8 8          Rhy. 4 Riff C 0 0 7       1/4 0 0 7 0 7 0 7 0 5 5 7 5 5 5 7 5 7 5 8 6 End Riff C             5 3 5 3 5 3 0 5 3 7 5 8 6 . 1 7 7 7 8 8 8                        7 0        1/4 0 0 0      7        Riff B 1/4 1/4 0 0 7 0 0 7 0 7 0 7 0 Gtr. Fig. 1                  5 5 7  5 5 7 5 5 7 5 5 7 5 5 7 5 5 7 5 5 7 5 5 7 5 5 7  5 5 7 8 5 7 5 7 5 7 5 7 5 5 7 5 5 7    D C     7 7 7 7 7     7 7 7 7 7        5 5 5 5 5 5 5 5 D Eb     End Rhy.

1 Gtr. 2         Riff D D             14 D  Eb   12 14   12 14 C D        Eb    1/2 5 7 8 5 8 7 5 7                   Am7 Gtr. 2 (2 times) Gtr. Fig. . 4: w/ Riff C (2 times) Am7 Gtr. Fig. 3 5 5 5 5 5 5 5 5 5 5 5         End Riff D 5 5 5 5 3 5 3 5 End Riff E         1/4 0 0 7 0 7 0 7 0 5 5 7 5 5 5 7 5 3 3 5 3 3 5 3 5 3 Digital Conversion © 2011 Sorgdal . 3: w/ Rhy. 1: w/ Rhy.Gtr. No warranty of accuracy or useability is implied or claimed. 2 12 8 6 Am7          Gtr. Fig. Fill 1 (2 times) D  C   End Rhy. 2  5 7 8 5 7 8 5 7     7 7 5 5 8 5 7 8 5 7   8 8 5 7 8 5 7 8 5 7 8 5 7            8 5 7 5  Riff E  Gtr.For educational use only . 3 8 8 8 8 5  7 7 7 5 5 7 7 5 5 D 7     5 7 7 7 7 7     7 7 7 5         7 5 5 5 7 7 C     7 5 7 5    5 7 7 5    5 5       End Rhy.not for sale or trade. Fill 1     Gtr. 4 7     7 0 0 0 7   8 5 7 8 5 7 0 0 7 7   8 5 7 5 5 5 7 8 7  8 5 7 5 5 7     7 5 5      1/4 1/4 8 6 8              Rhy. 3    Gtr.

0 0 0 0 0 0 0 0 0 3 7 5 5 7 5 5                   7 5 5 5 3 3 5 3 3 7 5 5 7 5 5 5 3 3 5 3 3 5 3 3 5 3 3 End Riff G . 4   8 5 7 8 5 7 8 5 7 8 5 7   I this     need maze to you D   try hold you me                           8 5 7 8 5 7 7 8 5 7 8 5 7 8 5 7 8 5 7 8 5 7 5 7 8 5 7 5 7 Csus2  on. Fig. 3                       0 0 0 0 3 7 5 5 Riff G 4 Digital Conversion © 2011 Sorgdal . kept ev - you’ve you’re 7 0 7 7 0 0 5   the to right find       your ’ry - wings thing 7 5 5 3 C   5 3 3 3 Csus2  5 3 3   wrong. 2 & 3: w/ Riff F Gtr.         8 5 7 C 5 5 7 7 7 7 7 7     7 7 7 7 5     End Rhy. 0  Through ev You’re ev - Gtr. 2     1/4 Gtr.not for sale or trade. through           Gtr. 4      some . Fig.one search .ing in all Am7   -  ’ry ’ry    0   be these 0  tween days       thing thing. 4 (3 times) Gtrs. in.Verse Am7       1. 2 tacet       5 D   and the 7 5 5   a - part. You’re my 2. not. Fig.ing    size. 2 & 3   Riff F End Riff F       0 Riff F1            0 0 0 7       1/4 1/4     0 0 7     Gtr. 1: w/ Rhy. 1 Rhy.For educational use only . No warranty of accuracy or useability is implied or claimed. end. 4 5 5 5 5 7 5 7 5 7 5 7 5 Gtrs. Wind . I’m D  C  Csus2     Through ev But I’m an - Gtr. 4: w/ Riff F1 (3 times) Am7    End Riff F1    0 Gtr.

thing. She Gtr. 4 0 9 11 0    0 9 11 0 0 9 11 0              let ring 11 0 9 0 9 0 11 0 9 11 0 9 when       5 6 7 0 0 9 11 0 Gtr. 1 End Rhy.thing y .Gtr. 4 Rhy. 3  Pitch: E drains Gtr.   you I’m Asus2   stayed an - A         the y - same one art. Fill 2    2 2 0           2 2 0 2 2 0 2 2 0         me                 5 6 7 0 5 6 7 0 5 6 7 0 5 6 7 0 5 6 7 0                   Gtr.For educational use only . 3: w/ Riff G Am7    -     ’ry .not for sale or trade. Fill 2A 9 0 *Gtrs. . want.. No warranty of accuracy or useability is implied or claimed.. 1 & 3 Rhy. A She fills                                    5 2 4 0 5 2 4 0 5 2 4 0 5 2 4 0 5 2 4 0 5 2 4 0 5 2 4 0 5 2 4 0 5 2 4 0 5 2 4 0 5 2 4 0     0 9 9 0 9       4 0 4 0     0 9 0 9 9 0 9     0 9 0 9 9 0 9 5 6 7 0         7 0 7 0 9 0 11 0                     4 0 4 0 7 0 4 0 4 0 4 0 4 0 7 0 9 0 11 0 5 Digital Conversion © 2011 Sorgdal . Fill 2  fdbk. Fill 2A 10 9 11 0 7 0    5 6 7 0 5 6 7 0       10 9 11 0 10 9 11 0       7 0 7 0    I’m emp          5 6 7 0 5 6 7 0 5 6 7 0 5 2 4 0       let ring 7 0 9 7 0 9        let ring 7 0 9       Dadd9/G 7 4 0    -        ty.     had e        11 0 11 0 - old you D   C    Csus2         And when I’ve   nough. *Composite arrangement  Chorus A     End Rhy.

not for sale or trade. 1 5 6 7 0 5 6 7 0         Gtr.             5 6 7 0 5 6 7 0 5 6 7 0 5 6 7 0            0 9 11 0 10 9 11 0   Gtr. No warranty of accuracy or useability is implied or claimed. 9 0 9 0 9 0 11 9    7 0       7 0 7 0       7 0 9 7 4 0       4 0 4 0                     4 0 4 0 4 0 4 0 4 0 4 0 4 0 4 0 4 0 0 X 3 .    0 9      0 9 0 9      5 0       3 3 0 0 X 3 9  3 3 0    10         Gtr. 2 0 9 11 0 0 9 11 0     0 9 11 0   Dadd9/A she       takes                   5 6 7 0 5 6 7 0 5 6 7 0 5 6 7 0 5 6 7 0 5 2 4 0       10 9 11 0 10 9 11 0        7 0 9     7 0 9   it       In                      5 2 4 0 5 2 4 0 5 2 4 0 5 2 4 0 5 2 4 0 5 2 4 0 5 2 4 0 5 2 4 0             9 0 9 9 0 9 9 0 9  0 9 0 9 G all.       her -             Gtr. 4 11 0 0 9 11 0 5 6 7 0 self. 3     let ring 11 0 6 Digital Conversion © 2011 Sorgdal .For educational use only .

         D/F# too           3 3 0 3 3 0 3 3 0           deep.         0 3 2 3  2 2 2 5 6 2 2 2 2 2 2 2 2 2 3 3 0    End Riff H 5 6 5 6 5 6 3       10 10 10         0 3 0 X 3     0 X 3 12 10 9       let ring 0 X 3 5 3 0 X 2    9 9       0 X 2 0 X 2 10 9 8        let ring 0 X 2 3 2 0 X 1 8      0 X 1         8 7 10    10                         0 X 1 2 0 2 0 0 X 3 2 0 2 0 2 0 2 0 0 X 3 7 Digital Conversion © 2011 Sorgdal .not for sale or trade.For educational use only . . No warranty of accuracy or useability is implied or claimed.      she’s       2 3 2  2 3 2     spill - ing            2 3 2 3 3 2 3 3 3 2 3       8 7 8 7         Riff H   F6add9 3 3 0 0      Fmaj13 o - G6   A  ver 0 3 2 3 0 3 2 3             0 3 0 0 2 2 2 2 2 2           8 7 5 6 5 6 8 7 G me.

    5 9 Am  D  C   .not for sale or trade. 3 Gtr. 3 0 0 X 3 3       let ring 0 X 3 0 X 3 5 3       0 X 2 0 X 2 0 X 2 0 X 2 3 0 X 1 2 o 0 X 1    -     2 3 2 9   Fmaj13 ing   Gtr. she’s      3 3 0 2 3 2                   2 3 2 spill -      10 10 12         10 3 3 2 3 3 3 2 3            9 9 10 9 8 8        let ring      Gtr. 2: w/ Riff D Gtr. 3: w/ Rhy. 1 Gtr. 4 tacet           Gtr. 1: w/ Rhy. 1: w/ Riff A Gtr. No warranty of accuracy or useability is implied or claimed. Gtr. 3 tacet C5add#4      have it Gtr. 1: w/ Rhy. 2 10    F6add9 T o Coda    G6 A  ver 0 3 2 3 0 3 2 3  me.         0 3 2 3  0 3 0 0   8 7 10 Go on       2 2 2      2 2 2 2 2 2 and       2 2 2 2 2 2  2 2 2                0 X 1 2 0 2 0 0 X 3       2 0    2 0 2 0  2 0 1. 4: w/ Riff E Am7 Am7 Am all. Fig.For educational use only . 1 3 3 0 3 3 0       Gtr. 4: w/ Riff B Gtr.       In the Gtr.  D Eb 10 9 9 10    9 9    D     7 Gtr. Fig. 2           9 10 9 9 Gtr. 4: w/ Riff H D/F#    deep. Fill 1  C 8 Digital Conversion © 2011 Sorgdal .

2 Riff K            Gtr. Riff I Gtrs.4: w/ Riff J it Gtrs. 2 (2 times) Gtr. 1: w/ Rhy. 1 . 4: w/ Riff B Am     Am7 Am  C   D  D  Eb    You’re ev Gtr. Fig. 1 .2.   C5add#4  Gtrs.     5 5    you’re    D Eb      ev -   Gtr. 2     9 9    10 9 9 Gtrs. 1: w/ Rhy.not for sale or trade. Gtr. No warranty of accuracy or useability is implied or claimed. 1 & 4: w/ Riff A (2 times)  9  have                 10 A         have it all. 3: w/ Rhy. 2: w/ Riff D (1st 7 meas. Fig. . 1 & 4: w/ Riff A Gtr.) Gtr. 2: w/ Riff I  9 10 9  C5add#4  9 11 0 10 11 0            11 0 11 0 11 0 A   9 0 End Riff J       7 0 7 0         7 0 7 0 7 0 7 0 7 0   all.4 End Riff I Riff J C5add#4  Gtr. Fill 1 (3 times) Am7 - C    ’ry - thing. 4: w/ Riff C (2 times) ’ry Am7   -       D    thing D     I’m   not.   Gtrs. 2     9 9 10           9 9 9 10 10 9 9 10 9             10 9 9 10 10 9 9 10 10 9 9 10    0 0  7 10 Interlude Gtr. 1 Gtr.             End Riff K 1/2 5 5 5 5 5 7 7 7 7 8 8 7 7 5 5 8 8 7 7 5 5 7 7 5 5 7 7 5 5 9 Digital Conversion © 2011 Sorgdal . 1 & 4: w/ Riff A   have it all.For educational use only .

1     G     In have it        Gtr. 5      D/F#    spill -         2 3 2 2 3 2     9 9 10         3 3 2 3   9 8 Gtr. y -        one want. Fig. all. 2 0 2 0 2 0 2 0 2 0 2 0 0 X 3 0 X 3 0 X 3 5 3 0 X 2 0 X 2 0 X 2 0 X 2 3     2 0 X 1 . 2 7  too Rhy. 4: w/ Riff H       deep. 2 & 4 5  Coda         5      (Go on and                  2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 Gtr. 1: w/ Rhy. 1 & 3: w/ Rhy. 2: w/ Riff K C   D   But Gtr. 2    5 5        5 3 3 3        0 9 0 11 0 7 0 Gtrs. Fill 2 C Asus2    A     She Gtr. al Coda Gtrs.)    3 3 0 3 3 0       10 10 10 12 10 9           F6add9  she’s 2 3 2 Gtr. Fig.S.Gtr.For educational use only . you  D   D.not for sale or trade. Fig. 3       Rhy. 5A      let ring 2 0 10 Digital Conversion © 2011 Sorgdal . 4: w/ Riff E  Eb  I’m  Am7  an -  y -       I’m an -   thing. No warranty of accuracy or useability is implied or claimed. 3 Gtr.

1 & 3: w/ Rhy. Fig. No warranty of accuracy or useability is implied or claimed. 1 & 4: w/ Riff A (2 times) Gtr. End Rhy.For educational use only .   Fmaj13     - ing o           3 3 2 3 3 3 2 3 8 8        0 X 1     0 X 1  - ver 0 3 2 3  0 3 2 3 0 3 0 0 8 7 10           0 X 1 2 0 0 X 3        9 9 9 10    Have      spill   9 8         2 2 2 2 2 2 2 2 2   7 7 -     2 2 2 2 2 2 2 2 2    7 7 7    2 0 2 0 2 0 2 0      o - ver      Fmaj13 ing    8 8   10 D/F# the deep. 4: w/ Riff H    A         0 3 2 3        G6        10 10 10 12 10 9  End Rhy. 2: w/ Riff A1 (2 times)        Gtr.not for sale or trade. 5       F6add9 Gtr. 2 C5add#4         In 2 2 2     Gtrs. she’s Gtrs. 5 & 5A G5 me. . Fig. 5A G6   2 0 2 0  A           12 12 12 12 12 me. 11 Digital Conversion © 2011 Sorgdal . Figs.   12        it all.

For educational use only . 2 Gtr. No warranty of accuracy or useability is implied or claimed.           0 0 0 0 0 0 0 0 0  12    0 0 0  12      0 0 0 0 0  12  0  12       5 3 7 5 8 6           2 0 5 3 7 5 8 6         0 0 Gtr.not for sale or trade. 5 (dist.)    mf     w/ bar grad. bend 0 0 0 grad. release +1/2 2 0 12 Digital Conversion © 2011 Sorgdal . 2 0 . 2 to left of slash in tab. 5 5 7 C          5 5 7 Am7   Gtr.Outro Am Am7                      Gtr. 4 Gtr. 3 divisi              5 5 7 8 5 7 5 5 5 8 5 7 5 5 7 5 5 7 5 5 7  8 5 7 8 5 7 8 5 7 8 5 7 8 5 7 8 5 7 5 5 7  Harm. 1 5 5 7 Am 5 5 7 5 5 7 5 5 7  8 5 7 8 5 7 8 5 7 8 5 7   Eb 8 5 7 8 5 7 8 5 7    * 7 7 7 8 8 8                8 X 5 5 3 7 0      10 X 7 7 5 11 X 8 8 6 *Gtr.                  5 5 7 5 5 7  D                 sim.

5 Am7      Am Am7   C   D      5 3 7 5 Eb   grad.   Riff L2   8 6        0            0 0 0 0  0 0    0 0 12 0 0 0 12 2 0  0     0 0 0 0  12  0  12     +1/2 grad. 6   8 8 8 5 5 7 5 5 7 5 5 7       5 5 7 5 5 7 5 5 7 5 5 7                                                    8 5 7 5 5 7 8 5 7 5 5 5 7 7 7                  End RiffL1 8 X 5 5 3 10 X 7 7 5 Am7 Am 8 5 7 8 5 7 8 5 7 8 5 7 8 5 7 8 5 7 5 5 7 Am7 5 5 7 5 5 7 5 5 7 8 5 7 8 5 7 8 5 7 8 5 7 8 5 7 8 5 7 C      8 5 7    Riff L1  11 8 8 6 * 7 0 Eb End Rhy. . D   8 8 8 End Riff L   11 X 8 8 6 *Gtr. dive w/ bar 8 6 2 0 2 0 8 6 -1 13 Digital Conversion © 2011 Sorgdal . Fig. 2 & 3: w/ Riffs L & L1 Gtr. No warranty of accuracy or useability is implied or claimed. 6 Riff L Harm. 6 (5 times) Gtrs.                  Am Rhy. bend w/ bar 8 6      0                End Riff L2 7 5             2 0 5 3 7 5 0 0 0 0 8 6 grad. Fig.For educational use only . Fig. 4: w/ Riff L2 (3 times) Am     Gtr. 1: w/ Rhy. release 2 0   5 3 8 6   Gtr. 2 to left of slash in tab.not for sale or trade.

M1 & M2 (2 times) Gtr. No warranty of accuracy or useability is implied or claimed. 3.For educational use only . 1 Am     8 8 8        µ D Eb         0 0 Gtr. 4 & 5   8 6 14 Digital Conversion © 2011 Sorgdal . 4 Eb End Riff M 8 X 5 0                 12 X 10      D End Riff M1                 12 X 10 C 8 X 5             12 X 10          Am7             Gtr. 3   Am Riff M 3  5 3 6 C 7 5 8 6 D Eb                   5 7 8  0 0 0 3 5 6 Eb µ                   5 5 5 7 7 7 8 8 8 8 8 8            8 X 5 10 X 7 11 X 8 11      5 3 7 5     8 6 8 8 6 . 2    11 8       0 0 Gtrs. 5       8 6 0 0 0 0 8 X 5  0 8 X 5 8 X 5 8 X 5 8 X 5 8 X 5 8 X 5           0 0 0 0 0 0 0  0 8 X 5 8 X 5 8 X 5 8 X 5 8 X 5 10 X 7        0 0 0 0 0 0 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 14 X 12   Gtr. 2.  0 0 C Am7 µ   5 5 5 7 7 7 8 8 8           8 X 5 10 X 7 11 X 8 11      5 3 7 5     8 6   8 6 D Eb 5 5 5 7 7 7 8 8 8      8 X 5 10 X 7      5 3 7 5  0 0  0 0 µ            Play 3 times 0 0 8 C            8 6    11 8 8 6 C D      0 0       11 X 8 8 X 5 10 X 7 11 X 8                  0 0  0 0 0   0 5 3 0 7 5 8 6            End Riff M2   12 X 10 Am Am7                                  86 0 0 0 12 0 0 0 0 12 12 0 12 12 0 0 0 12 0 12 0 Gtrs.not for sale or trade. 2   Am7                                11 8 X 5 8 X 5 8 X 5 8   8 X 5 8 X 5 8 X 5 Riff M1      8 6 0 Riff M2 Gtr.Half-time feel Am     Gtr. 3 & 5: w/ Riffs M.

Greatest Hits Times Like These Words and Music by Foo Fighters D5 A5 C5 E5 VII E5 5fr 7fr 134 11 Intro Moderate Rock q = 144 D7add6                   f    114 4. INC. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS. 1                                    5 0 5 0 0 5 0 5 0 0 w/ clean tone 5 0 5 0 0 5 0 5 0 5 5 0 5 0 5 5 0 5 0 0 5 0 5 0 5 5 0 5 0 5 5 0 5 0 5 5 0 5 0 0 5 0 5 0 5 * D5 Gtr. arr.For educational use only .from Foo Fighters .) 5 0 5 0 5   5 0 5 0 5 5 0 5 0 5 5 0 5 0 0           5 0 5 0 5 5 0 5 0 0 5 0 5 0 5 5 0 5 0 5 Csus2                   Riff A End Riff A f 0 134 1. 10 7 7 10 7 7 10 7 7 10 7 7 10 7 7 10 7 7 10 7 7 10 7 7 10 7 7 10 7 7 10 7 7 10 7 7 10 7 7 10 7 7 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 10 X 7 8 X 5 **Two gtrs. All Rights Reserved International Copyright Secured Used by Permission 1 Digital Conversion © 2011 Sorgdal . 3.) 134 12 10 0 12 11 0 12 10 0 12 11 12 10 Rhy. Fig. Rhy. End Rhy. 2A w/ dist. 2                                 **Gtr.. 1 Gtrs. FLYING EARFORM MUSIC. 2. INC. LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M. All Rights for I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL. No warranty of accuracy or useability is implied or claimed. Fig. INC. 3 (dist.not for sale or trade. 7 7 5 7 7 5 7 7 5 7 7 5 7 7 5 7 7 5 7 7 5 7 7 5 7 7 5 7 7 5 7 7 5 7 7 5 7 7 5 7 7 5 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 7 7 5 0 0 *Chord symbols reflect combined harmony. 1 & 2 (elec. Fig..J. . All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.                                                  Gtr. 2 Rhy. Fig..J. 1  0   0 0 D5   12 10  0   12 11  0   12 10  0   12   11 12 10                             w/ dist. TWELVE MUSIC. for one. M. © 2002 EMI VIRGIN SONGS.

2A                             8 7 5                             8 X 5 10 7 A5                             7 7 4 7 7 4 4 4 2 7 7 4 4 4 2 7 7 4 4 4 2 7 7 4 4 4 2 7 7 4 4 4 2 7 7 4 4 4 2 7 7 4 4 4 2 7 7 4 4 4 2 7 7 4 4 4 2 7 7 4 4 4 2 5 X 2 4 4 2 5 X 2 0 0 D5                               Csus2 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 10 X 7 8 X 5                                                              7 7 5 7 7 5 2 Digital Conversion © 2011 Sorgdal . 3: w/ Riff A (6 times) Bm A5 D End Rhy. 2 4 4 2 4 4 2 4 4 2 4 4 2 4 4 2 4 4 2 4 4 2 4 4 2 4 4 2 4 4 2 4 4 2 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 7 X 4 7 X 4 7 X 4 7 X 4 7 X 4 7 X 4 7 X 4 7 X 4 7 X 4 7 X 4 7 X 4 7 X 4 7 X 4 7 X 4 7 X 4 7 X 4 7 X 4 7 X 4 8 X 5 10 7 7 7 5 0 0 8 7 5 5 5 3 7 X 4 7 7 5 7 7 5 7 7 5 7 7 5 7 7 5 7 7 5 7 7 5 7 7 5 7 7 5 7 7 5 7 7 5 7 7 5 7 7 5 D5   Bm 10 X 7 8 X 5 7 X 4                            0 0 4 4 2 7 7 5 D                               7 X 4 7 X 4 4 4 2                             5 5 3 7 X 4                             Csus2 8 7 5 7 X 4 End Rhy. Fig. 1 7 X 4 7 7 4 7 7 4 7 7 4 7 7 4 7 7 4 7 7 4 7 7 4 7 7 4 7 7 4 7 7 4 7 7 4 5 X 2 5 X 2 7 X 4                              Gtr.not for sale or trade. 7 7 5 7 7 5 7 7 5 7 7 5 7 7 5 7 7 5 7 7 5 7 7 5 7 7 5 7 7 5 7 7 5 7 7 5 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 7 7 5 0 0 .Gtr. Fig. No warranty of accuracy or useability is implied or claimed.For educational use only . 2                              Gtr.

Fig.    3 2 0 0 2 2   1   0 2 *Next 6 meas. 2 Rhy.For educational use only .not for sale or trade. 3   12 11   0 12 10 0              7 X 4 7 7 4 7 7 4 7 7 4 7 7 4  Gtr. Fig. 2 & 3: w/ Rhy. Fig. 3A   End Rhy. 1 (2 times)   D7add6     *w/ dist. Fig. 3A   4 4 0 *Gtrs. I. 3 X X X End Rhy. 3    12 11   0 12 10 0             7 7 4 7 7 4 7 7 4 7 7 4 7 7 4 7 7 4   End Riff B    12 10 12         7 7 4 7 7 4 7 7 4 7 7 4                                    4 4 2 4 4 2 4 4 2 4 4 2 4 4 2 4 4 2 4 4 2 4 4 2 4 4 2 4 4 2 4 4 2 4 4 0 4 4 2 4 4 0 4 4 2 Gtr. 2        1. 1 Rhy.way. I. Fig. 1         A5 a a    one new       way day   mo ris   * let ring throughout   2 0 2 0 3 2 2 3 0 2 3    -   tor .   I’m I’m Riff C       Gtr. . ing. 4 Gtr. 1. No warranty of accuracy or useability is implied or claimed. 3 Digital Conversion © 2011 Sorgdal .Bm Riff B     Gtr. Fig. 2.   Verse D5 Rhy.

    Uh. 4 3 0 2 2 0 End Riff C  0 0 Gtr. Fig.night.   0 3 0 2 End Rhy. No warranty of accuracy or useability is implied or claimed. But I.not for sale or trade. 2 & 3: w/ Rhy. Fig. 1 (2 times)    C   - ing a - bright. 1. 1. *Chord symbols reflect overall harmony. way    and Em7   - ing it off all  burn leave   and be  D7add6   on.way to hang    2 3   3 1 0 2 and the    fol stars -   1    lows up -       you on 2 2 0    back   home. 4 Gtrs. Fig. ed. Fig. 1: w/ Riff C Gtr.         It’s   times . 1    D7add6      *D   I. 2 & 3: w/ Rhy.For educational use only .      I’m Do a I white stay  light or   blind run **Gtrs.     I’m I’m a a  street lit -    tle light di   -  Am7 shin vid -    ing. Uh. to . 2: w/ Rhy.  2fr   B       I’m I’m a a road brand     0 1      that new   3  C5   E5   drives sky     1 2   a . hind? - **w/ dist. 4 Digital Conversion © 2011 Sorgdal .

3 0  5   0  5 3  3  5  0     0 5  5 7   0 7   4  0  4     4 5     times   End Riff E 0 T o Coda Gtr. It’s Gtr. Fig. 5A Gtrs. 5 (dist.gain.not for sale or trade. Fig.)  7   0 0 0     5 3 0 4 5 5 3 0 4 5 0 0 End Riff D mf 8 X 5 Gtrs.)  E5 VII C5      f    like  these  you          D5  learn    to live   End Rhy. 2 & 4: w/ Rhy. Fig.   Chorus Rhy. 5 & 5A (2 times) Gtr. 5: w/ Riff D (2 times)      C   like  Riff E      these you   Em7  give and   give   a . 5               0 3 0 0 4 7 times                   let ring Gtr. 2 & 4 (dist. 1 5 3 Rhy. Dadd4     It’s    times 5 Digital Conversion © 2011 Sorgdal . 1. .gain. 3: w/ Riff E C      like these   you  learn Em7    to love   a  - gain. 5A    a . Figs. 5 mp  5 3          let ring 0 2 3 3 1 0 0 2 3 1 0 2 1 0 2       0 0 5 2 2 0 Riff D       0 5 2 2 0 0 3 0 0 3 0 4 let ring 3 0 4 0 4   8 X 5 10 X 7 0 4 5 5 3 0 4 5 4        End Rhy.For educational use only . 3  let ring throughout 0 0 5      Gtr.    Dadd4   It’s Gtr. No warranty of accuracy or useability is implied or claimed. Fig.

Interlude     Em7 Gtrs. 4  Gtr. 2 & 3: w/ Rhy. 5 & 5A (1st 2 meas.    Oh. 2 & 2A (3 2/3 times) Gtr. Figs. 1 & 2: w/ Rhy. Fig.   8 X 5   D5     7 X 4    A5 .     D5       9 9 7 6 Digital Conversion © 2011 Sorgdal . Figs. 1.)       C  like *Gtrs. Gtrs. 1 (2 times)     these Em7   time  and       Gtr. 3: w/ Riff E (1st 2 meas. 4 tacet             7 7 5 7 7 5 7 7 5 7 7 5          2. 1 & 2: w/ Rhy. 4 5 5 3  time  a  - D7add6  gain. 5   10 X 7 Gtr.) Gtr. No warranty of accuracy or useability is implied or claimed. 3: w/ Riff A (11 times)  and       time a .not for sale or trade.    Gtr.     Gtr.For educational use only .1.gain.) Gtr. 5: w/ Riff D (1st 2 meas. 4 tacet Csus2      7 7 5       Bm  oh.       9 9 7 7 7 5 *w/ dist.

  ah Gtrs.  A5  D5  ah.     Csus2 Bm   oh. Figs. 1 & 2       5 0 5 0 5 5 0 5 0 0 w/ dist.          5 0 5 0 0 5 0 5 0 5 5 0 5 0 5    5 0 5 0 0    5 0 5 0 5       5 0 5 0 0 5 0 5 0 5    5 0 5 0 5    5 0 5 0 0    5 0 5 0 5     It’s                       5 0 5 0 0 5 0 5 0 5 5 0 5 0 5 5 0 5 0 5 5 0 5 0 5 5 0 5 0 0 5 0 5 0 0    5 0 5 0 5       5 0 5 0 0 5 0 5 0 5    5 0 5 0 5    5 0 5 0 0    5 0 5 0 5 times           5 0 5 0 0 5 0 5 0 5 5 0 5 0 5 7 Digital Conversion © 2011 Sorgdal .S. 5 0 5 0 0 5 0 5 0 5    5 0 5 0 5       5 0 5 0 0 5 0 5 0 5       5 0 5 0 5    5 0 5 0 0 5 0 5 0 5 uh. 17 10 Gtrs.         Gtrs. 3: w/ Riff B      Bm  oh. 5 tacet    D5 Csus2   Oh.  D5  Oh. No warranty of accuracy or useability is implied or claimed.not for sale or trade. 1 & 2: w/ Rhy. A5   ah.                       5 0 5 0 0 5 0 5 0 5 5 0 5 0 5 5 0 5 0 5 5 0 5 0 5 5 0 5 0 0 5 0 5 0 0    5 0 5 0 5       5 0 5 0 0 5 0 5 0 5    5 0 5 0 5       5 0 5 0 0           5 0 5 0 0 5 0 5 0 5 5 0 5 0 5 5 0 5 0 5 D. Csus2   Oh. al Coda             Uh.Gtr. oh.     Gtr. . D5    oh. D5  Bm oh.For educational use only . 3 & 4: w/ Riff B (4 times)  D7add6               Uh. 4     f 10   steady gliss. 3 & 3A Gtr. D5    oh.

3: w/ Riff E (5 times) Gtr.     a Dadd4 11 X 9   Dadd4     It’s Dadd4       It’s   End Riff F 11 X 9    times    times   times . 2: w/ Riff F (3 times) C  Dadd4    these     you    you     give     and   Em7 learn    time   Em7     give   to love and   time   a           -     a .      8 -      these like a    like   time          C             Gtr. 5 & 5A (5 times) Gtr. 2 & 4: w/ Rhy. gain.   It’s   -   gain.   gain. Figs. 2 5 5 3 C        like these  Riff F         12 X 10 12 X 10 12 X 10    you           C      It’s times                    9 9 7 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9   Em7 learn       to live       Dadd4   a .For educational use only . 5: w/ Riff D (5 times)      C   like     these  Em7 time and       Gtr. Coda Gtrs.not for sale or trade. No warranty of accuracy or useability is implied or claimed.gain.gain. 1.     It’s times                             12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 12 X 10 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9  Em7   like these Digital Conversion © 2011 Sorgdal .

3   0 *w/ clean tone Gtr. It’s Dadd4 C   times   a . .gain. 2 tacet    like these    you  Em7  give and       give   Gtr. 1: w/ Rhy. 1 Em7 1 0 2 1 0 2 0 0 0 let ring 2 2 0  to love   a      and    time 2 2 0 -    gain.     It’s times     9 7     C    like these          C like   learn   Em7 these  time let ring 0 2 3 0 2 3 3 1 0  you                Gtr.Outro *Gtr. 2    Dadd4  a -    gain. 2 Dadd4 -       gain. It’s times       12 11 11 10 9 9 Gtr. Fig. No warranty of accuracy or useability is implied or claimed.For educational use only .not for sale or trade. 3 tacet     C Gtr.             0 3 0  Dadd4 0 3 0 0 3 0 0 4             let ring 3 0 4 4 5 3 0 4 5 5 3 0 4 5      5 3 0 4 5 0 0       3 1 0 2 3 9 Digital Conversion © 2011 Sorgdal . 5 (3 times)  C      like these   Em7  you  learn       to live   12 X 10      a   Gtr.

LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M.       Play 3 times P. FLYING EARFORM MUSIC. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS. 9 5   2 7 7      2 0 9 9 7 9 7 7 2 0 2 0   2 5       2 0 7 0 2 2 © 2002 EMI VIRGIN SONGS.J. swells ††Applies to both gtrs. M.) Riff B3    mf                  P. TWELVE MUSIC.           Ah. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. **w/ delay let ring throughout 2    7 **Set for eighth-note regeneration w/ multiple repeats.J. 2   7 7  (clean) mp divisi † Riff B2 †† Harm. 1 (clean) Riff A  Gtr. Gtr. INC. 1: w/ Riff A (3 times)      mf      End Riff A         Gtr. 7  7 7 ***w/ Compression & sustain †Vol.M. 3 Gtr.Disenchanted Lullaby Words and Music by Foo Fighters Intro Moderately q = 112 * B7(no3rd)     Gtr. 2 (clean)  mp  0 2 0 2 2 0 2 0 2 0   2 2 0 *Chord symbols reflect implied harmony. INC. All Rights Reserved International Copyright Secured Used by Permission 0 5  2 0 .M.M. 9 9 7 7 9 7 9 7 7   Gtr.. Riff B1 8va     *** Gtr. 1 Riff B       2 2 42  0 2 0   2 2 5       2 0 7 0 2 0                   P. 4 (dist.

2 & 3: w/ Riffs B1 & B2 Gtrs.              long - er for an . 43 .M.) Gtrs.oth song you.     Esus 24       Ah. soul my Esus 42   yours. 1. now  what’s . B7(no3rd)  Sing      a to boy  Sing a -        long. 3 & 4: w/ Riffs B. 9 9 7 7 9 7 9 7 7 7 9 X 7 9 7      2 0  2   0     2 2 2 0   2 0   0 2 0 2 2 2    End Riff B3 11 X 9     0      2    0 2 11 9    0 0 0 2   2 End Riff B   0  2 0 Verse Gtrs.chant     Sing - ed     - la lul      with me. 1 & 4: w/ Riffs B & B3 (1st 6 meas. 7 7 5 7                       P. 3 & 4: w/ Riffs B. B1. B2 & B3 (1st 2 meas.      D6 do?     Sing     me      a boy to do? Gtrs. 2. B1. B2 & B3           B7(no3rd) 1. Dis . 8va              loco  D6  End Riff B1  End Riff B2 Harm.bies. 1.)           to    take.  a    - long    Sing a -   for yes    - ter - day.en . sing   I’ll          you What’s   mine. 2.

Gtr. 1 & 4   1    Bm7     scat .        mat . Fig.tered. 4 Bm7 to     Gtr. 1 0 µ                 0     f w/ dist.ter? 44 lit . 2  I may be 11 9  do? f 9 X 7  µ        µ No one has a fit like E  I  D    do.tle  0 0                  Bm7   2 0              Gtrs.Esus 42           D6  µ What’s a Riff C1        boy   Gtr. 1                                                                         2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 0 0 1 2 2 0 0 0 1 2 2 0 0 0 1 2 2 0 0 0 1 2 2 0 0 0 1 2 2 0 2 3 2 0 0 2 3 2 0 0 2 3 2 0 0 2 3 2 0 0 2 3 2 0 0 0 2 0 0 0 1 2 2 0 0 0 1   .) Bm7             a  shat .tered. Fig. 0 1     µ I may be End Rhy. Rhy. 3: w/ Riff B2 (1st 2 meas. 0 1 1    µ What does it                               2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 0 0 1 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 0 1. 1 11 X 9 Riff C        2 2 0 0 2                       End Riff C1      0 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2                       End Riff C        2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 0 1 2 0 2 0 2 0  Chorus 2nd & 4th times.

3 & 4: w/ Riffs B. B2 & B3 B7(no3rd)     2. 3 divisi   Harm. 1 0 0  1 2 2         mf dist.  8v a  Gtr.2. 2.per      in - side of        for days Esus 42  the      gone     by.per        with pass    with me. B1. D6  you.ly    µ one    T o Coda that   B7(no3rd)  fits    you. 1.    Whis . off 2 0 0 1 2 0 0       2 2 2 0 2 0 2 Verse Gtrs.    the voice     the  time.    D I’m     the on . 4                     mf 2 3 2 0 0 2 3 2 0 0 2 3 2 0 0 2 3 2 0 0 2 3 2 0 0                   2 3 2 0 0 2 3 2 0 0 2 3 2 0 0 2 3 2 0 0 2 3 2 0 0 Gtr. 7 7       Gtr.per      Whis . 45 . 2 Gtr. Whis .

  Coda   will     be mine. for one. 1 & 4: w/ Riffs B & B3 (1st 6 meas. Fig. Fig. delay off 7 8 9 7 8 9 7 8 9 7 8 9 7 8 9 7 8 9 9 9 9 7 7 7       2 3 2 0 0 2 2 2 0 6 7 7 8 7 8 9 7 8 9 7 8 9 7 8 9 7 8 9 7 8 9 9 7    6 7 7 8 *Two gtrs.) Gtrs. Fig.Gtrs. 2A                  End Rhy. Gtrs. 2                       4 4 4 2 4 4 4 2 4 4 4 2 4 4 4 0 4 4 4 0 4 4 4 0 0 0 1 2 2 0    1                   4 4 4 2 4 4 4 2 4 4 4 2 4 4 4 0 4 4 4 0 4 4 4 0 0 0 1 2 2 0    2 3 2 0 0 End Rhy. You. arr. 2  7       Rhy. 1&4 46 Rhy. 2 & 3: w/ Riffs B1 & B2 B7(no3rd)       With this ring      -    ti you    - ply. Fig. 1 & 4: w/ Riffs C & C1 Esus 42           What’s a boy to do? E D A D6  B µ B/A              Bm7        B   B/A  E        I may be D A   µ you. 2    2 2 2 0 1 . al Coda (take repeat) Gtrs.    With this      With this ring       ring sur -   ren -   der -      I mul -    ing to you. 2A w/ dist.S. 3 Riff D End Riff D    Harm. D.     Gtr. Harm. 7       *Gtr.

Fig. 1. 1 (2 times) Gtrs. Fig. 3 w/ Riff D (2 times) B B/A E D A B B/A E D A                                                                 Gtr. 4 & 2: w/ Rhy.: w/ Voc. 5 14 X 11 may be  14 X 11       Gtr. 5 (dist. Figs. Fig.) mf       14 X 11 14 X 11 14 X 11 Bm7 14 X 11 14 X 11 14 X 11 14 X 11 14 X 11 14 X 11 14 X 11  14 X 11 14 X 11 14 X 11 14 X 11 14 X 11 14 X 11 14 X 11        14 X 11 14 X 11  16 X 13 16 X 13 16 X 13 16 X 13 16 X 13  16 X 13  16 X 13  16 X 13      µ I   Gtr. 2 & 2A (2 times) Gtr.Gtrs. 1  0 1                              2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 0 0 1 47 . Figs. 2 & 2A Gtr. 1  A B    B/A E D   A End Voc. 2   Gtr. 4 & 2: w/ Rhy. 3: w/ Riff D B B/A     E D  Voc. 1. 4 divisi         9 2     0                            2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 Gtr. Lead Voc. 1   Ooh.

Chorus 1st time.        µ     mat . 1 & 4: w/ Rhy. 7                                        2 2 0 0 0 1 2 2 0 0 0 1 2 2 0 0 0 1 2 2 0 0 0 1 2 2 0 0 0 1 2 2 0 0 0 1 2 2 0 2 3 2 0 0 2 3 2 0 0 2 3 2 0 0 2 3 2 0 0 2 3 2 0 0 Gtrs. Fig.tered.ter? No one has  D      I’m the on . 3    Harm. 1 2nd time.tle     µ  shat . 1&4 Bm7 What does 1. D      No one has a fit                             2 2 0 0 0 1 2 2 0 0 0 1 2 2 0 0 0 1 2 2 0 0 0 1 2 2 0 0 0 1 2 2 0 0 0 1 2 2 0 2 3 2 0 2 3 2 0 2 3 2 0 2 3 2 0 2 3 2 0 µ       µ I     Bm7    I’m the on .ly one that fits    D             do.    0 0 2 2 0 a E fit like  I    do.    µ      E D5  A5   that fits you. 1 & 4 48 0 0 1 it                            2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 2 0 2 0 2 .tered.   D  E  may be D5  A5 like I    0 0 2 2 0   µ you. Gtrs. Gtrs.) Gtr. 1 (1st 7 meas. 3: w/ Riff B2 (2 times) Bm7              scat . Fig. 1 & 4: w/ Rhy. a      lit . 2 tacet Gtr.ly one              2 3 2 0 2 3 2 0 2 3 2 0 2 3 2 0 2 3 2 0 Gtrs. Bm7 2. Gtr.

Tired of You
Words and Music by Foo Fighters

Gtr. 1: Drop D tuning:
(low to high) D-A-D-G-B-E

F

C

Gm

C/G

1 3 33

1 3 4 11 1

1 333

Eb/G

134 211

D7(no3rd)

3 1 21

21

Intro
Moderately q = 106
G5

Gtr. 1
(slight dist.)










                                  
                               
mp w/ reverb

P.M.

5
5

Verse
G5


   
1. I




can

7
5
5
5

5
5

5
5

5
5

7
5
5
5

5
5


 

be

li

-

your

7
5
5
5


 

F5

5
5

5
5

5
5

7
5
5
5

5
5

3
3

3
3

7
5
5
5

5
5

5
5

5
5


  

dia - monds


 

7
5
5
5

5
5

7
5
5
5

5
5

5
5

3
3

5
3
3
3

5
5

3
3

3
3

5
3
3
3

3
3

5
3
3
3

3
3


in

fire,

your

 


burn - ing

7
5
5
5

5
5

5
5

your

bear

7
5
5
5

5
5

5
5

7
5
5
5

5
5

Eb5

  
 

Sick and

un

-

in

er

5
5


5
5

3
1
1
1

1
1

1
1

1
1


 

  
 
like

1
1

a

flame

3
1
1
1

5
5

bad

7
5
5
5

5
5

 

   

But

is

this

  
 
just

de



- sire

D5

 

 

or

the

truth?

G5

5
5

news.

5
5

7
5
5
5

0

    
 

spired

0

5
5

by

the
End Rhy. Fig. 2



       

 
0
0

2
0
0
0

0
0

  

 

in - side

of

0
0

0
0

F5

© 2002 EMI VIRGIN SONGS, INC., M.J. TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC
All Rights for M.J. TWELVE MUSIC Controlled and Administered by EMI VIRGIN SONGS, INC.
All Rights Reserved International Copyright Secured Used by Permission

2
0
0
0

0
0

0

you.

Gtr. 1: w/ Rhy. Fig. 2 (1st 2 meas.)

Eb5

7
5
5
5

5
5

 

of

D5



      
       
1
1

5
5



      

 

5
5

-

7
5
5
5

5
5

  
-



       


5
5

5
5


 

Rhy. Fig. 2

0

5
5

be

can

Gtr. 1: w/ Rhy. Fig. 2

  
 

5
5

I

 

3
3

7
5
5
5

5
5

  
 



      

 

3
3

5
5

 

5
5

Gtr. 1: w/ Rhy. Fig. 1

G5

5
5

5
3
3
3

5
5

ar,

5
5

P.M.

3
3

7
5
5
5



       


         
       
3
3

5
5

End Rhy. Fig. 1



       


P.M.
5
5

5
5

  
 

Rhy. Fig. 1

5
5

5
5

 
So

1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Pre-Chorus
C5

  
 

    

shame on

me

for the

G5



      

 

P.M.

5
3

5
5
3

 
  

5
3

5
3

5
3

5
3

 
  

F5

oth - er

one




Gtr. 4 (dist.)

re

5
5

0

5
5


 

Eb5

-

7
5
5
5

5
5

5
5

5
5

7
5
5
5

0

     

turned

that

I’ll

nev - er

me

for the

5
3

D5

5
5
3

5
3

5
3

5
3

  

blues.

      
      

5
3

G5

    

Shame on

Rhy. Fig. 3

5
3

ruse.


        
      

Gtr. 1

C5

 

5
3


An -


 
      

 
5
5

0

5
5

7
5
5
5

5
5

5
5

5
5

7
5
5
5

5
0

use.

Riff A2

mf

10




Gtr. 3 (dist.)

Riff A1


mf

7




Gtr. 2 (dist.)

Riff A


mf

8



Gtr. 1



      
       

P.M.

3
3

3
3

2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

5
3
3
3

3
3

3
3

3
3

5
3
3
3

0



      

 
1
1

1
1

3
1
1
1

1
1

1
1

1
1

3
1
1
1

0



       


0
0

0
0

2
0
0
0

0
0

0
0

0
0

2
0
0
0

0
0

End Rhy. Fig. 3



       

 
0
0

0
0

2
0
0
0

0
0

0
0

0
0

2
0
0
0

0

Chorus
Gtr. 1: w/ Rhy. Fig. 2 (2 times)


       
Gm

 

     

 

F

Eb

          






 



 

 1
1
11 
I

won’t go

get - ting

tired

of

you.

I

won’t go

get - ting

tired

of

you.

I’m not

10

10

8

8






  


 


7

(7)




 

Gtr. 2

1



1/2



 





1

5

5


    

 

 1
1

 

 fdbk.

(8)

7

(8)

8

8

tired.



Gtr. 3

1/2

- ing



Gtr. 4

(10)

get





6

6

6

Pitch: D


   
D

Gm

 


     

I

fdbk.
1

7
Pitch: D


    




10

4

4
Pitch: C#

  



won’t

go

get - ting

F

tired

of

you.



1/2

1



     

7


 

8

1/2

7

1

8

fdbk.
1

1

8

8
Pitches: D

1

8
C

1

8

1

8

1

8



I

won’t

go

get - ting



10




7

         

1

5




 

1/2

5

10

fdbk.

1/2

4






 

1/2

7

1

8

8

8

3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

4 4 4 Pitch: C# D           mf 6 6 5  * Gtr. 6 3 4 Digital Conversion © 2011 Sorgdal . 1: w/ Rhy. -  ing  End Riff A2  2nd time.) 1 ar.        10  7           I’m not get tired.  3      for be the your      3 3    day bear -   3     I er have of  to bad  F    choose. No warranty of accuracy or useability is implied or claimed. 4    1 8                Eb  18 5 * Vol. Verse Gtr. li -  7 4 on be this your fdbk. 1        tired of you. 4 & 5 tacet      wait . Reverb is present only on regenerated repeat.   1    1       1 0 0 2  . 5 (dist. Gtr. Fig. swell Pitch: Bb             Gtr.not for sale or trade. 2. 1: w/ Rhy.      1/2 fdbk.ing I can     Gtr. 2 & 3 tacet Gtr.ing 3. 3. 4 & 5 tacet D    Gm     2. 2 divisi 1/2 6    22 8   Gtr. Gtrs. I can  8 7 End Riff A1   5 5 wire. 2 Gtrs. Hang . 3 End Riff A   7 7 8v a     1/2 1/2 5         1       1/2 8 Gtrs.For educational use only . Gtr. 6 (clean)  ** w/ delay & heavy reverb    let ring throughout 3 3 5 3 3 ** Delay set for dotted eighth note regeneration w/ one repeat and volume is swelled in once all of the arpeggiated notes ring together. Fig. news.

Fig. No warranty of accuracy or useability is implied or claimed. you. like  to a    3 3 0 Eb      is this     4 3 0 0      just de   - 4 lend flame       a in - hand side to of 3  you.ing          boy.) D7 0     0 0 3 sire      3 3   F 0   3 3 3 3 3 3 3  3 5 Digital Conversion © 2011 Sorgdal . spired. Fig.   3 3   3 Gtr. 2 (1st 2 meas.For educational use only . 6: w/ Fill 1   truth?     So            w/ bar 1    But Gtr. 2      one more burn . Gtr. 1 Eb          Cursed by Sick and love un -   so in    3 4 3 Gm   dire. 1: w/ Rhy. 1: w/ Rhy.      1 2          or the       1 2        Fill 1 Gtr. . fire.not for sale or trade. 6  3 3 2      1 1 2 3 Gm           1 0 0  2 2nd time.Gtr. 1: w/ Rhy.          4 D7 by the dia    One - more monds            3 0 1 2 2     boy in for your      3 1 2 0     hire. Fig.

oth .er 3 3    5 3 3 3 3 0 1 2 3 Rhy.       Shame on me             8 5 5 6 5 5 5 3 3         C/G   * w/ delay & heavy reverb  Gm  Gtr.For educational use only . 6 8 5 5 6 Digital Conversion © 2011 Sorgdal . 6 2 1 2 1     3 1 2 0 3    2 1 2   use. 8 5 5 re                   one 1   -        turned that I’ll nev . 7 (clean)   5 3 8 5 5     for the blues. * See footnote instructions for Gtr.not for sale or trade. 3 2nd time. Gtr. 4)   F           An . 6 w/ Fill 2 Eb/G   Gm       2 1 2 0   . Fill 1 (2 times) C mf     on me                8 5 5 8 5 5 6 5 5 5 3 3 shame Gtr. No warranty of accuracy or useability is implied or claimed. 6     for the ruse.     D7(no3rd)        2nd time. Fig. 6: w/ Rhy.Pre-Chorus   Gtr. 6 (p. 1: w/ Rhy. Gtr. Fill 1        Gtr.er        3 3 4 4 3 Fill 2        6 5 3 3 5 5             Gtr.

3 4 F   I    Gtr. Chorus Gtr. 7           I won't go get .ting Gtr. 7 tacet Gtrs. 6     Gtr. 5      tired   4 3  3   of you. 2. Fig. 1   1    2 2   1   2 0 Eb     I won't go get . 5 tacet Gm     3 5       3 3  tired    3 1 2 0    of you.  3   3  3  0 7 Digital Conversion © 2011 Sorgdal . 1: w/ Rhy. No warranty of accuracy or useability is implied or claimed. 2 (2 times) Gtr.ting      of you.    3        6 3   w/ slight dist. 3 & 4: w/ Riffs A.   3     tired. 6  5 3 D7        2 3    won't go get     1 2 4 6 . A1 & A2    Gtr.For educational use only .ting    3 5 3 5       I’m not get - ing        3    3  3 4 3       2 3 Gm     1 1   tired     3 5 Gtr.not for sale or trade. .

w/ bar  5 5 5 Pitch: D                   Gtr. 3  fdbk.            5 3 12    Gtr. 3 divisi 3 4 3 4 3  3  D7 Gtr. 6 Gtr. No warranty of accuracy or useability is implied or claimed. 4   Gtr. - ing           Gtr. 2 divisi  of   2 4 Gtr. 5 5 3 5 3 5 3 5 3 5 5 3 5 3                5 3 5 3 5 5 3 5 3 5 3 5 3 5 5 3 0                   5 5 5 5 7 5 5 5 5 5 5 5 5 5 7 5 5 5 5 5                  5 5 5 5 7 5 5 5 5 5 5 5 5 5 7 5 5 5 0 .M.        3 3 3 3 3 3 3 5     mp w/ bar Harm. 5 3 5 3 8 Digital Conversion © 2011 Sorgdal . 2 divisi 5 3 5    you.ting            Gtr. I’m not       1 1 1 3   Eb  2 3         get tired. 6 5 5 5 5 5 6 5 5     Gtr. 4                 6 6 5 5 0 Gtr.        1 2 1 2 2 X   7 5 Gtr. 4   you.T o Coda F    I     won't go get .not for sale or trade. 6 1 2 3      tired    1 1 of     you.For educational use only . 1 P. 2 tacet Bridge C           Gm       of           Gtr.

4 to left of slash in tab. 4    Gtr. w/ bar 5 5      Gtr. 3 divisi   1/2 1/2 * 7/4 (7)/(4) * Gtr. 2   fdbk.not for sale or trade. Gtr. al Coda Gtrs.S. 1 6 5 5 0           5 3  5 5 3 5 3 5 3   of                   5 3 5 3 5 3 Outro Gm 0 3 3 4 3 3 1 1 1 1 3 1 1 1 1 1 1 1 1 1 3 1 1 1 2 1 2               4         1 2 2 0              0 0 0 2 0 0 0 0 0  0 0 0 0 0 0 2 0 0 0 0       you.D. 5 3 5 3 5 5 3 5 3  Coda 5 3 5 3 5 5 3 5 3      D7 6 5 5 Gtr.M.           Gtr.For educational use only . 1 3 3 3   3 3             P. No warranty of accuracy or useability is implied or claimed. 3 & 4 tacet C          Eb  D7         Ah.                 Gtr. 5 5 5 5 7 5 5 5 5 5 5 5 5 5  7 5 5 5 5 5            5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3 3 9 Digital Conversion © 2011 Sorgdal . 6 2   1 2 1 2  2 5 Gtr.M. . 6 5 5 5 5 5 6              P.

     P. 7         *   Gtr. 6 5      3     3 3     3 5 3 3 5     3     3 5  sim.     5 3   3 3           3 5 3 3 5 3 3 6 3 3 3 3 Gtr. 3 & 4 tacet Gtr. 5 5 5 5 5 5 5 5 5   0 0            3 3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5        5 5 5 5 5 5 5 5 5 5 5 5 5   0 0 -1 . 2 tacet Gm Gtr. swell Gtr. 5           3 3 5 5 w/ bar steady gliss.not for sale or trade.For educational use only . 6 3  3 3  semi-harm.M.  Gtrs. 1 5 5 5 5 10 Digital Conversion © 2011 Sorgdal . 6 5 5 3     3 3 5 5 Gtr. No warranty of accuracy or useability is implied or claimed. 5 3 3 mf 6    Gtr. 5 5 5 5 3 3         3 3 6                3 3 3 3 3 3        5 3 3 5 3     3       3 3 6 3 3 3 5  5 3 3 5             Gtr. 2     5  0 0    p          3 3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5   5       * Vol. 1       5 5                 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 Gtr.

Fill 2 Gtrs.n’t it and then when you’re fun done 2nd time. it   but is . 2 & 3: w/ Rhy. TWELVE MUSIC.. Fig. M. 2 hold fuck         A5                            0 5 3     they’re you’re Rhy. Fig. Fig.            End Riff B  let ring 5 0 o gon -     End Rhy. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. Fig.)  f w/ slight dist.For educational use only . FLYING EARFORM MUSIC. 1 f           Play 4 times                            End Riff A Riff A Gtr.J. prayers swear you had scared. . 3 (acous. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS. Say and your G5              bad. 2 & 3 End Rhy. All Rights Reserved International Copyright Secured Used by Permission 1 Digital Conversion © 2011 Sorgdal . 2 (elec. 4 & 5    1 1  1 1 0     7 5 5 5 0     1     ver . 1 (elec. 2&3 3 3 0     5 5 0     5 5 0   5 5 0 5  0  7 5 5 5 © 2002 EMI VIRGIN SONGS.) w/ slight dist.J. 1: w/ Riff A Gtrs.) Verse Gtrs. INC. Gtrs. Fig. 1 * Gtrs. pray F5  0 3 * Gtr. INC. Fill 2 D5                      -   of ing   one? up.Halo Words and Music by Foo Fighters G6 G5 5fr F5 A5 5fr 13 14 type2 G5 11 1 4 C/E Eb5 D5/F# type2 7fr 1 1 14 F5 D5 5fr 111 4 4fr 12 D5 type2 12 C5 D5 V 5fr Drop D tuning: (low to high) D-A-D-G-B-E 12 12 1 1 14 2 13 4 134 Intro Moderate Rock q = 130 G6 G5 G6 G5     Rhy. 4 & 5: w/ Rhy. Good 2.rat na make ed. 1  G5 0 5 3 0         Riff B when you get you keep     0 3 3 0   let ring 1 1 3 0 Rhy. LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M. let ring    3 5 3 0 0 3 5 5 3 0 3 0 0 Gtr.not for sale or trade. No warranty of accuracy or useability is implied or claimed. I when I’ve get G6    them and  Gtr. Gtr. 1 G6       1. 2  5 G5  both.

1: w/ Riff B Gtrs.Gtr. but 0 10 9 be                       raise hand. Fill 3 Gtrs. No warranty of accuracy or useability is implied or claimed. 2 & 3: w/ Rhy. 1 G6     Some One   go day G5       some dis -  bad soon and I’ll    come ap   back.For educational use only . go.                                 10 8 0 0 10 9 10 8 0 0 10 9 10 8 0 0 10 9 10 8 0 0 10 9 10 8 0 0 10 9 10 8 0 0 10 9 0 8 8 0 8 8 0 8 8 0 10 10 0 10 9 0 10 9 10 8 0 0 10 9 10 8 0 0 10 9 10 8 0 0 10 9 10 8 0 0 10 9 10 8 0 0 10 9 0 10 9 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3         10 8 0 0 10 9 0 10 10           Digital Conversion © 2011 Sorgdal . my   nough. Fig. old. 4 & 5: w/ Rhy. e ing Csus2 Rhy.not for sale or trade. 2      - F5    en. 1: w/ Riff A Gtrs. Gtrs.where to Pre-Chorus Bb Asus4 G/B         Wait and    pray you’ll   G5    bluff. Fig. 2 & 3: w/ Rhy. 4 & 5 2 0 8 8                 0 8 8 10 8 0 0 10 9 strong grow -   2nd time.ing your some . pear - G6  the and    good if   ones you’ll   all come G5    get I’ll tak take Gtr. you I’m call .    pick on me the             10 8 0 0 10 9 10 8 0 0 10 9 10 8 0 0 10 9 10 8 0 0 10 9 10 8 0 0 10 9 Bb    0 8 8    0 8 8 0 8 8 0 7 7 0 10 9 0 10 9      I’ve been 0 8 8 0 8 8 0 7 7         blessed I’ll damned. Fill 3 Asus4 G/B Guess that  0 8 8 I       Csus2 G/B    day                         Bb        D5     you ain’t to keep from Gtr. 2 0 8 8    A5 5 5 3 5 5 3       10 8 0 0 10 10 0 10 10 10 8 0 0 10 10 0 10 10       10 8 0 0 10 10 0 10 10 10 8 0 0 10 10                 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3  5 5 3 7 5 0 10 10 0 10 10 10 8 0 0 10 10       10 8 0 0 10 10 0 10 10 0 10 10 10 8 0 0 10 10   10 8 0 0 10 10 .

Figs. 3 & 3A 2nd & 3rd times. 7: w/ Fill 1 type2 G5  f w/ dist.    Ha         Gtr. Chorus 2nd time. Fig. 2  - Rhy.For educational use only .    me ev C/E         God on - ly knows. Gtrs. 3 & 3A (1st 6 meas. Figs.not for sale or trade.where        I                End Rhy.hind me ev          1 4 3 1 1 1 1 4 3 1 1 1 1 4 3 1 1 1       1 4 3 1 1 1 1 4 3 1 1 1    C5     -    ’ry . C5      D5        Fill 1 Gtr.    7      let ring 5 8 5 0 0 0     D5 V 5       3 3 5 5 3 3 3 5 5 3 3 3 5 5 3         3 3 5 5 3 3 3 5 5 3 3 3 5 5 3          End Rhy. 2. 4 & 5: w/ Rhy. 3    5 3 2 0 5 3 2 0 5 3 2 0 5 3 2 0 5 3 0 1st time.)  C/E  lo. Gtr.     1. Fig. 4 & 5: w/ Rhy.) G5  D/F#   Ha Eb5   right F5 -   be - hind  lo. 7   16 3 Digital Conversion © 2011 Sorgdal . God                  5 3 0 0 5 5 5 3 0 0 5 5 5 3 0 0 5 5 5 3 0 0 5 4 0 5 4 0 5 4                   5 3 0 0 5 4 5 3 0 0 5 4 5 3 0 0 5 4        on knows. 3A 4&5 (elec. Rhy. 3 0 5 5 0 5 5    5 3 0 0 5 5  F5 type2    D/F# *Gtrs. Fig.    0 3 3 0 3 3 - ly          3 1 0 0 3 3 3 1 0 0 3 3 3 1 0 0 3 3               3 1 0 0 3 3  0 3 2 0 3 2 3 1 0 0 3 2          3 1 0 0 3 2     3 1 0 0 3 2     3 1 0 0 3 2 * Composite arrangement   D5 type2 Eb5    right        1 4 3 1 1 1      be . 2. . 3A go. Fig. No warranty of accuracy or useability is implied or claimed. Gtrs. D5   -  ’ry  where      I go.

Fig.Gtr.        17 14  (Oh. 1 G6    Gtrs. 4&5 G5  G6            Rhy. 4 Gtrs. Fill 1    7 5 5 5 2. D5 type2 C5 Eb5 F5                               ToCoda                     End Rhy. Fig. 4 Rhy. 17 X 15 17 X 15 17 X 15 17 X 15 17 X 15 17 X 15 17 X 15 Gtrs.For educational use only . Fig. Riff C1   f w/ dist. Fig. 4&5           Oh. 6 (elec.)  Oh. 1: w/ Riff A Gtrs.not for sale or trade. 7 (elec. 4 (3 times) C5      17 X 15 11 11 11 11 11 11 11 11 X X X X X X X X 9 9 9 9 9 9 9 9 D5  15 15 15 15 15 15 15 15 X X X X X X X X 13 13 13 13 13 13 13 13 Eb5         17 X 15 17 X 15 17 X 15 17 X 15 F5   17 X 15 17 X 15 17 X 15       17 X 15  Oh. Fill 1  G5           End Rhy. End Riff C1    15 14 End Riff C                                                   17 X 15 17 X 15 4 Digital Conversion © 2011 Sorgdal . 4 & 5: w/ Rhy.) mf w/ dist. No warranty of accuracy or useability is implied or claimed. 17 14   15 17 Riff C                                                          Gtr. Gtr. 2 & 3: w/ Rhy. 17 X 15 17 X 15 17 X 15 17 X 15 17 X 15 17 X 15 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 15 X 13 15 X 13 15 X 13 15 X 13 15 X 13 15 X 13 15 X 13 15 X 13 14 X 12 14 X 12 14 X 12 14 X 12 14 X 12 14 X 12 14 X 12 14 X 12 .

8 tacet Eb5 D5 9 9 7 5 D5 V C5                          Gtrs. 6 & 7: w/ Riffs C & C1 C5      D         Dis . 3A (1st 6 meas.ap - pear      we burn way. C5 D                   Dis . 4&5 Gtr.)  Riff D           12 12 12 12 12 12 14 12 14 12 14 12 16 12 12 12   12 X 10 Gtr.For educational use only . Eb5   F5            ing. . 4 & 5 w/ Rhy.not for sale or trade.) Guitar Solo Gtrs.  Gtr.ap - pear.   Dis .     be .fore a - Oh. 6         16 X 14 C/E 7 X 5                           11 12 9 0 11 12 11 12 12 12 12 12 14 12 14 12 14 12 10 10 5 10 10 10 10 12 10 12 10 12 10 14 10  14 10 Gtr.ap -                  pear reach. I’m tired of wait - Oh. 6 14                 1 8 8 8 8 8 8 10 8 10 8 10 8 12 8 12 8 10 7 7 10 7 7 10 7 7 8 7 7 7 7 7 7 7 7 7 5 5 5 5 5 5 7 5 7 5 7 5 8 5 8 5  End Riff D 1 1 7 8 10 9 10 12 5 Digital Conversion © 2011 Sorgdal . Dis . No warranty of accuracy or useability is implied or claimed. out .Gtrs. Fig.) G5  D/F#   F5      f w/dist. 8 (elec. the      light is fad - Eb5     F5    ing.side their   Oh. 7      15 14 17                                 Gtr.ap - pear.

Fill 1 G5 G6  G6 G5 G6 G5 G6 Gtrs. 1 3 0 Digital Conversion © 2011 Sorgdal . 4 & 5: w/ Rhy. Outro Gtr. 2 & 3: w/ Rhy.S. Fig. 4&5      15 14 17 17  Coda Gtrs.) C5    D5   Eb5      F         Oh. 7    16                   Gtr. 6: w/ Riff D G5 Gtr. 1: w/ Riff A (1 1/2 times) Gtrs. 4 Gtrs. Fig. Fig. 4 & 5: w/ Rhy. 4 & 5: w/ Rhy. 3A (1st 6 meas.not for sale or trade. al Coda (take 2nd ending) Eb5 D5 C5                          Gtrs. 7      16 14 17 14 17 D. 2&3         G5                     Gtr.   16 let ring 6   3 5 0 3 5 0    . 6 & 7: w/ Riffs C & C1 (last 4 meas.D/F# F5  C/E           Gtrs.) Gtr.For educational use only . 1 (1 1/2 times) Gtrs. No warranty of accuracy or useability is implied or claimed.

M. No warranty of accuracy or useability is implied or claimed.Lonely As You Words and Music by Foo Fighters B5 C#5 7fr A5 9fr 134 134 E5 7fr G5 13 4 F5 134 D#5 9fr 113 4 5fr 13 4 F#5 10fr D5 4fr 13 4 G5/D 13 4 G#5 5fr 8fr 134 F#5/C# 6fr 134 1 34 9fr 1134 Intro Moderately. Fig. M. INC. Wake up   you’re dream - 2. Bm B             7 7 8 9 9 7          ing.) mf                 P. INC. can’t stand I                E5  D#5       your scream   Rhy.J. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS. 1                                                    -  ing Gtrs.For educational use only . 1 tacet        F#5 A#5       1.not for sale or trade. FLYING EARFORM MUSIC. All Rights Reserved International Copyright Secured Used by Permission 3 1 1 3 1 1 3 1 1 3 1 1 3 1 1 1 Digital Conversion © 2011 Sorgdal . TWELVE MUSIC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. 4 4 2 4 4 2 4 4 2 4 4 2 4 4 2 4 4 2 4 4 2 4 4 2 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 3 3 1 4 2 2 4 2 2 4 2 2 4 2 2 4 2 2 4 2 2 4 2 2 4 2 2 3 1 1 3 1 1 3 1 1 © 2002 EMI VIRGIN SONGS. .J.ure or 3  you?    3      let ring 4 8 D 4 6 6 4 5 5  3 6 *Chord symbols reflect overall harmony. can’t            3 4 4 2 Verse Faster q = 160 Half-time feel          8 9 9 7 7 7 9 9 7 Gtr. 2 & 3 (dist. LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M.. B        I choose. 1 (clean)     mp - 3   ly as   3    let ring 3  44  E 6 8 8 6 2 6 7 7 D#m     Pleas .   F#    pain 1. freely q = 120 * F#            What would I            A#m      do lone Gtr.

1 (1st 4 meas. Fill 1                9 9 7 9 9 7 9 9 7 9 9 7 9 9 7 9 9 7 9 9 7 Gtrs.M.    though your 4 5 5 3  Rhy.ing out         F#5    these prayers. Fig. 5 6 6 4 5 6 6 4       my 5 6 6 4 - cret’s 5 6 6 4 4 5 5 3 D#5   worth keep I P.                         just G#5   some G5       words with -        out mean -  ing. 2 & 3 2 0 0 4 5 5 3 de      G#5       they still see   right D#5       - le - G5    through  tion. 2 0 0 2 0 0 2 0 0 2 0 0 2 0 0 2 0 0 4 2 2 4 2 2 Gtrs. Fill 1 2 0 0 4 5 5 3                                                             2 0 0 4 5 5 3   Gtrs.  . No warranty of accuracy or useability is implied or claimed.  F#5      der - 5 6 6 4 stands 5 6 6 4 5 6 6 4 5 6 6 4 E5 se         B5 like do. 2 0 0 2 0 0 2 0 0 4 2 2 4 2 2 6 4 4 6 4 4 6 4 4 6 4 4 6 4 4 6 4 4 6 4 4 0 9 9 7 4 5 5 3 4 5 5 3 - 4 5 5 3 9 9 7 9 9 7 9 9 7 9 9 7 9 9 7 9 9 7  ing. of      . 2 & 3: w/ Rhy.For educational use only .hind these   F#5    masks. 1 F#5       A#5         E5         Keep out reach. Fig.  D5          drown . 9 9 7 End Rhy. 1                                                         3 4 4 2 3 4 4 2 3 4 4 2 3 4 4 2 3 4 4 2 3 4 4 2 3 4 4 2 3 4 4 2 P. Fig.    them. 2 & 3: w/ Rhy. I’m lead and          D5     Hide be 2 Digital Conversion © 2011 Sorgdal .not for sale or trade.) F#5        Spare             all the No one un -         A#5   preach      D5 - ing.M. End Rhy.

No warranty of accuracy or useability is implied or claimed.            Gtr.For educational use only . Fig.  innotation)    f       Rhy. 3 End Rhy. Fig. 2 Gtrs. 7 6 4 4  friend. 2 & 3: w/ Rhy. Fig. in slashes) 7 6 4 4 G5                              (cont. 5 4 2 2 F#5 out          3 2 0 0 and D#5            then a       7 6 4 4   Harm. 4 4   4 4 my    4 4 4 4       down and out          3 2 0 0 3 2 0 0 3 2 0 0 7 6 4 4     down and out    4 4       E5      a - F#5  gain                but I’m      4 4 B5 3 2 0 0 C#5 3 2 0 0 3 2 0 0 A5 5 4 2 2 B5 7 6 4 4 4 4 G#5  B5   - gain.) Riff A  f 8 11 8                 End Riff A  11   11 8 10 11 8 9 3 Digital Conversion © 2011 Sorgdal . Fig.’ry   D5    down         Rhy. . 3 & 4 (dist. 2 & 3 f  now     and out     and     E5  you’re down    E5   - F#5 3 2 0 0   7 6 4 4 D5       Harm.) F#5            Ev . Fig.not for sale or trade. 1 (1st 4 meas.Pre-Chorus Gtrs. 2. 3 Gtrs. 2 (cont. 3 2 0 0         A#5   4 4   with   End Rhy.       5 4 2 2      down   4 4    E5 a Harm. 5 (dist.) you. D5 gain.

4A                          End Rhy.  Gtrs. Fill 2   7 5 5 9 9 7 Rhy. 2.            Voc.not for sale or trade. 4 & 4A (2 1/2 times) F#5 7 7 5                                7 7 5  7 7 5 7 7 5 7 7 5 7 7 5 7 7 5 9 9 7 9 9 7 9 9 7 9 9 7 9 9 7 9 9 7 7 5 5   7 5 5 . 5 tacet F#5 F5                E5            One more time for the D#5 D5       last A5 B5 G5  time. Fig.one      wants           to be - D5 D5 A5 E5 B5 G5/D     Gtr.)      Gtr. Chorus Gtr. 2 & 3 Rhy.’ry . 1 (3 times) D5    9 9 7 7 7 5 End Rhy. Voc. 2 & 3 Digital Conversion © 2011 Sorgdal .: w/ Voc. Fig. 4 Gtrs.)               (Oh. 1  E5 (Oh. 4 6 4 4 6 4 4 6 4 4 5 3 3 5 3 3 5 3 3 4 2 2 4 2 2 4 2 2 3 1 1 3 1 1 3 1 1   D#5 7 7 5 7 7 5        One       E5     more       time for  F#5   One more         F5 2 0 0 7 7 5 7 7 5 7 7 5 7 7 5 F5    -  for F5 E5   the last E5 9 9 7 9 9 7 9 9 7 9 9 7 7 7 5 9 9 7 9 9 7 9 9 7 E5 9 9 7 B5 D#5  G5    End Voc.For educational use only . D#5   Ev . Fig. Fig. Fill 2A         12 12 10 10 9 9 7 lease. 4                 lieve. Fig. Fill 2                          7 7 5 4 End Rhy. Fill 2A Rhy. 1    D5    A5  E5 B5 G5  To Coda  time. Fig.    7 7 5 A5    time F#5 re 9 9 7 Bkgd. No warranty of accuracy or useability is implied or claimed. 3 & 4: w/ Rhy. End Rhy. 4A  7 7 5                             Gtrs. 4 Rhy. Figs. Fig.

5: w/ Riff A       down you’re down and out               then D5   E5 down         E5 and out a .S. Blame       A#5                 it youth. 1 (1st 6 meas. 2.) B5 F#5                         Ev . Fig. Fig.    black and the blue. D5    A5    mf  E5 B5 G5/D    delay off 11 X 9 *Vol.gain. 5 Digital Conversion © 2011 Sorgdal . Pre-Chorus Gtrs. 2 & 3: w/ Rhy. Gtrs. 1 (1st 4 meas. 2 & 3: w/ Rhy. 2 & 3: w/ Rhy.gain. 2 & 3: w/ Rhy. 4 tacet        F#5 2.) F#5                G#5 it’s last              the - ing     place           E5 rag      ru  knew      -      I D#5 and G5     you. off **Delay set for quarter note regeneration w/ multiple repeats.’ry Gtrs. Fig. Fig. all  Blame it  ined. al Coda C#5 A5 B5  G#5 B5  G5  you. 3 & 4: w/ Rhy. 5 out    Coda E5                 A#5   Ev .   E5 down and out a   B5 with my F#5     D#5  friend. 3 & 4: w/ Rhy.Verse Gtrs. 2 D5        down        F#5           and   but I’m      a now and F#5 . Blame it on the Gtrs. . Fill 1 Gtrs.For educational use only .’ry . D5 . 2 & 3: w/ Rhy.gain D. all years I’ve   on E5 three D#5        been los - D5               ing. Fills 2 & 2A F#5       Gtr. they’re          F#5    the    past.one F5     wants  E5 D#5          to be -   * **w/ delay lieve. 2. 1 Gtr. Fig. Gtrs. No warranty of accuracy or useability is implied or claimed. Blame          D5     F#5 on                A#5 the chil - dren. 3 Gtr.not for sale or trade.

Fig. 5 6 4 4 D5 6 4 4 6 4 4 8 6 6 6 4 4 E5 F#5 9 X 7 6 X 4                7 X 5 7 X 5 7 X 5         2 0 0 3 3 1 3 3 1 G#5              6 X 4 6 X 4 6 X 4 4 2 2 6 X 4 4 2 2 6 4 4 4 2 2       8 X 6 8 X 6 8 X 6 8 X 6 2 0 0 4 2 2 6 4 4 6 4 4 6 4 4 6 4 4 6 6 4 6 6 4 6 6 4 6 6 4 6 6 4 6 6 4 9 9 7 A#5         E5          15 X 13 15 X 13 15 X 13 15 X 13 15 X 13 15 X 13 15 X 13 15 X 13 15 X 13 13 X 11 13 X 11 13 X 11                              11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 10 X 8 10 X 8 10 X 8 10 X 8 9 X 7 9 X 7 f Digital Conversion © 2011 Sorgdal .For educational use only . 5       11 X 9 11 X 9 11 X 9 A#5 E5 F#5 D#5         11 9 8 X 6 8 X 6 8 X 6 8 X 6                              3 3 1 4 2 2 3 1 1 3 1 1 3 1 1                   10 X 8 10 X 8 10 X 8 10 X 8 9 X 7 9 X 7 9 X 7 9 X 7         3 3 1 3 3 1 f 11 X 9        Gtrs.) 6 4 4 B5       8 X 6 4 2 2           Gtrs. 2 & 3          Rhy.not for sale or trade. Fig. 7 X 5 7 X 5 9 X 7 9 X 7 9 X 7 6 4 4 2 0 0    6       2 0 0   Gtr. 5       3 3 1 9 9 7 5 5 3 5 5 3 5 5 3 5 5 3 2 2 0 2 2 0 2 2 0 F#5    D#5         13 X 11 11 X 9 11 X 9 11 X 9 11 X 9               9 X 7 9 X 7 8 X 6 8 X 6 8 X 6 8 X 6 13 X 11 7 5 2 2 0 . No warranty of accuracy or useability is implied or claimed. 5                                                    F#5 3 1 1 G5 8 X 6   Gtr. 2 & 3: w/ Rhy. Fig. 5 E5       7 X 5 3 1 1  End Rhy. 6 (dist.Guitar Solo Gtr. 4 tacet F#5        Gtr.

     and out G5            you’re down Gtrs. 2. 5 (1st 4 meas.      down and out      C#5 and A5  out  F#5 my   F#5       friend. Fig.D5 E5 F#5                Gtr. 5 7 X 5 7 X 5      Gtr. 3 F#5 E5  you. 6 14 X 12 14 X 12 14 X 12 13 X 11               Gtr.For educational use only . 2.) 7 X 5 B5                                                               11 X 9 11 X 9 Gtrs. 7 (dist. 2. 2 & 3 9 X 7 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9                                               6 X 4 8 X 6 6 X 4 6 X 4 6 X 4  6 X 4 6 X 4 6 X 4  8 X 6 8 X 6 8 X 6 8 X 6 8 X 6 8 X 6 8 X 6 7 X 5 7 X 5 7 X 5 7 X 5 7 X 5 7 X 5 7 X 5 7 X 5                                 4 X 2 4 X 2 4 X 2 4 X 2 4 X 2 4 X 2 4 X 2 4 X 2 4 X 2 4 X 2 4 X 2 4 X 2 4 X 2 4 X 2 4 X 2 4 X 2 Pre-Chorus Gtrs. No warranty of accuracy or useability is implied or claimed. 3 & 4: w/ Rhy. 7 Digital Conversion © 2011 Sorgdal .) Gtrs.gain. Fig.’ry now and Gtrs. .gain. Fig.gain. 6 & 7 tacet       F#5     Ev . 5. 3 & 4: w/ Rhy. 2 D5      down E5   a .not for sale or trade. D5  down B5 G#5 D#5 B5 E5   a . 3 & 4: w/ Rhy.      and out    A#5     then  F#5 but I’m     down with        D5  B5 E5   a .

3 & 4: w/ Rhy. 4 E5 E5 time -   F5 more F#5  F5 G5                         Gtr. 4 (3 1/2 times)       F#5 One      Gtr.    1 1 D5         1 1   1 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9      Gtrs.’ry       Gtr. Fig. 6 (2 1/2 times)  B5 time. Fills 2 & 2A D5  A5  E5  B5 G5/D  lieve. Fig. 6 the Bkgd. 7A        Outro F#5 Gtr. Fig. 6 12 12 10 10 9 9 7 E5 B5 G5 E5 B5 G5   D#5 Gtrs.For educational use only . 7A  time. 1 (4 times)          F5 D#5 last D5 A5  7 7 5          One more time F#5       One         Ev .not for sale or trade. Fig. 5  for re . 2 & 3 8 Digital Conversion © 2011 Sorgdal . 4 more E5 time for Rhy.lease.: w/ Voc. E5 - D#5 F5 Rhy. Fig. 2 & 3: w/ Rhy. 7  End Rhy.    9 9 7 7 7 5 A5 E5     7 7 5 D5 D#5  time   time.  F#5 E5  D#5       for the last               End Rhy.Chorus Gtrs. 2. Fig. Fig. Fig. No warranty of accuracy or useability is implied or claimed. Rhy. Fig. 7                           6 4 4 6 4 4 6 4 4 5 3 3 5 3 3 5 3 3 4 2 2 4 2 2 4 2 2 3 1 1 3 1 1 3 1 1 2 0 0 2 0 0 . Voc.  for the last  F5    one wants to be      One more           1  7 7 5 7 7 5 7 7 5         D5 A5  9 9 7 9 9 7   9 9 7 9 9 7 End Rhy. 4: w/ Rhy.

2.not for sale or trade. 7 7 9 F5  D#5 1 7 9    1 9    7 9 A5 1 13 the  7 9       for 7 9 Gtrs. Fills 2 & 2A         1 7 9  F5  D#5 14 D5  time.         7 7 9       for the last    5 7 5 7 12 7   12 14     1 5 9 E5   1    7 9  1 13   E5 9 time   9 - D5 time. No warranty of accuracy or useability is implied or claimed.Gtrs. 3 & 4: w/ Rhy. 2. 2. 3 & 4: w/ Rhy. . 2. Figs.    1          1 1 11 11 11 11 11 11 11 11 11 11 11 11 13 13 13 13 13 13 13 13 13 13 13 13 9 Digital Conversion © 2011 Sorgdal . 3 & 4: w/ Rhy. 5   more    A5 time     1    E5  for re    -    B5   lease. 3 & 4: w/ Rhy. Fills 2 & 2A         One        Gtr. 7 & 7A       1 7 9    7 9 1 7 E5 1 7 9 Gtrs. Figs. 7 & 7A      F#5    One more             time     1 7 7 9  Ev          - ’ry   11 last   -    one wants to be   F#5    One more     7 9   7 9    11  7              1 7 9 7 9  B5   1 7 9  7 9 7 9 9 G5/D   lieve.For educational use only .       1 1 G5/D        1  1 7 7 7 7 7 7 7 7 7 5 5 5 8 8 9 9 9 9 9 9 9 9 9 7 7 7 10 10 Gtrs.

For educational use only . No warranty of accuracy or useability is implied or claimed. 4  F5 11 13                 9 9 7 9 9 7 9 9 7 7 5 5 7 5 5 6 4 4 4 14  . 2.         1          1 1 10 10 10 10 10 10 10 10 10 9 9 9 12 12 12 12 12 12 12 12 12 12 12 12 11 11 11 14 14 14 Gtrs.   13 Gtr. 5 10  D5 11 Ev .Gtrs. 7 & 7A      F#5    One more             time    1 11 13 13 D5    E5   for the ver         -    D#5    y last time. 3 & 4: w/ Rhy. 3 & 4: w/ Rhy.not for sale or trade.  Al  G5/D    -       10 10 10 10 10 10 10 10 9 9 9 12 12 12 12 12 12 12 12 12 12 12 11 11 11 14 14 14      7 7 5 7 7 5 7 7 5 7 7 5     7 7 5 7 7 5       9 9 7 9 9 7 9 9 7   1 10       1 1 12        F#5/C# right!          1  1 1 11                      Digital Conversion © 2011 Sorgdal .’ry . Figs.    1       11 11 11 11 11 11 11 11 11 11 13 13 13 13 13 13 13 13 13 13 13 A5         wants to be E5   -  1 1 B5      lieve.one Gtrs. Fills 2 & 2A         One more          time     A5    1      E5 for re    -   1  B5 G5   lease. 2. 2 & 3          1 11 Gtr.

TWELVE MUSIC.not for sale or trade. INC. 2 & 3: Drop D tuning: (low to high) D-A-D-G-B-E Intro Moderately fast Rock q = 158 D A7sus4                sim.J. No warranty of accuracy or useability is implied or claimed. 1A Gtr.) 5 2 3 2 0 0 0  D          0 3 0 2 0 0 3 0 0 A7sus4                                   9        2 3 2 0 0 0    7 5   9  7      9    5    9 9  7           2 3 2 0 0 0 0 3 0 2 0 0 3 0 0 End Riff A    © 2002 EMI VIRGIN SONGS.) f      Riff A (Drums) Gtr. LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M. . M.)  f            9 9     w/ ebow  9 7 5 7            f 5 7          2 3 2 0 0 0 0 3 0 0 0 3 0 2 0 9    Rhy.For educational use only . INC. FLYING EARFORM MUSIC. All Rights Reserved International Copyright Secured Used by Permission     0 3 0 2 0 0 3 0 0 1 Digital Conversion © 2011 Sorgdal .J. Rhy.Overdrive Words and Music by Foo Fighters D A7sus4 132 Am 1 3 G5 231 DsusÊ 3 11 3 Am7 231 4 Gtrs. Fig. 1 Gtr. 2 (dist. Fig. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS. 1. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. 1 (dist.. 3 (dist.

9 End Rhy.For educational use only . Fig. 1A  Riff B     9 7   5 9       7 9 5 5 9               2 3 2 0 0 0         2 3 2 0 0 0 0 0 0 0 Riff C 7 X 5           0 1 0 2 0 End Rhy. Fig. No warranty of accuracy or useability is implied or claimed. Fig. 2        2 3 2 0 0 0 0 3 0 0 . 2 2 End Riff B D Rhy. 2A Rhy. Fig.not for sale or trade. 1     0 1 0 2 0 3 0 0 0                   End Riff C 7 X 5 9 X 7 11 X 9 11 X 9 12 X 10 9 7 9 X 7 11 9 12 10   12 X 10 DsusÊ                    7 5                               3 3 0 0 X 5 3 3 0 0 X 5 3 3 0 0 X 5 3 3 0 0 X 5 3 3 0 0 X 5 3 3 0 0 X 5 3 3 0 0 X 5 2 3 2 0 0 0 Digital Conversion © 2011 Sorgdal . 2A     7     G5      4   2     0 End Rhy.D Am                                 End Rhy. Fig. Fig.

4A and you End Rhy. Fig. 1 & 2: w/ Rhy. No warranty of accuracy or useability is implied or claimed. I’m com . 1 3 3 0 0 X 5      the world      starts break .                              3 3 0 0 X 5 0 0 0 0 2 3 2 0 0 0 2 3 2 0 0 0 0 0 0 0 3 3 0 0 X 5 3 3 0 0 X 5 0 0 0 0 2 3 2 0 0 0 2 3 2 0 0 0 0 0 0 0 3 Digital Conversion © 2011 Sorgdal . Fig. this Fill 1 time I think wak . Fig.Verse Gtr. Fig. 3           2 3 2 0 0 0 Gtrs. 3A down.fore  Am7 D                            Rhy. Figs.not for sale or trade.      3 1 2 2 0 0 0 0 0  You   change D                        change a - gain. Fig.ing End Rhy. Com   . .ing G5 Gtr. 3 & 3A  D   Give      me to drown loud Pre-Chorus G5    it           2 3 2 0 0 0 0 0 0 0      out be .For educational use only .ing ’round. Fig. 3 tacet D Am7                                                                Rhy.ing up. 3A 1. 4       Gtr. 3 up.  End Fill 1  I’m   0 Rhy. 2 then    3 1 2 2 0 Rhy.

Fig.   D   You   change  gain. 4A Turn - ing like a       0 1 2 2 0 wheel      0 1 2 2 0 0 0 0 0 in . 1 & 2: w/ Rhy. 4         2 3 2 0 0 0 2 3 0 0 Verse Gtrs.drive. End Rhy. 1 & 2: w/ Rhy.For educational use only . 3 Rhy. 1 & 1A  D  O    - ver .’ry .   7 7 5 0 we’re go ing A7sus4       or death.Am7 G5 D DsusÊ                                                    End Rhy. Figs. Fig. Fig.side your head. 5                                                                        7 7 5 0 7 7 5 0 7 7 5 0 7 7 5 0 7 7 5 0 7 7 5 0 7 7 5 0 7 7 5 0 7 7 5 0 7 7 5 0 7 7 5 0 7 7 5 0 7 7 5 0 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 . Figs. 3 & 3A (2 times)     D  Your’s and  D    You mine   and and get and  Am7 Turn -  like    with  life  D and  a wheel in         - life G5         sides to  we’ll     side a   a -    your   ev . 4 & 4A    left    I          one. Figs. 1 & 2: w/ Rhy. 5 7 7 5 0 7 7 5 0 4 Digital Conversion © 2011 Sorgdal .not for sale or trade. Chorus Gtrs.       3 3 0 0 X 5 3 3 0 0 X 5         0 0 0 0 2 3 2 0 0 0 End Rhy.   D  DsusÊ head. Fig.        G5   and on  Pre-Chorus Gtrs. No warranty of accuracy or useability is implied or claimed. bet .one.ter   G5           find change  -  Am7   you  two pray       still   Am7   there’s then  ing   right.          Gtr.

D O       A7sus4 O we’re go   .     A7sus4   Am7  or     death. al Coda        turn us.drive. 5 Digital Conversion © 2011 Sorgdal . Figs.  town to -       ers.drive we’re go -         - life or       .ping to D. Figs. .ry now.ver . Figs.S.For educational use only . 5 (2 times)  D   O - ver     D O -  - drive      we’re go -    ing life        we’re go - life  ver . 1 & 2: w/ Rhy.) Gtr. 3: w/ Riff C (2 times) G5    time   Am7 night there’s      noth - ing      and let it   stop .hind  Coda this ting    va - cant   out. 1 & 2: w/ Rhy. 3: w/ Rhy.     on the      D   DsusÊ mend. Verse Gtrs. 2 & 2A    no re . 3 & 3A (2 times) Gtr. or      D the  A7sus4   mend.Gtr. Fig.  T o Coda    Two strang - Interlude Gtrs. Figs.la -    tion.      D Leave be .drive    ing   death. 3: w/ Riff A ing on        life death. 1 & 1A (1st 8 meas. 2 & 2A (1st 2 meas. 2 & 2A (1st 2 meas. rust.not for sale or trade.) Gtr. 3: w/ Riff C     G5    -     ers      - Gtrs. Hur   . 1 & 2: w/ Rhy.    You change Gtrs. 3: w/ Fill 1             we’re get - D 3.  ing       or death. 1 & 2: w/ Rhy.ver . Figs. 1 & 2: w/ Rhy.     Am7      this    Gtrs.) Gtr. No warranty of accuracy or useability is implied or claimed.

I’m com   .ing down. Figs. 4 (slight dist.ing  up. 1 & 2: w/ Rhy. 4 & 4A (1st 4 meas.not for sale or trade. 4 tacet  D   4. Figs.For educational use only .)   f D          G5             D              You change         let ring throughout 12 10 12 12 10 12 12 10 12 Gtrs. 3        . Riff D End Riff D                 5 5 5 6 Digital Conversion © 2011 Sorgdal .Guitar Solo   Gtrs. 4 & 4A    G5 12 Am7   10 12 12 10 12    Turn - ing like 8 8 11 12 12   you 10 12 11 10 12 11 10 12 10 12  G5    10 11 12 12 10 12 10 12         D   a  in . 1 & 2: w/ Rhy. 5 5 5 5 5 5 5 5 5 5 5 5 5                 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 . 3 & 3A (2 times) Gtr. 12 10 12 10 11 12 D        G5      12     a   wheel 10 12  change                     10 10 11   then           12 10 12 D and 10 11     12 10 12          12 10 11 10 12 10 11 DsusÊ       12 12 11 12     3 10 8 10 12 10 10 11 12 12 10 12 11 12 10 11 12 12 10 10 11 12 Verse Gtrs. No warranty of accuracy or useability is implied or claimed.ing    ’round. Figs.       9 your   12 10 10 11 - gain.) G5    Gtr.   this Am7    time          I think I’m wak . Com   Gtr.side head. 1 & 2: w/ Rhy.

For educational use only . Figs. 3: w/ Riff D        me to D Give loud    drown it       out be .ing up.     death.    You change Pre-Chorus    Gtrs. 3         5 5 5 5 5 5 5 5 0 0 0 0 Am7 0 0 0 0 5 5 5 5 5 5 G5                         like   a wheel 5 5         0    in - side      Turn - ing your                 7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5 0     D Gtrs. 4 & 4A (1st 6 meas.) and       D     G5 then   you  D         G5 change a -  gain. 5 (3 times)     D O - D    O    O -   ver .drive  D     ver .Gtr.  Am7 A7sus4      Two   strang - 7 Digital Conversion © 2011 Sorgdal . 1 & 2: w/ Rhy. 1 & 1A Gtr. No warranty of accuracy or useability is implied or claimed. 1 & 2: w/ Rhy.fore   Am7 the    world   starts      break .  we’re go -     we’re go -  ver .not for sale or trade. Figs.    or death. 3: w/ Rhy. 0 Chorus Gtrs.drive. Gtr. 1&2 0 0 0 0   0 0  head. .  -    we’re    ing life    ing life       go - life ing          or    or  A7sus4  death.drive. Fig.

Gtr.      we’re go - ing D        life death. 2: w/ Rhy.       no re -                 14 X 12 14 X 12 12 12 X 10 12 X 10 11 11 X 9 11 X 9 9 9 X 7 9 X 7 7            17 X 15 17 X 15 16 8 Digital Conversion © 2011 Sorgdal . 3: w/ Riff C Gtrs. 1: w/ Rhy.ver . 2 (1st 2 meas. 3: w/ Riff C (2 times)   strang  Gtr.drive. re - we’re go - tion. 2 & 2A (1st 2 meas.) (2 times) Gtr. 14    on the   16 X 14   la or   tion. 1&2 life la   9 -    10            Gtr.ver .drive. 1 & 1A Gtr.ver .ver . 1 & 2: w/ Rhy.      -    ing    D Gtrs. 1 & 2: w/ Rhy.) (4 times) Gtr. 2A (1st 2 meas.      or    O . 3: w/ Riff B A7sus4        O .     Two Gtr. or        O .   two strang -            14 X 12 14 X 12 16 16 X 14 16 X 14 17 14          mend. ing      we’re go -           life or death.) Gtr. ver . No warranty of accuracy or useability is implied or claimed.drive.drive. Fig.For educational use only . 2: w/ Riff C (2 times)     -  G5    -     ers. 3: w/ Riff A G5 D        -       ers on    the   O A7sus4       O .   we’re go    - ing - D     life death. Fig. Figs.   ing     life or   death.not for sale or trade.drive.Outro Gtrs.   16 X 14 14 12       2 3 2 0 0 0 death. Figs. 3    Am7           15 . no   ers.       we’re go -  mend.

) A5 G5    Rhy. 7 7 7 7 7 7 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 5 0 7 5 0 7 5 0 7 5 0 7 5 0 © 2002 EMI VIRGIN SONGS. 0 5 5 9   for hind the the chance. 1 (dist. Fig. skies.For educational use only . Gtr. 1 & 2       Gtr.J.) f    7 7 7 7 5 5 9 9 7 7 5 5 7 7 f 0 0 8 7 5 0 9 9                      0 0 8 7 5 0 0 0 8 7 5 0                               0 0 8 7 5 0 0 0 8 7 5 0 0 0 8 7 5 0 0 0 8 7 5 0 0 0 8 7 5 0 0 0 8 7 5 0   * Composite arrangement. 3 (clean) mf                              * Gtrs. Fig. M.J. All Rights Reserved International Copyright Secured Used by Permission 7 5 0 7 5 0 7 5 0 7 5 0  7 5 0 1 Digital Conversion © 2011 Sorgdal . Fig. INC. 1 mp     w/ dist. 3  A5     2 0   0    I’ll End Rhy. 1&2 9 D5  0           Riff A Verse A7 Gtr. 2A    End Rhy.mem - 7 9 2 0 0 12    A7  time ber. 2                         7 5 0 7 5 0 7 5 0 P. 2 (dist. FLYING EARFORM MUSIC. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. 2A 0 7 5 7 5 spent still a life re . Fig.   let ring        7 0 5      Rhy. 2 7 7 9 D wait . LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M. Will you Gtrs. INC.ing there be -                End Riff A 0 0 End Rhy.    0 7 5 0 0 0 mf 4      Rhy.not for sale or trade. I have 2. Fig. 2 & 3 tacet G5 B5 A5 G5 A5 B5 D Gtr.Burn Away Words and Music by Foo Fighters D A5 G5 7fr Open D tuning: (low to high) D-A-D-F#-A-D D5 5fr 333 1 11 Intro Moderate Rock q = 128 A5  Half-time feel 2nd time. in notation) 7                                                                        Gadd2 1. Gtrs. No warranty of accuracy or useability is implied or claimed. Fig.M. .. TWELVE MUSIC. 1 (2nd time cont.

ing here Gadd2 beg . 1 & 2 2 Digital Conversion © 2011 Sorgdal .ging hard . 3 let ring 0 7 5        for part ig . 3   0 0   2     let ring 0 7 5 to    5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 0                         0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0          0 12 9 7 4 7 9 2 0 0  .ion.y    all to a col -      0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0                                       let ring let ring    let ring        0 0 0 5 5 0 7 5 0 7 5 0 7 5 Gtrs. arr. 3: w/ Rhy.    7 7        0 7 5  0    Gtr.For educational use only .ing    A7 my on Gadd2  same old hard . light? D    haunt us ev . I’m The  w/ ebow 4 2 * Synth. Fig.Gtrs.tion is wait .)   mf  con .’ry      D - last their   now thing     4 0          and must      The The      then.est su part -     * Gtr. 1 & 2: w/ Rhy. No warranty of accuracy or useability is implied or claimed.ing      A7  tions ing    your in dance.not for sale or trade.ni .         A7   per .fess .est     Gtr. 7 7 5 5 We’ll     7 7    gain.bers. for gtr. 4 (dist. 2 (2 times) Gtr. Fig.           Gtr. lide. 4    4  0 0 0 5 5 A7         0 0 0 A7     D   start it read .sti is know -   save me stand . die. 2A    A7    Gadd2  save you walk . the em .

burn a (D/F#)  way      a      from all (G)        We’ll burn   the oth     a -   way.  burn (D/F#) -  (D5)  - (A/E)      way. 3 7 5 7 5 9 7 11 9  G   A   Breathe for me   from   now on. -   way bride. 1 7 5 7 5 7 5 7 5   Gtr. (A/E)            burn a -  way my        5 4 2 5 5 9 4 4 4 4 7 2 2 2 2    We’ll End Riff B        5  bride.Chorus Gtrs. my (A/E)      - er flames (D/F#)    burn a        way. Fig. 2           0 0 0 0 0 0 0 2 2 4 4                                  5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 7 7 7 7 7 7 0 0 7 5 0 7 5 0 7 5 0 7 5 0 7 5 0 7 5 0 7 5 0 0 0 3 Digital Conversion © 2011 Sorgdal . my Bridge    D5 E5  F#5            Gtr. No warranty of accuracy or useability is implied or claimed. burn       burn (A/E)    We’ll that    - (D5)      a -   to - night. Riff B burn    a - way. let ring 5 5 5    D5 9 10 11 12   11 12 11 12 11 12 11 12 11 12   11 12 12 12   let ring 7 5 4 7 7 12 12 12 12 12 12 12 12 12 12    12 12 12 12  let ring 8 7 5 12 12  7 Rhy. 3 Gtr.                         12 10 12 10 9 10 9 10 9 10    9 10 9 10  w/ dist. . 1&2   burn    a - (D/F#)       way.For educational use only .not for sale or trade.        way bride. 3 & 4 tacet µ(G)      Gtrs.        5 (D5)              let ring 7 0 0 0 0 0 0 2 4 Gtrs. 1 & 2: w/ Riff B (2 3/4 times) (G)     burn (G)    a    -   burn   a    way.

For educational use only . Fig. 3                        5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 7 7 7 7 7 7    D5 G   I’m 5 5   gone.  G              9 10 9 10 9 10 9 10 9 10 9 10 9 10 9 10         A   Breathe for me 5        17 17 17 17 17 17 17 17 17 17 17 17 17 17 5 5     let ring 5   0 0  5 5 5    when         11 12 11 12 11 12 11 12 11 12 11 12 11 12 12 12   4 7   7 5 7 End Rhy. Burn                12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 9 10 9 10 9 10 9 10 9 10 9 10 9 10 9 10     8 7 5               7 5 0 7 5 0 7 5 0 7 5 0 7 5 0 7 5 0 7 5 0 0 0 Digital Conversion © 2011 Sorgdal . No warranty of accuracy or useability is implied or claimed.not for sale or trade.   5 7      4 0 0            5 5        17 17 17 17 17 17 17 17 17 17 17 17 17 17 5    0 0  5 5 5  5                                 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 .

Gtr.For educational use only . Fig.yond                                         14 12 14 12 14 12 14 12 14 12 14 12 14 12 14 12 16 14 16 14 16 14 16 14 16 14 16 14 16 14 16 14 17 15 17 15 17 15 17 15 17 15 17 15 17 15     4 7   7 7    3 4 2  4    0 0  3 5 3  5                            7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 10 10 10 10 10 10 10 10 10 10 10 10 10 10  0 0 Interlude G5 E5    17 17 G5                    17 17    17 17 17 17 17 17 17 17   17 17 17 17 1st time. No warranty of accuracy or useability is implied or claimed.not for sale or trade. 1 (2 times) 2nd time. 1 & 2: w/ Riff A (2 times) 1st time.A     out be Bm7 C6   -     yond. .  be . Gtr. 1 & 2: w/ Riff A 2nd time. Gtrs. 3: w/ Rhy. 3: w/ Rhy. Gtrs. 1             14 14 14 14 14 14 14 14 17 17 17 17 17 17 A5  G5         17 17          5 2 2 5 5 5                  5 5 5 5 5 5 5 5 5 5 5 5 5 5 0 0 2 2 2 2 2 2 5 5 5 5 5 5 5 5         2 2 2 2 2 2 2 2 5 5 5 5 5 5 5 5 5 Digital Conversion © 2011 Sorgdal . Fig.  out    the sun.

4C 12 X 9 Gtr. 4A            A5  Rhy.     8 X 5 8 X 5 10 7                                               8 X 5 7 X 4 7 X 4 5 X 2 5 X 2 5 X 2 5 X 2 8 X 5 7 X 4 7 X 4 7 X 4 7 X 4 7 X 4 5 X 2 5 X 2 5 X 2 5 X 2 5 X 2 5 X 2 5 X 2 5 X 2 5 X 2 5 X 2 End Rhy. 4B & 4C (2 times)  Bm   End Rhy. 4B 8 X 5 8 X 5 8 X 5 8 X 5 8 X 5  Rhy. burn on        0 2 2 4 4 5 Rhy. 4 End Rhy. 7 7 . 1 G5      Gtr.. 3 & 4: w/ Rhy. 4 A5 D5           high un - til   End Rhy. 4B Gtr. 4C                                     12 X 9 10 X 7 10 X 7 8 X 5 8 X 5 8 X 5 10 X 7 10 X 7 10 X X 10 X 7 0 0 8 X 5 8 X 5 8 X 5 8 X 5 0 0 8 X 5 8 X 5 8 X 5 9 9 9 9 9 9 9 9 6 Digital Conversion © 2011 Sorgdal ... Fig. D5   2.. 2 9 9 you. 4 & 4A Gtrs. 4 12 X 9 12 X 9 12 X 9 12 X 9         Rhy.     0 0   0 0 7 7 7 7 7 7 7 7  A   G Burn on.  A5 1.not for sale or trade. Fig.For educational use only . 4A                            9 9 7 7 7 7 5 5 5 5 5 5 5 5 Gtrs. burn on   0 0  5 5 5 5  5 5 5 5 0 0    high un 5 5 5 5   - til 5 5   5 5  you. 3  A             Gtr. Fig. Figs. Fig.  Bm     G Burn on. Fig. No warranty of accuracy or useability is implied or claimed. Fig. Fig. 1 & 2: w/ Rhy. Fig. Figs.

              12 X 9 12 X 9 12 X 9 12 X 9 12 X 9 12 X 9          9 9 9 9 9 9 9 9 9 9 9 9 Gtr. 5 (dist.not for sale or trade. arr.  Burn    G   * Gtr. 2  0 0 Gtr. 5 tacet    A5 G5   0 0 B5 A5   G5 A5  B5   I’ll         0                 8 X 5 8 X 5 8 X 5 8 X 5 8 X 5 8 X 5 8 X 5               5 5 5 5 5 5 5 5 5 5 5 5   7 7 7 7     5 5 7 7 7 7     5 5     5 5   9 9   9 9    7 7   7 7       5 5 7 7 9 9      5 5 7 7 9 9    7 Digital Conversion © 2011 Sorgdal . . No warranty of accuracy or useability is implied or claimed. 1  0 0             10 X 7 10 X 7 10 X 7 10 X X 10 X 7 10 X 7       7 7 7 7 7 7 7 7 7 7 7 7  0 0               8 X 5 8 X 5 8 X 5 8 X 5 8 X 5 8 X 5 8 X 5        5 5 5 5 5 5 5 5 5 5 5 5 5 5 Gtr. for gtr. burn.Bm     A  on.For educational use only .)  mf w/ ebow 9 7 0 * Synth.

3 We’ll nev .er burn       Gtr. Fig. 2 5 5   7 7     8   8      w/ bar grad. dive 7 7 5 5 7 7 0 0 -1 1/2   0      -1 1/2   Gtr.For educational use only .er   4 5 A5 Gtr. 7 5 0    .   5 5     7 7    7 5 0      fdbk. A5 burn burn     2 4 4 5 a . 1  7 7 8 Digital Conversion © 2011 Sorgdal . 4 a .er   G5        A5 Fade out     4 5    slack       w/ bar 7 7      Gtr.    4    D          A5 nev . 3: w/ Rhy. 1 (3 times) A5 G5            nev . A5 D A5 G5                      nev .er      2 4 0 2    2 4 4 5       a .gain.gain. 1 & 2: w/ Riff A (3 times) Gtr. 4 a .   Begin fade      w/ bar 0 2   burn  a .gain.not for sale or trade.gain.gain.     4 2    D           nev .Outro Gtrs.    nev .gain.er   D  A5 a .er  2 burn     4 5      2 4 burn    G5        2 4     Gtr. No warranty of accuracy or useability is implied or claimed.

Fig.) * w/ dist.live End Rhy. 1 & 3: w/ Rhy. composite arrangement * Vol.) Rhy.: w/ Voc. I’ve got noth . Esus2 B5                 this my strang .  E Voc.ing 2. Voc. µ  C#5 E     Leav -  ing Esus2  B5  Esus2  you. es. 2 (4 times) Gtrs. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS. Fig. 1 11 11 11 11 11 9 9 9 0 0 9 0 9 0 9 7 0 0 9 7 9 7 9 0 9 0 9 11 7 6 9 9 7 0 7 0 ** Gtr. Fig.not for sale or trade. Fig. TWELVE MUSIC. INC. 1 & 3: w/ Rhy. Fig.ing to µ C#5 E prove. FLYING EARFORM MUSIC. 1 (2 times) Gtr.J.ing C#5 E Esus2 com . 1 & 3: w/ Rhy.ers sav in - ing the grace end.  Esus2 µ  µ C#5       E   End Voc. played f. Fig.es. oh.J. Fig. 2  Rhy. 1: w/ Rhy. Bkgd. 2 (dist. chang . . 2 C#5 E Esus2 B5 Esus2                  Dead on the in - side. 1 & 3: w/ Rhy. INC. 1 (2 times)      C#5 Good E Esus2       - bye  B5  this  Esus2   time. Gtrs. a gain. © 2002 EMI VIRGIN SONGS.Come Back Words and Music by Foo Fighters A5 5fr Intro Moderate Rock q = 90 1 34 ** Gtrs. 1                                             f   mf  (Oh.For educational use only . 1  Esus2 B5 Esus2 µ         1. All Rights Reserved International Copyright Secured Used by Permission  µ    I’ve been 1 Digital Conversion © 2011 Sorgdal . Fig. Chang .fort back and of forth               the chase. 1 & 3 11 9 Esus2 6 µ          and give me some . M.  7 0 Gtrs. Fig. Fig. Mov . 1 (elec.thing to  lose. Keep me a . 1 C#5       E Esus2 B5 Esus2 µ  C#5 E  Esus2 B5 Esus2 µ C#5   Esus2      Gtr.: w/ Voc. 2                            11 9 11 9 11 0 11 0 9 0 9 0 9 7 9 7 9 7 9 0 9 0 9 11 7 B5 Esus2                     Gtrs.     Gtr. 1 (4 times) Gtr.. 3: w/ dist. Fig. No warranty of accuracy or useability is implied or claimed. 2 tacet B5 Esus2 µ C#5          Esus2 B5     oh. a . Gtrs. swell Verse 1st time. Voc. Fig. B5      E - B5 Esus2       and ing a plac - µ C#5 E  gain. Fig. Bkgd. Esus2 µ    1st time. 1 End Rhy. Fig. LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M.gain. 1 2nd time. 1 & 3: w/ Rhy. 1 (4 times) 2nd time. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.) C#5 E  Now Trad Esus2      Esus2  Oh.

0 0 6 6 4 6 6 4 7 7 5 E5 will come back. 3 7 7 5 7 7 5 7 7 5 9 9 7 9 9 7 9 9 7 9 9 7 9 9 7 .Pre-Chorus A5        gone (Gone so so long. Fig. I 11 11 9 6 7 7 5 7 7 5 6 7 7 5      6 7 7 5 6 7 7 5 0 B5        will come back.                                                  0 0 X 2 2 0 0 0 X 2 2 0 0 0 X 2 2 0 0 0 X 2 2 0 3 4 4 2 3 4 4 2 3 4 4 2 3 4 4 2 3 4 4 2 7 7 5 7 7 5 7 7 5 End Rhy.  gone gone so so   Oh.For educational use only .)  7 7 7 7 5 5 Chorus C#5 B5         7 7 7 7 5 5 A5       will come back. so.    Rhy. No warranty of accuracy or useability is implied or claimed. long. Fig. 3               11 11 9 11 11 9 11 11 9 11 11 9 F#   7 7 5 A                                       7 7 5 7 7 5     long. 1 & 3 7 7 5 7 7 7 7 7 7 7 7 7 7 5 5 5 5 5 7 7 7 7 7 7 5 5 5 7 7 7 7 7 7 7 7 7 7 5 5 5 5 5 7 7 5 7 7 5 7 7 7 7 5 5 7 7 7 7 7 7 5 5 5 7 7 7 7 5 5 7 7 7 7 7 7 5 5 5  But I  7 7 5 F#      I 7 7 5 7 7 5 7 7 5   7 7 5  7 7 5 7 7 5 7 7 5 7 7 5 G#5    7 7 5    I                                3 4 4 2 3 4 4 2 3 4 4 2 3 4 4 2 3 4 4 2 2 Digital Conversion © 2011 Sorgdal .not for sale or trade. long.         (Oh.                                                          Gtrs. 3 4 4 2 6 6 4 7 7 5 7 7 7 7 7 7 5 5 5  will 7 7 7 7 7 7 7 7 5 5 5 5  come 0 0 0 0 X 2 2 0 9 9 7 9 9 7 9 9 7 9 9 7 7 7 7 7 7 7 7 7 5 5 5 5 7 7 7 7 5 5 7 7 5     back. so.

Fig.  back E Voc. 1 & 3: w/ Rhy.       Gtr.) Bridge C#5      Gtr. Fig. Fig. 1                                   13 X 11 11 X 9 10 X 8 8 X 6 6 X 4 6 X 4 8 X 6                6 6 4 6 6 4       13 X 11 13 X 11         10 X 8 10 X 8 10 X 8        10 X 8 P. C#5 E        Esus2  B5 Esus2     Oh. 4 6 6 4 D#5       6 6 4 6 6 4 6 6 4 4 4 0 6 6 4 6 6 4 6 6 4 8 8 6 8 8 6 3 Digital Conversion © 2011 Sorgdal . No warranty of accuracy or useability is implied or claimed. 4A         6 6 4 6 6 4 6 6 4 4 4 0 6 X 4 6 X 4 6 6 4 6 6 4 6 6 4 6 6 4 6 6 4                 6 6 4 6 6 4 4 4 0 6 6 4 6 6 4 6 6 4 6 6 4 6 6 4 4 4 0 6 X 4 6 X 4 16           8 8 6 8 8 6           4 4 0 6 6 4 6 6 4 6 6 4 P.  I  G#5 will come E5        back. 2.M.M. P. . 3 C#5       I A  will come F#      back.M.not for sale or trade.For educational use only . 1. P.Gtrs. µ    oh. 6 6 4 6 X 4  P.   I will come F#      back. oh. Fig. 1 & 3: w/ Rhy. Fig. 2 Riff A 13 X 11      Gtr.M. 6 6 4        Rhy. 3 6 6 4 6 6 4 6 6 4 4 4 0 Rhy. 1 (2 times) A5       I    will come B5 C#5   for you.M. Gtrs. 2        I will come   B5      back for you. 2   Esus2   B5 Esus2      (Oh. P.M. µ A5  End Voc. Fig.

4    D#5 4 4 X 2         7 6 4 4 2 4 4 2     End Rhy. No warranty of accuracy or useability is implied or claimed. 6 4 X 2 4 X 2 4 X 2        4 X 2 6 X 4 4 X 2 4 X 2          0 0 1 2 2 0 4 2 0 1 2 2 0                            9 7 7 0 9 9 7 0 9 9 7 0 9 9 7 0 9 7 7 0 9 9 7 0 9 9 7 0 9 9 7 0 9 9 7 0 9 7 7 0 9 9 7 0    E          2 2 4 X 2 4 X 2 4 X 2 End Rhy. 1 & 3: w/ Rhy. 2   mp 7 4 Digital Conversion © 2011 Sorgdal . 2: w/ Riff A      C#5        Gtr. 4A  11 11 9 9 9 7  dim.not for sale or trade. Fig. 1 & 3              you.     4 4 2      End Riff A                 A5 Gtrs.   E   B5       B5  F#5 for                              13 X 11 13 X 11 13 X 11 13 X 11 11 X 9 11 X 9 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7                     0 0 1 2 2 0 0 0 1 2 2 0 1 2 2 0 0 0 1 2 2 0 4 2 0                       9 9 7 0 9 9 7 0 9 9 7 0 9 9 7 0 9 7 7 0 9 9 7 0 Gtrs. Fig. 4 & 4A Gtr.For educational use only . Figs. B5 F#5         4 2 2 B5 .

. No warranty of accuracy or useability is implied or claimed. 2  Gtr. 4 (acous. 5    C#5 E       9 7 4 2        9 7 4 2 B5 F#5 C#5 E  B5  F#5  C#5   Gtr. 5 4 6 ** slight vib.) B  Riff                          End Riff B mf w/ clean tone let ring throughout 11 *** Gtrs. 5 4 4 4 2 3 4      B5 F#5      7     B5     E 6 * Gtr. throughout Gtr.) 9 0 4 6 0 9 8 0 11 11                                  Rhy. 8: w/ slight dist. 2 tacet E  B5  F#5  C#5 E      11 9 11 0 B5  F#5  11 Gtr. 5 (2 times)  B5 End Rhy. played mf 4 F#5 ** ** 3  * Gtrs. 4 & 6: w/ Rhy. acous. Fig. 7 (12 str. 6                              11 9 11 9 11 9 11 0 11 0 11 0 11 11 0 0 9 7 9 7 9 7 4 2 4 2 4 2 4 2 4 2 5 Digital Conversion © 2011 Sorgdal . 4.Interlude Gtrs. 5    mf    11 9 11 0 Gtr. 1 & 3 tacet C#5     Gtr.)  Rhy. 5 (nylon-str. played 11 0 mf 11 0 11 0 11 11 0 0 9 7 9 7 9 7 4 2 4 2 4 2 4 2 4 2 9 0 4 6 0 9 8 0 11 End Rhy. elec. Fig. 4: w/ Rhy.For educational use only . 6: acous. Fig. Fig. Fig. 5 E 4 4 5 5 F#5    4 4 4 6      B5 B5      7 2 3 4 4 4 6      6 4     C#5    4 6 C#5 E 5 6 E       6 3 4 4 5 7   5 F#5   semi-harm. Fig.)       E B5  F#5 C#5         4 6 mf 4      F#5    6 4 C#5 C#5    4 6 E            Gtr.not for sale or trade. 6 & 8 (elec. 6 11 9 11 9 11 9 *** Gtr.

6 Gtr.For educational use only . 7 11 9 6 Digital Conversion © 2011 Sorgdal . 5       B5   F#5 C#5 E      7       C#5 3 E   Gtr. 4. 7 Riff C1 11    Gtr. 2 Gtrs. 5      Gtr. Fig.                                          11 9 11 0 11 0 9 7 9 7 4 2 4 2 11 9 11 9 11 9 11 0 11 0 11 0 11 0 11 0 11 0 9 7 9 7 9 7 4 2 4 2 4 2 4 2 4 2 4 2 . 6 & 8: w/ Rhy.Gtrs.not for sale or trade. 4. No warranty of accuracy or useability is implied or claimed. 7: w/ Riff B C#5 E    Gtr. Fig. 6 & 8 4      5 7 5   0 9 4 6 Riff C    9 11      5 5 5 4 4 B5          7 4 4 6  0 9   6 4   0 8      4  6   F#5   5               4  F#5  7 9   B5 3 4   0 11    12 14  4 6  11  14 Rhy.

  


 
C#5




E

  

4

 
 

6

5

7

4

6

0

9

11

F#5


 

 
 

2 4

2 4




5

B5


9

0

4

6


  

11

0

8

9

 

0

11




12

14

End Riff C1

11

End Riff C

14


   
















 

    

      

11
9

11
9

11
9

11
9

11
9

11
0

11
0

11
0

11
0

11
0

11
0

11
0

11
0

9
7

4
2

B5

F#5


  

C#5

Gtrs. 2 & 7: w/ Riffs C & C1
Gtrs. 4, 6 & 8: w/ Rhy. Fig. 7 (3 times)

C#5

E



       
Gtr. 5


 

 

4

4

5

5

7

4

6

9
7

  
  
   
E

9

9

9

9
9

9

9
7

9
7

4
2


  

B5

F#5

4
2



4
2

4
2

4
2

4
2

4
2

   



 


3

9
7

End Rhy. Fig. 7

7

6

7

5

4

5

5

7

5

4

5

4

4

7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

C#m

E,7

 
   
Gtr. 5

3

  



4

5

5

4

D
 Riff


Gtr. 7

9
11


 

B


F#

 

7



8
9

8
9

16

16 16 16

16 16 16

 

6
8

16

16 16 16

Gtr. 7: w/ Riff D

C#m


    

Gtr. 5

3

E,7

4

 

4

5



5

B


4


                
Gtr. 2

16

16 16 16 16 16

8
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

16 16 16

16 16 16

16

16

16 16 16



 

 

9
11

8
9

8
9

16

14 16

16 16 16 16 16

    

14 16

14 16

5

16 16 16


 
 

E,7





4

6



7

16

7

16 16 16 16 16

14

B
F#

 








 


5

16 16 16

9

7

9

             

16

6
8



C#m





End Riff D

             



 
 

F#

 

7

F#

6


                      

16 16 16

B

Gtr. 2

16

E,7



4

 

C#m

16 16 16

16 16 16

16

9

Gtr. 5 tacet

C#m

B

  
   

A5




Gtrs. 1,
2&3

 







7
9

6
7

Rhy. Fig. 8

 Rhy. Fig. 8A

  
Gtrs. 4,
6&8

11
9

11
9








7
5

4
2

ah.



  

       


    
    

       
       

11
9

9
7

7
5

7
5

4
2

f

11
9








(Ah,

F#5

11
9

9
7

C#m

9
7

9
7

9
7

9
7

9
7

9
7

9
7

B

  
   




Ah,


   

7
9

7
5

7
5

7
5

4
2

A5

4
2

4
2

4
2

4
2

4
2

4
2

F#5








4
2



ah.)


 




 

6
7

7
5

4
2

End Rhy. Fig. 8


   







 

       



    

       

11
9

11
9

11
9

11
9

11
9

9
7

7
5

7
5

4
2

9
7

9
7

9
7

9
7

9
7

9
7

9
7

9
7

7
5

7
5

7
5

4
2

End Rhy. Fig. 8A

4
2

4
2

4
2

4
2

4
2

4
2

4
2

Gtrs. 1 & 3: w/ Rhy. Fig. 8 (2 3/4 times)
Gtrs. 4, 6 & 8: w/ Rhy. Fig. 8A (2 3/4 times)

C#m

  
   

B




(Ah,


   
Gtr. 2

7
9

A5





F#5




ah.

C#m





B




Ah,

A5





F#5




ah.)




 




 
 




 



    

 
 

6
7

7
5

4
2

7
9

6
7

7
5

4
2

13

12

13

11

13

9
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

     Gtr. No warranty of accuracy or useability is implied or claimed.      13 X 11                13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 F#5               C#m 13 X 11 13 X 11 13 X 11 13 X 11 ah.                  13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 C#m B        Ah.not for sale or trade.C#m B       (Ah. 13 X 11                    13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 A5        B       Ah. 9 tacet B 2 F#5   12 F#5   13 X 11  . A5                                 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 C#m          ah.For educational use only . 2  12   4 2 16  2  12                             13 X 11    F#5 Ah.              13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11                  ah.)         13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 13 X 11     13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 Gtr. 4. 3.) 13 X 11 13 X 11 13 X 11 Gtrs. 6 & 8  * f    7 5 7 5 7 5 w/ clean tone 7 * Vol. 2      12   A5     Gtr. 9 (elec. 1. swell 10 Digital Conversion © 2011 Sorgdal . A5   13 X 11 13 X 11                                  ah.

1 & 3: w/ Rhy. E5 F#5 B             6 6 4 4 6 6 4 4 6 6 4 4 6 6 4 4 6 6 4 4 6 6 4 4 0 0 0 0 6 6 4 4        0 0 0 0 A I will come back.Gtrs. 2: w/ Riff E (2 times) C#5          A F#         I will come back. 9 (till fade)  G#5 I will come back. 4.                Gtrs. Fig.For educational use only . C#5          A F# I will come back. Fig. Begin fade    I  will come     Play 2 times and fade    back. Fig. 3 (2 times) Gtrs.                F#5 A I will come back. 6 & 8 tacet C#5                  13 X 11 13 X 11 13 X 11 13 X 11 13 X 11 Riff E Gtr. 1& 3 E5 I will come back.not for sale or trade. 9 Gtrs. 11 Digital Conversion © 2011 Sorgdal . .     1st time. 2   13 X 11 A   E5 F# G#5                                   11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 F# 10 X 8 A5                            11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 8 X 6 8 X 6 8 X 6 8 X 6 8 X 6 10 X 8 10 X 8 10 X 8 10 X 8 B5 End Riff E                          11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 11 X 9 13 X 11 13 X 11 13 X 11 13 X 11   13 X 11 Chorus Gtrs. Fig. No warranty of accuracy or useability is implied or claimed.           6 6 4 4            End Rhy. 1 & 3: w/ Rhy. Fig. 3 (2 times) Gtr. I will come back. 9 6 6 4 4 6 6 4 4       6 6 4 4 6 6 4 4          0 0 0 0  I    I will   will come come  back. 1 & 3: w/ Rhy. I will come back    B    for you.          Outro C#5 G#5 0 0 0 0 6 6 4 4             6 6 4 4 6 6 4 4 6 6 4 4 6 6 4 4 6 6 4 4     0 0 0 0          6 6 4 4 0 0 0 0 6 6 4 4     6 6 4 4  back.       Rhy.