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VE N   NOV 1     I GAVR    OV  leH     ,     
I  Bl.    I  lo_L ."  el      .,         1.;., = lit.      n'    <ln   
HARVESTING IN SUMMER   SG.EPING       aOy  
Palnter,  draughtsman,  Ilthographer,  genre  parnter. 
Bom  Into  a poor  merchant's  faml!y  lil  Moscow 
he  worked  as  a draughtsri\an  for  land-surveYlng 
teams  ulltll  he  was  thlrty-elght years  old.  HIS 
tramlng  as  a palnter was  marked  by  many 
Interruptlons:  he  recelved  prlvate  lessons  from 
V l.  Borovikovsky,  among others,  copled  palntlngs 
In  the  Hermltage  (an  1811  copy  01 Murlllo's  Resl 
on  fhe  Fllgh!  mto  [gypt  has  survlved  and  IS now 
Ir.   In  the  Sta te  Russlan  Museum),  and  became  an 
'external  student'  of  the  Imperial  Academy of  Arts 
In  St  Petersburg.  Al  lhe end  01 1807  Venetslanov 
crealed  four  etchlngs for the  Carrcature 
MagaZine  tor  Ihe  Year  1808.  whlch  he  hlmself 
inltJated  and  whlch  was  Russla's  flrst  Illustrated 
sal!rlcal  magazine  untll  It  was  banned  bv  tlle 
authorllles.  In  1811  Venetslanov  was  awarded 
the  tltle  of  Academlclan  for  hls  canvas  Portralt 
of Klffll  Ivanovlch  Golovachevskv.  Inspector 01 
the  Academy 01  Arls.  W¡!IJ  Three  PUpl/S  of the 
Academy  In  1812,  dunng  the  Napoleonlc  Wars, 
he  created  a number of  polllJcal  cartoons  in  which 
he  rldlculed  the  French  and  the  Francomanla 
ot  the  Russlail  anstocracy.  He  settled  on  the 
small  estale  01 Satonkovo  In  the  pravlnce  of  Tver 
In  1819  Venetslanov  was  of  great  slgnlflcance 
lo ihe development  01 Russlan  art  He  was  lhe 
founder of  a 5chool  of  palntmg that  eventually 
eilcompassed  more  lhan  seventy  artlsts,  mcludlng 
Gngofl  Soroka,  AV.  Tyrallov,  N.S  Krylov,  E.F. 
Krendovsky,  and  l.K.  Plakhov 
Venetslanov  occuple5 a  place  In  art  hlstory 
p(lmanly as  the  founrJer  af  Russlan  genre  palntlng 
  art  hlstorlans    descrlbed  his  early ,

ork 
as  a RUsslan  vanant on    Bjede.rmel"'r  style. 
DUrlng  th IS penod  he  ¡¡enar3ted  In ti mate  portr¡¡, lo 
fhal  o:casmnally  Incline to't8rds Ronuntlclsm, 
'11 ...... b "3e'"        ti             , ... r 1.Qn7_
1809,  Statü  Russlan  Museum)  The  artlst oblained 
hls  Illst maJor  sueeess  and  renown  wlth  lile 
palntlng  The  Threshlng Floor (1821·1823,  Stale 
Russlan  Museum).  Olher  pa1nllngs  dlsplaYlng 
scenes  Irom  peasant  Ilfe,  for  whlch  he  worked 
wllh  Ilve  models.  Inelude  Sleeplng Shepherd  Boy 
(1823-26.    RlJssian  Museum),  In  lhe  Fleld 
Spong,  ilnd  Harvesll/lg.  Summer (boih  from  lhe 
1820s.  Slafe Tretyakov  Gallery)  The  substantlal 
role  played  by  landseape  In  hls composltlOns  IS 3n 
early  example  01 the  romanl,clzal,on  01 Hle  Russl8n 
eounlryslde  At  '[he  same  time,  '1enetslanov's 
peasant    herald  the  advent  of  reallsm  In 
Russlan  palnllng. 
Affiliations:  
Soclely  for  (he  Encouragemen t 01 Artlsls  
Exhlbltions: 
1824-1847  Imperia:  Academy  of  Arts 
182G·1827  Soclety  for  lhe  Eneouragemenl 
oi  Arllsts 
f

Related Interests

lost  CltJtslanding  works: 
Porlrail of Aleksandr Blblkov (1807-1809). 
Portralt 01  Ale!<sandra  Blblkova 0807-1809), 
T/le  MournJng ot Chosl (c.  1810,  all  11)  lhe  Stale 
Russran  Museum),  Self-porlrail (1811,  State 
Trelyakov  Gallery),  The  Threshlng  Floor(182J.-
1823,  State  RI";S!'l1l  Museum),  Cleanlng  Beels 
Ce. J.320),  Sleepmg ShepiJerd  Boy (1823-26,  both 
In  the  State  Russlan  MuseumL  In  tlJe  Fleld  Sprrng, 
and  Harvestmg  Summer (both  c  1820,  Stale 
Trelyakov  Gallery),  The  MedliJflOn  01 Ihe  Mothel 
01  God  lor  the  Sfudents  ot Ihe  Smolny   
0832-J.835,  State  Russlan  Museuml.  Peter the 
Greal.  The  Foundlng oí SI P2tersburg (153B,  Slale 
Tretyakov Galhry), 
TERRACE ON THE SEASHORE vl(W OF A.MAlFI  
CAPUCCINI "'tEAR SORRENTD Ign
Landscape  painter.  Born  ,nfo an  ortlsllC  famlly  Hls 
father,  FF.  Shchedrln,  was  a 5culplor,  illS  ullcle, 
S.F  Shchedrln,  was  81so  a landscape  painter.  From 
1800-1812 he  studled  under  M  M  Ivanovand 
FYa  Alekseev  al  lhe  Imperial  Academy  of  Ares  In 
St  Petersburg  At  his graduatlOn  he  was  honoured 
wlth  a  flrst-class  diploma  and  a Gold  Medal 
From  1818 onwards  he  recelved  a granl  fram  lhe 
Imperial  Acaderny  to  study  111 Italy  Shehedrln  flrst 
settled  In  Rome.  but  when  he  was  comrnlssloned 
by  Grand  Duke  Mlkhall  Paviovlch  (the  brother 
of the  Tsar)  lo palnl  a  series of  Neapolltan 
lancJscapes.  he  moved  fo  Naples where  he  spent 
lhe  re sI  of  hls  Ilfe 
In  the  hlstory of  Russlail  art  Shchednn  IS known 
as  one  of  the  founders  of  the  reallstlc  landscape. 
Even  In  hls  early  works,  he  showed  hlmself to  be 
a remarkdble  landscape  palnler.  Hls vlews  of  SI 
PelersblJrg.  whlch  were  dlsplayed  In  the  Imperial 
Academy.  do  nof  presenl  the  mall1  streets  and 
quays  along  the  Neva,  as  was  common  In  the work 
of  elghleenth-century  maslers.  bul  the  suburbs  of 
ttle Clty,  whlch  had  only  recen!ly  been  adopted  Into 
the vocabulary of  nlneleenth-cenlury visual  art.  In 
Italy Shchedm1  !Iberated  hlmseif Irom  classlclslng 
tendencies  and  devcloped  íowards  Rom?lltic  sm 
whlch  he  added  ear:y-realistIC  landscape  elelnrr.\ 
Exhibitions: 
1815-1817  Imperial  Academy of  Arts, 
St  Petersburg 
Most outstanding  works:  
The  Collseum  (J819,  Stale Trelyakov  Gallcry),  1"
New  Rome series  of  cllyscapes  (1823-1825,  S  
Tretyakov  Gallery).  The  Small  ¡'¡arbovr 0'/  Son  
On  Ihe  /sle  0'/ Capn,  I/iew 01 Serrento  l1,.ar  'l.7¡1I.
(all  1826, all  In  the  SI ate  Tretyakov   
Moon/Ight  Ifl  Nap/es (1828 -1829,  State 
Museum).  
MIKUAH I
,
RI68RI VWH
, 11 rol 'H 1 O' f' ..;(1 '1 JU
FISHERMEN j,q....
Palnter of landseapes, genre. portralts, and Icons.
Soroka was the son af a peasant serf. Hls master,
the large landowner N.P. Milyukov, look lhe young
Soroka mIo hls home In '_841. When hls arllstlc
talent was recognlsed he became a pupll of Aleksei
whose eslate of Safonkovo was
nearby. Desplte VenctslClrIov's attenlpts lo free
Soroka from his serfdom, hls nlaster contlnued
to refuse to al!ow It. Alter Venetslanov's death In
1847, Soroka found hlmself In a dlfflcult siluation.
Havrng left h,s master's estate, he returned to
Pokrovskoye at the beglnnlng oí the 1850s, where
he palnted Icons for the locai churches. Because
Soroka was Involved wlth the peasant uprlslngs
that followed the abolitlon of serfdom (on behalf
of hls feilow v!llagers he wrote a lelter lo Tsar
Aleksandr !I, complalillng about the unfavourable
condltlons for land purehase) he was sentenced to
corporal punlshment. but hanged hlnlself befare
th,s took place.
Tllough hls legacy IS not extenslve, Soroka IS
arguably lhe nlost tYPlcaliy Russlan of all the
ni neteenth - cen tury landsCi.lpe nters, an d lhe
most promlnent representatlve 01 the Venetslanov
sellool. No more than twen1y undated canvases
have been authentleated, all fronl the 1840s.
Nevertheless. the palntrngs m whlch he recorded
the surroundrngs 01' MIlyukov's estate are extremely
successful. Soroka's work dlsplays a unlque
comblnatlOn of the ,deairslng c1asslClst tradltlon
and a realistlc deplctlon of Russlan nature.
Exhibitiens
none
w
Mest outstanding werks:
V¡ew al Lake Maldino at OStrovkl, Estafe 01 N.
P. MliyUkov, Vlew 01 a Oam (bolh State Russlan
Museum), View of a Park at Ostrovkl, Estate of N.P.
MJiyukov In the Provmce 01 Tver (State Tretyakov
MlIseunl) The Tf¡reshlng Floor (8431), Stl1dy
lIi TIJe House al Ostrovkr, Estate of N.P MJiyukov
0844. both Russlan State Museum), ReflectlOn /()
a Mlrror, Portral! of E/lUYe!.. Mrlyukova (second haif
of the 1840s, State Museuml. portralts
of Venetsianov (State Tretyakov Museum, State
Russlan Museum), and Self-portralt 0840-1850,
State Russlan Museum).
PATH IN ALBANO NEAR ROME 36
The son of a serf, Lebedev beca me a freeman In
1816 with fhe abollflOn of serfdom In the provlnee
of !::stonta In 1829, Lebedev was admllted to the
Imperial Academy of Arts In St Petersburg, VI8
medlatlon by the dlreclor of the Derpl gymnaslum,
Count P. r-. Palen, and fhanks to fhe protectlon of
A.K. Benkendorf, fhen head of lhe secrel pollee
There he sfudled In lhe class of M.N. Vorobev. In
1832, he recelved a SlIver Medal, 'flrst c1ass', for
hls P'il'nt'ng V!ew of Petravsky Island (St Petersborg)
l5tate Russlan Museum) He graduated lhe
10l'oWing year and was awarded the Grand Gold
Medal and a granl lo study In Italy for hls palntlng
V;ew of Ladoga. In he moved to Rome where
he beeame part of lhe clrcle around lhe palnter
Kdd Bryu Ilov.
ThlO Irfluence of the Venetslanov sehool IS
clearly recognlsable In Lebedev's early work
gr<3dually developed a personal varlant of
RUssliln RonlantlCISI1l that was characterlsed by a
cheerful senslllvlty. The most prol1llnenl landscape
pwntlngs he created In Russla are VasJ!kava. Estate
of [he /rIS[lr3''::/(Jr af t/le Academy 01 Arts, A r. Krutav
0833, State Tretyakov Gallery) and At {he Forest
f.dge. [state of ¡he Karmal10v Famlly (1833, State
  Gallery). The maJonty of hls oeuvre was
created dUllng hls Itallan periodo TYPlea! features
of these landscapes are the careful attentlon
devoted to light and shadow, and the use of
Ilvely colours and dramatle contrasts between
lhe far<'ground and lhe background. Wlth thls
style, he gathered a reputaban as one of Russla's
best landscape palnters from the fllst hall' of the
nlneleenth cenlury
Exhibltiens:
1829-1833 Inwerlai AcadenlY of Arts,
SI Peters bu rg
Most outstanding works:
Vasllkovo Estate of file Inspector al the Academy
01' Arts, A I Krutov (833), Althe Edge of Ihe
Forest Estate of (he Karmal10v Famliy(l833), Patl)
/IJ Albal10 l1ear Rome (1836, all three In the State
Tretyakov Gallery), Vlew 01 Gastello Gal1dolla near
Rome (836), Anccla l1ear Rome (1835, both
State Russlan Museum). View 011 the Outsklrls of
Albano near Rame (1836), In Gurgl Park (1837,
both State Tretyakov Gallery).
KA OV, A1
L01
SUNSET aYER A MARSH 1871 THE PECHERSK MONASTERY ACART-TRACK U.s}3
NEAA NllHNI NOVGOROD lB71 
Palnter,  draughtsman,  landscaplst.  Studled  at 
the  Moscow  Schaol  al Arts (1844-1854),  under 
K.1.  Rabus and  was  made  a fellow  of  the  Imperial 
Academy  of  Arts  In  1854.  He  taught  landscape 
palnllng  at  the  Moscow  School  of  Arts  from 
1857  ###BOT_TEXT### 1882, countlng among  hls  students  L.L. 
Kamenev,  tlle  brothers  KA and  S.A.  Korovln. 
Isaak  LeVitan  and  S.I  Svetoslavsky.  In  1862 he 
vlslted  the  InternatlOnal  Exhlbltlon  In  LOlldon,  and 
In  1867 travelled  to  France  lor the  Parls  Expos¡lIon 
Umverse Ile.  Besldes  Engla nd  and  Fra nee.  he  aIso 
v!slted  Germany  and  SWltzerland,  (he  latter trlp 
resultlng  In  two canvases  V¡ew 01 lIJe SWl5s  Alps 
near Interlaken (1862,  State  Russlan  lVIuseumJ  and 
Lake  In  the  SWl5s  Mountaln5 (866)
Havmg started  hls  eareer  as  a painter  In  the 
romantlc  tradltlon  - Vlew  of the  Kremlm  In  Bad 
Weather (1851),  View,  near Oramenbaum (1854) 
- Savrasov  later  developed  a  more  narratlve  style, 
produclng plctures tranqull  In  moad  and  based 
an  minute observatlOn  01 the  "unnotleed  detalls 
01 natural  Ilfe'·.  Vrllage  Scene (1867),  E/k  Island,  
Sokolmki (1869).  In  hls works  of the  1870s -
A  Cart-Track (873),  Courtyard In  Wmter{l870s)-
Savrasov allows hlrl1self  a  more  IYrlcal  and  personal  
expresslon  of the  uncompromlsl ng  nature  01 the  
Russlan  landscape  In  hls  1871  canvas  TIJe  Rooks  
Have  Retumed (State  Tretyakov  Gallery),  whleh  was  
to  becorne  a seminal  work  In  the  hlstory  of  Russlan  
landscape  palntlng,  Savrasov  ehooses a  simple  
theme  - tYPlcal  of  the  Russlan  countryslde  In  early  
sprlng - and  creates  an  emotlonally  heightened  
vlslon  01 nature  reawakenlng.  The  artlst,  rellect!ng  
a  partlcularly  Russlan  outlook on  the  world,  draws  
IYrlcal  slgnlficance  from  a concrete  motll,  and  
enters  the  annals  01 Russlan  art  I1lstary  as  the  
lounder 01 the  'rnood  landscape'.  
Affiliations:  
From  1861  Moscow  SOClety  of Art  Lovers  
From  1870  Wanderers'  Soclety (Peredvlzhn¡kl) 
(founder  rnember) 
THE ROOKS HMf. RETURNED (VARIANT) l87!:;
Exh ibitions· 
1860  Moscow  Soclety 01 Art  Lovers 
1871-1881  Wanderers'  Soele!y 
Pos!humous solo exhibitions: 
1947  Moscow 
1963  Len tngrad 
1980  Moscow 
Most outstanding works: 
V!ew  01 the  Kremlrn  In  Bad  Weather  (1851),  View, 
near Oranienbaum (1854,  both  State  Tretyakov 
Gallery),  Vrew  of the  SWl5S  Alps near Interlaken 
(1862,  State  Russlan  Museum),  Lake  m  the Sw;ss 
Mountams (1866),  Village  Scene (1867),  Efk 
Island,  Sokolmki (1869),  A  Cart- Track  (1873), 
Courtyard m  Wlnter (1870s),  The  Rooks  Have 
Retumed {l871,  all  State  Tretyakov  Galleryl. 
TtiEHIGH
Pall1!<if 
Acitdll
,¡nd S.
Grehd 
, If/iJ!i(j
(J re
lorcj¡;;n

cT.d wr
  bec
Arb  11.
av:;::ul
 

Alfiliat
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hibi

111
KtODT, MIRIAIt PUP OV,  
JI
f " 
THE :'!II"iH ROttO IN AUTUMN 1863 IN T'HE FIElD  H  
Palrlter and  landscaplst.  Studied  at the  Imperial 
Academy  01 Arts  (1851-18:'8)  under  M.N.  Vorobev 
and  S  M  Vorobev.  In  1858 he  was  awarded  the 
Grand  Gold  Medal  for  hls  senes entltied  Víew  of 
Liflandla  near Zagevolt,  and  recelved  a diploma 
as  a reglstered  artlst,  as  well  as  a bursary  tor 
lorelgn  trave!.  He  was  a  pensioner 01 the  Imperial 
Academy  01 Arts  from  ¡ 858 to  1861. and  Ilved 
and  worked  In  Germany,  SWltzerland  and  France. 
He  became  a  member 01  the  Imperial  Academy  01
Arts  In  1862.  In  1871-1872, logether wlth  A.P. 
Bogolyubov,  he  preslded  over  the establishment 
oí a I'andscape  palntlng class  at  the  Impenal 
Academy  of  Arts,  whlch  he  headed  lrom  1873. 
"filialio'ls. 
1857-1862  'Academlclans'  Fndays'  Soclely 
1870-1880  Wanderers'  Socrety. 
(founder  member) 
Ir0l11  1875  Soclety of  Art  Exhlbits 
EJcl11bitlons: 
1854-1873  (varlously)  Impellal  Academy 01 Arls 
1862  Soclety  for  the  Encouragement 
of ¡he Arts 
FOREST VIEI'{ AT NOON 18/8 
1863-1883  Moscow  Soclety  of Art  Lovers 
1867  SOClety  tor  the  Encouragement 
01 the  Arts 
1867  Expos/!/On  Untverselle,  Pa 115
1871  Wanderers'  Soclety 
1872  Internatlonal  Exhlbltlon,  London 
1873  Internatlonal  ExhlbltiOil.  Vlenna 
from  1875  SOClety  of  Art  Exhlbrts 
1876  Internatlonal  Exhl Mlon.  Ph Iladelphla 
1878  EXposltlOn  (Jl1Iverselle,  Parls 
1879  Wanderers'  Soclety 
1882  AII-RusSI3  Exhlbltton,  Moscow 
1897  Wanderers'  Soclety 
Masl oulstanding warks:  
Oak  Grove,  T!Je  HiglJ  Road  ¡n Autumn (bo111 1863,  
State  Tretyakov  Gallery);  F/ock by the  River at  
Noon  0869, State  Russlan  MlJseum);  In  the  
Fleld (1870,  State  Russlan  Museum;  1872.  State  
Tretyakov  Gallery);  Fores!  V¡ew  at Noon  (878),  
Cattle  a! the  Trough  0879, both  In  the  Sta¡e  
Tretyakov  Gallery)  
MORNING IN lH[ COUNTRYSlOf  1861
Artlst.  The  Identlty 01  the  paJl1ter  01 Mormng  In 
the  Countrys/de,  whlch  was  slgned  'A.  Popov, 
1861',  remalns  a  rnystery  Dunng  thls  penod  the 
genre  was  practJsed  by  two other  Popovs:  the 
landscape  palnter Aleksandr  Pavlovlch  Popov 
(-Moskovsky)  and  the  pamter af  popular scenes 
Andrel  Andreevich  Popov.  Because the  rnethod  of 
pamtlflg appears  to  dlfler Irom that 01 these  two.  It 
has  been  assumed  that  there  must  be  yet  another 
painter wlth  the  same  !n,tlals workmg  durmg thls 
penod. 

IVAN
!891!. ') T PE TER >BURG
-
.
. . •.
.


:-... -- -
VIEW ON THE OUTSKIRTS OF
ST. PETERSBURG 1
MIDOAY ON THE OUTSKIRTS OF MOSCOW IN THE OEPTHS OF THE FOREST 131
Pamter. draughlsman. engraver; landscap1sl.
Stud1ed al lhe Moscow School of Arls (1852
1856) under A.N. Moknlsky and al the l mpenal
Academy of Arls. (1856 1860), under
S.M. Vorobev; pens1oner of the lmpenal Academy
(1862 1865). Followmg h1s educat1on. he llved
and worked 1n Germany and Sw1lzerland. and
lravelled m Bohem1a. He was made a fellow of the
lmpenal Academy of Arls m 1865. m recogn1t1on
of h1s p1clure V1ew near Düsseldorf (S tate Russ1an
Museum).
Sh1shkm was a master of lhe monumental canvas.
combinmg a panoram1c v1s1on with met1culous
attenl10n to detall such as M1dday. on the Outsk1rts
of Moscow (1869) and Woodland V1stas (1884,
bolh State Trelyakov Gallery). Sh1shkin's extens1ve
oeuvre also mcludes works closer m style to the
mood landscape such as Ram m an Oak Forest
(1891). and plem a1rworks like: Comerofan Over-
grown Garden (1884).
Sh1shkm's elchmgs const1tute a sigmf1cant
aspect of h1s legacy. Wh1le close lo his pamtmgs
m conlent and style. they are more emot1onally
charged and freer 1n lhe1r execul1on. allowmg lhe
arl1sl lo expenmenl and demonstrate h1s skllls as
a draughlsman. Sh1shkm became the foremost
engraver of lhe second hall of the nmeteenth
cenlury and was mstrumental m rev1vmg lhe
trad1!1on of etchmg m Russ1a.
Affiliations
from 1866 Moscow Soc1ety of Art Lovers
from 1870 Wanderers' Soc1ety, (founder member)
from 1871 Soc1ety of Russ1an Engravers
Exhibitions:
1857 1894 lmpenal Academy of Arts.
St Petersburg
1859.1860 Moscow School of Arts
1865 Dusseldorf
1866 Expos1t1on Umverselle, Par1s
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RYE 1< FOREST RESERVE, PI NE GROVE 11 AMIOST THE SPREADtNG VALE 1883
1866 Moscow Soc1ety of Art Lovers
1867 Soc1ety for the Encouragement
of the Arts
1873 lnternallonal Exhlbltlon. V1enna
1878 Expos1t10n Umverselle, Pans
The Ap1ary (1882), Woodland Vistas (1884).
Countess Mordvmova's Forest. Peterhoff(l891, all
m lhe Slate Tretyakov Gallery), In the WJ/d North
(1891. K1ev Museum of Russian Art), Mast-Tree
Grave (1898. Russ1an Museum).
1896 AII - Russ1a Exhib1tion.
N1zhm Novgorod
Solo exhibitions·
1891 SI Petersburg
Posthumous Exhibition
1904 Exh1blt1on of studies. Moscow
1926 Sh1shkm's Drawmgs, Moscow
1948 lo mark the occas10n of lhe 50'
anmversary of h1s dealh.
Moscow and Lenmgrad
Most outstanding works:
M1dday. On the ot Moscow ( 1869). P1ne
Forest (1872), Rye (1878), The Th1cket (1881),
WOOI)lAND VISTAS V<4 VOUNG OAKS 88h OAKS E"wENING H<87 MIXED FOREST 188>! WIND FALLEN TREES 1888 WINTER 1890
lá1
IN THE WILD NORTH 1891 THE KAMA NEAR VELABUGA .8 MAST-TREE GROVE
1
 
THE l.AST INN BY THE TOWN GATE 1868
Pamter and draughtsman - master of genre
pa1ntmg; portra1t1st and historical painter.
Stud1ed at the Arzamas School of Pamtmg and
lconography under A.V. Stupin (1846-1849) and
the Moscow School of Arts (1853-1861) under
N.A. Ramazanov, A.N. Mokritsky, M. l. Skottl and
S. K. Zaryanko; pens1oner of the lmpenal Academy
of Arts (1862-1869). He travelled to Germany m
1862, and llved and worked 1n Pans from 1863
to 1864. In 1866 he was made a fellow of the
lmpenal Academy.
Perov's leadmg role m the development of genre
pamtmg in the 1860s secures him a place in the
annals of Russian art h1story. Two examples of
sign1f1cant gen re pamtings are The Village Easter
Process1on (1861) and The Last lnn by the Town
Gate (1868). He achieved widespread acclaim
for h1s h1storical and religious pai ntings: Christ
m the Garden of Gethsemane (1878) and N1kita
Pustosvyat, (1882, both in the State Tretyakov
Gallery). Landscape plays an importan! role m
Perov's work as a means of creatmg a umty of
mood and palette. Portra1ture is also a 1mportant
facet in the art1st's oeuvre - sorne of the fmest
examples being those of the dramatist A.N.
Ostrovsky (1871), the wnters F. M. Dostoevsky
and V. l. Dahl (both 1872), and the painter A.K.
Savrasov (1878, all in the State Tretyakov Gallery).
D1stmgU1shed by thei r exact portrayal of social
characteristics, the1r umty of compos1t1on, pose
and gesture, these pictures reveal a profound
psycholog1cal ms1ght of the s1tter.
Affiliations:
1870-1882 Wanderers' Soc1ety (founder member)
Exhibitions:
1856-1871 l mpenal Academy of Arts,
St Petersburg
1862 Soc1ety for the Encouragement
of the Arts
1867 Expos1tion Umverselle, París
1870-1882 Wanderers' Society
1872 lnternational Exhibibon, London
1873 lnternat1onal Exh1bibon V1enna
1878 Expos1t1on Universelle, París
1881 Moscow Society of Art Lovers
Most outstanding works:
The Vil/age Easter Process1on (1861); Tea
Onnkmg m Myt1shch1 (1862); The Last Journey
(1865); Troika (1866); The Last lnn by the Town
Gate (1868); Hunters at Rest (1871), Chnst m
the Garden of Gethsemane (1878) and Nik1ta
Pustosvyat, (1882, all m the State Tretyakov
Gallery)
 
MI ODA Y IN THE COUNTRYSIDE 1864
Painter mamly of landscapes, but also of genre,
seascapes, and battle scenes. Stud1ed at the
Univers1ty of St Petersburg, and subsequently
at the Department of Landscape Pamting of the
l mpenal Academy of Arts where he was taught by
S.M.Vorobev, L.F. Lagono, and G.G. Chernetsov.
Sukhodolsky rece1ved the M mor and the Grand
S1lver Medals respect1vely for his landscapes
Storm m the Provmce of Kaluga (1859) and
Wmter Mormng (1860). For h1s pamtmg View
from Petrovsky Jsland, he was awarded the M mor
Gold Medal. In 1864, Sukhodolsky completed
h1s educa!lon w1th the Grand Gold Medal for the
landscape pamtmg M1dday m the Countrys1de
(1864, State Russian Museum). He made use
of the s1x-year grant awarded by the Imperial
Academy for only three years, spending this penod
m Russ1a, mstead of ltaly as was mtended. In
1868 he entered the c1vil service and so forfeited
h1s nght toa pension from t he Imperial Academy.
He resumed pamtmg m 1877, and in 1878
rece1ved the t1tle of Academ1cian for his work
The Oka R1ver Flooding m Sprmg (State Russian
Museum). In the 1880s, he produced i llustrallons
for Russia's most popular magazine Niva.
No more than f1fty pamtmgs by Sukhodolsky are
known. The pa1ntmgs In a Young Oak Forest,
near Moscow(l862) and The Marsh (1863) were
bought by Pavel Tretyakov (both State Tretyakov
Museum).
Exhibitions:
1859-1865 lmpenal Academy of Arts,
1867
1873
1873
1879
St Pet ersburg
Expos1t1on Umverselle, Pans
lmpenal Academy of Arts,
St Petersburg
lnternational Exh1b11ion, V1enna
l mpenal Academy of Arts,
St Petersburg
1881-1882 l mpenal Academy of Arts,
1882
St Petersburg
Nallonal Exh1b111on of Art and
Apphed Art, Moscow
1886-1887 lmpenal Academy of Arts,
St Petersburg
1887
Wanderers' Soc1ety, Ekatennburg
Most outstanding works:
M1dday in the Countryside (1864) , The Oka R1ver
Flooding m Spring ( 1878, both S tate Russian
Museum), Workers Rest1ng(l880, State Tretyakov
Museum), Scene from Peasant Ufe (1882), The
Capture of Orkhama by the Russian Troops on
18 November 1877 (1882, both State Russian
Museum).
KUINDlHI, ARKHIP I V   N O V I ~ H
JRG
THE FORGOnEN VILLAGE
PATCHES OF MOONLIGHT IN THE FOREST
EVENING IN THE UKRAINE
NIGHT ON THE ONIEPR
MOONLIT NIGHT ON THE ONIEPR ,880
MORNING ON THE DNIEPR 1
Pamter and landscap1st. Served as an apprentlce
1n I.K. A1vazovsky's stud1o 1n Fedos1a under the
latter's pup1l and ass1stant. A l. Fessler 1n 1855
lt 1s poss1ble that he returned to work 1n
A1vazovsky's stud1o 1n 1865 1866. He ís thought
to have attended classes unofficially at the
lmpenal Academy of Arts 1n St Petersburg 1n
1868, and 1n 1870 was recogn1sed as a non
reg1stered art1st. becoming a reg1stered art1st 1"
class m 1878. Dunng the years. 1874. 1875 and
1878, he made several tnps abroad. to France.
Germany, England, Swítzerland and Austria. He
was appomted a Professor at the Imperial Academy
of Arts 1n 1892 and made a full member 1n 1893.
He headed the landscape stud1o at the Academy's
Higher College of Arts from 1894-1897 Prompted
by his students, he founded the Kuindzhi Soc1ety
In 1909.
Kuíndzhi's landscapes are d1st1ngU1shed by the1r
panoram1c visíon and h1s use of colour emphas1ses
the express1ve nature of the countrys1de.
Affiliations:
1875-1880 Wanderers' Society
Exhibitions:
1867
1872
1873
1873
1874-1879
1878
1882
Imperial Academy of Arts.
St Petersburg
lnternat1onal Exh1b1tl0n, London
lmpenal Academy of Arts,
St Petersburg
lnternat1onal Exh1blt1on. V1enna
Wanderers' Soc1ety
Expos1t1on Umverselle, Pans
AII-Russ1a Exhibition, Moscow
AnER THE RAIN
LANDSCAPE THE S TEPPE 1890
MIDOAY HERD IN THE STEPPE
Solo exhibitions
1880 Arkh1p Kwndzh1, St Petersburg
and Pans
1882 Moscow, St Petersburg
Posthumous exhibítions.
1913 St Petersburg
1914 Moscow
1992 Moscow
Most outstanding works
On Valaam lsland (1873). Muddy Road m Marwpol
(1875). Ukra1man N1ght (1876 all three m the
State Tretyakov Gallery); Evenmg m the Ukrame
(1879, State Russ1an Museum); The B1rch Grove
(1879, State Tretyakov Gal lery); Moonflt N1ght on
the Dmepr (1880, S tate Russ1an Museum)
THE BIRCH-GROVE 18
~ ~ ~
8'f· OAKS XI 1'l05

DMITRHVUH
BOl 1" 2 MAY 1 ST 'ETER BURG OltO. 13 IUL 9. !7, BORO K ESTATE :NOW POLENOVO), TULA
f. ,< - ' - , ----l'-.if,} ' ' . <1'  
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-.
THE BURNT FOREST 1881 LANOSCAPE. ZHUKOVKA 1888 EARLY SNOW 1891
.:
Painter, landscapist, genre and historical painter;
stage designer, architect and illustrator, he also
worked in the fiel ds of decorative and appl ied arts.
Polenov too k drawing lessons from P. P. Chistyakov
from the age of twelve and attended classes by
F. l. lordan at the Imperial Academy. He studied
jointly at the University of St Petersburg and
the Imperial Academy of Arts from 1863 to
1871. He became a pensioner of the Imperial
Academy (1872-1876) and travelled widely in
Europe and lived in France. In 1876, during the
Balkan - Turkish war he served as a volunteer at
the front, and was active on the Bulgarian front
in the Russo-Turkish war from October 1877 to
February 1878. He travelled abroad in connection
with specif1c artistic projects, first in 1881-1882,
working on the painting Christ and the Woman
Taken in Adultery (1888, S tate Russian Museum),
then in 1899 to the Middle East and Greece, for
the series entitled Scenes trom the Lite of Christ
(1890s-1900s). He was made an Academician in
1876 and became a full member of the Imperial
Academy of Arts in St Petersburg in 1893. From
1882 until 1895, he taught the landscape class
at the Moscow School of Arts, counting among his
students K.A. Korovin, lsaak Levitan, A.Y. Golovin,
S.V. lvanov, A. E. Arkhipov and S.V. Vinogradov.
In 1926 he was declared a People's Artist of the
Russ1an Soviet Republic.
'
*
Polenov became one of the fmest exponents of
the mood landscape, and his work may be seen as
continuing the lyrical tradition of A. K. Savrasov.
lt is largely dueto three of his works, completed
towards the end of the 1870s- Moscow Courtyard,
Grandmother's Garden (both 1878) and Overgrown
Pond (1879; all in the State Tretyakov Gal lery)
- t hat plein air painting beca mean established
tradition in Russian art.
The artist l ived in Moscow and, from 1890
onwards, on his estate in Borok on Oka, where
he undertook a number of architectural projects
whose styles tend towards the Russian Art
Nouveau: the country house (built in 1892, now
the Polenov Museum); the Abbatstvo Stud1o
(1904); and the Church of the Holy Trinity in the
village of Bekhovo (1906).
Affiliations:
from 1878 Wanderers' Society
from 1894 Moscow Society of Artists
from 1878 Abramtsevo Circle
Exhibitions:
1875
1876
1878-1918
Le Sa/on, París
Imperial Academy of Arts,
St Petersburg
Wanderers' Society
MOSCOW COURTYARD 1902
1882
1890
1894-1918
1896
1896
1899
1900
AII -Russia Exhibition, Moscow
Le Salon, Paris
Moscow Society of Artists
Exhibition ot Artistic Experiments,
St Petersburg
AII - Russia Exhibition,
Nizhni Novgorod
Mir iskusstva, St Petersburg
Exposition Universelle, Paris
Solo exhibitions:
1909-1910 Scenes trom the Lite ot Christ,
Moscow, St Petersburg, and Prague
1924 Moscow
Posthumous exhibitions:
1994 Moscow
Most outstanding works:
Moscow Courtyard, Grandmother's Garden (both
1878) and Overgrown Pond (1879; all in t he
State Tretyakov Gallery), Autumn in Abramtsevo
(1890, Polenov Museum); Early Snow (1891, S tate
Tretyakov Gallery); Go/den Autumn (1893, Polenov
Museum); Autumn Chi/1 on the Oka near Tarusa
(1893, Kiev Museum of Russian Art).
 
BEFORE THE STORM 1868 ClOUDS 1871
Landscape pamter, draughtsman, watercolounst,
ltthographer. Studted drawtng at evening classes
at the Soctety for the Encouragement of the Arts
(1863-1867) under A. l. Korzukhm, A. l. Morozov,
I.N. Kramskoy and A.G. Goravsky. From June to
November 1867 he worked on Valaam lsland under
the dtrectton of lvan Shtshkm. In 1870 he travelled
to the Volga regton wtth the pamter llya Repm, a
trip that was to play a signtftcant role in the arttst's
development and resulted in a large number of
drawings and paintmgs. Among these are Vtew of
the Vo/ga. Barges (1870, State Russtan Museum),
Vo/ga Lagoons and Banks of the Volga after a
Thunderstorm (both 1871, State Tretyakov Gallery).
In these works Vasilev trtes to create a universal
tmpresston of nature and evoke a lyrtcal mood. In
1871 he was regtstered as an unofftctal student
at the lmpertal Academy of Arts and recetved an
honorary diploma tn 1873. 111 health however,
prevented him from attending classes. In May
.)lEO. 24 SEPTf.>,IBER IR'/j, YALTA
THE THAW :871
1871 he moved to the Crimea for hts health, where
he spent the last years of hts ltfe.
Vastlev's work is charactertsed by tts subtle
poettctsm and st1rnng romanttcism, though sorne
of hts works are eptc m character. The arttst's
contrtbution to the development of Russian
landscape pamtmg lay tn hts abtltty to combme
elevated romanttctsm wtth a naturahstic executton.
Affiliations:
from 1868 Soctety for the Encouragement
of the Arts
Exhibitions:
1867-1873 Soctety for the Encouragement
of the Arts
1872 lnternat10nal Exhtbttton, London
1872 Imperial Academy of Arts,
St Petersburg
MORNING 1872-1873
1872 Moscow Soctety of Art Lovers
1873 lmpertal Academy of Arts,
St Petersburg
1873 lnternattonal Exhtbttton, Vtenna
Posthumous exhibitions:
1874 St Petersburg
1975 Lenmgrad, Moscow and Kiev
Most outstanding works:
After the Thunderstorm and The Return ot the Flock
(both 1868); On Valaam /stand and After the Ratn
(both 1869); Valga Lagoons (1870); The Thaw
(1871) ; Wet Meadow (1872); and In the Crtmean
Mountams (1873 - all m the S tate Tretyakov
Collectton).-
1


-
-. ·>Y;,;··
A PLOUGHEO FIELO AT EVENING 18R1 EVENING ON THE VOLGA 1887·18R!l
AFTER THE RAIN. PLIOS VILLAGE 1R89
SPRING FLOOO 1897 LATE AUTUMN 1A<ll'
Pa1nter, draughtsman, watercolourist and stage
des1gner; landscap1st, portra1t1st and sttll lite
painter. Stud1ed at the Moscow School of Arts from
1873 to 1883 under Vas11i Perov, Alekse1 Savrasov
and Vas111 Polenov. Levitan was made a fellow of
the lmpenal Academy of Arts in St Petersburg
1n 1898. He headed the landscape class at the
Moscow School of Arts from 1898 to 1900.
Between 1890 and 1898 he made severa! tnps
abroad, to Germany, France, ltaly and
Lev1tan was the most sign1f1cant of the Russian
lyncal landscap1sts of the late n1neteenth century,
a master of the mood landscape, and 1s now
regarded as one of the greatest masters of the
Russian school. In the way Lev1tan used hi s brush
and pa1nt often loose and sketchy - he showed
an adm1ra!lon for the Barbizon School, part1cularly
Corot, and an interest 1n lmpressionism, especially
i n Monet's paintings. Hi s treatment of his subjects
1s diverse and ranges from hght and lyrical to
brooding and elegiac. Although Lev1tan appeared
EARLY SPRING 11 18
to be concerned w1th random, unimportant
themes, the effects of light and colour are equally
the sub¡ect of h1s pa1nt1ngs.
Affiliations:
from 1888 Moscow Soc1ety of Art Lovers
from 1891 Wanderers' Soc1ety
from 1897 Munich Secess1on
Exhibiti ons:
1877 Moscow School of Arts
1883 Moscow School of Arts
1884-1900 Wanderers' Soc1ety
1887 Moscow Soc1ety of Art Lovers
1893 lnternat1onal Exhib1t1on, Ch1cago
1896 AII-Russ1a Exhibition,
Nizhn1 Novgorod
1896 lnternational Exh1b1t1on of the
Mumch Secession
1899 M ir iskusstva, St Petersburg
1900 Exposllion Universel/e, Pans
...... ....
. .. ····- ·-·
- .. ...,.,_.. "' . ..,. . ·-
·''' .....,,.. ...... -..
• .....  
QUIET HAVEN 1oGO THE VLAOI MIRKA ROAO

,
n
TWILIGHT HAYSTACKS 1 ¡ THE LAKE. RUS .899
Solo exhibitions:
1896 Odessa
Posthumous exhibitions :
1901 Moscow and St Petersburg
1903 Odessa, K1ev
1938 Moscow, Len1ngrad
1960-1961 Moscow, and K1ev
Most outstanding works:
Autumn Day. Sokolnik1 (1879); The Blfch Grove
(1885-1889); On the Vo/ga (1888); Evenmg.
Go/den Pilos (1889); Quiet Haven (1890); Deep
Waters, The V/adimlfka Road, and Evening Bells
(all 1892); Above Eterna/ Peace (1894); Go/den
Autumn and March (both 1895); Spring Flood
(1897); Twllight. Haystacks (1899, all State
Tretyakov Gallery); The Lake. Rus (1899-1900,
State Russ1an Museum).
-
...
-·-·

ABOYE ETERNAL PEACE (STUOY) 1894
  MIKHAI1
ON THE HlllS 896 ST. SERGIUS OF RAOONEZH l!l' ; SILENCE l
1
ID
Painter, graphtc arttsl, monumental arttst. Studted
at the Moscow School of Arts (1876-1880, 1883-
1886) under E.S. Soroktn, Vasilt Perov and
l. M Pryanishnikov. and tn St Petersburg al the
lmpenal Academy of Arts under P.P Chtstyakov
(1881 1883); close associate of l. N. Kramskoy.
He became a fellow of the lmpenal A,:ademy tn
1898 and sat on the board of governors from
1910 From 1889 until 1911 Nesterov made
numerous tnps abroad, to ltaly, France, Germany,
Greece, Poland and Austna.
Nesterov's work ts steeped m the Chnsttan
spintual tradttton. The arlts! defmed hts art as
'poettctsed realism'. and indeed his painttngs
create a poetic world of harmony and untty, of
man's search for t he meaning of hts extstence
through God, in !he context of a natural world
filled wtth stlence and tranquilltty. Nesterov's
aesthettc is close to that of the late
Pre-Raphaelttes, and his painterly style leans
toward Art Nouveau. Thts tendency ts espectally
visible tn his monumental work the murals m
St Vladtmtr's Cathedral m Ktev (1891 -1895);
mosatc destgns tn the Church of the Resurrectton
tn St Petersburg (1894 1895); the mural tn
the Church of Aleksandr Nevsky m Abastumam,
Georg1a (1902-1904); the tconostasts and murals
m the Chapel of Martha and Mary tn Moscow
(1909-1914).
Portra1ture 1s a Stgntficant facet of Nesterov's
work. The portra1ts of hts wife Ekatenna Petrovna
(1905, State Tretyakov Gallery) and of h1s eldest
daughter Oiga Mtkhatlovna (1906, State Russ1an
Museum) gave nse toa not1on of the female
ideal 1n Russ1an art. In the last decade of his ltfe
he created a modern vers1on of the tradt!tonal
'offictal portratt' in a senes of p1ctures of
prom1nent Soviet arttsls and sctenttsls
DUAL HARMONY IYQ'o THE LITILE FOX ¡q ¡4
Affiliations
from 1888 Abramtsevo Ctrcle
from 1896 Wanderers' Society
from 1903 Un1on of Russian Art1sts
(founder member)
Exhibitions:
1889-1901
1896
1898
1899-1901
1900
1903
1909
Wanderers' Soc1ety
AII-Russ1a ExhtbtttOn,
Ntzhm Novgorod
Exhtbt!ton of Russ1an and
Finn1sh Art1sts, St Petersburg
Mrr tskusstva, St Petersburg
Expostt1on Unwerselle, Par1s
Union of Russ1an Arttsls
lnternattonal Exhtbtlton, Mun1ch
Solo exhibitions
1907 St Petersburg, Moscow
Posthumous exhibitions:
1989 Moscow
Most outstanding works:
The Hermtt (1888), The Vtston of the Boy
Bartholomew (1890), The Boyhood of St Sergws
(1892-1897), The Labours of St Sergtus of
Radonezh (1896-1897, all State Tretyakov
Gallery), Holy Russta (1900, State Russian
Museum), The Little Fox (1914); Russta (Spmt
of the People) (1914-1916), Portratt of the
Arttsts A. D. and P.D. Korm (1930), Portra1t of the
Physio/ogtst /P. Pav/ov(l930 and 1935), The
Sculptor /. O. Shadr (1934), Portratt of Yudm the
Surgeon (1935), and Portratt of the Sculptor V. l.
Mukhtna (1940, all m the S tate Tretyakov Gallery).

Related Interests

ork 
as  a RUsslan  vanant on    Bjede.rmel"'r  style. 
DUrlng  th IS penod  he  ¡¡enar3ted  In ti mate  portr¡¡, lo 
fhal  o:casmnally  Incline to't8rds Ronuntlclsm, 
'11 ...... b "3e'"        ti             , ... r 1.Qn7_
1809,  Statü  Russlan  Museum)  The  artlst oblained 
hls  Illst maJor  sueeess  and  renown  wlth  lile 
palntlng  The  Threshlng Floor (1821·1823,  Stale 
Russlan  Museum).  Olher  pa1nllngs  dlsplaYlng 
scenes  Irom  peasant  Ilfe,  for  whlch  he  worked 
wllh  Ilve  models.  Inelude  Sleeplng Shepherd  Boy 
(1823-26.    RlJssian  Museum),  In  lhe  Fleld 
Spong,  ilnd  Harvesll/lg.  Summer (boih  from  lhe 
1820s.  Slafe Tretyakov  Gallery)  The  substantlal 
role  played  by  landseape  In  hls composltlOns  IS 3n 
early  example  01 the  romanl,clzal,on  01 Hle  Russl8n 
eounlryslde  At  '[he  same  time,  '1enetslanov's 
peasant    herald  the  advent  of  reallsm  In 
Russlan  palnllng. 
Affiliations:  
Soclely  for  (he  Encouragemen t 01 Artlsls  
Exhlbltions: 
1824-1847  Imperia:  Academy  of  Arts 
182G·1827  Soclety  for  lhe  Eneouragemenl 
oi  Arllsts 
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lost  CltJtslanding  works: 
Porlrail of Aleksandr Blblkov (1807-1809). 
Portralt 01  Ale!<sandra  Blblkova 0807-1809), 
T/le  MournJng ot Chosl (c.  1810,  all  11)  lhe  Stale 
Russran  Museum),  Self-porlrail (1811,  State 
Trelyakov  Gallery),  The  Threshlng  Floor(182J.-
1823,  State  RI";S!'l1l  Museum),  Cleanlng  Beels 
Ce. J.320),  Sleepmg ShepiJerd  Boy (1823-26,  both 
In  the  State  Russlan  MuseumL  In  tlJe  Fleld  Sprrng, 
and  Harvestmg  Summer (both  c  1820,  Stale 
Trelyakov  Gallery),  The  MedliJflOn  01 Ihe  Mothel 
01  God  lor  the  Sfudents  ot Ihe  Smolny   
0832-J.835,  State  Russlan  Museuml.  Peter the 
Greal.  The  Foundlng oí SI P2tersburg (153B,  Slale 
Tretyakov Galhry), 
TERRACE ON THE SEASHORE vl(W OF A.MAlFI  
CAPUCCINI "'tEAR SORRENTD Ign
Landscape  painter.  Born  ,nfo an  ortlsllC  famlly  Hls 
father,  FF.  Shchedrln,  was  a 5culplor,  illS  ullcle, 
S.F  Shchedrln,  was  81so  a landscape  painter.  From 
1800-1812 he  studled  under  M  M  Ivanovand 
FYa  Alekseev  al  lhe  Imperial  Academy  of  Ares  In 
St  Petersburg  At  his graduatlOn  he  was  honoured 
wlth  a  flrst-class  diploma  and  a Gold  Medal 
From  1818 onwards  he  recelved  a granl  fram  lhe 
Imperial  Acaderny  to  study  111 Italy  Shehedrln  flrst 
settled  In  Rome.  but  when  he  was  comrnlssloned 
by  Grand  Duke  Mlkhall  Paviovlch  (the  brother 
of the  Tsar)  lo palnl  a  series of  Neapolltan 
lancJscapes.  he  moved  fo  Naples where  he  spent 
lhe  re sI  of  hls  Ilfe 
In  the  hlstory of  Russlail  art  Shchednn  IS known 
as  one  of  the  founders  of  the  reallstlc  landscape. 
Even  In  hls  early  works,  he  showed  hlmself to  be 
a remarkdble  landscape  palnler.  Hls vlews  of  SI 
PelersblJrg.  whlch  were  dlsplayed  In  the  Imperial 
Academy.  do  nof  presenl  the  mall1  streets  and 
quays  along  the  Neva,  as  was  common  In  the work 
of  elghleenth-century  maslers.  bul  the  suburbs  of 
ttle Clty,  whlch  had  only  recen!ly  been  adopted  Into 
the vocabulary of  nlneleenth-cenlury visual  art.  In 
Italy Shchedm1  !Iberated  hlmseif Irom  classlclslng 
tendencies  and  devcloped  íowards  Rom?lltic  sm 
whlch  he  added  ear:y-realistIC  landscape  elelnrr.\ 
Exhibitions: 
1815-1817  Imperial  Academy of  Arts, 
St  Petersburg 
Most outstanding  works:  
The  Collseum  (J819,  Stale Trelyakov  Gallcry),  1"
New  Rome series  of  cllyscapes  (1823-1825,  S  
Tretyakov  Gallery).  The  Small  ¡'¡arbovr 0'/  Son  
On  Ihe  /sle  0'/ Capn,  I/iew 01 Serrento  l1,.ar  'l.7¡1I.
(all  1826, all  In  the  SI ate  Tretyakov   
Moon/Ight  Ifl  Nap/es (1828 -1829,  State 
Museum).  
MIKUAH I
,
RI68RI VWH
, 11 rol 'H 1 O' f' ..;(1 '1 JU
FISHERMEN j,q....
Palnter of landseapes, genre. portralts, and Icons.
Soroka was the son af a peasant serf. Hls master,
the large landowner N.P. Milyukov, look lhe young
Soroka mIo hls home In '_841. When hls arllstlc
talent was recognlsed he became a pupll of Aleksei
whose eslate of Safonkovo was
nearby. Desplte VenctslClrIov's attenlpts lo free
Soroka from his serfdom, hls nlaster contlnued
to refuse to al!ow It. Alter Venetslanov's death In
1847, Soroka found hlmself In a dlfflcult siluation.
Havrng left h,s master's estate, he returned to
Pokrovskoye at the beglnnlng oí the 1850s, where
he palnted Icons for the locai churches. Because
Soroka was Involved wlth the peasant uprlslngs
that followed the abolitlon of serfdom (on behalf
of hls feilow v!llagers he wrote a lelter lo Tsar
Aleksandr !I, complalillng about the unfavourable
condltlons for land purehase) he was sentenced to
corporal punlshment. but hanged hlnlself befare
th,s took place.
Tllough hls legacy IS not extenslve, Soroka IS
arguably lhe nlost tYPlcaliy Russlan of all the
ni neteenth - cen tury landsCi.lpe nters, an d lhe
most promlnent representatlve 01 the Venetslanov
sellool. No more than twen1y undated canvases
have been authentleated, all fronl the 1840s.
Nevertheless. the palntrngs m whlch he recorded
the surroundrngs 01' MIlyukov's estate are extremely
successful. Soroka's work dlsplays a unlque
comblnatlOn of the ,deairslng c1asslClst tradltlon
and a realistlc deplctlon of Russlan nature.
Exhibitiens
none
w
Mest outstanding werks:
V¡ew al Lake Maldino at OStrovkl, Estafe 01 N.
P. MliyUkov, Vlew 01 a Oam (bolh State Russlan
Museum), View of a Park at Ostrovkl, Estate of N.P.
MJiyukov In the Provmce 01 Tver (State Tretyakov
MlIseunl) The Tf¡reshlng Floor (8431), Stl1dy
lIi TIJe House al Ostrovkr, Estate of N.P MJiyukov
0844. both Russlan State Museum), ReflectlOn /()
a Mlrror, Portral! of E/lUYe!.. Mrlyukova (second haif
of the 1840s, State Museuml. portralts
of Venetsianov (State Tretyakov Museum, State
Russlan Museum), and Self-portralt 0840-1850,
State Russlan Museum).
PATH IN ALBANO NEAR ROME 36
The son of a serf, Lebedev beca me a freeman In
1816 with fhe abollflOn of serfdom In the provlnee
of !::stonta In 1829, Lebedev was admllted to the
Imperial Academy of Arts In St Petersburg, VI8
medlatlon by the dlreclor of the Derpl gymnaslum,
Count P. r-. Palen, and fhanks to fhe protectlon of
A.K. Benkendorf, fhen head of lhe secrel pollee
There he sfudled In lhe class of M.N. Vorobev. In
1832, he recelved a SlIver Medal, 'flrst c1ass', for
hls P'il'nt'ng V!ew of Petravsky Island (St Petersborg)
l5tate Russlan Museum) He graduated lhe
10l'oWing year and was awarded the Grand Gold
Medal and a granl lo study In Italy for hls palntlng
V;ew of Ladoga. In he moved to Rome where
he beeame part of lhe clrcle around lhe palnter
Kdd Bryu Ilov.
ThlO Irfluence of the Venetslanov sehool IS
clearly recognlsable In Lebedev's early work
gr<3dually developed a personal varlant of
RUssliln RonlantlCISI1l that was characterlsed by a
cheerful senslllvlty. The most prol1llnenl landscape
pwntlngs he created In Russla are VasJ!kava. Estate
of [he /rIS[lr3''::/(Jr af t/le Academy 01 Arts, A r. Krutav
0833, State Tretyakov Gallery) and At {he Forest
f.dge. [state of ¡he Karmal10v Famlly (1833, State
  Gallery). The maJonty of hls oeuvre was
created dUllng hls Itallan periodo TYPlea! features
of these landscapes are the careful attentlon
devoted to light and shadow, and the use of
Ilvely colours and dramatle contrasts between
lhe far<'ground and lhe background. Wlth thls
style, he gathered a reputaban as one of Russla's
best landscape palnters from the fllst hall' of the
nlneleenth cenlury
Exhibltiens:
1829-1833 Inwerlai AcadenlY of Arts,
SI Peters bu rg
Most outstanding works:
Vasllkovo Estate of file Inspector al the Academy
01' Arts, A I Krutov (833), Althe Edge of Ihe
Forest Estate of (he Karmal10v Famliy(l833), Patl)
/IJ Albal10 l1ear Rome (1836, all three In the State
Tretyakov Gallery), Vlew 01 Gastello Gal1dolla near
Rome (836), Anccla l1ear Rome (1835, both
State Russlan Museum). View 011 the Outsklrls of
Albano near Rame (1836), In Gurgl Park (1837,
both State Tretyakov Gallery).
KA OV, A1
L01
SUNSET aYER A MARSH 1871 THE PECHERSK MONASTERY ACART-TRACK U.s}3
NEAA NllHNI NOVGOROD lB71 
Palnter,  draughtsman,  landscaplst.  Studled  at 
the  Moscow  Schaol  al Arts (1844-1854),  under 
K.1.  Rabus and  was  made  a fellow  of  the  Imperial 
Academy  of  Arts  In  1854.  He  taught  landscape 
palnllng  at  the  Moscow  School  of  Arts  from 
1857  ###BOT_TEXT### 1882, countlng among  hls  students  L.L. 
Kamenev,  tlle  brothers  KA and  S.A.  Korovln. 
Isaak  LeVitan  and  S.I  Svetoslavsky.  In  1862 he 
vlslted  the  InternatlOnal  Exhlbltlon  In  LOlldon,  and 
In  1867 travelled  to  France  lor the  Parls  Expos¡lIon 
Umverse Ile.  Besldes  Engla nd  and  Fra nee.  he  aIso 
v!slted  Germany  and  SWltzerland,  (he  latter trlp 
resultlng  In  two canvases  V¡ew 01 lIJe SWl5s  Alps 
near Interlaken (1862,  State  Russlan  lVIuseumJ  and 
Lake  In  the  SWl5s  Mountaln5 (866)
Havmg started  hls  eareer  as  a painter  In  the 
romantlc  tradltlon  - Vlew  of the  Kremlm  In  Bad 
Weather (1851),  View,  near Oramenbaum (1854) 
- Savrasov  later  developed  a  more  narratlve  style, 
produclng plctures tranqull  In  moad  and  based 
an  minute observatlOn  01 the  "unnotleed  detalls 
01 natural  Ilfe'·.  Vrllage  Scene (1867),  E/k  Island,  
Sokolmki (1869).  In  hls works  of the  1870s -
A  Cart-Track (873),  Courtyard In  Wmter{l870s)-
Savrasov allows hlrl1self  a  more  IYrlcal  and  personal  
expresslon  of the  uncompromlsl ng  nature  01 the  
Russlan  landscape  In  hls  1871  canvas  TIJe  Rooks  
Have  Retumed (State  Tretyakov  Gallery),  whleh  was  
to  becorne  a seminal  work  In  the  hlstory  of  Russlan  
landscape  palntlng,  Savrasov  ehooses a  simple  
theme  - tYPlcal  of  the  Russlan  countryslde  In  early  
sprlng - and  creates  an  emotlonally  heightened  
vlslon  01 nature  reawakenlng.  The  artlst,  rellect!ng  
a  partlcularly  Russlan  outlook on  the  world,  draws  
IYrlcal  slgnlficance  from  a concrete  motll,  and  
enters  the  annals  01 Russlan  art  I1lstary  as  the  
lounder 01 the  'rnood  landscape'.  
Affiliations:  
From  1861  Moscow  SOClety  of Art  Lovers  
From  1870  Wanderers'  Soclety (Peredvlzhn¡kl) 
(founder  rnember) 
THE ROOKS HMf. RETURNED (VARIANT) l87!:;
Exh ibitions· 
1860  Moscow  Soclety 01 Art  Lovers 
1871-1881  Wanderers'  Soele!y 
Pos!humous solo exhibitions: 
1947  Moscow 
1963  Len tngrad 
1980  Moscow 
Most outstanding works: 
V!ew  01 the  Kremlrn  In  Bad  Weather  (1851),  View, 
near Oranienbaum (1854,  both  State  Tretyakov 
Gallery),  Vrew  of the  SWl5S  Alps near Interlaken 
(1862,  State  Russlan  Museum),  Lake  m  the Sw;ss 
Mountams (1866),  Village  Scene (1867),  Efk 
Island,  Sokolmki (1869),  A  Cart- Track  (1873), 
Courtyard m  Wlnter (1870s),  The  Rooks  Have 
Retumed {l871,  all  State  Tretyakov  Galleryl. 
TtiEHIGH
Pall1!<if 
Acitdll
,¡nd S.
Grehd 
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111
KtODT, MIRIAIt PUP OV,  
JI
f " 
THE :'!II"iH ROttO IN AUTUMN 1863 IN T'HE FIElD  H  
Palrlter and  landscaplst.  Studied  at the  Imperial 
Academy  01 Arts  (1851-18:'8)  under  M.N.  Vorobev 
and  S  M  Vorobev.  In  1858 he  was  awarded  the 
Grand  Gold  Medal  for  hls  senes entltied  Víew  of 
Liflandla  near Zagevolt,  and  recelved  a diploma 
as  a reglstered  artlst,  as  well  as  a bursary  tor 
lorelgn  trave!.  He  was  a  pensioner 01 the  Imperial 
Academy  01 Arts  from  ¡ 858 to  1861. and  Ilved 
and  worked  In  Germany,  SWltzerland  and  France. 
He  became  a  member 01  the  Imperial  Academy  01
Arts  In  1862.  In  1871-1872, logether wlth  A.P. 
Bogolyubov,  he  preslded  over  the establishment 
oí a I'andscape  palntlng class  at  the  Impenal 
Academy  of  Arts,  whlch  he  headed  lrom  1873. 
"filialio'ls. 
1857-1862  'Academlclans'  Fndays'  Soclely 
1870-1880  Wanderers'  Socrety. 
(founder  member) 
Ir0l11  1875  Soclety of  Art  Exhlbits 
EJcl11bitlons: 
1854-1873  (varlously)  Impellal  Academy 01 Arls 
1862  Soclety  for  the  Encouragement 
of ¡he Arts 
FOREST VIEI'{ AT NOON 18/8 
1863-1883  Moscow  Soclety  of Art  Lovers 
1867  SOClety  tor  the  Encouragement 
01 the  Arts 
1867  Expos/!/On  Untverselle,  Pa 115
1871  Wanderers'  Soclety 
1872  Internatlonal  Exhlbltlon,  London 
1873  Internatlonal  ExhlbltiOil.  Vlenna 
from  1875  SOClety  of  Art  Exhlbrts 
1876  Internatlonal  Exhl Mlon.  Ph Iladelphla 
1878  EXposltlOn  (Jl1Iverselle,  Parls 
1879  Wanderers'  Soclety 
1882  AII-RusSI3  Exhlbltton,  Moscow 
1897  Wanderers'  Soclety 
Masl oulstanding warks:  
Oak  Grove,  T!Je  HiglJ  Road  ¡n Autumn (bo111 1863,  
State  Tretyakov  Gallery);  F/ock by the  River at  
Noon  0869, State  Russlan  MlJseum);  In  the  
Fleld (1870,  State  Russlan  Museum;  1872.  State  
Tretyakov  Gallery);  Fores!  V¡ew  at Noon  (878),  
Cattle  a! the  Trough  0879, both  In  the  Sta¡e  
Tretyakov  Gallery)  
MORNING IN lH[ COUNTRYSlOf  1861
Artlst.  The  Identlty 01  the  paJl1ter  01 Mormng  In 
the  Countrys/de,  whlch  was  slgned  'A.  Popov, 
1861',  remalns  a  rnystery  Dunng  thls  penod  the 
genre  was  practJsed  by  two other  Popovs:  the 
landscape  palnter Aleksandr  Pavlovlch  Popov 
(-Moskovsky)  and  the  pamter af  popular scenes 
Andrel  Andreevich  Popov.  Because the  rnethod  of 
pamtlflg appears  to  dlfler Irom that 01 these  two.  It 
has  been  assumed  that  there  must  be  yet  another 
painter wlth  the  same  !n,tlals workmg  durmg thls 
penod. 

IVAN
!891!. ') T PE TER >BURG
-
.
. . •.
.


:-... -- -
VIEW ON THE OUTSKIRTS OF
ST. PETERSBURG 1
MIDOAY ON THE OUTSKIRTS OF MOSCOW IN THE OEPTHS OF THE FOREST 131
Pamter. draughlsman. engraver; landscap1sl.
Stud1ed al lhe Moscow School of Arls (1852
1856) under A.N. Moknlsky and al the l mpenal
Academy of Arls. (1856 1860), under
S.M. Vorobev; pens1oner of the lmpenal Academy
(1862 1865). Followmg h1s educat1on. he llved
and worked 1n Germany and Sw1lzerland. and
lravelled m Bohem1a. He was made a fellow of the
lmpenal Academy of Arls m 1865. m recogn1t1on
of h1s p1clure V1ew near Düsseldorf (S tate Russ1an
Museum).
Sh1shkm was a master of lhe monumental canvas.
combinmg a panoram1c v1s1on with met1culous
attenl10n to detall such as M1dday. on the Outsk1rts
of Moscow (1869) and Woodland V1stas (1884,
bolh State Trelyakov Gallery). Sh1shkin's extens1ve
oeuvre also mcludes works closer m style to the
mood landscape such as Ram m an Oak Forest
(1891). and plem a1rworks like: Comerofan Over-
grown Garden (1884).
Sh1shkm's elchmgs const1tute a sigmf1cant
aspect of h1s legacy. Wh1le close lo his pamtmgs
m conlent and style. they are more emot1onally
charged and freer 1n lhe1r execul1on. allowmg lhe
arl1sl lo expenmenl and demonstrate h1s skllls as
a draughlsman. Sh1shkm became the foremost
engraver of lhe second hall of the nmeteenth
cenlury and was mstrumental m rev1vmg lhe
trad1!1on of etchmg m Russ1a.
Affiliations
from 1866 Moscow Soc1ety of Art Lovers
from 1870 Wanderers' Soc1ety, (founder member)
from 1871 Soc1ety of Russ1an Engravers
Exhibitions:
1857 1894 lmpenal Academy of Arts.
St Petersburg
1859.1860 Moscow School of Arts
1865 Dusseldorf
1866 Expos1t1on Umverselle, Par1s
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RYE 1< FOREST RESERVE, PI NE GROVE 11 AMIOST THE SPREADtNG VALE 1883
1866 Moscow Soc1ety of Art Lovers
1867 Soc1ety for the Encouragement
of the Arts
1873 lnternallonal Exhlbltlon. V1enna
1878 Expos1t10n Umverselle, Pans
The Ap1ary (1882), Woodland Vistas (1884).
Countess Mordvmova's Forest. Peterhoff(l891, all
m lhe Slate Tretyakov Gallery), In the WJ/d North
(1891. K1ev Museum of Russian Art), Mast-Tree
Grave (1898. Russ1an Museum).
1896 AII - Russ1a Exhib1tion.
N1zhm Novgorod
Solo exhibitions·
1891 SI Petersburg
Posthumous Exhibition
1904 Exh1blt1on of studies. Moscow
1926 Sh1shkm's Drawmgs, Moscow
1948 lo mark the occas10n of lhe 50'
anmversary of h1s dealh.
Moscow and Lenmgrad
Most outstanding works:
M1dday. On the ot Moscow ( 1869). P1ne
Forest (1872), Rye (1878), The Th1cket (1881),
WOOI)lAND VISTAS V<4 VOUNG OAKS 88h OAKS E"wENING H<87 MIXED FOREST 188>! WIND FALLEN TREES 1888 WINTER 1890
lá1
IN THE WILD NORTH 1891 THE KAMA NEAR VELABUGA .8 MAST-TREE GROVE
1
 
THE l.AST INN BY THE TOWN GATE 1868
Pamter and draughtsman - master of genre
pa1ntmg; portra1t1st and historical painter.
Stud1ed at the Arzamas School of Pamtmg and
lconography under A.V. Stupin (1846-1849) and
the Moscow School of Arts (1853-1861) under
N.A. Ramazanov, A.N. Mokritsky, M. l. Skottl and
S. K. Zaryanko; pens1oner of the lmpenal Academy
of Arts (1862-1869). He travelled to Germany m
1862, and llved and worked 1n Pans from 1863
to 1864. In 1866 he was made a fellow of the
lmpenal Academy.
Perov's leadmg role m the development of genre
pamtmg in the 1860s secures him a place in the
annals of Russian art h1story. Two examples of
sign1f1cant gen re pamtings are The Village Easter
Process1on (1861) and The Last lnn by the Town
Gate (1868). He achieved widespread acclaim
for h1s h1storical and religious pai ntings: Christ
m the Garden of Gethsemane (1878) and N1kita
Pustosvyat, (1882, both in the State Tretyakov
Gallery). Landscape plays an importan! role m
Perov's work as a means of creatmg a umty of
mood and palette. Portra1ture is also a 1mportant
facet in the art1st's oeuvre - sorne of the fmest
examples being those of the dramatist A.N.
Ostrovsky (1871), the wnters F. M. Dostoevsky
and V. l. Dahl (both 1872), and the painter A.K.
Savrasov (1878, all in the State Tretyakov Gallery).
D1stmgU1shed by thei r exact portrayal of social
characteristics, the1r umty of compos1t1on, pose
and gesture, these pictures reveal a profound
psycholog1cal ms1ght of the s1tter.
Affiliations:
1870-1882 Wanderers' Soc1ety (founder member)
Exhibitions:
1856-1871 l mpenal Academy of Arts,
St Petersburg
1862 Soc1ety for the Encouragement
of the Arts
1867 Expos1tion Umverselle, París
1870-1882 Wanderers' Society
1872 lnternational Exhibibon, London
1873 lnternat1onal Exh1bibon V1enna
1878 Expos1t1on Universelle, París
1881 Moscow Society of Art Lovers
Most outstanding works:
The Vil/age Easter Process1on (1861); Tea
Onnkmg m Myt1shch1 (1862); The Last Journey
(1865); Troika (1866); The Last lnn by the Town
Gate (1868); Hunters at Rest (1871), Chnst m
the Garden of Gethsemane (1878) and Nik1ta
Pustosvyat, (1882, all m the State Tretyakov
Gallery)
 
MI ODA Y IN THE COUNTRYSIDE 1864
Painter mamly of landscapes, but also of genre,
seascapes, and battle scenes. Stud1ed at the
Univers1ty of St Petersburg, and subsequently
at the Department of Landscape Pamting of the
l mpenal Academy of Arts where he was taught by
S.M.Vorobev, L.F. Lagono, and G.G. Chernetsov.
Sukhodolsky rece1ved the M mor and the Grand
S1lver Medals respect1vely for his landscapes
Storm m the Provmce of Kaluga (1859) and
Wmter Mormng (1860). For h1s pamtmg View
from Petrovsky Jsland, he was awarded the M mor
Gold Medal. In 1864, Sukhodolsky completed
h1s educa!lon w1th the Grand Gold Medal for the
landscape pamtmg M1dday m the Countrys1de
(1864, State Russian Museum). He made use
of the s1x-year grant awarded by the Imperial
Academy for only three years, spending this penod
m Russ1a, mstead of ltaly as was mtended. In
1868 he entered the c1vil service and so forfeited
h1s nght toa pension from t he Imperial Academy.
He resumed pamtmg m 1877, and in 1878
rece1ved the t1tle of Academ1cian for his work
The Oka R1ver Flooding m Sprmg (State Russian
Museum). In the 1880s, he produced i llustrallons
for Russia's most popular magazine Niva.
No more than f1fty pamtmgs by Sukhodolsky are
known. The pa1ntmgs In a Young Oak Forest,
near Moscow(l862) and The Marsh (1863) were
bought by Pavel Tretyakov (both State Tretyakov
Museum).
Exhibitions:
1859-1865 lmpenal Academy of Arts,
1867
1873
1873
1879
St Pet ersburg
Expos1t1on Umverselle, Pans
lmpenal Academy of Arts,
St Petersburg
lnternational Exh1b11ion, V1enna
l mpenal Academy of Arts,
St Petersburg
1881-1882 l mpenal Academy of Arts,
1882
St Petersburg
Nallonal Exh1b111on of Art and
Apphed Art, Moscow
1886-1887 lmpenal Academy of Arts,
St Petersburg
1887
Wanderers' Soc1ety, Ekatennburg
Most outstanding works:
M1dday in the Countryside (1864) , The Oka R1ver
Flooding m Spring ( 1878, both S tate Russian
Museum), Workers Rest1ng(l880, State Tretyakov
Museum), Scene from Peasant Ufe (1882), The
Capture of Orkhama by the Russian Troops on
18 November 1877 (1882, both State Russian
Museum).
KUINDlHI, ARKHIP I V   N O V I ~ H
JRG
THE FORGOnEN VILLAGE
PATCHES OF MOONLIGHT IN THE FOREST
EVENING IN THE UKRAINE
NIGHT ON THE ONIEPR
MOONLIT NIGHT ON THE ONIEPR ,880
MORNING ON THE DNIEPR 1
Pamter and landscap1st. Served as an apprentlce
1n I.K. A1vazovsky's stud1o 1n Fedos1a under the
latter's pup1l and ass1stant. A l. Fessler 1n 1855
lt 1s poss1ble that he returned to work 1n
A1vazovsky's stud1o 1n 1865 1866. He ís thought
to have attended classes unofficially at the
lmpenal Academy of Arts 1n St Petersburg 1n
1868, and 1n 1870 was recogn1sed as a non
reg1stered art1st. becoming a reg1stered art1st 1"
class m 1878. Dunng the years. 1874. 1875 and
1878, he made several tnps abroad. to France.
Germany, England, Swítzerland and Austria. He
was appomted a Professor at the Imperial Academy
of Arts 1n 1892 and made a full member 1n 1893.
He headed the landscape stud1o at the Academy's
Higher College of Arts from 1894-1897 Prompted
by his students, he founded the Kuindzhi Soc1ety
In 1909.
Kuíndzhi's landscapes are d1st1ngU1shed by the1r
panoram1c visíon and h1s use of colour emphas1ses
the express1ve nature of the countrys1de.
Affiliations:
1875-1880 Wanderers' Society
Exhibitions:
1867
1872
1873
1873
1874-1879
1878
1882
Imperial Academy of Arts.
St Petersburg
lnternat1onal Exh1b1tl0n, London
lmpenal Academy of Arts,
St Petersburg
lnternat1onal Exh1blt1on. V1enna
Wanderers' Soc1ety
Expos1t1on Umverselle, Pans
AII-Russ1a Exhibition, Moscow
AnER THE RAIN
LANDSCAPE THE S TEPPE 1890
MIDOAY HERD IN THE STEPPE
Solo exhibitions
1880 Arkh1p Kwndzh1, St Petersburg
and Pans
1882 Moscow, St Petersburg
Posthumous exhibítions.
1913 St Petersburg
1914 Moscow
1992 Moscow
Most outstanding works
On Valaam lsland (1873). Muddy Road m Marwpol
(1875). Ukra1man N1ght (1876 all three m the
State Tretyakov Gallery); Evenmg m the Ukrame
(1879, State Russ1an Museum); The B1rch Grove
(1879, State Tretyakov Gal lery); Moonflt N1ght on
the Dmepr (1880, S tate Russ1an Museum)
THE BIRCH-GROVE 18
~ ~ ~
8'f· OAKS XI 1'l05

DMITRHVUH
BOl 1" 2 MAY 1 ST 'ETER BURG OltO. 13 IUL 9. !7, BORO K ESTATE :NOW POLENOVO), TULA
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THE BURNT FOREST 1881 LANOSCAPE. ZHUKOVKA 1888 EARLY SNOW 1891
.:
Painter, landscapist, genre and historical painter;
stage designer, architect and illustrator, he also
worked in the fiel ds of decorative and appl ied arts.
Polenov too k drawing lessons from P. P. Chistyakov
from the age of twelve and attended classes by
F. l. lordan at the Imperial Academy. He studied
jointly at the University of St Petersburg and
the Imperial Academy of Arts from 1863 to
1871. He became a pensioner of the Imperial
Academy (1872-1876) and travelled widely in
Europe and lived in France. In 1876, during the
Balkan - Turkish war he served as a volunteer at
the front, and was active on the Bulgarian front
in the Russo-Turkish war from October 1877 to
February 1878. He travelled abroad in connection
with specif1c artistic projects, first in 1881-1882,
working on the painting Christ and the Woman
Taken in Adultery (1888, S tate Russian Museum),
then in 1899 to the Middle East and Greece, for
the series entitled Scenes trom the Lite of Christ
(1890s-1900s). He was made an Academician in
1876 and became a full member of the Imperial
Academy of Arts in St Petersburg in 1893. From
1882 until 1895, he taught the landscape class
at the Moscow School of Arts, counting among his
students K.A. Korovin, lsaak Levitan, A.Y. Golovin,
S.V. lvanov, A. E. Arkhipov and S.V. Vinogradov.
In 1926 he was declared a People's Artist of the
Russ1an Soviet Republic.
'
*
Polenov became one of the fmest exponents of
the mood landscape, and his work may be seen as
continuing the lyrical tradition of A. K. Savrasov.
lt is largely dueto three of his works, completed
towards the end of the 1870s- Moscow Courtyard,
Grandmother's Garden (both 1878) and Overgrown
Pond (1879; all in the State Tretyakov Gal lery)
- t hat plein air painting beca mean established
tradition in Russian art.
The artist l ived in Moscow and, from 1890
onwards, on his estate in Borok on Oka, where
he undertook a number of architectural projects
whose styles tend towards the Russian Art
Nouveau: the country house (built in 1892, now
the Polenov Museum); the Abbatstvo Stud1o
(1904); and the Church of the Holy Trinity in the
village of Bekhovo (1906).
Affiliations:
from 1878 Wanderers' Society
from 1894 Moscow Society of Artists
from 1878 Abramtsevo Circle
Exhibitions:
1875
1876
1878-1918
Le Sa/on, París
Imperial Academy of Arts,
St Petersburg
Wanderers' Society
MOSCOW COURTYARD 1902
1882
1890
1894-1918
1896
1896
1899
1900
AII -Russia Exhibition, Moscow
Le Salon, Paris
Moscow Society of Artists
Exhibition ot Artistic Experiments,
St Petersburg
AII - Russia Exhibition,
Nizhni Novgorod
Mir iskusstva, St Petersburg
Exposition Universelle, Paris
Solo exhibitions:
1909-1910 Scenes trom the Lite ot Christ,
Moscow, St Petersburg, and Prague
1924 Moscow
Posthumous exhibitions:
1994 Moscow
Most outstanding works:
Moscow Courtyard, Grandmother's Garden (both
1878) and Overgrown Pond (1879; all in t he
State Tretyakov Gallery), Autumn in Abramtsevo
(1890, Polenov Museum); Early Snow (1891, S tate
Tretyakov Gallery); Go/den Autumn (1893, Polenov
Museum); Autumn Chi/1 on the Oka near Tarusa
(1893, Kiev Museum of Russian Art).
 
BEFORE THE STORM 1868 ClOUDS 1871
Landscape pamter, draughtsman, watercolounst,
ltthographer. Studted drawtng at evening classes
at the Soctety for the Encouragement of the Arts
(1863-1867) under A. l. Korzukhm, A. l. Morozov,
I.N. Kramskoy and A.G. Goravsky. From June to
November 1867 he worked on Valaam lsland under
the dtrectton of lvan Shtshkm. In 1870 he travelled
to the Volga regton wtth the pamter llya Repm, a
trip that was to play a signtftcant role in the arttst's
development and resulted in a large number of
drawings and paintmgs. Among these are Vtew of
the Vo/ga. Barges (1870, State Russtan Museum),
Vo/ga Lagoons and Banks of the Volga after a
Thunderstorm (both 1871, State Tretyakov Gallery).
In these works Vasilev trtes to create a universal
tmpresston of nature and evoke a lyrtcal mood. In
1871 he was regtstered as an unofftctal student
at the lmpertal Academy of Arts and recetved an
honorary diploma tn 1873. 111 health however,
prevented him from attending classes. In May
.)lEO. 24 SEPTf.>,IBER IR'/j, YALTA
THE THAW :871
1871 he moved to the Crimea for hts health, where
he spent the last years of hts ltfe.
Vastlev's work is charactertsed by tts subtle
poettctsm and st1rnng romanttcism, though sorne
of hts works are eptc m character. The arttst's
contrtbution to the development of Russian
landscape pamtmg lay tn hts abtltty to combme
elevated romanttctsm wtth a naturahstic executton.
Affiliations:
from 1868 Soctety for the Encouragement
of the Arts
Exhibitions:
1867-1873 Soctety for the Encouragement
of the Arts
1872 lnternat10nal Exhtbttton, London
1872 Imperial Academy of Arts,
St Petersburg
MORNING 1872-1873
1872 Moscow Soctety of Art Lovers
1873 lmpertal Academy of Arts,
St Petersburg
1873 lnternattonal Exhtbttton, Vtenna
Posthumous exhibitions:
1874 St Petersburg
1975 Lenmgrad, Moscow and Kiev
Most outstanding works:
After the Thunderstorm and The Return ot the Flock
(both 1868); On Valaam /stand and After the Ratn
(both 1869); Valga Lagoons (1870); The Thaw
(1871) ; Wet Meadow (1872); and In the Crtmean
Mountams (1873 - all m the S tate Tretyakov
Collectton).-
1


-
-. ·>Y;,;··
A PLOUGHEO FIELO AT EVENING 18R1 EVENING ON THE VOLGA 1887·18R!l
AFTER THE RAIN. PLIOS VILLAGE 1R89
SPRING FLOOO 1897 LATE AUTUMN 1A<ll'
Pa1nter, draughtsman, watercolourist and stage
des1gner; landscap1st, portra1t1st and sttll lite
painter. Stud1ed at the Moscow School of Arts from
1873 to 1883 under Vas11i Perov, Alekse1 Savrasov
and Vas111 Polenov. Levitan was made a fellow of
the lmpenal Academy of Arts in St Petersburg
1n 1898. He headed the landscape class at the
Moscow School of Arts from 1898 to 1900.
Between 1890 and 1898 he made severa! tnps
abroad, to Germany, France, ltaly and
Lev1tan was the most sign1f1cant of the Russian
lyncal landscap1sts of the late n1neteenth century,
a master of the mood landscape, and 1s now
regarded as one of the greatest masters of the
Russian school. In the way Lev1tan used hi s brush
and pa1nt often loose and sketchy - he showed
an adm1ra!lon for the Barbizon School, part1cularly
Corot, and an interest 1n lmpressionism, especially
i n Monet's paintings. Hi s treatment of his subjects
1s diverse and ranges from hght and lyrical to
brooding and elegiac. Although Lev1tan appeared
EARLY SPRING 11 18
to be concerned w1th random, unimportant
themes, the effects of light and colour are equally
the sub¡ect of h1s pa1nt1ngs.
Affiliations:
from 1888 Moscow Soc1ety of Art Lovers
from 1891 Wanderers' Soc1ety
from 1897 Munich Secess1on
Exhibiti ons:
1877 Moscow School of Arts
1883 Moscow School of Arts
1884-1900 Wanderers' Soc1ety
1887 Moscow Soc1ety of Art Lovers
1893 lnternat1onal Exhib1t1on, Ch1cago
1896 AII-Russ1a Exhibition,
Nizhn1 Novgorod
1896 lnternational Exh1b1t1on of the
Mumch Secession
1899 M ir iskusstva, St Petersburg
1900 Exposllion Universel/e, Pans
...... ....
. .. ····- ·-·
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·''' .....,,.. ...... -..
• .....  
QUIET HAVEN 1oGO THE VLAOI MIRKA ROAO

,
n
TWILIGHT HAYSTACKS 1 ¡ THE LAKE. RUS .899
Solo exhibitions:
1896 Odessa
Posthumous exhibitions :
1901 Moscow and St Petersburg
1903 Odessa, K1ev
1938 Moscow, Len1ngrad
1960-1961 Moscow, and K1ev
Most outstanding works:
Autumn Day. Sokolnik1 (1879); The Blfch Grove
(1885-1889); On the Vo/ga (1888); Evenmg.
Go/den Pilos (1889); Quiet Haven (1890); Deep
Waters, The V/adimlfka Road, and Evening Bells
(all 1892); Above Eterna/ Peace (1894); Go/den
Autumn and March (both 1895); Spring Flood
(1897); Twllight. Haystacks (1899, all State
Tretyakov Gallery); The Lake. Rus (1899-1900,
State Russ1an Museum).
-
...
-·-·

ABOYE ETERNAL PEACE (STUOY) 1894
  MIKHAI1
ON THE HlllS 896 ST. SERGIUS OF RAOONEZH l!l' ; SILENCE l
1
ID
Painter, graphtc arttsl, monumental arttst. Studted
at the Moscow School of Arts (1876-1880, 1883-
1886) under E.S. Soroktn, Vasilt Perov and
l. M Pryanishnikov. and tn St Petersburg al the
lmpenal Academy of Arts under P.P Chtstyakov
(1881 1883); close associate of l. N. Kramskoy.
He became a fellow of the lmpenal A,:ademy tn
1898 and sat on the board of governors from
1910 From 1889 until 1911 Nesterov made
numerous tnps abroad, to ltaly, France, Germany,
Greece, Poland and Austna.
Nesterov's work ts steeped m the Chnsttan
spintual tradttton. The arlts! defmed hts art as
'poettctsed realism'. and indeed his painttngs
create a poetic world of harmony and untty, of
man's search for t he meaning of hts extstence
through God, in !he context of a natural world
filled wtth stlence and tranquilltty. Nesterov's
aesthettc is close to that of the late
Pre-Raphaelttes, and his painterly style leans
toward Art Nouveau. Thts tendency ts espectally
visible tn his monumental work the murals m
St Vladtmtr's Cathedral m Ktev (1891 -1895);
mosatc destgns tn the Church of the Resurrectton
tn St Petersburg (1894 1895); the mural tn
the Church of Aleksandr Nevsky m Abastumam,
Georg1a (1902-1904); the tconostasts and murals
m the Chapel of Martha and Mary tn Moscow
(1909-1914).
Portra1ture 1s a Stgntficant facet of Nesterov's
work. The portra1ts of hts wife Ekatenna Petrovna
(1905, State Tretyakov Gallery) and of h1s eldest
daughter Oiga Mtkhatlovna (1906, State Russ1an
Museum) gave nse toa not1on of the female
ideal 1n Russ1an art. In the last decade of his ltfe
he created a modern vers1on of the tradt!tonal
'offictal portratt' in a senes of p1ctures of
prom1nent Soviet arttsls and sctenttsls
DUAL HARMONY IYQ'o THE LITILE FOX ¡q ¡4
Affiliations
from 1888 Abramtsevo Ctrcle
from 1896 Wanderers' Society
from 1903 Un1on of Russian Art1sts
(founder member)
Exhibitions:
1889-1901
1896
1898
1899-1901
1900
1903
1909
Wanderers' Soc1ety
AII-Russ1a ExhtbtttOn,
Ntzhm Novgorod
Exhtbt!ton of Russ1an and
Finn1sh Art1sts, St Petersburg
Mrr tskusstva, St Petersburg
Expostt1on Unwerselle, Par1s
Union of Russ1an Arttsls
lnternattonal Exhtbtlton, Mun1ch
Solo exhibitions
1907 St Petersburg, Moscow
Posthumous exhibitions:
1989 Moscow
Most outstanding works:
The Hermtt (1888), The Vtston of the Boy
Bartholomew (1890), The Boyhood of St Sergws
(1892-1897), The Labours of St Sergtus of
Radonezh (1896-1897, all State Tretyakov
Gallery), Holy Russta (1900, State Russian
Museum), The Little Fox (1914); Russta (Spmt
of the People) (1914-1916), Portratt of the
Arttsts A. D. and P.D. Korm (1930), Portra1t of the
Physio/ogtst /P. Pav/ov(l930 and 1935), The
Sculptor /. O. Shadr (1934), Portratt of Yudm the
Surgeon (1935), and Portratt of the Sculptor V. l.
Mukhtna (1940, all m the S tate Tretyakov Gallery).

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