make it compelling pick best ideas kick drum between 30 and 80 then 1k - 4k and compress them differently snap- slow attach quick release on compressor makes thing audible at low volumes !e sing we dance "ason mara# $tereo delay 8th on left 1/4 on right/ with a doubler flanger on vocals cut lows in piano %0 and boost 1&' delay guitars at 10 and & o(clock http)//theproaudiofiles*com/tips-for-mi+ing-vocals-to-a-two- track-instrumental/ http)//documentation*apple*com/en/logicstudio/effects/inde+*htm l,chapter-./&0section-./&0tasks-true 1o use the tape delay as a saturation plugin) 1* $et the delay time to 0ms &* $et wet to 100/ and dry to 0/ 3* 2lick the little triangle on the bottom of the window to open up the distortion level slider* 4* 3d"ust distortion level to taste* 3 couple of notes to remember* 4f you are using 5ogic 86 whenever you move the plugin or it is re-initiali#ed6 the delay time will revert back to the default setting* 3nother thing 4 noticed is that the signal gets more distorted when you move it in the negative direction* 7ou can also play around with the other settings on the delay plugin to get some cra#y sounds* 2heck out this clip with the 1ape 8elay being used as saturation* 1he first 4 measures are dry and the last 8 have the plugin on it* 1here are certain 9: ranges that add specific qualities to guitar sounds* 8epending on the type of guitar and style of music6 9: changes can have varying results* ;ere are some good starting points for equali#ing a guitar* < 100;# can add a good solid low end* =oost this frequency sparingly6 as a boost here will conflict with the bass guitar >4 tend to cut this frequency quite often on guitar?* < &00;# tends to be the muddy #one for guitar and can make the overall sound of the guitar dull if boosted* 3 cut at &00;# can e+pose the lows and the highs so that the sound has more clarity and low end punch* 2utting this frequency can help a double coil pickup sound like a single coil pickup* < 1he frequency range from &.0;# to 3.0;# can add punch and help the blend of a distorted rock sound* < 1he frequency range from .00 to 000;# often contains most of the body and punchy character* < 1he frequency range from &*.k;# to about .k;# adds edge and definition to most guitar sounds* =oosting 8k;# to around 1&k;# makes many guitar sounds shimmer or sparkle* 1hese frequencies can also contain much of the noise from the signal processors so cutting these frequencies slightly can minimi#e many noise problems from the guitarist@s equipment