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British Forum for Ethnomusicology

Volume Information
Source: British Journal of Ethnomusicology, Vol. 10, No. 2 (2001), pp. 141-144
Published by: British Forum for Ethnomusicology
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BRITISH JOURNAL OF ETHNOM US ICOLO GY VOL. 10/ii 2001
Index of articles
by author,
volumes 1-10
(1992-2001)
Baily, John, "Learning
to
perform
as a
research technique
in
ethnomusicology",
10/ii:85-98
Baily, John, "The
Naghma-ye
kashal of
Afghanistan",
6:117-63
Ballantine, Christopher, "Joseph
Shabalala:
chronicles of an African
composer",
5:1-38
Bithell, Caroline, "Polyphonic
voices:
national
identity,
World Music and the
recording
of traditional music in
Corsica", 5:39-66
Brown, Katherine, "Reading
Indian music:
the
interpretation
of
seventeenth-century
European travel-writing
in the
(re)construction
of Indian music
history,
9/ii: 1-34
Buisman, Frans, "Melodic
relationships
in
pibroch",
4:17-39 (erratum, 5:187)
Cannon, Roderick D.,
"What can we learn
about
piobaireachd?",
4:1-15
Clayton, Martin, "Ethnographic
wax
cylinders
at the British
Library
National
Sound Archive: a brief
history
and
description
of the collection", 5:67-92
Clayton, Martin, "Introduction: towards a
theory
of musical
meaning (in
India and
elsewhere)",
10/i:1-17
Clayton, Martin, "Two
gat
forms for the
sitar: a case
study
in the
rhythmic
analysis
of North Indian music",
2:75-98
Dawe, Kevin, "Bandleaders in Crete:
musicians and
entrepreneurs
in a Greek
island
economy",
7:29-50
Dawe, Kevin, "The
engendered lyra: music,
poetry
and manhood in Crete",
5:93-112
Duran, Lucy,
"Birds of Wasulu: freedom of
expression
and
expressions
of freedom
in the
popular
music of southern Mali",
4:101-34
Eisentraut, Jochen, "Samba in Wales:
making
sense of
adopted music",
10/i:85-105
Eydmann, Stuart, "The concertina as an
emblem of the folk music revival in the
British Isles", 4:41-9
Farrell, Gerry,
"The
early days
of the
gramophone industry
in India: historical,
social and musical
perspectives",
2:31-53
Gourlay,
Kenneth A., "Blanks on the
cognitive map: unpredictable aspects
of
musical
performance",
2:1-30
Gray, Catherine, "Compositional
techniques
in Roman Catholic church
music in
Uganda",
4:135-55
Gray, Catherine, "The
Ugandan lyre
endongo
and its music", 2:117-42
Gray, Nick, "'Sulendra': an
example
of
petegak
in the Balinese
gender wayang
repertory",
1:1-16
Hesselink, Nathan, "Kouta and karaoke in
modem
Japan:
a
blurring
of the
distinction between
Umgangsmusik
and
Darbietungsmusik",
3:49-61
Ho, Edward, "Aesthetic considerations in
understanding
Chinese literati musical
behaviour", 6:35-49
Hosokawa, Shuhei, "Singing
contests in the
ethnic enclosure of the
post-war
Japanese-Brazilian community",
9/i:95-118
Hughes,
David W., "No nonsense: the
logic
and
power
of acoustic-iconic mnemonic
systems",
9/ii:93-120
Hughes,
David W., "Thai music in Java,
Javanese music in Thailand: two case
studies", 1:17-30
Jang, Yeonok, "P'ansori (Korean
narrative
song) performance style:
audience
responses
and
singers' perspectives",
10/ii:99-121
Jones, Stephen,
"Chinese ritual music under
Mao and
Deng",
8:27-66
141
BRITISH JOURNAL OF ETHNOMUSICOLOGY VOL.10/ii 2001
Kertesz Wilkinson, Ir6n, "Genuine and
adopted songs
in the Vlach
Gypsy
repertoire:
a
controversy re-examined",
1:111-36
Knudsen, Jan Sverre, "Dancing
cueca 'with
your
coat on': the role of traditional
Chilean dance in an
immigrant
community",
10/ii:61-83
Kouwenhoven, Frank, "Meaning
and
structure
-
the case of Chinese
qin
(zither) music", 10/i:39-62
Kruger, Jaco, "Playing
in the land of God:
musical
performance
and social
resistance in South Africa", 10/ii: 1-36
Lanier, S.C.,
"
'It is
new-strung
and shan't
be heard': nationalism and
memory
in
the Irish
harp tradition", 8:1-26
Lau, Frederick, "Forever Red: the invention
of solo dizi music in
post-1949 China",
5:113-31
Lewisohn, Leonard, "The sacred music of
Islam: Samd' in the Persian Sufi
tradition", 6:1-33
Li, Lisha, "Mystical
numbers and Manchu
traditional music: a consideration of the
relationship
between shamanic
thought
and musical ideas", 2:99-115
Lima Neto, Luiz Costa, "The
experimental
music of Hermeto Paschoal e
Grupo
(1981-93):
a musical
system
in the
making",
9/i: 119-42
Lucas, Maria
Elizabeth, "Gaucho musical
regionalism", 9/i:41-60
McCann, May,
"Music and
politics
in
Ireland: the
specificity
of the folk revival
in Belfast", 4:51-75
Mackinlay,
Elizabeth "Music for
dreaming:
Aboriginal
lullabies in the
Yanyuwa
community
at
Borroloola, Northern
Territory",
8:97-111
Menezes Bastos, Rafael Jose
de, "The
origin
of 'samba' as the invention of
Brazil
(why
do
songs
have
music?)",
8:67-96
Morcom, Anna, "An
understanding
between
Bollywood
and
Hollywood?
The
meaning
of
Hollywood-style
music in
Hindi films", 10/i:63-84
Nooshin, Laudan, "The
song
of the
nightingale: processes
of
improvisation
in
dastgah Segah (Iranian classical
music)",
7:75-122
Pegg, Carole, "Mongolian
conceptualisations
of overtone
singing
(xoomii)", 1:31-54
Pegg, Carole, "Ritual, religion
and
magic
in
West
Mongolian (Oirad) heroic
epic
performance",
4:77-99
Pennanen, Risto Pekka, "The
development
of chordal
harmony
in Greek rebetika
and laika music, 1930s to 1960s",
6:65-115
Plemmenos, John G., "The active listener:
Greek attitudes towards music
listening
in the
Age
of
Enlightenment",
6:51-63
Radford, Katy,
"Drum rolls and
gender
roles in Protestant
marching
bands in
Belfast", 10/ii:37-60
Ramnarine, Tina Karina,
"
'Indian' music
in the
diaspora:
case studies of
'chutney'
in Trinidad and in London", 5:133-53
Ramnarine, Tina Karina, "'Brotherhood of
the boat': musical
dialogues
in a
Caribbean context", 7:7-28
Reily,
Suzel Ana, "Introduction: Brazilian
musics, Brazilian identities", 9/i: 1-10
Reily,
Suzel Ana, "Musical
performance
at
a Brazilian festival", 3:1-34
Reily,
Suzel Ana, "The
ethnographic
enterprise:
Venda
girls'
initiation schools
revisited", 7:51-74
Rice, Timothy,
"Reflections on music and
meaning: metaphor, signification,
and
control in the
Bulgarian case",
10/i: 19-38
Stobart, Henry, "Flourishing
horns and
enchanted tubers: music and
potatoes
in
highland Bolivia", 3:35-48
Stobart, Henry
and
Cross, Ian, "The
Andean anacrusis?
Rhythmic
structure
142
BRIT ISH JO URNAL OF ETHNOM U S IC OLOGY VOL.10/ii 2001
and
perception
in Easter
songs
of
Northern Potosi, Bolivia", 9/ii:63-92
Stock, Jonathan, "Contemporary
recital
solos for the Chinese
two-stringed
fiddle
erhu", 1:55-88
Stokes, Martin H., "The media and reform:
the saz and elektrosaz in urban Turkish
folk music", 1:89-102
Swanwick, Keith, "Music education and
ethnomusicology",
1:137-44
Tian, Qing
and Tan Hwee San, "Recent
trends in Buddhist music research in
China", 3:63-72
Tingey, Carol, "Auspicious women,
auspicious songs: mangalini
and their
music at the court of Kathmandu",
2:55-74
Tingey, Carol, "Musical instrument or ritual
object?
The status of the kettledrum in
the
temples
of central
Nepal",
1:103-9
Travassos, Elizabeth, "Ethics in the
sung
duels of north-eastern Brazil: collective
memory
and
contemporary practice",
9/i:61-94
Ulhoa, Martha
Tupinamba de, "Mtsica
romantica in Montes Claros: inter-
gender
relations in Brazilian
popular
song",
9/i: 11-40
Um, Hae-kyung, "Listening patterns
and
identity
of the Korean
diaspora
in the
former USSR", 9/ii: 121-42
Widdess, Richard, "Festivals of
dhrupad
in
northern India: new contexts for an
ancient art", 3:89-109
Wiggins, Trevor, "Techniques
of variation
and
concepts
of musical
understanding
in Northern Ghana", 7:123-48
Woodfield, Ian, "Collecting
Indian
songs
in
18th-century
Lucknow:
problems
of
transcription",
3:73-88
Youssefzadeh, Ameneh "The situation of
music in Iran since the Revolution: the
role of official
organizations".
9/ii:35-61
Index of countries as
major
article
themes,
volumes
1-10
(1992-2001)
Afghanistan:
6:117
(Baily),
10/ii:85
(Baily)
Australia: 8:97
(Mackinlay)
Bali: 1:1
(Gray)
Bolivia: 3:35
(Stobart),
9/ii:63
(Stobart
&
Cross)
Brazil: 3:1
(Reily),
8:67
(Bastos), Special
issue 9/i: 1
(Reily),
11
(Ulh6a),
41
(Lucas),
61
(Travassos)
95
(Hosokawa),
119
(Neto),
10/i:85
(Eisentraut)
British Isles: 4:41
(Eydmann),
5:133
(Ramnarine),
10/i:85
(Eisentraut)
Bulgaria:
10/i: 19
(Rice)
Chile: 10/ii:61
(Knudsen)
China: 1:55
(Stock),
3:63
(Tian),
5:113
(Lau),
6:35
(Ho),
8:27
(Jones),
10/i:39
(Kouwenhoven)
Corsica: 5:39
(Bithell)
Crete: 5:93
(Dawe),
7:29
(Dawe)
France: see Corsica
Ghana: 7:123
(Wiggins)
Greece: 6:51
(Plemmenos),
6:65
(Pennanen);
see also Crete
Hungary:
1:111
(Kert6sz-Wilkinson)
India: 2:31
(Farrell),
2:75
(Clayton),
3:73
(Woodfield),
3:89
(Widdess),
5:133
(Ramnarine),
9/ii: 1
(Brown),
10/i: 1
(Clayton),
10/i:63
(Morcom)
Indonesia: see Bali, Java
Iran: 6:1
(Lewisohn),
7:75
(Nooshin),
9/ii:35
(Youssefzadeh)
Ireland: 4:51
(McCann),
8:1
(Lanier),
10/ii:37
(Radford)
Japan:
3:49
(Hesselink),
9/ii:93
(Hughes)
Java: 1:17
(Hughes)
Kenya:
10/i:107
(Barz)
Korea: 10/ii:99
(Jang)
Mali: 4:101
(Duran)
Mongolia:
1:31
(Pegg),
4:77
(Pegg)
Nepal:
1:103
(Tingey),
2:55
(Tingey)
143
144 BRITISH JOURNAL OF ETHNOMUSICOLOGY VOL.10/ii 2001
Norway:
10/ii:61 (Knudsen)
Scotland: 4:1
(Cannon),
4:17 (Buisman)
South Africa: 5:1 (Ballantine), 7:51
(Reily),
10/ii: 1
(Kruger)
Thailand: 1:17
(Hughes)
Trinidad: 5:133 (Ramnarine),
7:7
(Ramnarine)
Turkey:
1:89 (Stokes)
Uganda:
2:1
(Gourlay),
2:117
(Gray),
4:135
(Gray)
United
Kingdom:
1:137 (Swanwick), 4:51
(McCann),
5:67
(Clayton);
see also
British Isles, Scotland
USSR: 9/ii:121 (Urn)