ii
IN
TRODUCTION
“Modern music owes a great debt to the behind-the-studio-glass magicians.”
–
Alan Parsons,
A HISTORY OF RECORD PRODUCTION
17 (1998).
“There’s definitely a big difference between a beatmaker and a producer because once you finish the beat, you have to produce the record.” – Dr. Dre,
Something from Nothing: Art of Rap
(2012)
Petitioner Chauncey Mahan (“Petitioner”) is a Grammy-award recognized producer and engineer of sound recordings. His work is embodied on albums released by the respondent Roc-A-Fella Records, including Jay Z – Vol. 3…
Life and Times of S. Carter
(1999); Jay Z –
The Dynasty: Roc La Familia:
(2000); and Beanie Sigel –
The Truth
(2000). Count I of the Petition respectfully seeks a declaratory judgment from the Honorable Court pursuant to 28 U.S.C. §§ 2201, 2202 declaring Petitioner to be a joint copyright owner and author of forty-five (45) published sound recordings, plus numerous unpublished copyrightable materials that are currently in possession of the Los Angeles police department. In the alternative, Petitioner seeks a declaration, upon good cause shown, that he is the sole owner of the subject sound recordings. Count II seeks a declaration that Roc-A-Fella’s underlying SR Copyrights identified in this Petition are invalid as a matter of statutory law and therefore have no legal effect. The registration forms are defective on their face,
inter alia
, for claiming to be “employer-for-hire” where no employment relationship existed between the label and authors and no copyright assignment agreement was signed by Petitioner.