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24 Preludes

for Spanish Guitar
Book 2
Roland Chadwick

for La

24 Preludes
for Spanish Guitar
Book 2
No. 13 in F# Major
"Nothing can influence the future of the universe more than Life"
Arthur C. Clark

Roland Chadwick

Allegretto q = 100

      
      
 









 
   
      

 

0

         
   





     




  
  
 

 

5

   
    
 









  















 
   
 

9



                             
 
 
 

13

 

             
 
 

17

    

       
 


           
   
 
 

21

  

Copyright 2013 Roland Chadwick.All Rights Reserved.

   

  

25                                      3     29                              33                         37                                                                                           41          45                                                                    49                                    53                                    57 .

4                                              61                                            64                                    68                       72          No. 14 in D# Minor "Humans differ from rabbits in the ability to construct a personal reality." Andante q = 95 Susan Greenfield Roland Chadwick                               0                               4                     7            . to turn into their own mind.

         .                                       5 10                                     13                                    17                                     20                             23      26                                                         29                               32             35 rall.

Rivers of air leave their mark on the desert sand.No." Theodor Schwenk Moderato q = 100 Roland Chadwick                                                         0 p mf Mysterioso pp f sfz                                      8 mf              15 p        22 f   mp                    f 3            34     40 3    ff         mf 3 mp    3   mf    f        mp f     mp               29 f        3 p f p                 f      ff                 3                                     46  . showing the waves. the evidence of flow remains. 15 in Db Major 6 "When the flow itself is past and invisible.

16 in Bb Minor 7 "Do I contradict myself? Very well then I contradict myself.)" Walt Whitman   Roland Chadwick                                                            Allegro Giocoso q = 100 p mp         5 [2+3]            sfz mf             * 9 p p                                           [2+2+2] * p           sfz mf           sfz mp sfz mf                                                      [2+3] 14 f                                                   18 f mp            21                                                           f sfz     24 p p sfz                                           p                        sfz .No. (I am large. I contain multitudes.

8                                                            28 sfz mf f                               33 p     39                                  sfz p mf                                                    44 f mp                     48     52             62      f                                                   f 57                       mp                                     mf p p .

 101          molto           *  *  *  *                             * = Take a deep and audible breath as if out of breath. sfz .                    67                                    mf      70                           75   84                        pp                            92                                     88 9                                                mf                                      f                                             96          ff pesante   molto rall.

18 in F Minor "If God wanted us to believe in him.No.               1       A tempo                f 4 Roland Chadwick              pp                  . hardly concerns us more than how life itself first originated: but I may remark that several facts make me suspect that any sensitve nerve may be rendered sensitive to light. accel. and likewise to those coaser vibrations of the air which produce sound. he'd exist." Linda Smith Moderato q = 118 rit." Charles Darwin Allegro moderato q = 120 Roland Chadwick                                             2                                                                 4                          7  No. 17 in Ab Major 10 "How a nerve comes to be sensitive to light.

rit. accel. 11 A tempo accel. accel.   29                      pp  .                                  10      pp f  14      rit. 26 f  rall.                                      f                      A tempo                 pp  17 f ff    21                                                                  rit.

No. 19 in Eb Major 12 "Cold is the ogre which drives all beautiful things into hiding." P G Wodehouse Moderato q = 80 Roland Chadwick                                                     pp 1 mf                                                          5                                                          9                                                           13                                                             17 .

13           21                                                           25                                                                                                               29        33                                                                            37                                                                                                            41 .

14                                                             45         49                                                               53                                                                                                                     57                                                           61 .

No. Your task is to create your self and your future." Roland Chadwick Moderato q = 105      1   p Roland Chadwick                                                                      4                                 7    10            rit.                Andante q = 84                                    13                                    17                                   21 rit. 20 in C Minor 15 "She was like this when you arrived. That's not your job. . She's made her choices. You can't change them or save her from their consequences.

16                                   24 A tempo                                                            30 Moderato q = 105                                         36                                        39                                 42    45                              .

21 in Bb Major Andante q = 95     1 17 "All people know the same truth.                           B A C H                                                         7 13                                              25                        19                                  31                            37                                      43 49        54                             4/05/2013 ." Woody Allen Roland Chadwick pizz. Our lives consist of how we choose to distort it.No.

No." Roland Chadwick Allegretto q = 105 Roland Chadwick                                           1 mf                              7                                11                                          17                                   23                         28                                                      33        38                           . 22 in G Minor 18 "I am infinitley more interested in ideas than facts.

  19 44   48                                                                                                         52                                       58                             62                                     66                                 70                                       74 .

20                                    79                                         84                 90                                       96                                                            100                                         104                    108                                       112                          116     .

No. and if it where to clarify the rules of competition by withdrawing entirely into narrowly defined specialties. The rare scholars who are nomads-by-choice are essential to the intellectual welfare of the settled disciplines." Benoit Mandelbrot Larghetto q = 60          1 p        13                                 espress. 23 in F Major 21 "Science would be ruined if (like sports) it where to put competition above everything else. 5 9  Roland Chadwick                           3     3          3 3 3                      3 3                  3       16                           3 .

" Omar Khayyam Roland Chadwick 1 Vivace q. = 155     mf                                                              6                                      3 9                                       12                                      15                                      18                                                                     21                                24                                       27 . moves on: nor all thy piety nor wit shall lure it back to cancel half a line. nor all thy tears wash out a word of it. having writ. 24 in D Minor 22 "The moving finger writes.No. and.

23                                    30                                   34                                      40               43 46  48  50                                                                                                                                        52                                   55 58                                    .

24                                        61 64                                                                 67                             69                                        71                            74 76                              78                            80                                                               82 85                                    .

25                                        88 91                           93                             95                           97                           99                             101                                  104  106                                                     20th May 2013 .