Professional Documents
Culture Documents
about
flights
in a
pilot. His
CLINTON E. HERBERGER
A SILVER
E a g l e ~
By: Robert G. Elliott (Assoc. Editor)
7227 Oakwood Ave.
Daytona Beach, FL 3207 4
My first introduction to Captain Clinton E. Herberger
occurred during the production of an Air Force training
film at the Hal Roach Studios in Culver City, California.
I t was late in 1943. The First Motion Picture Un it
had been organized primarily by gathering together all
varieties of studio talent already in military service. As
an Air Force motion picture studio, our prime function
was the production of training films, ...and in so doing,
on a certain picture, I was a production camera assistant
and Captain Herberger was pilot-technical advisor.
During the months that followed, until
September, 1945, it was my good fortune to have been
assigned as an aerial cameraman on numerous
with Capt. Herberger as pilot. Whether we flew
Beech AT-11 or our old B-17, "Allez Oop", none of us
were ever concerned with Capt. Herberger as
unblemished reputation as a motion picture stunt and
camera pilot was known to all, but was overshadowed by
his calm, friendly serene nature.
The passing years now found Clint and I visiting and
reminiscing about the past. ..Clint's aviation career...
unique to the extent that most of his years were spent in
aviation for the motion picture studios in Hollywood.
So it was, during June of 1975, in Orlando, Florida,
Clint's retirement home ...that he unfolded a view of his
aviation career.
"I was ten years old, when, at the Boise, Idaho, State
Fair, I saw my first airplane in 1912. The fact is, there
were two planes on exhibition, a fourth generation
Wright and a Farman boxkite. Both were peculiar by
today's standards. The Wright had no ailerons...wing
warping effected similar control that later was provided
by ailerons. The Farman, of French design, had fabric
between the front and rear wing struts hopefully to
provide more directional stabil ity.
One of the feature attractions at the San Francisco
Pan-Pac ific I nternational Exposition, was to be the
appearance of Lincoln Beachey with f:lis mid-wing mon-
oplane. We visited that Exposition as did thousands of
others, in 1915.
I had an opportunity to examine his plane. The single
wing was wire braced from the landing gear to a cabane
Hell's Angels Pilot.
Clinton E. Herberger, Lt. Col. U.S.A.F. (Ret.),
J une 7975, Orlando, Florida (Photo by
Robert G. Elliott).
strut, but in spite of this design feature, the wings
collapsed on what became his final flight. The plane had
a tri-cycle landing gear, and if I recall correctly, it was
powered by a LeRhone rotary engine.
Beachey's crash was an unfortunate quirk of luck, in
that he survived the impact upon the water, but was
drowned before he could free himself from his safety
belts.
13
I
I n order to continue the aerial attractions, Art Smith
was engaged to fly what was known then as a clip-wing
Martin biplane. Being such an awe struck kid, I was
hanging around the plane doing any odd job necessary,
from polishing wings to carrying gas, for Art Smith was
my idol.
One day, shortly after having overhauled the engine,
he was about to take it up on a test hop. He turned to
me and said .. . "Hey kid ...you want to go up with me?"
darn near flipped right then and there and
said... "Sure". Well ...it was a single seat plane, so he
strapped me on the leading edge of the lower wing next
to a strut, tying me to the strut . ..and that's the first
ride I had in the air ... right out in front. I never told my
mother of that first ride until much much later.
Like so many others of that era, I learned to fly in a
JN-4, and later graduated to a great big bomber. ..the
DeHaviland ...which incidently was the first airplane
with a 400hp engine. This particular subject really gripes
me, because, when I was an active military pilot in the
1940's or shortly thereafter, the Air Force decided that
any time under 400hp wouldn't count on your
record...so I lost about 3000 hours flying time right
then. And I asked them... "When in the Hell did you
think we got 400hp?"
"While in high school during WWI, they inaugurated
a military training program called ' Hi gh School Cadets' .
It was the forerunner of the ROTC. As it happened, our
school had no instructor, so I volunteered. What success
I had, was directly related to the fact that I immediately
went to the Army-Navy store to buy an Army Drill Man-
ual, and by diligent study and no little amount of manip-
ulation, I managed to stay one step ahead of the class.
My rash gamble paid off later, because our school won a
military competition. This must have been in mid 1918.
As high school ended, our Cadet group became Reg-
ular Army. We spent about a month and a half in Army
training and were actually entrained for Europe on
Armistice Day. I then returned to high schoo l, but the
following May I en li sted in the Signal Corps for Air.
My first actual military organization was the Second
Aero Squadron. For our Primary Training we were
assigned to March Field. Here, we were exposed to the
workings of an aircraft in the one and only tried and
true way. We had to disassemble the plane engine,
overhaul it by hand, scrape and polish bearings, fit it all
back together after completely going over every piece.
Then it was a re-assembly job, climaxed by the best test
of al l. .. we had to get in and fly it.
After Primary, we moved to Mather Field for
advanced flight. Mather was just a plain dirt field with
no runways, in fact not much else either. Part of our
advanced training was participation in the first forest
fire aerial patrol in northern California. Our planes, five
of them, were old DH-4B's. The patrol schedule called
for one round trip daily from Mather Field to Yreka,
California and back ...but it wasn't that simple. Yreka
was quite high in elevation, and with the heat of mid
day... we couldn't get those DH-4B's off the ground as
they didn't have the power. So ...we'd wait until the
afternoon began to cool off some, then we'd make the
return fl ight."
"Flight training concluded in 1920. For several
months we had been at North Island in San Diego,
training in Navy flying boats. The reason for this was
that our first tour of duty was to be on Corregidor.
Being a rugged island with no space for a landing strip,
the Second Aero Squadron was assigned HS-2L flying
boats to be used from anyone of the numerous small
beaches.
Our whole Squadron had about ten of these flying
boats. They were large single engine pusher biplanes with
a three-man crew.. . pilot, co-pil ot and gunner/radio
operator.. .my job. Mine was the best seat in the
plane . . . right out front in the nose."
"Clint".. . 1 asked, "how did your Squadron planes
come to have that familiar nose design?"
Smiling and laughing, Clint responded .. . "You've no
doubt heard that the Flying Tigers of WWII were
supposed to have originated the menacing sharks teeth
design on the nose of their P-40's ... well, t'ain't
so...our planes had th is decoration in 1920, and here's
the picture to prove it."
With that exclamation Clint launched into a brief
description of how it all came about.
"The design and idea were mine. As it happened, the
ground crew was planning to refinish the hulls, so...on
this particular plane I created my masterpiece after the
basic refinish was completed. There was the mouth with
the sharp white teeth, towards the rear was an eye on
both sides, with scales to the rear completing the
dragon-like creature.
When it was finished the Commander came down for
Above: Clinton E. Herberger, uponentry
in Regular Army, justprior to Armistice
Day, 7978. (Photo courtesy of C. E.
Herberger).
what he supposed was a routine paint inspection. He
took one surprised look at our plane and quickly
asked ..."Who did that?". ..to which I responded ..."1
did, Sir". Directly to me, he said ..."Well, I like
it. . . paint the others", meaning the rest of the Squadron
planes.
Our operation was somewhat hampered by the fact
that a tractor was necessary to launch and retrieve each
plane from the water. Makeshift hangars and work areas
were higher on the beach somewhat in the jungle.
Some years ago, my wife Virginia, and I, were visiting
the Smithson ian Museum and we observed an HS-2L fu-
selage. I n checking the Serial number, I was surprised to
learn that it had been one of the planes in our old
Squadron...one that I had flown."
"Clint. ..you've told me in time past that your even-
tual association with Howard Hughes in the production
of 'Hell's Angels' began in an odd manner ."
14
"It sure was an oddity. I was working for an aircraft
company in Glendale. You see...strangely enough ...in
all these years.. . 1 've never owned an airplane. I've
always been paid for all my flying. So ...1 was flying one
of this company's aircraft, then known as a
'Thunderbird'. I think there were only about three of
them built, and they never received CAB flight certifica-
tion. This was about the time that the licensing agency
was formed . The inspectors were not engineers, just
former pilots.
I had been scheduled to fly the spin tests one day and
these guys incorrectly loaded my plane, as I later discov-
ered.
Well ...it spun alright. ..the flattest spin you can
imagine...seventeen turns in 3000 feet. I bailed out. It
was a free jump from open cockpit, not a pullout.. . and
as I rolled out and dropped, the wing rotated above me
as I pulled the ripcord. I did ONE ...TWO...THREE ...
swings and hit the ground . That emergency jump ad-
mitted me to the Caterpill,ar Club.
Strangely enough, years later a lad came to the house
selling Capitol brushes. He looked at me kinda funny
and said to me..."Didn't you used to be a pilot?" . ..
and I said, "Yes". He continued, "Didn't you bailout of
a plane over the Baldwin Hills?" ...and I said, "Yes" ...
he says, "I've got the stick of that plane . .. wou Id you
like to have it?" I've still got it today ...it was about the
only piece of that plane which hadn't been smashed.
This Thunderbird was one of the first planes that had
an adjustable stabilizer. It was powered by an old WWI
Hispano Suiza. You could land it very slowly.. . or set
the stabilizer and it was hotter than a pistol. It would
have made a great training plane, but it was never cer-
tified."
Above: Fokker D- V/I, similar to those flown
by Clinton E. Herberger during his participa-
tion in the filming of Hefl's Angels. This
particular plane, when photographed, was
part of the Tallmantz Collection. (Photo by
Robert G. Elliott).
Below: Launching and retrieval of the
HS-2L's from the beach was accomplished
with the aide of a tractor and manpower.
Lack of sufficient flat, clear land on the is-
land, demanded the use of the water-based
planes. Note the 'shark nose' design. (Photo
courtesy of C. E. Herberger).
15
"That was the plane I was flying when Hughes con-
tacted my Company to rent it for Hell's Angels. A deal
was agreed upon which included the plane with me as
pilot. After I arrived on the filming location, they
discovered I was the only military trained pilot. My first
assignment then, was to spend over a month teaching all
those other film pilots how to fly formation. Frank
Clark was Chief Pilot, and he had introduced me to
Howard Hughes after I'd been there about a week.
Howard said ... "How much are you getting,
Herb?"...and I told him . . . he said "I'll double it"...
and he did. I collected two salaries all through that
picture...one from my Company and one from Hughes.
I was with them for just over a year, until all the
flight sequences were finished . You know .. . the first
version was silent, but when sound came in, Hughes did
it allover again.
Hughes had two fields, at first, which represented the
German and Allied home bases. Caddo Field was the
All ied Squadron Headquarters and was close to Van
Nuys in the San Fernando Valley. His other field was up
near Newhall from which the German Squadron flew."
Because Clint had numerous opportunities to fly WWI
aircraft, I asked if he thought any single aircraft was
superior . To this he responded ..."Well, the Fokker
O-VII was very definitely a superior plane. Incidentally, I
logged more time in a Fokker O-VII than most any
individual German pilot had during WWI, and it was
logged while making Hell's Angels as well as other pic-
tures later on.
I considered its design to be superior. It was a very
maneuverable airplane. You see...actually, the O-VII
was one of the first full cantilever wing aircraft, but the
pilots wouldn't trust it, so they put struts in it. I've seen
it flown without them.
Above: Clinton E. Herberger, in nose of
HS-2L, during tour of duty on the island of
Corregidor with the Second Aero Squadron,
in 7920. (Photo courtesy of C. .
Herberger).
Below: Clinton E. Herberger, third from left,
during his advanced flight training at Mather
Field, California. This was one of the five
DH-4B's which were used in the first forest
fire aerial patrol. (Photo courtesy of c..
Herberger).
16
Nieuport 28, similar to those flown in the filming
of Hell's Angels, earning a reputation for being
hazardous to fly because of the characteristics of
the LeRhone rotary engine. This particular plane,
when photographed, was part of the Cole Palen
collection. (Photo by Robert G. Elliott).
Group photo showing some of the 87 planes and
78 pilots who were engaged by Howard Hughes for
the filming of Hell's Angels. In the center is the
Sikorsky S29A, converted to resemble a German
Gotha bomber. Included in the photo are British
SE-5's, Fokker D- VI/'s, Nieuports and converted
Travel Airs. (Photo courtesy of C. E. Herberger).
I he wreckage of Stuart Murphy's plane laying in a
cow pasture, after the mid-air collision with Ira
Reed. (Photo courtesy of C. E. Herberger).
An outstanding characteristic was its ability to fly
very slowly and still retain sensitive control response. It
could literally hang on its prop in a steep climb, a
deadly maneuver against the underside of Allied planes.
Conversely, a plane that ruined many a pilot was the
French Nieuport 28. Garland Lincoln owned the
Nieuports flown in the picture. One day Garland said .. .
of one Nieuport. .. "There's a little vibration here" ...so
we took off the cowl and looked. Of the fourteen bolts
that should have secured the LeRhone rotary to the
motor mount, there were only three left. ..no wonder
there was vibration.
That's another thing the youngsters of today don't
believe...the rotary engine. The engine rotation acted to
create a gyroscopic effect. ..a positive reason why you
never made turns to the right at low altitude without
being very careful to counteract that tremendous pull to
the right. Those old LeRhones could not be idled with
retarded throttle as was the custom on conventional
engines. So .. . on top of the stick was what we called a
blip-button, which cut out each alternate cylinder, thus
reducing power. Instead of the sharp staccato exhaust in
normal operation, the blip switch created a succession of
"Thrruupp...thrruupp . ..thrruupp, blasts. It was this
tremendous torque which caused a near fatal accident
during the fil ming of Hell 's Angels.
Howard Hughes decided he wanted to takeoff in...as
I recall. . . either a Thomas Morse or a Nieuport, down
the line of hangars and do a right Chandelle up over the
hangars. When the flight crew was informed of his inten-
tion... we all tried to talk him out of it, judging that he,
being a novice pilot, would be attempting a very dan-
gerous maneuver.
There was no stopping Hughes however. The more we
cautioned him, the more excited he became...and in
those days his voice rose to a high pitch falsetto as he
finally cried ..."Oh ...you bunch of damn pansy pilots
... "1'11 show you how to do it".
I was near him when he started to climb into the
plane and I said ... "Howard, don 't try it now . .. we
know the risk", but he said, "I'll do it".. _as he settled
himself in the cockpit.
Next thing we knew, his chocks were pull ed and he
went barreling down the field just in front of the hang-
ars."
"As Hughes lifted off, he began a tight climbing turn
to the ri ght and WHAM . .. he went righ t into the side of a
hangar. We were all running towards the wreckage by
then and thinking to ourselves ..."My God ... there goes
our Angel". All there was to see was a pile of fabric,
splintered wood, tubing and lots of smoke. We just stood
there momentarily stunned. Fortunately there was no
fire.
Suddenly the pile of junk erupted and out staggered
Hughes with hardly a scratch. We were so shocked with
his sudden appearance that Hughes broke the silence
with his falsetto voice, remarking ... "Well. .. 1 guess you
knew what you were talking about".
As I was leafing through Clint's collection of pho-
tographs, a group photo of many Hell's Angels planes
prompted Clint to continue.
"That group photo included many of our 87 planes
and our 78 pilots. Across the front are the pilots, guess I
was somewhere near the middle. Behind, in the center
was the converted Sikorsky S29A, made to appear as a
German Gotha bomber. The two light colored planes
near the front were authentic SE-5's. Behind are four
Fokker D-VII' s, while the rest were not only authentic
Nieuport 28's but also converted Travel Airs.
Filming another Hell's Angels couldn't be done
today, I'm sure. In the first place there wouldn't be
enough old planes that could be made airworthy, and
the newer ones, converted, would fly too fast. At one
time during the main dog-fight sequence, we had fifty
planes within camera view ...all milling about, one upon
the other's tail_ . . or spinning down out of action."
Interrupting Clint for a moment I questioned how
they communicated the complicated directions to each
pilot from the lead camera plane.
To wh ich Clint repli ed ..."Each scene was di-
agrammed on a blackboard with all participating pilots
present. Much the same as football plays are planned.
Each plane's move was thoroughly planned before we
went up. As a backup, we'd all memori ze an alternate
scene, just in case the clouds weren't exactly right for
camera, or something else had prevented our following
the original plan. We would communicate by hand sig-
nals in such an instance and change to the alternate
scene, which indeed ... we did frequently.
During the filming of Hell' s Angels we had relatively
few accidental crashes. There was one though that stands
out in my memory . . . as I very nearly became a part of
it" ... chuckled Clint.
He had flipped through the photo co ll ection and had
17
stopped to study a pil e of wreckage on a hilly field.
"That wreck is the resu lt of a near fatal mi shap and it
happen ed over the foothills near Oak land, Cali fornia.
Actually, this pil e of junk was in th e middl e of a cow
pasture.
The day's shooting was pl anned around a dog fight
with 50 planes. Stuart Murphy and I were German, and
Ira Reed was the Briti sh. Stuart, ahead of me, was
making the proper attack on Ira, when suddenl y, he
dove down and went right t hrough the upper and lower
left wings of Ira's plane. It all happened right in front of
me and I damn near was the third vict im, but luckil y
managed to pull up over them as they split apart. As I
came abo ut I saw Stuart bailout so I fo ll owed him down
to make sure he safely landed.
Ira, in the meantime, was limping along down coun-
try looking for a likely land ing place. Darn if he didn't
make it too ...and all the more miraculous because his
converted Travel Airhad a broken mai n spar in his top
wing.
"Talking it over with Ira soon after he landed I as ked,
" Ira. . . why in heck didn't you bail ouP", to which he
responded in a murmur.. ." 1 was afra id to". But he
never ad mitted it to anyone else", chuckled Clint .
We all went back to that pasture to pick up the pieces
of Stuart's plane. The whee ls were about all we cou ld
fi nd that were useable. I mpact had been on top of a low
rise in the pasture fu ll of cows. When they saw this
monster fal ling upon them, they took off with tails high
and not a one was hurt.
The Unit manager and all of us, for that matter, fully
ex pected we'd find an irate farmer ready to sue, but
instead . . . he came to meet us laughing way down in his
boots. "You know" .. . he gasped .. . "every one of those
darn cows will go dr y fro m th at scare". He really thought
it was hilarious ... much to our rei ief.
"For the record , Clint" . .. 1 continued as he fell silent
a moment.. ." 1 suppose the background of that Sikorsky
should be clarified somewhat. Your photo of this
re-constructed pl ane shows it in its final configuration,
that of resembling a German Gotha bomber.
The Sikorsky S29-A was built in 1924 by Igor
Sikorsky, his first aircraft built in America after im-
migrating from his native Russ ia. Igor struggled for
months to finance and build that 14 passenger, 100 mph
commerical aircraft. He flew it successfully on more
than 200 flights, carrying both passengers and freight,
.s
I."" ,th",,!",.t
'\.:J ..
. I' 141-e 14
Group photo of a number of pilots who figured prom-
inently in the filming of Hell 's Angels standing beside the
conllerted Sikorsky S29A. Clinton E. Herberger is first to
the right of the skull. (Photo courtesy of C. E. Herberger).
proving its commercial worth to many skeptics. TO BE CONTINUED IN MARCH ISSUE
In 1926 Roscoe Turner bought the S29-A for
A Sillier Eagle
$11,000, a sizeable sum in those days. Roscoe flew it on
Clinton E. Herberger
various money mak ing ventures for nearly two years
until he entered into the sales agreement with Howard
Hughes in 1928. The Sillier Eagle series is an honorary deSignation of the
The S29-A was to star in the picture, though in doing Florida Chapter, the series being researched and written
so... its career would be ended." by Robert G. Elliott, Associate Editor.
18
Above: A typical "pick-up" on an early air mail flight.
Note the Model T Fords.
(Continued from Page 6)
The pilot of the first airplane out of New York was E.
J. Leonhardt. He discovered that his aircraft could not
develop full power, and with the prevailing bad weather,
he chose to execute a forced landing somewhat south of
Du Bois, Penn. The second fl ight made it to Ch icago
where weather conditions also forced its termination.
The second eastbound fl ight was piloted by F arr
Nutter. He broke the earth's bonds at 4:29 a.m., San
Francisco time. His cruising altitude reached 12,000 feet
so that he could clear the peaks of the Sierra Mountains
and landed at Reno as the sun was rising, 6:45 a.m. With
the mail loaded onto another plane, pilot Jack Eaton left
Reno at 6:55 a.m. for the second leg of the flight. He
reached Elko at 9:24 a.m., refueled, and departed at
9:31 a.m. His leg was completed upon his landing at Salt
Lake City at 11 :30 a.m. Pilot James Murray, also with
another DH-4, throttled up his 400-horsepower Amer-
ican Liberty powerplant, and took off at 12: 37 p. m.
The DH-4 these pilots were flying at this time were
reconverted Army armed observation planes used during
World War I. They were constructed of wood, their
fabric coverings replaced by natural finish birch plywood
for use by the air mail service. The open-cockpit biplane
had been lightened during reconversion. As a result, it
could carry 500 Ibs of mail in the area where the observ-
er's seat had been. The limited fuel capacity, 100 gal-
lons, gave the workhorse a range of only 350 miles max-
imum. This meant that the refueling stops were too fre-
quent to please the pilots. The alternative, however, was
even less desirable.
Instrumentation consisted of a compass, airspeed in-
dicator, tachometer, altimeter, ignition switch, and
Above: jack Knight beside his plane, with his
name stenciled on the wooden side.
water temperature gauge. Only the latter two could be
considered reliable. Although it wasn't much, it was a
beginning.
Jimmy Murray touched down at Cheyenne, Wyoming
at 4:57 p.m. From Cheyenne, pilot Frank Yaeger took
over, and left that field at 4:59 p.m. He made North
Platte, Nebr. by 7:48 p.m. Jack Knight was waiting to
begin his segment .
Jack had already flown his usual day flight from
Omaha to Cheyenne. He had to depart immediately
from Cheyenne for North Platte to meet Yaeger. Knight
was to fly the important payload on to Omaha. He had
had no sleep and no supper when he met Yaeger after
the latter landed at North Platte.
Although Yaeger was there at 4:48, there were
complications with Knight's plane. Three hours of
19
Above: Jack Knight after arriving in
Chicago on the 20th anniversary of
his epic flight.
mechanic's time was required to get the engine started
and running properly. Also, a tail skid was being
replaced.
The pilot also had problems; he had a broken nose
and other injuries sustained in a landing mishap seven
days previous.
The North Platte-to-Omaha leg finally began at 10:44
p.m., in the dark. Knight climbed to 2,200 feet. "I
didn't dare go any higher because land markings were
barely discernible from this level ," he said. "Through
occasional slits in the clouds I caught glimpses of the
Filling the radiator
dim silver thread of the Platte River. It was my guide."
The other major navigation aid was bonfires, which were
lighted by enthusiastic farmers and chambers of com-
merce along the proposed route. The postal service had
requested the fires, and cooperation was enthusiastic.
"All along the route were bonfires built to serve as bea-
cons and I fel t as if I had a thousand friends on the
grou nd . . . Lexington, Kearney, Grand Island,
Columbus, Fremont slipped by, warm glows of well-
wishers beneath the plane's wings," Knight said. "And
then I saw the lights of Omaha. The field was magnif-
icently illuminated. There were at least 2,000 persons at
the airport to welcome me -- indicating the true enthu-
siasm for the mail." Blazing gasoline drums guided Jack
to his touchdown at 1 :10 in the morning of the 23rd. " I
climbed out of the ship thinking only of supper and
sleep."
So much for routine. Inside was Bill Votaw, Omaha
airport manager , who related the news that Knight's
relief pilot had failed to make the trip from Chicago to
Omaha. Also, he found out that the westbound flights
20
Below: Jack Knight ready to take off on U.S. air
mail route. Note the poor forward visibility.
Above: Reno, Nev., U.S. air mail stop.
were both snowbou nd. Jack m uttered to Votaw, "I t's
too damn bad to get halfway across the continent and
have the flight fizzle out. I'm going to take this mail on
to Chicago." Votaw felt the fli ght should be terminated
and Jack pleaded to be allowed to continue. Against
continuing were the facts that: 1) no bonfires would be
available along the route, 2) the weather was atrocious,
3) Knight had never flown the route before .- even
during the day, 4) Knight was already exhausted, and 5)
the on ly map available was an old railroad map. The
only factor for continuation was that this flight was
required to secure the future of the air mail service. Jack
won his point. He studied the map and his plane was
refueled. "It was one minute before 2:00 a.m. when I
opened the throttle and skimmed away from the Omaha
field."
A strong crosswind from the north compl icated
navigation. "From here on I was flying over territory
absolutely strange," he said. "I knew nothing of the land
markings', even if they had been visibl e. I had to fly by
compass and by feel. I passed over Des Moines." Des
Moines was scheduled to be a refueling stop. In addition
to poor visibility, snow was deep on the Des Moines real
estate. Too deep to land. The fuel selector was switched
to the emergency tank. "By this time I was dead for lack
of sleep," Knight recalled. "I wanted to doze off. The
throbbing rhythm of the motor didn't help matters. It
was almost a lullaby. I gripped the control stick with my
knees and began slapping my face to keep awake. I stuck
my face over the side of the cowl and let the rush ing
zero air bite my cheeks almost raw.
" It was a new danger that restored my wakefulness,
however, fog. I dropped to low altitude trying to catch
a glimpse of some kind of marker. The landing gear
grazed a treetop. I tried again, praying that this time it
wouldn't be the ground. Luckily, I spotted a railroad
track. I followed it because I thought it would lead me
to Iowa City.
"There was a break in the clouds and I saw lights
which I thought to be I.e. but I couldn't find a field.
The gasoline was running low. I think it was good for
about five more minutes . . . I just kept circling. Then I
spotted a red flare. I t might have been for a railroad
train, but I had to take the chance and went down. The
flare was planted in the center of the field and I made a
rather rough landing." This was Iowa City. All the
ground personnel, thinking the flight was cancelled in
Omaha, had left the field. The one remaining person, the
night watchman, had heard the twelve pounding cyl-
inders above and lit the red flare. The landing was at
4:45 a.m.
The watchman helped Knight refuel the DH-4's tanks.
They waited for the snow to let up a little. "A ham
sandwich and I was in the air again," Knight continued.
"I didn't dare eat any more for fear it would put me to
sleep. It was 6:30 a.m., Wednesday. The rest of the way
I flew by instinct. I just pointed the plane's nose for
Chicago and kept going. Snow whirled around the ship
for a wh ile and the wi nd blew stiff from the east. I twas
hellishly cold. But as the day grew brighter, I saw the
grey smoke of Chicago mixing with the clouds and it was
the finest sight I have ever beheld. Within sight of the
field, the motor started to sputter. I guess I could forgive
it then because the job was done."
"Go ahead and quit," Knight told the engine, "we'll
make it anyhow." And that they did, he landed at
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Checkerboard Field in Maywood at 8:40 in the morning,
February 23. The Buchanan native, had to have his
clothes cut loose to get out of the cockpit and was
greeted by a wild crowd welcoming a hero. It was a
jubilant scene, but his mod est statement to the news
medi a was, "I happened to be the man on the spot, but
anyone of the rest of the fellows would have done what
I did. We all knew how important this flight is, and we
are all deter mined to make it succeed. Too many pilots
have sacrificed their lives flying the mai l during the past
couple of years to let this thing fold up. This isn't just a
case of 'the mail must go through '; the whole idea of the
transcontinental airway is at stake."
The news immed iately began to spread nation-wide.
Head lines procl aimed him as a hero. From Chicago, pilot
Jac k Webster left at 9:00 a.m. and arrived at Cleveland
at 12:52 p.m. Ernest M. Allison took off from Cleveland
at 1 :03 p.m. and ended the transcontinental flight at
4:49 p.m. at Hazelhurst Field on Long Island.
It took 33 hou, sand 20 minutes to cover the 2,629
miles. Average speed was 104 mph (with a flying time of
25 hours and 16 minutes). The first night air mail flight
was mad e. The coast-to-coast time of delivery was more
than halved. One pilot had given his life.
As a result of the last two day's events, the American
public was sure that air mail was here to stay. Congress
was impressed and approved $1.25 million for the
continuation and expansion of the Air Mail Service and
for airway lighting. The Congress also began work on
legi slation governing civil aviation. The flight was a
terrific success -- a success made possible by the
determination, the skill, and, perhaps, the luck of Jack
Knight.
For many years after his historic flight, Jack Knight
continued the battle to moderni ze the airways and make
the job of navigation less a life-a nd-death proposition.
Two-way radio communications was in the works, too.
In the fall of 1923, Jack flew the same route, at night,
but this time there were operating beacons and he had
radios aboard. It must have seemed like a milkrun.
Left: jack Knight and Henry Ford in re-
enactment offirst through day andnightcoast-
to-coastairmailflight.
His long distance flights were not ended either. Also
in 1923, he made another important flight, flying 960
miles in 14 hours, from Cheyenne to Buchanan, to be at
the bedside of his dyi ng father.
Later, he became a pilot for United Airlines. He
retired from fulltime flying in 1937 to take the job of
Director of Public Education for United, after having
flown 2,400,000 miles without an accident. Retirement
followed several years later.
World War II brought Jack again into service. He flew
to South America to get rubber for war materials; he
contracted malaria while on this mission. After the war
had ended, Jack took a severe fall while at a lecture. The
injuries suffered in that fall precipitated his death from
malaria on February 24, 1945, in his mother's home. He
was only 53. At his previous request, his ashes were
scattered from an airplane over Lake Michigan.
His memory has lived on. In 1967, the city of Omaha
conducted a re-enactment of Knight's flight from
Cheyenne to Omaha. That city and North Platte had
declared Jack Knight Days. And now, the Jack Knight
Memorial Chapel in Buchanan will honor him for poster-
ity.
Because of Jack Knight' s outstand ing service and
because of the example he set, it is understandable that
his successor air mail pilots proudly took on the motto,
Civis Aerius Sum -- "I am a citizen of the air."
Below: Crowd atone ofthe stops on the coast-
to-coastairmailflightre-enactment.
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