Title, YEAR

Bock
Courtesy of the artist


Max Boufathal, Madonna 207, 2014.
Commissioned by Marrakech Biennale 5
Photo: Pierre Antoine

Max Boufathal, Madonna 207, 2014.
Commissioned by Marrakech Biennale 5
Photo: Pierre Antoine
Mustapha Akrim, We Had A Dream, 2011.
Courtesy of L’Appartement 22.
Shezad Dawood, Towards the Possible Film, 2014.
Commissioned by Film and Video Umbrella and Delfina Foundation

Courtyard Ornamentation with 4 Sounding Dots and a Shade, 2013
Cevdet Erek
Four-channel sound, directional loudspeakers and architectural additions,
duration variable, Commissioned by Sharjah Art Foundation.
Installation view, image courtesy of Sharjah Art Foundation

Cevdet Erek, Courtyard Ornamentation with Sounding Dots and a Prison (detail), 2014.
Commissioned by Marrakech Biennale 5
Photo: Pierre Antoine
Asim Waqif, Bordel Monstre, 2012, Palais de Tokyo, Paris.
Courtesy SAM Art Projects. Photo: Romain Meriaux Delbarre
Katinka Bock, Red, red, red, 2014.
Ceramic, raw clay, courtesy the artist. Commissioned by Marrakech Biennale 5
Photo: Pierre Antoine
Jelili Atiku, I Will Not Stroll With Thami El Glaoui, performance, 2014.
Commissioned by Marrakech Biennale 5
Photo: Pierre Antoine
Jelili Atiku, Bill to Mayor, performance at Gunpo, South Korea, October 25, 2013.
Photo: Quentin Cornet
Kader Attia, Political Anthropophagy, 2014.
Commissioned by Marrakech Biennale 5
Photo: Pierre Antoine
Kader Attia, research materials, front page of the newspaper Le Journal des Voyages, 19th century.
Can & Aslı Altay, An Archipelago from the Mediterranean, 2014.
Commissioned by Marrakech Biennale 5
Photo: Pierre Antoine
Mohamed Arejdal, Crank, 2012.
Courtesy of Le Cube - independent art room and Voice Gallery
Hassaan Khan & Ibtesam Gazder, We Always Have Options, 2014.
Courtesy of Arabian Wings. Commissioned by Arabian Wings and the Marrakech Biennale 5
Atchilihtalah, This is all that God gave us.
Atelier Eric van Hove, the trone of Dragon, the wood master
photo: Pierre Antoine
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Mounira Al Solh, In brown, longtime thresholds and substrates without catalogues (preliminary sketch), 2014.
Commissioned by Marrakech Biennial 5
Courtesy the Artist and Sfeir-Semler gallery
Gabriel Lester, MurMurMure, 2014.
Commissioned by the Marrakech Biennale 5
Photo: Pierre Antoine
Pamela Rosenkranz, Clean Eyes, 2014, Intervention on Existing Fountain “Dar Si Saïd”.
Colleyre Blue, Water, Pump.
Photo: Pierre Antoine
Eric van Hove, V12 Laraki, 2013.
Air filter (assembled), 25x20x22 cm, yellow copper, nickeled silver,
tin, Middle Atlas white cedar wood, red copper, cow bone, recycled
aluminum, rolling bearing and cowskin
Photo: Keetja Allard
Eric van Hove, V12 Laraki, 2013.
Air Conditioning system (dismantled), dimensions variable yellow copper,
nickeled silver, tin, cowskin, pink apricot wood, Middle Atlas white cedar
wood, mahogany wood, rolling bearing, coton, Chinese superglue,
neoprene glue, green onyx, Taroudant stone, red marble of Agadir, black
marble of Ouarzazate, white marble of Béni Mellal, pink granite of Tafraoute
and tigers eye stone
Photo: Keetja Allard
Sandra Niessen & MJA Nashir, Rangsa ni Tonun.
(Production Still featuring Nurhaida Siregar)
© MJA Nashir, 2011
From “bindu” tot “bindu” Adriana Lara, Interesting Theory 14, 2014.
Commissioned by the Marrakech Biennale 5
Photo: Pierre Antoine
Adriana Lara, Interesting Theory 12 & Interesting Theory 13, 2014.
Commissioned by the Marrakech Biennale 5
Photo: Pierre Antoine
Max Boufathal, SERMENT D’ARISTOTE, 2010.
Wire, polypropylene 90cm/50cm
Photo: Claire Soubrier
Max Boufathal, SERMENT D’HIPPOCRATE, 2008.
Wire, enamelled copper wire, 90cm/60cm
Photo: Claire Soubrier
Yassine Balbzioui, Grosse tête, 2014.
Performance, Courtesy Galerie Shart
Hicham Benohoud, Bienvenue à Marrakech, 2014.
Courtesy of the artist. Commissioned by the Marrakech Biennale 5
Photo: Pierre Antoine
Eric van Hove, V12 Laraki, 2013.
180 x 150 x 150 cm / 380Kg. Mixed media: 465 parts / 53 materials
Courtesy of the artist. Photo: François Fernandez.
Zaynab Khamlichi, The King Inspires Me, 2013.
Courtesy the artist
Burak Arikan, Monovacation, 2013.
This work was prepared for the purpose of VitrA Contemporary Architecture Series: Please Do Not Disturb exhibition realized in 2013.
Courtesy of the artist
Agnes Meyer-Brandis, Impact - Studies in Cause and Effect, Public Meteor
Watching Event, May 16th 2009, Ekaterinburg.
Photo: National Centre for Contemporary Arts NCCA
Branch Yekaterinburg, Russia
Agnes Meyer-Brandis, Impact - Studies in Cause and Effect, Public Meteor
Watching Event, May 16th 2009, Ekaterinburg
© Agnes Meyer-Brandis, VG Bildkunst
Saâdane Afif, Works note for “Souvenir” : la fonderie.
Commissioned by the Marrakech Biennale 5
Photo: Pierre Antoine
Saâdane Afif, Rehearsal with Dahmad Boutfounast : lesson 2 / the circle.
Commissioned by the Marrakech Biennale 5
Photo: Pierre Antoine
Anne Verhoijsen, Visions of Paradise, 2008.
Video 67 min DVD 2008. Language and subtitels: English, Arabic, Turkish, Amazigh, Papiamento, Dutch. Director Anne Verhoijsen
Courtesy of the artist
Hamid El Kanbouhi, Hakkendak, 2011.
200x200 cm oil pait on canvas, Collection De Heus-Zomer
Hamid El Kanbouhi, Metro, 2012.
Ink on paper, 70x 50 cm, Dutch Ministry of Foreign Affairs
Keren Cytter, Sirens, 2014.
Video, PAL 16:9 10min. Image courtesy of the artist and Pilar Corrias Gallery, Draxler Nagel Gallery.
Commissioned by the Marrakech Biennale 5
Tala Madani, Eye Stabber, 2013.
Single channel/stop motion animation1’35’, ed. of 5. Courtesy of the artist and Pilar Corrias, London
Commissioned by the Marrakech Biennale 5
Katarina Zdjelar, Into the interior (The last day of the permanent exhibition), 2014.
HD video. Courtesy of the artist; Circus, Berlin; Spazio A, Pistoia
Commissioned by the Marrakech Biennale 5
Lili Reynaud-Dewar & Dorine Aguerre, Chloe Delarue, Camille Dumond, Olivier Hensi, Lou Masduraud, Lea Meier, Nastasia Meyrat, Laura Vaissade,
Enseigner comme des adolescents / Teaching As Teenagers, Hotel Adriatica, Genève 2013.
Randa Maroufi, Untitled#4, from the series Reconstitutions, 2013.
Lambda color print mounted on aluminium, 110 x165 cm
Hamza Halloubi, To Leave, 2011-2012.
Single channel video installation, 3 min 40 sec, color, mute
Charif Benhelima, San DAMIANO #4, Brussels 1997-1998.
From the Welcome to Belgium series. Courtesy of the Artist
Charif Benhelima, San DAMIANO #6, Brussels 1997-1998.
From the Welcome to Belgium series. Courtesy of the Artist
Saud Mahjoub, Untitled.
Courtesy of Arabian Wings
Hicham Benohoud, La salle de classe, 1994-2002.
Courtesy of the artist and Atelier 21
Patrick Wokmeni, Mutua-Zamba 1, 2013, from the series Purgatoire, Rabat.
Courtesy of the artist
Saout Radio, Ici Maintenant Ou, 2014.
Courtesy of the artists.
Wafae Ahalouch el Keriasti, Freakshow, 2011.
Installation mural and 3 paintings.
Courtesy of the Artist
Younes Rahmoun, “Zahra-Zoujaj” (Flower-Glass), 2010.
Glass, mirrors, felt, LEDs, cables, speakers, wood, metal structure. Chamber Dimensions: 700 x 600 x 500 cm, The flower: 50 cm height,
Al-Riwaq Art Space, Mathaf, Doha, Qatar
Photo: Mathaf, Doha, Qatar
Freq_out, installation image at Theatre Royal, 2013.
Photo: Pierre Antoine
Freq_out, detail at Theatre Royal, 2013.
Photo: Pierre Antoine
Singing Maps and Underlying Melodies curated by Clara Meister in collaboration with S.T.I.F.F., kamarstudios and Moroccan musicians, 2014.
Photo: Clara Meister and S.T.I.F.F.
Hiba Khamlichi, Cours Chemins.
Courtesy of the artist
Ghita Khamlichi, Theatre Performance.
Courtesy of the artist
Khaled Sabsabi, 70,000 Veils, 2014.
5 channel 3D video work, 700sec per channel. Images and work courtesy of Khaled Sabsabi and Milani Gallery, Brisbane Australia
This project is funded and supported by Australia Council for the Arts
Title, YEAR
Bock
Courtesy of the artist