Writing an interesting, engaging, exhilarating and engrossing narrative based in either
fiction or reality is a very useful skill to have. It allows you to not only weave an exciting tale, but also assists you in social situations where the skill of effective communication of events is necessary. To write a good story, all you really need is a pen and writeable surface, although a computer is preferred. STE !" #E$#$TI%& 'ou can(t simply plant yourself in an office chair and create genius )although if you can, I applaud you*. The best way to get in +the mood, is to read others( works. $rticles, short stories, novellas and even web pages are -ust a few examples of well.written and informative sources of text. /owever, this is -ust the first component of preparation0 you also have to ready a writing 1one. 'our 1one is an area most suited to unleashing your creative energies. This could be a 2uiet basement, or in a busy, bustling city caf3. It(s really -ust a 2uestion of where you feel most comfortable. STE 4" 5E6I5I&7 %& $ T%I6 8 SETTI&7 6hoosing sub-ect matter that, most importantly, interests you is integral to writing a good piece. If you(re not passionate about a topic, the reader might perceive that your piece is dull and flat. 'ou have a wide variety of time periods, locations and events to write about0 your possibilities are only limited by the extent of your imagination. 'ou could set your tale in a fantasy world, or plunge your readers into the far.flung future. STE 9" 6#E$TI&7 8 6%::$;%#$TI&7 I5E$S %nce you(ve decided on a sub-ect, now is the crucial planning phase. I suggest brainstorming all concepts and ideas, and then eliminating the worst ones that didn(t really gel with the rest of them. &ormally, some sort of a diagram will help spur some original thoughts that you can use to establish the foundation of your story. Starting with a character name, for example, then branching characteristics of that individual off that bubble is a good start. Then, group your ideas into clumps of similarly.themed ones and you(ll have a great deal of pre.prepared information from which to draw the fabric of your narrative. STE <" =I#ST 5#$=T &ow is perhaps the most important part of the entire process0 the first draft. The first draft will provide the basic skeleton for the finished product, and its 2uality will give a good indication of how your ideas are working together. 5on(t stress too much about minute details and spelling>grammar, this can all be rectified in editing and revision. STE ?" E5ITI&7 8 #E@ISI%&0 =A#T/E# 5#$=TI&7 &ext, carefully read over that draft, picking apart every conceivable error and rewriting it as you see fit. =ix coherency issues, misuses of phrases and words, and other such details that need to be revised. %nce the spit and polish has been heavily applied, make sure what you end up with is looking like a decent finished product. If you(re not satisfied, re. draft the piece entirely until you are. 6ontinue drafting, and don(t settle for anything less than a brilliant piece of work. STE B" =I&$: 5#$=T 8 5IST#I;ATI%& $fter putting the very last touches on your piece, and having been completely satisfied with every last detail of it, now you can distribute your piece as you see fit. /ave a final, crucial read over it. 6ongratulationsC 'ou(re finished.