DEBASISH MONDAL

Cell:
Hight:
weight:
Age:

09811020943 Email: debasishyami@gmail.com
6’ (Six Feet)
Eye colour: Dark-black
81kg.
Hair colour: Black
28 years
Location:
New Delhi

WORKING EXPERIENCE IN FIELD :Acting in theatre and film : Actor in ‘Kingdom of Dreams’,
Great Indian Noutanki Company, Play : Zangura, Role played : King Veerendra, Damru & kargah.
MUSICAL THEATRE:

Role played

OTHELO
KARNA

Lead (Othello)
Lead (Karana)

N.S.D./ Tripurari Sharma, Director.
N.S.D./H.Kanhailaal, Dir.

THEATRE:
SOCHO JAB SAB ULTA HO
KING LEAR
WELLCOME TO THEABES
ROBERTO ZUCCO

Father/officer
Lord Cornwall
Prince Tideos
Sergeant

N.S.D./Prasanna, Dir.
N.S.D./Robin Das, Dir.
N.S.D./Annie Ruth, Dir.(New Zealan)
N.S.D./Santanu Base, Dir.

FILM:
HASI KHUSI CLUB
THE GUN AND THE GIRL

Friend
Gangster

Feature
SatyajitRoy Film & Television Inst.

EDUCATION:
Graduation in Bsc. From Rishi Bankim Chandra collage under Calcutta University, West Bengal.
TRAINING:
National School Of Drama – 3 years Acting Specialization ,Acting*,Voice & Speech ,Music,
Dance*,Movement*,Martial Arts(Kalaripayttu,Tai-Chi)*,Fighting(Swords, Sticks ,Free hand)*etc.
Satyajit Roy Film And Television Institute (Kolkata) – Film making and direction. Direct and
made short films.
Eight year acting, design, direction training and working experience in theatre groups and co.S
SKILLS*:
Accent* & Dialects in Languages:
Sports

Hindi, English, Bengali (mother tongue)

: Athletics*, Football, Running, Swimming*(*-highly skilled)

2.WORKING EXPERIENCE WITH DIRECTORS AND PRACTIONERS ON DIFFERENT FORMS OF
ACTING:
1. Physical theatre in specific space with Grotowosky’s group and followers ‘Theatre ZAR’
(Poland).
2. Physical theatre and acting techniques of Jacques Lecoq (France) with Niranjini Iyer.
3. Method acting of Stanislavsky and continuation of Lee Strasberg in practical
implementation.
4. Realistic acting technique of Stanislavsky with Anirudh Khutwad.
5. Realistic acting technique of Michael Chekhov with Tripurari Sharma.
6. Modern acting through Viewpoints exercise of Anne Bogart with Annie Ruth (new Zeeland) and Anuradha Kapur.
7. Body, breathing and awareness practice through exercises for an actor’s preparation
with Aadil Husain.
8. Biomechanics technique through body fragmentation with Maya Rao.
9. Psychophysical acting technique with H.Kanhailal and Sabitri Devi.
10. Realistic acting in practical implementation with Prasanna.
11. Modern acting in verse and realistic with Robin Das.
12. New method of acting with Jeffry (Singapore).
13. Classical and folk form of acting style :
a. Kutiyattam (Kerala) with G.Venu and Kapila Venu.
b. Nautanki (Hatras, Uttar Pradesh) through music with Tripurari Sharma.
c. Parsi Commercial acting technique with Hema Sing.
d. Joker style of acting with Ashwath Vatt.
e. Videsia style through music with Sanjay Upadhyay.
f. Chaw (Mayurvanj & saraikella) with Shashidhar Acharya.

OTHER CARICULAMS:
DIRECTION: Direct three full length plays. Gupi Gaen Bagha Bayen, Jumbo and Pathaboli.
AS A ACTORS TRAINER: Taken acting classes in schools and institutions like Kanchrapra Harnett
High School, Deshopryo Sikhsaytan, Jonepur Girls high school etc.
Given workshop at different theatre groups (Kalyani Natya Charcha Kendra) and organisations.
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Thank You

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