Professional Documents
Culture Documents
Period Dramas are also known as Historical Dramas or Costume Dramas. Below are the typical codes and
conventions of Period Dramas but also examples of key texts:
Elaborate costumes and sets to catch the ambience of a particular time period (stereotypically
female audiences are attracted as much by the costumes as by the narrative content)
Multi stranded narrative based on character (each character has their own storyline)
Often part of a series (each episode has a three act structure but is often open ended)
Critically and commercially successful e.g. BBC Period Drama (long tradition of producing quality
period dramas)
Often produced by an Independent Production Company and commissioned by the BBC or other
networks (e.g. ITV and Downton Abbey)
Sexuality seen as repressed and smouldering on screen scenes are rarely graphic (with The
Tudors as an exception) and representations are often left to the audiences imagination
High production values (location and studio settings, costume design, sound design, star
marketing)
Distributed in the UK and the US (popular with American audiences buying into English cultural
heritage)
The female victim narrative is common but also a women fighting for respect and individualism
within this structured framework (e.g. The Duchess, Pride and Prejudice)
Traditional, mainstream representations of social class, national identity and race and ethnicity
Interiors lavish production design, built sets and on location shooting (on location shooting often
uses to its advantage existing cultural heritage when filming e.g. many Period Dramas have been
filmed on the River Thames at Greenwich (Maritime Museum, Historical architecture)
Saturated colour palette (wealth and status), use of high key lighting
Primary target audience 35-55 females, white, traditional working class (apsirational, escapist
appeal, enjoy the costume design, history, settings diversion)
Nostalgia (fondly remembering or reminiscing about the past) also a key audience appeal
Tertiary target audience male, educated 35-55 (historical narratives, buying into the old
fashioned, traditional representation of masculinity, social class, national identity..)
Key Texts
Upstairs, Downstairs
The Pallisers
Poldark
Jane Eyre
Middlemarch
Deadwood
Mad Men
Mildred Pierce
Downton Abbey
The Tudors
The Borgias
Robin Hood
Camelot
Game of Thrones