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During plucking the string is stretched before it is let go, after which it tries to get
back to its previous state. However it is moving too fast to stop so stretches itself in
the other direction.
It tries again to get back to a straight line but again overshoots, and this continues
until it runs out of energy.
Energy is lost because it is pushing air out of the way. It is also passing vibrating
energy onto the body of the guitar.
Get Plucky
!
For this to happen it would have to start from a curve. When we pluck a
string, however, we are creating a kink in the string where two straight lines
meet.
So all parts of the string will race off with energy at the same time, but not
from the same starting place.
The string now starts to vibrate in several ways at the same time: imagine a
childs swing in action and the child wiggling the part of the chain he or she is
holding. The chain is now doing two things a) swinging slowly to and fro and
b) wiggling up and down to a fro.
No half measures
!
With the ends of the string stationary the movement pattern of the string
must divide into one part or two parts, or three in fact any whole
number of parts.
There would not be four and a half parts, for example, as this would
require one of the ends of the strings to waggle about which it cant. Its
attached to the guitar.
So the string does not move two and fro as one long string, it involves
complicated wiggling. The whole string movement of the guitar is
accompanied by some half string, third string, and quarter string
vibrations (and others).
Short strings vibrate at higher frequencies than long strings (if they are the
same type of string under the same amount of tension).
These overall pattern of these movements will repeat at the same rate as
the lowest frequency involved. This is the note we hear: the
fundamental (all the other frequencies we hear are kind of like backing
singers supporting this note, giving it richness and uniqueness).
is to tune its two skins differently. This will mean the skins
of say a kick drum will not be mutually supportive of the
pattern of air pressure produced when struck. This lack of
mutual support between the skins also means the sound dies
away more rapidly if they vibrated in unison they would
ring on for longer.
Loudness, being a psychological quantity, is difficult to measure, so Fletcher Munson averaged their results
over many test subjects to derive reasonable averages.
The lowest equal-loudness contour represents the quietest audible tone and is also known as the absolute
threshold of hearing. The highest contour is the threshold of pain.
Equalisation (EQ)
What is an equaliser?
A device, circuit or piece of software that lets us control the relative
amplitude of various frequencies within the audible bandwidth.
What does it allow us to do?
- Correct specific problems in a recorded sound (possibly to restore
a sound to its natural tone).
- Overcome deficiencies in the frequency response of a mic or in the
sound of an instrument.
- Allow contrasting sounds from several instruments or recorded tracks
to better blend together in a mix.
- Alter a sound purely for musical or creative reasons.
There are two main types of EQ: Bell (or Peak) EQ and Shelving EQ