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BRAZILIAN MUSIC FOR BAND SERIES

BEB
music by

Hermeto Pashoal
arrangement by
Hudson Nogueira

PRESIDENT OF THE FEDERATIVE REPUBLIC


Luiz Incio Lula da Silva

OF

BRAZIL

MINISTER OF CULTURE
Juca Ferreira
FUNDAO NACIONAL DE ARTES / FUNARTE
PRESIDENT
Srgio Mamberti
EXECUTIVE DIRETOR
Myriam Lewin
DIRECTOR OF THE MUSIC CENTER
Pedro Mller
PROJECT COORDINATION BANDS
Rosana G. Lemos
COMMUNICATION COORDINATION
Oswaldo Carvalho
COORDINATION ISSUES
Maristela Rangel

FUNARTE, 2008
IMPRESSO NO BRASIL / PRINTED IN BRAZIL
FUNARTE EDITIONS

BRAZILIAN MUSIC FOR BAND SERIES

BEB
music by

Hermeto Paschoal
Arrangement by

Hudson Nogueira
revised by

Marcelo Jardim

Patrocnio

Realizao

SCORES FOR BAND PUBLISHING PROJECT


G ENERAL DIRECTION
FLAVIO SILVA / MARIA JOS

DE

QUEIROZ FERREIRA

T ECHNICAL DIRECTION , ADAPTATION, REVISION


Marcelo Jardim

AND

STANDARDIZATION

MUSIC PUBLISHING
Si Thoca Edies Musicais
www.sithoca.com
Simone dos Santos
P ROGRAM NOTES
Marcos Vincio Nogueira
CONSULTING TABLE
Dario Sotelo

INDICATING

T ECHNICAL LEVEL

CONSULTING FLEXIBLE INSTRUMENTATION /ARRANGEMENTS


Hudson Nogueira
E LECTRONIC EDITING SCORE AND INSTRUMENTAL P ARTS
Alexandre Castro Sheila Mara
Leandro J. Campos Bruno Alencar
E NGLISH TEXTS
Tom Moore
T EXT E DITING AND REVISION
Maurette Brandt
G RAPHIC P RODUCTION
Joo Carlos Guimares
E DITORIAL PRODUCTION
Renata Arouca
COVER AND ILLUSTRATION
Rafael Torres

Fundao Nacional de Artes Funarte


Music Center (Cemus)
Rua da Imprensa 16, 13th Floor
Rio de Janeiro, RJ Brasil
CEP 20.030-120
Tel.: (21) 2279-8106 - Fax: (21) 2279-8088
coordenacaobandas@funarte.gov.br
www.funarte.gov.br

BAND REPERTOIRE OF YESTERDAY, TODAY, AND OF ALL TIME

The opportunity of resuming the process of publishing scores for band is a good rea-

son for rejoicing at Funarte. In 1995 and in 2000, 14 titles from the series Golden

Repertoire of Brazilian Bands were released; in 2004, Funarte released the series Hymns of
Brazil, with two titles. Presently 20 new titles are being issued, ten of which in a new series called
Brazilian Music for Band, which includes high level arrangements of popular songs and some
of the most praised classics of Brazilian popular music. The new series also highlights original
works written specifically for bands by composers of various periods, and opens space for transcriptions from the Brazilian symphonic repertoire.
These issues follow the international norms for publishing and the standardization of music
pieces for symphonic band, diversifying the supply of instrumental parts without losing sight of
the most noteworthy characteristics of our bands, as well as making possible for small groups and
bands, with reduced forces, to perform music using the same material. The process of publishing scores for band is searching for more dynamic ways to supply a market which is always eager
for novelties and information and seeking, at the same time, to keep the traditions of our countrys musical culture alive and in performance. Making this repertoire available and sharing information must be an ongoing and continuous task, so that it can produce good results. To this end,
Funarte concentrates its efforts to produce and present the band repertoire of yesterday, today,
and of all times.

III

Brazilian Music for Band Series Beb

ABOUT THE NEW EDITIONS...

ith its new series of editions, Funarte intends to expand the contemporary literature for bands in

Brazil, so as to quantify it and qualify it, with especial emphasis on the use of the technical and sty-

listic patterns of each work, with the necessary revisions and annotations in terms of articulations, dynamics,
accents, nomenclature, tempi, rehearsal markings, abbreviations etc.
In order to allow that standards adopted by bands worldwide be applied, it was necessary to
make adaptations to the original material - without, however, altering melodic, harmonic, and
rhythmic lines. Original orchestrations were maintained, with the addition of new information in
the area of timbre, in order to take the most advantage of present-day instruments.
The standard pattern adopted was: piccolo, flute, oboe, bassoon, Eb clarinet (requinta), Bb
clarinets (3 parts), Bb bass clarinet, quartet of saxophones (2 Eb altos, 1 or 2 Bb tenors, and Eb
baritone), F horns (2 to 4 parts), Bb trumpets (3 parts), trombones (3 parts), baritone, tuba, contrabass (strings), timpani, keyboards (xylophone/bells or glockenspiel), percussion (snare drum,
pratos de choque, suspended cymbals, bass drum, agog, rattle, tambourine, ganz, triangle, recoreco, tambor, complete battery). In some works, particular instruments were suppressed, such as
tenor sax 2 and timpani, when they were not part of the original instrumentation. Nevertheless,
the director should note that the whole repertoire has its functionality guaranteed only with 1
flute, 1 Eb clarinet, 3 Bb clarinets, 1 Eb alto sax, 1 Bb tenor sax, 3 F horns or Eb saxhorns, 3 Bb
trumpets, 3 trombones, 1 baritone, 1 tuba, and percussion (snare, cymbal and bass drum). Extra
parts (not included in the instrumentation) will be printed for Eb saxhorns, Bb baritone in bass
clef, as well as Bb and Eb tubas, in all the editions.

Brazilian Music Series for Band

he repertoire of this series emphasizes arrangements of MPB and original compositions.

Optional instruments, originally intended by the composer or arranger, are included in the

scores instrumentation, but are not essential to the performance of the piece. It was sought to retain
such instruments as options, thus allowing the performance of a particular musical passage in more
than one way, so as to make possible its performance by symphonic and concert bands and also
to enhance its performance by traditional bands. To this end, indications of other instruments allow
the conductor to have a mass of sound for performances in the open air, while maintaining an equilibrium of sound in concerts taking place in closed spaces.
Maestro Marcelo Jardim
Technical Coordinator

Brazilian Music for Band Series Beb

IV

BEB
music by Hermeto Paschoal
arrangement by Hudson Nogueira
revision by Marcelo Jardim

Instrumentation
*piccolo

F Horn 1

flute 1

F Horn 2

flute 2

F Horn 3

*oboe 1

Bb Trumpet 1

*oboe 2

Bb Trumpet 2

*bassoon 1

Bb Trumpet 3

*bassoon 2

trombone 1

* Eb clarinet

trombone 2

Bb clarinet 1

trombone 3

Bb clarinet 2

baritone

Bb clarinet 3

tuba

* Bb bass clarinet

timpani

Eb sax alto 1

bells, xylophone

Eb sax alto 2

percussion 1 (suspended cymbal, clash cymbals, pan-

deiro, snare drum & bass drum)


Bb tenor sax 1

percussion 2 (drum set)

Bb tenor sax 2
Eb baritone sax

Extra Parts
Eb sax horn 1

Bb Baritone

Eb sax horn 2

Bb tuba

Eb sax horn 3

Eb tuba

Note to the Director


All the parts marked with * are optional; they are not, therefore, essential to the performance
of the work. Such parts were added in accordance with the composers writing and the function of these instruments in the band, in order to allow the formatting of the score according
to present-day international standards.
V

Brazilian Music for Band Series Beb

BEB
music by Hermeto Paschoal
arrangement by Hudson Nogueira
revision by Marcelo Jardim

he introduction, constructed from one of the motives of the melody which will follow,

already reveals the thematic and harmonic resources, the dynamics and the technique of

articulation which will be present throughout the work. One should pay attention to the importance of the articulation and dynamics proposed for the initial motive presented by the woodwinds and the saxophones; these emphasize the rhythmic cell of the baio, as well as giving clarity and elegance to the execution of the melody. At the end, following the entrance of the rhythmic-harmonic motion characteristic to the genre, the melodic structure formed by an initial
repeated period is presented, with two phrases (measures 15-22 and 23-30): the first parallel in
structure, led by clarinets and trumpets, and the second sequential (motives marching), given to
the saxophones. A second parallel period (measures 47-62), the repeated phrase of which presents the same type of sequential configuration as the earlier phrase (as if it were expanding on it),
is, in turn, expanded on by a third period (measures 63-78), which varies it, exhibiting harmonic
parallelism and a similar phraseological structure. A final segment of expansion (measures 79-88)
brings back the final passage of the introduction in order to prepare the return to the beginning
period. After the repetition of the sections, a coda presents once more some of the principal
motives, in a movement of increasing density until the final tutti. The configuration of the accompaniment is renewed in each section, with variations over an almost uninterrupted motion of
characteristic bass lines, which is essential to highlighting the formal schema of the work. And in
order that the global texture of notable rhythmic richness is clearly perceptible one must take care
that the sections articulate their parts with precision. This is because the feeling of complementarity which exists between the concurrent textural layers will only be noted when there is a perfect execution of the component parts. See for example measures 37-38, in which the connecting
melodic line, played legato by woodwinds and saxophones is contrasted with the syncopations and
staccatos in the brass accompaniment.

Marcos Vincio Nogueira


Professor of Harmony and Composition,
Universidade Federal do Rio de Janeiros School of Music

Brazilian Music for Band Series Beb

VI

HERMETO PASCOAL (22/06/1936)

onsidered to be one of the greatest geniuses active in the world of music, he is famous
for his ability to extract good music from anything, whether tea kettles, plastic toys, and
even peoples speech. He was born in Arapiraca, Alagoas, where as a young boy he learned to play
flute and accordion. By age 11 he was already performing at dances and fairs alongside his brother. In 1950 the family moved to Recife, and he continued to perform with his brother on the radio.
At the end of the decade he went to Rio de Janeiro, where he played in regional ensembles and
on Rdio Mau. Later he moved to So Paulo, where, at the end of the sixties, he began to gain
renown as pianist and flutist for the Quarteto Novo, which mixed elements of music of the
Northeast, such as the rhythms of baio and xaxado, with contemporary and jazz harmonies. The
first and only recorded by the group, issued in 1967, included O Ovo, the first composition by
Hermeto to be recorded. At the beginning of the seventies he went to the United States at the
invitation of Airto Moreira and recorded there with Miles Davis, on a record by Airto. Back in
Brazil, he recorded the very successful LP A msica livre de Hermeto Paschoal, on which he presented his own compositions as well as interpretations of classis such as Asa Branca (Luiz
Gonzaga) and Carinhoso (Pixinguinha). He participated in the Montreux Jazz Festival, in
Switzerland, composed works for symphony orchestra, constructed instruments and recorded
various discs for different labels. He performs in Brazil and in tours to Europe with five different
ensembles: Hermeto Paschoal and Group, Hermeto Pascoal and Aline Morena, Hermeto Pascoal Solo, Hermeto
Pascoal and Big Band and Hermeto Pascoal and Symphony Orchestra

HUDSON NOGUEIRA (1968)

axophonist, clarinetist, arranger and composer, Hudson Nogueira studied composition


with Edmundo Villani-Crtes. He was a musician of the Symphonic Band of the State of
So Paulo and member of the Banda Savana. In 2005 he made various appearances in Japan,
where he performed his compositions at the Clarinet Fest, taking place in Asia for the first time.
He wrote arrangements for Marvin Stamm, Leila Pinheiro, Beth Carvalho, Nana Caymmi, Ivan
Lins, Jane Duboc, Guilherme Arantes, Toquinho, Gilberto Gil, Moraes Moreira, Sujeito a
Guincho, Banda Savana, Banda Sinfnica Jovem of the Estado de So Paulo, Banda Sinfnica of
the Estado of So Paulo, Orquestra de Sopros Brasileira, Orquestra Paulista and Banda Sinfnica
of CSN. He composed original works for Fernando Dissenha, Dale Underwood, Fred Mills, Paulo
Srgio Santos, James Gourlay, Madeira de Vento, Osland Saxophone Quartet, University of
Minnesota, University of Georgia, University of Central Florida and the University of St.
Thomas. His arrangements and compositions are present on more than 20 CDs recorded in Brazil
and abroad. His works have been performed throughout the world; some of them have been published by Wind-Gallery (Japan), Ruh Music (European branch of the American firm Barnhouse)
and DDP Brazil Music (United States).
Principal works: Retratos do Brasil, Milnio, Carnaval de Rua, Senzalas, Maracatus e Quilombos,
Brasileirismos N 1, Sons do Brasil, Miniaturas Brasileiras, Do Corao e da Alma, Virtuoso, As Quatro Faces
do Choro, Um Chorinho pro Adolph Sax, Sax Colossos, Um Chorinho pros Brasszucas, O Rei do Maracatu,
Alegria do Carnaval, Pingo no Choro.
VII

Brazilian Music for Band Series Beb

Srie Msica Brasileira para Banda

Beb

Partitura Completa

Durao aproximada: 3'45''


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arranjo: Hudson Nogueira


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1984 Musiclave Editora Musical Ltda.


Funarte, Ministrio da Cultura, 2008
1984
Musiclave
Musical Ltda.
MBB0005
- Beb
/ Todos os Editora
direitos reservados
- Impresso no Brasil
www.funarte.gov.br
projbandas@funarte.gov.br
Funarte,
Ministrio/ da
Cultura, 2008

MBB0005 - Beb / Todos os direitos reservados - Impresso no Brasil


www.funarte.gov.br / projbandas@funarte.gov.br

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FUNARTE Ministrio da Cultura


Srie Msica Brasileira para Banda Beb

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FUNARTE Ministrio da Cultura

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FUNARTE Ministrio da Cultura


Srie Msica Brasileira para Banda Beb

10
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FUNARTE Ministrio da Cultura


Srie Msica Brasileira para Banda Beb

10



 


 

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Srie Msica Brasileira para Banda Beb

12

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Srie Msica Brasileira para Banda Beb

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FUNARTE Ministrio da Cultura

Srie Msica Brasileira para Banda Beb

14
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Srie Msica Brasileira para Banda Beb

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Srie Msica Brasileira para Banda - Beb

15

FUNARTE Ministrio da Cultura


Srie Msica Brasileira para Banda Beb

EDIES
FUNARTE
PARTITURAS
ANDAS
FUNARTE
S EDITIONS
OFDE
MUSIC
SCORESPARA
FOR BANDS

1995
Golden Repertoire of
Brazilian Bands
Antnio do Esprito Santo
Avante Camaradas / Dobrado 220
Gilberto Gagliardi
Cidade de Diadema (dobrado)
Joaquim Naegele
Mo de Luva (dobrado)
Silvestre Pereira de Oliveira
Amor de um Pai (dobrado)
Antnio Pedro Dantas (Tonheca Dantas)
A Desfolhar Saudades (valsa)

Francisco Manuel da Silva/Joaquim Osrio Duque Estrada


Hino Nacional do Brasil
2008
Golden Repertoire of
Brazilian Bands
Anacleto de Medeiros
Jubileu (dobrado)
Francisco Braga
Baro do Rio Branco (dobrado)
Joaquim Naegele
Professor Celso Woltzenlogel (dobrado)
Joaquim Naegele
Estrela de Friburgo (polka for solo trumpet and band)

2000
Golden Repertoire of
Brazilian Bands
Antonio do Esprito Santo
Avante Camaradas
Dobrado 220 (dobrado) * reissue

Anacleto de Medeiros
Os Bomios (Brazilian tango)

Ceciliano de Carvalho
Dever do Mestre (dobrado)

Jos Genuno da Rocha


Testa de Ao (frevo)

Gilberto Gagliardi
Cidade de Diadema (dobrado) * reissue

Pedro Salgado
Dois Coraes (dobrado)

Joo Firmino de Moura


Saudades de onde Nasci (valsa)

Hymns of Brazil
D. Pedro I/ Evaristo da Veiga
Hino da Independncia

Joo Trajano da Silva


Janaina (ciranda)
Joaquim Naegele
Mo de Luva (dobrado) * reissue
Jos Aniceto de Almeida
Ceclia Cavalcanti (valsa)
Jos Barbosa de Brito
Bento Barbosa de Brito (dobrado)
Levino Ferreira da Silva
Lgrimas de Folio (frevo)
Luiz Fernando da Costa
Archanjo Soares do Nascimento (dobrado)
Manoel Ferreira Lima
Diana no Frevo (frevo)
Manoel Rodrigues da Silva
Dengoso (choro)
Severino Ramos
Tubas de Papelo (dobrado)
Silvestre Pereira de Oliveira
Amor de um Pai (dobrado) * reissue
2004 e 2008
Hymns of Brazil
Francisco Braga/Olavo Bilac
Hino Bandeira Nacional

Joaquim Naegele
Ouro Negro (dobrado)

Leopoldo Miguez / Medeiros e Albuquerque


Hino da Proclamao da Repblica
Brazilian Music for Bands
Edu Lobo/Capinam
Ponteio (baio; arrangement by Hudson Nogueira)
Guinga / Aldir Blanc
Baio de Lacan (choro; arrangement by Hudson Nogueira)
Hermeto Paschoal
Beb (baio; arrangement by Hudson Nogueira)
Noel Rosa
Palpite Infeliz (samba; arrangement by: Hudson Nogueira)
Hudson Nogueira
Quatro Danas Brasileiras (samba, maxixe, marcha-rancho, choro)
Ivan Lins / Vitor Martins
Novo Tempo (arrangement by Hudson Nogueira)
Carlos Alberto Braga (Braguinha) / Alberto Ribeiro
Copacabana (samba; arrangement by Jos Carlos Ligiro)
Jos Ursicino da Silva (Mestre Duda)
Sute Nordestina (baio, serenata, maracatu, frevo)
Jos Ursicino da Silva (Mestre Duda)
Sute Pernambucana de Bolso (caboclinhos, serenata, cco, frevo)
Nelson Cavaquinho/Guilherme de Brito
Folhas secas (samba; arrangement by Hudson Nogueira)

Patrocnio

Realizao