A camerawork technique that is used effectively throughout the scene is
close-up shots. These shots are used to show objects or people in greater detail and possibly convey the emotions they represent or show. A good example of a close-up shot would be of the knife that the psycho holds above him ready to attack, this draws attention to the weapon and accentuates how sharp and dangerous it is as it shows the blade in greater detail. This produces the emotion of fear and discomfort at the predictable attack that soon follows. It is a way to raise the tension in the scene as the audience can see the victims impending doom whereas the victim herself is oblivious. The speed of the editing varies as the tension and action varies. Starting off slow the editing is calm and paced as the audience come to terms with the setting and characters within the setting. It is at a sedate pace up until the woman gets in the shower and the audience start to realise something is going to happen where it starts to speed up. This change in pace symbolises the rising tension and the build-up of the attack, also mimicking the heartbeat of the audience as they watch the action unfurl before them, unable to intervene. During the attack the speed of the editing is at its peak creating a sense of chaos and confusion simulating the feelings of the victim. After the attack the editing returns to a calm pace but the camerawork is slightly eerie as it focuses on the staring eye of the dead woman making the audience feel uncomfortable. The sound of the scene is composed of different elements, soundtrack and diegetic and non-diegetic sound. The diegetic sound is the sounds that can be heard on camera, making the audience feel a part of the shot and non-diegetic sound can be heard off camera hinting to the audience of the surroundings and what is going on out of shot, the soundtrack is the instrumental that can be heard in the background, this can express the emotion and change the tension within the scene depending on the tempo and the instruments used. Lighting is used effectively all through the scene. There is a dark lighting showing the exterior of the house symbolising negativity and foreshadowing the events as common associations within Thrillers are that attacks occur during the night time. However inside the building there is a harsh, bright lighting connoting the harsh severity of the attack.
This shot is a point-of-view high angle shot. It is
showing the setting through the characters eyes giving the sense of empathy between the audience and the character as they view what the character is seeing. The view of the shot is looking up at a shower head that has been turned on, creating a sense of being trapped, imprisoned and a feeling of claustrophobia as the water jets mimic the bars of a cell enclosing a prisoner. The way the shower looms over the camera makes the viewer seem small and powerless, almost weak and vulnerable; representing the woman, who later becomes the victim, and from her point of view.
This shot is a close up of a figure wielding a knife as
a weapon. The lighting is kept dark to keep a sense of mystery behind the identity of the attacker with the only distinguishable features as a fair haired wig. The stance of the character connotes danger and intimidation as well as attack as it holds the knife at head height pointing towards what is supposedly the victim who is out of shot.
This shot depicts a woman sliding down a white
bathroom wall as her blood runs from her back. It is a close up of her face to show her features in greater detail and to show her look of defeat as she comes to terms with her fate. She holds her hand out in front of her in one last desperate attempt to keep herself from falling. The white pristine bathroom contrasts the blood that has been smeared on the wall behind her symbolising her purity and innocence being tarnished as a victim of attack. The viewer cannot see what she is looking at but assume it is at her
This shot is an extreme close up of a plug hole as the
blood and water drain away. The image of the blood spiralling away down the plughole is symbolic of the victims life draining away after the attack and all evidence the killer leaves behind vanishes. The pure water has been dirtied and ruined by the blood much like the victim has been ruined by the killer. It is a graphic match shot, later going on to match with the staring dead eye of the victim.
This is the graphically matched shot of the plug hole
in the previous shot. The camera moves in a spiralling movement, replicating the water draining away in the previous shot. It is quite unnerving and uncomfortable for the viewer as they are forced to lock eyes with the dead victim for a prolonged amount of time, allowing the force and brutality of the attack to sink in. The woman is face down slumped against the floor in an undignified manner showing the unfair and inhumane way she died.