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Software musical Ear-Master-Pro en taringa.


Modelo musical-matemático

Software musical ver. 1.0
Degnis Romero
Esta es una pequeña ayuda para un amigo que está
construyendo un modelo musical-matemático, que sirva de
base para desarrollar un software venezolano en esa área.
El pana basa su estudio en la llamada Transformada de
Fourier, que permite pasar una señal del dominio tiempo al
dominio frecuencia. El reto que tiene es trabajar un aspecto
original del tema, ya que, hasta ahora, hay varios casos de
científicos que han construido algoritmos y otros desarrollos
basados en software libre (GNU General Public License), tales
como FFTW o el Cooley-Tukey FFT algorithm. La librería de
subrutinas escrita en lenguaje C se puede bajar de

Lo que se le propone aquí es determinar, además de la
estructura musical de las canciones, otros temas que tengan
que ver con chismes relacionados, como en estos casos:
El primer ejemplo es una canción publicada el año oral
1969, del grupo King Crimson: 21st Century Schizoid Man.
En ella se demuestra la capacidad premonitoria de esa gente,
anunciando con 30 años de anticipación la aparición de un
animal con esa patología en Venezuela. Musical structure:
Musically, the song is notable for its heavily distorted vocals
sung by Greg Lake, a driving mechanical rhythm and
piercingly loud saxophone and guitar, along with its
instrumental middle section, called "Mirrors". Most of the song
is in either 4/4 or 6/8 time, save for the end of the song, which
is in free time. Ese encrispado ritmo del final en “free time”,
pudiera tener que ver con el final apocalíptico del esquizoide
venezolano, precedido por la apertura de su séptimo sello.
Lucky Man, es una canción de Emerson, Lake & Palmer:
Greg Lake started writing this when he was 12 years old.
When he formed ELP with Keith Emerson and Carl Palmer in
1970 and they were recording their first album, they found
themselves short one song. Keith Emerson came in while Greg
was laying down the acoustic part in the studio. He started up
the new Moog synth he'd just received and added one of the
most famous moog parts in history to the end of the song.
(thanks, Linda - NYC, NY). El aspecto tropical a ser agregado
en el nuevo algoritmo computacional, tiene que ver con que
hay que ser un Lucky Man en Venezuela para no ser víctima
del hampa desatada por iniciativa del comentado esquizoide.

En 1972 el grupo italiano Premiata Forneria Marconi,
publica la canción Appena Un Po, contenida en el álbum Per
Un Amico: Opens with a rich Mellotron intro, then slides into
some classical acoustic guitar from Franco Mussida, then
transfers us to solid XVIIIth century with Flavio Premoli's
harpsichord and Mauro Pagani's flute, and then, at 2:20 into
the song, finally enters rock territory with an almost heavy
bassline and crashing drums... the vocals arrive at around
3:00, when the song becomes a mild soft-rock flute-decorated
ballad, and during the fourth minute, the Mellotron returns
together with some faraway piccolo trumpet, but doesn't have
too much time to it before it is replaced by a folksy
guitar/synth interplay with medieval overtones, which is then
joined by a monotonous flute part and finally collapses to give
way to the soft-rock ballad again, which is then slowly
engulfed by the rich, epic synth and Mellotron pattern again
which finally gives way to a brief rush-to-the-end. Finale. Aquí
se puede intercalar una subrutina de interface en Fortran, un
lenguaje que maneja con gran precisión la aritmética binaria
de punto-flotante, que sirve, en un extremo, para determinar
la cifra gigantesca de coliformes fecales contenidos en el agua
con que se baña la gente del pueblo, y en el otro para precisar
el Appena Un Po que falta para concluir la era del esquizoide.
En 1995, el grupo Oasis lanzó, en su segundo álbum:
(What's the Story) Morning Glory?, la canción Wonderwall,
para muchos la mejor de todos los tiempos. Antes de copiar
sus rasgos musicales relevantes, es menester agregar que no
tiene nada que ver con esta Venezuela en tiempos de cólera:

What sounds like a cello was played on a Mellotron tape-
playback keyboard, although the video features shows
someone playing the cello. At the very end of the song, the intro
to "Supersonic" can be faintly heard being played on acoustic
guitar… Noel Gallagher wrote Oasis' first three albums whilst
in hard drugs. The rocker admitted to Spin magazine: "Before
1997, I hadn't written a song without the aid of the old
Colombian marching gear (cocaine)… That's why they're so
good. And that p--ses me off”.
El álbum Rodrigo y Gabriela, lanzado en 2006, contiene
la canción Tamacun, obra cuyo título nos recuerda a un
paisano-tocayo-contemporáneo. Según el Sunday Times UK
Review: Much like Antonio Forcione, the Mexican flamenco-rock
duo bring a new kind of athleticism to acoustic power chords.
Melodically, they’re less subtle: many of their tunes establish a
pulsating vamp and then settle for turning up the rhythm knob
to the vaunted number 11. But the mercurial fingerwork is
mesmerising, and rockers will enjoy the echoes of Hendrix on
Buster Voodoo. Another axe duo, Strunz & Farah, briefly sit in,
while the metal hero Alex Skolnick sets the room screaming on
Atman, a number that blossoms magically out of Chac Mool.
The Gipsy Kings-meet-Led Zep ethos will never appeal to the
faint-hearted, but it’s hard not to be impressed by the sheer
energy. Rubyworks RWXCD111X. This piece, and the strong
way that is performed, happens to be, in a humble opinion,
the translation into high-quality music of sexual intercourse.
Gabriela looks like a leader who makes anybody forget about
the Venezuelan squizoid and musical-mathematical models.