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© David Gómez-Rosado. 1994-2007 david@gomez-rosado.

com
2006 WINDOWS LIVE
HUMAN INTERFACE GUIDELINES

U s e r E x p e r i e n c e Fra m e w o r k & A r c h i te c t ure for the entire


n e t w o r k o f W i n d o w s L i v e p r o d u c t s a n d services PORTFOLIO 1.0
page 001 of 061 u x a r q u i te c t u r e design direction code i n te ra c t i o n design writing gomez-rosado.com microsoft_live.zip
© David Gómez-Rosado. 1994-2007 david@gomez-rosado.com
2006 WINDOWS LIVE
HUMAN INTERFACE GUIDELINES

U s e r E x p e r i e n c e Fra m e w o r k & A r c h i te c t ure for the entire


n e t w o r k o f W i n d o w s L i v e p r o d u c t s a n d services PORTFOLIO 1.0
page 002 of 061 u x a r q u i te c t u r e design direction code i n te ra c t i o n design writing gomez-rosado.com microsoft_live.zip
© David Gómez-Rosado. 1994-2007 david@gomez-rosado.com
2006 WINDOWS LIVE
HUMAN INTERFACE GUIDELINES

U s e r E x p e r i e n c e Fra m e w o r k & A r c h i te c t ure for the entire


n e t w o r k o f W i n d o w s L i v e p r o d u c t s a n d services PORTFOLIO 1.0
page 003 of 061 u x a r q u i te c t u r e design direction code i n te ra c t i o n design writing gomez-rosado.com microsoft_live.zip
© David Gómez-Rosado. 1994-2007 david@gomez-rosado.com
2006 WINDOWS LIVE
HUMAN INTERFACE GUIDELINES

U s e r E x p e r i e n c e Fra m e w o r k & A r c h i te c t ure for the entire


n e t w o r k o f W i n d o w s L i v e p r o d u c t s a n d services PORTFOLIO 1.0
page 004 of 061 u x a r q u i te c t u r e design direction code i n te ra c t i o n design writing gomez-rosado.com microsoft_live.zip
© David Gómez-Rosado. 1994-2007 david@gomez-rosado.com
2006 WINDOWS LIVE
HUMAN INTERFACE GUIDELINES

U s e r E x p e r i e n c e Fra m e w o r k & A r c h i te c t ure for the entire


n e t w o r k o f W i n d o w s L i v e p r o d u c t s a n d services PORTFOLIO 1.0
page 005 of 061 u x a r q u i te c t u r e design direction code i n te ra c t i o n design writing gomez-rosado.com microsoft_live.zip
© David Gómez-Rosado. 1994-2007 david@gomez-rosado.com
2006 WINDOWS LIVE
HUMAN INTERFACE GUIDELINES

U s e r E x p e r i e n c e Fra m e w o r k & A r c h i te c t ure for the entire


n e t w o r k o f W i n d o w s L i v e p r o d u c t s a n d services PORTFOLIO 1.0
page 006 of 061 u x a r q u i te c t u r e design direction code i n te ra c t i o n design writing gomez-rosado.com microsoft_live.zip
© David Gómez-Rosado. 1994-2007 david@gomez-rosado.com
2006 WINDOWS LIVE
HUMAN INTERFACE GUIDELINES

U s e r E x p e r i e n c e Fra m e w o r k & A r c h i te c t ure for the entire


n e t w o r k o f W i n d o w s L i v e p r o d u c t s a n d services PORTFOLIO 1.0
page 007 of 061 u x a r q u i te c t u r e design direction code i n te ra c t i o n design writing gomez-rosado.com microsoft_live.zip
© David Gómez-Rosado. 1994-2007 david@gomez-rosado.com
2003 BRAND & PRODUCT STRATEGY
MiTV IDENTITY

Project MiTV Product Design Project MiTV Product Design Project MiTV Product Design
Client NetGem S.A. Client NetGem S.A. Client NetGem S.A.
Document MiTV Identity 02b Project MiTV Product Design Document MiTV Identity 02b Document MiTV Identity 02b
Date July 19, 2004 Date July 19, 2004 Date July 19, 2004
Design Lobe Multimedia S.L. Client NetGem S.A. Design Lobe Multimedia S.L. Design Lobe Multimedia S.L.
Info www.lobemultimedia.com Info www.lobemultimedia.com Info www.lobemultimedia.com
Document MiTV Identity 02b
Date July 19, 2004
Design Lobe Multimedia S.L.
Info www.lobemultimedia.com

Logo Design Logo Versioning and Usage Official Brand Colors

The chromatic selection is easily recognizable. Its


additive composition (color primitives originated by
the three RGB basic phosphors in the cathode tube
of a TV monitor) becomes here self-referential. A
clear and direct allusion to the universe painted by
both television and computers.
La selección cromática es fácilmente reconocible. Su
composición aditiva (colores primitivos originados
por los tres fósforos básicos RGB en el tubo catódico
de un monitor de TV:) aquí se convierte en
auto-referencial. Una alusión clara y directa al
universo plasmado por ambos la televisión y los
ordenadores.

PANTONE 485 C PANTONE 376 C BLACK 30%


CMYK composición: CMYK composición: CMYK composición:
0% C, 95% M, 100% Y, 0% K 50% C, 0% M, 100% Y, 0% K 0% C, 0% M, 0%Y, 30% K
The final proposal clearly reinforces the attributes of La propuesta final refuerza claramente los atributos del
producto como herramienta de comunicación e
the product as a tool for communication and exchange. intercambio. Con un vocabulario abstracto, esta marca RGB composición: RGB composición: RGB composición:
With an abstract vocabulary, this brand works with only
three lines... three “cables or connectors” that spring
trabaja solamente con tres líneas... tres "cables o
conectores" que surgen del logotipo. Tres vías que
poseen los mismos colores básicos con los que trabaja la
televisión: los rayos electrónicos RGB del tubo catódico.
Logo Construction and Proportion 255 R, 17 G, 0 B

HEX composición (web):


127 R, 195 G, 28 B

HEX composición (web):


179 R, 179 G, 179 B

HEX composición (web):


from the logotype. Three channels that own the very #FF1100 #7FC31C #B3B3B3
Con ello, las ideas de conexión e interconexión se
same basic colors that television works with: the fusionan con el medio de la televisión. Las líneas,
electronic RGB rays of the cathode tube. además de generar unidad y totalidad como símbolo,
refuerzan el concepto de que gracias a MiTV, su usuario
está conectado a todo y a todos. El color amarillo del
10.35x PANTONE 660 C PANTONE 376 C
nombre completa la cuarta dimensión del interfaz MiTV.
Through this, the ideas of connection and La de Ayuda ... El punto de apoyo para los otros tres
CMYK composición: CMYK composición:
interconnection fuse with the medium of television. tipos de interacción: Experiencia (Rojo), Personalización
(Verde) y Conexión (Azul). 90% C, 57% M, 0%Y, 0% K 0% C, 16% M, 100% Y, 0% K
The lines, in addition to generating unity and totality The different applications of the logo will remain loyal to the La diferentes aplicaciones del logo se mantendrán fieles
al espectro de la televisión. Es decir, la marca siempre
as a symbol, reinforce the concept that thanks to MiTV, spectrum of television. That is, the brand will always be tinted by estará teñida por los colores RGB que se manejan en la RGB composición: RGB composición:
the RGB colors that are handled in a TV or computer screen. Every
pantalla de una TV u ordenador. Todas las versiones 36 R, 74 G, 159 B 255 R, 214 G, 0 B
its user is connected to everything and everyone. The acentúan una característica diferente de MiTV: Tres
yellow color in the name completes the fourth version accentuates a different characteristic in MiTV: Three sub-marcas aplicables a tres diferentes actitudes del
producto. Cada una, con su color y enfatizando un HEX composición (web): HEX composición (web):
dimension of the MiTV interface. That of Help... The sub-brands applicable to three different attitudes of the product. “conector” especifico que surge del punto unificador de #244A9F #FFD600
la letra “i” (como embajadora del concepto “interactivo”).
point of support for the other three types of Each one, with its own color and emphasizing a specific Gracias a esta estrategia cromática, la marca global
interaction: Experience (Red), Customization (Green) “connector” that springs from the unifying dot on top of the permanece sólida.

and Connection (Blue). letter “i” (as ambassador to the concept of “interactive”). Thanks
2x to this chromatic strategy, the global brand remains solid.

page 01 of 08 page 03 of 08 page 04 of 08


30º

5.35x
Project MiTV Product Design
Client NetGem S.A.
Document MiTV Identity 02b
Date July 19, 2004
Design Lobe Multimedia S.L.
Info www.lobemultimedia.com

5.5x

12.75x
Official Brand Typography

Logo: Dogma Bold Typographical test (11 pt.) Lorem ipsum


ABCDEFGHUJKLMNO Lorem ipsum dolor sit amet,
consetetur sadipscing elitr, sed Lorem ipsum dolor sit amet, Lorem ipsum dolor sit amet, consetetur sadipscing
PQRSTUVWXYZÁÉÍÓÚ diam nonumy eirmod tempor
invidunt ut labore et dolore
The basis of the brand is the logotype, that La base de la marca es el logotipo, es decir,
las letras de su nombre. A partir del punto
consetetur sadipscing elitr,
sed diam nonumy eirmod
elitr, sed diam nonumy eirmod tempor invidunt
ut labore et dolore magna aliquyam erat, sed diam
abcdefghijklmno magna aliquyam erat, sed diam
voluptua. At vero eos et
is, the letters of its own name. From the dot de la "i", salen tres líneas curvas o
“conectores”. El contraste entre estas y la
tempor invidunt ut labore et
dolore magna aliquyam
voluptua. At vero eos et accusam et justo

pqrstuvwxyzáéíóú accusam et justo duo dolores et on top of the “i”, depart three curved lines rigidez de la tipografía acentúan su erat, sed diam voluptua. At
Lorem ipsum dolor sit amet, consetetur sadipscing
elitr, sed diam nonumy eirmod tempor invidunt
ea rebum. Stet clita kasd vero eos et accusam et justo
or “connectors”. The contrast between these confiada modernidad: Sólido y permanente
1234567890 gubergren, no sea takimata ut labore et dolore magna aliquyam erat, sed diam
en naturaleza, dinámico y ágil en estilo. Lorem ipsum dolor sit amet,
sanctus est Lorem ipsum dolor voluptua. At vero eos et accusam et justo.

Lorem ipsum
and the rigidity of the typography Dichas características formales obviamente consetetur sadipscing elitr,
-$%&(.,;:""¡!¿?) sit amet. Lorem ipsum dolor sit
amet, consetetur sadipscing accentuates its confident modernity: Solid
se trasladarán a la percepción de MiTV sed diam nonumy eirmod
tempor invidunt ut labore et Lorem ipsum dolor sit amet, consetetur sadipscing
como producto.
dolore magna aliquyam elitr, sed diam nonumy eirmod tempor invidunt
and steady in nature, dynamic and agile in Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor erat, sed diam voluptua. ut labore et dolore magna aliquyam erat, sed diam
invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et voluptua. At vero eos et accusam et justo diam
Text: NetGem Sans Regular Typographical test (11 pt.)
style. Such formal characteristics shall justo. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor nonumy eirmod tempor invidunt ut labore et

ABCDEFGHUJKLMNO Lorem ipsum dolor sit amet, consetetur obviously translate to the perception of invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. dolore magna aliquyam erat, sed diam voluptua.
At vero eos et accusam et justo.
sadipscing elitr, sed diam nonumy eirmod
PQRSTUVWXYZÁÉÍÓÚ tempor invidunt ut labore et dolore magna MiTV as a product. Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor
aliquyam erat, sed diam voluptua. At vero invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam. Lorem ipsum dolor sit amet, consetetur sadipscing
abcdefghijklmno eos et accusam et justo duo dolores et ea
rebum. Stet clita kasd gubergren, no sea
elitr, sed diam nonumy eirmod tempor invidunt
ut labore et dolore magna aliquyam erat, sed diam
pqrstuvwxyzáéíóú takimata sanctus est Lorem ipsum dolor sit
amet. Lorem ipsum dolor sit amet,
voluptua. At vero eos et accusam et justo.

1234567890 consetetur sadipscing elitr,

-$%&(.,;:""¡!¿?)
page 02 of 08 Lorem ipsum dolor sit amet, consetetur sadipscing elitr.

page 05 of 08

W h e n a Fr e n c h c o m p a n y w a n te d to la u nch a new interactive


T V s e t - to p b o x i n S p a i n , t h e y c a m e to us for the full package PORTFOLIO 1.0
page 008 of 061 u x a r q u i te c t u r e design direction code i n te ra c t i o n design writing gomez-rosado.com mitv_brand.zip
© David Gómez-Rosado. 1994-2007 david@gomez-rosado.com
2003 MiTV COMMUNICATION
VISUAL STRATEGY & INTERACTION

Project MiTV Product Design Project MiTV Product Design Project MiTV Product Design
Client NetGem S.A. Client NetGem S.A. Client NetGem S.A.
Document MiTV Avatars 02b Project MiTV Product Design Document MiTV Avatars 02b Document MiTV Avatars 02b
Date July 19, 2004 Date July 19, 2004 Date July 19, 2004
Design Lobe Multimedia S.L. Client NetGem S.A. Design Lobe Multimedia S.L. Design Lobe Multimedia S.L.
Info www.lobemultimedia.com Info www.lobemultimedia.com Info www.lobemultimedia.com
Document MiTV Avatars 02b
Date July 19, 2004
Design Lobe Multimedia S.L.
Info www.lobemultimedia.com

MiTV Family – Roig MiTV Family – Amalia MiTV Family

pantone 19-9 process pantone 19-9 process


C-0 M-3 Y-10 K-3 C-0 M-3 Y-10 K-3
R-246 G-236 B-220 R-246 G-236 B-220
#F6ECDC #F6ECDC

pantone 38-7 process pantone 38-7 process


C-0 M-20 Y-35 K-10 C-0 M-20 Y-35 K-10
R-229 G-190 B-153 R-229 G-190 B-153
#E5BE99 #E5BE99

pantone 46-3 process pantone 46-3 process


C-10 M-50 Y-85 K-0 C-10 M-50 Y-85 K-0
R-225 G-143 B-65 R-225 G-143 B-65
#E18F41 #E18F41
Zula
Happy Feliz Explaining Explicando Exultant Exultante Happy Feliz Explaining Explicando Exultant Exultante Verdi Amalia
pantone 485 C
C-0 M-95 Y-100 K-0
pantone 376 C
C-0 M-16 Y-100 K-0
Roig
MiTV Family – Communication Strategy
R-255 G-17 B-0 R-255 G-214 B-0
#FF1100 #FFD600

? ?
pantone 177
C-0 M-47 Y-43 K-0
pantone 2-1
C-0 M-5 Y-100 K-10
The MiTV family is designed for a total integration with La familia MiTV ha sido diseñada para la integración
total con el interfaz del producto. Todo personaje
R-255 G-127 B-142 R-236 G-209 B-0 the product interface. Every character adopts an adopta la labor de embajador a cada uno de los cuatro
#FF7F8E #ECD100 colores que protagonizan tanto en el software como el
ambassador role to each of the four colors that hardware. Esta identificación mimética se continua con
predominate both in the software and the hardware. sus nombres, evocadores de sus respectivos colores
para ayudar como recursos mnemotécnicos a la hora
This mimetic identification continues with their given de navegar los servicios y prestaciones. El estilo de las
figuras es moderno y ágil, con cada uno de los
pantone 76-1 pantone 8-1 names, evocative each of their respective color so to miembros adoptando un fragmento de la identidad
C-0 M-100 Y-100 K-40 C-0 M-20 Y-100 K-40
R-158 G-11 B-14 R-168 G-135 B-2 help as a mnemonic resource when it is time to corporativa de MiTV.

DIGITAL TV INFO navigate through services and features. The style of the
#9E0B0E #A88702

figures is modern and agile, with each of the members

Amalia
adopting a fragment of the MiTV corporate identity.
pantone NEGRO
C-0 M-0 Y-0 K-100
R-0 G-0 B-0
#000000
Pensive Pensativo Surprised Sorprendido Receptive Receptivo
Roig pantone NEGRO
C-0 M-0 Y-0 K-100
R-0 G-0 B-0
#000000
Pensive Pensativo Surprised Sorprendido Receptive Receptivo

Roig represents the services of Amalia acts as the helping hand of


page 03 of 10 page 04 of 10 page 01 of 10
Digital Television: The basic package MiTV at any moment when the user is
the product gets distributed with. in need of additional information or
Project MiTV Product Design
TV Guide, Services, Games and further detail at a given task. Do you Project MiTV Product Design Project MiTV Product Design
Client
Document
NetGem S.A.
MiTV Avatars 02b
MiTV management are part of wish to know how the “time-shifting” Client NetGem S.A. Client NetGem S.A.
Document MiTV Avatars 02b Document MiTV Avatars 02b
Date July 19, 2004 his responsibilities. feature works? Press the yellow button Date July 19, 2004 Date July 19, 2004
Design Lobe Multimedia S.L. Design Lobe Multimedia S.L. Design Lobe Multimedia S.L.
Info www.lobemultimedia.com Roig representa los servicios de and Amalia shall explain it immediately. Info www.lobemultimedia.com Info www.lobemultimedia.com
televisión digital: El paquete básico
con el que se distribuye el Amalia actúa como la ayuda de MiTV
producto. Guía TV, Servicios, en cualquier momento que el usuario
Juegos y gestión de MiTV son necesite información adicional o una
parte de sus responsabilidades. explicación más detallada de la labor
siendo realizada. ¿Quieres saber
como funciona el "time-shifting"?
Presiona el botón amarillo y Amalia
te lo explicará de inmediato.

MiTV Family – Verdi MiTV Family – Zula MiTV Family – Nacho


OPTIONS CONECTA

pantone 19-9 process


Verdi Zula pantone 19-9 process
C-0 M-3 Y-10 K-3 C-0 M-3 Y-10 K-3
R-246 G-236 B-220
Verdi gathers the most advanced Zula is the added value of R-246 G-236 B-220

!
#F6ECDC #F6ECDC

among MiTV features. By just connectivity for the MiTV receptor


calling him, you will access the that will sell as a separate package.
pantone 38-7 process pantone 38-7 process
C-0 M-20 Y-35 K-10 C-0 M-20 Y-35 K-10
R-229 G-190 B-153 R-229 G-190 B-153

additional options to each basic She gathers all the capabilities


#E5BE99 #E5BE99

pantone 46-3 process


function. Verdi shall explain how to associated with content sharing: pantone 46-3 process
C-10 M-50 Y-85 K-0

attach a picture to an e-mail From Internet access, to email use,


C-10 M-50 Y-85 K-0
R-225 G-143 B-65 R-225 G-143 B-65
#E18F41 #E18F41

Happy Feliz Explaining Explicando Exultant Exultante


message, how to program the to the publishing of images, Happy Feliz Explaining Explicando Exultant Exultante Happy Feliz Explaining Explicando Exultant Exultante
pantone 376 C
C-50 M-0 Y-100 K-0
R-127 G-195 B-28
recording of a TV channel, etc. videos and sounds. pantone 660-C
C-90 M-57 Y-0 K-0
R-36 G-74 B-159
#7FC31C #244A9F
Verdi reune la parte más avanzada Zula es el valor añadido de la
de todas las prestaciones de MiTV. conectividad en el receptor de MiTV
pantone 281-1 process Con solo llamarle, accederás a que se venderá como un paquete pantone 229-4
C-90 M-0 Y-100 K-40
R-0 G-117 B-52 opciones añadidas a todas las separado. Ella reúne todas las C-70 M-5 Y-5 K-0
R-9 G-183 B-225
#007534
funciones básicas. Verdi explicará prestaciones asociadas con el #09B7E1

como se añade una foto a un intercambio de contenidos: Desde


pantone 350
correo, como se programa la el acceso a Internet, al uso de pantone 231-3
C-79 M-0 Y-87 K-76
R-33 G-81 B-52
grabación de un canal de TV, etc. correo, a la publicación de C-80 M-5 Y-5 K-30
R-0 G-134 B-170
#215134 imágenes, vídeos y sonidos. #0086AA

pantone NEGRO pantone NEGRO


C-0 M-0 Y-0 K-100 C-0 M-0 Y-0 K-100

page 02 of 10
R-0 G-0 B-0 R-0 G-0 B-0
#000000 #000000
Pensive Pensativo Surprised Sorprendido Receptive Receptivo Pensive Pensativo Surprised Sorprendido Receptive Receptivo Pensive Pensativo Surprised Sorprendido Receptive Receptivo

page 05 of 10 page 06 of 10 page 07 of 10

W h e n a Fr e n c h c o m p a n y w a n te d to la u nch a new interactive


T V s e t - to p b o x i n S p a i n , t h e y c a m e to us for the full package PORTFOLIO 1.0
page 009 of 061 u x a r q u i te c t u r e design direction code i n te ra c t i o n design writing gomez-rosado.com mitv_avatars.pdf
R.MY.1 R.MY
page 01 of 03

MiTV
MiTV

NAME OF PROGRAM
CHANNEL 5
NAME OF PROGRAM
CHANNEL 4
NAME OF PROGRAM
CHANNEL 3
NAME OF PROGRAM
CHANNEL 2
NAME OF PROGRAM
CHANNEL1
FAVORITES
MY
GAMES
MY
CHANNELS
MY
R.MY.1.1 R.MY.1.V

MY CHANNELS

PROGRAM
UPCOMING
MULTIMEDIA
MY
RECORDINGS
MY

PREVIEW

CHANNEL
ON SELECTED
DESCRIPTION
TEXT

OPTIONS
ITEM
OF PROGRAM PAGE
2 of 6
Page

ALARM LIST
RECORD
NAME OF PROGRAM
CHANNEL 4

CHANNEL 4
MY CHANNELS
R.PROGRAM R.ALARM R.MY.1.V.2 R.MY.1.V.1

PROGRAM LIST
ORDER
CHANGE
PREVIEW
Channel 4 of 64
manera más intuitiva y consistente.

LIVE
ALARM LIST
MOVE TO FIRST
MOVE UP
NAME OF PROGRAM
CHANNEL 4
CHANNEL 4

MY CHANNELS

PROGRAM LIST
CHANGE ORDER
Amalia) realiza la misma función en una
R.MY.1.1.V R.MY.2B

CHANNEL 4 - Wed 07 Jan 00:30 - 02:30


CHANNEL 4 - Wed 07 Jan 00:30 - 02:30

CHANNEL 7 - Friday 09 Jan 00:30 - 02:30


CHANNEL 7 - Friday 09 Jan 00:30 - 02:30
Info proveídos por el carácter de

CHANNEL 1 - Monday 25 Jan 00:30 - 02:30


CHANNEL 2 - Monday 05 Jan 00:30 - 02:30
CHANNEL 1 - Monday 25 Jan 00:30 - 02:30
CHANNEL 2 - Monday 05 Jan 00:30 - 02:30

CHANNEL 23 - Sunday 17 Jan 00:30 - 02:30


CHANNEL 11 - Sunday 11 Jan 00:30 - 02:30
CHANNEL 23 - Sunday 17 Jan 00:30 - 02:30
CHANNEL 11 - Sunday 11 Jan 00:30 - 02:30

CHANNEL 4 - Thursday 01 Jan 00:30 - 02:30


CHANNEL 4 - Thursday 01 Jan 00:30 - 02:30

CHANNEL 15 - Tuesday 26 Jan 00:30 - 02:30


CHANNEL 15 - Tuesday 26 Jan 00:30 - 02:30
MiTV

PREVIEW

MOVE TO LAST
MOVE DOWN

Page 4 of 18
Page 4 of 18
Channel 4 of 64
RECORDING

ITEM
ITEM

PAGE
PAGE
RECORDINGS
MOVIES
RECORDINGS
TV SERIES
RECORDINGS
FRIENDS
RECORDINGS
TRAVELS
RECORDINGS
FAMILY
(representando los servicios de MiTV

RECORD
CHANNEL 4

OPTIONS LIVE
R.MY.1.1.V.2 R.MY.1.1.V.1 A1.01 – OPTIONS 03
R.PROGRAM.V A1.01 – OPTIONS 03
R.ALARM.V R.MY.2.1 R.MY.2
pues el de color amarillo

MY RECORDINGS
PREVIEW

FILTER
OF SELECTED
DESCRIPTION

SNAPSHOT
MiTV
El botón de Info es ahora innecesario,

ITEM

LIVE
PAGE
1 of 8
Page

SNAPSHOT
ALARM LIST

PROGRAM
EDIT
ALARM
EDIT

SEND
SAVE
VIDEO TITLE
RECORDING 5
VIDEO TITLE
RECORDING 4
VIDEO TITLE
RECORDING 3
VIDEO TITLE
RECORDING 2
VIDEO TITLE
RECORDING 1
RECORDINGS
MAY
RECORDINGS
APRIL
RECORDINGS
MARCH
RECORDINGS’RECORDINGS
FEBRUARY
TEXTRECORDINGS
JANUARY

CHANNEL 4
PROGRAM LIST
MY RECORDINGS
R.MY.2.1.1

ALARM LIST OPTIONS

PROGRAM LIST OPTIONS


FEB

CHANNEL 4 - Wed 07 Jan 00:30 - 02:30


CHANNEL 4 - Wed 07 Jan 00:30 - 02:30
MY RECORDINGS

CHANNEL 2 - Monday 05 Jan 00:30 - 02:30


CHANNEL 2 - Monday 05 Jan 00:30 - 02:30

CHANNEL 4 - Thursday 01 Jan 00:30 - 02:30


CHANNEL 4 - Thursday 01 Jan 00:30 - 02:30

PROGRAM
DELETE
PROGRAM
NEW
ALARM
DELETE
ALARM
NEW

R.MY.1.V.1.V
Page 4 of 18
Page 4 of 18

PREVIEW
PREVIEW
PREVIEW

CANCEL
Free Space: 45 GB
RECORDING
ON SELECTED
DESCRIPTION
TEXT
FILTER
RECORDINGS’
DESCRIPTION
TEXT
consistent manner.

VIDEO 2

LIVE
ITEM
ITEM

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PAGE
Internal Drive: 80 GB ITEM
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Z.SEND R.MY.1.1.A R.PROGRAM.V.01 + (V.02) R.ALARM.V.01 + (V.02) R.MY.3.1.1 R.MY.3.1 R.MY.3

ACCELERATE
DECELERATE
PLAYING
intuitive and

Date
Date

Ends
Time

Starts
MiTV

Schedule
GAME 3

SLIDE

SEND
Occurence
Occurence

CHANNEL 4
CHANNEL 4

INFO LIVE
MY GAMES

Type of Alarm

CANCEL
CANCEL
(ONE PLAYER)
GAME 5
(ONE PLAYER)
GAME 4
(ONE PLAYER)
GAME 3
(ONE PLAYER)
GAME 2
(ONE PLAYER)
GAME 1
GAMES
STRATEGY
GAMES
CLASSICS
GAMES
BOARD
GAMES
ROLE-PLAY
GAMES
ARCADE

Program Name

(PEN DRIVE)
VERDI’S PEN
(BLUETOOTH)
ROIG’S MOBILE
(PC ACCESS)
MY PC
(MY MULTIMEDIA)
MiTV
(MAILBOX LIST)
MAIL
CHANNEL 4
function in a more
R.MY.1.1.A.1

EDIT/NEW ALARM
R.MY.3.1.1.V

ACCELERATE
DECELERATE
MY GAMES

EDIT/NEW PROGRAM
BOARD

TEXT
MORE INFO
2004
2004

SAVE
SAVE
PREVIEW
PREVIEW

Free Space: 45 GB
GAME
ON SELECTED
DESCRIPTION
TEXT
GAME
ON SELECTED
DESCRIPTION
TEXT

PREVIEW

NEW DESTINY
IMAGE
AND ACQUIRED
DESCRIPTION OF
TEXT
Schedule
Amalia) does the same

GAME 3
PLAY

MOVE

Thursday
Thursday

INFO LIVE

the program
01 Jannuary
01 Jannuary

PREVIEW
PREVIEW

LIVE
Current Time:
Current Time:
Internal Drive: 80 GB ITEM
ITEM

Description of
OF RULES PAGE
OF RULES PAGE

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