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Performance Based Assessment

Acting
Selection:

Term 1

Participants:

REBECCA IMOGEN CALLENDER

School:

Beyond The Box

Judge:

Date:

Overall rating:
0.58 | Pass
11-29-2015

Director Julia

0.58 | Pass

APPLIED CONTEMPORARY PERFORMANCE PRACTICE


Partial Pass

4.1 create and present realised work that demonstrates


elements of contemporary performance practice
Comment: Your logbook does not
reflect the work you are capa
ble of achieving on the floor,
you are an intelligent actor
but there is minimal evidence
of this in your logbook and on
the blog site. You are an int
elligent actor that understand
s the skills and subjects and
works alongside a company with
great empathy. You must addre
ss your issues of your logbook
to include valid research, an
alysis and exploration.
CREATIVE ARTS PROFESSIONAL PRACTICE

Pass

Comment: Although is an on goi


ng unit and will continue to d
evelop LO2 is disturbing that
there is no evidence that you
have worked on your personal o
nline profile.

Employability Skills
Partial Pass

2.1 develop solutions to work-based problems


2.2 communicate in a variety of styles and appropriate
manner at various levels
3.3 suggest alternative ways to complete tasks and
achieve team goals
4.2 develop an appropriate strategy for resolving a
particular problem
Comment: As above it is eviden
t that your logbook is playing
little part in your outcomes
simply keeping a logbook as la
id out for you would in itself
carry the evidence for this u
nit. A good daily logbook and
a weekly logbook that carries
an action plan and a core end
of strengths and weaknesses is
vital in order for you to ach
ieve, you demonstrated good si
gns of working in a team and p
roblem solving but more eviden
ce needs to be written in your
logbook.
PHYSICAL THEATRE PERFORMANCE

Partial Pass

LO1 Be able to contribute effectively to physical workshops


1.1 show effective use of physical theatre techniques
1.2 show the development of technique through
workshops and classes
1.3 proactively and creatively contribute to classes and
workshops
LO2 Be able to explore the potential of contact
improvisation as a way to devise material
2.1 explore work with others in a spontaneous physical
way
2.2 use a variety of stimuli as a starting point for
improvisation
LO4 Be able to apply appropriate skills to a physical
performance project
4.1 contribute effectively to the devising and performance
process
4.2 show contemporary practices and physical technique
through performance.
Comment: Just again your pract

ical observed work is developi


ng again you are let down by n
ot engaging with your actors l
ogbook, this. Just be addresse
d.
WORK-BASED EXPERIENCE
Partial Pass

3.1 fulfil specified requirements of placement conforming


to all related codes of practice
Comment: We can not emphasis e
nough that your lack of logboo
k makes this difficult to grad
e, your lack of reflection and
evaluation which should be in
your logbook reduces our abil
ity to credit your work, this
must be addressed.
DEVELOPMENT OF ACTING SKILLS

Partial Pass

LO1 Be able to prepare as an actor


1.1 physically and mentally prepare for acting
LO2 Be able to develop relevant acting skills
2.1 use relevant movement, vocal and expressive skills to
develop a role
2.2 use improvisation techniques effectively to explore
and develop a role
Comment: Again Becca you are l
et down by your lack of logboo
k, it is obvious that you are
a strong, intelligent actor an
d you are letting yourself dow
n by not fully committing to r
eflecting, evaluating and audi
ting your own skills. Becca yo
u are great to work with on th
e floor and can make clear and
precise judgments on the work
which pushes your company for
ward showing your a clear driv
ing force in the company. In o
rder to become a completely sk
ilful actor an analytical logb

ook should document all the gr


eat work you are achieving on
the floor, as we see by not do
ing this your outcomes are sev
erely effect and does not refl
ect the intelligent actor you
are.