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BLOOMSBURY

AUCTIONS

london

EDITIONS & WORKS ON PAPER
Wednesday 2nd December 2015

Part of The Stanley Gibbons Group plc

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BLOOMSBURY
AUCTIONS

LONDON

EDITIONS &
WORKS ON PAPER
Wednesday 2nd December 2015
Sale No. 36193
Session I: 10.30 am (Lot 1-150)
Session II: 1.30pm (Lot 151-end)
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Ellie Meyer
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Illustrations – Front cover: lot 285 | Back cover: lot 421

Viewing
Sunday 29th November 2015
11.00 am - 4.00 pm
Monday 30th November 2015
9.30 am - 5.30 pm
Tuesday 1st December 2015
9.30 am - 7.30 pm
Day of Sale from 9.30 am
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LONDON

MODERN BRITISH

2

www.bloomsburyauctions.com tel. +44 (0) 20 7495 9494

inscribed AP XIII/XV. published by Alexander Postan Ltd. London.£800 £300 . with full margins. signed in white ink.1938) St Kilda . numbered 83/100. sheet 282 x 232 mm (11 1/8 x 9 1/8 in) 4 δ John Banting (1902-1972) Siamese Triplets.£350 2 δ Craigie Aitchison (1926-2009) Birds lithograph printed in colours. numbered 18/90. titled and dated in pencil. on wove paper.Stac Lee and Stac an Armin etching with aquatint. Negro Guitarist two linocuts. each on wove paper. with full margins. signed.£200 £250 . 1990.LONDON 1 3 2 4 1 δ Craigie Aitchison (1926-2009) Daffodils & Candlesticks screenprint in colours. each signed and dated in pencil. the full sheet printed to the edges. overall size 225 x 275 mm (8 7/8 x 10 7/8 in) £600 . on wove paper. an artist’s proof aside from the edition of 75. sheet 585 x 755 mm (23 x 29 3/4 in) £150 . sheet 694 x 562 mm (27 1/4 x 22 1/8 in) 3 δ Norman Ackroyd (b. with full margins. 1998. on wove paper. 1996. numbered 37/45 and 6/45 respectively.£500 3 . signed and dated in black ink. 1932-35.

both on wove paper. with full margins. numbered 67/75. the first numbered 4/30. on tissue thin Japon paper. with full margins.’ in pencil. each signed in pencil. titled.com tel. signed.£500 6 Horace Asher Brodzky (1885-1969) The Expulsion linocut printed in black. on tissue thin Japon paper. on wove paper. sheet 171 x 127 mm (6 3/4 x 5 in) 7 δ John Buckland-Wright (1897-1954) La Danseuse Kham Luong No. II wood-engraving.37. sheet 200 x 137 mm (7 7/8 x 5 3/8 in) £200 . with full margins. 30 x 115 mm (1 1/4 x 4 1/2 in) and 63 x 52 mm (2 1/2 x 2 in) £300 .1.£500 4 www. sheet 331 x 219 mm (13 x 8 5/8 in) £250 . signed in pencil. 1919. 1936.LONDON 5 6 7 8 5 δ George Bissill (1896-1973) Crucifixion woodcut. dated and inscribed ‘for Chas 1.£300 £300 .bloomsburyauctions. c. numbered 7/15.£350 8 δ John Buckland-Wright (1897-1954) Nu Couché (+ 1 work) two engravings. numbered 4/30. +44 (0) 20 7495 9494 . with full margins.1940. signed in pencil.

a proof aside from the edition of 90. on BFK Rives paper. each signed in pencil. Gallen.1930.£500 5 . published by PropyläenVerlag. numbered 63/80. Berlin. the full sheet printed to the edges. c. published by Erke Presse. 1971. on wove paper.£500 £300 .LONDON 11 10 9 12 9 δ John Buckland-Wright (1897-1954) Susanna (+ 1 work) two engravings. 210 x 360 mm (8 1/4 x 14 1/8) £200 . Switzerland. on Rives paper. St. signed in pencil. with full margins.1941) British Butterflies etching with hand-colouring. sheet 770 x 560 mm (30 1/4 x 22 in) £300 .£300 £300 . 123 x 90 mm (4 7/8 x 3 1/2 in) and 140 x 100 mm (5 1/2 x 4 in) 11 δ Lynn Chadwick (1914-2003) Homage to Picasso lithograph printed in colours. each on wove paper.£500 10 δ Lynn Chadwick (1914-2003) Hammacher lithograph printed in colours. sheet 765 x 560 mm (30 1/8 x 22 in) 12 δ Graham Clarke (b. the full sheet printed to the edges. signed and dated in pencil. signed and dated in pencil. inscribed Artist’s Proof. with full margins. 1971. the first numbered 17/30.

bloomsburyauctions.£500 15 δ Henry Cliffe (1919-1983) from the Music suite three lithographs printed in colours. with full margins. each on wove paper. numbered or inscribed variously. one signed and dated in black ink. 1964. 1964. numbered 20/50.com tel.£600 14 δ Henry Cliffe (1919-1983) from the Music suite three lithographs printed in colours.LONDON 15 13 13 δ Henry Cliffe (1919-1983) Birds three lithographs with extensive hand colouring in watercolour. each sheet 575 x 800 mm (22 5/8 x 31 1/2 in) 14 6 £300 . each signed and dated in pencil. 1951. 45/50 and 12/50 respectively. +44 (0) 20 7495 9494 . with margins. each on wove paper. each on wove paper. each signed and dated in pencil. with full margins.£500 www. each 520x 315 mm (20 1/2 x 12 3/8 in) £400 . each sheet 575 x 800 mm (22 5/8 x 31 1/2 in) £300 .

each on wove paper.£500 18 7 . numbered 8/50 and inscribed “Artist’s Proof 1” respectively.£500 17 δ Henry Cliffe (1919-1983) from the Music suite three lithographs printed in colours. 1964. each on wove paper. two signed and dated in pencil.LONDON 16 16 δ Henry Cliffe (1919-1983) from the Music suite three lithographs printed in colours. numbered 5/50 and 7/50 respectively.£500 18 δ Henry Cliffe (1919-1983) Untitled a collection of lithographic greeting cards. 1964. each sheet 575 x 800 mm (22 5/8 x 31 1/2 in) £300 . overall size 215 x 370 mm (8 1/2 x 14 1/2 in) £300 . with full margins. each on wove paper. two signed and dated in pencil. with full margins. each sheet 575 x 800 mm (22 5/8 x 31 1/2 in) 17 £300 .

+44 (0) 20 7495 9494 . 570 x 800 mm (22 1/2 x 31 1/2 in) £300 . on wove paper. 1965. signed and titled in pencil. sheet 254 x 204 mm (10 x 8 in) £200 .£300 20 δ Alan Davie (1920-2014) Celtic Dreamboat II lithograph printed in colours. on wove paper. signed in pencil. with full margins. with full margins.com tel. with margins. signed in pencil. with margins. on wove paper.£600 8 www. 570 x 800 mm (22 1/2 x 31 1/2 in) 22 δ Mary Fedden (1915-2012) Untitled etching with hand-colouring in watercolour. numbered 72/75.£500 £200 . on wove paper. numbered 69/75. signed in pencil.£300 £400 . numbered 194/300. 1965. numbered 63/100.bloomsburyauctions.LONDON 19 22 20 21 19 δ Beryl Cook (1926-2008) Gare du Nord screenprint in colours. sheet 916 x 615 mm (36 x 24 1/4 in) 21 δ Alan Davie (1920-2014) Celtic Dreamboat III lithograph printed in colours.

on wove paper. P . numbered 3/20. with full margins. published by Curwen Prints.£500 £400 .1918) Ambit S V screenprint in colours. numbered 5/50. printed by Curwen Studio. 1965.£500 25 9 . sheet 405 x 305 mm (15 7/8 x 12 in) £300 .LONDON 23 24 23 δ Paul Feiler (b.3) lithograph.£600 25 δ Elisabeth Frink (1930-1993) Spinning Man II (W.pocket battleship two gelatin silver prints. with full margins. on wove paper. on smooth wove paper. each signed on the mount. signed and dated in pencil. London. signed and dated in pencil.inshore fishing vessel. the full sheet printed to the edges. from the Spinning Man series. sheet 575 x 805 mm (22 5/8 x 31 5/8 in) £300 . 1973. 489 x 485 mm (19 1/4 x 19 1/8 in) 24 δ Ian Hamilton Finlay (1925-2006) I .

on wove paper. 1967. signed and dated in pencil. Women of Belfast two lithographs printed in colours.39) lithograph printed in colours. sheet 775 x 570 mm (30 1/2 x 22 1/2 in) £400 . F.com tel. McWilliam (1909-1992) Interior. with full margins.50 in pencil. E. with full margins. 1973. published by Leslie Waddington Prints. with margins.£600 £200 . each signed in pencil.£200 www. numbered 46/90. 623 x 436 mm (24 1/2 x 17 1/4 in) 28 δ Robert Gibbings (1889-1958) Industrial Scene wood-engraving. printed by Stanley Jones at the Curwen Studio. numbered 4/30. each on wove paper. +44 (0) 20 7495 9494 . on Kent paper.£300 10 £150 .LONDON 28 26 27 29 26 δ Sir Terry Frost (1915-2003) Black and Red Solid II (K. on wove paper.£700 27 δ William Gear (1915-1997) Composition lithograph printed in colours. from the Penwith Portfolio. 200 x 207 mm (7 7/8 x 8 1/8 in) £500 . numbered 44/75.bloomsburyauctions. London. 1956. with full margins. signed and inscribed 5. 360 x 520 mm (14 1/8 x 20 1/2 in) 29 δ Duncan Grant (1885-1978). London. signed in pencil.

one signed in pencil.200 . London.£1. with full margins. each on wove paper. published by the artist.LONDON 30 δ Robert Gibbings (1889-1958) From Twelve Wood Engravings. each sheet 264 x 200 mm (10 3/8 x 7 7/8 in) £1.800 11 . 1919-1921. from the edition of 125. printed by Baynard Press. The Mill eight wood-engravings.

titled and dated in pencil. with margins. titled and dated in pencil. Fecamp etching with drypoint.LONDON 31 32 31 δ Anthony Gross (1905-1984) Anmering Park etching with drypoint. on wove paper. 1924. signed. on wove paper. +44 (0) 20 7495 9494 . with margins.com tel. 162 x 250 mm (6 3/8 x 9 7/8 in) 32 δ Anthony Gross (1905-1984) Cote de la Vierge. signed.£600 12 www. 1924.£600 £400 . 140 x 360 mm (5 1/2 x 14 1/8 in) £400 .bloomsburyauctions.

1929. with margins. the only known print from this plate. signed. 1924.LONDON 33 δ Anthony Gross (1905-1984) Rue Chat qui Peche etching with drypoint. titled and dated in pencil. signed. with margins. on wove paper. titled and dated in pencil.£700 34 13 . 220 x 240 mm (8 3/4 x 9 1/2 in) £400 . 150 x 300 mm (5 7/8 x 11 7/8 in) 33 £500 . on wove paper. Toulouse etching.£600 34 δ Anthony Gross (1905-1984) Pont Neuf.

signed and titled in pencil.bloomsburyauctions.com tel. 1940. on laid paper.£600 £400 . on Laid paper. signed and titled in pencil. signed and titled in pencil. on wove paper. 1930.£600 36 δ Anthony Gross (1905-1984) Armourers Shop etching.£600 14 www. with margins. 200 x 281 mm (7 7/8 x 11 1/8 in) £400 . numbered 19/40. +44 (0) 20 7495 9494 . numbered 11/50. with full margins.LONDON 35 37 36 38 35 δ Anthony Gross (1905-1984) Sortie d’Usine No 1 etching. 1933.£300 £400 . 162 x 258 mm (6 3/8 x 9 7/8 in) £200 . numbered 37/50. 240 x 310 mm (9 1/2 x 12 1/4 in) 37 δ Anthony Gross (1905-1984) La Route de Sainte Livrade etching. 1931. 195 x 290 mm (7 5/8 x 11 3/8 in) 38 δ Anthony Gross (1905-1984) 11 O’Clock Parade etching. with margins. with margins. on wove paper.

250 x 380 mm (9 7/8 x 15 in) 41 δ Anthony Gross (1905-1984) Feuillages au Bord de L’eau etching. signed and titled in pencil. on wove paper. 353 x 443 mm (14 x 17 3/8 in) £300 . with full margins. signed and titled in pencil. signed and titled in pencil. with margins. 1951. 1957. with margins. numbered 19/200. on wove paper. numbered 18/50. inscribed VII/LX. signed in pencil. on wove paper. with margins.£500 15 . numbered 198/200. 250 x 375 mm (9 7/8 x 14 3/4 in) £300 .LONDON 39 41 40 42 39 δ Anthony Gross (1905-1984) Coloured Undergrowth etching with extensive hand-colouring. on wove paper.£500 £400 .£500 £300 . 250 x 345 mm (9 7/8 x 13 1/2 in) 42 δ Anthony Gross (1905-1984) Summit etching and engraving.£600 40 δ Anthony Gross (1905-1984) Paysage du Lot etching with yellow wash.

bloomsburyauctions.£500 16 www. 1974. a proof aside from the edition of 50. signed and titled in pencil. 1960. with margins.com tel. on wove paper. signed. 1961. on wove paper. Praire des Filtres etching. inscribed artists proof. with full margins. 1969. 150 x 300 mm (6 x 11 3/4 in) 46 δ Anthony Gross (1905-1984) Monsieur Bernede’s Vineyard etching. on wove paper. on wove paper. signed and titled in pencil. 287 x 345 mm (11 1/4 x 13 1/2 in) £400 . with full margins. numbered 2/75. with margins. signed and titled in pencil.£600 £300 . numbered 31/40.£500 44 δ Anthony Gross (1905-1984) La Foule. titled and inscribed ‘Trial 1/4’.LONDON 43 45 44 46 43 δ Anthony Gross (1905-1984) Chiarava/Tumult etching. 352 x 455 mm (13 7/8 x 17 7/8 in) 45 δ Anthony Gross (1905-1984) A L’ombre d’un Noyer etching. +44 (0) 20 7495 9494 . 250 x 350 mm (9 7/8 x 13 3/4 in) £400 .£600 £300 .

on wove paper.£300 50 δ Anthony Gross (1905-1984) Evening Light pencil and watercolour on paper. 230 x 367 mm (9 x 14 1/2 in) £300 .LONDON 47 49 50 48 47 δ Anthony Gross (1905-1984) Salisbury Cathedral etching. Port of Cannes’ in pencil. signed and inscribed ‘Evening Light. 1976.£500 49 δ Anthony Gross (1905-1984) The Snow Maiden pen. numbered 24/75. titled and inscribed ‘Homage to Constable’ in pencil. with full margins. 1978 signed and titled in pencil.£800 17 . UK £200 . inscribed ‘Anthony Gross the Snow Maiden’. ink and wash on paper. signed. sheet 375 x 555 mm (14 3/4 x 21 7/8 in) Provenance: Private Collector. UK £600 . on wove paper. 270 x 344 (10 5/8 x 13 1/2 in) £300 . sheet 360 x 235 mm (14 1/8 x 9 1/4 in) Provenance: Private Collector.£500 48 δ Anthony Gross (1905-1984) Little Serignac Landscape etching. with full margins.

signed. +44 (0) 20 7495 9494 . printed by Atelier.bloomsburyauctions. 1953. numbered 90/200. on wove paper.195) the engraving.LONDON 51 53 51 δ Sam Haile (1909-1948) Untitled woodcut.£900 52 18 www. 1951. the edition was circa 100. with margins. 100 x 130 mm (4 x 5 1/8 in) £100 . with full margins. 208) engraving with soft-ground etching printed in colours. 397 x 328 mm (15 5/8 x 12 7/8 in) £700 .&M. on Lauriat paper.£150 52 δ Stanley William Hayter (1901-1988) Greeting card for 1950-51 (B. 120 x 83 mm (4 3/4 x 3 1/4 in) £300 .£500 53 δ Stanley William Hayter (1901-1988) Jeu d’Eau (B&M. signed and dated in pencil. published by L’Oeuvre Gravee. Zurich. dated and titled in pencil.com tel. on tissue paper. with margins.

titled. Barcelona. with full margins. signed and titled in pencil. published by Ediciones Poligrafa S.421) engraving with soft-ground etching printed in colours. inscribed Artist’s Proof. on BFK Rives paper. a proof aside from the edition of 100.£350 56 δ Francis Kelly (b.LONDON 54 54 δ Stanley William Hayter (1901-1988) Swimmers (B. published by A. dated and inscribed ‘Essai’ in pencil. on BFK Rives paper.&M. signed. with margins. each 250 x 300 mm (9 3/4 x 11 3/4 in) £100 . numbered 87/100. 1981.£150 56 19 .£350 55 δ Stanley William Hayter (1901-1988) Scrap Book (B. New York. 597 x 494 mm (23 1/2 x 19 1/2 in) £250 . Lubin. Spain. 486 x 590 mm (19 1/8 x 23 1/4 in) 55 £250 .. each on wove paper. one signed and titled in pencil. with margins.B.A.344) etching and soft-ground etching printed in colours. 1970.1929) Vineyard three etchings.&M. printed by Hector Saunier.

published by Venture Prints Ltd. signed in pencil. with the Fine Arts Trade Guild blindstamp. +44 (0) 20 7495 9494 . 400 x 499mm (15 3/4 x 19 5/8 in) £800 . 1974. signed in pencil. with margins. published by Venture Prints Ltd.£1.LONDON 57 58 57 δ Laurence Stephen Lowry (1887-1976)(after) Deal Beach offset lithograph printed in colours. with margins. on wove paper. on wove paper.£900 20 www. from the edition of 850. 1973. Bristol. Bristol.200 £700 .com tel. 260 x 510 mm (10 1/4 x 20 1/8 in) 58 ** δ Laurence Stephen Lowry (1887-1976)(after) Landscape with Farm Buildings offset lithograph printed in colours. from the edition of 850.bloomsburyauctions.

£700 60 ** δ Laurence Stephen Lowry (1887-1976)(after) The Football Match offset lithograph. signed in pencil.LONDON 59 δ Laurence Stephen Lowry (1887-1976)(after) The Pond offset lithograph printed in colours. with the Fine Art Trade Guild blindstamp. 430 x 575 mm (17 x 22 5/8 in) £500 . London. on wove paper.£1. numbered 229/850. 250 x 360 mm (9 7/8 x 14 1/8 in) 59 £1. signed in pencil.000 . published by Mainstone Publications. 1974. printed by the Beric Press. on wove paper. the edition was 850. with margins. London. with full margins.500 60 21 .

250 x 215 mm (9 7/8 x 8 1/2 in) £300 . with the Fine Art Trade Guild blindstamp. on wove paper.£500 62 22 www.£500 61 62 δ Laurence Stephen Lowry (1887-1976)(after) Three Men And a Cat offset lithograph printed in colours. with margins. on wove paper.bloomsburyauctions. +44 (0) 20 7495 9494 . signed in blue biro. signed in blue biro. 265 x 210 mm (10 3/8 x 8 1/4 in) £300 . with the Fine Art Trade Guild blindstamp.com tel.LONDON 61 δ Laurence Stephen Lowry (1887-1976)(after) The Family offset lithograph printed in colours. with margins.

each on wove paper. 318 x 264 mm (12 1/2 in x 10 3/8) 64 £500 . each sheet 585 x 840 mm (23 x 33 in) £400 . Geneva. London. with full margins. printed by Curwen Prints Ltd.LONDON 63 63 δ Robert Medley (1905-1994) Campsite five lithographs printed in colours.307) lithograph. numbered 28/80. London.£800 23 . published by Contemporary Lithographs Ltd.. published by Gerald Cramer.£600 64 δ Henry Moore (1898-1986) Two Black Forms Metal Figures (C. 1973. signed and dated in pencil. with full margins.. on T H Saunders paper.

with signed justification.LONDON 65 δ Henry Moore (1898-1986) La Poesie (C.000 .com tel..315. each on Arches paper.317-325) the portfolio. comprising ten lithographs printed in colours. housed in original printed boards and slipcase. published by Art et Poesie. overall size 490 x 400 mm (19 1/4 x 15 3/4 in) £6.£8. Paris. +44 (0) 20 7495 9494 .bloomsburyauctions. 1973-1975. loose as issued. printed by Curwen Prints Ltd. London. each initialled in pencil.000 24 www.

LONDON 65 25 .

377) etching and aquatint. 1979. signed in pencil. on wove paper. with full margins.LONDON 66 δ Henry Moore (1898-1986) Mother and Child and Reclining Figures (C. 125 x 125 mm (4 7/8 x 4 7/8 in) 66 £300 .£300 67 δ Henry Moore (1898-1986) Half Figure (C. published by Raymond Spencer Company Ltd for The Henry Moore Foundation. numbered 11/50. printed by Michael Rand. on wove paper. with full margins. Paris. printed by Atelier Lacourière et Frélaut.503) etching. Paris. 276 x 264 mm (10 7/8 x 10 3/8 in) £200 . a printer’s proof aside from the edition of 145. London. +44 (0) 20 7495 9494 .bloomsburyauctions.£500 67 26 www.com tel. published by Editions Georges Visat. 1974.

1981. etching with aquatint. London. sheet 208 x 153 mm (8 1/8 x6 in) & 197 x 150 mm (7 3/4 x 5 7/8 in) £1. Much Hadham.602) lithographic crayon on transfer paper. with full margins. published by the Raymond Spencer Company Ltd for the Henry Moore Foundation.LONDON 68 δ Henry Moore (1898-1986) Head of a Girl Section Line (c. a proof aside from the edition of 50. on wove paper. signed and dated 80. printed by Michael Rand.602).£2.500 .500 27 . with Head of a Girl Section Line (c.

com tel.1 cm This work is accompanied by a certificate of authenticity by The Henry Moore Foundation.5 x 25.bloomsburyauctions.£2. dated 9th April 2015.. 1980 crayon on paper. signed and dated 80 11 1/4 x 9 1/8 in.LONDON 69 δ Henry Moore (1898-1986) Head Study I (After Andrea Pisano). £1. 28.000 . +44 (0) 20 7495 9494 .000 28 www.

LONDON

70
δ C.R.W Nevinson (1889-1946)(after)
Banking at 4000 feet
offset lithograph printed in colours, c.1918, signed
in pencil, bound as issued in the book ‘The Great
War: Fourth Year: Paintings by C.R.W. Nevinson’, with
an introductory essay by J.E. Crawford Flitch, printed
by Garden City Press Ltd., Letchworth, published by
Grant Richards Ltd., London, bound as issued in brown
boards, overall size 290 x 228mm (11 1/2 x 9 in)
£700 - £900
71
δ C.R.W Nevinson (1889-1946)(after)
Column on the March
offset lithograph printed in colours, c.1917, signed in
pencil, included in the book ‘Modern War: Paintings
by C.R.W. Nevinson’, with an introductory essay by P.G.
Konody, printed by Garden City Press Ltd., Letchworth,
published by Grant Richards Ltd., London,
bound as issued in green boards,
overall size 293 x 228mm (11 1/2 x 9 in)

70

£700 - £900

71
29

LONDON

72

73

72
δ Sidney Nolan (1917-1992)
Burke and Wills Expedition I
screenprint in colours, 1975, signed and inscribed HC
in pencil, a proof aside from the edition of 60,
on wove paper, with full margins,
sheet 740 x 825 mm (29 1/8 x 32 1/2 in)
£300 - £500
73
δ Sidney Nolan (1917-1992)
Burke and Wills Expedition II
screenprint in colours, 1975, signed and inscribed HC
in pencil, an artist’s proof aside from the edition of 60,
on wove paper, with full margins,
the full sheet 740 x 825 mm (29 1/8 x 32 1/2 in)
£300 - £500

74

74
δ Victor Pasmore (1908-1998)
Points of Contact (B&L. 26(6)
screenprint in colours, 1972, initialled and dated in
pencil, a proof aside from the edition of 60, printed by
Kelpra Studio, published by Marlborough Graphics,
London, on Japan paper, with full margins,
635 x 450 mm (25 x 17 7/8 in)
£500 - £700

30

www.bloomsburyauctions.com tel. +44 (0) 20 7495 9494

LONDON

75

76

77

75
δ Victor Pasmore (1908-1998)
Points of Contact No.21 (B&L. 36)
screenprint in colours, 1974, signed, dated and
inscribed AP in pencil, an artist’s proof aside from the
edition of 70, printed by Kelpra Studio, London,
on wove paper, with margins,
sheet 735 x 520 mm (28 7/8 x 20 1/2 in)

77
δ John Piper (1903-1992)
English, Scottish and Welsh Landscape (L.37,38,41,42,45, 48)
six lithographs printed in colours, 1944, unsigned and
unnumbered as published, from the series of twelve
as included in the book English, Scottish and Welsh
Landscape, printed by Curwen Press, published by
Frederick Muller, on lithographic cartridge paper, with
margins, each 120 x 180 mm (4 3/4 x 7 1/8 in)

£200 - £300
£300 - £500
76
δ Victor Pasmore (1908-1998)
Points of Contact (B&L. 48 A,B,D)
five screenprints in colours, 1974, bearing pencil
signatures, printed by Kelpra Studio, London,
each on wove paper, with full margins,
each sheet 985 x 665 mm (38 3/4 x 26 1/8 in)
£500 - £700
31

LONDON

78

80

79

81

78
δ John Piper (1903-1992)
Garn Fawr, Pembrokeshire (L.192)
screenprint in colours, 1968, signed in pencil,
numbered 33/70, printed by Kelpra Studio with their
drystamp, printed by Marlborough Fine Art, London,
on wove paper, with full margins,
425 x 641 mm (16 3/4 x 25 1/4 in)

80
δ John Piper (1903-1992)
Wymondham, Norfolk (L.324)
screenprint in colours, 1981, signed in pencil, inscribed
A/P, an artist’s proof aside from the edition of 70,
printed by Kelpra Studio with their blindstamp,
published by Marlborough Fine Art, London, on
Arches paper, with full margins,
557 x 766 mm (21 7/8 x 30 1/8 in)

£600 - £800
£800 - £1,200
79
δ John Piper (1903-1992)
Ettington Park (L.273) screenprint in colours, 1977,
signed in pencil, numbered 69/75, Plate II from the
Victorian Dream Palaces portfolio, printed by Kelpra
Studio, published by Marlborough Fine Art, London,
on Arches paper, with full margins,
521 x 698 mm (20 1/2 x 27 1/2 in)

81
δ John Piper (1903-1992)
Sunflowers (L.420)
etching and aquatint printed in colours, 1989, signed
and inscribed A/P in pencil, an artist’s proof aside from
the edition of 70, printed by Kelpra Studio, published
by National Art-Collections Fund, London, on Arches
paper, with margins, 400 x 548 mm (15 3/4 x 21 1/2 in)

£600 - £900
£600 - £900
32

www.bloomsburyauctions.com tel. +44 (0) 20 7495 9494

London. on wove paper. Amsterdam. published by Cercle Graphique Européen. with full margins. two numbered from the edition of 60. Paris. published by the Redfern Gallery. numbered 138/200. the full sheet printed to the edges. an artist’s proof aside from the edition.57) lithograph. signed in pencil. sheet 560 x 717 mm (22 x 28 1/4 in) £150 .£200 83 δ Graham Sutherland (1903-1980) Sheet of Studies (T. 1972-74. sheet 560 x 770 mm (22 x 30 1/4 in) £400 . on wove paper. with margins. with full margins. 755 x 540 mm (29 3/4 x 21 1/4 in) £200 . various sizes £200 . Figure 1. signed in pencil. each on wove paper. printed by Fernand Mourlot.1938) Chest. titled and dated in pencil. Sofa & Bowl five etchings with aquatint.£600 84 δ Graham Sutherland (1903-1980) Predatory Form (T. each signed.£300 33 .£300 85 δ William Tillyer (b. on wove paper. numbered 13/50. 1953.116) lithograph printed in colours. the other numbered 73/90. one inscribed AP.LONDON 82 84 83 85 82 δ John Piper (1903-1992)(after) Slopes of Glyder Fawr lithograph printed in colours. 1971. Feed Trough.

I. sheet 790 x 580 mm (31 1/8 x 22 7/8 in) £300 . on wove paper. printed by Geoffrey Beardsall and Dorothea Wight. with full margins. with full margins. sheet 493 x 760 mm (19 1/2 x 30 in) 88 δ Julian Trevelyan (1910-1988) Richmond (T. from the Thames Suite. from the fourth series of School Prints. +44 (0) 20 7495 9494 .64) lithograph printed in colours.£300 86 δ Julian Trevelyan (1910-1988) Thames Regatta (T.220) etching with aquatint printed in colours.£600 www. 358 x 473 mm (14 x 18 5/8 in) 34 89 £200 .com tel. also issued as Festival of Britain prints. signed and titled in pencil. numbered 4/75.226) etching with aquatint printed in colours. numbered 73/75. published for School Prints and A. with full margins.A. published by London Graphics. signed in pencil. on wove paper.LONDON 86 87 88 87 δ Julian Trevelyan (1910-1988) Father Thames (T.bloomsburyauctions. 1969.£500 £400 . 1951. on wove paper.

with full margins. 1969. published by London Graphics. printed by Geoffrey Beardsall and Dorothea Wight. 1969. on wove paper. sheet 585 x 770 mm (23 x 30 1/4 in) 91 £400 .LONDON 89 δ Julian Trevelyan (1910-1988) Tower Bridge (T. from the Thames Suite. sheet 585 x 775 mm (23 x 30 1/2 in) 90 £400 . titled and inscribed Artists Proof in pencil. sheet 585 x 765 mm (23 x 30 1/8 in) £400 . 1969. with full margins. from the Thames Suite. with full margins. published by Leslie Waddington.270) etching. signed.£600 90 δ Julian Trevelyan (1910-1988) Westminster (T. published by London Graphics.£600 92 35 . published by London Graphics. a proof aside from the edition of 75. London. from the Thames Suite. numbered 10/75.230) etching with aquatint printed in colours. numbered 41/52. with full margins. on wove paper. signed and titled in pencil. signed and titled in pencil. titled and inscribed Artists Proof in pencil. printed by Studio Prints. on T. 1973. printed by Geoffrey Beardsall and Dorothea Wight.228) etching with aquatint printed in colours.£600 91 δ Julian Trevelyan (1910-1988) Windsor (T.229) etching with aquatint printed in colours. on wove paper paper. signed. sheet 585 x 775 mm (23 x 30 1/2 in) £400 .H Saunders paper. printed by Geoffrey Beardsall and Dorothea Wight. a proof aside from the edition of 75.£600 92 δ Julian Trevelyan (1910-1988) Islam (T.

13) etching.200 93 94 36 www.bloomsburyauctions.£1. 143 x 215mm (5 5/8 x 8 1/2 in) £800 . Paris.33) etching. 1858.200 94 James Abbott McNeill Whistler (1834-1903) The Music Room (K. 1859.£1.com tel. +44 (0) 20 7495 9494 . on laid paper. with margins160 x 110mm (6 1/4 x 4 3/8) £800 . on laid paper. printed by Delatre. with margins.LONDON 93 James Abbott McNeill Whistler (1834-1903) Fumette (K.

1859. 137 x 215mm (5 3/8 x 8 1/2) 96 James Abbott McNeill Whistler (1834-1903) Barges on the Thames at Billingsgate (K.£1. on laid paper. with margins. 152 x 228mm (6 x 9 in) £800 .£1.47) etching.200 37 . 1859.41) etching.LONDON 95 96 95 James Abbott McNeill Whistler (1834-1903) Eagle Wharf (K. on laid paper. with margins.200 £800 .

on laid paper.£1. 1972.181) etching with drypoint. on wove paper.200 98 δ Avigdor Arikha (1929-2010) Samuel Beckett Seated etching.bloomsburyauctions. 209 x 105 mm (8 1/4 x 4 1/7 in) 98 38 £250 .140 x 200 mm (5 1/2 x 7 7/8 in) £800 . with margins. with margins. 1879.com tel. signed and inscribed LXIV/C in pencil.£350 www. +44 (0) 20 7495 9494 .LONDON 97 97 James Abbott McNeill Whistler (1834-1903) Hurlingham (K.

LONDON CONTINENTAL 39 .

circa 1925.500 100 40 www. sheet 367 x 272 mm (14 1/2 x 10 3/4 in) £1. with their blindstamp. an artist’s proof aside from the edition of 125.000 .bloomsburyauctions.A in pencil. on wove paper. +44 (0) 20 7495 9494 . from the edition of 50. on Chine volant paper. signed and inscribed E.LONDON 99 δ Karel Appel (1921-2006) Têtes Volantes lithograph printed in colours. published by Galerie des Peintres Graveurs. Paris. 635 x 510 mm (25 x 20 in) £200 .£1. with the printed signature.£300 99 100 δ Pierre Bonnard (1867-1947) Le Bain lithograph.com tel. with margins. with full margins.

£3.500 . with full margins. 1965.1932) Mujer Fumando lithograph printed in colours.LONDON 102 101 Fernando Botero (b. Paris. numbered 15/30. 305 x 450 mm (12 x 17 5/8 in) £2. printed and published by Mourlot. on wove paper.£600 102 δ Georges Braque (1882-1963) Apples and Leaves / Pommes et Feuilles lithograph printed in colours. an unsigned proof aside from the edtion of 150. 410 x 335 mm (16 1/8 x 13 1/8 in) £400 . on Arches paper. 1958. with margins.500 101 41 . signed in pencil.

published by Chroniques du Jour. with full margins. Paris. 1934. bound as issued in orginal red boards. with title-page.000 . London and E.£5. +44 (0) 20 7495 9494 . New York. overall size 280 x 226 mm (11 x 8 7/8 in) £3. on wove paper. text and reproductions. Zwemmer. signed in pencil.000 42 www. as included in the book ‘Georges Braque’. from the edition of 250. A.LONDON 103 δ Georges Braque (1882-1963) The Dance etching with aquatint. Weyne.com tel.bloomsburyauctions.

1963. comprising ten collotypes. Basel and London. text and justification. printed and published by Mourlot.200 105 δ Georges Braque (1882-1963)(after) The Glass and the Apple from Ten Works lithograph printed in colours. with margins.£1. together with the portfolio. numbered 252/300. bound as issued in original boards. signed in pencil. signed in pencil. published by Phoebus Editions and Oldbourne Press.200 104 105 43 . numbered 7/200. on Arches paper. with title-page.000 . 625 x 420mm (24 5/8 x 16 1/2 in) £1. numbered 108/120. 1963. with full margins.£2. Paris. on wove paper. circa 1950.800 . overall size 500 x 370 mm (19 5/8 x 14 1/2 in) £1.LONDON 104 δ Georges Braque (1882-1963)(after) Les Marguerites etching with aquatint printed in colours.

1957.000 .£1. 492 x 445 mm (19v1/4 x 17 1/2 in) £400 . signed and dated in pencil. on Arches paper. laid on mount. with margins. signed and dated in pencil lower right on the mount. with margins. numbered 158/200. +44 (0) 20 7495 9494 . 1932.bloomsburyauctions. A gift from the above to the present owner £400 .LONDON 106 107 106 Serge Brignoni (1903-2002) Still life etching with extensive hand-colouring and collage elements.£600 108 δ Massimo Campigli (1895-1971) Le Passeggiatrici (M. on wove paper.£600 107 δ Bernard Buffet (1928-1999) Dany etching.T.167) lithograph printed in colours.com tel. 1966. Paris. numbered 92/100. published by L’Oeuvre Gravée. signed in pencil. sheet 545 x 440 mm (21 1/2 x 14 1/4 in) 108 £1. sheet 210 x 300 mm (8 1/2 x 11 7/8 in) Provenance: A gift from the artist to Julian Trevelyan.200 44 www. on BFK Rives paper.

on Arches paper.153) 1956 lithograph printed in colours. folded as issued. printed by Mourlot.£400 111 δ Marc Chagall (1887-1985) Le Couple devant L’Arbre (M. Paris. published by André Seuret. printed by Mourlot. on wove paper. Paris. Paris. on Arches paper.291) lithograph. with full margins. 1960. sheet 475 x 320mm (18 5/8 x 12 5/8in) £300 . Paris.LONDON 109 110 109 δ Marc Chagall (1887-1985) L’Écuyère (M. with full margins.292) lithograph. 310 x 240mm (12 2/8 x 9 1/2) £300 . published by André Seuret. the edition was 2000. Pairs.£300 110 δ Marc Chagall (1887-1985) L’Offrande (M. sheet 375 x 535 mm (14 3/4 x 21 in) £200 . 1956.£400 111 45 . the full sheet printed to the edges. 1960. published by Maeght. from Derrière le Miroir.

on Japan paper.500 . signed in pencil. (there was also an edition of 250 printed on Arches).LONDON 112 δ Marc Chagall (1887-1985) Frontispiece from Exodus (M.com tel.000 46 www. from the edition of 20. +44 (0) 20 7495 9494 . with margins. 444 x 320 mm (17 1/2 x 12 5/8 in) £1.bloomsburyauctions.£2. published by L.444) lithograph printed in colours. Amiel. Paris. 1966.

with full margins. Paris.£300 114 δ Marc Chagall (1887-1985)(after) La Ruche de Montparnasse. on wove paper. Paris. both printed by Mourlot.Genève (M.LONDON 113 113 δ Marc Chagall (1887-1985)(after) Chagall et la Bible (Moses and the Tablets of the Law). La Ruche de Montparnasse two offset lithographic posters printed in colours. printed by Mourlot. each on wove paper. 1974-79. L’Ange du Jugement two lithographic posters printed in colours.362) lithographic poster printed in colours.£300 115 δ Marc Chagall (1887-1985)(after) Song of Songs. sheet 756 x 540 mm (29 3/4 x 21 1/4 in) 114 £200 . Musée Rath . both printed by Mourlot. each on wove paper. 1975 -79. overall size 760 x 542 mm (29 7/8 x 21 3/8 in) £200 . with full margins.£300 115 47 . each sheet 760 x 523 mm (30 x 20 5/8 in) £200 . with full margins. 1962. Paris.

with title-page. published by Editions la Collection Francaise. published by Fritz Gurlitt. numbered 91/175. Peintures et Dessins. a trial proof aside from the published edition of 50. sheet 215 x 270 mm (8 1/2 x 10 5/8 in) £100 .  overall size 487 x 390 mm (19 1/8 x 15 3/8 in) £250 . from Oeuvre Plastique. sheet 551 x 422 mm (21 3/4 x 16 5/8 in) £300 .£350 48 www. the title printed on the uppers.bloomsburyauctions. Berlin. on Arches paper. each signed in pencil. the sheets loose as issued within the orginal red cloth covered portfolio box. signed and inscribed Probedruck in pencil. the full sheet printed to the edges. 1985. on laid paper.£150 117 Lovis Corinth (1858-1925) Frau und Krieger (S. 1914. published by Albert Morancé. Paris. with full margins.LONDON 116 118 116 δ Le Corbusier (1887-1965) Untitled three lithographs printed in colours.£500 117 118 δ André Cottavoz (1922-2012) Mon Paris the complete portfolio. each on wove paper. +44 (0) 20 7495 9494 . Paris.158) lithograph. comprising six lithographs printed in colours. text and justification.com tel. 1938.

&L. Paris. Agrillet.£1. on wove paper. 355 x 247 mm (14 x 9 3/4 in) £800 . 1960.LONDON 119 119 δ Salvador Dalí (1904-1989) Tour de France Cycliste (M. published by J. signed in blue ink verso. signed and inscribed XL/C in pencil.&L. 152 x 200 mm (6 x 7 7/8 in) This work is accompained by a certificate of authenticity signed by the publisher.81E) heliogravure. published by P. with margins. on Japan paper. numbered 6/20.Foret.66A) the rare etching. Paris. 1959.200 120 δ Salvador Dalí (1904-1989) Pietà (M. with margins.£1. £800 .000 120 49 .

published by P.345b) lithograph printed in colours.com tel.800 122 δ Salvador Dalí (1904-1989) La Femme au Coussins (M. from Flordali (Les Fruits). with margins. signed in pencil.387) etching with extensive hand-colouring in watercolour. numbered LV/CL.&L. numbered VIII/C. printed by Ateliers Rigal.£1.bloomsburyauctions.£900 www. signed in pencil. 1969-70. on Auvergne paper. 1969-70. with margins. 565 x 370 mm (22 1/4 x 14 1/2 in) £1.200 . 394 x 320 mm (15 1/2 x 12 5/8 in) 122 50 £700 .&L. Paris. from Hippies. on Japan paper. +44 (0) 20 7495 9494 .Agrillet. Paris.LONDON 121 121 δ Salvador Dalí (1904-1989) Homme Figuier (M.

signed in pencil. 400 x 265 mm (15 3/4 x 10 1/2 in) £500 . on BFK Rives paper.407) etching with drypoint printed in colours. 400 x 265 mm (15 3/4 x 10 1/2 in) 124 £500 . numbered XVII/XXV. numbered 34/125. from Tristram and Iseult.£700 125 δ Salvador Dalí (1904-1989) Iseult aux blanches Mains (M. 1970.LONDON 123 123 δ Salvador Dalí (1904-1989) Le Roi Marc (M. Paris.418) etching with drypoint printed in colours. signed in pencil.&L. 1970. numbered XVII/XXV.&L. printed by Ateliers Rigal.&L. printed by Ateliers Rigal. Paris. 1970.422) etching with drypoint printed in colours. with margins.£700 124 δ Salvador Dalí (1904-1989) Les Chévaliers de Roi Arthur (M. from Tristram and Iseult. signed in pencil. printed by Ateliers Rigal. 400 x 265 mm (15 3/4 x 10 1/2 in) £350 .£450 125 51 . Paris. on BFK Rives paper. from Tristram and Iseult. with margins. with full margins. on BFK Rives paper.

with margins. printed by Ateliers Rigal. an artists proof aside from the edition. 1973.F. printed by Ateliers Rigal. on wove paper. Paris. signed in pencil. signed and inscribed EA in pencil.&L. from The Tribes of Israel.bloomsburyauctions.620.72-6) etching with stencil printed in colours.£900 www.&L.&L. printed by Ateliers Rigal. on BFK Rives paper. 505 x 370 mm (19 7/8 x 14 5/8 in) £700 . from The Tribes of Israel. 1973.LONDON 128 126 126 δ Salvador Dalí (1904-1989) Iseult et Brangaine (M. 400 x 265 mm (15 3/4 x 10 1/2 in) £500 . 1970. Paris. 505 x 370 mm (19 7/8 x 14 5/8 in) 127 52 £700 .£700 127 δ Salvador Dalí (1904-1989) Reuben (M.com tel. on wove paper. an artists proof aside from the edition. with margins. with full margins. signed and inscribed EA in pencil. from Tristram and Iseult.£900 128 δ Salvador Dalí (1904-1989) Asher (M.F. numbered XVII/XXV. +44 (0) 20 7495 9494 .72-6) etching with stencil printed in colours. Paris.423) etching with drypoint printed in colours.626.

000 53 .778-789. published by Pamela Verlag and Oeuvres Graphiques Contemporaines. each sheet 475 x 300 mm (18 3/4 x 12 in) £4.£6. with full margins. loose as issued in the original creamcoloured leather boards and matching red slipcase. on Arches paper.75-9) the portfolio of 12 etchings printed in colours.LONDON 129 δ Salvador Dalí (1904-1989) La Quête du Graal (M. 1975. numbered 61/249. f. Paris.&L. each signed in pencil.000 .

LONDON 130 132 133 131 δ Salvador Dalí (1904-1989) La Doulureuse Garde (M. Paris. numbered 146/249. signed in pencil. signed in pencil. on wove paper. signed in pencil.&L. 1975.£600 131 132 δ Salvador Dalí (1904-1989) La Dame De Malehaut (M. on wove paper. with margins. 265 x 395 mm (10 1/2 x 15 1/2 in) £400 . on wove paper. from La Quete du Graal.782) etching with drypoint printed in colours. with margins.com tel. Paris. published by Pamela Verlag and Oeuvres Graphiques Contemporaines.£600 130 δ Salvador Dalí (1904-1989) La Tombe De Lancelot (M. published by Pamela Verlag and Oeuvres Graphiques Contemporaines. 395 x 265 mm (15 1/2 x 10 1/2 in) £400 .bloomsburyauctions. 395 x 265 mm (15 1/2 x 10 1/2 in) 133 δ Salvador Dalí (1904-1989) Le Tournoi de Galore (M. numbered 146/249. +44 (0) 20 7495 9494 . Paris. from La Quete du Graal.£600 54 www. on wove paper. signed in pencil. 1975. 1975. numbered 146/249. with margins. with margins. Paris.&L.&L. published by Pamela Verlag and Oeuvres Graphiques Contemporaines.784) etching with drypoint printed in colours.&L.£600 £400 . from La Quete du Graal. from La Quete du Graal. published by Pamela Verlag and Oeuvres Graphiques Contemporaines.783) etching with drypoint printed in colours. 1975. 395 x 265 mm (15 1/2 x 10 1/2 in) £400 .780) etching with drypoint printed in colours. numbered 146/249.

signed in pencil. on wove paper. 1975. from La Quete du Graal. 395 x 265 mm (15 1/2 x 10 1/2 in) 135 £400 . 395 x 265 mm (15 1/2 x 10 1/2 in) £400 .LONDON 134 134 δ Salvador Dalí (1904-1989) Le Detroit De Gadelore (M.£600 135 δ Salvador Dalí (1904-1989) Le Noir Chevalier (M. published by Pamela Verlag and Oeuvres Graphiques Contemporaines. published by Pamela Verlag and Oeuvres Graphiques Contemporaines. 1975. with margins. 395 x 265 mm (15 1/2 x 10 1/2 in) £400 .789) etching with drypoint printed in colours. numbered 146/249. signed in pencil. from La Quete du Graal. numbered 146/249. published by Pamela Verlag and Oeuvres Graphiques Contemporaines. Paris. with margins. numbered 146/249. Paris. from La Quete du Graal.&L. signed in pencil. Paris.£600 136 δ Salvador Dalí (1904-1989) Lancelot et Galahaut (M. with margins.786) etching with drypoint printed in colours.£600 136 55 . 1975.&L.&L.787) etching with drypoint printed in colours. on wove paper. on wove paper.

1979. inscribed XX/L.790) etching with drypoint. published by Ateliers Rigal. 220 x 325 mm (8 5/8 x 12 3/4 in) 139 δ Salvador Dalí (1904-1989)(after) Epris d’une folle passion pour Endymion (M.£400 £300 . +44 (0) 20 7495 9494 . 1975. with full margins.&L. an artists proof aside from the edition. signed in pencil.933) etching printed in colours. from La Vida es Sueno. with full margins.799) etching with aquatint printed in colour. Paris.&L. signed and inscribed EA in pencil.bloomsburyauctions.LONDON 137 δ Salvador Dalí (1904-1989) Venus de las Constellation with Picador (M. on wove paper. on Japan paper.£500 56 www. 1975. 395 x 500 mm (15 1/2 x 19 3/4 in) £300 . with margins.com tel.£1.&L. sheet 760 x 560 mm (29 7/8 x 22 in) £800 . from L’art d’aimer. on Arches paper.200 137 138 139 138 δ Salvador Dalí (1904-1989) Los Cabaleros (M.

New York.1142) lithograph printed in colour. an artists proof aside from the edition of 125. sheet 650 x 500 mm (25 5/8 x 19 3/4 in) £400 . 1968. an artist’s proof aside from the edition. published by Shorewood Press. F. on BFK Rives paper.£600 142 δ Salvador Dalí (1904-1989) Eternal Covenant: Circumcision (M&L. 1968. with margins.£800 141 δ Salvador Dalí (1904-1989) On the Shores of Freedom (M&L.1203. signed and inscribed Epreuve d’Artiste in pencil. with full margins. sheet 760 x 560 mm (30 x 22 in) 141 £600 .£600 142 57 . with full margins. on Arches paper.68-1) lithograph printed in colours. from Aliyah. sheet 650 x 500 mm (25 5/8 x 19 3/4 in) £400 .68-1) lithograph printed in colours.LONDON 140 140 δ Salvador Dalí (1904-1989) Béatrice (M. on wove paper. 1964. signed and inscribed Epreuve d’artiste in pencil.&L. New York. an artist’s proof aside from the edition.1216. from Aliyah. signed and inscribed epreuve d’artiste in blue crayon. F. published by Shorewood Press.

1975-76. 563 x 410 mm (22 1/8 x 16 1/8 in) 145 δ Salvador Dalí (1904-1989) Daphne (M.&L. published by Les Heures Claires.£800 £600 .1360) lithograph printed in colours. 1972.£800 143 δ Salvador Dalí (1904-1989) Autumn (M. from The Four Seasons. on wove paper. on wove paper. from Time Suite. an artists proof aside from the edition of 195. signed and inscribed EA in pencil.bloomsburyauctions. with margins. from The Four Seasons. Paris. signed and inscribed EA in pencil. Paris. the full sheet printed to the edges. published by Levine & Levine. 405 x 565 mm (16 x 22 1/4 in) £600 . published by Les Heures Claires.&L.LONDON 143 144 145 144 δ Salvador Dalí (1904-1989) Winter (M. 1972.£800 58 www. signed in pencil. numbered 85/250. an artists proof aside from the edition of 195. +44 (0) 20 7495 9494 .1362) lithograph printed in colours.1480) lithograph printed in colours. with margins. on wove paper. sheet 750 x 540 mm (29 1/2 x 21 1/4 in) £600 .&L.com tel.

1977. with full margins. numbered 142/350. with full margins.£800 147 δ Salvador Dalí (1904-1989) from the Knights of the Round Table lithograph printed in colours. on wove paper. 495 x 460 mm (19 1/2 x 18 1/8 in) £400 . signed in pencil. numbered 142/350.&L. signed in pencil. from Dali Retrospective.£600 148 δ Salvador Dalí (1904-1989) from the Knights of the Round Table lithograph printed in colours.LONDON 146 147 146 δ Salvador Dalí (1904-1989) The Path to Wisdom (Drawer)(M. signed in pencil. 495 x 460 mm (19 1/2 x 18 1/8 in) 148 £400 . numbered G 23/125. 1978-79. published by Levine & Levine. with full margins. on wove paper. 1977. on wove paper.£600 59 .1554) lithograph printed in colours. 580 x 430 mm (22 7/8 x 17 in) £600 .

bloomsburyauctions. overall size 535 x 365mm (21 x 14 3/8 in) 151 δ Sonia Delaunay (1885-1979) Composition lithograph printed in colours. published by Librairie Gruend. on wove paper. lacking titlepage. numbered from the edition of 35. comprising twelve lithographs printed in colours. 560 x 360 mm (22 1/8 x 14 1/8 in) £500 . signed and dated in pencil.LONDON 149 150 151 150 δ Maurice de Vlaminck (1876-1958) Maisons Rustiques à Valmondois lithograph. text and justification. Paris. a proof aside from the edition. +44 (0) 20 7495 9494 . Paris.com tel.£900 60 £200 . on wove paper. printed by Mourlot. the sheets loose in beige card folder. 1916-71. on wove paper. 240 x 340 mm (9 1/2 x 13 3/8 in) 149 Henri de Toulouse-Lautrec (1864-1901)(after) Douze Lithograhies the album.1925-26.£300 www. inscribed E.£700 £700 .1948. signed in pencil. with full margins.A VII. each with blindstamp. with full margins. c.

LONDON 152 153 152 δ Raoul Dufy (1877-1953) Baie de Sainte Adresse and Anemones two lithographs printed in colours. on wove paper. printed and published by A.D.1920.200 61 . from the set of 10.£600 154 153 δ Raoul Dufy (1877-1953) La Baigneuse lithograph printed in colours.F. with full margins. both with full margins. each on thick wove paper. 213 x 145 mm (8 3/8 x 5 7/8 in) 154 δ Raoul Dufy (1877-1953) La Fee Electricite (VI-X) five lithographs printed in colours. on B. 1953. 430 x 838mm (16 7/8 x 33) and 542 x 720 mm (21 3/8 x 28 3/8in) £400 . each sheet 1016 x 635 mm (40 x 25 in) £250 .K.G. Paris. with their blindstamp. c.P. with margins.A. numbered 98/250 and 105/250 respectively. 2004.£350 £800 . Rives paper.£1. 1935 and 1942.

each signed in pencil. housed in a silk portfolio case with perspex lid.000 . numbered 12/150. 1969.000 62 www. with margins. on Arches paper. including a booklet L’Oiseau Caramel with text in French by Robert Lebel.bloomsburyauctions.£3. published by Editions du Soleil Noir. comprising three lithographs with embossing printed in colours.LONDON 155 δ Max Ernst (1891-1976) The Caramel Bird / L’Oiseau Caramel the portfolio. overall size 340 x 240 mm (13 3/8 x 9 1/2 in) £2. +44 (0) 20 7495 9494 .com tel.

on wove paper.£1. 1976. numbered XI/XLV. sheet 380 x 285 mm (15 x 11 1/4 in) £300 . Paris. 1964.£500 157 63 . as inluded in La Mysticité Charnelle de René Crevel.LONDON 156 δ Max Ernst (1891-1976) Affiche Pour le Surréalisme lithograph printed in colours. 570 x 446 mm (22 1/2 x 17 5/8 in) £1. published by Éditions Georges Visat. with full margins.500 156 157 δ Max Ernst (1891-1976) Untilted etching with aquatint printed in colours. on wove paper. signed in pencil. signed in pencil.000 . numbered 178/180. with full margins.

168 x 155 mm (7 1/8 x 6 1/8 in) £1. on wove paper. with margins. sheet 168 x 155 mm (7 1/8 x 6 1/8 in) £1. Escher (1898-1972) Air woodcut printed in colours. C. inscribed ‘Eigendruck’ an artist’s proof from The Strens Cards.LONDON 158 δ M. 1954.500 159 64 www.500 158 159 δ M. signed in pencil. with margins.£1.bloomsburyauctions.£1. Escher (1898-1972) Fire woodcut printed in colours.com tel. on wove paper. signed in pencil. +44 (0) 20 7495 9494 . C.000 .000 . 1955. inscribed ‘Eigendruck’ an artist’s proof from The Strens Cards.

LONDON 160 Shoichi Hasegawa (b. with collectors rubber stamp.£2. 410 x 315 mm (16 1/8 x 12 3/8 in) £100 . with full margins. with margins. numbered 28/30. signed in pencil.1929) Silence etching with aquatint and engraving printed in colours.500 .000 160 161 65 .£150 161 δ Paul César Helleu (1859-1927) Madame Helleu with Sculpture etching with drypoint. 315 x 260 mm (12 3/8 x 10 1/4 in) £1. on wove paper. on laid paper. signed in pencil.

with full margins.com tel. with margins.18) lithograph printed in colours.000 www.74) woodcut printed in colours.1956)(after) Girl with Mandolin etching with hand-colouring in watercolour. 1979. on wove paper.£500 164 δ Fernand Léger (1881-1955) Nature Morte Aux Fruits (S. +44 (0) 20 7495 9494 .bloomsburyauctions.LONDON 164 162 δ Friedensreich Hundertwasser (1928-2000) The Wall (K.£2. 500 x 375 mm (19 3/4 x 14 3/4 in) £300 . on Japan paper. numbered from the edition of 75. on wove paper. an artist’s proof aside the edition of 210. signed in pencil. with margins. signed and inscribed Eau Forte Originale in pencil. 1948.500 .£400 162 163 δ Marie Laurencin (1885 . 200 x 170 mm (7 7/8 x 6 3/4 in) £300 . 340 x 445 mm (13 3/8 x 17 1/2 in) 163 66 £1.

on Arches paper. (11 1/4 x 15 5/8 in) Provenance: A gift from the artist to Julian Trevelyan.£300 166 δ Jean Lurçat (1892-1966) Still Life gouache and ink on paper. signed lower centre.LONDON 165 δ Fernand Léger (1881-1955)(after) Les Constructeurs lithograph printed in colours.000 166 67 . 288 x 395 mm.£2.1955. A gift from the above to the present owner 165 £1.500 . sheet 475 x 615 mm (18 3/4 x 24 1/4 in) £200 . c. with full margins.

bloomsburyauctions. with title-page. loose as issued. all on BFK Rives paper.£6.000 . numbered 2/350. with full margins. 1968.000 68 www. overall size 460 x 610 mm (18 1/2 x 24 in) £4.LONDON 167 δ René Magritte (1898-1967)(after) Les Enfants Trouves the portfolio. each sheet signed in pencil by Fernand Mourlot.com tel. in the original red linen covered solander box with a lithographic illustration pasted to the lid. +44 (0) 20 7495 9494 . comprising nine of the twelve lithographs printed in colours. text and justification.

LONDON 167 69 .

Invocazione (G. 1965. with full margins. on White Vergé Montval paper. Rome. published by Henri Petiet Editeuron with their dry stamp.A219) etching and aquatint printed in colours. printed and published by Toninelli Arte Moderna. on Magnani paper. signed in pencil. published L’OEuvre Gravee. signed in pencil. ZurichParis. Milan. on wove paper. with full margins.LONDON 168 δ Aristide Maillol (1861-1944) Young In Two Women in the Grass / Deux Femmes dans l’Herbedian Girl / Jeune Hindoue lithograph. numbered 22/50. Zurich.£700 170 δ Marino Marini (1901-1980) Cavallo in Armonia (G. numbered 1/125. initialled in pencil. 1978.bloomsburyauctions. overall size 627 x 899 mm (24 5/8 x 35 3/8 in) £500 . sheet 493 x 670 mm (19 1/2 x 26 3/8 in) 170 70 £400 . printed by Emil Matthieu. 1966.£600 www. L86 & S1) lithograph printed in colours. together with a serigraph printed in colours. the full sheet printed to the edges. numbered 16/125. 195 x 250 mm (7 1/2 x 9 3/4 in) £700 . with margins. +44 (0) 20 7495 9494 .com tel. 1926. printed by Grafica dei Greci. on BKF Rives paper.£900 168 169 169 δ Marino Marini (1901-1980) The Cry.

with full margins. signed in pencil. with full margins.Yellow and Orange lithograph printed in colours. on wove paper. 510 x 320 mm (20 x 12 1/2 in) £200 . 197 x 247 mm (7 3/4 x 9 3/4 in) £300 . on wove paper.LONDON 172 171 δ Marino Marini (1901-1980) Rider and Horse . on wove paper. 1975. numbered 6/200.£300 171 172 δ André Masson (1896-1987) Tribute to Michelangelo lithograph printed in colours. 1952. signed in pencil. numbered 4/20. numbered 33/50.£350 173 δ André Masson (1896-1987) Untitled etching with aquatint. sheet 796 x 595 mm (31 3/8 x 23 1/2 in) £250 . with full margins. signed in pencil.£500 173 71 .

printed by W. Paris. +44 (0) 20 7495 9494 .£600 175 δ Henri Matisse (1869-1954)(after) Dina Vierny Matisse Dessins offset lithographic poster printed in colours. with full margins. published by Schools Prints Ltd. with margins. sheet 495 x 750 mm (19 1/2 x 29 1/2 in) £400 .S.Cowell Ltd. sheet 762 x 575 mm (30 x 22 5/8 in) 175 72 £200 .. on wove paper. from the Schools Prints European Series.com tel. printed by Mourlot. on Arches paper.£300 www. London.LONDON 174 174 δ Henri Matisse (1869-1954)(after) The Dancer lithograph printed in colours. 1949.bloomsburyauctions.. 1970.

sheet 640 x 500 mm (25 1/8 x 19 5/8 in) £2. 1967. numbered 32/40. sheet 355 x 500 mm (14 x 19 3/4 in) 177 £300 . with full margins. Paris.LONDON 176 176 δ Joan Miró (1893-1983) Figure with Red Sun I (M.£400 73 .000 177 δ Joan Miró (1893-1983) Le Lézard Aux Plumes D’or (M. published by Maeght.000 . on Arches paper. 1950. from Le Lézard aux Plumes D’or.£3. with margins. on Japan paper. 93) lithograph printed in colours. signed and dated in pencil.461) lithograph printed in colours.

A or H. on Japon nacre paper.506-514) nine lithographs mostly printed in colours. Paris. 1968.com tel. inscribed E.000 74 www.LONDON 178 δ Joan Miró (1893-1983) The Essences of the Earth (M. with full margins. proofs aside from the edition. each sheet 500 x 355 mm (19 5/8 x 13 14 in) £10.£15. Barcelona.C respectively. each signed in pencil. +44 (0) 20 7495 9494 .000 .bloomsburyauctions. published by Polígrafa. printed by Mourlot.

LONDON 178 75 .

. on wove paper.bloomsburyauctions. numbered 33/75.000 76 www. Barcelona.A.£3.com tel.LONDON 179 δ Joan Miró (1893-1983) Homenatge a Joan Prats/ Tribute to Joan Prats (M. with full margins. +44 (0) 20 7495 9494 . signed in pencil.713) lithograph printed in colours.000 . published by La Poligrafa S. 1971. 545 x 745 mm (21 1/2 x 29 3/8 in) £2.

LONDON 181 182 181 δ Joan Miró (1893-1983) Texte von James Johnson Sweeney (Auf Persisch) (C. Barcelona. each sheet 200 x 400 mm (7 7/8 x 15 3/4 in) 180 £600 . on wove paper.934-940) seven lithographs printed in colours. on wove paper. Saccades (see CB.865. the full sheets printed to the edges. proofs aside from the edition.£800 180 δ Joan Miró (1893-1983)(after) From Lithographie I (M.£300 77 .866) three lithographs printed in colours. printed by La Poligrafa. from the edition of 1500. printed by Mourlot. each on wove paper. S.77) etching with aquatint printed in colours. the edition was 125. Paris. the full sheet printed to the edges. 1974.£350 £200 . 1947-62. with full margins. various sizes 182 δ Joan Miró (1893-1983) From. 419 x 320 mm (16 1/2 x 12 5/8 in) £250 . 1972.860.A.

numbered 45/50. signed in pencil.LONDON 183 δ Joan Miró (1893-1983) Barcelona III (D. 1972.000 78 www. +44 (0) 20 7495 9494 .com tel.594) etching with aquatint and carborundum printed in colours. the full sheet printed to the edges. 700 x 1040 mm (27 1/2 x 41 in) £3.bloomsburyauctions.£5. on wove paper.000 .

1951. I hope you wish the same for me. Paris. published by Maeght. sheet 125 x 154 mm ( 4 7/8 x 6 1/8 in) Note: The dedication verso written in French reads: “My dear daughter First of all I wish you all the best for the new year 1961. from Verve Vol. Here it doesn’t go well this difficult disease goes worse I am having terrible days and nights suffering a dreadful pain. Paris.500 .500 185 δ Joan Miró (1893-1983) L’Été. 350 x 260 mm (13 1/2 x 10 1/4) £300 . numbered 37/45. Paris. 1938. on wove paper. 3 pochoir in colours. 1. published by Tériade Editeur. printed at Atelier 17. the full sheet printed to the edges.£2. on wove paper. with text on the verso. signed in pencil and dedicated in blue ink verso. the full sheet printed to the edges. Take care of yourself and stay in Cannes I will write to you again more thoroughly. No.LONDON 184 184 δ Joan Miró (1893-1983) Greeting Card from Aime Maeght etching printed in colours.£400 185 79 . My love from Paris” £1.

the full sheet.£600 www. Paris. with justification page. sheet 710 x 530 mm (28 x 20 7/8 in) £200 . initialled in pencil. Switzerland. 485 x 585 mm (19 1/8 x 23 in) £700 . on wove paper. 1967. on wove paper. Plate VII. loose as issued in orginal cardboard folder. numbered 5/75. 1964. with margins.£900 188 188 δ Joan Miró (1893-1983)(after) 115 Bank Street New York lithographic poster printed in colours.bloomsburyauctions. Paris. published by Galerie Bel’Art. 1991. published by Maeght Éditeur. each signed and dated in pencil. +44 (0) 20 7495 9494 .com tel. printed by Mourlot.LONDON 187 187 δ Joan Miró (1893-1983) from Flux de l’Aimant. numbered 77/100.£300 189 δ Richard Mortensen (1910-1993) Une Semaine avec Andre Breton the portfolio. on BFK Rives paper. comprising seven screenprints in colours. overall size 810 x 620 mm (32 x 24 3/8 in) 189 80 £400 . etching.

£2. A gift from the above to the present owner £1. 305 x 451 mm (12 1/8 x 17 3/4 in) Provenance: A gift from the artist to Julian Trevelyan. 1926.500 . indistinctly inscribed lower left. signed and dated lower right.LONDON 190 Renato Paresce (1886-1937) Still Life With Goblet watercolour and gouache on paper.000 81 .

+44 (0) 20 7495 9494 . sheet 445 x 330 mm (17 1/2 x 13 in) £400 .£2. with margins. 1958. on wove paper. printed and published by Mourlot.794) lithograph printed in colours.200 www. the full sheet printed to the edges. 450 x 320 mm (17 3/4 x 12 5/8 in) 191 82 £1.800 . 1947.£600 192 δ Pablo Picasso (1881-1973) L’Atelier de Cannes (B.bloomsburyauctions. artist’s proof aside from the edition of 50. from Dans l’Atelier de Picasso.LONDON 192 191 δ Pablo Picasso (1881-1973) Composition au verre Ó pied (B. Paris on Arches paper.431) lithograph.com tel.

on wove paper. with margins. 1956. from Hommage à Picasso. signed in pencil.£800 194 83 . sheet 318 x 248 mm (12 1/2 x 9 3/4 in) £600 .500 .109) lithograph. Paris. 237 x 155 mm (9 3/8 x 6 1/8 in) £1.£2. 1957. with full margins. numbered 99/100. on wove paper.000 194 δ Pablo Picasso (1881-1973) La Petite Corrida lithograph printed in colours. published by XXieme Siècle.LONDON 193 193 δ Pablo Picasso (1881-1973) Un poème dans chaque livre de Paul Eluard (C.

bloomsburyauctions.000 .£6. diametre 275 mm (10 3/4 in) £4.LONDON 195 δ Pablo Picasso (1881-1973) Plat Visage white earthenware clay plate. +44 (0) 20 7495 9494 .com tel. numbered 20/100 on the reverse in black ink.000 84 www. engraved Madoura Plein Feu the publisher’s stamp. 1965.

£350 197 δ Pablo Picasso (1881-1973)(after) Musée des Arts Décoratifs (CZW. Paris. sheet 665 x 475 mm (26 1/4 x 18 3/4 in) £400 .£450 85 . on wove paper. on wove paper. 1958. 625 x 450 mm (24 5/8 x 17 3/4) £250 . with full margins. sheet 740 x 515 mm (29 1/8 x 20 1/4 in) 198 δ Pablo Picasso (1881-1973)(after) Collages Aquarelles Gouaches (CZW. printed by Mourlot. printed by Mourlot.143) offset lithographic poster printed in colours. on wove paper.156) lithographic poster printed in colours. Paris.LONDON 196 198 197 199 196 δ Pablo Picasso (1881-1973)(after) 60 Years of Graphic Works (CZW. sheet 640 x 466 mm (25 1/4 x 18 3/8 in) 199 δ Pablo Picasso (1881-1973)(after) Antonio Machado (CZW. with margins. printed by Mourlot.105) offset lithographic poster printed in colours. Paris. on wove paper. printed by Mourlot.55) offset lithographic poster printed in colours. with full margins. 1966.£600 £250 .£350 £350 . the full sheet printed to the edges. 1955. 1959.

Paris. sheet 632 x 490 mm (24 7/8 x 19 1/4 in) 202 δ Pablo Picasso (1881-1973)(after) La Peinture Francaise (CZW. 1966.£300 201 δ Pablo Picasso (1881-1973)(after) Peintures Vauvenargues (CZW.£500 £200 . sheet 670 x 484 mm (26 3/8 x 19 in) £200 . 1960.280) offset lithographic poster printed in colours. with full margins. printed by Mourlot. on wove paper. 1962. on wove paper.£300 £250 . the full sheet printed to the edges.£350 86 www.206) offset lithograph printed in colours.bloomsburyauctions. sheet 700 x 500 mm (27 1/2 x 19 3/4 in) 203 δ Pablo Picasso (1881-1973)(after) Céramiques (CZW. on wove paper. +44 (0) 20 7495 9494 . 1967-68.LONDON 200 202 201 203 200 δ Pablo Picasso (1881-1973)(after) 45 Linoleums Graves (CZW.com tel. sheet 750 x 515 mm (29 1/2 x 20 1/4 in) £400 . on wove paper.319) offset lithographic poster printed in colours. with full margins. Paris. printed by Mourlot. printed by Mourlot Paris.174) offset lithographic poster printed in colours. with full margins.

340) two offset lithographic posters printed in colours. Paris. both printed by Mourlot.448) lithographic poster printed in colours. 1971-73. with full margins. on Arches paper.446) three offset lithographic posters printed in colours. 1973. each on wove paper with full margins. Paris. on Arches paper. with full margins. published by Editions Combat de la Paix.£300 £1. Exposition de Lithographies (CZW. sheet 900 x 627 mm (35 3/8 x 24 3/4 in) £200 .£300 205 δ Pablo Picasso (1881-1973)(after) 172 Dessins Récenzs. Arles Musée Réattu (CZW. Paris. Paris. each on wove paper. each printed by Mourlot.000 87 . with full margins.£2. 1963.£300 207 206 δ Pablo Picasso (1881-1973)(after) L’Homme a la Fraise (CZW. 1969-71. sheet 680 x 505 mm (26 3/4 x 19 7/8 in) 207 δ Pablo Picasso (1881-1973)(after) Maternité offset lithograph printed in colours.500 . overall size 720 x 500 mm (28 3/8 x 19 3/4 in) £200 . printed by Mourlot. each sheet 657 x 504 mm (25 7/8 x 19 7/8 in) £200 . Arles Musée Réattu.LONDON 204 205 206 204 δ Pablo Picasso (1881-1973)(after) Picasso d’aujourd’hui.

000 88 www. on wove paper. signed in pencil. with margins. 460 x 745 mm (18 1/8 x 19 1/4 in) £2.com tel.LONDON 208 δ Pablo Picasso (1881-1973)(after) L’Arrivee de Chevalier lithograph printed in colours.£3. 1951.000 . numbered 72/350. +44 (0) 20 7495 9494 . printed by Mourlot.bloomsburyauctions. Paris.

Bremen. each sheet 400 x 500 mm (15 3/4 x 19 5/8 in) £250 . overall size 345 x 280 mm (13 1/2 x 11 in) £500 .£700 209 89 .LONDON 210 209 δ Pablo Picasso (1881-1973)(after) Nudes two lithographs. all on Arches paper. with full margins. the sheets loose as issued within the original grey linen folding portfolio box. the title printed in black on the uppers. published by Carl Schünemann. with full margins. printed by Mourlot.£350 210 δ Pablo Picasso (1881-1973)(after) Le Gout du Bonheur 1970. two plates from the portfolio of 71 lithographs. from the edition of 666. each on Arches paper. 1969. with text. Paris.

numbered VII/XXX. 1971. 1910. 495 x 395 mm (15 1/2 x 19 1/2 in) 213 Pierre-Auguste Renoir (1841-1919) Baigneuse Debout etching.bloomsburyauctions. 167 x 110 mm (6 5/8 x 4 1/4 in) £300 . signed and titled in pencil. on Japon paper.com tel. numbered 9/100. on Arches paper. on thin laid paper.£500 www.LONDON 211 214 212 213 211 Man Ray (1890-1976) Main Bleue etching and aquatint printed in colour. 495 x 395 mm (19 1/2 x 15 1/2 in) 214 Christian Rohlfs (1849-1938) The Return of the Prodigal Son woodcut. 1916. signed in pencil. +44 (0) 20 7495 9494 . signed in pencil. with full margins. with margins.£500 £300 .£500 90 212 Man Ray (1890-1976) Magie de L’image etching with aquatint printed in colours. with full margins. with margins. 530 x 340 mm (20 7/8 x 13 3/8 in) £300 . 1971. on laid paper.£500 £300 . stamped Verbindung zur Forderung deutscher Kunst vormals Verbindung fur historische Kunst.

£700 91 . 1967.£500 218 δ Victor Vasarely (1906-1997) Composition pour Jean-Clarence Lambert screenprint with embossing. from Code. published by Le Soleil Noir. numbered 14/20 in pencil. on wove paper.LONDON 215 217 216 218 215 Rufino Tamayo (1899-1991) Personaje En La Ventana etching printed in colours. 1967. signed in pencil. signed in pencil. from 15 aquafuerte. sheet 380 x 275 mm (15 x 10 3/4 in) 216 δ Maurice Utrillo (1883-1955) La Petite Rue de Montmartre pochoir in colours. with full margins. sheet 750 x 555 mm 29 1/2 x 21 7/8 in) 217 δ Victor Vasarely (1906-1997) Composition Cinétique screenprint on plexiglass and wove paper. numbered 49/99. Barcelona. on wove paper. 1973. on Guarro paper. published by Ediciones Poligrafa. numbered 128/150. signed in white pen on the original frame.£150 £500 . with stamp signature. Paris.£600 £100 . the full sheet printed to the edges. with margins. overall size 371 x 312 mm (14 5/8 x 12 1/4 in) £300 . 1980. sheet 315 x 260 mm (12 3/8 x 10 1/4 in £400 .

with full margins.V.com tel. numbered 223/250. each 444 x 662 mm (17 1/2 x 26 1/8 in) and 395 x 445 mm (15 1/2 x 17 1/2 in) £400 . signed and inscribed F.V.£500 220 δ Victor Vasarely (1906-1997) Hommage à Jean-Sebastien Bach screenprint in colours. each on wove paper. Artistic Study of Movement two screenprints in colours.£500 219 221 δ Victor Vasarely (1906-1997) Tigers. +44 (0) 20 7495 9494 . numbered 9/40 and 6/50 respectively. with full margins. on wove paper. with full margins. 1985. 1973. each signed and inscribed F. 520 x 520 mm (20 1/2 x 20 1/2 in) £300 . signed in pencil.LONDON 219 δ Victor Vasarely (1906-1997) Cristal screenprint in colours.34/60 in pencil. 495 x 655 mm (19 1/2 x 22 1/4 in) £300 . 1931-38.£600 220 221 92 www. in pencil. orginiated in the Foundation of Vasarely. on thick wove paper.bloomsburyauctions.

600 x 425 mm (23 5/8 x 16 3/4 in) £300 . 1982. on wove paper. with full margins.£300 223 δ Victor Vasarely (1906-1997) Vertigo screenprint in colours.LONDON 222 223 222 δ Victor Vasarely (1906-1997) Untitled screenprint in colours. sheet 560 x 435 mm (22 x 17 1/8 in) £200 .£500 224 93 . numbered 193/325. numbered 284/300.£800 224 δ Victor Vasarely (1906–1997) Chillion screenprint in colours. signed in pencil. signed in pencil. numbered 8/90. 1948. on wove paper with full margins. on wove paper. with full margins. signed in pencil. 475 x 475 mm (18 3/4 x 18 3/4 in) £600 .

all on wove paper. the edition was 228. with full margins.500 94 www. 1962-67.LONDON 225 Various Artists.200 .£1.com tel. From Paroles Peintes Volumes I-V thirty-four etchings with aquatint. overall size 380 x 283 mm (15 x 11 1/8 in) £1. +44 (0) 20 7495 9494 . most printed in colours.bloomsburyauctions.

Paris. numbered 99/100 or 32/100.£500 227 95 . with full margins.LONDON 226 226 Various Artists La Mysticité Charnelle de René Crevel the set of nine etchings with aquatint printed in colours. printed by Ateliers Georges Visaton. with full margins. each sheet signed in pencil. Arpad Szenes and Vladimir Velickovic. on Arches paper. sheet 380 x 285 mm (15 x 11 1/4 in) Artists include Camille Bryen. on wove paper. overall size 770 x 535 mm (30 3/8 x 21 1/8 in) £300 . 1976. 1963-65. £300 . from La Mysticité Charnelle de René Crevel. Paris. Robert Couturier. Jorge Camacho. published by Éditions Georges Visat.£500 227 Various Artists Musee Galeria (+ 2 works) three offset lithographic posters printed in colours. each printed by Mourlot.

overall size 504 x 376 mm (19 7/8 x 14 3/4 in) This lot includes works by: Bruno Krauskopf. Charles Rollier and Constantin Terechkovitch. 229 Various Artists Untitled (+6 works) seven works of various media. each on wove paper. Henri Michaux.£300 £100 .com tel.£150 96 www. 1948-69. +44 (0) 20 7495 9494 . each signed.bloomsburyauctions.LONDON 228 229 228 Various Artists The Tower (+ 4 works) five lithographs printed in colours. on wove paper. Bert Grotjohann and John Craig. with margins. £200 . overall size 560 x 760 mm (22 x 29 7/8 in) This lot includes works by the following artists: Helena Markson.

LONDON ARTIST’S BOOKS 97 .

printed by Andre Sauret. the full sheets loose as issued in the original printed covers.225 & No. comprising two lithographs printed in colours. Paris. Paris. the full sheets loose as issued in the original printed covers. 1977-1979. Paris. published by Mourlot. comprising three lithographs printed in colours.£250 £250 . on wove paper. loose as issued. 380 x 280 mm (15 x 11 in) £250 . comprising one lithograph printed in colours.£350 98 www. 246 the two publications. on wove paper. text and justification. bound as issued with original printed wrappers. overall size 380 x 285 mm (15 x 11 1/4 in) £150 . 320 x 250 mm (12 1/2 x 9 7/8 in) 232 δ Marc Chagall (1887-1985) Derrière le Miroir No. 1972. each with title-page.£200 231 δ Marc Chagall (1887-1985) Derrière le Miroir No. Paris. with text and reproductions. comprising two lithographs printed in colours.235 the two publications. 1979-1981.bloomsburyauctions. text and justification. overall size 380 x 285 mm (15 x 11 1/4 in) 233 δ Marc Chagall (1887-1985) Derrière le Miroir No. published by Maeght Editeur. text and justification. 1963.198 the publication. on wove paper.LONDON 230 232 231 233 230 δ Georges Braque (1882-1963) Braque Lithographe the book. +44 (0) 20 7495 9494 . with title-page.235 & No. published by Maeght. each with title-page. published by Maeght.£350 £150 .com tel.

text and justification. text and justification. comprising one lithograph printed in colours. with titlepage.500 234 99 . Paris. bound as issued in the original boards and wrappers with cardboard slipcase. with title-page. on wove paper. published by Maeght Editeur. Paris. bound as issued within the orginal lithographed wrappers. 1969.000 . overall size 235 x 205 mm (9 1/4 x 8 in) £1. 1957.£500 235 δ Marc Chagall (1887-1985) Chagall the book. Paris. printed by Mourlot Freres. overall size 370 x 270mm (14 1/2 x 10 5/8 in) £300 . published by Siecle. comprising thirteen lithographs mostly printed in colours. on wove paper.LONDON 235 234 δ Marc Chagall (1887-1985) Le Ballet the book.£1.

195773.LONDON 236 236 δ Marc Chagall (1887-1985) Lithographs I-IV four volumes of the catalogue raisonné. bound as issued in orginal printed wrappers. published by Editions Andre Sauret.£250 www. the German and English editions.com tel. text and reproductions. Monaco and Herausgeben Von Weber. Die Biblische Botschaft two books. bound as issued in the orginal boards with lithographed wrappers.000 . Geneva respectively. overall size 330 x 253 mm (13 x 10 in) £2. on wove paper. Paris. 1972. printed and published by Mourlot. each with title-page.000 237 δ Marc Chagall (1887-1985) The Ceramics and Sculptures of Chagall. on wove paper. comprising twenty-four lithographs mostly printed in colours.bloomsburyauctions. overall size 330 x 254 mm (13 x 10 in) 237 100 £150 . +44 (0) 20 7495 9494 . comprising two lithographs printed in colours.£3.

Paris. on wove paper.000 . bound as issued in the original boards and matching slipcase. Paris. overall size 335 x 250 mm (13 1/4 x 9 7/8 in) £600 .£3. published by Andre Seuret. published by Andre Sauret. 1962. overall size 330 x 255 mm. bound as issued in the original paper wrappers. the incomplete deluxe edition of the book. text and reproductions. (13 x 10 in. with title-page. 1960. text and justification. the French edition.000 238 101 . Monaco.) £2. printed by Mourlot. with title-page.£800 239 δ Marc Chagall (1887-1985) Chagall Lithographe I. on Arches paper.LONDON 239 238 δ Marc Chagall (1887-1985) Vitraux pour Jerusalem the book. comprising two lithographs printed in colours. comprising 12 lithographs mostly printed in colours.

Brace and Company.com tel. +44 (0) 20 7495 9494 .LONDON 240 δ Marc Chagall (1887-1985) Illustrations for the Bible the book.500 102 www.£2.bloomsburyauctions. on wove paper. published by Harcourt. text and reproductions. with titlepage. 1956. overall size 365 x 265mm (14 3/8 x 10 3/8 in) £2. bound as issued in the original printed boards. comprising twenty-nine lithographs mostly printed in colours. New York.000 .

comprising 100 woodcuts printed in colours. Salani.1039-1138) the book in six volumes. the sheets loose as issued within the original printed boards and matching slipcases. text and justification in French. Italy.LONDON 241 δ Salvador Dalí (1904-1989) La Divine Comédie (M. with title-pages. published by Arti e Scienze.500 103 . on wove paper.£3.500 .&L. each 355 x 280 mm (14 x 11 in) £2. 1960.

bound as issued in the original printed wrappers. overall size 322 x 260 mm (12 5/8 x 10 1/4 in) £400 .£400 £300 . Paris. text and reproductions. on wove paper. published by Claude Duthuit Éditeur. overall size 355 x 265 mm (14 x 10 1/2 in) £300 . comprising two aquatints printed in colours. bound as issued. within the original lithographed wrappers. text and reproductions. Paris.bloomsburyauctions. on wove paper. with title-page. bound as issued in original orange cloth boards. comprising a double-page lithograph printed in colours. with title-page and text. text and reproductions. Geneva. 1983. published by Editions des Trois Collines. with title-page. with title-page. on wove paper. 325 x 245 mm (12 3/4 x 9 5/8 in) 245 δ Henri Matisse (1869-1954) Verve No. Milan.£500 104 www. published by Teriade. overall size 395 x 300mm (15 1/2 x 11 7/8 in) 244 δ Henri Matisse (1869-1954) L’oeuvre Grave Vol. loose as issued within original boards and the original blue slipcase.£600 £200 .com tel.£300 243 Henri Matisse (1869-1954) Les Fauves the book. +44 (0) 20 7495 9494 .4 the publication. 1972. published by M’Arte Edizioni. 1949. 1939.1 & 2 two volumes of the catalogue raisonné.LONDON 242 244 243 245 242 Masuo Ikeda (1934-1997) Gennaio A Kyoto the book.

LONDON 246 246 δ Henri Matisse (1869-1954) Verve Vol. No. text and reproductions.500 . Paris. 380 x 280 mm (15 x 11 in) £150 . loose as issued in original wrappers. the sheets bound as issued within the original illustrated boards.£200 247 105 . published by Maeght. comprising forty lithographs mostly printed in colours.s 35 & 36 the publication. with title-page. with title-page and text. 1958. on wove paper. Paris. overall size 365 x 275 mm (14 3/8 x 10 7/8 in) £2.500 247 δ Henri Matisse (1869-1954) Derrière Le Miroir No. comprising ten lithographs. the title printed in red on the uppers.IX.46 the publication.£3. 1952. published by Editions de la Revue Verve.

published by Éditions Anthèse. 1954. comprising twenty lithographs after Matisse printed in colours. text and justification.LONDON 248 δ Henri Matisse (1869-1954) Portraits the book. 320 x 250 mm (12 1/2 x 9 7/8 in) £1. loose as issued in the orginal linen-covered boards and matching slipcase. printed by Mourlot and Ferreri.com tel.£900 www. 410 x 318mm (16 1/8 x 12 1/4in) 249 106 £700 . with title-page. comprising one lithograph. with title-page. on Lana Royal paper. 2004. on wove paper.£1. on wove paper. bound as issued in paper-covered boards and slipcase. Paris.bloomsburyauctions. +44 (0) 20 7495 9494 . Paris.000 . a facsimile of the 1947 edition. text and justification in French. Monte Carlo. published by André Sauret.200 248 249 δ Henri Matisse (1869-1954) (after) Jazz the book.

overall size 357 x 530 mm (14 x 20 7/8) 252 δ Joan Miró (1893-1983) Joan Miró the book. with title-page. bound as issued in the original printed wrappers. comprising thirty-two lithographs printed in colours. bound as issused in the original boards with lithographed wrappers. 1-3 in Spanish. 1975.£300 £600 .998-1021) the incomplete portfolio.£400 £600 . comprising eighteen lithographs printed in colours. 1972-1982. published by Ediciones Poligrafa. printed and published by Mourlot. 235 x 205 mm (9 1/4 x 8 1/8 in) £300 . 1956. Paris. Paris. each on wove paper. Paris loose as issused in original linen box. bound as issued in the original boards within lithographed wrappers. printed by Maeght. New York. overall size 330 x 260mm (13 x 10 1/4 in) £200 . Paris. II. on wove paper.LONDON 250 252 252A 251 250 δ Joan Miró (1893-1983) L’enfance d’Ubu (M. with title-page. text and justification. comprising seven lithographs printed in colours. 1975.4 in German. text and justification. the English edition. the full sheets printed to the edges.£800 107 . Vol. each on wove paper. Vol. printed by Maeght. overall size 330 x 260mm (13 x 10 1/4 in) 252A δ Joan Miró (1893-1983) Lithographs Vol. text and justification. printed and published by Mourlot. the book. published by Maeght Editeur. Paris. published by Leon Amiel Publisher. with title-page. Barcelona. comprising eleven lithographs printed in colours.£800 251 δ Joan Miró (1893-1983) Lithographs I-IV the four volumes.

on wove paper.bloomsburyauctions. with the title-page.LONDON 253 253 δ Pablo Picasso (1881-1973) A Los Toros (B. comprising one lithograph printed in colours. bound as issued in the grey linen-covered boards and red paper covered slipcase. a special issue of XXe siecle. 1971. Monte Carlo. text and justification. published by André Sauret Editeur. Paris.£350 www. the German edition. 1961.1014-1017) the book. published by SPADEM.500 . one printed in colours. comprising four lithographs. bound as issued in the original boards and printed paper wrappers.000 254 Pablo Picasso (1881-1973) Hommage à Pablo Picasso the book. +44 (0) 20 7495 9494 . overall size 320 x 250 mm (12 5/8 x 9 7/8 in) 254 108 £250 .£2.com tel. overall size 260 x 330 mm (10 1/4 x 13 in) £1.

comprising one etching printed in colours as the cover.£800 109 . with title-page. text and reproductions. 1962. on wove paper.£500 256 δ Pablo Picasso (1881-1973) L’Age de Soleil the book.£500 £600 . 273 x 215 mm (10 3/4 x 8 1/2 in) 256 257 £300 . Cannes.LONDON 255 255 δ Pablo Picasso (1881-1973) Les Déjeuners the book. published by Teriade. comprising sixteen lithographs printed in colours. published by Galerie Madoura. bound as issued in the original paper cover. Paris. with title-page. bound as issued in original printed paper wrappers. Paris. with title-page. comprising one heliogravure. 1950. 1954. on wove paper. printed by L’imprimerie Arnera. on wove paper. 285 x 230 mm (11 1/4 x 9 in) 257 δ Pablo Picasso (1881-1973) Verve No. bound as issued in the original printed wrappers. text and justification. text and justification. 365 x 270mm (14 1/4 x 10 5/8 in) £300 . published by Aux Depens de L’auteur. the edition was 1000.29/30 the publication. Valllauris.

Paris. +44 (0) 20 7495 9494 . text by Héron de Villefosse and justification.bloomsburyauctions. Milan. comprising one etching. 395 x 300mm (15 1/2 x 11 7/8in) £400 . with margins.£700 www.£600 260 δ Moïse Kisling (1891-1953)(after) L’Épopée Bohémienne the portfolio. housed in the original red cloth covered porfolio box. comprising two aquatints printed in colours. 1959. overall size 400 x 310 mm (15 3/4 x 12 1/4 in) £200 .com tel. with the original yellow slipcase. published by Editions Pierre Belfond. loose as issued. 1970. six wood engraved vignettes and twelve colour reproductions.LONDON 260 258 258 Man Ray (1890-1976) Alphabet Pour Adultes the portfolio. loose as issued.£300 259 δ Ceri Richards (1903-1971) Elegiac Sonnet the book. housed in the original cloth covered porfolio case. with title-page and text. numbered 104/130. 1970. comprising thirty six lithographs. loose as issued within original boards. lacking the rayograph. published by M’Arte Edizioni. on Arches paper. on wove paper. with title-page and signed text. overall size 420 x 310 mm (16 1/2 x 12 1/4 in) 259 110 £500 . with title-page.

with title-page. text and reproductions. on wove paper. 1938. comprising four lithographs printed in colours by Wassily Kandinsky and André Masson. the publication. Klee and Bonnard. with title-page. Paris. text and reproductions. published by Teriade. Numbers One . printed by Mourlot Fréres.£700 262 Various Artsits Verve No. 1939. Tériade. Paris. 355 x 265 mm (14 x 10 1/2 in) £250 . overall size 350 x 260 mm (13 3/4 x 10 1/4 in) 263 Various Artists Verve No. each with title-page. by artists including Braque. Paris. bound as issued in the original printed wrappers. published by Teriade. each within the original printed covers. Rouault. comprising six lithographs printed in colours. published by E. Klee. Paris. on wove paper. Léger. Miró. Matisse. bound as issued in the orginal printed wrappers. 2.LONDON 262 261 261 Various Artists Verve Volume I. Matisse.Four the four issues of the publication.£350 £150 . 5/6 the publication.£200 111 . Masson and Kandinsky. comprising original lithographs mostly printed in colours by artists including Chagall. overall size 360 x 270 mm (14 1/8 x 10 5/8 in) 263 £500 . text and reproductions.1937-1939.

Alechinsky and Fiedler.£350 £150 . New York. published by Tudor Publishing Co.com tel. Antoni Tapies. 1960. the full sheets. Kandinsky and Léger. overall size 380 x 280 mm (15 x 11 in) 267 Various Artists XXe Siècle No. Paris. by artists including Saul Steinberg. with title-page. on wove paper. overall size 320 x 250 mm (12 1/2 x 9 3/4 in) £250 . including one lithograph by Miro printed in colours.14 Nouvelles Situations de L’art Contemporain the book.£200 112 www.15 The Revolution of Color the book. published by Cahiers d’Art. Chagall. with title-page. loose as issued within original lithographed wrappers. and Eduardo Chillida. published by Maeght. on wove paper.£350 265 266 Various Artists XX Siècle No.£300 264 Various Artists Derrière le Miroir No. Marc Chagall.119 the publication. bound as issued in the original boards. bound as issued within the original boards. 1960. +44 (0) 20 7495 9494 . all on wove paper. bound as published in the original lithographed wrappers. comprising three lithographs by Chagall. text and reproductions. comprising eleven lithographs mostly printed in colours by artists including Braque.250 the publication. overall size 315 x 245 mm (12 3/8 x 9 5/8 in) £200 . Ellsworth Kelly. text and reproductions.bloomsburyauctions. 1960. on wove paper.. Paris. with title-page. 1982. text and justification.LONDON 264 266 267 265 Various Artists Derriere le Miroir No. overall size 380 x 280 mm (15 x 11 in) £250 . Joan Miro. comprising twenty-four lithographs printed mostly in colours.

Leger. comprising various lithographs mostly printed in colours. by artists including Braque. on wove paper. published by Pierre Bordas. with title-page. Derain. each sheet printed to the edges. comprising two lithographs printed in colours. on wove paper. overall size 335 x 265 mm (13 1/4 x 10 1/2 in) Including works after Dubuffet. Esteve. Chagall. Mattise. Cocteau and Prevert £200 . with title page. text and justification. on wove paper. comprising five lithographs mostly printed in colours. Miro and Giacometti. Paris. 380 x 280 mm (15 x 11 in) £700 . Picasso.£900 269 δ Various Artists Derrière le Miroir No. Calder. Delvaux. 1946-1956. housed in original cloth covered case with title printed in brown on the uppers. 1982.107-109 the publication. bound as issued within the original lithographed wrappers. loose as issued in original lithographed wrappers. Chagall and Miro.LONDON 269 268 268 Various Artists Derrière le Miroir: Dix ans d’edition the book. 1958. Paris. Paris. published by Maeght Editeur. loose as issued in the original wrappers. published by Maeght Editeur.£900 270 270 Various Artists A Meme La Pierre Fernand Mourlot Lithographe the complete portfolio.£300 113 . overall size 380 x 285mm (15 x 11 1/4 in) £700 . and two etchings. Braque. by artists including Chagall.

with full margins.v. published by Politischen Club Colonia für Studien und Aktionen zum Frieden e. an artists proof aside from the edition.com tel. Turan and Wendt. overall size 410 x 300 cm. each signed and inscribed epreuve d’artiste in pencil.LONDON 271 272 271 Various Artists Douze Lithographies the incomplete portfolio.£300 £800 . This lot includes the following artists: Camille Bryen. Max Ernst. +44 (0) 20 7495 9494 . loose as issued in cardboard folder. each signed in pencil. Carrey. Robert Courturier. numbered 96/100. on Arches.. Man Ray. Paris. 1953. Paeffgen and Rune Mields. Sebatian Matta.Gindertael. the sheets loose as issued within the original boards and matching slipcase. Sonia Delaunay. C. 1990. Karl Marx. loose as issued housed in the original stiff paper folio. with title-page. published by Éditions Georges Visat. Jorge Camacho. Andre Masson. comprising eleven etchings with aquatint and one lithograph printed in colours. Viera da Silva £200 . (16 1/8 x 11 3/4 in) This lot includes works by the following artist’s: Hans-Peter Adamski. comprising four offset lithographs printed in colours.£300 272 Various Artists Kunstler für Athiopien Portfolio the incomplete portfolio.bloomsburyauctions. presented by R. for the ‘Menschen für Menschen’ foundation by Karl-Heinz Böhm. Dorothea Tanning. text and justification. text in French and justification. Vladimir Vélickovic. Paris.200 114 www. each sheet 602 x 800 mm (23 3/4 x 31 1/2 in) 273 273 Various Artists La Mysticite Charnelle de Rene Crevel the incomplete portfolio. on wove paper.O. by Calliyannis. each signed in pencil. with title-page. 1976.V. Cologne. overall size 410 x 340 mm (16 1/8 x 13 3/8 in) £200 . numbered 20/100 on the accompanying edition note. Sauer. Arpad Szenes.£1. comprising five of the twelve lithographs printed in colours.

Eric Gaudin and Katia Schmitt. Alfred Hrdlicka. loose as issued in the original blue linen portfolio. Rome.LONDON 274 275 274 Artsits Dopo il Surrealismo the incomplete portfolio. published by Pantheon Press. numbered 48/250. each sheet signed in pencil. Michel Lecoste.500 276 No Lot £300 .£1. with justification and introduction by Wieland Schmied. 1986. André Masson. Bernard Schultze. Uwe Bremer.£400 115 . with title embossed in gilt on the uppers. on Arches paper. Jorge Castillo. Ernst Fuchs. overall size 775 x 555 mm (30 1/2 x 21 5/8 in) This lot includes works by the following artists: Peter Ackermann. eight with aquatint and one lithograph. text and justification. Salvador Dalí. Friedrich Meckseper. Erich Brauer. 1973. Johnny Friedländer. comprising ten etchings. numbered 138/150 or LVIII/ LXX. each signed in pencil. Eric Schlimberger.000 . with their blindstamp. overall size 810 x 597 mm (32 x 23 1/2 in) 275 Various Artists Centenaire de la Statue de la Liberté the complete portfolio. Hugh de Saint-Morland. with title-page. Paris. Including works by Michel Dubre. comprising six lithographs printed in colours. £1. printed by Mourlot. loose as issued in the orginal blue linen portfolio box.

com tel.bloomsburyauctions. +44 (0) 20 7495 9494 .LONDON CONTEMPORARY 116 www.

LONDON 277 δ Yaacov Agam (b. on plexiglass. 1976. signed and inscribed 37/75 AP in blue felt-tip pen. with full margins.£700 117 . an artist’s proof aside from the edition.1928) Spirit of America screenprint in colours. 225 x 225 mm (8 7/8 x 8 7/8 in) £500 .

bloomsburyauctions. numbered from the edition of 50. numberd 28/100.£500 278 279 Jennifer Allora & Guillermo Calzadilla Untitled pigment print in colours. 1973. signed in black ink. with full margins. on Japanese watercolour paper. signed in pencil. on a chessboard. 2013. +44 (0) 20 7495 9494 . sheet 770 x 1080 mm (30 3/8 x 42 1/2 in) £500 .£700 279 118 www.com tel. published by the Philadelphia Museum of Art.LONDON 278 δ Arman (1928-2005) Chessboard from: Hommage à Marcel Duchamp screenprint in colours. 415 x 420 mm (16 1/4 x 16 1/2 in) £300 .

£1. signed and dated in pencil. overall size 290 x 255 mm (11 3/8 x 10 in) £800 . London. produced in collaboration with Malborough Graphics. bound as issued. London. on Somerset paper.1931) Head of Julia etching. as included in the limited edition of the book Frank Auerbach: Paintings and Drawings 1954-2001 accompanying the artist’s exhibition at the Royal Academy of Arts.LONDON 280 δ Frank Auerbach (b. printed by Mark Balakjian at Studio Prints. numbered 31/150. 2001. London.200 119 . with full margins.

numbered 13/125.LONDON 281 δ Charming Baker (b. on wove paper. +44 (0) 20 7495 9494 . with full margins.bloomsburyauctions.com tel.£1.000 .500 120 www. 650 x 540 mm (25 1/2 x 21 1/4 in) £1.1964) Bird III screenprint in colours with hand drawn element. 2013. signed in pencil.

with full margins.000 121 . numbered 13/20.1964) Try not to always think of the worst screenprint in colours with hand applied gold leaf. 2013.£3. 985 x 720 mm (38 3/4 x 28 3/8 in) £2.000 . signed in pencil.LONDON 282 δ Charming Baker (b. on wove paper.

000 122 www. sheet 995 x 695 mm (39 1/8 x 27 3/8 in) Authenticated by Pest Control Office Accompanied by a certificate of authenticity from Pest Control Office £2. published by Pictures on Walls. London.bloomsburyauctions. +44 (0) 20 7495 9494 .LONDON 283 δ Banksy (b.000 . 2004. the full sheet printed to the edges. on wove paper. numbered 297/600 in pencil.com tel.£3.1974) Flying Copper screenprint in colours.

1974) Gangsta Rat screenprint in colours.000 .LONDON 284 δ Banksy (b. London. with full margins.£5. 2004. with their blindstamp.000 123 . London £3. sheet 500 x 350 mm (19 5/8 x 13 3/4 in) This work has been authenticated by Pest Control Office. published by Pictures on Walls. on wove paper. London Accompanied by a certificate of authenticity from Pest Control Office. numbered 320/350 in pencil.

numbered 220/600.com tel. London Accompanied by a certificate of authenticity from Pest Control Office.1974) Girl with Balloon screenprint in colours.bloomsburyauctions. London £15.000 124 www. published by Pictures on Walls.000 . 2004. +44 (0) 20 7495 9494 . with their blindstamp.£20.LONDON 285 δ Banksy (b. sheet 700 x 500 mm (27 1/2 x 19 3/4 in) This work has been authenticated by Pest Control Office. London. with full margins. on wove paper.

LONDON 125 .

1974) Grannies screenprint in colours. London. +44 (0) 20 7495 9494 .bloomsburyauctions. Accompanied by a certificate of authenticity from Pest Control Office. 2006.com tel. sheet 565 x 765 mm (22 1/4 x 30 1/8 in) This work has been authenticated by Pest Control Office.£3. with full margins. with their blindstamp. numbered 160/500.500 . on wove paper.LONDON 286 δ Banksy (b. £2. published by Pictures on Walls.500 126 www.

published by Pictures on Walls.LONDON 287 δ Banksy (b. 2003.000 . £6.£8. Accompanied by a certificate of authenticity from Pest Control Office. signed and dated in black ink. London.000 127 . sheet 700 x 500 mm (27 1/2 x 19 3/4 in) This work has been authenticated by Pest Control Office. numbered 50/750. with full margins.1974) Happy Choppers screenprint in colours. on wove paper.

+44 (0) 20 7495 9494 . on wove paper. London.000 128 www.com tel. 290 x 440 mm (11 3/8 x 17 1/4 in) This work has been authenticated by Pest Control Office.1974) HMV Dog screenprint. 2003. published by Pictures on Walls. London £3. with the red stamped signature. with full margins.£4.000 . numbered 338/600.bloomsburyauctions. London Accompanied by a certificate of authenticity from Pest Control Office.LONDON 288 δ Banksy (b.

the full sheet printed to the edges.1974) Laugh Now screenprint in colours.LONDON 289 δ Banksy (b. London. £3. on wove paper. sheet 698 x 498 mm (27 1/2 x 19 5/8 in) This work has been authenticated by Pest Control Office. published by Pictures on Walls.£5. Accompanied by a certificate of authenticity from Pest Control Office. London.000 . 2003.000 129 . numbered 176/600.

+44 (0) 20 7495 9494 . on wove paper. s heet 490 x 342 mm (19 1/4 x 13 1/2 in) This work has been authenticated by Pest Control Office.com tel. with their blindstamp. 2005.£15. signed and dated in pencil.000 130 www.000 . London £10. London Accompanied by a certificate of authenticity from Pest Control Office.LONDON 290 δ Banksy (b. with full margins. numbered 64/150. published by Pictures on Walls.1974) Love Rat screenprint in colours. London.bloomsburyauctions.

LONDON 131 .

+44 (0) 20 7495 9494 . numbered 469/500. with their blindstamp. with full margins.000 . Accompanied by a certificate of authenticity from Pest Control Office.£5. 2007. £3. London.com tel.000 132 www. on wove paper. published by Pictures on Walls.1974) Morons screenprint in colours.LONDON 291 δ Banksy (b. 560 x 760 mm (22 x 29 7/8 in ) This work has been authenticated by Pest Control Office.bloomsburyauctions.

Accompanied by a certificate of authenticity from Pest Control Office.000 133 .£5. £3.LONDON 292 δ Banksy (b. 2004. sheet 500 x 700 mm (19 3/4 x 27 1/2 in) This work has been authenticated by Pest Control Office. with full margins. on wove paper.1974) Pulp Fiction screenprint in colours.000 . London. numbered 416/600. published by Pictures on Walls.

London.1974) Toxic Mary screenprint in colours. published by Pictures on Walls. on wove paper.£3. the full sheet printed to the edges. sheet 700 x 500 mm (27 1/2 x 19 3/4 in) This work has been authenticated by Pest Control Office.500 134 www. 2004.500 .LONDON 293 δ Banksy (b.com tel. numbered 291/600. Accompanied by a certificate of authenticity from Pest Control Office.bloomsburyauctions. £2. +44 (0) 20 7495 9494 .

Alexander de Cadenet. Accompanied by a certificate of authenticity from Pest Control Office. numbered 581/750. James Boswell. Peter Kennard. Brian Jones. published by Pictures on Walls. Ralph Steadman.000 .£5. John Keane. Paul Mattsson. 2003. on wove paper.£8. Billy Childish. 2004.000 294A 135 . Clifford Harper.000 294A Various Artists Pax Britannica the complete portfolio. £6. comprising twenty-six prints of various media. each signed. £3. London. Jenny Matthews.T. 21stC and Gee Vaucher. David Gentleman. James Cauty.000 . Antonio Pacitti.T. Richard Hamilton. overall size 235 x 325 mm (9 1/4 x 12 3/4 in) The portfolio includes prints by . on various papers. Alan Kitching. in the original black portfolio. published by Aquarium Gallery. the edition was 100.LONDON 294 294 δ Banksy (b. Jamie Reid. sheet 350 x 1000 mm (13 3/4 x 39 3/8 in) This work has been authenticated by Pest Control Office. Steve Bell.1974) Weston Super-Mare screenprint in colours. with full margins. London.Banksy. Sir Anthony Caro. Martin Rowson.O. S.

the full sheet printed to the edges.£500 297 δ Peter Blake (b. 2015.£500 296 δ Peter Blake (b.bloomsburyauctions. sheet 650 x 435 mm (25 5/8 x 17 7/8 in) £300 .com tel. on wove paper.£200 136 297 www. signed and inscribed ‘A/P 2’ in pencil. signed in pencil. 2013. the full sheet printed to the edges . +44 (0) 20 7495 9494 .LONDON 295 295 δ Peter Blake (b1932) I LOVE YOU screenprint in colours. with full margins. an artisit’s proof aside from the edition of 200.1932) Babe Rainbow screenprint in colours on tin. on thick wove paper. 1967. published by Dark Matter Studio. London.1932) Hogarth Dog ink jet print in colours. sheet 295 x 210 mm (11 5/8 x 8 1/4 in) £150 . sheet 296 x 420 mm (11 5/8 x 16 1/2 in) 296 £300 . numbered 77/200.

000 299 δ Peter Blake (b.1932) Summer Days screenprint in colours. published by CCA Galleries. London. 2007. London. sheet 285 x 210 mm (11 1/4 x 8 1/4 in) 298 £200 . with full margins. 2015. on wove paper. signed in pencil. published by Dark Matter Studio.1932) Tattooed Man ink jet print in colours. 890 x 440 mm (35 x 17 3/8 in) £1. on wove paper.500-2.£300 137 . with full margins. numbered 154/175.LONDON 299 298 δ Peter Blake (b. signed in pencil. numbered 49/150.

1932) The American Trilogy Elvis three screenrpints in colours.bloomsburyauctions. each sheet 1000 x 755 mm (39 3/8 x 29 3/4 in) £4. London. numbered 60/150.000 138 www. two with diamond dust. each on wove paper.LONDON 300 δ Peter Blake (b. +44 (0) 20 7495 9494 . published by CCA Galleries. with full margins.£6. with their blindstamp.000 . 2012. each signed in pencil.com tel.

LONDON

302

303

305

302
δ Peter Blake (b.1932)
The Dead Came Out In Their Sunday Best
screenprint in colours, 2012, signed in pencil,
numbered 123/250, published by the National
Museum of Wales, on stiff wove paper, with full
margins, 250 x 200 mm (9 7/8 x 7 7/8 in)
£400 - £600
303
δ Mark Boyle (1934-2005)
Brighton Poetry Exhibition Poster
offset lithographic poster printed in colours, 2012,
on card, the full sheet printed to the edges,
sheet 765 x 510 mm (30 1/8 x 20 1/8 in)

304

£100 - £150
304
δ Cecily Brown (b.1969)
Untitled 1
archival pigment print in colours, 2012,
on wove paper, with full margins,
sheet 358 x 280 mm (14 1/4 x 11 in)

305
δ Simon Bull (b.1958)
Rising Dawn
giclee print with hand finishing, signed in black ink,
numbered 3/150, on canvas,
1065 x 710 mm (41 7/8 x 28 in)

This work is accompanied by a certificate of
authenticity signed by the artist.

£300 - £500

£100 - £150
139

LONDON

306

308

307

309

306
Alexander Calder (1898-1976)
From Flying Colours
three lithographs printed in colours, 1974,
each on wove paper, with full margins,
each sheet 510 x 664 mm (20 1/8 x 26 1/8 in)

308
δ Anthony Caro (1924-2013)
Belt Buckle-Momart Christmas Card
cast bronze belt-buckle, 1993, inscribed with the
publication details verso,
110 x 70 mm (4 3/8 x 2 3/4 in)

£250 - £350

£200 - £300

307
Alexander Calder (1898-1976)(after)
115 Bank Street NY
lithographic poster printed in colours, 1970, printed by
Mourlot, Paris, on BFK Rives paper, with margins,
sheet 710 x 530 mm (28 x 20 7/8 in)

309
δ Christo (b. 1935)
Wrapped Monument to Leonardo,
Project Piazza Della Scala, Milano
lithograph printed in colours, 1971, signed in pencil,
numbered 159/999, on wove paper, the full sheet
printed to the edges,
sheet 741 x 553 mm (29 1/8 x 21 3/4 in)

£200 - £300

£600 - £800
140

www.bloomsburyauctions.com tel. +44 (0) 20 7495 9494

LONDON

310

312

311

313

310
δ Mat Collishaw (b.1966)
Insecticide 28
chromogenic print, 2012, signed in black felt tip
pen verso, numbered 44/100, on Epson paper, with
margins, 400 x 400 mm (15 3/4 x 15 3/4 in)

312
δ Mat Collishaw (b.1966)
Insecticide 38
chromogenic print, 2012, signed in black felt tip pen
verso, numbered 1/100, on Epson paper, with margins,
400 x 400 mm (15 3/4 x 15 3/4 in)

£300 - £500

£300 - £500

311
δ Mat Collishaw (b.1966)
Insecticide 35
chromogenic print, 2012, signed in black felt tip verso,
numbered 46/100, on Epson paper, with margins,
400 x 400 mm (15 3/4 x 15 3/4 in)

313
δ Mat Collishaw (b.1966)
Blowback
chromogenic print, 2015, signed in black felt tip pen
verso, numbered 7/100, on Epson paper, with margins,
sheet 540 x 422 mm (21 1/4 x 16 5/8 in)

£300 - £500

£300 - £500
141

LONDON

314

315

314
δ D*Face
No More Heroes (Blue)
screenprint in colours, 2008,
signed in pencil, numbered 42/150,
on wove paper, with full margins,
580 x 950 mm (22 7/8 x 37 3/8 in)
£200 - £300
315
δ Peter Davies (b.1970)
Fun One Hundred
screenprint in colours, 2001,
signed in pencil, numbered 9/250,
published by Eyestorm, London,
on wove paper, with full margins,
840 x 600 mm (33 x 23 5/8 in)
£400 - £600

316

316
δ Ian Davenport (b.1966)
Colourplan Series - Royal Blue
etching with chine colle printed in
colours, 2011, signed and dated
in pencil, numbered 3/30,
on wove paper, with full margins,
sheet 830 x 800 mm (32 5/8 x 31 1/2 in)
£1,500 - £2,000

142

www.bloomsburyauctions.com tel. +44 (0) 20 7495 9494

sheet 595 x 750 mm (23 3/4 x 29 1/2 in) £800 . 2013.1959) Canoe aquatint printed in colours.LONDON 317 317 δ Peter Doig (b.£1.200 318 δ Peter Doig (b. signed and dated in pencil. the full sheet printed to the edges.£1. numbered 32/500. the full sheet printed to the edges. on wove paper.200 318 143 . on wove paper. sheet 864 x 639 mm (34 x 25 1/8 in) £800 .1959) Imaginary Boys pigment print in colours. 2008. signed and dated in pencil. numbered 134/500.

£500 320 321 δ César Domela (1900-1992) 10 Constructivist Studies the portfolio comprising ten screenprints. from the edition of 119.bloomsburyauctions. numbered 93/250. with full margins. Hamburg.000 . 350 x 260 mm (13 3/4 x 10 1/4 in) £1.£600 320 δ Peter Doig (b. each signed in pencil. sheet 635 x 517 mm (25 x 20 3/8 in) £300 . on Zerkall paper. the full sheet printed to the edges. +44 (0) 20 7495 9494 . numbered 17/130. published by Galerie Bargera. Koln. 2006. with signed justification. signed and dated in pencil.£2. housed in original printed cardboard folder. 1973.LONDON 321 319 319 δ Peter Doig (b. 2004. with margins. on wove paper. on Somerset Velvet wove paper.1959) Man by a River (from Black Palms) etching with aquatint printed in colours. sheet 535 x 382 mm (21 x 15 in) £400 . published by Griffelkunst-Vereinigung. loose as issued.000 144 www.1959) Masqueraders giclee and screenprint in colours. signed in pencil.com tel.

on laid paper. signed in black ballpoint pen. with full margins. signed. numbered 422/1000. on laid paper. 1994. 425 x 390 mm (16 3/4 x 15 3/8 in) £200 .£300 323 δ Tracey Emin (b. with full margins. 2010.LONDON 322 324 323 325 322 δ Tracey Emin (b. 425 x 390 mm (16 3/4 x 15 3/8 in) 324 δ Tracey Emin (b. numbered 17/100. 2010. bound as issued in original cardboard cover. signed.1963) Dragon Fly polymer gravure etching. titled and dated in pencil. signed. with full margins. titled and dated in pencil. 2010.1963) Exploration of the Soul the book. numbered 21/100.£300 £200 .1963) For You polymer gravure etching. 155 x 160 mm (6 1/8 x 6 1/4 in) 325 δ Tracey Emin (b.£300 145 . text and two photo reproductions. on wove paper. numbered 219/300.1963) Moth polymer gravure etching. with title-page. titled and dated in pencil. sheet 200 x 247 mm (7 7/8 x 9 3/4 in) £200 .£300 £200 .

the edition was 1000. signed in pencil. with full margins. with full margins. on laid paper.1963) When I Think About Sex lithograph. numbered 86/200. titled and dated in pencil.com tel.£500 146 www. 2010. with full margins. signed.£700 327 δ Tracey Emin (b. signed and dated in pencil. published by Emin International. London.LONDON 326 327 328 326 δ Tracey Emin (b. 389 x 485 mm (15 1/4 x 19 1/8 in) 328 δ Tracey Emin (b. 2010. on Japanese Misumi paper.£500 £500 . on thin wove paper. sheet 590 x 840 mm (23 1/4 x 33 in) £300 . 425 x 390 mm (16 3/4 x 15 3/8 in) £300 .1963) Tiny Golden Hearts polymer gravure etching. London. +44 (0) 20 7495 9494 . 2005.1963) No Idea polymer gravure. numbered 17/100.bloomsburyauctions. published by the White Cube Gallery.

signed and dated in pencil. with margins. numbered 51/75 and inscribed AP 9/9 in pencil respectively. printed by Colin Dyer. an artist’s proof aside from the edition of 27. signed in pencil. on wove paper. 615 x 460 mm (24 1/4 x 18 1/8 in) 331 δ Barry Flanagan (1941-2009) Atlantic Moon eight linocuts printed in colours. with full margins. on wove paper. numbered 446/450. London.£300 330 Shepard Fairey (b.£300 147 .1970) Duality of Humanity I screenprint in colours. overall size 342 x 565 mm (13 1/2 x 22 1/4 in) £200 . on wove paper. 1976-83. 2009.£300 £700 . each on wove paper. Field Day two etchings.£900 332 δ Barry Flanagan (1941-2009) Cob Study. with full margins. published by Waddington Graphics.LONDON 329 331 330 332 329 Shepard Fairey (b. both signed in pencil. with full margins. London. each signed and dated in pencil. 1983. published by Waddington Graphics. 2008. sheet 915 x 610 mm (36 x 24 in) £200 .1970) Peace Bomber screenprint. each sheet 285 x 385 mm (11 1/4 x 15 1/8 in) £200 .

2003-2008. with full margins. on wove paper. on wove paper.£700 336 δ Barry Flanagan (1941-2009) Milieu aquatint printed in colours. with full margins. together with one screenprint.bloomsburyauctions.LONDON 333 335 334 336 333 δ Barry Flanagan (1941-2009) David Sylvester etching.£500 334 δ Barry Flanagan (1941-2009) Explic A Me etching with aquatint.L 1 in pencil. on wove paper. signed and inscribed AP 1/10 in pencil. signed and inscribed G. on wove paper.S. numbered 6/20. +44 (0) 20 7495 9494 . sheet 455 x 375 mm (17 7/8 x 14 3/4 in) £200 . with full margins. sheet 342 x 410 mm (13 1/2 x 16 1/8 in) 335 δ Barry Flanagan (1941-2009) Jessica’s Forearm four etchings. an artists proof aside from the edition.£300 £500 . numbered variously. signed and inscribed AP 6/10 in pencil. overall size 310 x 305 mm (12 1/4 x 12 in) £300 . with full margins. 2003. with full margins. an artists proof aside from the edition of 40. signed and dated in pencil. 1994. sheet 630 x 690 mm (24 3/4 x 27 1/8 in) £300 . each signed and dated in pencil. on Arches paper.£500 148 www.com tel.

on Arches paper. each sheet 500 x 655 mm (19 3/4 x 25 3/4 in) £300 . sheet 590 x 455 mm (23 1/4 x 17 7/8 in) 338 δ Barry Flanagan (1941-2009) Reclining Nude.£300 339 δ Barry Flanagan (1941-2009) Storyboard etching. 1984. with full margins. on Arches paper.£500 £200 . sheet 380 x 570 mm (15 x 22 1/2 in) £200 . Resting Nude. titled and dated in pencil. 1994. signed. 1990. numbered from the edition of 6. with full margins. London.LONDON 338 337 339 337 δ Barry Flanagan (1941-2009) Nijinski etching with aquatint printed in colours. numbered 33/40. each signed and dated in pencil.£300 149 . on wove paper. with full margins. published by Waddington Graphics. an artists proof aside from the edition. signed and inscribed AP 6/10 in pencil. Sleeping Nude three lithographs.

1985.£500 341 150 342 www. with title page. +44 (0) 20 7495 9494 . 1968.1935) Annabel’s the complete portfolio.bloomsburyauctions. 2001. and justification. each signed in pencil.LONDON 340 δ Lucio Fontana (1899-1968) The Magnetic Seven / Il Sette Magnetico etching. numbered 20/150. introduction by Lucian Freud.£2.1962) Orbital lithograph printed in colours with spot varnish. with margins. each sheet loose. on wove paper. printed by Giergio Upiglio. Milano. one with extensive hand-colouring in red. overall size 527 x 406 mm (20 3/4 x 16 in) £300 . within the original black cardboard box. numbered 31/100. signed and dated in pencil. 355 x 230 cm (13 7/8 x 9 in) £1. the full sheet printed to the edges. on mould-made Velin Arches 300 gsm paper.000 341 δ Mark Francis (b. on wove paper.500 .com tel. published by Galleria Arturo Schwarz.£600 340 342 δ Nicholas Garland (b. sheet 750 x 595 mm (29 1/2 x 23 1/2 in) £400 . signed in pencil. numbered 225/250. comprising fourteen linocuts.

£2. with margins. numbered 95/250.1950) Brain Field lithograph printed with linseed oil. 1972. signed. on thick wove paper. sheet 690 x 1000mm (27 1/8 x 39 3/8 in) £100 . 2014. printed by Curwen Studio. with full margins. Denmark and World House Editions. signed. with full margins. titled and dated verso. from Covent Garden Suite.£900 £1. Middlebury. published by Editions Copenhagen.200 344 δ Antony Gormley (b. Connecticut. dated and numbered 18/40 verso. dated and numbered 25/100 in pencil verso. 2013. 2007.1950) Domain etching. on wove paper.£150 £800 . sheet 490 x 775 mm (19 1/4 x 30 1/2 in) 345 δ Antony Gormley (b. signed.1930) Endell Street lithograph printed in colours. on wove paper. sheet 280 x 217 mm (11 x 8 1/2 in) 346 δ Antony Gormley (b. numbered 22/70.LONDON 343 345 344 346 343 δ David Gentleman (b. titled. sheet 380 x 303 mm (15 x 12 in) £700 .1950) Body pigment print in colours. on Arches paper. with full margins.000 151 . signed in pencil.£1.500 .

000 152 www.1950) Horizon field etching. signed. 324 x 498 mm (12 3/4 x 19 5/8 in) £3.bloomsburyauctions. on BFK Rives paper.com tel. printed by Thumbprint Editions. numbered 41/80.£4. 2010. London. +44 (0) 20 7495 9494 . with full margins.LONDON 347 δ Antony Gormley (b. dated and inscribed ‘HF’ in pencil verso.000 .

with full margins. co-published by Editions Copenhagen.£1. numbered 12/40. 2011.1950) Shared Visions pigment print. published by Oak Tree Fine Press. signed and dated in pencil verso.500 348 153 . sheet 690 x 1000 mm (27 1/8 x 39 3/8 in) £1. 2007. signed in pencil. printed by Editions Copenhagen. Connecticut.000 .1950) Singularity lithograph. Copenhagen. numbered 95/150.LONDON 349 348 δ Antony Gormley (b. on two sheets of Arches paper. on wove paper.£900 349 δ Antony Gormley (b. overall size 280 x 215 mm (11 x 8 1/2 in) £700 . with full margins. Copenhagen and World House Editions.

LONDON 350 δ Antony Gormley (b. +44 (0) 20 7495 9494 .bloomsburyauctions.£3. with full margins. signed and dated in pencil.500 154 www.500 .1950) Sublimate etching with aquatint. on BFK Rives paper. 2008. 343 x 495 mm (13 1/2 x 19 1/2 in) £2.com tel. numbered 20/60 verso.

500 353 Keith Haring (1958-1990) Shopping Bag from Tokyo’s Haring Pop Shop printed plastic bag. 1982. on Schoeller Durex paper. 1970. signed in pencil. on wove paper. 1987. with full margins.000 . 310 x 320 mm (12 1/4 x 12 5/8 in) £1. numbered 457/5000. signed in pencil.£900 155 .£1.135) screenprint and collotype printed in colours. numbered 62/100. 670 x 870 mm (26 3/8 x 34 1/4 in) £250 . dated and with a drawing of a dog in black felt-tip pen. Lengmoos.£350 352 δ Richard Hamilton (1922-2011) Hugh Gaitskell as a Famous Monster of Filmland (1963)(L. Munich. published by Waddington Graphics. with full margins. 482 x 42 mm (19 x 16 1/2 in) 353 £700 . published by Dorothea Leonhart.77) screenprint in colours. printed by the artist and Dieter Dietz at Dietz Offizin. signed. Bavaria.LONDON 351 352 351 δ Richard Hamilton (1922-2011) Kent State (L. London.

with full margins.£3.000 156 www. +44 (0) 20 7495 9494 .1965) Ala-His woodcut printed in colours.com tel. sheet 295 x 230 mm (11 5/8 x 9 1/8 in) £2.LONDON 354 δ Damien Hirst (b.bloomsburyauctions.500 . 2012. signed in pencil. on wove paper.

London. signed in pencil. 2012.000 . sheet 802 x 635 mm (31 5/8 x 25 in) £6. with full margins.LONDON 355 δ Damien Hirst (b. on wove paper. published by The Paragon Press.000 157 .1965) Ala-Met woodcut printed in colours.£8.

2012. 2012.com tel. signed in pencil. published by The Paragon Press. published by The Paragon Press.1965) Amnoitic Fluid Red screenprint in colours.bloomsburyauctions.£3. signed in pencil. the full sheet printed to the edges.LONDON 356 δ Damien Hirst (b. +44 (0) 20 7495 9494 .000 357 158 www.£3.500 . on Somerset paper. sheet 310 x 310 mm (12 1/4 x 12 1/4 in) £2. t he full sheet printed to the edges. numbered 4/55 verso. on Somerset paper.000 356 357 δ Damien Hirst (b. numbered 4/55 verso. sheet 310 x 310 mm (12 1/4 x 12 1/4 in) £2.1965) Equilin Blue screenprint in colours.500 .

on Somerset paper. the full sheet printed to the edges. 2012.LONDON 358 δ Damien Hirst (b. published by The Paragon Press. published by The Paragon Press.500 .000 359 159 .1965) Quisqualic Pink screenprint in colours. signed in pencil. the full sheet printed to the edges.000 358 359 δ Damien Hirst (b. sheet 310 x 310 mm (12 1/4 x 12 1/4 in) £2. numbered 5/55 verso. 2012.1965) Meparticin Orange screenprint in colours.£3.£3. sheet 310 x 310 mm (12 1/4 x 12 1/4 in) £2.500 . numbered 5/55 verso. on Somerset paper. signed in pencil.

sheet 155 x 385 mm (6 1/8 x 15 1/8 in) £1. signed in pencil. the full sheet printed to the edges.000 360 361 δ Damien Hirst (b.£2.000 .1965) Ferric Ammonium Citrate Purple and Orange screenprint in colours. +44 (0) 20 7495 9494 . sheet 260 x 260 mm (10 1/8 x 10 1/8 in) £3. signed in pencil.com tel.1965) Glycine Cresol Red screenprint in colours.500 . numbered 4/55 verso.LONDON 360 δ Damien Hirst (b.000 361 160 www. 2011. on Somerset paper.bloomsburyauctions. 2011.£5. the full sheet printed to the edges. on Somerset paper. numbered 5/55 verso. published by The Paragon Press.

numbered 84/150. with full margins. signed in pencil. on wove paper. London.000 161 .£7.1965) Meprobamate screenprint in colours with glaze. 2011.000 . published by Other Criteria.LONDON 362 δ Damien Hirst (b. sheet 700 x 940 mm (28 x 37 in) £5.

327 x 242 mm (12 7/8 x 9 1/2 in) £800 .1965) New Beginnings Green screenprint in colours. published by The Paragon Press.£1.500 364 162 www. signed in white pencil. numbered 53/55 verso. the full sheet printed to the edges. the full sheet printed to the edges.200 363 364 δ Damien Hirst (b.bloomsburyauctions. signed in pencil.LONDON 363 δ Damien Hirst (b.1965) For The Love of God screenprint in colours. sheet 660 x 490 mm (26 x 19 1/4 in) £3. London. 2007. numbered 1329/1700. on wove paper. 2011.500 . +44 (0) 20 7495 9494 .£4. on wove paper.com tel. published by Other Criteria.

on wove paper. from In a Spin. signed in pencil. the edition was 68. 2002. signed in pencil.200 365 366 δ Damien Hirst (b.£2.800 . the Action of the World on Things I portfolio.500 . 2002. London. published by Charles Booth-Clibborn under his imprint. sheet 910 x 710 mm (35 3/4 x 28 in) £1. the Action of the World on Things I portfolio. The Paragon Press. from In a Spin.1965) Wheel within a wheel etching printed in colours. the edition was 68.£2.1965) I Saw the Half of the Moon etching printed in colours. with full margins.LONDON 365 δ Damien Hirst (b. The Paragon Press. published by Charles Booth-Clibborn under his imprint. London. sheet 910 x 710 mm (35 3/4 x 28 in) £1.000 366 163 . on wove paper. with full margins.

1965) Circles in the sand etching printed in colours. +44 (0) 20 7495 9494 . the edition was 68.500 . signed in pencil. published by Charles Booth-Clibborn under his imprint. from In a Spin. with full margins.000 164 www.£2.500 .1965) Spinning Wheel etching printed in colours. The Paragon Press. the edition was 68. 2002. on wove paper. the Action of the World on Things I portfolio. the Action of the World on Things I portfolio. sheet 910 x 710 mm (35 3/4 x 28 in) 368 £1.com tel.LONDON 367 369 368 δ Damien Hirst (b. London.000 367 δ Damien Hirst (b.500 .£2. London. The Paragon Press. 2002. 2002. signed in pencil.1965) Ring-a-ring of roses etching printed in colours. on wove paper.bloomsburyauctions. London. with full margins. the edition was 68. from In a Spin.£2. published by Charles Booth-Clibborn under his imprint. the Action of the World on Things I portfolio. from In a Spin. sheet 910 x 710 mm (35 3/4 x 28 in) 369 δ Damien Hirst (b. on wove paper. signed in pencil. The Paragon Press.000 £1. with full margins. published by Charles Booth-Clibborn under his imprint. sheet 910 x 710 mm (35 3/4 x 28 in) £1.

each sheet 990 x 700 mm (39 x 27 1/2 in) £600 . housed in grey linen covered portfolio cover. the full sheets printed. comprising six etchings with aquatint in-text. all on smooth wove paper. 1969. signed and numbered 99/100 in pencil on the title-page.£800 371 165 . The Elusive Truth.1937) Rapunzel (T. 78) the leporello. Gagosian Gallery. overall size 470 x 325 mm (18 1/2 x 12 3/4 in) £600 . each signed in ball-point pen. on wove paper. loose as issued.1965) The Elusive Truth the set of four offset lithographic posters printed in colours. New York.£800 370 371 δ David Hockney (b. from the edition of 100 on occasion of the artists exhibition.LONDON 370 δ Damien Hirst (b. 2005.

200 .bloomsburyauctions. London.LONDON 372 δ David Hockney (b.104) etching with aquatint. numbered 61/100. signed in pencil. +44 (0) 20 7495 9494 . Amsterdam. on Hodgkinson handmade paper. 160 x 250 mm (6 3/8 x 9 7/8 in) £1.£1. with full margins.com tel.800 166 www. 1969. Published by Petersburg Press. from Illustrations for Six Fairy Tales From the Brothers Grimm. printed by the Print Shop.1937) Riding around on a Cooking-Spoon (T.

the full sheet printed to the edges. sheet 655 x 370 mm (25 3/4 x 14 1/2 in) £800 .P. numbered 52/200.C. with full margins 350 x 428 mm (13 3/4 x 16 7/8 in) £800 .£1. published by Petersburg Press. 1976-77. in pencil.£1.A.LONDON 374 373 δ David Hockney (b. signed in pencil.200 374 δ David Hockney (b. on Arches paper.1937) The Poet (T. 1969. on wove paper. from The Blue Guitar. a printer’s proof aside from the edition of 65. London and New York.200 373 167 .113) lithograph. signed and inscribed P.190) etching and aquatint printed in colours.1937) Portrait of Felix Mann (S.

LONDON 375 δ David Hockney (b.344) etching with aquatint printed in colours. +44 (0) 20 7495 9494 . signed and dated in pencil. printed by Maurice Payne.bloomsburyauctions.1937) Small Dogs (T.260 x 410 mm (10 1/4 x 16 1/8 in) £6./David Hockney. with full margins.000 . published by George Mulder. inscribed AP III/XV.£8.000 168 www. on Arches paper. Los Angeles. an artist’s proof aside from the edition of 80. Lococo Mulder Inc.com tel. 1995.

signed. London. printed by Westerham Press. 1977. printed by Maurice Payne at the Petersburg Studios. published by Sonnabend Editions.1937) Hockney’s Alphabet the book. text and reproductions. with title-page. 1991. published by Petersburg Press. signed in ink.1932) Nick (H.LONDON 376 δ David Hockney (b.Please see p. 1975.£800 378 377 169 . signed by the artist and the editor Stephen Spender. London & New York. New York. sheet 270 x 205 mm (10 5/8 x 8 1/8 in) £500 .172) soft-ground etching with aquatint.1937) My Parents chromogenic print. Kent.£600 378 δ Howard Hodgkin (b. aside from the edition of 100. with full margins. bound as issued in yellow buckram. overall size 345 x 252 mm (13 1/2 x 9 7/8 in) £400 . sheet 660 x 796 mm (26 x 31 3/8 in) 376 £600 . on wove paper. numbered 20/80. London. dated and inscribed Stage Proof in pencil. on photographic paper.£700 377 David Hockney (b. published by Faber and Faber for the Aids Crisis Trust. with margins.

with full margins. from the edition of 60.000 170 www. 655 x 340 mm (25 3/4 x 13 3/8 in) £3.000 . on Somerset Satin paper. London. +44 (0) 20 7495 9494 .1962) Untitled 01 (from Sister Troop) collaged screenprint in colours on brushed aluminium card. published by the Paragon Press. 2009.com tel.£4. signed and dated in pencil.LONDON 379 δ Gary Hume (b.bloomsburyauctions.

published by the Paragon Press. from the edition of 60.1962) Untitled 03 (from Sister Troop) collaged screenprint in colours on brushed aluminium card. with full margins. London.£4.000 171 . on Somerset Satin paper. signed and dated in pencil. 2009.000 . 600 x 337 mm (23 5/8 x 13 1/4 in) £3.LONDON 380 δ Gary Hume (b.

600 x 530 mm (23 5/8 x 20 7/8 in) £3.000 172 www. published by the Paragon Press. with full margins.LONDON 381 δ Gary Hume (b.£4.000 . 2009. from the edition of 60.bloomsburyauctions.1962) Untitled 05 (from Sister Troop) collaged screenprint in colours on brushed aluminium card. signed and dated in pencil. +44 (0) 20 7495 9494 .com tel. on Somerset Satin paper. London.

from the edition of 60. published by the Paragon Press.000 173 .000 . 595 x 470 mm (23 3/8 x 18 1/2 in) £3. 2009. on Somerset Satin paper. signed and dated in pencil. with full margins.1962) Untitled 08 (from Sister Troop) collaged screenprint in colours on brushed aluminium card. London.LONDON 382 δ Gary Hume (b.£4.

+44 (0) 20 7495 9494 .000 .1962) London Fields linocut printed in colours.000 174 www. with full margins. published by the Paragon Press. sheet 1338 x 970 mm (52 5/8 x 38 1/4 in) £6. 2012.com tel. from the edition of 56. on 410gsm Somerset Satin paper.bloomsburyauctions. titled and dated in pencil. London. signed.LONDON 383 δ Gary Hume (b.£8.

the full sheet. 600 x 420 mm (23 5/8 x 16 1/2 in) £2.LONDON 384 δ Gary Hume (b. published by the Paragon Press.£500 385 175 . signed and dated in pencil. dated and numbered 382 verso. London. signed. from the edition of 60. with full margins. overall size 369 x 315 mm (14 1/2 x 12 3/8 in) £300 . on wove paper.000 .000 384 385 δ Gary Hume (b. 2009. 2013. on Somerset Satin paper.1962) One Thousand Windows acrylic on paper in a frame designed by the artist.1962) Untitled 10 (from Sister Troop) collaged screenprint in colours on brushed aluminium card. titled.£3.

each signed in pencil.bloomsburyauctions.a.500 176 387 www. +44 (0) 20 7495 9494 .W. signed in pencil. the sheets loose as issued in original brown paper-covered portfolio. on A. 1997.£500 387 Robert Indiana (b. each sheet 610 x 508 mm (24 x 20 in) £1.N.£1..LONDON 386 386 δ Jörg Immendorff (1945-2007) Ohne Titel screenprint in colours. numbered 170/200. Crestwood Museum Edition paper. printed by Freeman Burks. with title-page and justification. with full margins.com tel. published by Michael McKenzie. 2012. inscribed e. comprising twelve embossings in colours with accompanying poems. sheet 1070 x 785 mm (42 1/8 x 30 7/8 in) £300 .000 .1928) The Book of Love the incomplete portfolio. an artist’s proof aside from the edition of 100. with full margins. on Hahnemühle wove paper.

1971.1930) Philadelphia Museum of Art Poster offset lithographic poster printed in colours. sheet 1000 x 700 mm (39 3/4 x 27 1/2 in) 390 Jasper Johns (b. from 1st Etchings. sheet 895 x 605 mm (35 1/4 x 23 3/4 in) £600 .000 . with margins. published by Kunsthalle Bern. New York. numbered 24/40. 1969.1930) Painting With Two Balls. printed by Universal Limited Art Editions. published by Philadelphia Museum of Art. on wove paper.LONDON 389 388 388 Jasper Johns (b. with margins. on wove paper.1930) Numerals (Small) etching with aquatint.000 389 Jasper Johns (b. 2nd state. signed and dated in pencil. on wove paper. 118 x 95 mm (4 5/8 x 3 3/4 in) 390 £2. 1970. Die Graphik screenprint printed in colours.£3.£800 £200 . with full margins.£300 177 .

signed and dated in pencil.bloomsburyauctions.£8.L. numbered 17/28.000 .000 178 www.1930) Periscope II lithograph. 1979. on wove paper.LONDON 391 Jasper Johns (b. with full margins. +44 (0) 20 7495 9494 . 1275 x 915 mm (50 1/4 x 36 in) £6.com tel.. Los Angeles. published by Gemini G.E.

London.£700 393 δ Allen Jones (b. Angeles Press. 1988. titled and dated in pencil.d) lithograph printed in colours.1937) The Forest (from Islands)(l. published by Waddington Graphics. on wove paper.1937) The Promontory (from Islands)(l. Los Angeles. 7/10.102. printed by Toby Michel.a) lithograph printed in colours. Angeles Press.1937) That is the Question (L.P. printed and published by the Royal College of Art. numbered 11/15.P.102.. signed and dated in pencil. printed by Toby Michel.80 a-b) lithograph printed in colours on two sheets as published. London.1937) Totem (L. the full sheet printed to the edges. 750 x 1065 mm (29 1/2 x 41 7/8 in) £400 . published by Waddington Graphics. with full margins. London. an artist’s proof aside from the edition of 60. on wove paper. an artist’s proof aside from the edition of 60. 7/10. signed and dated in pencil. signed. on Arches paper. Chicago. 482 x 355 mm (19 x 14 in) 394 £500 . 1964. published by Waddington Graphics. 1979.21) lithograph printed in colours with offset lithographic element.. the full sheets printed to the edges. numbered 22/50. Los Angeles. inscribed A. 1988.LONDON 393 392 392 δ Allen Jones (b. the full sheet printed to the edges. 750 x 1065 mm (29 1/2 x 41 7/8 in) 395 δ Allen Jones (b.£600 £400 . Landfall Press. overall 660 x 960 mm (26 x 37 3/4 in) £500 .£600 179 . printed by Jack Lemon. London. on Arches paper. signed and dated in pencil. inscribed A.£700 395 394 δ Allen Jones (b.

housed in the original black box as issued.LONDON 396 δ Anish Kapoor (b.500 180 www.1954) Untitled (Ring object) sterling silver ring with red lacquer. 40 x 25 mm (1 5/8 x 1 in) £1.com tel.£1. signed in black ink on accompanying certificate. +44 (0) 20 7495 9494 . numbered 58/75. published by Kunsthaus Bregenz.bloomsburyauctions.000 . produced by Schellmann. 2003.

461 x 291 mm (18 1/8 x 11 1/2 in) £800 .LONDON 397 KAWS (b. Paris.200 397 398 δ Idris Khan (b.1974) Imaginary Friends Invitation offset lithograph printed in colours. the full sheet printed to the edges.£1. signed and dated in pencil.200 398 181 . on wove paper. overall 170 x 210 mm (6 3/4 x 8 1/4 in) £800 . numbered 34/80.1978) Over and Over and Over screenprint. 2012. signed and dated in black felt-tip pen. 2013. the invitation of the Imaginary Friends Exhibition at Galerie Perrotin.£1. on card. with full margins.

published by Kelpra Studio with their blindstamp.£700 399 400 R.£300 400 182 www. signed in black ink. printed by Craddock & Craddock Ltd. B. sheet 750 x 603 mm (29 1/2 x 23 3/4 in) £200 . with full margins. numbered 10/40.bloomsburyauctions. B.. signed in pencil. London. on wove paper. 1963/4. Kitaj (1932-2007) Chris [Prater] (R.com tel. Kitaj (1932-2007) Errata screenprint in colours. with full margins. 742 x 505 mm (29 1/4 x 19 7/8 in) £500 .LONDON 399 R. 1980.226) screenprint in blue. on wove paper. from the series Kelpra Studio/Tate Gallery Portfolio. +44 (0) 20 7495 9494 .

numbered 0204 from the edition of 1800. the full sheet printed to the edges.LONDON 401 Jeff Koons (b. housed in the original red canvas clamshell box. signed.000 .1955) Koons the book.1955)(after) Bear and Policeman offset lithograph printed in colours.500 402 183 .500 401 402 Jeff Koons (b. signed in black pen.000 . on glossy wove paper. sheet 840 x 600 mm (33 x 23 2/3 in) £1. published by Taschen. 2007. dated and inscribed To beauty in simple things in silver felt-tip pen.£1. overall size 490 x 375 mm (19 1/4 x 14 3/4 in) £1. 1993.£1. with title embossed on the uppers and spine.

printed by K2 Screen. London. housed in the orginal blue cardboard box with the title printed in silver on the uppers.298) screenprint in colour.LONDON 403 403 Yayoi Kusama (b. 2000. +44 (0) 20 7495 9494 . 300 x 350 mm (11 7/8 x 13 3/4 in) £3. on 270 gsm colorplan paper.000 .000 404 Yayoi Kusama (b. inscribed ‘YAYOI KUSAMA’ on the base.£500 www. numbered from the edition of 200. overall size 107 x 125 x 125 mm (4 1/4 x 4 7/8 x 4 7/8 in) 404 184 £300 . signed.£5. published by the Serpentine Gallery.bloomsburyauctions.com tel.1929) Pumpkin 2000 (K. titled and dated in pencil. London. with full margins.1929) Pumpkin painted ceramic sculpture.

with full margins. for the calendar of the Department of Painting and Printmaking. on wove paper. wood and plastic.£1. Tokyo University of the Arts.1959) Universal Soldier etching printed in colours. overall 140 x 90 x 90 mm (5 1/2 x 3 1/2 x 3 1/2 in) £800 .£2. 2012.200 406 185 .1959) Mori Girl resin. housed in the original cardboard box. numbered 138/400.000 406 Yoshitomo Nara (b.500 . 2004.LONDON 405 405 Yoshitomo Nara (b. signed in pencil. sheet 150 x 193 mm (5 7/8 x 7 5/8 in) £1. the edition was 1000.

with their inkstamp verso. numbered 74/300 verso.bloomsburyauctions. printed by Chaudigital.£900 407 408 δ Chris Levine (b.com tel. 1960) Sequence 1. with full margins. titled and dated in pencil. published by St. 2011. on wove paper. £600 .LONDON 407 δ Gerald Laing (1936-2011) Jean Harlow screenprint in colours with platinum leaf and silver-dollar foil. from Superstar pigment print in colours. signed and dated in pencil. Pancras Editions. 2010. on wove paper.£800 408 186 www. London. signed. numbered 75/200. with their blindstamp. 1050 x 710 mm (41 1/4 x 28 in) £700 . +44 (0) 20 7495 9494 . London. with margins.

printed by Watanabe Studio Ltd.£1. 1991. signed in pencil. sheet 1194 x 1194 mm (47 x 47 in) £800 . sheet 1194 x 1194 mm (47 x 47 in) £800 .£1.200 409 410 Sol LeWitt (1928-2007) from Colours with Lines in Four Directions screenprint in colours. with full margins. with full margins. numbered 14/30. signed in pencil.LONDON 409 Sol LeWitt (1928-2007) from Colours with Lines in Four Directions screenprint in colours.. on wove paper. New York. on wove paper. numbered 14/30. 1991. printed by Watanabe Studio Ltd..200 410 187 . New York.

500 411A 188 www. New York.500 411 411A Sol LeWitt (1928-2007) Forms Derived from a Cube screenprint in colours. on wove paper.bloomsburyauctions. New York. sheet 813 x 813 (32 x 32 in) £1. sheet 813 x 813 (32 x 32 in) £1. signed in pencil. +44 (0) 20 7495 9494 . 1991.000 .£1.£1. 1991. signed in pencil. numbered 21/35. on wove paper. numbered 11/35. with full margins. with full margins. printed by Watanabe Studios.LONDON 411 Sol LeWitt (1928-2007) Forms Derived from a Cube screenprint in colours. printed by Watanabe Studios.com tel.000 .

1980. 1980. New York and Fotografia. New York. printed by Watanabe Studios. with full margins. on wove paper. signed in pencil.500 411B 412 Sol LeWitt (1928-2007) a collection of fifteen books on the artist.000 . sheet 813 x 813 (32 x 32 in) £1. numbered 11/35.£1.LONDON 411B Sol LeWitt (1928-2007) Forms Derived from a Cube screenprint in colours. all bound as issued in the original boards and wrappers. including Sunrise & Sunset at Praino.£150 412 189 . published by Rizzoli International Publications. 1991. overall size 310 x 310 mm (12 1/4 x 12 1/4 in) £100 .

with full margins. numbered 30/80. signed in pencil. from Mirror Series (C. on wove paper. 1972. printed and published by Gemini G.£5.000 . +44 (0) 20 7495 9494 .E.com tel. 870 x 616 mm (34 1/4 x 24 1/4 in) £3.bloomsburyauctions.000 190 www.110) lithograph with screenprint in colours.L.LONDON 413 Roy Lichtenstein (1923-1997) Mirror no 5.. Los Angeles.

LONDON 414 Roy Lichtenstein (1923-1997) Mirror no 8. with full margins. sheet 1038 x 1346 mm (40 7/8 x 53 in) £3.E. 1972. printed and published by Gemini G. Los Angeles. numbered 3/50.113) lithograph with screenprint in colours.L. signed in pencil.000 191 ..000 . on wove paper. from Mirror Series (C.£5.

. 1983. +44 (0) 20 7495 9494 . an artist’s proof aside from the edition of 60. with full margins.196) woodcut printed in colours. printed and published by Petersburg Press Inc. from the Seven Apple Woodcuts series.000 192 www.com tel. sheet 772 x 930 mm (30 3/8 x 36 5/8 in) £5. dated and inscribed AP 13/14 in pencil.000 .LONDON 415 Roy Lichtenstein (1923-1997) Red Apple (C.bloomsburyauctions. on handmade Iwano Kizuki Hosho wove paper. London and New York. signed.£7.

.15) offset lithographic poster printed in colours. New York. each sheet 640 x 527 mm (25 1/8 x 20 3/4 in) £1. each on wove paper.500 . signed in pencil. from the edition of unknown size.. Ltd. 1965. 615 x 740 mm (24 1/4 x 29 1/8 in) 417 Roy Lichtenstein (1923-1997)(after) As I Opened Fire the set of three offset lithographs printed in colours.LONDON 416 417 416 Roy Lichtenstein (1923-1997)(after) Brushstroke (C.£500 193 . Amsterdam. published by Stedelijk Museum. Amsterdam.£2. on smooth wove paper. with full margins.000 £300 . with full margins. printed by Drukkerij Luii & Co.II. published by Poster Originals. 1966.

sheet 1000 x 730 mm (39 3/8 x 28 3/4 in) £700 . with full margins. on wove paper. +44 (0) 20 7495 9494 . sheet 490 x 445 mm (19 1/4 x 17 1/2 in) £700 . numbered 91/95. signed in pencil.£900 194 www. 2005.1975) Giant Freak lithograph. sheet 490 x 445 mm (19 1/4 x 17 1/2 in) £700 .£900 419 δ Antony Micallef (b. signed in pencil. published by Eyestorm. 2005. 2005. Chilford.1975) Shibuya Crossing lithograph. numbered 90/95. on wove paper.bloomsburyauctions. with full margins.£900 419 420 δ Antony Micallef (b. London.LONDON 418 420 418 δ Antony Micallef (b.1975) Girl Tokyo lithograph. numbered 83/95. Chilford. on wove paper. published by the Curwen Press. the full sheet printed to the edges.com tel. published by the Curwen Press. signed in pencil.

000 195 .500 .1964) Love Conquers Nothing giclee print in colours. numbered 27/35.LONDON 421 δ Harland Miller (b. 2011. the full sheet printed to the edges.£3. signed in pencil. sheet 420 x 336 mm (16 1/2 x 13 1/4 in) £2. on wove paper. published by Other Criteria. London.

bloomsburyauctions. 2013. on Japanese watercolour paper.com tel.1961) Untitled (Pelé) chromogenic print. from the edition of 500. +44 (0) 20 7495 9494 . sheet 610 x 455 mm (24 x 17 7/8 in) £800 .£700 422 423 Vik Muniz (b.200 423 196 www. sheet 830 x 1117 mm (32 5/8 x 44 in) £500 .LONDON 422 Vik Muniz (b. 2003. signed in pencil. with full margins. signed by Pele in black ink.£1. numbered from the edition of 50.1961) The Football Player pigment print in colours.

LONDON 424 425 424 Takashi Murakami (b. published by Kaikai Kiki Co. on smooth wove paper. the full sheet printed to the edges. published by Kaikai Kiki Co. Ltd.. 680 x 680 mm (26 3/4 x 26 3/4) 426 £600 . 2008.1962) An Homage to Monopink 1960 B offset lithograph printed in colours.1962) Acupuncture/Flowers offset lithograph printed in colours.. on smooth wove paper. numbered 85/300.1962) An Homage to Monogold 1960 A offset lithograph printed in colours. Tokyo. signed in silver ink.£800 197 . 737 x 530 mm (29 x 20 7/8 in) £600 . Ltd. the full sheet printed to the edges.. numbered 129/300. Tokyo. signed in silver ink. 2012. published by Kaikai Kiki Co. Tokyo..£800 425 Takashi Murakami (b. 737 x 530 mm (29 x 20 7/8 in) £600 .. 2012.. the full sheet printed to the edges. on smooth wove paper.£800 426 Takashi Murakami (b. signed in black ink. Ltd. numbered 109/300.

690 x 690 mm (27 1/8 x 27 1/8 in) £700 .1962) Hypha Will Cover the World Little by Little. Tokyo.1962) Kansei: Like The River’s Flow offset lithograph printed in colours.. on smooth wove paper. numbered 103/300.. Tokyo. Ltd.bloomsburyauctions. numbered 87/200.LONDON 427 Takashi Murakami (b. +44 (0) 20 7495 9494 . signed in silver ink. Tokyo. offset lithograph printed in colours.. numbered 181/300.. 2007.. the full sheet printed to the edges. diameter 707 mm (27 7/8) £600 . 2010. the full sheet printed to the edges. published by Kaikai Kiki Co.. sheet 640 x 1296 mm (25 1/4 x 50 7/8 in) 427 £700 .£900 428 Takashi Murakami (b.. published by Kaikai Kiki Co. signed in silver ink. signed in felt-tip pen.com tel.. published by Kaikai Kiki Co. on smooth wove paper.1962) Kiki with Moss offset lithograph printed in colours. 2003. the full sheet printed to the edges. Ltd.£800 428 429 Takashi Murakami (b. Ltd. on smooth wove paper.£900 429 198 www.

2012. numbered 33/700. published by Kaikai Kiki Co. signed in silver felt-tip pen. published by Kaikai Kiki Co..£600 431 Takashi Murakami (b. the full sheet printed to the edges. numbered 199/300. on smooth wove paper. with margins. Tokyo.. Tokyo. Skulls. Peonies. sheet 710 x 1400 mm (28 x 55 1/8 in) 430 £700 . 720 x 720 mm (28 3/8 x 28 3/8 in) £400 . 2009.1962) Of Chinese Lions..1962) Surprise! offset lithograph printed in colours.£900 431 199 . Ltd. Ltd.LONDON 430 Takashi Murakami (b. and Fountains offset lithograph printed in colours. on smooth wove paper.. signed in silver pen.

1962) Reversed Double Helix . Tokyo.1962) Pom & Me offset lithograph printed in colours... Ltd. the full sheet printed to the edges.bloomsburyauctions. on smooth wove paper.  1032 x 730 mm (40 5/8 x 28 3/4) £600 . +44 (0) 20 7495 9494 .1962) Reversed Double Helix offset lithograph printed in colours. published by Kaikai Kiki Co. on smooth wove paper. Ltd.LONDON 432 Takashi Murakami (b.£900 433 Takashi Murakami (b. sheet 1020 x 720 mm (40 1/8 x 28 3/8 in) £700 . full sheet printed to the edges.£700 433 200 434 www. 2005. 2005..black head brown body offset lithograph printed in colours with glitter. numbered 161/300. published by Takashi Murakami/Kai Kai Kiki Co.com tel. the full sheet printed to the edges. Tokyo. numbered 159/300. numbered 98/300. signed and dated in blue ink. signed in silver ink. Japan.. on smooth wove paper.£800 432 434 Takashi Murakami (b. sheet 703 x 550 mm (27 3/4 x 21 5/8 in) £500 . Ltd. signed in felt-tip pen... published by Kaikai Kiki Co. 2010.

Midori Matsui. Los Angeles. overall size 325 x 250 mm (12 3/4 x 9 3/4 in) £800 .. bound as issued in the original boards and printed wrappers. Paul Schimmel. signed and dedicated with a drawing by the artist in black ink on the title-page.1962) Murakami the book.200 201 . 2007. and Rizzoli International Publications Inc. published by the Museum of Contemporary Art. Mika Yoshitake and reproductions.LONDON 435 Takashi Murakami (b.£1. New York. with essays by Dick Hebdige. Scott Rothkopf.

£9.  one from the series of three. +44 (0) 20 7495 9494 .com tel. 2013. numbered 23/35.000 202 www. 613 x 1000 mm (24 1/8 x 39 3/8 in) £7.LONDON 436 δ Julian Opie (b.bloomsburyauctions. from the series of three.000 .1958) Galloping Horse inlaid and overlaid acrylic. signed in black ink.

LONDON

437
δ Julian Opie (b.1958)
Galloping Horse
inlaid and overlaid acrylic, 2013, 
from the series of three, signed in black ink,
numbered 23/35, one from the series of three,
613 x 1000 mm (24 1/8 x 39 3/8 in)
£7,000 - £9,000

203

LONDON

438
Angel Otero (b.1981)
Untitled (SK-PH)
pigment and screenprint in
colours with silver leaf, 2015,
signed and dated in pencil,
numbered 5/54, on wove paper,
with full margins,
420 x 325 mm (16 1/2 x 13 in)
£1,000 - £1,500
439
Ana Maria Pacheco (b.1943)
Study I
etching, 1994, signed, titled and
dated in pencil, numbered 35/50,
on wove paper, with full margins,
385 x 605 mm (15 1/8 x 23 7/8 in)
£200 - £300

438

440
δ Sir Eduardo Paolozzi (1924-2005)
Untitled
engraving with aquatint, 1962,
signed, in pencil, numbered 6/60,
on wove paper, with full margins,
261 x 191 mm (10 1/4 x 7 1/2 in)
£400 - £600

439
204

440
www.bloomsburyauctions.com tel. +44 (0) 20 7495 9494

LONDON

441

441
δ Cornelia Parker (b.1956)
Pornographic Drawing
lithograph, 2000, signed and dated in
pencil, numbered 8/200, published
by Serpentine Gallery, London,
on wove paper, with full margins,
sheet 455 x 420 mm (17 7/8 x 16 1/2 in)

442

£200 - £300
442
δ A.R. Penck (b.1939)
Mother and Child
lithograph printed in colours, 1982,
signed and inscribed e.a. in pencil, an
artists proof aside from the edition,
on Fabriano paper, with full margins,
615 x 715 mm (24 1/4 x 28 1/8 in)
£300 - £400
443
Enoc Perez (b.1967)
Hearst Tower
lithograph with extensive handcolouring, 2012, signed, dated and
inscribed H.C in pencil, an hors
commerce impression aside from
the edition of 20, on wove paper, the
full sheet printed to the edges, sheet
1000 x 700 mm (39 3/8 x 27 1/2 in)
£2,000 - £3,000
444 No Lot

443
205

LONDON

445
δ Niki de Saint Phalle (1930-2002)
The Clown
etching and aquatint with extensive
hand-colouring in watercolour, 1998,
signed and inscribed A.P II in pencil, an
artist’s proof aside from the edition of 40,
published by Lapis Press, Los Angeles, on
wove paper, with full margins, sheet 357
x 305 mm (14 x 12 in)
£700 - £1,000

445

446
Richard Pinkney (b.1938)
& Ian Tyson (b.1933)
Letters from the Black Palace Numbers I-IIIII
the publication comprising six
screenprints in colours, 1971, each
signed and dated in pencil, inscribed A/P,
an artists proof aside from the edition
of 75, with title-page and justification,
printed by Circle Press, Guildford and
Kelpra Studio Ltd., London, published by
Tetrad Press, London, on Barcham Green
paper, each with full margins, together
with the incomplete publication Spare
Parts, by Ian Tyson, comprising six of
eight screenprints in colours, 1971,
published by Tetrad Press, London, each
on wove paper, with full margins, overall
size 255 x 307 mm (10 x 12 1/8 in)
446

206

£200 - £300

www.bloomsburyauctions.com tel. +44 (0) 20 7495 9494

overall size 185 x 140 mm (7 1/4 x 5 1/2 in) 449 δ Nicholas Pope (b. with full margins.£300 448 Arthur Luiz Piza (b. initialled and dated in pencil. sheet 800 x 1100 mm (31 1/2 x 43 1/4 in) £300 . with full margins.£150 207 . by Ian Tyson.1938) & Ian Tyson (b. 1968. the publication comprising eight screenprints in colours. together with Spare Parts. with full margins. London. each sheet signed in pencil. overall size 398 x 398 mm (15 3/4 x 15 3/4 in) 449 £200 . from an unknown edition.1933) Variation 1 screenprint in colours.1928) Compositions four etchings with aquatint and embossing printed in colours.1949) Untitled screenprint in colours. each signed in pencil. on wove paper. from the edition of 75.£500 £100 . 2002. published by Tetrad Press. titled and dated in pencil. on wove paper. circa 1993. signed. with margins. inscribed AP. an artists proof aside from the edition. each on wove paper. numbered 22/38. on wove paper. 1971.LONDON 447 448 447 Richard Pinkney (b.

with full margins. numbered 84/96.1949) Untitled archival pigment print.500 451 Richard Prince (b. published by Serpentine Gallery. 2014. 2008. published by The Song Cave. on wove paper. numbered 63/100 verso. with full margins. on wove paper.500 . signed in pencil.£3.bloomsburyauctions.LONDON 450 450 Richard Prince (b.1949) Dude Ranch Nurse lithograph printed in colours with collage and graphite additions. New York. London.com tel. sheet 280 x 216 mm (11 x 8 1/2 in) £300 . +44 (0) 20 7495 9494 .£500 451 208 www. sheet 480 x 607 mm (19 7/8 x 23 7/8 in) £2.

000 .000 209 . on Kodak Professional paper. sheet 456 x 566 mm (17 3/4 x 22 1/4 in) £3. numbered G/26. signed and dated in blue ballpoint pen.1949) Untitled (from Adult Comedy Action Drama) c-print in colours.£5. 1995.LONDON 452 Richard Prince (b. with full margins.

LONDON 453 δ Marc Quinn (b. signed and dated in pencil. 2011. numbered 18/20. on wove paper. +44 (0) 20 7495 9494 .1964) Internal Labyrinth pigment print in colours.000 . with full margins.£5. sheet 1400 x 920 mm (55 1/7 x 36 1/4 in) £3.bloomsburyauctions.000 210 www.com tel.

signed and dated in pencil.LONDON 454 δ Marc Quinn (b.000 . sheet 1400 x 920 mm (55 1/7 x 36 1/4 in) £3. with full margins.000 211 . 2012.1964) Internal Labyrinth Monochrome pigment print. on wove paper. numbered 4/20.£5.

from the Portraits of Landscapes pigment print in colours.£1. on Somerset Velvet Enhanced paper.000 . published by The Paragon Press. London. on Somerset paper. numbered from the edition of 59. 650 x 1000 mm (25 5/8 x 39 3/8 in) £1. signed in pencil verso. published by Charles Booth-Clibborn under his imprint The Paragon Press.com tel. sheet 1000 x 750 mm (39 3/8 x 29 1/2 in) £500 . +44 (0) 20 7495 9494 .£700 456 212 www. numbered 4/59.1964) Sea of Tranquillity pigment print. 2007. signed and dated in pencil. 2010.bloomsburyauctions. with margins.500 456 δ Marc Quinn (b.LONDON 455 455 δ Marc Quinn (b. London. the full sheet printed to the edges.1964) Plate 6.

000 .1935) Partagas screenprint in colours. 1965. published by Original Editions. the full sheet printed to the edges.£1.£2.500 . 1989. New York. Los Angeles. signed and inscribed PC 8/10 in pencil.500 458 213 . with their blindstamp. printed by Accent Studios.  470 x 470 mm (18 1/2 x 18 1/2 in) £1. signed and dated in pencil. on wove paper.LONDON 457 Mel Ramos (b.Comfort Creme screenprint in colours. aside from the edition of 100. from 11 Pop Artists:Volume 3. Los Angeles. with full margins. with thier dry-stamp.000 457 458 Mel Ramos (b. on wove paper. 1005 x 760 mm (39 1/2 x 30 in) £1.1935) Miss. numbered XXIV. published by Robert Bane. an artists proof aside from the edition of 200.

1935) Velasquez Vision lithograph printed in colours.£700 460 461 δ Jamie Reid (b. signed and inscribed ‘17/P 32/35’ in pencil. published by Robert Bane. with thier dry-stamp. 775 x 610 mm (30 1/2 x 24 in) £1. numbered 8/10. 1989.. signed and dated in pencil. numbered 214/350. signed and inscribed PC in pencil. with their blindstamp.LONDON 459 Mel Ramos (b.£1. a proof aside from the edition of 250. published by the Artificial Gallery. with full margins. New York. with their blind stamp.£1. Los Angeles.000 . 1997. 407 x 600 mm (16 x 23 5/8 in) 459 £500 . printed by Accent Studios. on wove paper. on wove paper. with full margins.com tel.500 460 Mel Ramos (b. New York City. +44 (0) 20 7495 9494 . with their blindstamp. with full margins.1947) Fuck Forever screenprint in colours.000 . on wove paper. Los Angeles.500 214 461 www.  sheet 1013 x 740 mm (39 1/2 x 29 1/8 in) £1.bloomsburyauctions. published by Atelier Dumas Inc.1935) Phantom Lady screenprint in colours.

1935) Leaping Woman painted ceramic tile. numbered 110/150.£100 £600 . Cambridge. produced by Ratton Ceramica. signed in black ink verso. numbered 123/150. signed in black ink verso. overall size 142 x 142 mm (5 5/8 x 5 5/8 in) £50 . on wove paper. overall size 142 x 142 mm (5 5/8 x 5 5/8 in) 465 δ Paula Rego (b.£800 463 δ Paula Rego (b. signed in black ink verso.1935) Homem painted ceramic tile.1935) Untitled painted ceramic tile. produced by Ratton Ceramica. Portugal. Portugal. published by artHester and the Print Studio.£150 215 .LONDON 462 463 464 462 δ David Rayson (b. numbered 4/30. 2006. each sheet 510 x 630 mm (20 1/8 x 24 3/4 in) 465 464 δ Paula Rego (b. produced by Ratton Ceramica. overall size 142 x 142 mm (5 5/8 x 5 5/8 in) £100 .1966) One Day the portfolio of ten screenprints in colours.£150 £100 . Portugal. each signed in pencil verso. the full sheet printed to the edges.

000 216 www.LONDON 466 δ Gerhard Richter (b.000 . London overall size 497 x 400 mm (19 1/2 x 15 3/4 in) £4.bloomsburyauctions.£6.com tel. numbered on the reverse from the edition of 500. published by Heni Productions.1932) Bagdad (P10) diasec-mounted chromogenic print on aluminium. 2014. +44 (0) 20 7495 9494 .

with their blindstamp.000 217 . University of New Mexico. 2006. signed.£6. dated and inscribed XIV/XX in pencil.000 . sheet 508 x 407 mm (20 x 16 in) £4. with full margins.1937) Angel lithograph printed in colours. on BFK Rives paper. published by Tamarind Institute.LONDON 467 Ed Ruscha (b.

bloomsburyauctions. with full margins.£300 471 δ Colin Self (b. inscribed B.£300 470 δ Colin Self (b.A. signed and titled in white ink. +44 (0) 20 7495 9494 . sheet 765 x 565 mm (13 1/8 x 22 1/4 in) £200 . with full margins. 300 x 250 mm (11 3/4 x 9 7/8 in) 472 δ Colin Self (b. on wove paper. numbered 6/75. with margins. signed. sheet 1045 x 675 mm (41 1/8 x 26 1/2 in) £200 . on wove paper. 1968.1941) Out Of Focus Object and Flowers No 3 (The 1940s) etching with aquatint printed in colours.£500 218 www. on wove paper. on wove paper.T. signed and dated in pencil.1941) Flowers etching. 1968. titled and dated in pencil. on wove paper. inscribed Artists Proof 6.£300 £300 . the full sheet printed to the edges.1941) Out of Focus Object and Flowers No. with margins.£300 468 δ Colin Self (b.com tel. aside from the edition of 75.1941) Cockerel (from Power & Beauty Volume One) screenprint in colours.LONDON 468 469 470 471 469 δ Colin Self (b.1 (Provincial image) etching and aquatint printed in colours.  sheet 1010 x 700 mm (40 x 27 1/2 in) 472 £200 . signed. 1968.1941) Poster Poem: Electric Chair (with Christopher Logue) offset lithograph printed in colours. 1968. dated and inscribed 5/12 Artists Proof in pencil. sheet 975 x 400 mm (38 3/8 x 15 3/4 in) £200 . from the edition of 75. 1968.

on 300gsm Somerset paper. numbered 62/100.500 475 219 . signed and dated verso. St. printed by Paupers Press.£150 473 474 474 δ John Stezaker (b. with their blindstamp. Bielefeld.000 . London. bound as issued.£900 475 δ Antoni Tàpies (1923-2012) Untitled lithograph printed in colours. signed and inscribed H. 300 x 210 mm (11 7/8 x 8 1/4 in) £100 . on Rives paper. 1987. sheet 653 x 510 mm (21 3/4 x 20 1/8 in) £700 . printed by Hans Kock. an artist’s proof aside from the edition of 100.C in pencil. signed in black felt-tip pen. published by Erker-Presse. 610 x 450 mm (24 x 17 3/4 in) £1. 2012. with full margins. in original soft cover. 1990. published by Kunsthalle Bielefeld und die Autoren.1949) Recto -Verso photo-lithograph printed in colours. the full sheet printed to the edges.£1.LONDON 473 Richard Serra (1939) Axis the book. Gallen.

Paris. on wove paper. an artists proof aside from the edition of 90. signed and titled in pencil.£600 220 www. with their blindstamp.500 478 δ Hock-Aun Teh (b. with margins.com tel. sheet 798 x 1075 mm (31 3/8 x 42 1/4 in) £1. signed and titled in pencil.. sheet 756 x 560 mm (29 3/4 x 22 in) 477 δ Hock-Aun Teh (b. with margins. on wove paper. on wove paper.LONDON 477 476 478 476 δ Chu Teh-Chun (1920-2014) Composition lithograph printed in colours. inscribed E. +44 (0) 20 7495 9494 . 770 x 1120 mm (30 1/4 x 44 1/8 in) £400 .1950) Let’s Have a Drink screenprint in colours.bloomsburyauctions.1950) Birthday Surprise screenprint in colours. published by Del Arco Paris Editions.A.500 .£2. numbered 21/60. with full margins. numbered 59/90.£600 £400 . signed in English and Chinese in pencil.

£700 480 Niele Toroni (b.4.1945) Neerslachtig: Deprime: D offset lithograph printed in black and silver. bound as issued in the original boards and wrappers. sheet 775 x 570 mm (30 1/2 x 22 1/2 in) 482 481 δ David Tremlett (b.2. signed and dated in pencil. on wove paper. Belguim. the full sheet printed to the edges. 1440 x 380 mm (56 3/4 x 15 in) £400 . 2007. with full margins.  sheet 840 x 593 mm (33 x 23 3/8 in) £100 .£150 £100 . with margins. dated and inscribed ‘For Richard’ in pencil.  overall size 305 x 215 mm (12 x 8 1/2 in) 482 δ David Tremlett (b.LONDON 481 479 480 479 δ Joe Tilson (b. published by Imschoot. numbered 2/25.£600 £500 . on two sheets of hand-made paper. numbered 35/50.1937) a collection of books on the artist. numbered VI/XXV.5. including 1. signed. on wove paper.3.£150 221 .1928) Grania screenprint with lithograph printed in colours with twine at each corner. 1994.1945) New Pastel Drawing/Idea for a Wall etching with aquatint printed in colours. 1990. signed in ball-point pen. signed and dated in pencil.

with justification.com tel.£700 484 222 www. each on Arches paper. on wove paper. printed by Kelpra Studio Ltd. published by Counter Editions. an artists proof aside from the edition. London. sheet 1000 x 700 mm (39 3/8 x 27 1/2 in) £500 . with full margins. inscribed E/A 05/07. 2009. titled and dated in pencil. overall size 940 x 640 mm (37 x 25 1/4 in) £500 . each numbered 26/30. +44 (0) 20 7495 9494 .bloomsburyauctions. signed and dated in pencil.1933) Untitled screenprint in colours.1967) Triple Pop (Silver) screenprint in black and silver. on wove paper. 2001. together with a suite of six screenprints in colours. London. with full margins. with full margins. numbered 23/100. 1973. each signed. signed and dated in pencil.LONDON 483 δ Gavin Turk (b.£700 483 484 δ Ian Tyson (b.

Tracey Emin.£2. all published by Momart. Antony Caro. Howard Hodgkin. various sizes £1. five with accompanying justification.LONDON 485 Various artists A collection of nine Momart Christmas Cards nine multiples in various media. Mark Wallinger signed in pencil. Lucian Freud. 1993-2005. London.000 223 . and Paul McDevitt signed in blue pen. David Hockney.500 . Gary Hume signed in blue pen verso. comprising works by Damien Hirst signed in white wax crayon.

Pevsner. Melotti. Gorin. Hans Bäurle & Franco Sciardelli. Delaunay S. Kerg.com tel. Vantongerloo. Moholy-Nagy.000 224 www. housed in the original portfolio box with title printed in black on the uppers. Kandinsky. numbered 66/150. 1973. Michel Cassé. Vezelay. Taeuber-Arp. comprising 30 lithographs printed in colours. Villeri. Calder. Erni. Strzeminski. Van Doesburg. £3. Schiess. Bill. Reggiani. Veronesi. overall size 890 x 750 mm (35 1/2 x 29 1/2 in) Including works by Arp. Mondrian. Okamoto. Domela. published by Atelier Arcay.£5. Helion. Fischli. Stazewski.. each on wove paper in original plastic folder. text and justification. Kupka.bloomsburyauctions. with title page. Michel Caza.000 . Foltyn. each signed in pencil or with stamped signature.LONDON 486 Various Artists Abstraction Creation Art Non-Figuratif the portfolio. Vordemberge-Gildewart and Vulliamy. +44 (0) 20 7495 9494 . Fernand Mourlot.

each signed in pencil. Alf Dunn and Rosalind Kunath.LONDON 487 Various Artists Twelve Artists a set of six of twelve works in various media. with the rubber stamp of Andy Warhol Art Authentication Board verso numbered 03.£500 488 Andy Warhol (1928-1987) La Grande Passion Poster offset lithograph printed in colours. published by the Printmaking Course of the Royal College of Art.1984. with full margins. on stiff wove paper. the full sheets. Chris Orr. from The Royal College of Art Centenary Year Portfolio of Prints. 1996. Freya Payne.000 488 225 . £300 .0799. Kate Whiteford.£2. c. sheet 993 x 945 mm (39 1/8 x 37 1/4 in) £1. overall size 560 x 765 mm (22 x 30 1/8 in) 487 Including works by Tim Mara. numbered 36/100. each on wove paper.500 .

bloomsburyauctions.500 226 www.£1.com tel. each with the Sunday B. the full sheets printed to the edges. +44 (0) 20 7495 9494 .LONDON 489 Andy Warhol (1928-1987)(after) Flowers (Sunday B. Morning rubber stamp verso. Morning) the complete set of ten screenprints in colours. each sheet 915 x 915 mm (36 x 36 in) £1. on stiff wove paper.000 .

on stiff wove paper. Morning rubber stamp verso. each sheet 915 x 915 mm (36 x 36 in) £1.500 227 . each with the Sunday B.£1. Morning) the set of ten screenprints in colours. the full sheets printed to the edges.LONDON 490 Andy Warhol (1928-1987)(after) Marilyn Monroe II (Sunday B.000 .

000 . numbered 56/200. 1970. on wove paper. signed and dated in pencil. sheet 970 x 700 mm (38 1/8 x 27 1/2 in) 492 228 £600 .LONDON 491 491 Ai Weiwei (b.000 492 Tom Wesselmann (1931-2004) Great American Foot screenprint in colours.bloomsburyauctions. signed in pencil. +44 (0) 20 7495 9494 . with full margins.£3. 2012. sheet 840 x 840 mm (33 x 33 in) £2. numbered 124/200. on wove paper. with full margins.com tel.£800 www.1957) Next To You screeprint.

signed. sheet 845 x 595 mm (33 1/4 x 23 3/8 in) £400 . with full margins. Moustiers. on wove paper. France. signed and dated in black ink. diameter 250 x 250 mm (9 7/8 x 9 7/8 in) £800 .200 493 494 229 .1936) Quartet Red screenprint with felt tip.£600 494 δ Zao Wou-Ki (1921-2013) L’orchidée screenprint in colour on porcelain plate. numbered 8/50. stamped verso as a tribute to the twentieth birthday of the BSN corporation.LONDON 493 δ Gillian Wise (b. 1974.£1. published by Editions Ateliers de Segries. dated and titled in pencil. 1986.

bloomsburyauctions. in pencil. 260 x 230 mm (10 1/4 x 9 in) £1. the full sheet printed to the edges. 1973.000 . signed in pencil.com tel. signed and inscribed EA. printed and published by Carl van der Voort Gallery. +44 (0) 20 7495 9494 . sheet 138 x 143 mm (5 3/8 x 5 5/8 in) £200 . on Japan paper. published by Editions Galanis. an artist’s proof aside from the edition of 250.£300 230 www. on wove paper. Paris. printed by Bellini. numbered 2/3. Paris. 1972. Ibiza.£1.500 496 496 δ Zao Wou-Ki (1921-2013) Untitled (Agerup 239) screenprint in colours.LONDON 495 495 δ Zao Wou-Ki (1921-2013) L’étang / The Pond etching with aquatint. with margins.

on Rives BFK.169) lithograph printed in colours.£3. 470 x 420 mm (18 1/2 x 16 1/2 in) £2. published by Gérald Cramer. signed and dated in pencil. numbered 61/95.LONDON 497 δ Zao Wou-Ki (1921-2013) Untitled (R. with full margins.500 231 . Geneva.500 . 1967.

on wove paper. on wove paper. with full margins.200 499 232 www.£2. 415 x 615 mm (16 3/8 x 24 1/4 in) £700 . +44 (0) 20 7495 9494 .£900 498 499 δ Jonathan Yeo (b. signed in pencil.LONDON 498 δ JR (b.1970) Kevin Spacey and Richard III inkjet print in colours. 2006. the full sheet printed to the edges.bloomsburyauctions.1983) Mafia screenprint in colours.com tel. 2011. numbered 6/50.800 . sheet 560 x 560 mm (22 x 22 in) £1. numbered 160/200. initalled and dated in brown pen.

signed in pencil.800 501 233 . on wove paper. London.£1. signed in pencil. with full margins. 946 x 673 mm (37 1/4 x 26 1/2 in) £1.LONDON 500 δ Russell Young (b. 2007.200 500 501 δ Russell Young (b. published by Bankrobber Gallery.200 .1960) Kate Moss (as Myra Hindley) screenprint in colours. 2006. with full margins. 953 x 735 mm (37 1/2 x 28 7/8 in) £800 . from Mugshot Series.£1. numbered 3/20. on wove paper.1960) Sid Vicious screenprint in colours. numbered 17/50.

49. Elisabeth 25 Frost. Harland 421 Miró. Sir Eduardo 440 Paresce. 433. Henry 64. 274. 47. 374. 218. 200. 113. Sol 409. 381. Sidney 72. Jasper 388. Ian 316 Davie. Robert 63 Micallef. Ceri 259 Richter. Marie 163 Le Corbusier 116 Léger. 121. Chu 476 Teh. 110. 486. 296. Antony 418. 44. 489. Norman 3 Agam. Karel 99 Arikha. Yoshitomo 405. 465 Reid. 302 Bonnard. 239. 33. 368. Renato 190 Parker. 411A. 490 Weiwei. 81. 330 Fedden. 196. 238. B. 389. 285. Francis 56. 252. 428. 496. 497 Y Yeo . 430. Allen 392. 399. André 172. 21 Davies. 383. M. 61. 252A Moore. 71 Nolan. 454. 30 Gormley. 58. William 85 Tilson. Barry 331. 104. 228. 209. David 371. 346. 222. 495. 80. 434. Fernand 164. 380. 8. 237. 478 Tillyer. 363. 226. Alexander 306. 136. 451. 248. 404 L Laing. 356. 60. 415. 235. Robert 28. R Ramos. John 7. 298. 179. John 4 Bissill. 55 Helleu. 115. Man 211. 271. 291. Nicholas 342 Gear. Mark 303 Braque. 472 Serra. 323. 244. 131. 18 Collishaw. 229. 91. 59. 35. Gerald 407 Laurencin. 365. 373. Marc 453. 357. 290. Richard 473 Stezaker. 313 Cook. 347. 471. 385 Hundertwasser. 201. 90. Yayoi 403. Gillian 493 Wou-Ki. 112. 338. Joe 479 Toroni. 79. 84 T Tamayo. 173 Matisse. 266. 414. 38. 352 Haring. 262. 147. 50 H Haile. 367. 59. 36. Shoichi 160 Hayter. 95. Masuo 242 Immendorff. 455. 135. David 343 Gibbings. Ana Maria 439 Paolozzi. 234. 125. 67. Howard 378 Hume. Julian 86. 442 Perez.E. 268. 250. René 167 Maillol. 241 Davenport. 210. Peter 317. 96. 92 Turk. Chris 408 LeWitt. Moïse 260 Kitaj. 420 Miller. 53. 275. 485. 203. 16. 267. 41. Jeff 401. 158. 139. Julian 436. 73 O Opie. 88. 175. Guillermo 279 Appel. 312. 318. 369. 256. 348. 220. 251. 143. 406 Nevinson. C. Ian Hamilton 24 Flanagan. 145. 464. 130. Lynn 10. 89. 391 Jones. 258 Rayson. 65. 17. 243. 289. 185. Anish 396 KAWS 397 Kelly. 87. 370 Hockney. F. Tracey 322. Rufino 215 Tàpies. Simon 305 C Calder. 390. Paul 23 Finlay. 435 N Nara. 261. 205. 349. Marc 109. Calzadilla. Gerhard 466 Rohlfs. 224 Vlaminck. 127. Henry 13. Duncan. 339 Fontana. 61. André 118 D D*Face 314 Dalí. 156. 114. 350 Grant. 146. 412 Lichtenstein. Sam 51 Hamilton. Antony 344. 15. Richard 189 Muniz. 257 Pinkney. 40. 272. 223. 366. Richard 446. 376. Massimo 108 Caro. 219.R. 447 Piper. 460 Ray. 458. César 321 Dufy. Yaacov 277 Allora. 144. 294. 335. Stanley William 52. 361. Richard 450. 233. Aristide 168 Marini. Paula 463. Gary 379. 427. David 462 Rego. 187. Pierre-Auguste 213 Richards. 122. 2 Ackroyd. 177. 319. Bernard 107 Bull. 126. 419. 336. Laurence Stephen 57. Russell 500. 68. 193. 192. Jean 166 M Magritte. Anthony 31. Lovis 117 Cottavoz. 37. 48. 195. Georges 102. 182. Angel 438 P Pacheco. C. 134. Vik 422. 249 Medley. 60. 332. 124. 459. 324. 345. 78. 45. 202. Tom 492 Whistler. Keith 353 Hasegawa. 97 Wise. 264. 69 Mortensen. 62. Pablo 191. Zao 494. 198. Frank 280 B Baker. Henri 174. 94. 254. 120. 159 F Fairey. Sir Terry 26 G Garland. 32. 11 Chagall. Maurice 216 V Various Artists. Colin 468. Roy 413. 165 Levine. 288. 142. 240 Christo 309 Clarke. 197. Joan 176. 402 Kusama. Marino 169. 269. 395 JR 498 K Kapoor. Victor 74. 255. 362. Pierre 100 Botero. 204. 423 Murakami. 326. Graham 12 Cliffe. Sonia 151 Doig. 334. 359. Lucio 340 Francis. 231. 320 Domela. George 5 Blake. Richard 351. Jennifer. Cecily 304 Buckland-Wright. Takashi 424. 29 Gross. 327. Jamie 461 Renoir. 76 Penck. James Abbott McNeill 93. 416. 452 Q Quinn. 393. John 474 Sutherland. 384. Idris 398 Kisling.R. 355. 82 Piza. Victor 217. Paul César 161 Hirst. 431. Serge 106 Brodzky. 111. 364. 181. 138. 178. 311. 307 Campigli. 270. 9 Buffet. Mat 310. 286. 377 Hodgkin. Mel 457. 263. Charming 281. 54. 34. 184. 75. Anthony 308 Chadwick. 501 . 482 Trevelyan. David 481. 358. Christian 214 Ruscha. 207. 297. 411B. 282 Banksy 283. 157 Escher. 221. 137. 394. 299. Craigie 1. John 77. 62 Lurçat. 105. 247. 188.INDEX A Aitchison. 103. 153. 487 Vasarely. Khan. 183. 128. 470. Henri de 149 Tremlett. Damien 354. 236. 132. 325. Peter 295. 148. 429. 57. 140. Jonathan 499 Young. 43. 300. 123. 141. 58. 265. 206. 180. 294 Banting. Beryl 19 Corinth. 42. 469.W 70. 410. 14. 425. 212. 328 Ernst. 375. 208. R. McWilliam. 432. Niki de Saint 445 Picasso. Ian 484 U Utrillo. Max 155. 292. William 27 Gentleman. 400 Koons. 245. 293. 225. 372. Andy 488. Mark 341 Frink. 199. 66. 39. 154 E Emin. 437 Otero. 46. 426. 253. Ai 491 Wesselmann. Salvador 119. 287. 227. 232. Jörg 386 Indiana. Antoni 475 Teh-Chun. Robert 387 J Johns. Arthur Luiz 448 Pope. 170. Hock-Aun 477. 129. Avigdor 98 Arman 278 Auerbach. 411. 456. 417 Lowry. Mary 22 Feiler. Graham 83. Enoc 443 Phalle. A. Ed 467 S Self. Friedensreich 162 I Ikeda. Shepard 329. Raoul 152. 133. Alan 20. 230 Brignoni. 194. Peter 315 Delaunay. 382. 171 Masson. Cornelia 441 Pasmore. Niele 480 Toulouse-Lautrec. Gavin 483 Tyson. Horace Asher 6 Brown. 360. 273. Fernando 101 Boyle. 246. 337. 333. 284. Nicholas 449 Prince. Maurice de 150 W Warhol.

author. What remains is printed. EMBOSSING A process used to create a raised surface or raised element. nylon or metal mesh. catch ink and appear as spots or oddly inked areas. POCHOIR A printing process using stencils. rather than what is cut away. metal or glass surface painted in ink by the artist. ETCHING An intaglio process in which a plate is treated with an acidresistant ground. place of printing. STATE An impression taken from the plate at a particular moment or stage of development and distinguished from impressions taken at other times during that process. LITHOGRAPHY A planographic printing process where a drawing is made directly on a stone or other smooth matrix with greasy materials such as lithographic crayon. name of work. the mass of tine spots produces a textured area with tonal effects similar to watercolour wash. This can be anything – a standard metal plate or lithographic stone. a potato or vinyl record. when printed. Usually appears as “P. date. but exactly like the editioned prints in every other respect. printer. usually at the end of a book or portfplio of prints. but are otherwise exactly like the editioned prints in every other respect. MONOTYPE A unique image printed from an unworked. lithography or woodcut and which is then uniquely altered by monotype colouring. This ensures that no further un-cancelled impressions can be pulled. WOODCUT A relief technique where the image or design is left raised above what is carved out of the wood. TRIAL PROOF An early poof. (See also Heliogravure) PHOTO-LITHOGRAPH A process in which an image is produced on a lithographic plate by photographic means. Also referred to as Working Proof. unique inking. but printed without ink. These “bitten” areas will. not originally intended for sale. showing that the plate has been “cancelled”. The particles. STEEL FACING When a metal intaglio plate is covered with a thin deposit of steel using electrolysis creating a much harder surface which can accommodate larger numbers of printings before wear becomes evident. The plate is then immersed in an acid bath where the acid “bites” or chemically dissolves the exposed lines.” or “P. EDITION The total number of impressions pulled of a single image or set of images from the same matrix. MONOPRINT A print which has as its base an etching. CHINE APPLIQUÉ/ CHINE COLLÉ A method of adhering a thin paper. BURR When using a drypoint needle or other engraving tool to draw directly into a metal plate. thus creating an image in the same direction as the original. engraving. The metal plate is therefore “carved” or “etched” by the acid rather than by a tool directly in the metal. giving all or some of the following information. Essential information by which works are identified is included. The artist draws onto a piece of paper which is laid down on top of the ground. The artist then draws through the ground. CARBORUNDUM The trade name for silicon carbide. WATERMARK Design in the paper seen when held against the light. ARTIST PROOF/ EPREUVE D’ARTISTE/ PROVA D’ARTISTA Impressions printed especially for the artist and excluded from the numbering of an edition. aquatint. mezzotint and metal engravings. these proofs. PHOTO-ETCHING / PHOTOGRAVURE An intaglio process in which an image is produced on an etching plate by photographic means. ENGRAVING An intaglio process in which a plate is marked or incised directly with a burin or other metal-marking tool. A manufacturer’s mark. a metal plate or other matrix is first transferred to an intermediary such as a rubber cylinder or blanket and then to paper. are excluded from the numbering of an edition. The ground adheres to the paper here the pencil or other tool has pressed down into it through the paper and pulls away when the paper is lifted. a stencil – anything from which you print. smooth.” Meaning “outside of the commercial edition”. This burr holds additional ink during the printing process and gives the lines a valvety or fuzzy texture. originally used to simulate hand-colouring. when mixed together with glue can also be used to draw on a plate – sometimes creating a raised surface – which is then inked and printed with the ink being held in the spaces between the particles. No acid is used in this process since the design is dug out by hand.A. The artist then draws through the ground with carious tools to expose the metal. INTAGLIO All matrices which have either been cut into or “bitten” into. SCREENPRINT / SILKSCREEN A printing process using stencils to block out areas which are then printed through silk. usually in the margin of the paper as a mark of identification.C. untrimmed edge of handmade paper usually slightly uneven and sometimes slightly thinker than the rest of the sheet. The surface is then dampened with water. or stamped symbol used by printers and print workshops. the entire plate would print in solid black. TUSCHE Grease in stick or liquid form used principally for drawing in lithography. heavier sheet during the printing process using glue or water to dampen and coat the papers. MASTER PRINTER A highly skilled printer who works very closely with the artist to produce the edition. but exactly like the editioned prints in every other respect. The final State is the state from which editions are generally pulled. complete version PUBLISHER The person or entity who subsidizes and often initiates the making of a print edition or portfolio and who also disseminates the prints. editioned prints.P. publisher’s and other proofs. PLANOGRAPHIC PRINT Printing from a flat surface. Planographic processes include lithography and some forms of commercial printing. Burr is very delicate and consequently is easily worn down during the pressures of the printing process. often incorporating artist’s revisions and changes and generally not identical to the numbered. sometimes of a different colour or texture. like a woodcut. among others.” BLINDSTAMP The embossed. size of edition. PLATE MARK The imprint in the paper resulting from the edge of a metal plate being pushed into it during the pressure of the printing process. The drawn image is then printed. BON À TIRER/ RIGHT TO PRINT The proof approved by the artist which establishes the standard for all of the other prints in the edition. HELIOGRAVURE A method of making a photo-etched or photogravure plate using an aquatint texture directly on the plate to create tone. CATALOGUE RAISONNÉ A scholarly catalogue which should include all the known works by an artist at the time of publication. An engraved line can range from very deep and wide.GLOSSARY OF PRINTMAKING TERMS AQUATINT At etching process in which tone is created by treating a plate with fine particles of acid-resistant material (like powdered resin) and then placing the plate in an acid bath.”“E. An impression is then taken from this matrix. PLATE TONE A veil of ink intentionally left on the surface of the plate during printing which creates delicate areas of tone or shading. crossed out or otherwise “cancelled”. RELIEF PRINTING When the image is printed from the raised or uncarved portion of the matrix. it is used to trace the origin and date of the paper. if inked.P. The surface is then rolled with greasy printing ink which adheres only to the greasy areas and is itself repelled by the areas which have water. . the matrix – a block. To this number the artist usually authorizes the addition of a small number of artist’s printer’s. PRINTER’S PROOFS Impressions printed especially for the printer(s) and excluded from the numbering of an edition. DECKLE EDGE The natural. among others. The resulting prints are often textured due to the raised areas of the printing surface. which is repelled by the greasy areas. Usually appears as “A. SOFT-GROUND ETCHING An etching technique where a soft ground is laid on the metal plate. The drypoint line can look very much like an etched line but is usually lighter and characterized by the existence of burr. MATRIX The base from which the print is made. carborundum began its use in printmaking as an abrasive which was used in effacing lithographic stones. FOUL-BITING When the acid-resistant ground on a metal plate does not keep the acid entirely out. COLOPHON/ JUSTIFICATION A note. The artist then works from “black” to “white” by scraping (or burnishing) out areas to produce lighter tones. The line created is often soft and grainy. HORS-COMMERCE/ “H.A. The resulting “dug out” lines are printed. MEZZOTINT An intaglio method in which the entire surface of the plate is roughened by a spiked tool (“rocker”) so that. mylar or other – is effaced. small. or choices in paper colour. although some artists pull several impressions in each state. plate. The acid bites into the plate between the grains of resin and. irregularities can appear. when the plate is printed. Early pulls or impressions taken from such plates are characterized by rich burr CANCELLATION PROOF When the edition is complete.” PROGRESSIVE PROOFS Series of proofs taken to show each individual colour plate and each combination of them culminating in the final. to lighter and thinner and is often characterized by a pointed end signaling the exit of the “v” shaped burin from the metal. OFFSET PRINTING Method of printing in which the inked image from a lithographic stone. The resulting “marked” plate is placed in an acid-bath where the acid “bites” into the more exposed areas where the ground has been “lifted”. DRYPOINT An intaglio process in which a plate is marked or incised directly with a needle. FRONTISPIECE Illustration in a book opposite the title page. onto a larger. LINOCUT/ LINOLEUM CUT A relief process. stone. inked. where the artist carves the design out of the linoleum or linoleum mounted onto wood. What is not carved is printed. WAXTYPE A process like screenprinting where pigmented beeswax is used rather than traditional printer’s ink. fine pieces of metal are raised up on both sides of the scored line. Intaglio processes include etching. Relief processes include woodcuts and linocuts.

Now welcoming Consignments for Spring 2016 Modern & Contemporary Prints Richard Serra (b. d r e w e a t t s .com | +44 (0) 20 7495 9494 w w w. m a l l e t t a n t i q u e s. c o m | w w w.032 (including Buyer’s premium) London: Bloomsbury House. 2009 Sold for £18. c o m | w w w. b l o o m s b u r y a u c t i o n s.1939) Promenade Notebook Drawing the set of five etchings. Mayfair W1S 1PP For more information on how to consign to a future auction or for a free valuation. 24 Maddox Street. please contact: Shane Xu | sxu@bloomsburyauctions. c o m .

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such lots are sold using the Auctioneers’ Margin Scheme and it should
be noted that the VAT included within the Premium is not recoverable
as input tax.

6.






Descriptions and Conditions. Condition reports are provided on
our website or upon request. The absence of a report does not imply
that a lot is without imperfections. The detail in a report will reflect the
estimated value of the lot, and large numbers of such requests
received shortly before the sale may not receive a response to all
lots. Members of staff are not trained restorers or conservators and,
particularly for higher value lots, you should obtain an opinion from
such a professional. We recommend that you always view a lot in person.

We are, primarily, agents for the seller. We are dependent on
information provided by the seller and whilst we may inspect lots
and act reasonably in taking a general view about them we are
normally unable to carry out a detailed or any examination of lots
in order to ascertain their condition in the way in which it would be
wise for a buyer to do. Intending buyers have ample opportunity for
inspection of goods and, therefore, accept responsibility for
inspecting and investigating lots in which they may be interested.
Please note carefully the exclusion of liability for the condition of lots
contained in the Conditions of Sale. Neither the seller nor we, as the
auctioneers, accept any responsibility for their condition. In particular,
mechanical objects of any age are not guaranteed to be in working
order. However, in so far as we have examined the goods and make
a representation about their condition, we shall be liable for any
defect which that examination ought to have revealed to the

auctioneer but which would not have been revealed to the buyer had
the buyer examined the goods. Additionally, in specified circumstances
lots misdescribed because they are ‘deliberate forgeries’ may be returned
and repayment made. There is a 3 week time limit. (The expression
‘deliberate forgery’ is defined in our Conditions of Sale).
7. Electrical goods. These are sold as ‘antiques’ only and if bought for
use must be checked over for compliance with safety regulations by a
qualified electrician first.
8. Export of goods. Buyers intending to export goods should ascertain
(a) whether an export licence is required and (b) whether there is any
specific prohibition on importing goods of that character because,
e.g. they may contain prohibited materials such as ivory. Ask us if
you need help.
9.



Bidding. Bidders may be required to register before the sale
commences and lots will be invoiced to the name and address on the
registration form. Some form of identification may be required if you
are unknown to us. Please enquire in advance about our arrangements
for telephone bidding.

10. Commission bidding. Commission bids may be left with the
auctioneers indicating the maximum amount to be bid excluding
buyers’ premium. They will be executed as cheaply as possible
having regard to the reserve (if any) and competing bids. If two buyers
submit identical commission bids the auctioneers may prefer the first
bid received. Please enquire in advance about our arrangements for
the leaving of commission bids by telephone or fax.
11. Methods of Payment. The following methods of payment are acceptable.

Debit Card drawn on a UK bank and registered to a UK billing address.
There is no additional charge for purchases made with these cards.

Bank transfer direct into our bank account, all transfers must state
the relevant sale number, lot number and your bid / paddle number. If
transferring from a foreign currency, the amount we receive must
be the total due in pounds sterling (after currency conversion and the
deduction of any bank charges). Our bank details can be found on the
front or your invoice or in the sale catalogue under ‘Important Notices’.

Sterling cash payments of up to £12,000 (subject to money laundering
regulations). All major UK issued credit cards registered to a UK billing
address with the exception of American Express and Diners Club. A
surcharge of 3% is payable on all payments made by credit cards.
Sterling personal cheques drawn on a UK bank account and made
payable to ‘Bloomsbury Auctions’. It will be necessary to allow at least six
working days for the cheque to clear before collecting your purchases.

12. Collection and storage. Please note what the Conditions of Sale state
about collection and storage. It is important that goods are paid
for and collected promptly. Any delay may involve the buyer in paying
storage charges.
13. Droit de suite royalty charges. From 1st January 2012 all UK art
market professionals (which includes but is not limited to; auctioneers,
dealers, galleries, agents and other intermediaries) are required to
collect a royalty payment for all works of art that have been produced
by qualifying artists each time a work is re-sold during the artist’s
lifetime and for a period up to 70 years following the artists death. This
payment is only calculated on qualifying works of art which are sold
for a hammer price more than the UK sterling equivalent of EURO
1,000 – the UK sterling equivalent will fluctuate in line with prevailing
exchange rates.
It is entirely the responsibility of the buye to acquaint himself
with the precise EURO to UK Sterling exchange rate on the day of the

237

sale in this regard, and the auctioneer accepts no responsibility
whatsoever if the qualifying rate is different to the rate indicated.

All items in this catalogue that are marked with δ are potentially
qualifying items, and the royalty charge will be applied if the hammer
price achieved is more than the UK sterling equivalent of EURO 1,000.
The royalty charge will be added to all relevant buyers’ invoices, and
must be paid before items can be cleared. All royalty charges are
passed on to the Design and Artists Copyright Society (‘DACS’), no
handling costs or additional fees with respect to these charges will be
retained by the auctioneers.

The royalty charge that will be applied to qualifying items which
achieve a hammer price of more than the UK sterling equivalent of
EURO 1,000, but less than the UK sterling equivalent of EURO 50,000 is
4%. For qualifying items that sell for more than the UK sterling
equivalent of EURO 50,000 a sliding scale of royalty charges will apply
– for a complete list of the royalty charges and threshold levels, please
see www.dacs.org.uk. There is no VAT payable on this royalty charge.

9. Reserves.
(a) You are entitled to place prior to the auction a reserve on any lot
consigned, being the minimum hammer price at which that lot
may be sold Reserves must be reasonable and we may decline to offer
goods which in our opinion would be subject to an unreasonably
high reserve (in which case goods carry the storage and loss and
damage warranty charges stipulated in these Terms of Consignment

(b) A reserve once set cannot be changed except with our consent.

(c) Where a reserve has been placed only we may bid on your behalf
and only up to the reserve (if any) and you may in no circumstances
bid personally.

(d) Reserves are not usually accepted for lots expected to realise below £100

TERMS OF CONSIGNMENT FOR SELLERS

10. Electrical items. These are subject to detailed statutory safety controls.
Where such items are accepted for sale you accept responsibility for
the cost of testing by external contractors. Goods not certified as safe
by an electrician (unless antiques) will not be accepted for sale. They
must be removed at your expense on your being notified. We reserve
the right to dispose of unsafe goods as refuse, at your expense.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the
Seller and if the consignment of goods to us is made by an agent
we assume that the Seller has authorised the consignment and that
the consignor has the Seller’s authority to contract. Similarly the
words ‘we’, ‘us’, etc. refer to the Auctioneers.

11. Soft furnishings. Soft furnishings. The sale of soft furnishings is strictly
regulated by statute law in the interests of fire safety. Goods found to
infringe safety regulations will not be offered and must be removed at
your expense. We reserve the right to dispose of unsafe goods as
refuse, at your expense.

2.




Warranty. The Seller warrants that possession in the lots can be
transferred to the Buyer with good and marketable title, free from any
third party right and encumbrances, claims or potential claims. The
Seller has provided all information concerning the items ownership,
condition and provenance, attribution, authenticity, import or export
history and of any concerns expressed by third parties concerning the same.

3. All commissions and fees are subject to VAT at the prevailing rate.
4. Commission is charged to sellers at the following rates:- please
enquire at our salerooms.
5.


Removal costs. Items for sale must be consigned to the saleroom by
any stated deadline and at your expense. We may be able to assist you
with this process but any liability incurred to a carrier for haulage
charges is solely your responsibility.

6. Loss and damage of goods.
(a) Loss and Damage Warranty - Dreweatts is not authorised by the
FSA to provide insurance to its clients, and does not do so. However
Dreweatts for its own protection, assumes liability for property
consigned to it at the lower pre-sale estimate until the hammer
falls. To justify accepting liability, Dreweatts makes a charge of 1.5%
of the hammer price plus VAT, subject to a minimum charge of
£1.50, or if unsold 1.5% of our lower estimate. The liability assumed by
Dreweatts shall be limited to the lower pre-sale estimate or the
hammer price if the lot is sold.
(b) If the owner of the goods consigned instructs us in writing not to
take such action, the goods then remain entirely at the owners risk
unless and until the property in them passes to the Buyer or they are
collected by or on behalf of the owner, and clause 6 (a) is inapplicable.
7. Illustrations. The cost of any illustrations is borne by you. If we
consider that the Lot should be illustrated your permission will be
asked first. The copyright in respect of such illustrations shall be the
property of us, the auctioneers, as is the text of the catalogue.
8. Minimum bids and our discretion. Goods will normally be offered
subject to a reserve agreed between us before the sale in accordance
with clause 9. We may sell Lots below the reserve provided we
account to you for the same sale proceeds as you would have
received had the reserve been the hammer price. If you specifically give
us a “discretion” we may accept a bid of up to 10% below the formal reserve.

238

The rights of disposal referred to in clause 10 and 11 are subject to the
provisions of The Torts (Interference with Goods) Act 1977, Schedule
1, a copy of which is available for inspection on request

12. Descriptions. Please assist us with accurate information as to the
provenance etc. of goods where this is relevant. There is strict liability
for the accuracy of descriptions under modern consumer legislation
and in some circumstances responsibility lies with sellers if inaccuracies
occur. We will assume that you have approved the catalogue
description of your lots unless informed to the contrary. Where we
are obliged to return the price to the buyer when the lot is a
deliberate forgery under Condition 15 of the Conditions of Sale
and we have accounted to you for the proceeds of sale you agree to
reimburse us the sale proceeds.
13. Unsold. Unsold. If an item is unsold it may at our discretion be re offered at a future sale. Where in our opinion an item is unsaleable
you must collect such items from the saleroom promptly on being so
informed. Otherwise, storage charges may be incurred. We reserve
the right to charge for storage in these circumstances at a reasonable
daily rate.
14. Withdrawn and bought in items. These are liable to incur a charge of
15% commission, 1.5 % Loss and Damage Warranty and any other
costs incurred including but not limited to illustration and restoration
fees all of these charges being subject to VAT on being bought in or
withdrawn after being catalogued.
15. Conditions of Sale. You agree that all goods will be sold on our
Conditions of Sale. In particular you undertake that you have the right
to sell the goods either as owner or agent for the owner. You
undertake to compensate us and any buyer or third party for all
losses liabilities and expenses incurred in respect of and as a result of
any breach of this undertaking. We will also, at our discretion, and
as far as practicable, confirm that an item consigned for sale does not
appear on the Art Loss register, which is administered by an
independent third party.
16. Authority to deduct commission and expenses and retain premium
and interest.
(a) You authorise us to deduct commission at the stated rate and all
expenses incurred for your account from the hammer price and
consent to our right to retain beneficially the premium paid by the

buyer in accordance with our Conditions of Sale and any interest
earned on the sale proceeds until the date of settlement.

(b) You authorise us in our discretion to negotiate a sale by private
treaty not later than the close of business 48 hours after the day of
sale in the case of lots unsold at auction, in which case the same
charges will be payable as if such lots had been sold at auction and
so far as appropriate these Terms apply.
17. Warehousing. We disclaim all liability for goods delivered to our
saleroom without sufficient sale instructions and reserve the right to
make minimum warehousing charge of £10 per lot per day. Unsold
lots are subject to the same charges if you do not remove them within
a reasonable time of notification. If not removed within three
weeks we reserve the right to sell them and defray charges from any
net proceeds of sale or at your expense to consign them to the local
authority for disposal.
18. Settlement. After sale settlement of the net sum due to you normally
takes place within 28 days of the sale (by crossed cheque to the seller)
unless the buyer has not paid for the goods. In this case no settlement
will then be made but we will take your instructions in the light of our
Conditions of Sale. You authorise any sums owed by you to us on other
transactions to be deducted from the sale proceeds. You must note the
liability to reimburse the proceeds of sale to us as under the
circumstances provided for in Condition 12 above. You should therefore
bear this potential liability in mind before parting with the proceeds of
sale until the expiry of 28 days from the date of sale.

room to view or bid;

(b) the maker of the highest bid accepted by the auctioneer conducting
the sale shall be the buyer at the hammer price and any dispute
about a bid shall be settled at the auctioneer’s absolute discretion
by reoffering the Lot during the course of the auction or otherwise.
The auctioneer shall act reasonably in exercising this discretion.

(c) Bidders shall be deemed to act as principals.

(2) Our right to bid on behalf of the seller is expressly reserved up to the
amount of any reserve and the right to refuse any bid is also
reserved.
3. Increments. Bidding increments shall be at the auctioneer’s sole
discretion.
4. The purchase price. together with a premium thereon of 28.8% which
shall include VAT on the premium at the rate imposed by law. The buyer
will also be liable for any royalties payable under Droit de Suite as set
out under Information for Buyers.
5. Value Added Tax. Value Added Tax on the hammer price is imposed by
law on all items affixed with an asterisk or double asterisk. Value Added
Tax is charged at the appropriate rate prevailing by law at the date of
sale and is payable by buyers of relevant Lots. (Please refer to
“Information for Buyers” for a brief explanation of the VAT position).
6. Payment

(1) Immediately a Lot is sold you will:

CONDITIONS OF SALE

(a) give to us, if requested, proof of identity, and
(b) pay to us the total amount due or in such other way as is agreed by us.

Bloomsbury Auctions carries on business with bidders, buyers and all those
present in the auction room prior to or in connection with a sale on the
following General Conditions and on such other terms, conditions and
notices as may be referred to herein.

(2) Any payments by you to us may be applied by us towards any sums
owing from you to us on any account whatever without regard to
any directions of you or your agent, whether express or implied.

1. Definitions

In these Conditions:

(a) “auctioneer” means the firm of Bloomsbury Auctions or its
authorised auctioneer, as appropriate;
(b) “deliberate forgery” means an imitation made with the intention
of deceiving as to authorship, origin, date, age, period, culture or
source but which is unequivocally described in the catalogue as being
the work of a particular creator and which at the date of the sale had
a value materially less than it would have had if it had been in
accordance with the description;
(c) “hammer price” means the level of bidding reached (at or above any
reserve) when the auctioneer brings down the hammer;
(d) “terms of consignment” means the stipulated terms and rates of
commission on which Bloomsbury accepts instructions from sellers
or their agents;
(e) “total amount due” means the hammer price in respect of the lot
sold together with any premium, Value Added Tax chargeable
and any additional charges payable by a defaulting buyer under
these Conditions;
(f ) “sale proceeds” means the net amount due to the seller, being the
hammer price of the lot sold less commission at the stated rate,
Value Added Tax chargeable and any other amounts due to us by
the seller in whatever capacity and however arising;

(g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2.

(h) The singular includes the plural and vice versa as appropriate.

2. Bidding procedures and the Buyer
(a) Bidders are required to register their particulars before bidding and
to satisfy any security arrangements before entering the auction

(3) Buyers who utilise the services of ATG Live Auctions or any other
live internet services are hereby informed that the payment method
details that are provided to ATG Live Auctions or any other live
internet services as part of the process of registration will, in the absence
of compliance with paragraph (1) of this clause, be utilised by us to
settle any amounts owing by such buyers to us.
7. Title and collection of purchases
(1) The ownership of any Lots purchased shall not pass to you until you
have made payment in full to us of the total amount due.
(2) You shall at your own risk and expense take away any lots that you
have purchased and paid for not later than 3 working days following
the day of the auction or upon the clearance of any cheque used for
payment after which you shall be responsible for any removal,
storage and insurance charges.

(3) No purchase can be claimed or removed until it has been paid for.

(4) Bloomsbury Auctions can accommodate packing and shipping for
certain items. For lots they are unable to provide this service for,
successful buyers must make these arrangements independently,
though the saleroom may be able to suggest specialist shipping
companies who can advise buyers, this advice is not a
recommendation and the saleroom is not liable for any aspect of the
packaging and shipping process. Please note that the cost of
packaging and shipping depends on the size/weight of the item(s)
purchased, insurance requirements, and the shipping destination,
not on the value of the item(s) purchased. Please note that any
items not collected within one week of the sale date may be
automatically removed to commercial storage and subject to a
storage charge.
8. Remedies for non-payment or failure to collect purchases

(1) If any Lot is not paid for in full and taken away in accordance with

239

these Conditions or if there is any other breach of these Conditions,
we, as agent for the seller and on our own behalf, shall at our
absolute discretion and without prejudice to any other rights we
may have, be entitled to exercise one or more of the following rights\
and remedies:

(a) to proceed against you for damages for breach of contract;

(b) to rescind the sale of that Lot and/or any other Lots sold by us to you;

(c) to resell the Lot (by auction or private treaty) in which case you shall
be responsible for any resulting deficiency in the total amount due
(after crediting any part payment and adding any resale costs). Any
surplus so arising shall belong to the seller;
(d) to remove, store and insure the Lot at your expense and, in the case
of storage, either at our premises or elsewhere;
(e) to charge interest at a rate not exceeding 1.5% per month on the
total amount due to the extent it remains unpaid for more than 3
working days after the sale;
(f ) to retain that or any other Lot sold to you until you pay the total
amount due;
(g) to reject or ignore bids from you or your agent at future auctions or
to impose conditions before any such bids shall be accepted;
(h) to apply any proceeds of sale of other Lots due or in future becoming
due to you towards the settlement of the total amount due and to
exercise a lien (that is a right to retain possession of ) any of your
property in our possession for any purpose until the debt due is satisfied.
(2) We shall, as agent for the seller and on our own behalf pursue
these rights and remedies only so far as is reasonable to make
appropriate recovery in respect of breach of these conditions
9.




Third party liability. All members of the public on our premises are
there at their own risk and must note the lay-out of the accommodation
and security arrangements. Accordingly neither the auctioneer nor our
employees or agents shall incur liability for death or personal injury
(except as required by law by reason of our negligence) or similarly for
the safety of the property of persons visiting prior to or at a sale.

10. Commission bids. Whilst prospective buyers are/\strongly advised
to attend the auction and are always responsible for any decision to
bid for a particular Lot and shall be assumed to have carefully inspected
and satisfied themselves as to its condition we will if so instructed
clearly and in writing execute bids on their behalf. Neither the
auctioneer nor our employees or agents shall be responsible for any
failure to do so.

Where two or more commission bids at the same level are recorded we
reserve the right in our absolute discretion to prefer the first bid so made.

11. Warranty of title and availability. The seller warrants to the auctioneer
and you that the seller is the true owner of the property consigned or
is properly authorised by the true owner to consign for sale and is able
to transfer good and marketable title to the property free from any third
party claims.
12. Agency. The auctioneer normally acts as agent only and disclaims any
responsibility for default by sellers or buyers.
13. Terms of sale. The seller acknowledges that Lots are sold subject to
the stipulations of these Conditions in their entirety and on the Terms
of Consignment as notified to the consignor at the time of the entry of
the Lot.
14. Descriptions and condition
(1) Whilst we seek to describe lots accurately, it may be impractical for
us to carry out exhaustive due diligence on each lot. Prospective
buyers are given ample opportunities to view and inspect before
any sale and they (and any independent experts on their behalf )
must satisfy themselves as to the accuracy of any description applied

240

to a lot. Prospective buyers also bid on the understanding
that, inevitably, representations or statements by us as to authorship,
genuineness, origin, date, age, provenance, condition or estimated
selling price involve matters of opinion. We undertake that any
such opinion shall be honestly and reasonably held and accept
liability for opinions given negligently or fraudulently. Subject to the
foregoing neither we the auctioneer nor our employees or agents
nor the seller accept liability for the correctness of such opinions and
all conditions and warranties, whether relating to description,
condition or quality of lots, express, implied or statutory, are hereby
excluded. This Condition is subject to the next following Condition
concerning deliberate forgeries and applies save as provided for in
paragraph 6 “information to buyers”.

(2) Private treaty sales made under these Conditions are deemed to be
sales by auction for purposes of consumer legislation.
15. Forgeries. Notwithstanding the preceding Condition, any Lot which
proves to be a deliberate forgery (as defined) may be returned to us
by you within 21 days of the auction provided it is in the same
condition as when bought, and is accompanied by particulars
identifying it from the relevant catalogue description and a written
statement of defects. If we are satisfied from the evidence presented
that the Lot is a deliberate forgery we shall refund the money paid by you
for the Lot including any buyer’s premium provided that (1) if the catalogue
description reflected the accepted view of scholars and experts as at
the date of sale or
(2) you personally are not able to transfer a good and marketable title to
us, you shall have no rights under this condition.
The right of return provided by this Condition is additional to any
right or remedy provided by law or by these Conditions of Sale.
General
16. We shall have the right at our discretion, to refuse admission to our
premises or attendance at our auctions by any person.
17. (1) Any right to compensation for losses liabilities and expenses
incurred in respect of and as a result of any breach of these
Conditions and any exclusions provided by them shall be available
to the seller and/or the auctioneer as appropriate.
(2) Such rights and exclusions shall extend to and be deemed to be for
the benefit of employees and agents of the seller and/or the auctioneer
who may themselves enforce them.
18. Any notice to any buyer, seller, bidder or viewer may be given by first
class mail, email or Swiftmail in which case it shall be deemed to have
been received by the addressee 48 hours after posting.
19. Special terms may be used in catalogue descriptions of particular
classes of items in which case the descriptions must be interpreted in
accordance with any glossary appearing at the commencement of the
catalogue.
20.
Any indulgence extended to bidders, buyers or sellers by us
notwithstanding the strict terms of these Conditions or of the Terms
of Consignment shall affect the position at the relevant time only and
in respect of that particular concession only; in all other respects these
Conditions shall be construed as having full force and effect.
21. English law applies to the interpretation of these Conditions.

Travel. Silver & Objects of Vertu Ian Pickford Silver Consultant Nick Mann Alexandra Francis Tessa Parry CLOCKS AND SCIENTIFIC INSTRUMENTS Leighton Gillibrand Director COUNTRY SPORTING Geoffrey Stafford Charles Director DECORATIVE ARTS David Rees Director ENGLISH AND CONTINENTAL CERAMICS Mark Newstead Head of Asian and European Ceramics and Works of Art Geoffrey Stafford Charles Director FURNITURE AND CARPETS Will Richards Deputy Chairman (Dreweatts) Richard Madley Senior Director Cristian Beadman Associate Director Ben Brown Associate Director Emma Terry Associate Director Elaine Binning Consultant ROME / MILAN For further information.com . please contact: Dott. UK & World Stamps Colin Avery UK & World Stamps Heather Babington Smith Mixtures Olivia Odell Autographs Peter Elwood Approvals ASIAN CERAMICS AND WORKS OF ART Mark Newstead Head of Asian and European Ceramics and Works of Art JEWELLERY. 93 High St. Canada Ma Tak Wo Consultant. Surrey GU7 1AL. Russian.GROUP DEPARTMENTS LONDON – MADDOX STREET Bloomsbury House 24 Maddox Street London. Banknotes and Tokens Graham Byfield Indian & Islamic Coins & Commemorative Medals Paul Hill Ancient Greek.com NUMISMATICS Edward Baldwin Chairman of Baldwin’s. UK & World Stamps Tim Francis Director.. Roman and Byzantine Coins Andre de Clermont Islamic. We have Italian speaking specialists in all major departments and offer a regular calendar of both valuation events and sales in Rome and Milan. we are able to offer a first class service throughout Italy from premises in both Rome and Milan. Natural History & Science Dido Arthur Director. European.co. Art & Architecture. Australia PHILATELICS Rick Warren Director. Consultant Peter Brooks Consultant. RG14 2JE Tel: +44 (0) 1635 553 553 donnington@dnfa. Continental & Early Printing Simon Luterbacher Director.com BOOKS AND MANUSCRIPTS Rupert Powell Deputy Chairman (Bloomsbury Auctions). Indian & South American Coins David Kirk Military Medals and English hammered and milled Coins Caroline Holmes Numismatic Books Julie Lecoindre World Coins Randy Weir Consultant. English hammered and milled Coins Seth Freeman Director. SILVER. W1S 1PP Tel: +44 (0) 20 7495 9494 info@bloomsburyauctions. Tel: +44 (0) 1483 423 567 | godalming@dnfa.com PICTURES James Harvey International Head of Traditional Art Richard Carroll Henry Bailey STEAM MODEL ENGINEERING Michael Matthews Consultant WINE Chris Hambleton Consultant Jack Chapman We are pleased to continue our joint venture in Italy. a subsidiary of the highly respected antiquarian books and manuscripts dealership.uk NEWBURY – DONNINGTON PRIORY Donnington Priory Newbury. Children’s Books Max Hasler Modern First Editions Roxana Kashani Middle Eastern Books & Manuscripts Michael Heseltine Consultant Stephen Massey Senior International Consultant Dr Timothy Bolton Head of Western Manuscripts and Miniatures MODERN AND CONTEMPORARY ART AND PRINTS Shane Xu Specialist Alexander Hayter Consultant Phoebe Wilkinson Cataloguer Carolin Rodler PICTURES AND MAPS James Harvey International Head of Traditional Art Robert Hall Director Richard Carroll Specialist VINTAGE POSTERS Richard Barclay Consultant PHOTOGRAPHS Sarah Wheeler Associate Director John Cumming Consultant Justine Gruser Cataloguer MEDALS AND MILITARIA David Kirk AUTOGRAPHS AND MEMORABILIA Lydia Wilkinson Valentina Borghi LONDON – 399 STRAND 399 Strand London WC2R 0LX Tel: +44 (0) 20 7930 6879 info@baldwin. Godalming. Hong Kong Daniel Fearon Commemorative Medals. WATCHES AND OBJECTS OF VERTU James Nicholson Deputy Chairman (Dreweatts) David Rees Director. Together with Philobiblon Auctions. Berkshire. Manuscripts & English Literature Clive Moss Director. WE ALSO OPERATE FROM THE FOLLOWING SALEROOMS: GODALMING: Baverstock House. Luciana Scarpa Tel: +39 388 8813070 roma@bloomsburyauctions. Consultant Peter Donald Byzantine Coins. Colonial and Oriental Coins Stephen Hill Director. Private Press & Illustrated Justin Phillips Director.

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