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The Vina Culture: ('Old Europe').

The Vina culture, also known as Turda culture or Turda -Vina
culture, is the oldest Neolithic culture in South-eastern Europe, dated to
the period 5,5004,500 BC. (2)
In 1908, the largest prehistoric Neolithic settlement in Europe was
discovered in the village of Vinca, just a few miles from the Serbian capital
Belgrade, on the shores of the Danube. Vinca was excavated between
1918 and 1934 and was revealed as a civilisation in its own right. Indeed,
as early as the 6th millennium BC, three millennia before Dynastic Egypt,
the Vinca culture was already a fully fledged civilisation. A typical town
consisted of houses with complex architectural layouts and several rooms,
built of wood that was covered in mud. The houses sat along streets, thus
making Vinca the first urban settlement in Europe, but being far older than
the cities of Mesopotamia and Egypt. And the town of Vinca itself was just
one of several metropolises, with others at Divostin, Potporanj, Selevac,
Plocnik and Predionica.
Archaeologists concluded that in the 5th and early 4th millennia BC, just before its demise in east-central
Europe, 'Old Europeans' had towns with a considerable concentration of population, temples several stories
high, a sacred script, spacious houses of four or five rooms, professional ceramicists, weavers, copper and
gold metallurgists, and other artisans producing a range of sophisticated goods. A flourishing network of trade

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routes existed that circulated items such as obsidian, shells, marble, copper, and salt over hundreds of
kilometres.

The Vina Culture: ('Turdas-Vinca')

The Vinca culture flourished from 5,500 (2) to 3,500 BC (4) on the territories of what is now Bosnia, Serbia,
Romania and Macedonia. It got its name from the present-day village of Vinca, 10 km east of Belgrade on the
Danube river, where over 150 Vinca settlements have been determined. There is no evidence of war or
defences in the townships, and it appears that the Vinca were a peaceful society combining low-level
agriculture with foraging and trade. They produced the first known European examples of a 'proto'-script and
were the first people in the world known to smelt copper. They existed in a similar state for almost 2,000
years, following which they appear to have dispersed around the Mediterranean and Aegean.
Vina settlements were considerably larger than any other contemporary European culture, in some instances
surpassing the cities of the Aegean and early Near Eastern Bronze Age a millennium later. The largest sites,
some more than 300,000 square metres may have been home to up to 2,500 people. (2) We are told that
they lived in spacious housing and separated their dead in nearby necropolis. They had workshops, which
means skilled labour. They worked with several styles of pottery and had their own particular artistic
fingerprint which is seen in both early Cretan and Sumerian cultures, which rose following the demise of the
'Old Europe' heartland.

The First European Metallurgists:

Copper working had been in progress in nearby Anatolia (Turkey), for well over 1,000 years before it
appeared in Europe (5) . One of the most exciting finds for archaeologists therefore, was the discovery of a
sophisticated metal workshop with a furnace and tools including a copper chisel and a two-headed hammer
and axe. "This might prove that the Copper Age started in Europe at least 500 years earlier than we
thought,". The Copper Age marks the first stage of humans' use of metal, with copper tools used alongside
older stone implements. It is thought to have started around the 4th millennium BC in south-east Europe, and
earlier in the Middle East.
The discovery of a mine - Europe's oldest - at the nearby Mlava river suggested at the time that Vinca could
be Europe's first metal culture, a theory now backed up by the Plocnik site. "These latest findings show that
the Vinca culture was from the very beginning a metallurgical culture," said archaeologist Dusan Sljivar of
Serbia's National Museum. "They knew how to find minerals, to transport them and melt them into tools."

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The metal workshop in Plocnik was a room of some 25 square meters, with walls built out of wood coated
with clay. The furnace, built on the outside of the room, featured earthen pipe-like air vents with hundreds
of tiny holes in them and a prototype chimney to ensure air goes into the furnace to feed the fire and smoke
comes out safely. He said the early metal workers very likely experimented with colourful minerals that
caught their eye -- blue azurite, bright green malachite and red cuprite, all containing copper -- as
evidenced by malachite traces found on the inside of a pot.
The settlement was destroyed at some point, probably in the first part of the fifth millennium, by a huge fire.

(1)

(Prehistoric Metallurgy)
(Prehistoric Mining)

The First European Writing:

Various styles of zoomorphic and anthropomorphic figurines are hallmarks of the culture, as are the Vina
symbols, which some conjecture to be an early form of proto-writing
The Trtria tablets (below) refers to a group of three tablets, discovered in 1961 by archaeologist Nicolae
Vlassa at a Neolithic site in the village of Trtria (about 30 km (19 mi) from Alba Iulia), in Romania. Two of
the tablets are rectangular and the third is round. They are all small, the round one being only 6 cm (2 in)
across, and two - one round and one rectangular - have holes drilled through them. All three have symbols
inscribed only on one face

The tablets, dated to around 5,300 BC

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(2) ,

bear incised symbols - the Vina symbols - and have been the

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subject of considerable controversy among archaeologists, some of whom claim that the symbols represent
the earliest known form of writing in the world. subsequent radiocarbon dating on the Trtria finds pushed
the date of the tablets (and therefore of the whole Vina culture) much further back, to as long ago as
5,500 BC, the time of the early Eridu phase of the Sumerian civilization in Mesopotamia. This finding has
reversed our concept of the origin of writing, and it is now believed that the Sumerians inherited a Vinca
tradition of 'magical' or 'meaningful' scripture, probably following the collapse of the Vinca homeland c. 3,500
BC.

Similar motifs (above) have been found on pots excavated at Gradeshnitsa in Bulgaria, Vina in Serbia and a
number of other locations in the southern Balkans. (2)

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number of other locations in the southern Balkans.

(2)

Full list of Vincan Symbols.

(More about the Origins of Writing)

Article: (June 13, 2008): 'Europes Oldest Script Found in Bulgaria', 18 May 2005.
'Ancient tablets found in South Bulgaria are written in the oldest European script found ever, German
scientists say. The tablets, unearthed near the Southern town of Kardzhali, are nearly 7,000 years old, and
bear the ancient script of the Cretan (Minoan) civilization, according to scientists from the University of
Heidelberg, who examined the foundings. This is the Cretan writing, also known as Linear A script, which
dates back to XV-XIV century B.C. The discovery proves the theory of the Bulgarian archaeologists that the
script on the foundings is one of the oldest known to humankind, the archaeologist Nikolay Ovcharov
announced Wednesday. Ovcharov, who is heading the archaeological expedition in the ancient Perperikon

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announced Wednesday. Ovcharov, who is heading the archaeological expedition in the ancient Perperikon
complex near Kardzhali, called the discovery revolutionary. It throws a completely different light on
Bulgarias history, he said in an interview for the National Television'. (3)
Article: Old Linear and the Zodiac Signs. Richard. D. Flavin, 1998.

Vinca Art:
Recent excavations at sites across Europe's biggest prehistoric civilization, the Vinca culture, point to a great degree of
sophistication and a taste for art and fashion, archaeologists say. "According to the figurines we found, young women
were beautifully dressed, like today's girls in short tops and mini skirts, and wore bracelets around their arms," said
archaeologist Julka Kuzmanovic-Cvetkovic. The Vinca tribe who lived between 5,400 and 4,700 BC in the 120-hectare
site at what is now Plocnik knew about trade, handcrafts, art and metallurgy.

"They pursued beauty and produced 60 different forms of wonderful pottery and figurines, not only to represent deities,
but also out of pure enjoyment," said Kuzmanovic. The findings suggest an advanced division of labour and organization.
Houses had stoves, there were special holes for trash, and the dead were buried in a tidy necropolis. People slept on
woollen mats and fur, made clothes of wool, flax and leather and kept animals.

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The community was especially fond of children. Artefacts include toys such as animals and rattles of clay,
and small, clumsily crafted pots apparently made by children at playtime. (1)

Similarities to Other Cultures.

What we have then is the record of a civilisation that flourished in Europe between 6,000 and 3,500 BC and which
appears to have enjoyed a long period of uninterrupted and peaceful living. The 'Old European' Vinca pottery, artefacts
and writing all show an immediately noticeable similarity to what was originally thought to be an earlier Ubaid Sumerian
influence from the middle east. In addition, the Cycladian/Cretan cultures are suspected of having close close artistic and
possibly religious connections with the Vinca. Both of these cultures appeared following the demise of the Old European
Heartland, perhaps not so coincidentally, at the same time as several other important civilisations (Egyptian, Indus
Valley, Western European, Maltese Etc) appeared in the prehistoric record.
(Map of distribution and styles of Vinca pottery)

The Vinca pottery (above) is almost indistinguishable from Ubaid Sumerian.

Several eminent archaeologists of the time (such as Childe, Hood, Vlassa, Maccay), were convinced that the Vinca had

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somehow been influenced or 'cradled into being' by the mistaken belief at the time that the Sumerians were the 'Mother
race'. However, much to everyone surprise, more recent discoveries of earlier Vinca settlements have shown quite clearly
that events must have occurred the other way round as the Old European settlements, along with writing, pottery,
metallurgy and 'Ubaid' style art, date to a thousand years before the first Sumerian fingerprint, suggesting remarkably
that it was actually a Western European culture that influenced Sumerian development.
(More about the Sumerians)

The Vinca sculptures (above) show strong symbolic similarities to later Cretan 'Mother-Goddess' figurines
and what might be the earliest representation of an 'Omphalos'.
Other similarities with cultures that followed the Vinca's demise have been noted such as the rise of the so-called
Cycladic and Cretan cultures, where the new settlers arrived around 3,200 BC. with identical motifs such as the snake,
intertwined with the bird goddess motif, the bee and the butterfly, with the distinctive motif of the double axe, are found
both in 'Old Europe' and Crete. But the best evidence is in the writing of Old Europe and the 'Linear A' script of Crete,
which are to all intents and purposes identical.
(More about Ancient Greece)

Gallery of Images: Vinca Culture.

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Left: Double-headed figure from Gomolava-Hrtkovci, Serbia. Vinca-Plocnik Culture, Late Mesolithic (5th mill. BC). (Photo
Credits: Carlos Mesa) Right: Double-Headed figure, Cayonu, Turkey. Anatolian Culture (6th Millennium BC).

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Seated Vinca Figurines. (Right) Mother and Child.

(Prehistoric Metallurgy)

(Prehistoric Mining)

(The Sumerians)
(Prehistoric Greece)
(Prehistoric Turkey)
(Bosnian Pyramids)

References:
1).
2).
3).
4).
5).

http://www.re ute rs.com /article /2007/11/12/us-archae ology-balk ans-idUSL0782181520071112?sp=true

http://e n.wik ipe dia.org/wik i/Vin%C 4%8Da_culture
http://www.rom anianhistoryandculture .com /the e urope ancradle .htm
http://archae ology.about.com /od/vte rm s/g/vinca.htm
http://www.m nsu.e du/e m use um /archae ology/site s/m iddle _e ast/cayonu.htm l

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